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Incidental music is also found in religious ceremony, often when officiants are walking from place to place. (This is distinguished from hymns, where the music is the focus of worship.) Incidental music is also used extensively in comedy shows for a similar purpose: providing mild entertainment
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is incidental music that is played usually at the beginning of a film, play, opera, etc., before the action begins. It may be a complete work of music in itself or just a simple tune. In some cases it incorporates musical themes that are later repeated in other incidental music used during the
141:, and is intended to add atmosphere to the action. It may take the form of something as simple as a low, ominous tone suggesting an impending startling event or to enhance the depiction of a story-advancing sequence. It may also include pieces such as
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is a work that represents the performance and is often played at the beginning or end of the performance. Elements of the theme may be incorporated into other incidental music used during the performance. In films, theme songs are often played during
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is a very brief instant of music that accompanies a scene transition in a performance. Often the stinger marks the passage of time or a change in location. Stingers were used frequently in the
American television series
293:. Parts of all of these are often performed in concerts outside the context of the play. Vocal incidental music, which is included in the classical scores mentioned above, should never be confused with the score of a
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is a soft soundtrack theme that accompanies the action in a performance. It is usually designed so that spectators are only indirectly aware of its presence. It may help to set or indicate the mood of a scene.
719:, with additional music arranged by persons unknown. Available online in an extremely complete state, down to the shortest trumpet fanfare, and thus an extremely useful example of Victorian incidental music.
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Theme songs are among the works of incidental music that are most commonly released independently of the performance for which they were written, and occasionally become major successes in their own right.
305:, it is far more essential to the work than mere incidental music, which nearly always amounts to little more than a background score; indeed, many plays have no incidental music whatsoever.
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are sometimes designed so that they can be repeated indefinitely and seamlessly as required to accompany visuals. These are often used as background music in documentary and trade films.
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The genre of incidental music does not extend to pieces designed for concert performance, such as overtures named after a play, for example, Beethoven's
301:, in which the songs often reveal character and further the storyline. Since the score of a Broadway or film musical is what actually makes the work a
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149:, immediately preceding an interlude, as was customary with several nineteenth-century plays. It may also be required in plays that have
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is a special theme song (often in various modified forms) that accompanies romantic scenes involving the protagonists of a performance.
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have written incidental music for various plays, with the more famous examples including
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Some early examples of what were later called incidental music are also described as
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during a dull transition. Famous comedy incidental musicians include
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The use of incidental music dates back at least as far as
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music, with such music being referred to instead as the
30:"Underscoring" redirects here. For other uses, see
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688:. Jefferson, N.C.: McFarland & Co., 1988.
366:Modern composers of incidental music include
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318:vaudevilles
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69:introducing
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516:References
455:underscore
449:Underscore
439:love theme
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418:Theme song
384:John White
322:melodramas
132:soundtrack
128:film score
120:video game
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245:Rosamunde
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493:See also
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234:Preciosa
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303:musical
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157:History
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394:Types
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