22:
115:
Cesare Pugni was one of the most prolific composers of ballet music, having composed close to 100 known original scores for the ballet and adapting or supplementing many other works. He composed myriad incidental dances such as
100:. Cesare Pugni followed Perrot and Grisi to Russia, and remained in the imperial capital even after Grisi's departure in 1853 and Perrot's departure in 1858. Pugni went on to compose for Perrot's successors
1203:
1255:
782:
1538:
1352:
1461:
874:
634:
1309:
246:
1313:
163:
607:
1317:
651:
594:
1548:
224:
1405:
1391:
597:
with Saint-Léon composing the violin solos). Choreography by A. Saint-Léon, with Pugni adapting Felis and Saint-Léon's score. 19 January 1849.
108:, serving as the Imperial Theatre's official composer of ballet music until his death in 1870. He was also the grandfather of Russian painter
146:
88:, who mounted nearly every one of his ballets to scores by Pugni. In 1850 Perrot departed London for Russia, having accepted the position of
1513:
903:
1145:
991:
65:
14 January] 1870) was an
Italian composer of ballet music, a pianist and a violinist. In his early career he composed operas,
1528:
1508:
1482:
769:
17 January] 1857. Pugni arranged this score from airs taken from his 1850 adaptation of
Adolphe Adam's score for Perrot's
915:
158:
1518:
1523:
1161:
442:. Choreography by J. Perrot. 11 June 1846. The music for the second and third tableaux contained passages based on
70:
196:
1214:
575:
364:
1533:
1465:
1451:
1427:
1409:
1395:
1381:
1365:
1345:
1335:
1321:
1299:
1287:
1273:
1259:
1237:
1223:
1207:
1185:
1154:
1138:
1128:
1114:
1104:
1090:
1076:
1062:
1055:
1039:
1023:
1011:
995:
972:
952:
936:
924:
908:
896:
884:
862:
848:
836:
822:
817:
810:
796:
766:
756:
746:
732:
722:
62:
625:). Choreography by A. Saint-Léon. 6 July 1863. Pugni utilized a suite of traditional Neapolitan airs called
1434:
1298:. Choreography by J. Perrot and M. Petipa after J. Mazilier. Music by Adolphe Adam. 24 January [
1002:
891:
568:
152:
1168:
1046:
843:
69:, and various other forms of orchestral music. Pugni is most noted for the ballets he composed for
1478:
579:(revival). Choreography by A. Saint-Léon, with Pugni adapting his original score. 20 October 1848.
1543:
1236:). Choreography by J. Mazilier after Albert Decombe. Music by Adolphe Adam. 5 November [
1162:
Adaptations of scores by other composers for the
Imperial Bolshoi Kamenny Theatre, St. Petersburg
51:
1443:
316:
128:
1035:
1022:. Choreography by M. Petipa. Palace of the Grand Duchess Elena Pavlovna. 30 November [
959:
669:
1222:). Choreography by J. Perrot after J. Mazilier. Music by Adolphe Adam. 26 November [
344:
184:
140:
1503:
1498:
1030:
699:
1063:
Expanded editions of his own work for the
Imperial Bolshoi Kamenny Theatre, St. Petersburg
369:
101:
8:
1286:). Choreography by J. Perrot. Music by M. Costa, adapted by Pugni. 19 February [
986:
865:
11 December] 1860. Pugni utilized a suite of traditional
Neapolitan airs called
685:
81:, Russia (1850–1870). The majority of his ballet music was composed for the works of the
1447:
1377:
1361:
1331:
806:
559:
262:
121:
1357:
1177:
1051:
432:
74:
1423:
443:
1251:
1173:
1018:
931:
778:
590:
493:
78:
42:
37:
1344:. Choreography by A. Saint-Léon. Music by Arthur Saint-Léon. 20 October [
1269:
1247:
943:
1181:
1007:
117:
93:
1492:
1086:
655:
465:
418:
321:
179:
105:
82:
1372:
745:). Choreography by J. Perrot, M. Petipa and J. Petipa. 5 December [
1199:
678:. Choreography by G. Galzerani. Theatre unknown, Paris. C. 1830–1835.
303:
85:
708:. Choreography by A. Saint-Léon. Théâtre Italien, Paris. 19 February 1866.
448:
1294:
202:
1127:). Choreography by J. Perrot after A. Saint-Léon. 25 December [
492:. Choreography by J. Perrot. 26 June 1847. Music composed jointly with
127:
Of Pugni's original scores for the ballet, he is best known today for
109:
712:
66:
795:. Choreography by J. Perrot and M. Petipa. 19 February [
162:(1864). Of his incidental dances, etc., he is most noted for the
615:). Choreography by Marius Petipa and Lucien Petipa. 29 May 1861.
689:
1442:). Choreography by M. Petipa after Joseph Mazilier. Music by
21:
1172:. Choreography by J. Perrot, M. Petipa and Jean Petipa after
951:
in
Russian). Choreography by M. Petipa. 29 October [
659:
360:(incidental dance). Choreography by J. Perrot. 11 April 1844.
1330:. Choreography by A. Saint-Léon after J. Mazilier. Music by
474:. Choreography by P. Taglioni. 1847 – never premiered.
414:. Choreography by A. Saint-Léon and F. Cerrito. 29 May 1845.
422:(divertissement). Choreography by J. Perrot. 12 July 1845.
390:. Choreography by J. Perrot. 1844 – never premiered.
354:. Choreography by J. Perrot. 1844 – never premiered.
334:. Choreography by J. Perrot. 1843 – never premiered.
92:
of the St. Petersburg
Imperial Theatres at the behest of
1153:). Choreography by Marius Petipa. 16 November [
923:). Choreography by A. Saint-Léon. 15 December [
883:. Choreography by A. Saint-Léon. 15 September [
861:). Choreography by A. Saint-Léon. 23 December [
548:. Choreography by Louis François Gosselin. 15 July 1850.
719:
La Guerre des femmes, ou Les
Amazons du neuvième siecle
253:
Don
Eutichio della Castagna, ossia La Casa disabitata
124:, many of which were added to countless other works.
61:; 31 May 1802, in Genoa – 26 January [
56:
1103:). Choreography by J. Perrot. 11 February [
971:). Choreography by M. Petipa. 11 February [
1137:. Choreography by J. Perrot. 16 November [
1113:. Choreography by J. Perrot. 18 February [
1075:). Choreography by J. Perrot. 19 October [
907:. Choreography by M. Petipa. 24 December [
821:. Choreography by M. Petipa. 30 December [
755:. Choreography by J. Perrot. 20 November [
731:. Choreography by J. Perrot. 24 February [
721:. Choreography by J. Perrot. 23 November [
935:. Choreography by M. Petipa. 1 February [
895:. Choreography by M. Petipa. 30 January [
765:. Choreography by J. Perrot. 29 January [
603:. Choreography by A. Saint-Léon. 22 February 1850.
1353:La Somnambule, ou L'Arrivée d'un nouveau seigneur
1006:. Choreography by M. Petipa. Imperial Theatre of
1490:
805:. Choreography by J. Perrot. Music by Pugni and
713:Imperial Bolshoi Kamenny Theatre, St. Petersburg
502:. Choreography by P. Taglioni. 19 February 1848.
293:
289:. Choreography by G. Galzerani. 14 January 1834.
200:(1868); and his additional music for the ballet
25:Maestro Cesare Pugni, St. Petersburg, circa 1865
1539:Academic staff of Saint Petersburg Conservatory
847:. Choreography by M. Petipa. 12 May [
835:). Choreography by M. Petipa. 5 May [
536:). Choreography by P. Taglioni. 12 March 1850.
255:. Choreography by S. Taglioni. 16 August 1827.
520:. Choreography by P. Taglioni. 14 June 1849.
514:. Choreography by P. Taglioni. 17 April 1849.
486:. Choreography by P. Taglioni. 15 April 1847.
480:. Choreography by P. Taglioni. 18 March 1847.
283:. Choreography by L. Henri. 20 February 1833.
277:. Choreography by L. Henri. 20 February 1830.
271:. Choreography by L. Henri. 26 December 1829.
239:. Choreography by L. Henri. 15 February 1827.
1034:. Choreography by M. Petipa. Theatre of the
904:La Belle du Liban, ou L'Esprit des montagnes
641:
567:). Choreography by A. Saint-Léon. Music by
526:. Choreography by P. Taglioni. 5 July 1848.
402:. Choreography by J. Perrot. 17 April 1845.
340:. Choreography by J. Perrot. 3 August 1843.
312:. Choreography by J. Perrot. 27 April 1843.
112:, also known as Iwan Puni and Jean Pougny.
1460:. Choreography by A. Saint-Léon. Music by
1422:) Choreography by A. Saint-Léon. Music by
1404:. Choreography by A. Saint-Léon. Music by
1390:. Choreography by A. Saint-Léon. Music by
1376:. Choreography by A. Saint-Léon. Music by
992:Palace of the Grand Duchess Elena Pavlovna
542:. Choreography by P. Taglioni. 2 May 1850.
508:. Choreography by J. Perrot. 13 June 1848.
436:. Choreography by J. Perrot. 3 March 1846.
428:. Choreography by J. Perrot. 24 July 1845.
396:. Choreography by J. Perrot. 8 March 1845.
384:. Choreography by J. Perrot. 25 July 1844.
378:. Choreography by J. Perrot. 25 June 1844.
348:. Choreography by J. Perrot. 9 March 1844.
233:. Choreography by Louis Henri. 6 May 1826.
1483:International Music Score Library Project
979:
873:, all originally written by the composer
593:in Venice on 29 February 1848 with music
524:Les Plaisirs de l'hiver, ou Les Patineurs
408:. Choreography by J. Perrot. 1 May 1845.
20:
1306:Robert et Bertrand, ou Les Deux voleurs
1198:). Choreography by J. Perrot. Music by
458:. Choreography by Perrot. 23 July 1846.
1549:Musicians from the Kingdom of Sardinia
1491:
1268:. Choreography by J. Perrot. Music by
1402:Météora, ou Les Étoiles de Grandville
777:in 1850), and his 1852 adaptation of
352:Myrtelde, ou La Nymphe et le papillon
36:
1089:and F. Elssler. 2 January [
571:, adapted by Pugni. 20 October 1847.
1514:19th-century Italian male musicians
1328:Jovita, ou Les Boucaniers mexicains
859:Graziella, ou la Querelle amoureuse
462:Coralia, ou Le Chevalier inconstant
73:in London (1843–1850), and for the
13:
1356:. Choreography by M. Petipa after
1151:La Prima Ballerina, ou L'embuscade
676:La Ricompensa dell'amore spontaneo
552:
518:La Prima Ballerina, ou L'embuscade
214:
14:
1560:
1472:
1052:Imperial Theatre of the Hermitage
698:. Choreography by A. Saint-Léon.
484:Orinthia, ou Le Camp des Amazones
186:La Carnival de Venise pas de deux
1529:Italian male classical composers
1509:19th-century classical composers
1093:21 December 1848] 1849.
855:Graziela, ou Les Dépits amoureux
623:Graziela, ou Les Dépits amoureux
500:Fiorita et la Reine des elfrides
412:Rosida, ou Les Mines de Syracuse
320:. Choreography by J. Perrot and
38:[ˈtʃeːzareˈpuɲɲi,ˈtʃɛː-]
1204:Clémence, Comte de Saint-Julien
869:for this score, as well as the
793:La Petite marchande de bouquets
672:, Paris. Circa 1834–1835.
666:La Dernière heure d'un condamné
629:for this score, as well as the
433:Catarina, or La Fille du Bandit
147:Catarina, ou La Fille du Bandit
1438:(St. Petersburg production of
1418:(St. Petersburg production of
1282:(St. Petersburg production of
1232:(St. Petersburg production of
1218:(St. Petersburg production of
1149:(St. Petersburg production of
1123:(St. Petersburg production of
1099:(St. Petersburg production of
1071:(St. Petersburg production of
563:(Paris production of Perrot's
1:
1085:. Choreography by J. Perrot,
1050:. Choreography by M. Petipa.
990:. Choreography by M. Petipa.
773:(staged in St. Petersburg as
601:Stella, ou Les Contrebandiers
585:(new version of Saint-Léon's
512:Electra, ou La Pléiade perdue
294:Her Majesty's Theatre, London
1342:Saltarello, ou La Dansomanie
1338:15 September] 1859.
684:. Choreography by L. Henry.
668:. Choreography by L. Henry.
589:, originally staged for the
376:Zélia, or La Nymphe de Diane
197:Diane and Actéon Pas de Deux
7:
1479:Free scores by Cesare Pugni
1412:23 February] 1861.
1368:19 December] 1859.
1226:14 November] 1850.
1210:12 February] 1850.
1169:Léda, ou la Laitière Suisse
1131:13 December] 1855.
1026:18 November] 1866.
1014:15 November] 1861.
916:The Little Humpbacked Horse
911:12 December] 1863.
887:3 September] 1861.
825:18 December] 1858.
749:23 November] 1854.
735:12 February] 1853.
725:11 November] 1852.
159:The Little Humpbacked Horse
57:
10:
1565:
1519:Italian Romantic composers
1468:4 February] 1869.
1454:18 October] 1866.
1430:6 December] 1862.
1398:24 January] 1861.
1384:9 February] 1860.
1302:12 January] 1858.
1290:7 February] 1856.
1276:2 February] 1854.
1240:25 October] 1851.
1188:8 December] 1849.
1157:4 November] 1864.
1141:4 November] 1858.
1117:6 February] 1851.
1107:30 January] 1851.
1079:31 October] 1848.
975:30 January] 1869.
955:17 October] 1868.
939:20 January] 1866.
927:3 December] 1864.
899:18 January] 1862.
818:Un Mariage sous la Régence
813:7 February] 1857.
799:7 February] 1857.
759:8 November] 1855.
650:(5 acts). Choreography by
478:Théa, ou Le Fée aux fleurs
209:
1348:8 October] 1859.
1334:. 27 September [
1262:8 January] 1852.
998:9 January] 1855.
400:Kaya, ou L'amour voyageur
221:Il Castello di Kenilworth
46:
1524:Italian ballet composers
1464:. 16 February [
1426:. 18 December [
1364:. 21 December [
1324:25 April] 1858.
1272:. 14 February [
1206:. 24 February [
1184:. 20 December [
1058:27 April] 1868.
1010:. 27 November [
969:Les Deux petites étoiles
881:Les Nymphes et le satyre
851:30 April] 1860.
839:23 April] 1859.
809:. 19 February [
785:'s score for Mazilier's
729:Gazelda, ou Les Tziganes
642:Works for other theatres
90:Premier maître de ballet
1450:. 30 October [
1394:. 5 February [
1380:. 28 January [
1258:. 20 January [
1256:Jean-Baptiste Tolbecque
1097:La Naïade et le pêcheur
1042:6 March] 1868.
994:. 21 January [
833:Le Marché des innocents
783:Jean-Baptiste Tolbecque
702:, Paris. 26 April 1865.
608:Le Marché des Innocents
382:La Paysanne Grande Dame
134:La Naïade et le pêcheur
1234:La Jolie Fille du Gand
1073:Le Délire d'un peintre
1036:Imperial Ballet School
980:Other venues in Russia
892:The Pharaoh's Daughter
871:Chasse aux Hirondelles
829:Le Marché des parisien
631:Chasse aux Hirondelles
613:Le Marché des parisien
446:'s 1844 symphonic ode
338:Le Délire d'un peintre
287:Monsieur de Chalumeaux
153:The Pharaoh's Daughter
34:Italian pronunciation:
26:
1462:Massimiliano Graziani
1420:Le Lutin de la vallée
1416:Théolinda l'orpheline
1146:La Danseuse en voyage
1038:. 18 March [
648:Le Fucine di Norvegia
621:(Paris production of
611:(Paris production of
587:Tartini il Violinista
546:Les Délices du sérail
190:Satanella pas de deux
96:, who was engaged as
71:Her Majesty's Theatre
24:
1534:Musicians from Genoa
1444:Napoléon Henri Reber
1408:. 7 March [
1215:La Femme capricieuse
1196:La Filleule des fées
1135:Éoline, ou la Dryade
1111:Le Jugement de Paris
1101:Ondine, ou La naïade
771:La Filleule des fées
456:Le Jugement de Paris
394:Éoline, ou La Dryade
317:Ondine, ou la Naïade
130:Ondine, ou La Naïade
1388:La Perle de Séville
1320:. 11 May [
1031:L'Amour bienfaiteur
987:L'Étoile de Grenade
875:Maximilien Graziani
867:Passatempi Musicali
692:. 4 September 1836.
686:Teatro di San Carlo
662:. 26 December 1826.
635:Maximilien Graziani
627:Passatempi Musicali
583:Le Violon du diable
468:. 16 February 1847.
269:Adelaide di Francia
265:. 1 September 1828.
237:L'Assedio di Calais
1440:Le Diable amoureux
1310:Felix Kschessinsky
1308:. Choreography by
1280:La Fille de marbre
1246:. Choreography by
1220:Le Diable à Quatre
1069:Le rêve du peintre
1054:. 9 May [
921:La Tsar-Demoiselle
560:La Fille de marbre
506:Les Quatre saisons
464:. Choreography by
368:. Choreography by
302:. Choreography by
263:Giovanni Galzerani
261:. Choreography by
247:Salvatore Taglioni
245:. Choreography by
223:. Choreography by
27:
1358:Jean-Pierre Aumer
1230:La Belle flamande
1178:Adalbert Gyrowetz
530:Les Métamorphoses
370:Arthur Saint-Léon
206:(1863 and 1868).
132:, (also known as
102:Arthur Saint-Léon
75:Imperial Theatres
55:
1556:
1448:François Benoist
1378:François Benoist
1362:Ferdinand Hérold
1332:Théodore Labarre
1252:Edouard Deldevez
1192:L'Élève des fées
1174:Filippo Taglioni
960:Les Deux étoiles
807:Théodore Labarre
779:Edouard Deldevez
775:L'Elève des fées
670:Théâtre Nautique
591:Teatro La Fenice
494:Giovanni Bajetti
328:). 22 June 1843.
306:. 11 March 1843.
227:. 26 April 1825.
60:
50:
48:
40:
35:
16:Italian composer
1564:
1563:
1559:
1558:
1557:
1555:
1554:
1553:
1489:
1488:
1475:
1314:François Hoguet
1270:Giacomo Panizza
1248:Joseph Mazilier
1164:
1065:
982:
963:(also known as
947:(also known as
944:Le Roi Candaule
919:(also known as
857:(also known as
831:(also known as
803:L'Ile des muets
741:(also known as
715:
700:Théâtre Italien
644:
555:
553:The Paris Opéra
532:(also known as
296:
231:Elerz e Zulmida
217:
215:La Scala, Milan
212:
188:(also known as
171:(also known as
118:divertissements
98:Prima ballerina
33:
17:
12:
11:
5:
1562:
1552:
1551:
1546:
1544:Russian ballet
1541:
1536:
1531:
1526:
1521:
1516:
1511:
1506:
1501:
1487:
1486:
1474:
1473:External links
1471:
1470:
1469:
1455:
1431:
1424:Eugène Gautier
1413:
1399:
1385:
1369:
1349:
1339:
1325:
1318:Herman Schmidt
1303:
1291:
1277:
1263:
1241:
1227:
1211:
1189:
1182:Michele Carafa
1163:
1160:
1159:
1158:
1142:
1132:
1118:
1108:
1094:
1080:
1064:
1061:
1060:
1059:
1043:
1027:
1015:
1008:Tsarskoye Selo
999:
981:
978:
977:
976:
956:
940:
928:
912:
900:
888:
878:
852:
844:Le Dahlia bleu
840:
826:
814:
800:
790:
760:
750:
736:
726:
714:
711:
710:
709:
703:
693:
679:
673:
663:
652:Giacomo Piglia
643:
640:
639:
638:
616:
604:
598:
595:Giovanni Felis
580:
572:
554:
551:
550:
549:
543:
537:
527:
521:
515:
509:
503:
497:
487:
481:
475:
469:
459:
453:
444:Félicien David
437:
429:
423:
415:
409:
403:
397:
391:
385:
379:
373:
372:. 23 May 1844.
361:
355:
349:
341:
335:
329:
313:
307:
295:
292:
291:
290:
284:
278:
272:
266:
256:
250:
249:. 28 May 1827.
243:Pelia e Mileto
240:
234:
228:
216:
213:
211:
208:
94:Carlotta Grisi
79:St. Petersburg
15:
9:
6:
4:
3:
2:
1561:
1550:
1547:
1545:
1542:
1540:
1537:
1535:
1532:
1530:
1527:
1525:
1522:
1520:
1517:
1515:
1512:
1510:
1507:
1505:
1502:
1500:
1497:
1496:
1494:
1484:
1480:
1477:
1476:
1467:
1463:
1459:
1456:
1453:
1449:
1445:
1441:
1437:
1436:
1432:
1429:
1425:
1421:
1417:
1414:
1411:
1407:
1403:
1400:
1397:
1393:
1389:
1386:
1383:
1379:
1375:
1374:
1370:
1367:
1363:
1359:
1355:
1354:
1350:
1347:
1343:
1340:
1337:
1333:
1329:
1326:
1323:
1319:
1315:
1311:
1307:
1304:
1301:
1297:
1296:
1292:
1289:
1285:
1281:
1278:
1275:
1271:
1267:
1264:
1261:
1257:
1253:
1249:
1245:
1242:
1239:
1235:
1231:
1228:
1225:
1221:
1217:
1216:
1212:
1209:
1205:
1201:
1197:
1193:
1190:
1187:
1183:
1179:
1175:
1171:
1170:
1166:
1165:
1156:
1152:
1148:
1147:
1143:
1140:
1136:
1133:
1130:
1126:
1125:La Vivandière
1122:
1119:
1116:
1112:
1109:
1106:
1102:
1098:
1095:
1092:
1088:
1087:Marius Petipa
1084:
1081:
1078:
1074:
1070:
1067:
1066:
1057:
1053:
1049:
1048:
1044:
1041:
1037:
1033:
1032:
1028:
1025:
1021:
1020:
1016:
1013:
1009:
1005:
1004:
1000:
997:
993:
989:
988:
984:
983:
974:
970:
966:
962:
961:
957:
954:
950:
946:
945:
941:
938:
934:
933:
929:
926:
922:
918:
917:
913:
910:
906:
905:
901:
898:
894:
893:
889:
886:
882:
879:
876:
872:
868:
864:
860:
856:
853:
850:
846:
845:
841:
838:
834:
830:
827:
824:
820:
819:
815:
812:
808:
804:
801:
798:
794:
791:
788:
784:
780:
776:
772:
768:
764:
761:
758:
754:
751:
748:
744:
743:El Marcobomba
740:
737:
734:
730:
727:
724:
720:
717:
716:
707:
704:
701:
697:
694:
691:
687:
683:
680:
677:
674:
671:
667:
664:
661:
657:
656:Teatro Ducale
653:
649:
646:
645:
636:
632:
628:
624:
620:
617:
614:
610:
609:
605:
602:
599:
596:
592:
588:
584:
581:
578:
577:
576:La Vivandière
573:
570:
569:Michael Costa
566:
562:
561:
557:
556:
547:
544:
541:
538:
535:
531:
528:
525:
522:
519:
516:
513:
510:
507:
504:
501:
498:
495:
491:
488:
485:
482:
479:
476:
473:
472:Méphistophéla
470:
467:
466:Paul Taglioni
463:
460:
457:
454:
451:
450:
445:
441:
438:
435:
434:
430:
427:
424:
421:
420:
419:Pas de Quatre
416:
413:
410:
407:
404:
401:
398:
395:
392:
389:
386:
383:
380:
377:
374:
371:
367:
366:
365:La Vivandière
362:
359:
356:
353:
350:
347:
346:
342:
339:
336:
333:
330:
327:
323:
322:Fanny Cerrito
319:
318:
314:
311:
308:
305:
301:
298:
297:
288:
285:
282:
279:
276:
273:
270:
267:
264:
260:
257:
254:
251:
248:
244:
241:
238:
235:
232:
229:
226:
225:Gaetano Gioja
222:
219:
218:
207:
205:
204:
199:
198:
193:
191:
187:
182:
181:
180:Pas de Quatre
176:
174:
170:
169:La Vivandière
166:
161:
160:
155:
154:
149:
148:
143:
142:
137:
135:
131:
125:
123:
119:
113:
111:
107:
106:Marius Petipa
103:
99:
95:
91:
87:
84:
83:ballet master
80:
76:
72:
68:
64:
59:
53:
44:
39:
31:
23:
19:
1457:
1439:
1433:
1419:
1415:
1406:Santos Pinto
1401:
1392:Santos Pinto
1387:
1371:
1351:
1341:
1327:
1305:
1293:
1283:
1279:
1265:
1243:
1233:
1229:
1219:
1213:
1200:Adolphe Adam
1195:
1194:(revival of
1191:
1167:
1150:
1144:
1134:
1124:
1120:
1110:
1100:
1096:
1083:La Esmeralda
1082:
1072:
1068:
1045:
1029:
1017:
1001:
985:
968:
964:
958:
949:Tsar Kandavl
948:
942:
930:
920:
914:
902:
890:
880:
870:
866:
858:
854:
842:
832:
828:
816:
802:
792:
786:
774:
770:
763:La Débutante
762:
752:
742:
738:
728:
718:
706:Gli Elementi
705:
695:
681:
675:
665:
647:
633:by composer
630:
626:
622:
618:
612:
606:
600:
586:
582:
574:
564:
558:
545:
539:
533:
529:
523:
517:
511:
505:
499:
490:Les Eléments
489:
483:
477:
471:
461:
455:
447:
439:
431:
425:
417:
411:
406:La Bacchante
405:
399:
393:
388:Jeanne d'Arc
387:
381:
375:
363:
357:
351:
345:La Esmeralda
343:
337:
331:
325:
315:
309:
304:Jules Perrot
299:
286:
281:William Tell
280:
274:
268:
258:
252:
242:
236:
230:
220:
201:
195:
194:(1859); the
189:
185:
178:
177:(1844); the
172:
168:
164:
157:
156:(1862); and
151:
145:
141:La Esmeralda
139:
133:
129:
126:
114:
97:
89:
86:Jules Perrot
30:Cesare Pugni
29:
28:
18:
1504:1870 deaths
1499:1802 births
1360:. Music by
1316:. Music by
1295:Le Corsaire
1250:. Music by
1176:. Music by
1003:Terpsichore
965:Les étoiles
696:Don Zeffiro
440:Lalla Rookh
203:Le Corsaire
58:Cezar' Puni
47:Цезарь Пуни
1493:Categories
1458:La Basilic
1373:Pâquerette
1121:Markitenka
739:Marcobomba
540:Les Graces
326:Pas de six
310:Les Houris
259:Agamennone
173:Markitenka
165:Pas de Six
122:variations
67:symphonies
1435:Satanella
1244:Vert-Vert
1047:L'Esclave
787:Vert-Vert
619:Diavolina
534:Satanella
449:Le désert
324:(for the
110:Ivan Puni
52:romanized
358:La Polka
300:L'Aurore
183:(1845);
150:(1846);
144:(1844);
138:(1843);
1485:(IMSLP)
1481:at the
1019:Titania
932:Florida
682:Liacone
275:Macbeth
210:Ballets
54::
43:Russian
1312:after
753:Armida
690:Naples
332:Hamlet
1266:Faust
660:Parma
426:Diane
167:from
1466:O.S.
1452:O.S.
1446:and
1428:O.S.
1410:O.S.
1396:O.S.
1382:O.S.
1366:O.S.
1346:O.S.
1336:O.S.
1322:O.S.
1300:O.S.
1288:O.S.
1284:Alma
1274:O.S.
1260:O.S.
1254:and
1238:O.S.
1224:O.S.
1208:O.S.
1202:and
1186:O.S.
1180:and
1155:O.S.
1139:O.S.
1129:O.S.
1115:O.S.
1105:O.S.
1091:O.S.
1077:O.S.
1056:O.S.
1040:O.S.
1024:O.S.
1012:O.S.
996:O.S.
973:O.S.
953:O.S.
937:O.S.
925:O.S.
909:O.S.
897:O.S.
885:O.S.
863:O.S.
849:O.S.
837:O.S.
823:O.S.
811:O.S.
797:O.S.
781:and
767:O.S.
757:O.S.
747:O.S.
733:O.S.
723:O.S.
565:Alma
120:and
104:and
63:O.S.
967:or
77:in
1495::
688:,
658:,
654:.
49:,
45::
41:;
877:.
789:.
637:.
496:.
452:.
192:)
175:)
136:)
32:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.