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Undine (Lortzing)

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she reviles Undine because of her lowly origin, Kühleborn claims that Bertalda is actually the child of fisher people, who she contemptuously rejects. To prove that she is of noble blood, she displays a box belonging to her father the Duke. But a letter inside the box attests Kühleborn's claim. Horrified Bertalda collapses. Kühleborn declares that he is the Prince of the water and disappears before their eyes into the waters of the fountain in the Hall.
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mask, Undine goes weeping into the castle. During the marriage celebration in the castle hall, Hugo, in vain, seeks to dispel ill forebodings. At midnight, the lights go out. Undine appears, surrounded by a mysterious blue light. Hugo throws himself at her feet. A flood of water destroys the castle. The palace of Kühleborn appears with Undine and Hugo kneeling before him. Hugo is forgiven but must remain forever in the realm of the water spirits.
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the real daughter of the fishermen, Bertalda, and entrusted her to the Duke. Undine was left for Tobias and Marthe to raise instead. He wanted to test whether the people who have a soul, are better off than the soulless spirits that live in the waters. He decides to watch over Undine and accompanies the young couple and Veit to the imperial capital, disguised as a priest.
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for some months. Hugo has fallen in love with the beautiful Undine, the foster daughter of the fisherman Tobias and his wife Marthe, and plans to marry her. He tells his bride of his previous life and that he had once loved Bertalda, but now has forgotten her. They are astonished at Undine's remark that she has no soul.
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Bertalda seduces Hugo. Hugo tells Undine that he will no longer live with a water goblin. Undine warns him of Kühleborn's revenge and anger, but he determines to make Bertalda his wife anyway. Kühleborn brings Undine back into the water depths. He explains that beings with a soul are no better than
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The winemaker Hans is happy to welcome back his drinking friend Veit, who tells him about his adventures, and that he has married Undine, a mermaid without a soul. Bertalda learns that Hugo is married, and her love turns to hate. Kühleborn joins the celebration disguised as a count from Naples. As
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As farmers and fishermen follow the knight and Undine into the Chapel, Kühleborn, the Prince of the water spirits, suddenly appears, disguised as a farmer, and talks to Veit. He remarks that this Undine is probably only a creation of his Lord and will not be permanent. Kühleborn had once kidnapped
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The knight Hugo von Ringstetten, having won a tournament, has been given a quest by Bertalda, the daughter of the Duke. She wants him to explore the enchanted forest. Hugo and his squire Veit have been forced by bad weather and floods to take refuge in a fishing village, and have been living there
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Hugo cannot forget Undine and his bad dreams haunt him. Veit and Hans, who has entered into Hugo's service, celebrate the wedding of their Lord with Bertalda, which will take place that day. Intoxicated, they remove the stones blocking the castle fountain. Slowly arising from the water in a white
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There had been a revival of interest in Fouqué following the writer's death in 1843 to which Lortzing responded. Unlike Lortzing's earlier comedies, this work is a serious one, described as a
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A number of other operas and ballets have been based on Fouqué's version of the myth of the water spirit
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L'Almanacco di Gherardo Casaglia 420:, Carl-Alexander Häfner, Cantus-Lin 13: 685:Category:Operas by Albert Lortzing 561:Stuttgart Radio Symphony Orchestra 497: 230:presumed daughter of Duke Heinrich 14: 764: 528: 510:The New Grove Dictionary of Opera 209:Roles, voice types, premiere cast 705: 680: 679: 453:Radio-Symphonie-Orchester Berlin 753:Works based on Undine (novella) 469: 1: 463: 398: 223:Premiere cast, 21 April 1845 123:Friedrich de la Motte Fouqué 74:Friedrich de la Motte Fouqué 7: 353: 274:prince of the water spirits 235:dramatic coloratura soprano 10: 769: 475:Casaglia, Gherardo (2005). 386:the spirits without them. 136:('romantic magic opera'). 121:was by the composer after 738:Operas by Albert Lortzing 675: 608: 326:Tobias's adopted daughter 79: 62: 54: 46: 34: 23: 18: 418:Frankfurt Radio Symphony 389: 380: 371: 358: 202: 127:novella of the same name 447:(Hans/Pater Heilmann), 84:21 April 1845 728:German-language operas 503:Brown, Clive (1992), " 425:Anneliese Rothenberger 193:Stadttheater Magdeburg 134:romantische Zauberoper 95:Stadttheater Magdeburg 617:Ali Pascha von Janina 259:Hugo von Ringstetten 340:Ringstetten's squire 170:Ondine, ou La naïade 41:The composer in 1845 211: 187:Performance history 625:Zar und Zimmermann 207: 733:Romantische Opern 693: 692: 649:Der Waffenschmied 429:Ruth-Margret Pütz 351: 350: 333:Marie Minna Kiel 175:Hans Werner Henze 155:E. T. A. Hoffmann 102: 101: 760: 710: 709: 701: 683: 682: 657:Zum Groß-Admiral 603: 602: 591: 584: 577: 568: 567: 563:, Alfons Rischer 557:Fritz Wunderlich 549: 540:: Scores at the 492: 490: 484: 473: 449:Sieglinde Wagner 414:Ferdinand Frantz 212: 210: 206: 113:in four acts by 91: 89: 39: 16: 15: 768: 767: 763: 762: 761: 759: 758: 757: 718: 717: 716: 704: 696: 694: 689: 671: 604: 600:Albert Lortzing 598: 597: 595: 547: 531: 500: 498:Further reading 495: 488: 482: 474: 470: 466: 401: 392: 383: 374: 361: 356: 301:Pater Heilmann 208: 205: 189: 115:Albert Lortzing 98: 97: 92: 87: 85: 71: 42: 29:Albert Lortzing 12: 11: 5: 766: 756: 755: 750: 745: 740: 735: 730: 715: 714: 691: 690: 688: 687: 676: 673: 672: 670: 669: 661: 653: 645: 637: 633:Der Wildschütz 629: 621: 612: 610: 606: 605: 594: 593: 586: 579: 571: 565: 564: 544: 530: 529:External links 527: 526: 525: 499: 496: 494: 493: 485:21 April 1845" 467: 465: 462: 461: 460: 459:, EMI Classics 437:Peter Schreier 421: 410:Christa Ludwig 406:Trude Eipperle 400: 397: 391: 388: 382: 379: 373: 370: 360: 357: 355: 352: 349: 348: 345: 342: 335: 334: 331: 328: 321: 320: 318: 315: 308: 307: 305: 302: 298: 297: 294: 289: 285: 284: 281: 276: 269: 268: 265: 260: 256: 255: 253: 248: 241: 240: 237: 232: 225: 224: 221: 216: 204: 201: 188: 185: 100: 99: 93: 83: 81: 77: 76: 64: 60: 59: 56: 52: 51: 48: 44: 43: 40: 32: 31: 21: 20: 9: 6: 4: 3: 2: 765: 754: 751: 749: 746: 744: 741: 739: 736: 734: 731: 729: 726: 725: 723: 713: 708: 703: 702: 699: 686: 678: 677: 674: 667: 666: 662: 659: 658: 654: 651: 650: 646: 643: 642: 638: 635: 634: 630: 627: 626: 622: 619: 618: 614: 613: 611: 607: 601: 592: 587: 585: 580: 578: 573: 572: 569: 562: 558: 554: 550: 545: 543: 539: 537: 533: 532: 524: 523:0-333-73432-7 520: 516: 515:Stanley Sadie 512: 511: 506: 502: 501: 486: 480: 472: 468: 458: 455:conducted by 454: 450: 446: 445:Gottlob Frick 443:(Kühleborn), 442: 438: 434: 433:Nicolai Gedda 430: 426: 422: 419: 415: 411: 407: 403: 402: 396: 387: 378: 369: 365: 346: 343: 341: 337: 336: 332: 329: 327: 323: 322: 319: 316: 314: 310: 309: 306: 303: 300: 299: 295: 293: 290: 287: 286: 282: 280: 277: 275: 271: 270: 266: 264: 261: 258: 257: 254: 252: 249: 247: 243: 242: 238: 236: 233: 231: 227: 226: 222: 220: 217: 214: 213: 200: 198: 194: 184: 182: 181: 176: 172: 171: 166: 162: 161: 156: 152: 151: 146: 142: 137: 135: 130: 128: 124: 120: 117:. The German 116: 112: 108: 107: 96: 82: 78: 75: 70: 69: 65: 61: 57: 53: 49: 45: 38: 33: 30: 26: 22: 17: 663: 655: 647: 640: 639: 631: 623: 615: 535: 508: 504: 489:(in Italian) 478: 471: 457:Robert Heger 441:Hermann Prey 431:(Bertalda), 393: 384: 375: 366: 362: 339: 325: 312: 273: 245: 229: 195:on 21 April 190: 178: 168: 165:Cesare Pugni 158: 148: 143:, including 138: 133: 131: 105: 104: 103: 66: 743:1845 operas 313:a fisherman 272:Kühleborn, 145:Tchaikovsky 722:Categories 538:(Lortzing) 464:References 427:(Undine), 408:(Undine), 399:Recordings 246:a cellarer 228:Bertalda, 219:Voice type 88:1845-04-21 47:Librettist 517:(London) 292:contralto 439:(Veit), 435:(Hugo), 354:Synopsis 330:soprano 324:Undine, 311:Tobias, 296:Detroit 283:Werlitz 279:baritone 119:libretto 80:Premiere 63:Based on 55:Language 50:Lortzing 553:YouTube 288:Marthe 267:Nissen 86: ( 748:Operas 698:Portal 668:(1848) 665:Regina 660:(1847) 652:(1846) 644:(1845) 641:Undine 636:(1842) 628:(1837) 620:(1828) 609:Operas 536:Undine 521:  513:, ed. 505:Undine 483:  479:Undine 423:1966: 404:1951: 347:Quint 344:tenor 338:Veit, 244:Hans, 180:Ondine 160:Undine 150:Undina 141:Undine 109:is an 106:Undine 68:Undine 58:German 19:Undine 712:Opera 507:" in 390:Act 4 381:Act 3 372:Act 2 359:Act 1 317:bass 304:bass 263:tenor 239:Beer 215:Role 203:Roles 111:opera 25:Opera 519:ISBN 251:bass 197:1845 173:and 551:on 177:'s 167:'s 157:'s 147:'s 125:'s 72:by 27:by 724:: 559:, 555:, 199:. 183:. 163:, 153:, 129:. 700:: 590:e 583:t 576:v 491:. 481:, 477:" 90:)

Index

Opera
Albert Lortzing

Undine
Friedrich de la Motte Fouqué
Stadttheater Magdeburg
opera
Albert Lortzing
libretto
Friedrich de la Motte Fouqué
novella of the same name
Undine
Tchaikovsky
Undina
E. T. A. Hoffmann
Undine
Cesare Pugni
Ondine, ou La naïade
Hans Werner Henze
Ondine
Stadttheater Magdeburg
1845
Voice type
dramatic coloratura soprano
bass
tenor
baritone
contralto
Trude Eipperle
Christa Ludwig

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