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Try Some, Buy Some

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221:, which Spector also co-produced. The song's austere melody was influenced by Harrison composing on a keyboard instrument rather than guitar. The lyrics document his sudden perception of God amid the temptations of the material world, including recreational drugs, and serve as an account of a religious epiphany. Ronnie later admitted to being confused by the concept, and some writers have commented on the song's unsuitability as a vehicle for her comeback. Spector employed his 4451: 858: 479: 1217:' mandolins" that are at odds with the more subtle mood found elsewhere on the album. Ian Inglis similarly finds the song "out of place" and says that the combination of Spector's "unconvincing" production style and Harrison's singing make it "one of his least impressive performances". Inglis also writes: "It may be a love song or a hymn of salvation but, unlike songs where this duality strengthens their impact (such as ' 1418:, Lennon and his friends arrived uninvited, much to Spector's annoyance, and with Lennon declaring, "We're here to make a record with Ronnie Ronette." Thompson writes that, as simplistic as "Tandoori Chicken" is musically and lyrically, "it reasserted command in front of Lennon and his cronies; and re-established his cool at a time he almost lost it." 893:, in which she offers a damning description of her only Apple single. She says that "Try Some, Buy Some" "stunk" and its meaning was lost on her: "Religion? Drugs? Sex? I was mystified. And the more George sang, the more mystified I got." In 1999, however, she named the song among her five favourite recordings from her career, along with " 436:", Harrison refers to the drug culture prevalent in the music industry, in the verse-two lines "I've seen grey sky, met big fry / Seen them die to get high ..." Author Joshua Greene writes of Harrison's concern during the 1970s for friends who "wasted their time chasing sex and drugs and money", while Allison suggests 558:", a production he considered his masterpiece. Ronnie told Symes: "For four years Phil and I completely detached ourselves from everyone in the business and settled down in California. I was so bored and missed the stage so much I nearly had a nervous breakdown. If I hadn't had a kid I don't know what I would have done." 31: 425:, the lyrics are a "reflection on some sort of conversion experience", in which Harrison provides "before and after" comparisons. Before his spiritual awakening, Harrison sings of possessing, seeing, feeling and knowing nothing until, Allison writes, "he called upon God's love, which then came into him." 1286:
Now my connection to the song is about leaving a way of life behind me and finding something new. It’s overstated about most rock artists leaving drugs ... But when I first heard the song in '74 I was yet to go through my heavy drug period. And now it’s about the consolation of having kicked all that
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In Ronnie's recollection, when they were recording at EMI, Spector dismissed her concerns that the song's key was not right for her and that she did not understand its meaning. In response to her comments, Harrison removed some of the lyrics where the melody was too high. According to Scott, speaking
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Whereas the mix on the 1971 single had favoured instrumentation such as the mandolins, which Williams views as "the record's trademark", Harrison's treated the balance of backing instruments differently; Madinger and Easter describe the original version as having a "clearer" sound. Lennon later said
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event, Ronnie overdubbed her lead vocal at Trident. Scott recalled that Spector repeatedly kept her waiting in the small vocal booth between takes while he regaled Harrison and Scott with personal anecdotes lasting up to 20 minutes before commenting on her performance. In Scott's description, Ronnie
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wrote in 1977, the producer having " himself to transform it into a masterpiece of his patented 'wall of sound' production". Spector had been sure that the song would become "a giant smash", according to Williams, who describes the outcome as a challenge to "Phil's eternal trust in his own judgment
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Apple Records issued "Try Some, Buy Some" backed by "Tandoori Chicken" on 16 April 1971 in Britain (as Apple 33). The US release took place on 19 April (as Apple 1832). Ronnie gave several interviews to the UK music press to promote the single. She told Symes that it took a long time to learn and
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includes "Lovely La-De-Day", as well as two instrumental versions of "You". The bootleg also includes a drunken jam session in which Harrison and Spector play snippets of cover versions on acoustic guitars, with occasional vocals by Ronnie. One of the recordings of "You" was the basic track that
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Sessions for the proposed album took place in London in February 1971. Beatles historian Keith Badman gives dates of 2 and 3 February, while authors Chip Madinger and Mark Easter write that "according to reports", the sessions took place between 8 and 21 February. In addition to playing guitar,
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than he preferred and view its dense production as being out of place on the album; others admire the lyrics and melody, and recognise a seductive quality in the song. Having long been unavailable following its 1971 release, Ronnie Spector's version was reissued in 2010 on the compilation
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said the "mere snatch of a song" was transformed into a "mighty four-minute track by virtue of an astounding production from Phil Spector and George Harrison", and that their achievement was then "sentimentally upstaged" by Ronnie reprising the wordless vocalisations of the Ronettes'
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commented: "This was considered an underhand trick in some quarters. However, since the single had clearly not received the attention it merited, it could be argued that George was simply husbanding his resources carefully." In an otherwise highly favourable review for
1092:" (also co-produced by Spector) on that of "Try Some Buy Some", in particular, asking that his acoustic guitarists replicate the mandolin parts. Neither Russell nor Ham appeared in the musician credits for Harrison's version of "Try Some, Buy Some". 192:, Ronnie's husband at the time, but abandoned following recording sessions that were hampered by his erratic behaviour. The only official release from the sessions, the single achieved minimal commercial success, peaking at number 77 on the US 2475: 1079:
in October that year, Harrison revisited Ronnie's recording of the song, rather than creating a new version, and replaced her vocal with his own. He later admitted that the key was higher than he would have preferred, as with "You".
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The song begins with the lines "Way back in time / Someone said try some, I tried some / Now buy some, I bought some ..." before Harrison states that he opened his eyes "and I saw you". According to Christian theologian
849:, citing Ronnie's later recollections, says that she was "stunned" by the single's failure since Spector's "golden touch" had returned and "Try Some, Buy Some" was "as exquisite as anything he had cut with John and George". 1179:
cited the track as an example of the "most compelling" aspect of Harrison's music – namely, when his songs " in those strange shadows of elusive regret and longing, even fear". Five years after this, in an album review for
790:, the equal of almost anything Spector produced in his great period", but concluded: "sadly it will probably prove to be too 'weird' for today's market. Sometimes I'd swear that we're going backwards." Symes endorsed it in 360:. Harrison says in his autobiography that the melody and "weird chords" came about through experimentation on a keyboard instrument, which allowed him more harmonic possibilities than are available on a guitar. The song's 302:
The song itself, I think, is really good. It's so simple yet so complicated. It was the sort of thing I found myself playing over and over again and being amazed by the simplicity of the movement of the bass lines.
1155:, Michael Watts wrote that the song fitted the album-wide description of Harrison's personal journey to "musical iconographer" status from his Beatle past. Watts considered the arrangement the "most imaginative" on 541:, Williams quotes music publisher Paul Case as having said during this period: "Phil wants a hit record with Ronnie again more than anything in the world. I think he'd give up all his worldly possessions for that." 830:
Among other Spector biographers, Mark Ribowsky writes: " was completely wrong for her – another of George's mystic chants, it forced Ronnie to try to appeal to the spirit instead of the flesh ..." In his book
677:: "we only did four or five tracks before Phil fell over ..." Of those songs, Spector chose "Try Some, Buy Some" to complete for release as a single by Ronnie, rather than the more obviously commercial "You". 815:. Williams writes of the reaction to "Try Some, Buy Some": "although people were awed by it, the radio would hardly touch it ..." In the UK, radio stations opted instead for "Tandoori Chicken", which author 225:
production aesthetic to full effect on "Try Some, Buy Some" and was stunned at the single's commercial failure. The recording features a choir and long, lavishly orchestrated instrumental passages arranged by
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Harrison biographer Simon Leng describes the tune as "the most extreme example" of its composer's "circular melodic" style, "seeming to snake through an unending series of harmonic steps". As reproduced in
607:), on 3 February, allegedly playing piano. Ronnie was also at these sessions, having arrived in London the previous day with instructions to come to EMI and rehearse with Harrison, Russell and Ham. 447:
In addition to the song echoing the "lost and then found" message of many Christian conversions, Allison writes, "Try Some, Buy Some" demonstrates Harrison's incarnation among the "twice-born" in
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record label was a condition of Spector's deal with the company, one that Harrison and Lennon, as avowed fans of the Ronettes, were happy to honour. According to former Beatles sound engineer
630:, an associate of Spector; a Harrison–Spector collaboration titled "Tandoori Chicken"; and, according to Madinger and Easter, "I Love Him Like I Love My Very Life". In a 1987 interview with 289:, Harrison recalls writing the tune on an organ and, not being an accomplished keyboard player, having difficulties doing the correct fingering in both hands. It was only when his friend 550:
in May 1971, Ronnie said she had hated being away from the music industry. The situation had been forced on her by Spector's semi-retirement in 1966, following the failure in America of
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in slow motion. The closing portions of the orchestral arrangement are breathtaking, displaying a geometrical logic which makes use of suspended rhythms drawn out to screaming point.
1213:"achieved nothing, except to prove that Spector's Wall of Sound was an anachronism" by 1973. Leng bemoans Harrison's "straining" vocal on the track and "banks of trilling ' 3669: 927:
Of the other tracks recorded in 1971, "Tandoori Chicken" remains a rarity, while Ronnie's versions of "When Every Song Is Sung" and "You" have never received a release. A
1112:'s design for the record's face labels contrasted a devout spiritual existence with life in the material world, by featuring a painting of Krishna and his warrior prince 1069:
that "Try Some, Buy Some" was one of his compositions he rated "really high" and that he might record it for his next album. He added that he could envisage including a
1571: 880:. In the ensuing years, Ronnie filed for divorce in 1973 and resumed her career that year by playing live dates with a new line-up of the Ronettes and recording for 626:, and Harrison had written "You" as what he called "a Ronettes sort of song". The other tracks recorded were "Lovely La-De-Day" (or "Loverly Laddy Day"), written by 6280: 1209:
Simon Leng dismisses the Ronnie Spector album project as "self-indulgence" on the part of the two producers and says that the inclusion of "Try Some, Buy Some" on
918:, Mike Diver comments on the overindulgence behind many of the Beatles' Apple projects but views "Try Some, Buy Some" as being "worthy of praise". Hal Horowitz of 2967: 1452:
Scott added: "At the time it was so strange but then everything that came out about Phil after that, with the trial and everything, it just made so much sense."
4487: 3062: 907:, and "Be My Baby". She added: "the record was done to make me happy, and it did. It might not have been made for the right reasons, but it's a good record." 759:
magazine's reviewer described "Try Some, Buy Some" as a "powerful production ballad" that had "all the ingredients to break through big", while stating that
6265: 4115: 1282:, Bowie said that whereas Harrison had "a belief in some kind of system", his own experience continued to be a "daunting spiritual search". Bowie added: 1552:
According to Inglis, the song might have succeeded with a different musical arrangement and the "melodramatic delivery" of a singer like Shirley Bassey.
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song so seductively melodic it might induce the opposite effect". Elliot Huntley praises Harrison's "yearning" vocal as "one of the many highlights" of
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Williams highlights Spector's role in taking "a pleasant but essentially ordinary tune" and turning it into a "wholly magnificent" example of his
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called the song "an overblown attempt to restate the spiritual message in material terms: 'Won't you try some / Baby won't you buy some.'" In
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session with Spector and "a huge orchestra" that Harrison learnt of Bright Tunes' legal action against him and Apple, over the "unauthorised
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Several reviewers have questioned Harrison's decision to reuse the 1971 instrumental track for his version. Among the varied opinions on the
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As with "River Deep – Mountain High", the single's lack of success was one of the "crushing disappointments" of Spector's career, author
3100: 4480: 3743: 876: 867: 252: 2575: 6260: 5469: 3954: 1313:" " this set more than anything else". Dave Thompson includes Bowie's version in his selection of the twenty "great Spector covers'. 506:. Since the break-up of the Ronettes in 1967, her only musical release had been "You Came, You Saw, You Conquered", a 1969 single on 5181: 4050: 1504:
In light of this statement, Allison writes of the 1971 recording: "she didn't understand the song at all and sang it accordingly."
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production style, on which "the essence is in the sound of the voice against the orchestra". The heavy orchestration – including
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The inclusion of "Try Some, Buy Some" on Harrison's otherwise self-produced 1973 album surprised some critics. Writing in 1981,
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describes the lyrics of "Try Some, Buy Some" as "a typically Harrisonian hymn to his Lord", in keeping with the religiosity of
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Ronnie also said at the time: "I'm not in it very much ... it's like a movie where the star only appears now and then."
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understand the song, adding: "I love the record. It's completely different for me; it's more of a music thing than vocal."
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kept his musical activities to a minimum for over a year. In an early 1972 interview, Harrison told music journalist
938: 2821: 1194:. Huntley considers the "hymn-like song cycle" represented by this "superb" track and the album's final two songs, " 636:
magazine, Harrison spoke of Spector supplying songs for the project, one of which was "very good, in his pop vein".
215:"Try Some, Buy Some" was one of several Harrison compositions left over from the sessions for his 1970 triple album 6020: 5494: 5000: 4793: 4594: 4274: 3750: 1428: 1195: 453:
terminology. The same theme of salvation through reconciliation with his deity is present in Harrison's 1968 song "
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Snippets of Ronnie's vocal remain on Harrison's recording of "You", including a closing quote from "Be My Baby".
874:"Try Some, Buy Some" remained out of print for almost 40 years, until its reissue on the 2010 Apple compilation 808:
on 8 May and reached number 77, remaining on the chart for four weeks. In Canada, it peaked at number 63 on the
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The planned comeback album ended due to the same erratic behaviour from Spector that had hindered work on
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during the mid 1960s. Badman writes that Lennon participated in the second session at EMI Studios (now
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said that it is "lavishly produced" and described it as "hit stuff." In his contemporary review for
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in the middle". Lennon was rumoured to have made an unspecified contribution on "Tandoori Chicken".
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Aside from "Try Some, Buy Some", the first songs selected were ones that Harrison had routined for
180:. She recorded it in London along with other Harrison compositions for a planned comeback album on 444:
as being among the people on whom Harrison "personally witnessed the toll drugs and drink took".
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that the descending melody played by the string section was an inspiration behind his 1974 song "
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also comments on the unsuitability of Harrison's "hymn about rejecting materialism and embracing
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Be My Baby: How I Survived Mascara, Miniskirts, and Madness – Or, My Life as a Fabulous Ronette
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The Lennon Tapes: John Lennon and Yoko Ono in Conversation with Andy Peebles, 6 December 1980
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album, with Harrison providing many of the songs, and issue it on Apple Records. In his book
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in central London. This session took place in her absence, and before Harrison had begun the
462: 348: 339: 277:'s song "Try Some, Buy Some" dates back to the recording sessions for his 1970 triple album 6181: 6174: 5950: 5625: 5514: 4060: 3778: 2374: 1523: 1310: 755: 551: 534: 409:". Harrison biographer Elliot Huntley writes of "Try Some, Buy Some" delivering Harrison's 279: 217: 8: 6245: 6153: 5964: 5936: 5866: 5664: 5487: 5356: 5279: 4986: 4951: 4902: 4814: 4800: 4379: 2994: 2683: 2170: 1983: 1172: 920: 662:. Harrison said the performance was recorded in a single take, with "a lot of improvised 632: 402: 3152:"Bowie Back with 'Reality': September set features Modern Lovers, Ronnie Spector covers" 283:, and was one of several tracks left over from that project. In his 1980 autobiography, 6132: 5957: 5852: 5845: 5789: 5650: 5363: 5244: 5107: 4874: 4842: 4828: 4601: 3841: 3592: 3518: 2389: 1218: 1199: 823: 765: 604: 285: 82: 3133:"'I Could Thank God. Yeah. But Which One?': A Conversation with David Bowie from 2003" 6188: 6027: 5922: 5803: 5604: 5441: 5237: 4937: 4037: 3975: 3940: 3771: 3674: 3651: 3633: 3615: 3597: 3577: 3559: 3544: 3526: 3508: 3493: 3478: 3463: 3445: 3430: 3415: 3397: 3382: 3367: 3352: 3337: 3319: 3304: 3286: 3268: 3253: 3235: 3220: 1526:, which the band would join in September 1973, on the expiry of their Apple contract. 1306: 1120: 1070: 928: 889: 802: 457:" and would continue to feature throughout his solo career, in compositions such as " 193: 50: 1539:'s inner gatefold photograph, which depicted Harrison and his fellow musicians at a 1305:
as a "schizophrenic recording", on which the covers of "Try Some, Buy Some" and the
845:" and describes Ronnie's comeback as being "over before it had begun". By contrast, 643:
to get food during the session. Just over two minutes in length, the song is in the
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CD booklet (EMI Records, 2006; produced by Dhani & Olivia Harrison), p. 11.
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sweep and soar in great blocks of sound, pirouetting around each other like a
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in May 1973, with "Try Some, Buy Some" sequenced on side two of the original
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Alan Betrock, "Ronnie Spector & The Ronettes at the Continental Baths",
1491:"Tandoori Chicken" was among the songs played during Lennon's 31st birthday 6069: 5999: 5831: 5817: 5678: 5153: 4856: 4426: 4416: 4411: 4242: 4164: 4129: 3729: 3712: 3670:"From Beatle to Bowie, Bad Boy to Bad Girl – Won't You Try Some, Buy Some?" 3607: 3569: 3455: 3278: 3217:
The Love There That's Sleeping: The Art and Spirituality of George Harrison
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calls it a "corker 45" that helps make up for the "clunkers" on the album.
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According to Huntley, "Try Some, Buy Some" was "an all-time favourite" of
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Here Comes the Sun: The Spiritual and Musical Journey of George Harrison
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waited in silence at the microphone each time, too frightened to speak.
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in 1970 and breaking his arm, which left Harrison to finish recording
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Bowie occasionally performed "Try Some, Buy Some" live on his 2003–04
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Richard Williams, "New Albums from Carole King, Carly Simon et al.",
1240:, Walter Tunis includes "Try Some, Buy Some" among the "stunners" on 1105: 1088:". Before then, he had based the musical backing of his 1971 single " 915: 782: 640: 627: 588: 587:(the latter another member of the Dominos), alternating on bass; and 515: 373: 172:
that was first released in April 1971 as a single by American singer
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interview, Harrison referred to Spector typically needing "eighteen
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and describes the song as an "achingly beautiful awakening anthem".
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Following the abandoned Ronnie Spector sessions in 1971, Harrison's
622:". The latter was originally titled "Whenever" and was intended for 498:
turned their attention to resurrecting the career of Spector's wife
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All Together Now: The First Complete Beatles Discography 1961–1975
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Mystical One: George Harrison – After the Break-up of the Beatles
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Tearing Down the Wall of Sound: The Rise and Fall of Phil Spector
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chord, then follows a descending sequence that he writes as "A –
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was "Tandoori Chicken", a Harrison–Spector collaboration in the
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He's a Rebel: Phil Spector – Rock and Roll's Legendary Producer
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Harrison enlisted some of the musicians who had contributed to
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magazine article on the Spector, Harrison and Bowie recordings
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Working Class Mystic: A Spiritual Biography of George Harrison
2070: 2068: 2066: 2064: 2062: 2060: 700:'s description of Spector's production on "Try Some, Buy Some" 639:"Tandoori Chicken" came about after Spector sent Beatles aide 2845:
Richard Williams, "In the Studio with Lennon & Spector",
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track, some focus on Harrison's struggle to sing in a higher
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Revolution in the Head: The Beatles' Records and the Sixties
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Harrison used when he completed the song for his 1975 album
297:, that he was able to hear the piece as he had imagined it. 3301:
You Never Give Me Your Money: The Beatles After the Breakup
3063:"Critic's Pick: George Harrison, 'The Apple Years 1968–75'" 2057: 1224:
Music critic Chris Ingham pairs "Try Some, Buy Some" with "
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Be My Baby: How I Survived Mascara, Miniskirts, and Madness
518:, Spector first tried to record a song intended for her at 3394:
While My Guitar Gently Weeps: The Music of George Harrison
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magazine, Snow described "Try Some, Buy Some" as "an anti-
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and described the recording as "a fairground sound, using
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describes as having an "infectious party-style" quality.
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on second guitar and percussion. Another participant was
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The Beatles Diary Volume 2: After the Break-Up 1970–2001
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and performed it on his tours in support of the album.
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The New Rolling Stone Encyclopedia of Rock & Roll
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Patricia Romanowski & Holly George-Warren (eds),
599:, who had worked with Spector as a regular member of 3507:, Fireside/Rolling Stone Press (New York, NY, 1995; 3490:
Fab Four FAQ 2.0: The Beatles' Solo Years, 1970–1980
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Eight Arms to Hold You: The Solo Beatles Compendium
2578:(subscription required; retrieved 3 November 2013). 2441:(subscription required; retrieved 22 January 2021). 2393:, 24 April 1971, p. 20 (retrieved 5 December 2020). 2378:, 24 April 1971, p. 56 (retrieved 3 November 2013). 2157: 1389:On the released recording, Harrison transposed the 1295:. In a review for the 2007 limited-edition box set 738:– together with the choral parts, were arranged by 2453: 2451: 2449: 2447: 2356: 2354: 2352: 2350: 2186: 2184: 2182: 2180: 2168:Timothy White, "George Harrison – Reconsidered", 2150: 2148: 2146: 2118: 2116: 2004: 2002: 2000: 1998: 1996: 1888: 1886: 1724: 1722: 1720: 1662:, Charles Hansen (New York, NY, 1973), pp. 80–81. 1535:The side-two label image was a detail taken from 1073:trill in the arrangement. After starting work on 786:, Richard Williams deemed it "a monster piece of 318:, Harrison's handwritten lyrics show the opening 6237: 4495: 4116:A Love Like Yours (Don't Come Knocking Everyday) 3095: 3093: 2603: 2601: 2253: 2251: 2198: 2196: 2045:(subscription required; retrieved 15 July 2012). 1831: 1829: 1461:According to Badman, it was during a March 1971 763:and Eric Clapton had contributed to the record. 680: 334:; the second part of the verse, beginning on an 6281:Song recordings with Wall of Sound arrangements 3366:, Rough Guides/Penguin (London, 2006; 2nd edn; 2223: 2221: 2219: 2217: 1946: 1944: 1942: 1940: 1427:Voormann recalls Spector falling over drunk at 887:In 1990, Ronnie wrote an autobiography, titled 502:, formerly Veronica Bennett and lead singer of 260:covered "Try Some, Buy Some" on his 2003 album 3141:, 12 January 2016 (retrieved 22 January 2020). 2769: 2687:, 2 November 2010 (retrieved 22 January 2021). 2486:(archived version retrieved 12 December 2013). 2444: 2347: 2275: 2177: 2143: 2113: 2054:Romanowski & George-Warren, pp. 934, 1021. 1993: 1883: 1783: 1781: 1779: 1717: 1623: 1621: 4730: 4703:George Harrison: Living in the Material World 4481: 3697: 3090: 3072: 2942: 2598: 2293: 2248: 2205: 2193: 2031: 2029: 2027: 2025: 2023: 1978: 1976: 1974: 1904: 1902: 1900: 1898: 1826: 1582:(archived version retrieved 3 November 2013). 1272:. Promoting the release in an interview with 269: 188:record label. The project was co-produced by 168:" is a song written by English rock musician 4574:The Lord Loves the One (That Loves the Lord) 3429:, 44.1 Productions (Chesterfield, MO, 2000; 3336:, Chronicle Books (San Francisco, CA, 2002; 3318:, John Wiley & Sons (Hoboken, NJ, 2006; 2628: 2595:(archived version retrieved 3 October 2014). 2544:"Come and Get It: The Best of Apple Records" 2214: 2086: 1962: 1937: 1790: 1749: 1611: 1609: 1221:'), here it sits uneasily between the two." 1166: 945: 797:"Try Some, Buy Some" failed to place on the 372:, similar to the verses of his composition " 330:from E down to B, followed by a change to a 6266:Song recordings produced by George Harrison 3593:Wall of Pain: The Biography of Phil Spector 3144: 3101:"David Bowie & Tony Visconti Recording 2338: 1776: 1695: 1693: 1683: 1681: 1679: 1677: 1660:: Sheet Music for Piano, Vocal & Guitar 1618: 1599: 1597: 1268:, co-produced by his longtime collaborator 326:and the bass line descending through every 4737: 4723: 4488: 4474: 3744:A Christmas Gift for You from Phil Spector 3704: 3690: 3576:, 498 Productions (New Orleans, LA, 2005; 3558:, Three Rivers Press (New York, NY, 2009; 3442:Without You: The Tragic Story of Badfinger 3263:Harry Castleman & Walter J. Podrazik, 2960: 2677:Come and Get It: The Best of Apple Records 2656:Come and Get It: The Best of Apple Records 2526:Come and Get It: The Best of Apple Records 2020: 1971: 1895: 1650: 1648: 877:Come and Get It: The Best of Apple Records 490:Following their successful partnership on 293:took over the left-hand part, to play the 253:Come and Get It: The Best of Apple Records 29: 1925:(archived version retrieved 30 May 2014). 1758: 1699:Michael Watts, "The New Harrison Album", 1606: 6271:Song recordings produced by Phil Spector 3874: 3351:, Guernica Editions (Toronto, ON, 2006; 3267:, Ballantine Books (New York, NY, 1976; 2550:(archived version retrieved 7 May 2017). 1690: 1674: 1594: 1331:– acoustic guitar; vocals (1973 release) 1095: 856: 852: 477: 4744: 3543:, HarperPerennial (New York, NY, 1990; 3492:, Backbeat Books (Milwaukee, WI, 2010; 2876:Castleman & Podrazik, pp. 197, 198. 1934:Romanowski & George-Warren, p. 850. 1645: 6238: 3955:Why Do Lovers Break Each Other's Heart 3477:, Da Capo Press (Cambridge, MA, 2006; 3379:The Words and Music of George Harrison 1627:Mike Hennessey, "The Harrison Tapes", 1564: 1443:" before he could start work each day. 1247: 1108:format. Reflecting the album content, 4718: 4521:Give Me Love (Give Me Peace on Earth) 4469: 3685: 801:. In the US, the song debuted on the 5755:Unwashed and Somewhat Slightly Dazed 4676:Material World Charitable Foundation 4535:The Light That Has Lighted the World 4214:Do You Remember Rock 'n' Roll Radio? 3396:, Hal Leonard (Milwaukee, WI, 2006; 3381:, Praeger (Santa Barbara, CA, 2010; 2867:, IPC Ignite! (London, 2003), p. 88. 2236:Madinger & Easter, pp. 427, 434. 2035:Phil Symes, "Ronnie Tries It Solo", 1367:– orchestral and choral arrangements 5550:The Pretty Things Are Going to Hell 3927:He Hit Me (And It Felt Like a Kiss) 3525:, McGraw-Hill (New York, NY, 1978; 2469: 1990:, 2013 (retrieved 4 December 2020). 1522:Badfinger had recently signed with 794:as a "terrific first solo single". 510:. Ronnie's signing to the Beatles' 482:The Ronettes, with Ronnie Spector ( 13: 4068:Is This What I Get for Loving You? 4045:Why Don't They Let Us Fall in Love 3614:, Quest Books (Wheaton, IL, 2011; 3462:, BBC Publications (London, 1981; 901:", the title track of her 1999 EP 494:in 1970, Harrison and co-producer 256:. A longtime admirer of the song, 14: 6302: 5474:The Man Who Sold the World (live) 5224:Peace on Earth/Little Drummer Boy 5182:Scary Monsters (And Super Creeps) 4130:You Came, You Saw, You Conquered! 3997:Christmas (Baby Please Come Home) 3663: 3574:The Beatles Solo on Apple Records 3425:Chip Madinger & Mark Easter, 3219:, Continuum (New York, NY, 2006; 2903:Castleman & Podrazik, p. 125. 2466:Castleman & Podrazik, p. 352. 2299:Castleman & Podrazik, p. 208. 2202:Castleman & Podrazik, p. 100. 745: 561: 469:Planned Ronnie Spector solo album 6261:Songs written by George Harrison 5644:Golden Years David Bowie vs KCRW 4450: 4449: 4407:Bob B. Soxx & the Blue Jeans 3751:Presenting the Fabulous Ronettes 3711: 3303:, It Books (New York, NY, 2011; 3193: 3172: 3163: 3125: 3116: 3081: 3055: 3046: 3037: 3028: 3019: 3000: 2983: 2951: 2933: 2924: 2915: 2906: 2897: 2888: 2879: 2870: 2854: 2839: 2830: 2814: 2760: 2751: 2742: 2724: 2715: 1546: 1529: 1516: 1507: 413:-aligned devotional message "in 176:, formerly the lead vocalist of 6035:Always Crashing in the Same Car 4144:Instant Karma (We All Shine On) 4075:Hung Up on You/Unchained Melody 4051:"You've Lost That Lovin' Feelin 3913:There's No Other (Like My Baby) 3632:, Omnibus Press (London, 2003; 3252:, Vintage (New York, NY, 2008; 3234:, Omnibus Press (London, 2001; 2706: 2690: 2667: 2646: 2637: 2619: 2610: 2581: 2562: 2553: 2537: 2516: 2507: 2498: 2489: 2460: 2425: 2396: 2381: 2363: 2329: 2320: 2311: 2302: 2284: 2260: 2239: 2230: 2134: 2125: 2104: 2095: 2077: 2048: 2011: 1953: 1928: 1911: 1874: 1865: 1856: 1847: 1838: 1817: 1808: 1799: 1767: 1740: 1731: 1708: 1498: 1485: 1476: 1455: 1446: 1421: 1408: 1383: 1116:on side one and a picture of a 5136:John, I'm Only Dancing (Again) 4959:Let's Spend the Night Together 4373:Tearing Down the Wall of Sound 4109:I'll Never Need More Than This 4017:(The Best Part of) Breakin' Up 3444:, Frances Glover Books (2000; 3364:The Rough Guide to the Beatles 2811:Madinger & Easter, p. 441. 2739:Madinger & Easter, p. 452. 2266:John Harris, "A Quiet Storm", 2074:Madinger & Easter, p. 434. 1665: 1636: 1585: 1301:, critic Thom Jurek described 861:Ronnie performing at the 2014 834:Tearing Down the Wall of Sound 428:As in his later compositions " 376:", the last track recorded by 1: 6276:Music published by Harrisongs 5695:Sue (Or in a Season of Crime) 5217:Cat People (Putting Out Fire) 4794:You've Got a Habit of Leaving 4595:The Day the World Gets 'Round 4275:Don't You Worry My Little Pet 3630:Phil Spector: Out of His Head 2820:Kevin Howlett's liner notes, 1558: 1287:and turning your life around. 1196:The Day the World Gets 'Round 1171:In his Harrison obituary for 681:Vocal and orchestral overdubs 539:Phil Spector: Out of His Head 473: 356:– E – A", before arriving at 5769:Wild Eyed Boy from Freecloud 5716:I Can't Give Everything Away 4808:Can't Help Thinking About Me 4556:Living in the Material World 4498:Living in the Material World 3807:Living in the Material World 3786:John Lennon/Plastic Ono Band 3190:(retrieved 3 November 2013). 3008:Living in the Material World 2970:Living in the Material World 2823:Living in the Material World 2791:"George Harrison introduces 2534:(retrieved 3 November 2013). 2437:, 29 May 1971; available at 1658:Living in the Material World 1574:Living in the Material World 1316: 1202:", the equal of anything on 1192:Living in the Material World 1163:and couched in waltz-time". 1102:Living in the Material World 1076:Living in the Material World 972:Living in the Material World 243:Living in the Material World 209:Living in the Material World 7: 5688:'Tis a Pity She Was a Whore 5658:The Stars (Are Out Tonight) 4666:George Harrison discography 3596:, Sanctuary (London, 2004; 3285:, Sanctuary (London, 2003; 3006:Mat Snow, "George Harrison 2991:"George Harrison 1943–2001" 2784:George Harrison interview, 2484:Library and Archives Canada 2041:, 8 May 1971; available at 1234:Harrison reissues, for the 16:1971 song by Ronnie Spector 10: 6307: 5811:The Man Who Sold the World 5400:You Belong in Rock n' Roll 4671:The Concert for Bangladesh 4542:Don't Let Me Wait Too Long 4337:Phil Spector International 4268:To Know Him Is to Love Him 4089:River Deep – Mountain High 3814:Some Time in New York City 3793:The Concert for Bangladesh 3765:River Deep – Mountain High 3205: 2413:. 24 April 1971. p. 1 1853:Allison, pp. 19, 104, 106. 1397:(making the opening chord 556:River Deep – Mountain High 544:Speaking to Phil Symes of 533:The plan was to produce a 270:Background and composition 199:and number 63 on Canada's 5725: 5635: 5619:Just for One Day (Heroes) 5598:I've Been Waiting for You 5559: 5384: 5145: 4882:Memory of a Free Festival 4866: 4771: 4753: 4696:The Tin Man Was a Dreamer 4658: 4633: 4615: 4565: 4512: 4505: 4445: 4389: 4350: 4319: 4259: 4234: 4207:Rock 'n' Roll High School 4151:The Long and Winding Road 4098: 4006: 3865: 3719: 3650:, Proteus (London, 1981; 3414:, Pimlico (London, 1998; 2851:, 6 November 1971, p. 26. 2574:, May 1974; available at 2522:Stephen Thomas Erlewine, 2480:100 Singles, 5 June 1971" 2101:Williams, pp. 64–66, 163. 1167:Retrospective assessments 1063:Bangladesh Liberation War 1040: 1026: 1014: 998: 986: 978: 968: 957: 952: 946:George Harrison's version 147: 133: 121: 105: 93: 76: 68: 60: 48: 37: 28: 23: 5463:The Hearts Filthy Lesson 4250:Back to Mono (1958–1969) 4200:Happy Xmas (War Is Over) 3948:He's Sure the Boy I Love 3892:Pretty Little Angel Eyes 3016:, November 2006, p. 124. 2860:Steve Sutherland (ed.), 2802:(retrieved 1 July 2012). 1654:"Try Some Buy Some", in 1435:on his own. In his 1987 1377: 1090:Happy Xmas (War Is Over) 1061:for the refugees of the 895:Say Goodbye to Hollywood 6210:Bring Me the Disco King 6203:Fall Dog Bombs the Moon 6140:As the World Falls Down 5741:Let Me Sleep Beside You 5536:Without You I'm Nothing 5522:I'm Afraid of Americans 4682:When Every Song Is Sung 4437:Murder of Lana Clarkson 4310:This Could Be the Night 3962:(Let's Dance) The Screw 3025:Huntley, pp. 65, 93–94. 2559:Williams, pp. 169, 173. 2174:, November 1987, p. 53. 2140:Harrison, pp. 218, 228. 1988:redbullmusicacademy.com 1591:Huntley, pp. 49–50, 64. 1237:Lexington Herald-Leader 651:, with Spector playing 620:When Every Song Is Sung 308:– George Harrison, 1972 6077:Sons of the Silent Age 5470:Strangers When We Meet 5449:The Buddha of Suburbia 5259:White Light/White Heat 4924:John, I'm Only Dancing 4342:Warner-Spector Records 3906:Under the Moon of Love 3835:Death of a Ladies' Man 2699:The Harri-Spector Show 1982:Todd L. Burns (host), 1862:MacDonald, pp. 282–83. 1714:MacDonald, pp. 322–23. 1325:– vocals (1971 single) 1289: 933:The Harri-Spector Show 871: 708:Red Bull Music Academy 693: 655:piano and Harrison on 487: 459:That Which I Have Lost 434:Tired of Midnight Blue 305: 6291:Apple Records singles 6256:George Harrison songs 5825:Oh! You Pretty Things 5776:The Width of a Circle 5509:Seven Years in Tibet" 5435:Black Tie White Noise 5294:Dancing in the Street 5189:Up the Hill Backwards 5008:Rock 'n' Roll with Me 4980:Rock 'n' Roll Suicide 4850:Love You till Tuesday 4528:Sue Me, Sue You Blues 2939:Woffinden, pp. 70–71. 2930:Spizer, pp. 256, 258. 2912:Woffinden, pp. 69–70. 2643:Thompson, pp. 141–42. 2308:Leng, pp. 49–50, 133. 2290:Williams, pp. 161–62. 1805:Allison, pp. 19, 104. 1284: 1226:Sue Me, Sue You Blues 1215:Long and Winding Road 1096:Release and reception 931:compilation known as 904:She Talks to Rainbows 863:Fest for Beatles Fans 860: 853:Aftermath and reissue 685: 577:Derek and the Dominos 552:Ike & Tina Turner 481: 463:Heading for the Light 415:television evangelist 300: 5626:Rebel Never Gets Old 5368:Maggie's Farm (live) 5094:Beauty and the Beast 4366:Take Me Home Tonight 4061:Just Once in My Life 3779:All Things Must Pass 3758:Just Once in My Life 3539:with Vince Waldron, 2921:Tillery, pp. 111–12. 2513:Brown, pp. 251, 252. 1773:Allison, pp. 104–05. 1705:, 9 June 1973, p. 3. 1671:Huntley, pp. 65, 93. 1524:Warner Bros. Records 1433:All Things Must Pass 1414:According to author 1204:All Things Must Pass 953:"Try Some, Buy Some" 899:Take Me Home Tonight 671:All Things Must Pass 612:All Things Must Pass 569:All Things Must Pass 528:All Things Must Pass 492:All Things Must Pass 395:All Things Must Pass 280:All Things Must Pass 218:All Things Must Pass 24:"Try Some, Buy Some" 5965:All the Young Dudes 5867:The Bewlay Brothers 5315:When the Wind Blows 5280:This Is Not America 4903:Hang On to Yourself 4815:Do Anything You Say 4801:Baby Loves That Way 4172:Power to the People 4031:Walking in the Rain 3828:Born to Be with You 3523:The Beatles Forever 3347:Elliot J. Huntley, 3034:Leng, pp. 105, 133. 2957:Huntley, pp. 94–95. 2795:and explains 'You'" 2697:"George Harrison – 2684:American Songwriter 2616:Huntley, pp. 64–65. 2404:"Picks of the Week" 2387:"Singles Reviews", 2370:"Spotlight Singles" 2272:, July 2001, p. 72. 2131:Leng, pp. 180, 198. 2038:Disc and Music Echo 1880:Allison, pp. 18–20. 1823:Leng, pp. 150, 184. 1814:Inglis, pp. 44, 53. 1361:– drums, tambourine 1248:David Bowie version 921:American Songwriter 792:Disc and Music Echo 547:Disc and Music Echo 486:), pictured in 1966 403:Awaiting on You All 380:, in January 1970. 72:February–March 1971 6196:Try Some, Buy Some 6133:Scream Like a Baby 5958:Lady Grinning Soul 5853:Song for Bob Dylan 5790:Black Country Rock 5589:Everyone Says 'Hi' 5301:Absolute Beginners 5129:Look Back in Anger 5108:Boys Keep Swinging 5036:Station to Station 4875:The Prettiest Star 4843:The Laughing Gnome 4588:Try Some, Buy Some 4186:Try Some, Buy Some 3842:End of the Century 3556:Bowie: A Biography 3519:Nicholas Schaffner 3488:Robert Rodriguez, 3314:Joshua M. Greene, 3213:Dale C. Allison Jr 3169:Spitz, pp. 391–92. 2968:"George Harrison, 2675:"Various Artists: 1892:Schaffner, p. 160. 1871:Greene, pp. 98–99. 1746:Rodriguez, p. 148. 872: 824:Nicholas Schaffner 605:Abbey Road Studios 488: 166:Try Some, Buy Some 56:"Tandoori Chicken" 6286:David Bowie songs 6233: 6232: 6189:The Loneliest Guy 6028:What in the World 5804:She Shook Me Cold 5651:Where Are We Now? 5442:Miracle Goodnight 5343:Never Let Me Down 5041: 4938:Drive-In Saturday 4712: 4711: 4611: 4610: 4463: 4462: 4230: 4229: 4038:Ringo, I Love You 3976:Then He Kissed Me 3941:Zip-a-Dee-Doo-Dah 3648:The Beatles Apart 3638:978-0-7119-9864-3 3620:978-0-8356-0900-5 3602:978-1-86074-543-0 3564:978-0-307-71699-6 3549:978-0-06-097423-7 3498:978-1-4165-9093-4 3483:978-0-306-81471-6 3387:978-0-313-37532-3 3372:978-1-84836-525-4 3324:978-0-470-12780-3 3309:978-0-06-177418-8 3258:978-1-4000-7661-1 3225:978-0-8264-1917-0 3199:Thompson, p. 251. 3087:Thompson, p. 142. 3043:Leng, pp. 133–34. 2885:Matovina, p. 190. 2712:Leng, pp. 105–06. 2654:"Various Artists 2571:Phonograph Record 2524:"Various Artists 2504:Ribowsky, p. 257. 2457:Woffinden, p. 71. 2360:Williams, p. 162. 2281:Woffinden, p. 86. 2190:Williams, p. 163. 2154:Thompson, p. 141. 2122:Thompson, p. 140. 2083:Matovina, p. 120. 1764:Harrison, p. 216. 1728:Williams, p. 161. 1687:Harrison, p. 218. 1642:Harrison, p. 215. 1603:Harrison, p. 214. 1572:"George Harrison 1349:– acoustic guitar 1121:stretch limousine 1071:soprano saxophone 1055: 1054: 1048:George Harrison, 601:the Wrecking Crew 162: 161: 158:, George Harrison 6298: 6126:Teenage Wildlife 6112:Fantastic Voyage 5993:Can You Hear Me? 5944:Panic in Detroit 5762:Cygnet Committee 5686: 5593: 5543:Thursday's Child 5502:Dead Man Walking 5375:Prisoner of Love 5357:Heaven's in Here 5287:Loving the Alien 5210:The Drowned Girl 5203:Wild Is the Wind 5087: 5083: 5067:Sound and Vision 5053:Suffragette City 5039: 4896:Moonage Daydream 4822:I Dig Everything 4739: 4732: 4725: 4716: 4715: 4659:Related articles 4616:Non-album B-side 4510: 4509: 4490: 4483: 4476: 4467: 4466: 4453: 4452: 4296:Little by Little 4289:I Can Hear Music 4054: 3990:Baby, I Love You 3885:Corrine, Corrina 3872: 3871: 3706: 3699: 3692: 3683: 3682: 3626:Richard Williams 3200: 3197: 3191: 3176: 3170: 3167: 3161: 3148: 3142: 3129: 3123: 3120: 3114: 3099:Richard Buskin, 3097: 3088: 3085: 3079: 3076: 3070: 3059: 3053: 3050: 3044: 3041: 3035: 3032: 3026: 3023: 3017: 3004: 2998: 2995:Rock's Backpages 2987: 2981: 2966:Stephen Holden, 2964: 2958: 2955: 2949: 2946: 2940: 2937: 2931: 2928: 2922: 2919: 2913: 2910: 2904: 2901: 2895: 2892: 2886: 2883: 2877: 2874: 2868: 2858: 2852: 2843: 2837: 2834: 2828: 2818: 2812: 2809: 2803: 2796: 2782: 2776: 2775:Clayson, p. 323. 2773: 2767: 2764: 2758: 2757:Doggett, p. 192. 2755: 2749: 2746: 2740: 2737: 2731: 2728: 2722: 2721:Clayson, p. 349. 2719: 2713: 2710: 2704: 2694: 2688: 2671: 2665: 2650: 2644: 2641: 2635: 2634:Spector, p. 184. 2632: 2626: 2623: 2617: 2614: 2608: 2607:Allison, p. 113. 2605: 2596: 2589:"Ronnie Spector" 2585: 2579: 2576:Rock's Backpages 2566: 2560: 2557: 2551: 2541: 2535: 2520: 2514: 2511: 2505: 2502: 2496: 2493: 2487: 2473: 2467: 2464: 2458: 2455: 2442: 2439:Rock's Backpages 2429: 2423: 2422: 2420: 2418: 2408: 2400: 2394: 2385: 2379: 2367: 2361: 2358: 2345: 2342: 2336: 2333: 2327: 2326:Tillery, p. 162. 2324: 2318: 2315: 2309: 2306: 2300: 2297: 2291: 2288: 2282: 2279: 2273: 2264: 2258: 2257:Clayson, p. 289. 2255: 2246: 2243: 2237: 2234: 2228: 2225: 2212: 2211:Allison, p. 156. 2209: 2203: 2200: 2191: 2188: 2175: 2166: 2155: 2152: 2141: 2138: 2132: 2129: 2123: 2120: 2111: 2108: 2102: 2099: 2093: 2090: 2084: 2081: 2075: 2072: 2055: 2052: 2046: 2043:Rock's Backpages 2033: 2018: 2015: 2009: 2006: 1991: 1980: 1969: 1966: 1960: 1957: 1951: 1948: 1935: 1932: 1926: 1915: 1909: 1906: 1893: 1890: 1881: 1878: 1872: 1869: 1863: 1860: 1854: 1851: 1845: 1842: 1836: 1835:Allison, p. 100. 1833: 1824: 1821: 1815: 1812: 1806: 1803: 1797: 1794: 1788: 1785: 1774: 1771: 1765: 1762: 1756: 1753: 1747: 1744: 1738: 1735: 1729: 1726: 1715: 1712: 1706: 1697: 1688: 1685: 1672: 1669: 1663: 1656:George Harrison 1652: 1643: 1640: 1634: 1633:, 15 April 1972. 1625: 1616: 1613: 1604: 1601: 1592: 1589: 1583: 1568: 1553: 1550: 1544: 1533: 1527: 1520: 1514: 1511: 1505: 1502: 1496: 1489: 1483: 1480: 1474: 1459: 1453: 1450: 1444: 1425: 1419: 1412: 1406: 1387: 1343:– electric piano 1173:Rock's Backpages 1123:on the reverse. 1045: 1031: 1010: 1009: 1005: 950: 949: 914:compilation for 827:of excellence". 701: 698:Richard Williams 575:, on keyboards; 455:Long, Long, Long 397:tracks such as " 391:Richard Williams 354: 353: 345: 344: 309: 152: 138: 117: 116: 112: 53: 33: 21: 20: 6306: 6305: 6301: 6300: 6299: 6297: 6296: 6295: 6236: 6235: 6234: 6229: 5923:Round and Round 5902:Velvet Goldmine 5721: 5684: 5672:Valentine's Day 5631: 5612:New Killer Star 5591: 5555: 5421:Real Cool World 5380: 5336:Time Will Crawl 5141: 5085: 5081: 5015:Young Americans 4862: 4836:The London Boys 4787:I Pity the Fool 4767: 4749: 4743: 4713: 4708: 4689:In Concert 1972 4654: 4629: 4607: 4561: 4501: 4494: 4464: 4459: 4441: 4402:The Teddy Bears 4385: 4346: 4332:Phi-Dan Records 4327:Philles Records 4315: 4255: 4226: 4221:Silence Is Easy 4100: 4094: 4052: 4008: 4002: 3876: 3867: 3861: 3856:Silence Is Easy 3849:Season of Glass 3721: 3715: 3710: 3666: 3661: 3473:Mark Ribowsky, 3330:George Harrison 3283:George Harrison 3208: 3203: 3198: 3194: 3182:David Bowie Box 3177: 3173: 3168: 3164: 3150:David Peisner, 3149: 3145: 3131:Paul Du Noyer, 3130: 3126: 3121: 3117: 3098: 3091: 3086: 3082: 3078:Huntley, p. 65. 3077: 3073: 3060: 3056: 3052:Ingham, p. 134. 3051: 3047: 3042: 3038: 3033: 3029: 3024: 3020: 3005: 3001: 2988: 2984: 2965: 2961: 2956: 2952: 2948:Spizer, p. 256. 2947: 2943: 2938: 2934: 2929: 2925: 2920: 2916: 2911: 2907: 2902: 2898: 2894:Badman, p. 102. 2893: 2889: 2884: 2880: 2875: 2871: 2859: 2855: 2844: 2840: 2836:Peebles, p. 51. 2835: 2831: 2819: 2815: 2810: 2806: 2790: 2783: 2779: 2774: 2770: 2765: 2761: 2756: 2752: 2748:Badman, p. 203. 2747: 2743: 2738: 2734: 2730:Leng, p. 180fn. 2729: 2725: 2720: 2716: 2711: 2707: 2695: 2691: 2672: 2668: 2651: 2647: 2642: 2638: 2633: 2629: 2624: 2620: 2615: 2611: 2606: 2599: 2586: 2582: 2567: 2563: 2558: 2554: 2542: 2538: 2521: 2517: 2512: 2508: 2503: 2499: 2494: 2490: 2474: 2470: 2465: 2461: 2456: 2445: 2430: 2426: 2416: 2414: 2406: 2402: 2401: 2397: 2386: 2382: 2368: 2364: 2359: 2348: 2343: 2339: 2334: 2330: 2325: 2321: 2316: 2312: 2307: 2303: 2298: 2294: 2289: 2285: 2280: 2276: 2265: 2261: 2256: 2249: 2244: 2240: 2235: 2231: 2227:Huntley, p. 93. 2226: 2215: 2210: 2206: 2201: 2194: 2189: 2178: 2167: 2158: 2153: 2144: 2139: 2135: 2130: 2126: 2121: 2114: 2109: 2105: 2100: 2096: 2092:Spizer, p. 255. 2091: 2087: 2082: 2078: 2073: 2058: 2053: 2049: 2034: 2021: 2017:Spizer, p. 271. 2016: 2012: 2007: 1994: 1981: 1972: 1968:Huntley, p. 64. 1967: 1963: 1958: 1954: 1950:Spizer, p. 342. 1949: 1938: 1933: 1929: 1916: 1912: 1907: 1896: 1891: 1884: 1879: 1875: 1870: 1866: 1861: 1857: 1852: 1848: 1844:Greene, p. 202. 1843: 1839: 1834: 1827: 1822: 1818: 1813: 1809: 1804: 1800: 1796:Allison, p. 19. 1795: 1791: 1786: 1777: 1772: 1768: 1763: 1759: 1755:Huntley, p. 94. 1754: 1750: 1745: 1741: 1737:Greene, p. 181. 1736: 1732: 1727: 1718: 1713: 1709: 1698: 1691: 1686: 1675: 1670: 1666: 1653: 1646: 1641: 1637: 1626: 1619: 1614: 1607: 1602: 1595: 1590: 1586: 1569: 1565: 1561: 1556: 1551: 1547: 1543:-style banquet. 1534: 1530: 1521: 1517: 1512: 1508: 1503: 1499: 1490: 1486: 1481: 1477: 1460: 1456: 1451: 1447: 1441:cherry brandies 1426: 1422: 1413: 1409: 1388: 1384: 1380: 1329:George Harrison 1319: 1298:David Bowie Box 1250: 1219:Isn't It a Pity 1169: 1100:Apple released 1098: 1041: 1035:George Harrison 1027: 1007: 1003: 1002: 969:from the album 963:George Harrison 948: 912:Come and Get It 868:Come and Get It 855: 748: 703: 695: 689:corps de ballet 683: 614:but not used: " 583:; Voormann and 564: 520:Trident Studios 508:A&M Records 476: 471: 351: 350: 342: 341: 311: 307: 275:George Harrison 272: 230:. The single's 170:George Harrison 148: 142:George Harrison 134: 114: 110: 109: 49: 17: 12: 11: 5: 6304: 6294: 6293: 6288: 6283: 6278: 6273: 6268: 6263: 6258: 6253: 6248: 6231: 6230: 6228: 6227: 6220: 6213: 6206: 6199: 6192: 6185: 6178: 6171: 6164: 6157: 6150: 6143: 6136: 6129: 6122: 6115: 6108: 6101: 6098:Sense of Doubt 6094: 6087: 6080: 6073: 6066: 6059: 6052: 6045: 6038: 6031: 6024: 6017: 6014:Word on a Wing 6010: 6003: 5996: 5989: 5982: 5975: 5968: 5961: 5954: 5947: 5940: 5933: 5930:Watch That Man 5926: 5919: 5912: 5905: 5898: 5891: 5884: 5877: 5870: 5863: 5856: 5849: 5842: 5835: 5828: 5821: 5814: 5807: 5800: 5793: 5786: 5783:All the Madmen 5779: 5772: 5765: 5758: 5751: 5744: 5737: 5734:Silly Boy Blue 5729: 5727: 5723: 5722: 5720: 5719: 5712: 5705: 5698: 5691: 5682: 5675: 5668: 5661: 5654: 5647: 5639: 5637: 5633: 5632: 5630: 5629: 5622: 5615: 5608: 5601: 5594: 5585: 5578: 5571: 5563: 5561: 5557: 5556: 5554: 5553: 5546: 5539: 5532: 5525: 5518: 5511: 5505: 5498: 5491: 5484: 5481:Hallo Spaceboy 5477: 5466: 5459: 5456:Ziggy Stardust 5452: 5445: 5438: 5431: 5424: 5417: 5410: 5407:Baby Universal 5403: 5396: 5388: 5386: 5382: 5381: 5379: 5378: 5371: 5360: 5353: 5346: 5339: 5332: 5329:Day-In Day-Out 5325: 5318: 5311: 5304: 5297: 5290: 5283: 5276: 5269: 5262: 5255: 5248: 5241: 5234: 5227: 5220: 5213: 5206: 5199: 5196:Under Pressure 5192: 5185: 5178: 5171: 5168:Ashes to Ashes 5164: 5157: 5149: 5147: 5143: 5142: 5140: 5139: 5132: 5125: 5118: 5111: 5104: 5101:Breaking Glass 5097: 5090: 5077: 5070: 5063: 5056: 5049: 5042: 5040:(French promo) 5032: 5025: 5018: 5011: 5004: 4997: 4990: 4983: 4976: 4969: 4962: 4955: 4948: 4941: 4934: 4931:The Jean Genie 4927: 4920: 4913: 4906: 4899: 4892: 4885: 4878: 4870: 4868: 4864: 4863: 4861: 4860: 4853: 4846: 4839: 4832: 4825: 4818: 4811: 4804: 4797: 4790: 4783: 4775: 4773: 4769: 4768: 4766: 4765: 4760: 4754: 4751: 4750: 4742: 4741: 4734: 4727: 4719: 4710: 4709: 4707: 4706: 4699: 4692: 4685: 4678: 4673: 4668: 4662: 4660: 4656: 4655: 4653: 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2536: 2515: 2506: 2497: 2495:Badman, p. 51. 2488: 2468: 2459: 2443: 2424: 2395: 2380: 2362: 2346: 2344:Brown, p. 251. 2337: 2335:Badman, p. 26. 2328: 2319: 2317:Badman, p. 30. 2310: 2301: 2292: 2283: 2274: 2259: 2247: 2238: 2229: 2213: 2204: 2192: 2176: 2156: 2142: 2133: 2124: 2112: 2110:Brown, p. 110. 2103: 2094: 2085: 2076: 2056: 2047: 2019: 2010: 2008:Badman, p. 25. 1992: 1970: 1961: 1959:Brown, p. 241. 1952: 1936: 1927: 1919:"The Ronettes" 1910: 1894: 1882: 1873: 1864: 1855: 1846: 1837: 1825: 1816: 1807: 1798: 1789: 1787:Inglis, p. 42. 1775: 1766: 1757: 1748: 1739: 1730: 1716: 1707: 1689: 1673: 1664: 1644: 1635: 1617: 1605: 1593: 1584: 1562: 1560: 1557: 1555: 1554: 1545: 1528: 1515: 1506: 1497: 1484: 1475: 1454: 1445: 1420: 1407: 1403:Ronnie Spector 1381: 1379: 1376: 1375: 1374: 1368: 1362: 1356: 1353:Klaus Voormann 1350: 1344: 1338: 1332: 1326: 1323:Ronnie Spector 1318: 1315: 1249: 1246: 1242:Material World 1211:Material World 1168: 1165: 1157:Material World 1143:Stephen Holden 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All 1175:, in 2001, 1161:harpsichord 1043:Producer(s) 982:30 May 1973 761:Ringo Starr 740:John Barham 675:I, Me, Mine 573:Gary Wright 554:'s single " 524:overdubbing 438:John Lennon 378:the Beatles 316:I, Me, Mine 286:I, Me, Mine 258:David Bowie 228:John Barham 182:the Beatles 150:Producer(s) 6246:1971 songs 6240:Categories 6168:Nature Boy 6049:Art Decade 5909:Sweet Head 5881:Five Years 5605:Shadow Man 5238:China Girl 5074:Be My Wife 4649:Photograph 4359:B Boy Baby 4123:Proud Mary 3983:Be My Baby 3899:Talk to Me 3246:Mick Brown 2989:Mat Snow, 1559:References 1537:Ken Marcus 1467:plagiarism 1373:– Producer 1359:Jim Gordon 1110:Tom Wilkes 839:Mick Brown 772:Be My Baby 730:sections, 706:at a 2013 657:overdubbed 645:rockabilly 585:Carl Radle 581:Jim Gordon 474:Background 236:rockabilly 5916:Amsterdam 5888:Soul Love 5839:Quicksand 5797:After All 5748:Karma Man 5702:Blackstar 5582:Slow Burn 5266:Blue Jean 5122:Yassassin 4889:Holy Holy 4780:Liza Jane 4320:Companies 3772:Let It Be 3334:I Me Mine 2662:BBC Music 2434:The Times 2375:Billboard 1405:'s voice. 1317:Personnel 916:BBC Music 804:Billboard 799:UK Top 50 783:The Times 756:Billboard 732:mandolins 647:style of 641:Mal Evans 628:Toni Wine 589:Badfinger 526:phase of 516:Ken Scott 374:I Me Mine 295:bass line 195:Billboard 6084:Blackout 6042:Warszawa 5414:One Shot 5393:Fame '90 4634:Outtakes 4566:Side two 4513:Side one 4455:Category 4082:Ebb Tide 3868:produced 3722:produced 3188:AllMusic 2865:: Lennon 2786:Rockweek 2593:AllMusic 2532:AllMusic 2417:22 April 2390:Cash Box 2171:Musician 1923:AllMusic 1580:AllMusic 1437:Musician 1395:register 1347:Pete Ham 1279:The Word 1177:Mat Snow 1118:Mercedes 1086:#9 Dream 979:Released 766:Cash Box 728:woodwind 633:Musician 593:Pete Ham 579:drummer 535:comeback 417:terms". 370:3/4 time 352:♯ 343:♭ 332:B7 chord 328:semitone 89:, London 69:Recorded 61:Released 6105:Neuköln 5874:Bombers 5709:Lazarus 5568:Survive 5273:Tonight 5175:Fashion 4917:Starman 4910:Changes 4748:singles 4193:Imagine 3866:Singles 3800:Imagine 3672:– 2019 3206:Sources 3103:Reality 2825:reissue 2800:YouTube 1399:G minor 1337:– piano 1303:Reality 1265:Reality 1259:Pin Ups 1198:" and " 1132:critic 929:bootleg 843:Krishna 813:Top 100 806:Hot 100 736:cymbals 618:" and " 461:" and " 432:" and " 405:" and " 389:editor 383:Former 358:D major 336:A minor 324:E minor 263:Reality 238:style. 204:Top 100 197:Hot 100 87:Trident 6175:Cactus 5084:Heroes 5046:TVC 15 4966:Sorrow 4642:So Sad 4179:Mother 3920:Uptown 3720:Albums 3675:Magnet 3654:  3636:  3618:  3600:  3580:  3562:  3547:  3529:  3511:  3496:  3481:  3466:  3448:  3433:  3418:  3400:  3385:  3370:  3355:  3340:  3322:  3307:  3289:  3271:  3256:  3238:  3223:  3138:Noisey 1469:" of " 1355:– bass 1309:song " 1188:heroin 1114:Arjuna 999:Length 720:string 500:Ronnie 484:centre 368:-like 347:– G – 232:B-side 106:Length 78:Studio 51:B-side 39:Single 6147:Girls 6000:Right 5832:Kooks 5636:2010s 5575:Seven 5560:2000s 5472:" / " 5385:1990s 5366:" / " 5146:1980s 5086:' 5082:' 4867:1970s 4772:1960s 4763:Songs 4506:Songs 4099:1967– 4007:1964– 3875:1960– 2407:(PDF) 1378:Notes 1021:Apple 1016:Label 988:Genre 724:brass 660:dobro 653:blues 512:Apple 411:Hindu 366:waltz 364:is a 320:chord 186:Apple 128:Apple 123:Label 95:Genre 5115:D.J. 5060:Stay 5022:Fame 4994:1984 4945:Time 4101:2003 4009:1966 3877:1963 3652:ISBN 3634:ISBN 3616:ISBN 3598:ISBN 3578:ISBN 3560:ISBN 3545:ISBN 3527:ISBN 3509:ISBN 3494:ISBN 3479:ISBN 3464:ISBN 3446:ISBN 3431:ISBN 3416:ISBN 3398:ISBN 3383:ISBN 3368:ISBN 3353:ISBN 3338:ISBN 3320:ISBN 3305:ISBN 3287:ISBN 3269:ISBN 3254:ISBN 3236:ISBN 3221:ISBN 3013:Mojo 2419:2023 2269:Mojo 1183:Mojo 993:Rock 959:Song 897:", " 774:". 734:and 726:and 440:and 401:", " 85:and 3010:", 2798:on 2478:RPM 1391:key 1276:of 1145:of 1129:NME 961:by 811:RPM 616:You 591:'s 465:". 322:as 247:key 202:RPM 83:EMI 41:by 6242:: 5038:" 3658:). 3646:, 3640:). 3628:, 3622:). 3610:, 3604:). 3590:, 3584:). 3572:, 3566:). 3551:). 3533:). 3521:, 3515:). 3500:). 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Index


Single
Ronnie Spector
B-side
Studio
EMI
Trident
Genre
Orchestral pop
Label
Apple
Songwriter(s)
George Harrison
Producer(s)
Phil Spector
George Harrison
Ronnie Spector
the Ronettes
the Beatles
Apple
Phil Spector
Billboard Hot 100
RPM Top 100
Living in the Material World
All Things Must Pass
Wall of Sound
John Barham
B-side
rockabilly
key

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