83:, the leading regional newspaper, wrote on July 6th 1774 of the “original music which connoisseurs consider to be a masterpiece. One observes, here in a vein of musical comedy, the same spirit that enlivens all Haydn’s works. To the admiration of connoisseurs and the sheer delight of listeners, he displays masterly variety, switching from the most affected pomposity to low humour, so that H and Regnard vie with one another as to who is the more capriciously absent-minded.”
17:
1333:
94:
would not stop clapping. In that same movement, the allusion to the absent-minded gentleman who had forgotten on his wedding day that he was the groom, and therefore had to tie a knot in his handkerchief, is extremely well done. The musicians begin the piece most pompously and remember only after a while that their instruments have not been tuned.“
358:
describes it as "the funniest and most modern work" on his list of top twenty C-major symphonies, and "possibly the funniest and most modern symphony ever written", going on to say that "Haydn uses most of the 20th-century 'isms' in this piece—surrealism, absurdism, modernism, poly-stylism, and hops
97:
The incidental music fizzes with invention and hilarity and mixes an array of musical styles ranging from stately
Baroque to a movement described by the great Haydn scholar H. C. Robbins Landon as “a medley of Balkan folk tunes”. Its success ensured that Haydn was quick to adapt it as a six-movement
93:
was played. Herr von Haydn has written singular music for it, with which our readers have already been acquainted by articles from
Eszterház published in earlier numbers. Here we will only remind them that it is excellent, quite excellent, and that the finale had to be repeated, since the audience
359:
effortlessly between tightly integrated symphonic argument and rapid-fire cinematic jump-cutting. This is Haydn at his absolute boldest—he undermines every expectation, and re-examines every possible assumption about music."
305:. From a theatrical standpoint, this suggests a dialogue between two characters in the play—a well-bred young lady and a carousing soldier—but Haydn had also juxtaposed these types of themes in the slow movements of his
320:
The courtly and pompous minuet is contrasted by the reappearance of the absent-minded main character in the trio, which features an exotically wandering, rising and falling motif over a
79:
The comedy—about a man so absent-minded that he nearly forgets his own wedding—was evidently perfect material for Haydn’s wit and humour, and his music was an instant hit. The
52:
The symphony was adapted from incidental music that Haydn composed in 1774 for a German-language performance at
Eszterház of a comedy by the French playwright
298:, a conductor who has recorded the symphony, this quotation is Haydn portraying the orchestra performing the incorrect composition due to distraction.
98:
symphony, perhaps as early as 1775. Symphony no. 60 contains the overture, four entr'actes and finale from the music composed for the five-act play.
280:
which also served as an overture to a stage work. The ensuing
Allegro is in sonata form. The second theme has a section that is notably marked
284:("dying away") which Sisman associates with the absent-mindedness of the main character of the play. In the development section, the falling
547:
65:
86:
Another performance on 22 November in
Pressburg itself (now Bratislava, Slovakia) elicited another rave review from the same newspaper:
578:
551:
327:
The fifth movement (adagio) briefly introduces timpani and trumpets, not to be found again in a Haydn symphonic slow movement until
518:
1353:
587:
1358:
1363:
571:
505:
454:
468:
541:
276:
The slow introduction to the first movement overture opens with a fanfare similar to the one that opens the
1368:
1323:
368:
564:
339:
1307:
1299:
1294:
1286:
1278:
53:
1273:
1268:
1263:
1255:
1250:
1242:
1237:
1214:
1209:
1204:
1199:
1194:
1178:
1173:
1165:
1157:
1149:
1141:
1121:
1116:
1111:
1106:
1101:
1096:
1091:
1086:
1078:
1073:
1068:
1063:
1055:
1050:
1045:
1040:
1035:
1027:
1019:
1014:
1009:
982:
977:
972:
967:
959:
954:
946:
941:
936:
931:
923:
915:
907:
902:
894:
886:
878:
873:
868:
852:
847:
839:
834:
829:
824:
819:
814:
809:
801:
793:
788:
783:
775:
767:
762:
757:
752:
744:
739:
723:
718:
713:
708:
703:
698:
693:
688:
683:
678:
673:
328:
310:
306:
291:
277:
1337:
668:
660:
652:
644:
639:
634:
629:
624:
619:
535:
301:
The slow movement features an alternation between a lyrical string motif and an oboe/horn
8:
614:
609:
425:
1228:
501:
450:
417:
295:
413:
134:
76:
is the
Italian translation and the title that appears on Haydn's incidental music.)
1132:
409:
346:—which they noisily proceed to do for 10 to 15 seconds before they resume playing.
519:"The Real Top 20 C Major Symphonies of All Time | Kenneth Woods - conductor"
343:
127:
1347:
556:
421:
397:
355:
593:
342:
orchestral flourish, as the violins discover that they seemingly "need" to
194:
115:
33:
334:
The finale features one of Haydn's famous musical jokes: the energetic
314:
429:
500:(Volume 2) (Bloomington and London: Indiana University Press, 2002) (
449:(Volume 2) (Bloomington and London: Indiana University Press, 2002) (
313:
symphonies. The development section contains a parody of a French
286:
321:
302:
253:
213:
185:
123:
119:
111:
29:
190:
16:
107:
338:
opening grinds to a sudden halt following a spectacularly
294:
is quoted and repeated at different pitches. According to
1321:
1345:
490:
396:
586:
469:""An Orchestra of Actors", in Liner Notes for
572:
402:Journal of the American Musicological Society
400:(Summer 1990). "Haydn's Theater Symphonies".
64:). Written in 1697, the play was revived by
579:
565:
68:’s touring company under the German title
552:International Music Score Library Project
441:
439:
392:
390:
388:
386:
384:
349:
15:
1346:
436:
560:
544:Has instrumentation, composition date
381:
36:. It is sometimes given the nickname
538:(browse for .ram file for this work)
466:
13:
14:
1380:
529:
1331:
414:10.1525/jams.1990.43.2.03a00030
106:The symphony is scored for two
89:“On Tuesday, St Cecilia’s Day,
32:, Hoboken I/60, was written by
511:
460:
1:
542:Klassika page on the symphony
101:
7:
362:
237:Adagio (di Lamentatione),
62:The Absent-Minded Gentleman
47:
10:
1385:
1354:Symphonies by Joseph Haydn
369:List of symphonies by name
1226:
1187:
1130:
1002:
861:
732:
602:
1359:Humor in classical music
498:The Symphonic Repertoire
447:The Symphonic Repertoire
374:
1364:Compositions in C major
473:, Haydn2032, volume 4"
21:
548:Haydn Symphony No. 60
536:BBC Discovering Music
350:Critical commentaries
290:motif that opens the
258:Finale: Prestissimo,
54:Jean-François Regnard
19:
467:Antonini, Giovanni.
344:retune their strings
234:in C minor and major
152:– Allegro di molto,
81:Pressburger Zeitung
1160:(In nomine Domini)
1030:(Tempora mutantur)
962:(The Schoolmaster)
22:
1369:1774 compositions
1319:
1318:
1229:London symphonies
296:Giovanni Antonini
292:Farewell Symphony
1376:
1336:
1335:
1334:
1327:
1133:Paris symphonies
918:(Maria Theresia)
778:(Hermannstädter)
597:
596:
581:
574:
567:
558:
557:
550:: Scores at the
523:
522:
515:
509:
496:A. Peter Brown,
494:
488:
487:
485:
483:
478:. Alpha Classics
477:
464:
458:
445:A. Peter Brown,
443:
434:
433:
398:Elaine R. Sisman
394:
272:
271:
270:
269:
251:
250:
249:
248:
233:
232:
231:
230:
211:
210:
209:
208:
183:
182:
181:
180:
166:
165:
164:
163:
151:
150:
149:
148:
1384:
1383:
1379:
1378:
1377:
1375:
1374:
1373:
1344:
1343:
1342:
1338:Classical Music
1332:
1330:
1322:
1320:
1315:
1222:
1183:
1126:
998:
857:
728:
598:
592:
591:
585:
532:
527:
526:
517:
516:
512:
508:), pp. 101–103.
495:
491:
481:
479:
475:
465:
461:
444:
437:
395:
382:
377:
365:
352:
329:Symphony No. 88
268:
263:
262:
261:
260:
259:
247:
242:
241:
240:
239:
238:
229:
224:
223:
222:
221:
220:
207:
202:
201:
200:
199:
198:
179:
174:
173:
172:
171:
170:
162:
157:
156:
155:
154:
153:
147:
142:
141:
140:
139:
138:
118:, two optional
104:
70:Der Zerstreute.
50:
40:or, in German,
26:Symphony No. 60
12:
11:
5:
1382:
1372:
1371:
1366:
1361:
1356:
1341:
1340:
1317:
1316:
1314:
1313:
1305:
1297:
1292:
1284:
1276:
1271:
1266:
1261:
1253:
1248:
1240:
1234:
1232:
1224:
1223:
1221:
1220:
1212:
1207:
1202:
1197:
1191:
1189:
1185:
1184:
1182:
1181:
1176:
1171:
1163:
1155:
1147:
1138:
1136:
1128:
1127:
1125:
1124:
1119:
1114:
1109:
1104:
1099:
1094:
1089:
1084:
1076:
1071:
1066:
1061:
1053:
1048:
1043:
1038:
1033:
1025:
1017:
1012:
1006:
1004:
1000:
999:
997:
996:
993:(Il distratto)
988:
980:
975:
970:
965:
957:
952:
944:
939:
934:
929:
921:
913:
905:
900:
892:
884:
876:
871:
865:
863:
859:
858:
856:
855:
850:
845:
837:
832:
827:
822:
817:
812:
807:
799:
791:
786:
781:
773:
770:(Lamentatione)
765:
760:
755:
750:
742:
736:
734:
730:
729:
727:
726:
721:
716:
711:
706:
701:
696:
691:
686:
681:
676:
671:
666:
658:
650:
642:
637:
632:
627:
622:
617:
612:
606:
604:
600:
599:
584:
583:
576:
569:
561:
555:
554:
545:
539:
531:
530:External links
528:
525:
524:
510:
489:
459:
457:), pp. 150–52.
435:
379:
378:
376:
373:
372:
371:
364:
361:
354:The conductor
351:
348:
274:
273:
264:
256:
243:
235:
225:
217:
203:
188:
175:
167:
158:
143:
103:
100:
91:Der Zerstreute
49:
46:
42:Der Zerstreute
9:
6:
4:
3:
2:
1381:
1370:
1367:
1365:
1362:
1360:
1357:
1355:
1352:
1351:
1349:
1339:
1329:
1328:
1325:
1312:
1311:
1306:
1304:
1303:
1298:
1296:
1293:
1291:
1290:
1285:
1283:
1282:
1277:
1275:
1272:
1270:
1267:
1265:
1262:
1260:
1259:
1254:
1252:
1249:
1247:
1246:
1241:
1239:
1236:
1235:
1233:
1231:
1230:
1225:
1219:
1218:
1213:
1211:
1208:
1206:
1203:
1201:
1198:
1196:
1193:
1192:
1190:
1186:
1180:
1177:
1175:
1172:
1170:
1169:
1164:
1162:
1161:
1156:
1154:
1153:
1148:
1146:
1145:
1140:
1139:
1137:
1135:
1134:
1129:
1123:
1120:
1118:
1115:
1113:
1110:
1108:
1105:
1103:
1100:
1098:
1095:
1093:
1090:
1088:
1085:
1083:
1082:
1077:
1075:
1072:
1070:
1067:
1065:
1062:
1060:
1059:
1054:
1052:
1049:
1047:
1044:
1042:
1039:
1037:
1034:
1032:
1031:
1026:
1024:
1023:
1022:(La Roxelane)
1018:
1016:
1013:
1011:
1008:
1007:
1005:
1001:
995:
994:
989:
987:
986:
981:
979:
976:
974:
971:
969:
966:
964:
963:
958:
956:
953:
951:
950:
949:(L'impériale)
945:
943:
940:
938:
935:
933:
930:
928:
927:
926:(La passione)
922:
920:
919:
914:
912:
911:
906:
904:
901:
899:
898:
893:
891:
890:
885:
883:
882:
877:
875:
872:
870:
867:
866:
864:
860:
854:
851:
849:
846:
844:
843:
838:
836:
833:
831:
828:
826:
823:
821:
818:
816:
813:
811:
808:
806:
805:
800:
798:
797:
792:
790:
787:
785:
782:
780:
779:
774:
772:
771:
766:
764:
761:
759:
756:
754:
751:
749:
748:
747:(Philosopher)
743:
741:
738:
737:
735:
731:
725:
722:
720:
717:
715:
712:
710:
707:
705:
702:
700:
697:
695:
692:
690:
687:
685:
682:
680:
677:
675:
672:
670:
667:
665:
664:
659:
657:
656:
651:
649:
648:
643:
641:
638:
636:
633:
631:
628:
626:
623:
621:
618:
616:
613:
611:
608:
607:
605:
601:
595:
589:
582:
577:
575:
570:
568:
563:
562:
559:
553:
549:
546:
543:
540:
537:
534:
533:
520:
514:
507:
503:
499:
493:
474:
472:
463:
456:
452:
448:
442:
440:
431:
427:
423:
419:
415:
411:
408:(2): 293–98.
407:
403:
399:
393:
391:
389:
387:
385:
380:
370:
367:
366:
360:
357:
356:Kenneth Woods
347:
345:
341:
337:
332:
330:
325:
324:-like drone.
323:
318:
316:
312:
308:
304:
299:
297:
293:
289:
288:
283:
279:
278:50th symphony
267:
257:
255:
246:
236:
228:
218:
215:
206:
196:
192:
189:
187:
178:
168:
161:
146:
136:
133:
132:
131:
129:
125:
121:
117:
113:
109:
99:
95:
92:
87:
84:
82:
77:
75:
71:
67:
63:
59:
55:
45:
43:
39:
35:
31:
27:
18:
1309:
1301:
1288:
1280:
1257:
1244:
1227:
1216:
1167:
1159:
1151:
1143:
1131:
1080:
1057:
1029:
1021:
992:
990:
984:
961:
948:
925:
917:
910:(Palindrome)
909:
896:
888:
880:
841:
804:(Hornsignal)
803:
795:
777:
769:
746:
662:
654:
646:
594:Joseph Haydn
513:
497:
492:
480:. Retrieved
471:Il Distratto
470:
462:
446:
405:
401:
353:
335:
333:
326:
319:
300:
285:
281:
275:
265:
244:
226:
204:
176:
159:
144:
105:
96:
90:
88:
85:
80:
78:
74:Il Distratto
73:
69:
61:
57:
51:
41:
38:Il Distratto
37:
34:Joseph Haydn
25:
23:
20:Joseph Haydn
1081:(La chasse)
336:prestissimo
58:Le Distrait
1348:Categories
1302:(Drumroll)
1281:(Military)
1245:(Surprise)
1168:(La Reine)
1144:(The Bear)
897:(Farewell)
796:(Alleluia)
647:(Le matin)
588:Symphonies
506:025333487X
455:025333487X
340:discordant
315:folk dance
282:perdendosi
1258:(Miracle)
1152:(The Hen)
881:(Mercury)
663:(Le soir)
655:(Le midi)
422:0003-0139
212:(Trio in
169:Andante,
102:Movements
66:Karl Wahr
1310:(London)
1217:(Oxford)
1058:(Laudon)
889:(Trauer)
482:22 March
363:See also
287:arpeggio
219:Presto,
191:Menuetto
120:trumpets
48:Nickname
1289:(Clock)
322:bagpipe
303:fanfare
254:F major
214:C minor
186:G major
128:strings
124:timpani
112:bassoon
56:called
30:C major
1324:Portal
985:(Fire)
842:(Echo)
504:
453:
430:831616
428:
420:
135:Adagio
126:, and
114:, two
1188:88–92
1003:61–81
862:41–60
733:21–40
476:(PDF)
426:JSTOR
375:Notes
116:horns
108:oboes
1308:104
1300:103
1287:101
1279:100
603:A–20
502:ISBN
484:2017
451:ISBN
418:ISSN
311:65th
309:and
307:28th
195:Trio
24:The
1295:102
1256:96
1243:94
1215:92
1166:85
1158:84
1150:83
1142:82
1079:73
1056:69
1028:64
1020:63
991:60
983:59
960:55
947:53
924:49
916:48
908:47
895:45
887:44
879:43
840:38
802:31
794:30
776:27
768:26
745:22
590:by
410:doi
252:in
184:in
28:in
1350::
1274:99
1269:98
1264:97
1251:95
1238:93
1210:91
1205:90
1200:89
1195:88
1179:87
1174:86
1122:81
1117:80
1112:79
1107:78
1102:77
1097:76
1092:75
1087:74
1074:72
1069:71
1064:70
1051:68
1046:67
1041:66
1036:65
1015:62
1010:61
978:58
973:57
968:56
955:54
942:52
937:51
932:50
903:46
874:42
869:41
853:40
848:39
835:37
830:36
825:35
820:34
815:33
810:32
789:29
784:28
763:25
758:24
753:23
740:21
724:20
719:19
714:18
709:17
704:16
699:15
694:14
689:13
684:12
679:11
674:10
661:8
653:7
645:6
438:^
424:.
416:.
406:43
404:.
383:^
331:.
317:.
197:,
193:–
137:,
130:.
122:,
110:,
44:.
1326::
669:9
640:5
635:4
630:3
625:2
620:1
615:B
610:A
580:e
573:t
566:v
521:.
486:.
432:.
412::
266:4
245:4
227:4
216:)
205:4
177:4
160:4
145:4
72:(
60:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
