Living in the Material World

614: 2119:. Within the more restrained surroundings, Clayson adds, Harrison laid claim to the title "king of rock 'n' roll slide guitar", in addition to giving perhaps his "most magnificent performance on record" on "Who Can See It". Rodriguez also approves of a production aesthetic that allows instruments to "sparkle" and "breathing space" for his melodies, and rates Harrison's guitar playing as "stellar" throughout. Peter Lavezzoli describes the album as "a soulful collection of songs that feature some of Harrison's finest singing, particularly the gorgeous 1238: 7676: 1084: 901: 1923: 1810: 1762: 1726: 1721: 1676: 1638: 1885: 1880: 1875: 1870: 1279:." Preceding Harrison's long-awaited release was the acoustic single "Give Me Love (Give Me Peace on Earth)", which became his second number 1 hit in the United States. This was accompanied by a billboard and print advertising campaign, including a three-panel poster combining the album's front and back covers, and an Apple publicity photo showing Harrison, now free of the heavy beard familiar from the 1918: 1913: 1908: 1903: 1805: 1800: 1795: 1790: 1757: 1752: 1747: 1742: 1716: 1711: 1706: 1671: 1666: 1661: 1656: 1633: 1628: 1623: 1618: 1865: 1860: 1855: 1850: 1845: 1840: 1194:. As with the US coinage used on the back cover, various details in the photo represent what Harrison termed the "gross" aspects of life in the material world. Clayson has speculated about the symbolism and hidden messages within the photo: whether the nurse with a pram, set back from and to the left of the table, was a reference to Boyd's inability to conceive a child; and the empty, distant 38: 1583:(1981), Woffinden wrote: "Those who carped at the lyrics, or at Harrison himself, missed a great deal of the music, much of which was exceptionally fine." Woffinden described the album as "a very good one", Harrison's "only mistake" being that he had waited so long before following up his successes over 1970–71. 2100:

writes: "All these years on, it's his most overtly spiritual album that sparkles today … The well-known songs, such as 'Sue Me, Sue You Blues' (dedicated to the rapacious Allen Klein), stand up well, but it's the more restrained tracks – 'Don't Let Me Wait Too Long', 'Who Can See It' – that entrance:

2089:

and an album that "raises the bar of social awareness that had only been touched on lightly in the previous release". Franquelli concludes: "It is a work that enjoys a more elaborate dynamic development, where layers are kept together by Harrison’s clever work behind the mixing desk." In another 2014

1501:

with the description: " pleasant, competent, vaguely dull and inoffensive. It’s also breathtakingly unoriginal and – lyrically at least – turgid, repetitive and so damn holy I could scream." The reviewer concluded: "I have no doubt whatever it'll sell like hot tracts and that George'll donate all the

1062:

Barham's orchestra and choir were the final items to be recorded, on "The Day the World Gets 'Round", "Who Can See It" and "That Is All", in early March. With production on the album completed, Harrison flew to Los Angeles for Beatles-related business meetings and to begin work on Shankar and Starr's

1570:

remarked on the album's religiosity: "oftentimes the music is a more truthful guide to the sense of the lyrics than the words themselves. Harrison is not a great wordsmith but he is a superb musician. Everything flows, everything interweaves. His melodies are so superb they take care of everything."

2212:

of archival film. The final selection consisted of the album's title track playing over 1973 footage of the LP being audio-tested and packaged prior to shipment. While Zeth Lundy found that the deluxe edition "bestows lavish attention upon a record that may not exactly deserve it", with the DVD "an

2017:

wrote of "this long overdue reissue" being "worth it alone for four wonderful songs", including "Don't Let Me Wait Too Long" and "The Day the World Gets 'Round", and concluded: "The rest is Hari Georgeson at his most preachy, but it's never less than musical and often light on its feet." In another

2146:

s bold idealism, saying: "Even in the summer of 1973, after years of war and strife and disillusionment, some of us were still sort of looking – to borrow a phrase from a Lennon–McCartney song – or hoping to get from them something like 'the word' that would make us free. And George, God love him,

1578:

Aside from the album's lyrical themes, its production and musicianship were widely praised, Schaffner noting: "Surely Phil Spector never had a more attentive pupil." Carr and Tyler lauded Harrison's "superb and accomplished slide-guitar breaks", and the solos on "Give Me Love", "The Lord Loves the

911:

All the rhythm and lead guitar parts were performed by Harrison alone – the ex-Beatle stepping out from the "looming shadow" of Clapton for the first time, Leng has noted. Most of the basic tracks were recorded with Harrison on acoustic guitar; only "Living in the Material World", "Who Can See It"

1571:

Like Holden, Nicholas Schaffner approved of the singer's gesture in donating his publishing royalties to the Material World Charitable Foundation and praised the album's "exquisite musical underpinnings". Although the "transcendent dogma" was not always to his taste, Schaffner recognised that in

1220:

On the back cover, underneath the second hand-print design, text provides details of the fictitious Jim Keltner Fan Club, information on which was available by sending a "stamped undressed elephant" – for: self-addressed envelope – to a Los Angeles postal address. This detail was an affectionate

1148:

or glitter rock musical trend, Clayson writes of this image: "a British teenager might have still dug the gear worn by Krishna in his chariot … Androgynous in beaded kaftan, jewelled fez and peacock feather, and strikingly pretty, the Supreme Personality of Godhead was not unlike some of the new

1442:

was "as personal, in its own way, as anything that Lennon has done". While describing the pared-down production as "good artistic judgement in view of the nature of the lyrics", Watts concluded: "Harrison has always struck me before as simply a writer of very classy pop songs; now he stands as

1308:

selling more than 500,000 copies within two days of release based on advance orders. Global US sales of the album stand at almost 1 million copies. Nonetheless, despite such high initial sales, the record's follow-on success was limited by what Leng terms the "anomalous" decision to cancel the

2081:' Chaz Lipp writes that "this chart-topping classic is, in terms of production, arguably preferable to its predecessor", adding: "The sinewy 'Sue Me, Sue You Blues,' galloping title track, and soaring 'Don't Let Me Wait Too Long' rank right alongside Harrison's best work." Alex Franquelli of 815:

as before, although the latter's erratic behaviour and alcohol consumption ensured that, once sessions were under way in October 1972, Harrison was the project's sole producer. Spector received a credit for "Try Some, Buy Some", however, since Harrison used the same 1971 recording, featuring

3095:

While he shared Lennon and Starr's general disillusion with their manager, Harrison was especially aggrieved at Klein's handling of the Bangladesh relief effort. Klein had neglected to register the 1971 concerts as charity fundraisers beforehand, resulting in the aid project being denied

2130:

as his personal favourite of all of Harrison's solo albums. According to Leng, with its combination of a defiant "protest" song in "The Day the World Gets 'Round", the anti-stardom "The Lord Loves the One", and "perfect pop confections" in "Give Me Love" and "Don't Let Me Wait Too Long",

322:

is notable for the uncompromising lyrical content of its songs, reflecting Harrison's struggle for spiritual enlightenment against his status as a superstar, as well as for what many commentators consider to be the finest guitar and vocal performances of his career. In contrast with

5469: 959:(1973), at Apple, with contributions from Harrison, Voormann and Horn. Voormann has described the mood at the Friar Park sessions as "intimate, quiet, friendly" and in stark contrast to the sessions he, Harrison and Hopkins had attended at Lennon's home in 1971, for the 1384:

with the words "At last it's here", before hailing the new Harrison album as a "pop classic" and a "profoundly seductive record". "Happily, the album is not just a commercial event," he wrote, "it is the most concise, universally conceived work by a former Beatle since

742:

s lyrical content: "The album expresses his impressions of the mundane and the spiritual worlds and the importance of ignoring the lures of the everyday world and remaining focused on the eternal verities." Even in seemingly conventional love songs such as

2213:

unnecessary bonus", Shawn Perry considered the supplementary disc to be possibly the "pièce de résistance" of the 2006 reissue, and concluded: "this package is a beautiful tribute to the late and great guitarist any Beatles and Harrison fan will cherish."

788:

Phil was never there … I'd go along the roof at The Inn on the Park in London and climb in his window yelling, "Come on! We're supposed to be making a record." … he used to have eighteen cherry brandies before he could get himself down to the studio.

673:, would later suggest that a spiritual "crisis" might have been the cause; other observers have pointed to Harrison's failing marriage to Boyd. Leng writes of his frame of mind at this time: "while George Harrison was bursting with musical confidence, 2026:

being "more restrained and immediate without the wall of sound whitewash of its predecessor, but its flow and elegance are unmistakable". Perry admired Harrison's slide guitar playing and rated the album an "underrated, classic record". Writing for

1433:

by its New York correspondent, Michael Watts. The latter wrote that "the most strikingly immediate impression left by the album" concerned its lyrics, which, although "solemn and pious" at times, were "more interesting" thematically than those on

453:" single, where Harrison had played them "about two or three hours" worth of new songs, adding: "They were really incredible." Hopkins suggested that work on Harrison's next solo album was to begin in January or February at his new home studio at 5547: 4880: 5466: 1175:

The gatefold's inner left panel, opposite the album's production credits, showed Harrison and his fellow musicians – Starr, Horn, Voormann, Hopkins, Keltner and Wright – at a long table, laden with food and wine. A deliberate parody of

2230:, issued in September 2014. Also available as a separate CD, the reissue reproduces Howlett's 2006 essay and adds "Bangla Desh" as a third bonus track, after "Deep Blue" and "Miss O'Dell". In his preview of the 2014 reissues, for 1948:

as "the most underrated and overlooked album of 's career", adding that it "coalesces around its songs … and the Zen-like beauty that emanates from Harrison's hymns to a higher power inevitably becomes subtly affecting."

424:

had left him an international hero, but also exhausted and frustrated in his efforts to ensure that the money raised would find its way to those in need. Rather than record a follow-up to his acclaimed 1970 triple album,

2207:

The DVD featured a concert performance of "Give Me Love", recorded during Harrison's 1991 Japanese tour with Eric Clapton, and previously unreleased versions of "Miss O'Dell" and "Sue Me, Sue You Blues" set to a

4573: 3808: 1492:

began his review by stating that he had long idolised Harrison as "the finest packaged object since frozen pizza", but he had changed his opinion dramatically in recent years; after the "dire, ennui-making"

1339:

double for a second time when "Give Me Love" hit the top position during the album's stay at number 1 – the only one of his former bandmates to have done it even once being McCartney, with the recent "

5544: 4873: 6157: 6006: 2004:

magazine, Tom Doyle praised the album's ballads, such as "The Light That Has Lighted the World" and "Be Here Now", and suggested that "the distance of time helps to reveal its varied charms".

5866: 518:: on one hand, Harrison earned himself the nickname "His Lectureship" during his prolonged periods of fervid devotion; on the other, he participated in bawdy London sessions for the likes of 6102: 5815: 5933: 5842: 1522:

bemoaned Harrison's "didactically imposing said Holy Memoirs upon innocent record-collectors" and declared the album's spiritual theme "almost as offensive in its own way" as Lennon and

376:, even if it inevitably falls short of Harrison's grand opus. Author Simon Leng refers to the album as a "forgotten blockbuster", representing "the close of an age, the last offering of 1940:'s Bruce Eder. The latter describes Harrison's 1973 album as "an underrated minor masterpiece" that "represent his solo playing and songwriting at something of a peak". John Metzger of 731:

action to dissolve the band as a business entity. In line with Prabhupada's teachings, all such pursuits of fame, wealth or position meant nothing in Harrison's 1972 world-view. Author

3708: 1446:

While Holden had opined that, of all the four Beatles, Harrison had inherited "the most precious" legacy – namely, "the spiritual aura that the group accumulated, beginning with the

3052:

The remaining songs were "Try Some, Buy Some" and "Sue Me, Sue You Blues", both of which were 1971 copyrights that had already been assigned to their composer's publishing company,

1458:

later wrote, "the Beatle bubble had undoubtedly burst" and for each of the former bandmates, his individual "pedestal" was now "an exposed, rather than a comfortable, place to be".

953:

record sleeve, as a further sign of Harrison's championing of the Beatles-owned recording facility. At the weekends during these autumn months, Hopkins recorded his own solo album,

5289: 1380:

as "one of the most keenly anticipated discs of the decade" and its unveiling "a major event". Among expectant music critics, Stephen Holden began his highly favourable review in

1289:

was issued on 30 May 1973 in America (with Apple catalogue number SMAS 3410) and on 22 June in Britain (as Apple PAS 10006). It enjoyed immediate commercial success, entering the

1403:

is a profoundly seductive record. Harrison's rapt dedication infuses his musicality so completely that the album stands alone as an article of faith, miraculous in its radiance.

1395:

magazine noted the twin themes found throughout the album – "the Beatles and their mish-mash" versus a "spiritual undercoat" – and described Harrison's vocals as "first-rate".

7148: 5769: 5742: 1991:

could not help but be eclipsed by its gargantuan forebear, with the two albums in the CD player and the 'shuffle' function mixing them up, it's difficult to play favourites."

1221:

thank-you to the popular drummer (Starr would repeat the gesture on his album later in the year), as well as a light-hearted dig – in its use of "wing" symbols, like those in

1018:

to record in 1971, was taped at this point. The lyrics' courtroom theme had a new relevance in early 1973, as he, Lennon and Starr looked to sever all legal ties with manager

1579:

One", "The Light That Has Lighted the World" and "Living in the Material World" have each been identified as exemplary and among the finest of Harrison's career. In his book

2188:" and "Give Me Love (Give Me Peace on Earth)". The CD/DVD edition contained a 40-page full colour booklet that included extra photos from the inner-gatefold shoot (taken by 1053:

overdubbed on this track and "Be Here Now" also marked a rare return to the genre for Harrison, recalling his work with the Beatles over 1966–68 and his first solo album,

669:

had been uplifting celebrations of faith, his latest compositions betrayed a more austere quality, partly as a result of the Bangladesh experience. His musical arranger,

7620: 6381: 457:, but any such plan was undone by Harrison's commitment to the Bangladesh relief project. While he found time during the last few months of 1971 to produce singles for 7186: 4570: 4217: 3805: 2101:

gorgeous pop songs, all the more forceful for their restraint." Trynka goes on to describe "Be Here Now" as the album's "towering achievement" and "a masterpiece".

5499: 3186: 629:

Both "The Lord Loves the One" and the album's title track were directly inspired by Prabhupada's teachings. Greene writes of Harrison adapting a passage from the

7076: 6050: 5626: 7712: 5597: 5319: 2160:

While solo works by Lennon, McCartney and Starr had all been remastered as part of repackaging campaigns during the 1990s and early 21st century, Harrison's

5368: 1132:", in the form of a painting from a Prabhupada-published edition of the Bhagavad Gita. Reproduced on the lyric insert sheet (on the back of which was a red 5573: 2999:

Of the two of them, his wife suffered the most serious injuries, her recovery from which, Clayson has noted, Harrison saw fit to assist by "pounding on a

7153: 1359:, but his only public appearance in Britain was to accompany Prabhupada on a religious procession through central London, on 8 July. According to author 6347: 6154: 6003: 5863: 368:

described it as a "pop classic", a work that "stands alone as an article of faith, miraculous in its radiance". Most contemporary reviewers consider

633:

into his lyrics for "Living in the Material World" and adds: "Some of the songs distilled spiritual concepts into phrases so elegant they resembled

5812: 5719: 1033:

parts and Horn's contributions. "Living in the Material World" received significant attention during this last phase of the album production, with

689:

might be better, but those songs are incredible … You can hear from the LP what his aim was; he definitely had a message he wanted to get across.

384:

reissued the album in 2006, in remastered form with bonus tracks, and released a deluxe-edition CD/DVD set that included film clips of four songs.

5521: 5390: 4906: 4833: 3021: 774:. The latter initiative was set up in reaction to the tax issues that had hindered his relief effort for the Bangladeshi refugees, and ensured a 556: 5930: 1045:

being added to fill the song's two "spiritual sky" sections. The resulting contrast between the main, Western rock portion and the Indian-style

5839: 7927: 7581: 4301: 3070: 1124:

describing the record as "beautifully-packaged with symbolic hand-print covers and the dedication, 'All Glories to Sri Krsna'", while author

811:, Harrison wanted a more understated sound this time around, to "liberate" the songs, as he later put it. He had intended to co-produce with 551:

documentary film having finally been released worldwide, Harrison set off alone for a driving holiday in Europe, during which he chanted the

17: 7798: 6282: 2976:

Among activities that drained much of his creativity from September 1971 through to late 1972, Harrison was embroiled in negotiations with

2322: 1253:

was issued at the end of a busy Apple release schedule, with April and May 1973 having already been set aside for the Beatles compilations

591: 751:", Harrison appeared to be addressing his deity as much as any human partner. Musically, the latter composition reflects the influence of 312:

two days after release, on its way to becoming Harrison's second number 1 album in the United States, and produced the international hit "

7964: 7493: 7256: 5282: 2844: 3317: 7705: 7091: 6069: 4992: 1497:, Tyler continued, "the unworthiness of my heretical thoughts smote home around the time of the Bangla Desh concerts." Tyler dismissed 1014:

at Friar Park, Harrison resumed work on the album in January 1973, at Apple. "Sue Me, Sue You Blues", which he had originally given to

7974: 7458: 7181: 6886: 6393: 2940: 2910: 1936:

gained a reputation as "a forgotten blockbuster" – a term used by Simon Leng and echoed by commentators such as Robert Rodriguez and

1305: 309: 5166:

Michael Delaney & Anthony O'Grady, "Living in the Material World – George Harrison (Apple PAS 10006): A two-part appreciation",

723:". The lyrics to "Who Can See It" reflect Harrison's disenchantment with his previous, junior status to former bandmates Lennon and 7969: 7507: 5762: 5739: 1340: 6328: 3664: 3460: 2987: 7558: 6186: 2901: 7745: 7698: 7044: 7012: 6800: 6731: 6716: 6641: 6626: 6596: 6581: 6551: 6502: 6418: 5897: 2273: 1206:

observes the anti-Catholic sentiment within this inner-gatefold photo, following on from Harrison's lyrics to his 1970 song "

877:, who had impressed at the 1971 Bangladesh concerts, and Nicky Hopkins, whose musical link to Harrison went back to the 1968 599: 313: 261: 7900: 7759: 7332: 7251: 4210: 2287: 873:

returned, on keyboards and bass, respectively, and John Barham again provided orchestral arrangements. They were joined by

771: 712: 618: 502:– reached new heights. As Harrison admitted, his adherence to his spiritual path was not necessarily consistent. His wife, 499: 5133: 7780: 6987: 6709:

Miss O'Dell: My Hard Days and Long Nights with The Beatles, The Stones, Bob Dylan, Eric Clapton, and the Women They Loved

2308: 1512:, giving the record a "C" grade and writing that "Harrison sings as if he's doing sitar impressions". In their 1975 book 1301: 1182: 829: 595: 394:

I wouldn't really care if no one ever heard of me again. I just want to play and make records and work on musical ideas.

305: 5684: 3179: 7984: 7979: 7805: 7069: 7005: 6980: 6938: 3039: 2982: 2329: 1514: 720: 226: 208: 6856: 6047: 5955: 7564: 6945: 6830: 6815: 6785: 6770: 6746: 6701: 6686: 6671: 6656: 6611: 6566: 6536: 6521: 6487: 6463: 6448: 6433: 6262: 6032: 5988: 5623: 3959: 1575:, Harrison had "devised a luxuriant rock devotional designed to transform his fans' stereo equipment into a temple". 1165: 547: 530:", both recorded in the first half of 1972. Similarly, Harrison's passion for high-performance cars saw him lose his 5594: 7819: 7401: 7037: 6344: 3065:

The German bassist vividly recalls recording his part for "Be Here Now" in a toilet there, and footage included in

2990:

from the New York shows, and transatlantic meetings with lawyers and various US and British government departments.

2343: 1463:

It’s also breathtakingly unoriginal and – lyrically at least – turgid, repetitive and so damn holy I could scream.

934: 861:

In another contrast with his 1970 triple album, Harrison engaged a small core group of musicians to support him on

603: 105: 6304: 5365: 930:

augmented the line-up on 4 and 11 October, although their playing would not find its way onto the released album.

7954: 7595: 707:' legacy, either in direct references to the band's history – in the case of "Living in the Material World" and " 506:, and their friend Chris O'Dell would joke that it was hard to tell whether he was dipping into his ever-present 4327: 965:

album. Keltner recalls Harrison as having been focused and "at his peak physically" throughout the recording of

7422: 5570: 889:, another musician from the Concert for Bangladesh band, supplied horns and flutes. The recording engineer was 527: 431:, Harrison put his solo career on hold for over a year following the two Concert for Bangladesh shows, held at 3012:

Further aligning himself with the Hare Krishna movement, in early 1973, Harrison purchased Piggott's Manor in

1296:

chart at number 11 and hitting number 1 in its second week, on 23 June, demoting Wings' album in the process.

7959: 7873: 7766: 7444: 6879: 6048:"Swedish Charts 1972–1975/Kvällstoppen – Listresultaten vecka för vecka" > Juli 1973 > 17 & 24 Juli 3083: 2294: 1894: 748: 602:" and "Try Some, Buy Some" – as well as his feelings before and after the Bangladesh benefit concerts, with " 7521: 4305:

DVD, 2011 (directed by Martin Scorsese; produced by Olivia Harrison, Nigel Sinclair & Martin Scorsese).

1387: 1314: 7890: 7479: 7176: 7084: 7030: 4888: 3282: 2226: 1169: 1065: 961: 658:, he describes the song as "a prayer and personal statement between me, the Lord, and whoever likes it". 5339: 711:" – or in Harrison's stated desire to live in the present, free of his former identity, in the case of " 7895: 7633: 7224: 7123: 5518: 4903: 4852: 3116:, these sections had been taped with minimal instrumentation, awaiting the requisite musical colouring. 1528: 1187: 1050: 417: 406: 301: 6232: 6099: 2168:

wrote in 2005, an "unfortunate" situation considering the quality of its songs. On 25 September 2006,

1312:

In the UK, the album peaked at number 2, held from the top position by the soundtrack to Starr's film

778:

stream of income, through ongoing publishing royalties, for dispersal to the charities of his choice.

7920: 7572: 7514: 7500: 3662:"Chapter 1 – The Hare Krsna Mantra: 'There's nothing higher …' A 1982 Interview with George Harrison" 955: 466: 7679: 7116: 6872: 5716: 2509: 1969:

Zeth Lundy, it suffers from "a more anonymous tract" next to the "cathedral-grade significance" of

1140:, the legendary archer and warrior, in a chariot, being pulled by the enchanted seven-headed horse 1038: 912:

and "That Is All" featured electric rhythm parts, those for the latter two songs adopting the same

450: 356: 7906: 7394: 6959: 6077: 5652: 5634: 5241: 4837: 2092: 1685: 484: 6275: 5912: 2041:

as "a bit full-on, religion-wise" but "the album to play if you want musicianship at its best".

6250: 2200:

by Kevin Howlett, and Harrison's handwritten lyrics and comments on the songs, reproduced from

1980: 1089: 1049:

emphasised Harrison's struggle between physical-world temptations and his spiritual goals. The

4928: 1283:–Concert for Bangladesh era, with his hand outstretched, mirroring Wilkes' album cover image. 681:' – shocked by the rush of overwhelming success and desperately wondering where it left him." 640:: short codes that contain volumes of meaning." On "Give Me Love", Harrison blended the Hindu 7752: 7305: 7051: 6952: 5530: 4385: 3314: 2538: 2280: 2180:

featured two additional tracks, neither of which had previously been available on an album: "

2055: 835:

A release date was planned for January or February 1973, with the album title rumoured to be

821: 728: 708: 622: 495: 432: 6066: 7949: 7642: 7551: 7347: 6966: 6924: 6237: 6111: 5917: 5750: 4997: 4933: 4857: 2672: 1335: 927: 885:". Ringo Starr also contributed to the album, when his burgeoning film career allowed, and 427: 296: 1217:– "a slam at the perceived materialism and violence of the Roman church", Allison writes. 316:". It also topped albums charts in Canada and Australia, and reached number 2 in Britain. 304:, it was among the most highly anticipated releases of that year. The album was certified 8: 7219: 6215: 6126: 5430: 5344: 4040: 3817: 3017: 2733: 1975: 1819: 1447: 1207: 1153: 1029:

were carried out on the album's basic tracks – comprising vocals, percussion, Harrison's

552: 531: 479:, Harrison's next project in the role of music producer was not until August 1972, when 7826: 7812: 7408: 7367: 7245: 7234: 7229: 7206: 6368: 6325: 5222: 3146: 2871: 2504: 2424: 2350: 2336: 2185: 1647: 1567: 1502:

profits to starving Bengalis and make me feel like the cynical heel I undoubtedly am."

1164:

department, as was the shot used on the back cover, where Harrison instead holds three

1125: 981: 970: 744: 654: 613: 580: 187: 117: 3457: 7627: 7437: 7415: 6826: 6811: 6796: 6781: 6766: 6742: 6727: 6712: 6697: 6682: 6667: 6652: 6637: 6622: 6607: 6592: 6577: 6562: 6547: 6532: 6517: 6498: 6483: 6459: 6444: 6429: 6414: 6258: 6202: 6028: 5984: 5953:"InfoDisc: Tous les Albums classés par Artiste > Choisir un Artiste dans la Liste" 5893: 5519:"Paul McCartney: 'Egypt Station' Review" > "Ranking the Other Beatles Solo Albums" 3138: 3113: 2683: 2597: 1267: 1211: 1177: 6174: 5123: 3806:"George Harrison Revisited, Part One (2014): The dark horse bolting out of the gate" 7486: 7212: 7130: 6917: 6910: 6471: 5504: 5119: 3661: 3082:

In addition, Harrison produced an early version of his and Starr's co-composition "

2369: 2181: 2049: 2029: 1503: 1055: 3141:

executives presented Harrison with the award, along with a CRIA platinum disc for

2184:" and "Miss O'Dell", popular B-sides, respectively, to the 1971 non-album single " 7913: 7528: 7465: 7310: 7262: 7191: 6895: 6754: 6363: 6332: 6161: 6106: 6073: 6054: 6010: 5959: 5937: 5870: 5846: 5819: 5802:

reissue (EMI Records, 2006; produced by Dhani & Olivia Harrison), pp. 33, 36.

5773: 5746: 5723: 5630: 5601: 5577: 5556: 5551: 5525: 5473: 5372: 5293: 5263: 4910: 4884: 4582: 4577: 4331: 4221: 3963: 3812: 3668: 3464: 3321: 3309: 3190: 3126: 3066: 2977: 2693: 2480: 2437: 2193: 2173: 2061: 2006: 1697: 1275:: "For a while there ... album charts were reminiscent of the golden age of 1237: 1141: 994: 985: 946: 437: 413: 287: 195: 178: 173: 50: 7848: 7773: 7690: 7588: 7545: 7372: 7316: 4915: 2616: 2472: 2454: 2376: 2301: 2034: 1541:". And if you say the words "God" or "Lord", it makes some people's hair curl. 1409: 1161: 1117: 1015: 989: 913: 870: 752: 724: 716: 695: 607: 590:

in February 1971. The songs reflected his spiritual devotion – in the case of "

587: 559:

devotee, has described this trip as Harrison's "preparation" for recording the

555:

nonstop for a whole day, he later claimed. Religious academic Joshua Greene, a

340: 244: 3956: 1083: 7943: 7472: 7342: 7337: 7268: 6351: 5875: 5823: 5394: 5168: 3717: 3195: 3097: 3037:", a track dealing with the end of their relationship, later released on his 3013: 2760: 2718: 2450: 2112: 1960:

found the album "drearily monochromatic" compared to its predecessor, and to

1562: 1538: 1455: 1414: 1290: 1261: 1255: 1199: 1071: 890: 882: 853:

was co-producing and that the album was set for release on 20 December 1972.

845: 804: 649: 630: 535: 523: 462: 442: 401: 364: 332: 291: 166: 5840:"Give Me Love: George Harrison’s 'Apple Years' Are Collected on New Box Set" 5545:"The Beatles: Their 10 best solo albums ranked, from Flaming Pie to Imagine" 988:. During this period, Harrison co-produced a new live album for Shankar and 37: 7362: 7357: 7300: 6411:

The Love There That's Sleeping: The Art and Spirituality of George Harrison

6175:ジョージ・ハリスン-リリース-ORICON STYLE-ミュージック "Highest position and charting weeks of 6141: 5449: 5029: 5011: 4571:"Tom Wilkes: Graphic designer responsible for many celebrated album covers" 2925: 2747: 2705: 2532: 2501: 2235: 2165: 2000: 1548: 1425: 1323: 1222: 1203: 1046: 1030: 878: 850: 817: 812: 795: 732: 678: 645: 584: 515: 470: 183: 161: 2411:

Tracks 1–11 as per the original release, with the following bonus tracks:

2362:

Tracks 1–11 as per the original release, with the following bonus tracks:

1190:

home of entertainment lawyer Abe Somer, by Hollywood glamour photographer

755:

songwriters of the early 1960s, while Harrison sings of a love delivered "

7656: 7602: 7451: 7377: 7322: 7294: 7289: 7284: 7109: 6973: 5619: 5581: 5326: 3145:, in Toronto in December 1974, shortly before he performed at the city's 2518: 2491: 2485: 2476: 2467: 2459: 2197: 2172:

reissued the album in the UK, on CD and in a deluxe CD/DVD package, with

2120: 2097: 2078: 1782: 1352: 1276: 1242: 1129: 1026: 1019: 1011: 874: 866: 704: 670: 514:

bag". This duality has been noted by Harrison biographers Simon Leng and

503: 480: 475: 458: 446: 377: 352: 348: 344: 336: 127: 6544:

Here Comes the Sun: The Spiritual and Musical Journey of George Harrison

5428:

Dave Thompson, "The Music of George Harrison: An album-by-album guide",

1322:

also topped albums charts in Australia and Canada. In January 1975, the

976:

The sessions continued until the end of November, when Hopkins left for

677:

found him in roughly the same place that John Lennon was when he wrote '

7649: 7429: 7352: 7327: 7239: 7201: 6845: 6308: 5952: 5606: 5377: 3053: 2630: 2463: 2390: 1962: 1831: 1771: 1489: 1469: 1360: 1195: 1191: 1105: 942: 918: 775: 539: 519: 454: 421: 135: 5864:"The Many Solo Moods of George Harrison: Inside 'The Apple Years' Box" 542:

at 90 miles an hour, on 28 February, with Boyd in the passenger seat.

4324: 4002:

reissue (EMI Records, 2006; produced by Dhani & Olivia Harrison).

2522: 2209: 2189: 1156:

of Harrison's hand holding a Hindu medallion. The photo was taken at

1145: 1007: 923: 507: 1537:

They feel threatened when you talk about something that isn't just "

1454:. This was particularly so in Britain, where by summer 1973, author 727:, while "Sue Me, Sue You Blues" was his comment on McCartney's 1971 7196: 5976: 5777: 5329:(archived version from 6 October 2015, retrieved 29 December 2016). 4225: 3000: 2662: 2544: 2497: 2014: 1957: 1937: 1610: 1523: 1519: 1226: 1214: 1109: 1022:, who had been the prime cause for McCartney's earlier litigation. 886: 825: 491: 6864: 6456:

All Together Now: The First Complete Beatles Discography 1961–1975

5813:"George Harrison's First Six Studio Albums to Get Lavish Reissues" 3125:

Somer in fact took Wright's place in the shot, after which Wilkes

634: 6850: 6604:

Mystical One: George Harrison – After the Break-up of the Beatles

2250:

includes the four items featured on the 2006 deluxe edition DVD.

977: 662: 511: 6516:, Rolling Stone Press/Simon & Schuster (New York, NY, 2002; 900: 7866: 6220: 5508:, 30 January 2012 (archived version retrieved 1 February 2021). 4688: 4686: 4684: 3034: 2651: 2583: 2526: 2136: 1137: 938: 767: 762:

Harrison donated his copyright for nine of the eleven songs on

641: 111: 6793:

Working Class Mystic: A Spiritual Biography of George Harrison

6057:(in Swedish), hitsallertijden.nl (retrieved 13 February 2013). 3925: 3923: 3671:, Chant and Be Happy/harekrishna.com (retrieved 9 April 2014). 3594: 3592: 3590: 1210:". Harrison is dressed as a priest, all in black, sporting an 405:

in April 1972, during his year away from the public eye after

5980: 5128: 2513: 2445: 2441: 1560:

Writing in the inaugural issue of the Australian publication

1508: 1309:

release of a second US single, "Don't Let Me Wait Too Long".

1042: 1034: 45: 6679:

Revolution in the Head: The Beatles' Records and the Sixties

5726:, georgeharrison.com, 22 June 2006 (retrieved 9 April 2014). 4681: 2139:

spirit that characterised the 1960s. Eder likewise welcomes

1443:

something more than an entertainer. Now he's being honest."

992:

for a January release on Apple Records, the highly regarded

7621:

Songs from the Material World: A Tribute to George Harrison

6495:

You Never Give Me Your Money: The Beatles After the Breakup

5467:"George Harrison, Living in the Material World – CD Review" 5320:"Critique de Living In The Material World, George Harrison" 3920: 3587: 3033:

Harrison himself gave 1972 as the year he started writing "

2789: 2640: 2224:

was remastered again for inclusion in the Harrison box set

1300:

spent five weeks atop the US charts, having been awarded a

1157: 1136:

with yellow surround), this painting features Krishna with

7643:

Harrison on Harrison: Jazz Explorations of George Harrison

6664:

While My Guitar Gently Weeps: The Music of George Harrison

5153: 5151: 2440:– lead and backing vocals, electric and acoustic guitars, 2389:"Give Me Love (Give Me Peace on Earth)" (recorded live at 1552:

in September 1971, pre-empting criticism of his lyrics on

1152:

For the album's striking front-cover image, Wilkes used a

941:, according to Voormann. Apple Studios, together with its 648:, repeating the formula of his 1970–71 international hit " 579:

was drawn from the 1971–72 period, with the exception of "

5571:"Music Review: George Harrison’s Apple Albums Remastered" 5105: 5084: 4600: 2169: 1484: 1474: 1450:" – other reviewers objected to the overt religiosity of 1108:, and the latter's new business partner, Craig Baun. The 381: 6426:

The Beatles Diary Volume 2: After the Break-Up 1970–2001

5740:"Billboard Bits: George Harrison, Family Values, Antony" 5300:, vol. 13 (11), November 2006 (retrieved 10 April 2014). 4904:"Certified for Canadian Gold" (CRIA trade advertisement) 4603:, 2006; produced by Dhani & Olivia Harrison), p. 36. 1025:

For the rest of January and through February, extensive

445:

spoke of having just attended the New York sessions for

6372:, 17 November 1973, p. 56 (retrieved 17 February 2022). 6155:"Album – George Harrison, Living in the Material World" 5834: 5832: 5148: 2246:

as representing "the heart of the set". Disc eight of

1133: 6241:, 14 October 2006, p. 76 (retrieved 25 November 2014). 3994: 3992: 3990: 2135:

was the last album to capture the same clear-sighted,

1326:

announced that it had been certified as a gold album.

869:, who shared Harrison's spiritual preoccupations, and 5461: 5459: 5189: 5187: 3016:

for the growing number of UK-based devotees. Renamed

5829: 5691:, 2006 (archived version retrieved 26 October 2013). 5229: 3514: 3512: 2176:' US release following the next day. The remastered 2111:

s "self-production criterion closer to the style of

2104:

Among Beatles biographers, Alan Clayson approves of

828:

and Barham, that they had made for Ronnie Spector's

571:

Rather than revisit compositions left over from the

6724:

Fab Four FAQ 2.0: The Beatles' Solo Years 1970–1980

6694:

Eight Arms to Hold You: The Solo Beatles Compendium

6469:David Cavanagh, "George Harrison: The Dark Horse", 6115:, 14 July 1973, p. 64 (retrieved 21 February 2017). 5973:

Oricon Album Chart Book: Complete Edition 1970–2005

5962:(in French), infodisc.fr (retrieved 13 April 2014). 5277: 5275: 5273: 5057: 5055: 4709: 4707: 3987: 2047:was listed as the fifth best Beatles solo album by 1347:. Harrison carried out no supporting promotion for 1225:' logo – at McCartney, who had recently launched a 1128:likewise admired the "color representations of the 625:, influenced some of Harrison's songs on the album. 583:", which he wrote in 1970 and recorded with former 286:is the fourth studio album by the English musician 6364:"From the Music Capitals of the World – Melbourne" 6326:"Billboard 1970's Album Top 50 (Part 1) > 1973" 5456: 5220:Paul Du Noyer, "Back Catalogue: George Harrison", 5184: 5078: 5076: 5041: 5039: 5001:, 9 June 1973, p. 54 (retrieved 21 November 2014). 4937:, 8 February 1975, p. 61 (retrieved 17 June 2021). 4861:, 25 August 1973, p. 50 (retrieved 11 April 2014). 4811: 4809: 4287: 4285: 4112: 4110: 4108: 3913: 3911: 3502: 3500: 3341: 3339: 3324:(subscription required; retrieved 30 August 2012). 1363:, the album sold over 3 million copies worldwide. 1265:and for Paul McCartney & Wings' second album, 294:. As the follow-up to 1970's critically acclaimed 6531:, Visible Ink Press (Farmington Hills, MI, 1999; 5921:, 11 August 1973, p. 65 (retrieved 9 April 2014). 4985: 4651: 4649: 4647: 4645: 4080: 4078: 4038:Timothy White, "George Harrison – Reconsidered", 4025: 4023: 4021: 3957:"Material World Charitable Foundation" > About 3509: 3357: 3355: 3003:that he'd set up in the next room" at Friar Park. 2900: 937:in London, but mostly at Harrison's home studio, 534:for the second time in a year after crashing his 435:, New York, in August 1971. In an interview with 16:For the documentary film by Martin Scorsese, see 7941: 7720: 6004:"George Harrison – Living in the Material World" 5931:"George Harrison – Living in the Material World" 5270: 5214: 5052: 4919:, 11 January 1975, p. 6 (retrieved 12 May 2021). 4752: 4704: 4665: 4663: 4661: 4606: 4556: 4554: 4552: 4550: 4548: 4546: 4544: 4542: 4487: 4485: 4379:Ken Hunt, "Review: Ravi Shankar Ali Akbar Khan, 4158: 4156: 4154: 3782: 3780: 3199:, 19 July 1973, p. 54 (retrieved 12 April 2014). 3024:'s main centre for study and worship in Britain. 6621:(2nd edn), Rough Guides/Penguin (London, 2006; 6443:, Trewin Copplestone Publishing (London, 1978; 6013:, norwegiancharts.com (retrieved 9 April 2014). 5879:, 26 September 2014 (retrieved 1 October 2014). 5765:Living in the Material World (Bonus Tracks/DVD) 5534:, 5 September 2018 (retrieved 1 February 2021). 5381:, 8 November 2006 (retrieved 29 November 2014). 5366:"George Harrison: Living in the Material World" 5099: 5097: 5095: 5073: 5036: 4806: 4282: 4119: 4105: 4068: 4066: 4064: 4062: 4060: 4058: 4056: 4054: 4052: 4050: 3908: 3544: 3542: 3497: 3336: 2956:Shipments figures based on certification alone. 2399:"Sue Me, Sue You Blues" (acoustic demo version) 1144:. With the album arriving at the height of the 1116:were much commented-on at the time of release, 1104:, Harrison entrusted the album's art design to 1087:Lyric insert artwork for the album, taken from 904:Apple Studios, where Harrison recorded part of 490:Throughout this period, Harrison's devotion to 5853:, 2 September 2014 (retrieved 1 October 2014). 5826:, 2 September 2014 (retrieved 1 October 2014). 5805: 5637:, 8 October 2014 (retrieved 27 November 2014). 5610:, 30 October 2014 (retrieved 1 November 2014). 5587: 5360: 5358: 5356: 5354: 4642: 4075: 4018: 3966:, georgeharrison.com (retrieved 9 April 2014). 3821:, 24 October 2014 (retrieved 4 December 2014). 3798: 3467:, superseventies.com (retrieved 8 April 2014). 3451: 3352: 2147:had the temerity to actually oblige ..." 1900: 1787: 7928:George Harrison: Living in the Material World 7706: 7582:George Harrison: Living in the Material World 6880: 6574:George Harrison: Living in the Material World 6354:, billboard.biz (retrieved 11 February 2012). 6257:, Australian Chart Book (St Ives, NSW, 1993; 6027:(1st ed.). Spain: Fundación Autor-SGAE. 5892:, Australian Chart Book (St Ives, NSW, 1993; 5712: 5710: 5708: 5706: 5253: 5251: 4725: 4658: 4589: 4539: 4482: 4302:George Harrison: Living in the Material World 4266: 4264: 4236: 4234: 4151: 4144: 4142: 4140: 3863: 3838: 3836: 3777: 3770: 3768: 3731: 3729: 3727: 3426: 3424: 3396: 3394: 3373: 3303: 3301: 2541:– drums, tambourine (on "Try Some, Buy Some") 1983:considered the 1973 album to be the equal of 1837: 1429:published a full-page "exclusive preview" of 1186:, the picture was taken in California at the 969:, having given up smoking and taken to using 839:. Within a month, the title was announced as 331:, using a core group of musicians comprising 18:George Harrison: Living in the Material World 7799:The Lord Loves the One (That Loves the Lord) 6696:, 44.1 Productions (Chesterfield, MO, 2000; 6561:, Chronicle Books (San Francisco, CA, 2002; 6546:, John Wiley & Sons (Hoboken, NJ, 2006; 6335:, 7 December 2007 (retrieved 13 April 2014). 6226: 5753:, 21 June 2006 (retrieved 26 November 2014). 5734: 5732: 5584:, 5 October 2014 (retrieved 6 October 2014). 5560:, 16 April 2020 (retrieved 1 February 2021). 5480:, October 2006 (retrieved 29 November 2014). 5092: 5023: 5021: 4899: 4897: 4848: 4846: 4047: 3881: 3539: 2323:The Lord Loves the One (That Loves the Lord) 2068: 1739: 1703: 1653: 1615: 949:address, received a prominent credit on the 592:The Lord Loves the One (That Loves the Lord) 6297: 5397:(archived version retrieved 5 August 2014). 5351: 4818: 3174: 3172: 3170: 3168: 3166: 3164: 2547:– acoustic guitar (on "Try Some, Buy Some") 1586: 1149:breed of theatrical British chartbusters." 916:-toned sound found on much of the Beatles' 522:' eponymous solo album and what Leng terms 359:were among the album's other contributors. 7713: 7699: 7149:1974 North American tour with Ravi Shankar 6887: 6873: 6780:, 498 Productions (New Orleans, LA, 2005; 6752:Mat Snow, "George Harrison: Quiet Storm", 6529:MusicHound Rock: The Essential Album Guide 6454:Harry Castleman & Walter J. Podrazik, 6338: 5940:, dutchcharts.nl (retrieved 9 April 2014). 5908: 5906: 5703: 5624:"George Harrison: The Apple Years 1968–75" 5595:"George Harrison: The Apple Years 1968–75" 5248: 4946:Castleman & Podrazik, pp. 353–54, 364. 4869: 4867: 4261: 4231: 4205: 4203: 4201: 4199: 4197: 4195: 4137: 3950: 3833: 3765: 3724: 3421: 3391: 3298: 3073:shows the musicians playing at Friar Park. 327:, Harrison scaled down the production for 36: 6527:Gary Graff & Daniel Durchholz (eds), 6167: 6022: 5729: 5118: 5027:Michael Watts, "The New Harrison Album", 5018: 4894: 4843: 4586:, 15 July 2009 (retrieved 31 March 2012). 3721:, 12 October 2000 (retrieved 7 May 2013). 3692: 3442: 1987:, reasoning: "While history insists that 1001: 310:Recording Industry Association of America 7494:Ravi Shankar's Music Festival from India 7257:Ravi Shankar's Music Festival from India 6606:, Guernica Editions (Toronto, ON, 2006; 6458:, Ballantine Books (New York, NY, 1976; 6148: 5948: 5946: 5685:"The Rip Post Interview with Simon Leng" 3161: 2085:refers to it as "a worthy successor" to 1423:Two weeks ahead of the UK release date, 1236: 1082: 899: 644:style (or devotional song) with Western 612: 441:magazine in December that year, pianist 25:1973 studio album by George Harrison 6763:Down the Highway: The Life of Bob Dylan 6164:, charts.de (retrieved 3 January 2013). 5903: 5717:"Living in the Material World Re-Issue" 4864: 4803:Castleman & Podrazik, pp. 332, 364. 4370:Castleman & Podrazik, pp. 112, 122. 4192: 2164:was "neglected over the years", author 1973:. Reviewing Harrison's solo career for 1371: 1324:Canadian Recording Industry Association 7942: 7559:Blue Suede Shoes: A Rockabilly Session 7092:George Harrison – The Vinyl Collection 6634:The Words and Music of George Harrison 6316:infodisc.fr (retrieved 13 April 2014). 6305:"Les Albums (CD) de 1973 par InfoDisc" 6023:Salaverri, Fernando (September 2005). 5112: 4740:George Harrison, plate XXXIII, p. 389. 2986:live album, technical issues with the 2869: 2861: 2853: 2843: 2806: 2798: 2788: 2758: 2744: 2730: 2716: 2702: 2692: 2681: 2671: 2660: 2649: 2639: 2628: 2614: 2606: 2595: 2581: 2258:All songs written by George Harrison. 1932:In the decades following its release, 1351:; "pre-recorded tapes" were issued to 1249:Due to the extended recording period, 7746:Give Me Love (Give Me Peace on Earth) 7694: 7508:Nobody's Child: Romanian Angel Appeal 7045:Let It Roll: Songs by George Harrison 6868: 6707:Chris O'Dell with Katherine Ketcham, 6139:Lenny Beer (ed.), "The Album Chart", 6067:"Artist: George Harrison" > Albums 5943: 5890:Australian Chart Book 1970–1992 5340:"George Harrison: Il Mantra del Rock" 5103:Tony Tyler, "Holy Roller: Harrison", 2274:Give Me Love (Give Me Peace on Earth) 1596: 1366: 1198:in memory of Harrison's late mother. 893:, who had worked in the same role on 600:Give Me Love (Give Me Peace on Earth) 314:Give Me Love (Give Me Peace on Earth) 262:Give Me Love (Give Me Peace on Earth) 7901:Material World Charitable Foundation 7760:The Light That Has Lighted the World 7252:Material World Charitable Foundation 7154:1991 Japanese tour with Eric Clapton 6825:, Dorling Kindersley (London, 2002; 6726:, Hal Leonard (Milwaukee, WI, 2010; 6666:, Hal Leonard (Milwaukee, WI, 2006; 6649:The Dawn of Indian Music in the West 6636:, Praeger (Santa Barbara, CA, 2010; 6189:from the original on 24 October 2012 5789:Madinger & Easter, pp. 435, 442. 5089:, IPC Ignite! (London, 2005), p. 70. 5087:: Beatles – The Solo Years 1970–1980 4325:Rocks Off: The Nicky Hopkins Website 3998:Kevin Howlett, booklet accompanying 3458:"George Harrison – In His Own Words" 2561: 2288:The Light That Has Lighted the World 837:The Light That Has Lighted the World 772:Material World Charitable Foundation 713:The Light That Has Lighted the World 300:and his pioneering charity project, 7333:A.C. Bhaktivedanta Swami Prabhupada 6894: 6741:, McGraw-Hill (New York, NY, 1978; 6276:"Dutch charts jaaroverzichten 1973" 3830:Leng, pp. 126–28, 129–30, 131, 133. 3625:George Harrison, pp. 246, 254, 258. 3280:Liner note essay by Kevin Howlett, 2396:"Miss O'Dell" (alternative version) 2261: 2115:", after the "looser abundance" of 1902: 1789: 500:A.C. Bhaktivedanta Swami Prabhupada 13: 7965:Albums produced by George Harrison 6795:, Quest Books (Wheaton, IL, 2011; 6711:, Touchstone (New York, NY, 2009; 6441:The Beatles: An Illustrated Record 6285:from the original on 17 April 2014 5136:from the original on 9 August 2020 3409:Madinger & Easter, pp. 439–40. 3286:book (Apple Records, 2014), p. 31. 2828: 1839: 1515:The Beatles: An Illustrated Record 1355:and played repeatedly on the show 933:The sessions took place partly at 575:sessions, Harrison's material for 14: 7996: 6946:Extra Texture (Read All About It) 6838: 6778:The Beatles Solo on Apple Records 6692:Chip Madinger & Mark Easter, 6651:, Continuum (New York, NY, 2006; 6413:, Continuum (New York, NY, 2006; 6394:RIAA Gold & Platinum Database 6089:Castleman & Podrazik, p. 342. 6025:Sólo éxitos: año a año, 1959–2002 5500:"The 10 Best Beatles Solo Albums" 4794:Castleman & Podrazik, p. 364. 4776:Castleman & Podrazik, p. 125. 4343:Castleman & Podrazik, p. 207. 3129:a picture of the musician's face. 2885: 2535:– piano (on "Try Some, Buy Some") 2123:-esque ballad 'Who Can See It'". 2053:in 2012. In their similar lists, 1741: 1705: 1655: 1617: 1271:. Schaffner recorded in his book 798:'s early involvement on the album 606:" (and the non-LP single B-side " 7975:Albums recorded at Apple Studios 7675: 7674: 6758:, November 2014, pp. 66–73. 6589:The George Harrison Encyclopedia 6497:, It Books (New York, NY, 2011; 6375: 6357: 6319: 6268: 6244: 6133: 6118: 6092: 6083: 6060: 6041: 6016: 5997: 5965: 5924: 5882: 5856: 5792: 5783: 5756: 5700:Leng, pp. 126, 129, 131–32, 141. 5694: 5677: 5668: 5659: 5640: 5613: 5563: 5537: 5511: 5492: 5483: 5437: 5422: 5409: 5400: 5384: 5332: 5312: 5303: 5205: 5196: 5175: 5160: 5064: 5004: 4976: 4967: 4958: 4949: 4940: 4922: 4834:"Search: 07/07/1973" > Albums 4827: 4797: 4788: 4779: 4770: 4761: 4743: 4734: 4716: 4695: 4672: 4633: 4624: 4615: 4563: 4530: 4521: 4512: 4503: 4494: 4473: 4464: 4455: 4446: 4437: 4428: 4419: 4410: 4401: 4392: 4373: 4364: 4355: 4346: 4337: 4317: 4308: 4294: 4273: 3313:, 4 December 1971; available at 3132: 3119: 3103: 3089: 3076: 3059: 2556: 2406: 2357: 2253: 1921: 1916: 1911: 1906: 1901: 1883: 1878: 1873: 1868: 1863: 1858: 1853: 1848: 1843: 1838: 1808: 1803: 1798: 1793: 1788: 1760: 1755: 1750: 1745: 1740: 1724: 1719: 1714: 1709: 1704: 1674: 1669: 1664: 1659: 1654: 1636: 1631: 1626: 1621: 1616: 1078: 418:1971–72 humanitarian aid project 7970:Albums produced by Phil Spector 6428:, Omnibus Press (London, 2001; 6255:Australian Chart Book 1970–1992 6100:"Billboard Top LP's & Tape" 5235:Hugh Fielder, "George Harrison 4252: 4243: 4183: 4174: 4165: 4128: 4096: 4087: 4032: 4005: 3978: 3969: 3941: 3932: 3899: 3890: 3872: 3854: 3845: 3824: 3789: 3756: 3747: 3738: 3701: 3683: 3674: 3655: 3646: 3637: 3628: 3619: 3610: 3601: 3578: 3569: 3560: 3551: 3530: 3521: 3488: 3479: 3470: 3433: 3412: 3403: 3382: 3364: 3327: 3307:Andrew Tyler, "Nicky Hopkins", 3289: 3274: 3046: 3027: 3006: 2993: 2970: 7070:The Dark Horse Years 1976–1992 6619:The Rough Guide to the Beatles 6591:, Virgin Books (London, 2003; 6576:, Abrams (New York, NY, 2011; 6475:, August 2008, pp. 36–48. 5983:: Oricon Entertainment. 2006. 5646:Paul Trynka, "George Harrison 5391:"George Harrison: Album Guide" 5348:(retrieved 24 September 2021). 5309:Graff & Durchholz, p. 529. 5124:"The Christgau Consumer Guide" 4692:Madinger & Easter, p. 440. 3929:Madinger & Easter, p. 438. 3643:George Harrison, pp. 226, 248. 3598:Madinger & Easter, p. 439. 3265: 3256: 3247: 3238: 3229: 3220: 3211: 3202: 2402:"Living in the Material World" 2022:website, Shawn Perry wrote of 843:, with an erroneous report in 766:, together with the non-album 652:". In his 1980 autobiography, 355:and Indian classical musician 1: 7820:The Day the World Gets 'Round 7402:That's the Way God Planned It 6390:Living in the Material World" 6223:(retrieved 11 February 2012). 6179:(reissue) by George Harrison" 5913:"Billboard Hits of the World" 5767:" > Track Listing – Disc 1 4853:"Billboard Hits of the World" 4334:(retrieved 13 February 2012). 3155: 3111:Living in the Alternate World 2799:Japanese Oricon Albums Chart 2344:The Day the World Gets 'Round 1895:The Rolling Stone Album Guide 1168:: a couple of quarters and a 1112:and lyric insert sleeves for 781: 604:The Day the World Gets 'Round 387: 249:Living in the Material World 7781:Living in the Material World 7723:Living in the Material World 7596:Monty Python's Life of Brian 7522:Ravi Shankar: In Celebration 7480:Shankar Family & Friends 7038:Best of Dark Horse 1976–1989 6932:Living in the Material World 6858:Living in the Material World 6846:Living in the Material World 6177:Living in the Material World 6080:(retrieved 28 October 2013). 5800:Living in the Material World 5445:Living in the Material World 5443:Tom Doyle, "George Harrison 5285:Living in the Material World 5259:Living in the Material World 5237:Living In The Material World 5172:, September 1973, pp. 42–43. 4840:(retrieved 28 October 2013). 4749:Olivia Harrison, pp. 308–09. 4597:Living in the Material World 4213:Living in the Material World 4000:Living in the Material World 3182:Living in the Material World 3086:" sometime before Christmas. 2431: 2309:Living in the Material World 2222:Living in the Material World 2162:Living in the Material World 2133:Living in the Material World 2128:Living in the Material World 2045:Living in the Material World 1989:Living in the Material World 1934:Living in the Material World 1573:Living in the Material World 1452:Living in the Material World 1401:Living in the Material World 1388:John Lennon/Plastic Ono Band 1378:Living in the Material World 1331:Living in the Material World 1287:Living in the Material World 1251:Living in the Material World 1114:Living in the Material World 1066:Shankar Family & Friends 967:Living in the Material World 951:Living in the Material World 906:Living in the Material World 863:Living in the Material World 856: 764:Living in the Material World 703:Other song themes addressed 675:Living in the Material World 596:Living in the Material World 577:Living in the Material World 561:Living in the Material World 372:to be a worthy successor to 370:Living in the Material World 320:Living in the Material World 283:Living in the Material World 218:Living in the Material World 31:Living in the Material World 7: 7891:George Harrison discography 7031:The Best of George Harrison 6765:, Doubleday (London, 2001; 6482:, Sanctuary (London, 2003; 6439:Roy Carr & Tony Tyler, 6307:(in French). Archived from 6124:"Cash Box Top 100 Albums", 5257:Mat Snow, "George Harrison 4889:Library and Archives Canada 3370:George Harrison, pp. 60–61. 2150: 1526:'s political radicalism on 82:1972 – March 10: 8001: 7896:The Concert for Bangladesh 7767:Don't Let Me Wait Too Long 7566:The Concert for Bangladesh 7225:The Concert for Bangladesh 7124:Songs by George Harrison 2 7006:The Concert for Bangladesh 6402: 4878:100 Albums, June 30, 1973" 4443:Woffinden, pp. 43, 70, 75. 4228:(retrieved 10 April 2014). 2641:French SNICOP Albums Chart 2295:Don't Let Me Wait Too Long 1529:Some Time in New York City 1472:, reviewing the album for 1232: 1102:The Concert for Bangladesh 749:Don't Let Me Wait Too Long 483:recorded his composition " 469:, and to help promote the 467:Lon & Derrek Van Eaton 407:the Concert for Bangladesh 302:the Concert for Bangladesh 209:The Concert for Bangladesh 15: 7985:Indian mythology in music 7980:Albums recorded at FPSHOT 7921:The Tin Man Was a Dreamer 7883: 7858: 7840: 7790: 7737: 7730: 7670: 7612: 7538: 7515:Traveling Wilburys Vol. 3 7501:Traveling Wilburys Vol. 1 7386: 7277: 7169: 7162: 7141: 7101: 7061: 7022: 6997: 6902: 6810:, Proteus (London, 1981; 6681:, Pimlico (London, 1998; 5780:(retrieved 9 April 2014). 5745:26 September 2018 at the 5722:20 September 2020 at the 5472:13 September 2018 at the 5434:, 25 January 2002, p. 17. 5226:, April 2004, pp. 152–53. 5211:Woffinden, pp. 69, 71–72. 5157:Carr & Tyler, p. 107. 4891:(retrieved 9 April 2014). 4767:Carr & Tyler, p. 106. 4576:10 September 2018 at the 3320:24 September 2012 at the 3262:Doggett, pp. 180–81, 192. 3071:2011 Harrison documentary 2953: 2938: 2923: 2908: 2897: 2894: 2838: 2835: 2783: 2780: 2576: 2573: 2551: 2074: 2069:2014 appraisal and legacy 2059:ranks it at number 7 and 1995: 1604: 1601: 1241:Trade ad for the album's 1006:After hosting a visit by 956:The Tin Man Was a Dreamer 545:In August 1972, with the 275: 254: 243: 239: 202: 194: 172: 160: 144: 126: 99: 72: 57: 44: 35: 30: 7117:Songs by George Harrison 6396:(retrieved 12 May 2021). 6345:"Top Pop Albums of 1973" 6105:22 February 2017 at the 6009:27 February 2020 at the 5869:28 November 2017 at the 5674:Rodriguez, pp. 156, 157. 5656:, November 2014, p. 105. 5524:21 December 2020 at the 5453:, November 2006, p. 156. 5267:, November 2006, p. 124. 5181:Schaffner, pp. 159, 160. 5015:, 9 June 1973, pp. 1, 3. 4982:Huntley, pp. 94–95, 112. 4722:Rodriguez, pp. 155, 258. 4678:George Harrison, p. 258. 4518:Schaffner, pp. 111, 159. 3938:George Harrison, p. 386. 3905:George Harrison, p. 385. 3811:17 February 2021 at the 3762:George Harrison, p. 240. 3448:George Harrison, p. 254. 3253:George Harrison, p. 220. 3226:Schaffner, pp. 147, 159. 2964: 2790:French SNEP Albums Chart 2416: 2367: 1587:Retrospective assessment 1506:was also unimpressed in 1333:, Harrison achieved the 566: 528:You're Breakin' My Heart 498:via his friendship with 451:Happy Xmas (War Is Over) 7907:When Every Song Is Sung 7085:The Apple Years 1968–75 6823:Rolling with the Stones 6078:Official Charts Company 5845:3 February 2021 at the 5818:23 October 2017 at the 5648:The Apple Years 1968–75 5550:17 January 2021 at the 5292:26 January 2021 at the 5245:, December 2006, p. 98. 4838:Official Charts Company 4220:21 January 2013 at the 4044:, November 1987, p. 53. 3667:24 January 2020 at the 3463:18 January 2012 at the 3283:The Apple Years 1968–75 3020:, the property remains 2845:Australian Albums Chart 2227:The Apple Years 1968–75 2216: 2155: 1996:2006 remastered release 849:magazine claiming that 841:The Magic Is Here Again 757:like it came from above 526:'s "thoroughly nasty" " 485:When Every Song Is Sung 7955:George Harrison albums 7423:The Radha Krsna Temple 7395:Is This What You Want? 7187:Awards and nominations 6160:7 October 2014 at the 6145:, 14 July 1973, p. 28. 6130:, 14 July 1973, p. 37. 6098:Tony Lanzetta (dir.), 6072:4 January 2013 at the 5772:7 October 2018 at the 5665:Clayson, pp. 302, 323. 5600:8 October 2017 at the 5576:7 October 2014 at the 5371:8 October 2017 at the 5338:Gabriele Gambardella, 4993:"Top Album Picks: Pop" 4701:Badman, pp. 94–95, 98. 4527:Leng, pp. 129, 134–35. 4330:7 January 2021 at the 3878:Allison, pp. 141, 157. 3851:Doggett, pp. 156, 157. 3652:Lavezzoli, pp. 194–95. 3557:Tillery, pp. 111, 162. 3494:Clayson, pp. 293, 325. 3295:Woffinden, pp. 48, 68. 3271:Lavezzoli, pp. 193–94. 3189:3 October 2017 at the 2983:Concert for Bangladesh 1543: 1518:, Tyler and co-author 1465: 1405: 1246: 1093: 1090:Bhagavad Gita As It Is 1051:Indian instrumentation 1002:Overdubbing and mixing 908: 794:– Harrison discussing 791: 770:"Miss O'Dell", to his 691: 626: 548:Concert for Bangladesh 420:for the new nation of 396: 290:, released in 1973 on 7753:Sue Me, Sue You Blues 7306:Derek and the Dominos 7052:Early Takes: Volume 1 6409:Dale C. Allison Jr., 6053:23 March 2012 at the 5936:14 March 2020 at the 5798:Booklet accompanying 5531:Ultimate Classic Rock 5109:, 9 June 1973, p. 33. 4955:Badman, pp. 102, 104. 4621:Woffinden, pp. 71–72. 4595:Booklet accompanying 4189:Spizer, pp. 222, 254. 4180:Woffinden, pp. 68–69. 3680:Greene, pp. 194, 195. 3616:Woffinden, pp. 69–70. 2988:disappointing footage 2607:Belgian Albums Chart 2500:– saxophones, flute, 2281:Sue Me, Sue You Blues 2056:Ultimate Classic Rock 2018:2006 review, for the 1994:In his review of the 1535: 1461: 1398: 1240: 1086: 903: 786: 709:Sue Me, Sue You Blues 684: 623:Hare Krishna movement 616: 496:Krishna consciousness 433:Madison Square Garden 392: 61:30 May 1973 7960:Apple Records albums 7552:All You Need Is Cash 7348:Radha Krishna Temple 6967:Somewhere in England 6953:Thirty Three & ⅓ 6925:All Things Must Pass 6737:Nicholas Schaffner, 6331:6 March 2012 at the 5629:5 March 2016 at the 5193:Clayson, pp. 323–24. 5033:, 9 June 1973, p. 3. 4991:Eliot Tiegel (ed.), 4964:Harry, pp. 235, 291. 4909:8 March 2021 at the 4883:6 April 2014 at the 4630:Clayson, pp. 324–25. 4461:Doggett, pp. 192–93. 4452:Clayson, pp. 332–33. 4389:, June 1997, p. 116. 4093:Spizer, p. 255, 342. 3711:All Things Must Pass 3634:Tillery, pp. 111–12. 3439:Huntley, pp. 87, 89. 3143:All Things Must Pass 2862:French Albums Chart 2761:Media Control Albums 2673:Spanish Albums Chart 2420:"Miss O'Dell" – 2:33 2393:on 15 December 1991) 2244:All Things Must Pass 2117:All Things Must Pass 2087:All Things Must Pass 1985:All Things Must Pass 1971:All Things Must Pass 1592:Professional ratings 1495:All Things Must Pass 1436:All Things Must Pass 1372:Contemporary reviews 1281:All Things Must Pass 1098:All Things Must Pass 1096:As he had done with 922:(1969). Ham and his 895:All Things Must Pass 830:abandoned solo album 809:All Things Must Pass 687:All Things Must Pass 667:All Things Must Pass 573:All Things Must Pass 428:All Things Must Pass 374:All Things Must Pass 325:All Things Must Pass 297:All Things Must Pass 267:Released: 7 May 1973 7220:Bhaktivedanta Manor 7080:(with Ravi Shankar) 6739:The Beatles Forever 6602:Elliot J. Huntley, 6350:4 December 2012 at 6314:on 27 October 2012. 5202:Huntley, pp. 90–91. 4973:Leng, pp. 123, 140. 4758:Spizer, pp. 255–56. 3975:Huntley, pp. 88–89. 3962:22 May 2017 at the 3753:Huntley, pp. 91–92. 3607:Leng, pp. 105, 133. 3518:Tillery, pp 118–19. 3418:Allison, pp. 45–47. 3310:Disc and Music Echo 3208:Leng, pp. 124, 140. 3109:As revealed on the 3018:Bhaktivedanta Manor 2891: 2854:Dutch Albums Chart 2494:– drums, percussion 2488:– drums, percussion 1593: 1273:The Beatles Forever 1208:Awaiting on You All 1063:respective albums, 661:Whereas Harrison's 553:Hare Krishna mantra 510:prayer bag or "the 438:Disc and Music Echo 7813:Try Some, Buy Some 7635:Concert for George 7574:Concert for George 7368:Traveling Wilburys 7246:Horse to the Water 7235:Dark Horse Records 7230:Concert for George 7207:Asian Music Circle 6853:(list of releases) 6722:Robert Rodriguez, 6542:Joshua M. Greene, 6386:George Harrison / 6233:"Billboard Albums" 5958:9 May 2015 at the 5517:Michael Gallucci, 5406:Rodriguez, p. 157. 5318:Pricilia Decoene, 5082:Chris Hunt (ed.), 5061:Lavezzoli, p. 195. 4713:Schaffner, p. 158. 4612:Lavezzoli, p. 194. 4500:Inglis, pp. 40–41. 4470:Lavezzoli, p. 193. 4258:Rodriguez, p. 260. 4249:MacDonald, p. 321. 4171:Lavezzoli, p. 200. 4125:Rodriguez, p. 155. 4116:Schaffner, p. 159. 3984:Schaffner, p. 142. 3917:Schaffner, p. 160. 3896:Inglis, pp. 39–40. 3795:MacDonald, p. 326. 3744:Inglis, pp. 37–38. 3707:Anthony DeCurtis, 3506:Badman, pp. 67–68. 3388:Badman, pp. 54–56. 3180:"George Harrison, 3147:Maple Leaf Gardens 2890: 2722:Top LPs & Tape 2684:Kvällstoppen Chart 2466:, electric piano, 2417:"Deep Blue" – 3:47 2384:Deluxe edition DVD 2337:Try Some, Buy Some 1979:magazine in 2002, 1591: 1367:Critical reception 1315:That'll Be the Day 1294:Top LPs & Tape 1247: 1229:for his new band. 1154:Kirlian photograph 1126:Nicholas Schaffner 1094: 982:the Rolling Stones 971:Hindu prayer beads 909: 816:musicians such as 627: 581:Try Some, Buy Some 494:– particularly to 492:Hindu spirituality 188:Try Some, Buy Some 7937: 7936: 7836: 7835: 7688: 7687: 7666: 7665: 7628:Never Without You 7416:Encouraging Words 6808:The Beatles Apart 6801:978-0-8356-0900-5 6732:978-0-87930-968-8 6717:978-1-4165-9093-4 6647:Peter Lavezzoli, 6642:978-0-313-37532-3 6627:978-1-84836-525-4 6597:978-0-7535-0822-0 6582:978-1-4197-0220-4 6572:Olivia Harrison, 6557:George Harrison, 6552:978-0-470-12780-3 6503:978-0-06-177418-8 6419:978-0-8264-1917-0 5898:978-0-646-11917-5 5763:"George Harrison 5593:Alex Franquelli, 5283:"George Harrison 5120:Christgau, Robert 5070:Woffinden, p. 73. 4398:Rodriguez, p. 35. 4211:"George Harrison 4084:Woffinden, p. 71. 3709:"George Harrison 3698:Harrison, p. 246. 3333:Leng, pp. 123–24. 2962: 2961: 2957: 2883: 2882: 2825: 2824: 2818: 2817: 2769: 2768: 2598:Kent Music Report 1930: 1929: 1581:The Beatles Apart 1345:Red Rose Speedway 1268:Red Rose Speedway 1178:Leonardo da Vinci 803:After the grand, 621:, founder of the 617:The teachings of 279: 278: 235: 234: 7992: 7884:Related articles 7841:Non-album B-side 7735: 7734: 7715: 7708: 7701: 7692: 7691: 7678: 7677: 7487:The Place I Love 7213:Beware of ABKCO! 7167: 7166: 6918:Electronic Sound 6911:Wonderwall Music 6889: 6882: 6875: 6866: 6865: 6860:microsite (2006) 6397: 6379: 6373: 6361: 6355: 6342: 6336: 6323: 6317: 6315: 6313: 6301: 6295: 6294: 6292: 6290: 6280: 6272: 6266: 6248: 6242: 6230: 6224: 6219: 6213: 6208: 6206: 6198: 6196: 6194: 6171: 6165: 6152: 6146: 6137: 6131: 6122: 6116: 6096: 6090: 6087: 6081: 6064: 6058: 6045: 6039: 6038: 6020: 6014: 6001: 5995: 5994: 5969: 5963: 5950: 5941: 5928: 5922: 5910: 5901: 5886: 5880: 5860: 5854: 5836: 5827: 5824:rollingstone.com 5809: 5803: 5796: 5790: 5787: 5781: 5760: 5754: 5736: 5727: 5714: 5701: 5698: 5692: 5681: 5675: 5672: 5666: 5663: 5657: 5644: 5638: 5617: 5611: 5591: 5585: 5567: 5561: 5541: 5535: 5515: 5509: 5496: 5490: 5489:Cavanagh, p. 47. 5487: 5481: 5463: 5454: 5441: 5435: 5426: 5420: 5413: 5407: 5404: 5398: 5395:rollingstone.com 5388: 5382: 5362: 5349: 5336: 5330: 5316: 5310: 5307: 5301: 5279: 5268: 5255: 5246: 5233: 5227: 5218: 5212: 5209: 5203: 5200: 5194: 5191: 5182: 5179: 5173: 5164: 5158: 5155: 5146: 5145: 5143: 5141: 5122:(October 1973). 5116: 5110: 5101: 5090: 5080: 5071: 5068: 5062: 5059: 5050: 5043: 5034: 5025: 5016: 5008: 5002: 4989: 4983: 4980: 4974: 4971: 4965: 4962: 4956: 4953: 4947: 4944: 4938: 4929:"Capitol Canada" 4926: 4920: 4901: 4892: 4871: 4862: 4850: 4841: 4831: 4825: 4822: 4816: 4813: 4804: 4801: 4795: 4792: 4786: 4785:Doggett, p. 207. 4783: 4777: 4774: 4768: 4765: 4759: 4756: 4750: 4747: 4741: 4738: 4732: 4729: 4723: 4720: 4714: 4711: 4702: 4699: 4693: 4690: 4679: 4676: 4670: 4667: 4656: 4655:Clayson, p. 324. 4653: 4640: 4639:Tillery, p. 112. 4637: 4631: 4628: 4622: 4619: 4613: 4610: 4604: 4593: 4587: 4569:Pierre Perrone, 4567: 4561: 4558: 4537: 4534: 4528: 4525: 4519: 4516: 4510: 4507: 4501: 4498: 4492: 4489: 4480: 4477: 4471: 4468: 4462: 4459: 4453: 4450: 4444: 4441: 4435: 4432: 4426: 4423: 4417: 4414: 4408: 4405: 4399: 4396: 4390: 4377: 4371: 4368: 4362: 4359: 4353: 4350: 4344: 4341: 4335: 4321: 4315: 4312: 4306: 4298: 4292: 4289: 4280: 4277: 4271: 4268: 4259: 4256: 4250: 4247: 4241: 4238: 4229: 4207: 4190: 4187: 4181: 4178: 4172: 4169: 4163: 4162:Cavanagh, p. 43. 4160: 4149: 4146: 4135: 4134:Clayson, p. 323. 4132: 4126: 4123: 4117: 4114: 4103: 4100: 4094: 4091: 4085: 4082: 4073: 4070: 4045: 4036: 4030: 4027: 4016: 4009: 4003: 3996: 3985: 3982: 3976: 3973: 3967: 3954: 3948: 3947:Clayson, p. 315. 3945: 3939: 3936: 3930: 3927: 3918: 3915: 3906: 3903: 3897: 3894: 3888: 3885: 3879: 3876: 3870: 3869:Tillery, p. 111. 3867: 3861: 3858: 3852: 3849: 3843: 3840: 3831: 3828: 3822: 3802: 3796: 3793: 3787: 3786:Clayson, p. 322. 3784: 3775: 3772: 3763: 3760: 3754: 3751: 3745: 3742: 3736: 3733: 3722: 3705: 3699: 3696: 3690: 3687: 3681: 3678: 3672: 3659: 3653: 3650: 3644: 3641: 3635: 3632: 3626: 3623: 3617: 3614: 3608: 3605: 3599: 3596: 3585: 3582: 3576: 3573: 3567: 3566:Clayson, p. 306. 3564: 3558: 3555: 3549: 3546: 3537: 3536:Clayson, p. 248. 3534: 3528: 3527:Clayson, p. 320. 3525: 3519: 3516: 3507: 3504: 3495: 3492: 3486: 3485:Clayson, p. 330. 3483: 3477: 3474: 3468: 3455: 3449: 3446: 3440: 3437: 3431: 3428: 3419: 3416: 3410: 3407: 3401: 3398: 3389: 3386: 3380: 3379:Doggett, p. 192. 3377: 3371: 3368: 3362: 3359: 3350: 3343: 3334: 3331: 3325: 3315:Rock's Backpages 3305: 3296: 3293: 3287: 3278: 3272: 3269: 3263: 3260: 3254: 3251: 3245: 3244:Tillery, p. 100. 3242: 3236: 3233: 3227: 3224: 3218: 3217:Clayson, p. 318. 3215: 3209: 3206: 3200: 3178:Stephen Holden, 3176: 3150: 3136: 3130: 3123: 3117: 3107: 3101: 3093: 3087: 3080: 3074: 3063: 3057: 3050: 3044: 3031: 3025: 3010: 3004: 2997: 2991: 2974: 2955: 2892: 2889: 2833: 2832: 2811:Top Pop Catalog 2778: 2777: 2652:Oricon LPs Chart 2631:MegaChart Albums 2574:Chart (1973–74) 2571: 2570: 2567:Original release 2562: 2262:Original release 2145: 2110: 2012: 1968: 1926: 1925: 1924: 1920: 1919: 1915: 1914: 1910: 1909: 1905: 1904: 1888: 1887: 1886: 1882: 1881: 1877: 1876: 1872: 1871: 1867: 1866: 1862: 1861: 1857: 1856: 1852: 1851: 1847: 1846: 1842: 1841: 1813: 1812: 1811: 1807: 1806: 1802: 1801: 1797: 1796: 1792: 1791: 1765: 1764: 1763: 1759: 1758: 1754: 1753: 1749: 1748: 1744: 1743: 1729: 1728: 1727: 1723: 1722: 1718: 1717: 1713: 1712: 1708: 1707: 1679: 1678: 1677: 1673: 1672: 1668: 1667: 1663: 1662: 1658: 1657: 1641: 1640: 1639: 1635: 1634: 1630: 1629: 1625: 1624: 1620: 1619: 1594: 1590: 1556: 1504:Robert Christgau 1478: 1419: 1130:Hindu scriptures 1056:Wonderwall Music 799: 741: 699: 619:Swami Prabhupada 409: 268: 265: 204: 203: 156: 155: 151: 92: 85: 81: 68: 66: 40: 28: 27: 8000: 7999: 7995: 7994: 7993: 7991: 7990: 7989: 7940: 7939: 7938: 7933: 7914:In Concert 1972 7879: 7854: 7832: 7786: 7726: 7719: 7689: 7684: 7662: 7608: 7534: 7529:Chants of India 7466:In Concert 1972 7382: 7311:Olivia Harrison 7273: 7263:Wonderful Today 7192:12 Arnold Grove 7158: 7137: 7097: 7057: 7018: 6993: 6960:George Harrison 6898: 6896:George Harrison 6893: 6841: 6836: 6806:Bob Woffinden, 6761:Howard Sounes, 6677:Ian MacDonald, 6508:The Editors of 6493:Peter Doggett, 6480:George Harrison 6405: 6400: 6380: 6376: 6362: 6358: 6343: 6339: 6333:Wayback Machine 6324: 6320: 6311: 6303: 6302: 6298: 6288: 6286: 6278: 6274: 6273: 6269: 6249: 6245: 6231: 6227: 6211: 6209: 6200: 6199: 6192: 6190: 6185:(in Japanese). 6173: 6172: 6168: 6162:Wayback Machine 6153: 6149: 6138: 6134: 6123: 6119: 6107:Wayback Machine 6097: 6093: 6088: 6084: 6074:Wayback Machine 6065: 6061: 6055:Wayback Machine 6046: 6042: 6035: 6021: 6017: 6011:Wayback Machine 6002: 5998: 5991: 5971: 5970: 5966: 5960:Wayback Machine 5951: 5944: 5938:Wayback Machine 5929: 5925: 5911: 5904: 5887: 5883: 5871:Wayback Machine 5861: 5857: 5851:The Second Disc 5847:Wayback Machine 5837: 5830: 5820:Wayback Machine 5810: 5806: 5797: 5793: 5788: 5784: 5774:Wayback Machine 5761: 5757: 5747:Wayback Machine 5737: 5730: 5724:Wayback Machine 5715: 5704: 5699: 5695: 5682: 5678: 5673: 5669: 5664: 5660: 5645: 5641: 5631:Wayback Machine 5618: 5614: 5602:Wayback Machine 5592: 5588: 5578:Wayback Machine 5568: 5564: 5557:The Independent 5552:Wayback Machine 5542: 5538: 5526:Wayback Machine 5516: 5512: 5497: 5493: 5488: 5484: 5474:Wayback Machine 5464: 5457: 5442: 5438: 5427: 5423: 5415:The Editors of 5414: 5410: 5405: 5401: 5389: 5385: 5373:Wayback Machine 5363: 5352: 5337: 5333: 5317: 5313: 5308: 5304: 5294:Wayback Machine 5280: 5271: 5256: 5249: 5234: 5230: 5219: 5215: 5210: 5206: 5201: 5197: 5192: 5185: 5180: 5176: 5165: 5161: 5156: 5149: 5139: 5137: 5117: 5113: 5102: 5093: 5081: 5074: 5069: 5065: 5060: 5053: 5045:The Editors of 5044: 5037: 5026: 5019: 5009: 5005: 4990: 4986: 4981: 4977: 4972: 4968: 4963: 4959: 4954: 4950: 4945: 4941: 4927: 4923: 4911:Wayback Machine 4902: 4895: 4885:Wayback Machine 4872: 4865: 4851: 4844: 4832: 4828: 4823: 4819: 4815:Badman, p. 103. 4814: 4807: 4802: 4798: 4793: 4789: 4784: 4780: 4775: 4771: 4766: 4762: 4757: 4753: 4748: 4744: 4739: 4735: 4731:Spizer, p. 249. 4730: 4726: 4721: 4717: 4712: 4705: 4700: 4696: 4691: 4682: 4677: 4673: 4669:Allison, p. 42. 4668: 4659: 4654: 4643: 4638: 4634: 4629: 4625: 4620: 4616: 4611: 4607: 4594: 4590: 4583:The Independent 4578:Wayback Machine 4568: 4564: 4560:Spizer, p. 256. 4559: 4540: 4535: 4531: 4526: 4522: 4517: 4513: 4509:Huntley, p. 92. 4508: 4504: 4499: 4495: 4491:Greene, p. 195. 4490: 4483: 4478: 4474: 4469: 4465: 4460: 4456: 4451: 4447: 4442: 4438: 4433: 4429: 4424: 4420: 4415: 4411: 4407:Sounes, p. 272. 4406: 4402: 4397: 4393: 4381:In Concert 1972 4378: 4374: 4369: 4365: 4360: 4356: 4351: 4347: 4342: 4338: 4332:Wayback Machine 4322: 4318: 4313: 4309: 4299: 4295: 4290: 4283: 4278: 4274: 4269: 4262: 4257: 4253: 4248: 4244: 4239: 4232: 4222:Wayback Machine 4208: 4193: 4188: 4184: 4179: 4175: 4170: 4166: 4161: 4152: 4147: 4138: 4133: 4129: 4124: 4120: 4115: 4106: 4101: 4097: 4092: 4088: 4083: 4076: 4072:Spizer, p. 254. 4071: 4048: 4037: 4033: 4028: 4019: 4011:The Editors of 4010: 4006: 3997: 3988: 3983: 3979: 3974: 3970: 3964:Wayback Machine 3955: 3951: 3946: 3942: 3937: 3933: 3928: 3921: 3916: 3909: 3904: 3900: 3895: 3891: 3887:Ingham, p. 134. 3886: 3882: 3877: 3873: 3868: 3864: 3859: 3855: 3850: 3846: 3841: 3834: 3829: 3825: 3813:Wayback Machine 3803: 3799: 3794: 3790: 3785: 3778: 3773: 3766: 3761: 3757: 3752: 3748: 3743: 3739: 3734: 3725: 3706: 3702: 3697: 3693: 3688: 3684: 3679: 3675: 3669:Wayback Machine 3660: 3656: 3651: 3647: 3642: 3638: 3633: 3629: 3624: 3620: 3615: 3611: 3606: 3602: 3597: 3588: 3584:Greene, p. 133. 3583: 3579: 3575:Greene, p. 198. 3574: 3570: 3565: 3561: 3556: 3552: 3548:Greene, p. 194. 3547: 3540: 3535: 3531: 3526: 3522: 3517: 3510: 3505: 3498: 3493: 3489: 3484: 3480: 3476:O'Dell, p. 188. 3475: 3471: 3465:Wayback Machine 3456: 3452: 3447: 3443: 3438: 3434: 3429: 3422: 3417: 3413: 3408: 3404: 3399: 3392: 3387: 3383: 3378: 3374: 3369: 3365: 3360: 3353: 3345:The Editors of 3344: 3337: 3332: 3328: 3322:Wayback Machine 3306: 3299: 3294: 3290: 3279: 3275: 3270: 3266: 3261: 3257: 3252: 3248: 3243: 3239: 3234: 3230: 3225: 3221: 3216: 3212: 3207: 3203: 3191:Wayback Machine 3177: 3162: 3158: 3153: 3137: 3133: 3124: 3120: 3108: 3104: 3094: 3090: 3081: 3077: 3067:Martin Scorsese 3064: 3060: 3051: 3047: 3032: 3028: 3011: 3007: 2998: 2994: 2978:Capitol Records 2975: 2971: 2967: 2939:United States ( 2902:Certified units 2888: 2831: 2829:Year-end charts 2826: 2737:Top 100 Albums 2694:UK Albums Chart 2663:VG-lista Albums 2559: 2554: 2481:tenor saxophone 2475:– bass guitar, 2438:George Harrison 2434: 2409: 2360: 2264: 2256: 2248:The Apple Years 2219: 2194:Barry Feinstein 2174:Capitol Records 2158: 2153: 2143: 2126:Leng has named 2108: 2071: 2062:The Independent 2010: 1966: 1922: 1917: 1912: 1907: 1884: 1879: 1874: 1869: 1864: 1859: 1854: 1849: 1844: 1809: 1804: 1799: 1794: 1772:MusicHound Rock 1761: 1756: 1751: 1746: 1725: 1720: 1715: 1710: 1675: 1670: 1665: 1660: 1637: 1632: 1627: 1622: 1589: 1568:Anthony O'Grady 1558: 1545: 1480: 1467: 1421: 1407: 1376:Leng describes 1374: 1369: 1235: 1183:The Last Supper 1142:Uchchaihshravas 1081: 1004: 995:In Concert 1972 859: 801: 793: 784: 739: 701: 693: 665:devotionals on 569: 532:driving licence 414:George Harrison 411: 398: 390: 380:' London era". 288:George Harrison 271: 266: 259: 258: 230: 221: 212: 196:George Harrison 181: 179:George Harrison 153: 149: 148: 140: 90: 83: 79: 64: 62: 53: 51:George Harrison 26: 21: 12: 11: 5: 7998: 7988: 7987: 7982: 7977: 7972: 7967: 7962: 7957: 7952: 7935: 7934: 7932: 7931: 7924: 7917: 7910: 7903: 7898: 7893: 7887: 7885: 7881: 7880: 7878: 7877: 7870: 7862: 7860: 7856: 7855: 7853: 7852: 7844: 7842: 7838: 7837: 7834: 7833: 7831: 7830: 7823: 7816: 7809: 7802: 7794: 7792: 7788: 7787: 7785: 7784: 7777: 7774:Who Can See It 7770: 7763: 7756: 7749: 7741: 7739: 7732: 7728: 7727: 7718: 7717: 7710: 7703: 7695: 7686: 7685: 7683: 7682: 7671: 7668: 7667: 7664: 7663: 7661: 7660: 7653: 7646: 7639: 7631: 7624: 7616: 7614: 7610: 7609: 7607: 7606: 7599: 7592: 7589:Little Malcolm 7585: 7578: 7570: 7562: 7555: 7548: 7546:HandMade Films 7542: 7540: 7536: 7535: 7533: 7532: 7525: 7518: 7511: 7504: 7497: 7490: 7483: 7476: 7469: 7462: 7455: 7448: 7441: 7434: 7426: 7419: 7412: 7405: 7398: 7390: 7388: 7384: 7383: 7381: 7380: 7375: 7373:Klaus Voormann 7370: 7365: 7360: 7355: 7350: 7345: 7340: 7335: 7330: 7325: 7320: 7317:Dhani Harrison 7314: 7308: 7303: 7298: 7292: 7287: 7281: 7279: 7275: 7274: 7272: 7271: 7266: 7259: 7254: 7249: 7242: 7237: 7232: 7227: 7222: 7217: 7209: 7204: 7199: 7194: 7189: 7184: 7179: 7173: 7171: 7164: 7160: 7159: 7157: 7156: 7151: 7145: 7143: 7139: 7138: 7136: 7135: 7127: 7120: 7113: 7105: 7103: 7099: 7098: 7096: 7095: 7088: 7081: 7077:Collaborations 7073: 7065: 7063: 7059: 7058: 7056: 7055: 7048: 7041: 7034: 7026: 7024: 7020: 7019: 7017: 7016: 7009: 7001: 6999: 6995: 6994: 6992: 6991: 6984: 6977: 6970: 6963: 6956: 6949: 6942: 6935: 6928: 6921: 6914: 6906: 6904: 6900: 6899: 6892: 6891: 6884: 6877: 6869: 6863: 6862: 6854: 6840: 6839:External links 6837: 6835: 6834: 6819: 6804: 6791:Gary Tillery, 6789: 6776:Bruce Spizer, 6774: 6759: 6750: 6735: 6720: 6705: 6690: 6675: 6660: 6645: 6630: 6617:Chris Ingham, 6615: 6600: 6585: 6570: 6555: 6540: 6525: 6506: 6491: 6478:Alan Clayson, 6476: 6467: 6452: 6437: 6424:Keith Badman, 6422: 6406: 6404: 6401: 6399: 6398: 6374: 6356: 6337: 6318: 6296: 6267: 6243: 6225: 6166: 6147: 6132: 6117: 6091: 6082: 6059: 6040: 6033: 6015: 5996: 5989: 5964: 5942: 5923: 5902: 5881: 5862:David Fricke, 5855: 5838:Joe Marchese, 5828: 5804: 5791: 5782: 5755: 5728: 5702: 5693: 5676: 5667: 5658: 5639: 5612: 5586: 5562: 5536: 5510: 5491: 5482: 5455: 5436: 5421: 5408: 5399: 5383: 5350: 5331: 5311: 5302: 5281:John Metzger, 5269: 5247: 5228: 5213: 5204: 5195: 5183: 5174: 5159: 5147: 5111: 5091: 5072: 5063: 5051: 5035: 5017: 5003: 4984: 4975: 4966: 4957: 4948: 4939: 4921: 4893: 4863: 4842: 4826: 4817: 4805: 4796: 4787: 4778: 4769: 4760: 4751: 4742: 4733: 4724: 4715: 4703: 4694: 4680: 4671: 4657: 4641: 4632: 4623: 4614: 4605: 4588: 4562: 4538: 4536:Badman, p. 91. 4529: 4520: 4511: 4502: 4493: 4481: 4472: 4463: 4454: 4445: 4436: 4427: 4425:Badman, p. 84. 4418: 4416:Badman, p. 89. 4409: 4400: 4391: 4372: 4363: 4361:Wyman, p. 415. 4354: 4345: 4336: 4323:Baron Wolman, 4316: 4314:Badman, p. 50. 4307: 4293: 4281: 4272: 4260: 4251: 4242: 4230: 4191: 4182: 4173: 4164: 4150: 4136: 4127: 4118: 4104: 4102:Badman, p. 25. 4095: 4086: 4074: 4046: 4031: 4029:Badman, p. 83. 4017: 4004: 3986: 3977: 3968: 3949: 3940: 3931: 3919: 3907: 3898: 3889: 3880: 3871: 3862: 3853: 3844: 3832: 3823: 3797: 3788: 3776: 3764: 3755: 3746: 3737: 3723: 3700: 3691: 3682: 3673: 3654: 3645: 3636: 3627: 3618: 3609: 3600: 3586: 3577: 3568: 3559: 3550: 3538: 3529: 3520: 3508: 3496: 3487: 3478: 3469: 3450: 3441: 3432: 3420: 3411: 3402: 3390: 3381: 3372: 3363: 3361:Badman, p. 79. 3351: 3335: 3326: 3297: 3288: 3273: 3264: 3255: 3246: 3237: 3228: 3219: 3210: 3201: 3159: 3157: 3154: 3152: 3151: 3139:Capitol Canada 3131: 3118: 3102: 3088: 3075: 3058: 3045: 3026: 3005: 2992: 2968: 2966: 2963: 2960: 2959: 2951: 2950: 2947: 2944: 2936: 2935: 2932: 2929: 2921: 2920: 2917: 2914: 2906: 2905: 2899: 2896: 2887: 2886:Certifications 2884: 2881: 2880: 2877: 2867: 2866: 2863: 2859: 2858: 2855: 2851: 2850: 2847: 2841: 2840: 2837: 2830: 2827: 2823: 2822: 2816: 2815: 2812: 2804: 2803: 2800: 2796: 2795: 2792: 2786: 2785: 2782: 2776: 2775: 2770: 2767: 2766: 2763: 2756: 2755: 2752: 2742: 2741: 2738: 2728: 2727: 2724: 2714: 2713: 2710: 2709:Pop 30 Albums 2700: 2699: 2696: 2690: 2689: 2686: 2679: 2678: 2675: 2669: 2668: 2665: 2658: 2657: 2654: 2647: 2646: 2643: 2637: 2636: 2633: 2626: 2625: 2622: 2612: 2611: 2608: 2604: 2603: 2600: 2593: 2592: 2589: 2579: 2578: 2575: 2569: 2568: 2560: 2558: 2555: 2553: 2550: 2549: 2548: 2542: 2536: 2530: 2516: 2507: 2495: 2489: 2483: 2473:Klaus Voormann 2470: 2457: 2455:electric piano 2448: 2433: 2430: 2429: 2428: 2421: 2418: 2415: 2408: 2405: 2404: 2403: 2400: 2397: 2394: 2381: 2380: 2373: 2366: 2359: 2356: 2355: 2354: 2347: 2340: 2333: 2326: 2313: 2312: 2305: 2302:Who Can See It 2298: 2291: 2284: 2277: 2263: 2260: 2255: 2252: 2240:Material World 2218: 2215: 2178:Material World 2157: 2154: 2152: 2149: 2141:Material World 2106:Material World 2073:Reviewing the 2070: 2067: 2039:Material World 2035:David Cavanagh 2024:Material World 1946:Material World 1928: 1927: 1898: 1890: 1889: 1835: 1827: 1826: 1823: 1815: 1814: 1785: 1779: 1778: 1775: 1767: 1766: 1737: 1731: 1730: 1701: 1693: 1692: 1689: 1681: 1680: 1651: 1643: 1642: 1613: 1607: 1606: 1603: 1599: 1598: 1588: 1585: 1554:Material World 1546:– Harrison to 1534: 1499:Material World 1460: 1440:Material World 1431:Material World 1410:Stephen Holden 1397: 1373: 1370: 1368: 1365: 1357:Radio One Club 1349:Material World 1320:Material World 1298:Material World 1234: 1231: 1162:parapsychology 1118:Stephen Holden 1080: 1077: 1016:Jesse Ed Davis 1003: 1000: 990:Ali Akbar Khan 871:Klaus Voormann 858: 855: 807:production of 785: 783: 780: 753:Brill Building 737:Material World 725:Paul McCartney 717:Who Can See It 696:Klaus Voormann 683: 588:Ronnie Spector 568: 565: 399:– Harrison to 391: 389: 386: 362:Upon release, 341:Klaus Voormann 329:Material World 277: 276: 273: 272: 270: 269: 255: 252: 251: 241: 240: 237: 236: 233: 232: 223: 214: 200: 199: 192: 191: 176: 170: 169: 164: 158: 157: 146: 142: 141: 139: 138: 132: 130: 124: 123: 122: 121: 115: 109: 101: 97: 96: 95: 94: 87: 74: 70: 69: 59: 55: 54: 49: 42: 41: 33: 32: 24: 9: 6: 4: 3: 2: 7997: 7986: 7983: 7981: 7978: 7976: 7973: 7971: 7968: 7966: 7963: 7961: 7958: 7956: 7953: 7951: 7948: 7947: 7945: 7930: 7929: 7925: 7923: 7922: 7918: 7916: 7915: 7911: 7908: 7904: 7902: 7899: 7897: 7894: 7892: 7889: 7888: 7886: 7882: 7875: 7871: 7868: 7864: 7863: 7861: 7857: 7850: 7846: 7845: 7843: 7839: 7828: 7824: 7821: 7817: 7814: 7810: 7807: 7803: 7800: 7796: 7795: 7793: 7789: 7782: 7778: 7775: 7771: 7768: 7764: 7761: 7757: 7754: 7750: 7747: 7743: 7742: 7740: 7736: 7733: 7729: 7725: 7724: 7716: 7711: 7709: 7704: 7702: 7697: 7696: 7693: 7681: 7673: 7672: 7669: 7659: 7658: 7654: 7652: 7651: 7647: 7645: 7644: 7640: 7638: 7636: 7632: 7629: 7625: 7623: 7622: 7618: 7617: 7615: 7611: 7605: 7604: 7600: 7598: 7597: 7593: 7591: 7590: 7586: 7584: 7583: 7579: 7577: 7575: 7571: 7569: 7567: 7563: 7561: 7560: 7556: 7554: 7553: 7549: 7547: 7544: 7543: 7541: 7537: 7531: 7530: 7526: 7524: 7523: 7519: 7517: 7516: 7512: 7510: 7509: 7505: 7503: 7502: 7498: 7496: 7495: 7491: 7489: 7488: 7484: 7482: 7481: 7477: 7475: 7474: 7470: 7468: 7467: 7463: 7461: 7460: 7456: 7454: 7453: 7449: 7447: 7446: 7442: 7440: 7439: 7435: 7432: 7431: 7427: 7425: 7424: 7420: 7418: 7417: 7413: 7411: 7410: 7406: 7404: 7403: 7399: 7397: 7396: 7392: 7391: 7389: 7385: 7379: 7376: 7374: 7371: 7369: 7366: 7364: 7361: 7359: 7356: 7354: 7351: 7349: 7346: 7344: 7343:The Quarrymen 7341: 7339: 7338:Billy Preston 7336: 7334: 7331: 7329: 7326: 7324: 7321: 7318: 7315: 7312: 7309: 7307: 7304: 7302: 7299: 7296: 7293: 7291: 7288: 7286: 7283: 7282: 7280: 7276: 7270: 7269:4149 Harrison 7267: 7265: 7264: 7260: 7258: 7255: 7253: 7250: 7247: 7243: 7241: 7238: 7236: 7233: 7231: 7228: 7226: 7223: 7221: 7218: 7215: 7214: 7210: 7208: 7205: 7203: 7200: 7198: 7195: 7193: 7190: 7188: 7185: 7183: 7180: 7178: 7175: 7174: 7172: 7168: 7165: 7161: 7155: 7152: 7150: 7147: 7146: 7144: 7140: 7133: 7132: 7128: 7126: 7125: 7121: 7119: 7118: 7114: 7112: 7111: 7107: 7106: 7104: 7100: 7094: 7093: 7089: 7087: 7086: 7082: 7079: 7078: 7074: 7072: 7071: 7067: 7066: 7064: 7060: 7054: 7053: 7049: 7047: 7046: 7042: 7040: 7039: 7035: 7033: 7032: 7028: 7027: 7025: 7021: 7015: 7014: 7013:Live in Japan 7010: 7008: 7007: 7003: 7002: 7000: 6996: 6990: 6989: 6985: 6983: 6982: 6978: 6976: 6975: 6971: 6969: 6968: 6964: 6962: 6961: 6957: 6955: 6954: 6950: 6948: 6947: 6943: 6941: 6940: 6936: 6934: 6933: 6929: 6927: 6926: 6922: 6920: 6919: 6915: 6913: 6912: 6908: 6907: 6905: 6903:Studio albums 6901: 6897: 6890: 6885: 6883: 6878: 6876: 6871: 6870: 6867: 6861: 6859: 6855: 6852: 6848: 6847: 6843: 6842: 6832: 6831:0-7513-4646-2 6828: 6824: 6820: 6817: 6816:0-906071-89-5 6813: 6809: 6805: 6802: 6798: 6794: 6790: 6787: 6786:0-9662649-5-9 6783: 6779: 6775: 6772: 6771:0-385-60125-5 6768: 6764: 6760: 6757: 6756: 6751: 6748: 6747:0-07-055087-5 6744: 6740: 6736: 6733: 6729: 6725: 6721: 6718: 6714: 6710: 6706: 6703: 6702:0-615-11724-4 6699: 6695: 6691: 6688: 6687:0-7126-6697-4 6684: 6680: 6676: 6673: 6672:1-4234-0609-5 6669: 6665: 6661: 6658: 6657:0-8264-2819-3 6654: 6650: 6646: 6643: 6639: 6635: 6631: 6628: 6624: 6620: 6616: 6613: 6612:1-55071-197-0 6609: 6605: 6601: 6598: 6594: 6590: 6586: 6583: 6579: 6575: 6571: 6568: 6567:0-8118-3793-9 6564: 6560: 6556: 6553: 6549: 6545: 6541: 6538: 6537:1-57859-061-2 6534: 6530: 6526: 6523: 6522:0-7432-3581-9 6519: 6515: 6511: 6510:Rolling Stone 6507: 6504: 6500: 6496: 6492: 6489: 6488:1-86074-489-3 6485: 6481: 6477: 6474: 6473: 6468: 6465: 6464:0-345-25680-8 6461: 6457: 6453: 6450: 6449:0-450-04170-0 6446: 6442: 6438: 6435: 6434:0-7119-8307-0 6431: 6427: 6423: 6420: 6416: 6412: 6408: 6407: 6395: 6391: 6389: 6385: 6378: 6371: 6370: 6365: 6360: 6353: 6352:archive.today 6349: 6346: 6341: 6334: 6330: 6327: 6322: 6310: 6306: 6300: 6284: 6277: 6271: 6264: 6263:0-646-11917-6 6260: 6256: 6252: 6247: 6240: 6239: 6234: 6229: 6222: 6217: 6204: 6188: 6184: 6180: 6178: 6170: 6163: 6159: 6156: 6151: 6144: 6143: 6136: 6129: 6128: 6121: 6114: 6113: 6108: 6104: 6101: 6095: 6086: 6079: 6075: 6071: 6068: 6063: 6056: 6052: 6049: 6044: 6036: 6034:84-8048-639-2 6030: 6026: 6019: 6012: 6008: 6005: 6000: 5992: 5990:4-87131-077-9 5986: 5982: 5978: 5974: 5968: 5961: 5957: 5954: 5949: 5947: 5939: 5935: 5932: 5927: 5920: 5919: 5914: 5909: 5907: 5899: 5895: 5891: 5885: 5878: 5877: 5876:Rolling Stone 5872: 5868: 5865: 5859: 5852: 5848: 5844: 5841: 5835: 5833: 5825: 5821: 5817: 5814: 5808: 5801: 5795: 5786: 5779: 5775: 5771: 5768: 5766: 5759: 5752: 5751:billboard.com 5748: 5744: 5741: 5735: 5733: 5725: 5721: 5718: 5713: 5711: 5709: 5707: 5697: 5690: 5686: 5680: 5671: 5662: 5655: 5654: 5649: 5643: 5636: 5632: 5628: 5625: 5621: 5616: 5609: 5608: 5603: 5599: 5596: 5590: 5583: 5579: 5575: 5572: 5566: 5559: 5558: 5553: 5549: 5546: 5543:Graeme Ross, 5540: 5533: 5532: 5527: 5523: 5520: 5514: 5507: 5506: 5501: 5495: 5486: 5479: 5475: 5471: 5468: 5465:Shawn Perry, 5462: 5460: 5452: 5451: 5446: 5440: 5433: 5432: 5425: 5418: 5417:Rolling Stone 5412: 5403: 5396: 5392: 5387: 5380: 5379: 5374: 5370: 5367: 5361: 5359: 5357: 5355: 5347: 5346: 5341: 5335: 5328: 5324: 5321: 5315: 5306: 5299: 5298:The Music Box 5295: 5291: 5288: 5286: 5278: 5276: 5274: 5266: 5265: 5260: 5254: 5252: 5244: 5243: 5238: 5232: 5225: 5224: 5217: 5208: 5199: 5190: 5188: 5178: 5171: 5170: 5169:Ear for Music 5163: 5154: 5152: 5135: 5131: 5130: 5125: 5121: 5115: 5108: 5107: 5100: 5098: 5096: 5088: 5086: 5085:NME Originals 5079: 5077: 5067: 5058: 5056: 5048: 5047:Rolling Stone 5042: 5040: 5032: 5031: 5024: 5022: 5014: 5013: 5007: 5000: 4999: 4994: 4988: 4979: 4970: 4961: 4952: 4943: 4936: 4935: 4930: 4925: 4918: 4917: 4912: 4908: 4905: 4900: 4898: 4890: 4886: 4882: 4879: 4877: 4870: 4868: 4860: 4859: 4854: 4849: 4847: 4839: 4835: 4830: 4824:Leng, p. 128. 4821: 4812: 4810: 4800: 4791: 4782: 4773: 4764: 4755: 4746: 4737: 4728: 4719: 4710: 4708: 4698: 4689: 4687: 4685: 4675: 4666: 4664: 4662: 4652: 4650: 4648: 4646: 4636: 4627: 4618: 4609: 4602: 4598: 4592: 4585: 4584: 4579: 4575: 4572: 4566: 4557: 4555: 4553: 4551: 4549: 4547: 4545: 4543: 4533: 4524: 4515: 4506: 4497: 4488: 4486: 4479:Leng, p. 130. 4476: 4467: 4458: 4449: 4440: 4434:Leng, p. 127. 4431: 4422: 4413: 4404: 4395: 4388: 4387: 4382: 4376: 4367: 4358: 4349: 4340: 4333: 4329: 4326: 4320: 4311: 4304: 4303: 4297: 4288: 4286: 4279:Leng, p. 133. 4276: 4270:Leng, p. 126. 4267: 4265: 4255: 4246: 4240:Leng, p. 132. 4237: 4235: 4227: 4223: 4219: 4216: 4214: 4206: 4204: 4202: 4200: 4198: 4196: 4186: 4177: 4168: 4159: 4157: 4155: 4148:Leng, p. 125. 4145: 4143: 4141: 4131: 4122: 4113: 4111: 4109: 4099: 4090: 4081: 4079: 4069: 4067: 4065: 4063: 4061: 4059: 4057: 4055: 4053: 4051: 4043: 4042: 4035: 4026: 4024: 4022: 4014: 4013:Rolling Stone 4008: 4001: 3995: 3993: 3991: 3981: 3972: 3965: 3961: 3958: 3953: 3944: 3935: 3926: 3924: 3914: 3912: 3902: 3893: 3884: 3875: 3866: 3860:Leng, p. 131. 3857: 3848: 3842:Leng, p. 129. 3839: 3837: 3827: 3820: 3819: 3814: 3810: 3807: 3804:Graham Reid, 3801: 3792: 3783: 3781: 3774:Leng, p. 138. 3771: 3769: 3759: 3750: 3741: 3735:Leng, p. 137. 3732: 3730: 3728: 3720: 3719: 3718:Rolling Stone 3714: 3712: 3704: 3695: 3689:Leng, p. 157. 3686: 3677: 3670: 3666: 3663: 3658: 3649: 3640: 3631: 3622: 3613: 3604: 3595: 3593: 3591: 3581: 3572: 3563: 3554: 3545: 3543: 3533: 3524: 3515: 3513: 3503: 3501: 3491: 3482: 3473: 3466: 3462: 3459: 3454: 3445: 3436: 3430:Leng, p. 124. 3427: 3425: 3415: 3406: 3400:Leng, p. 123. 3397: 3395: 3385: 3376: 3367: 3358: 3356: 3348: 3347:Rolling Stone 3342: 3340: 3330: 3323: 3319: 3316: 3312: 3311: 3304: 3302: 3292: 3285: 3284: 3277: 3268: 3259: 3250: 3241: 3235:Leng, p. 121. 3232: 3223: 3214: 3205: 3198: 3197: 3196:Rolling Stone 3192: 3188: 3185: 3183: 3175: 3173: 3171: 3169: 3167: 3165: 3160: 3148: 3144: 3140: 3135: 3128: 3122: 3115: 3112: 3106: 3099: 3092: 3085: 3079: 3072: 3068: 3062: 3055: 3049: 3042: 3041: 3036: 3030: 3023: 3019: 3015: 3014:Hertfordshire 3009: 3002: 2996: 2989: 2985: 2984: 2979: 2973: 2969: 2958: 2952: 2948: 2945: 2942: 2937: 2933: 2930: 2927: 2922: 2918: 2915: 2912: 2907: 2903: 2898:Certification 2893: 2878: 2876: 2874: 2868: 2864: 2860: 2856: 2852: 2848: 2846: 2842: 2836:Chart (1973) 2834: 2821: 2813: 2810: 2805: 2801: 2797: 2793: 2791: 2787: 2781:Chart (2006) 2779: 2773: 2772: 2771: 2764: 2762: 2757: 2753: 2750: 2749: 2743: 2739: 2736: 2735: 2729: 2725: 2723: 2721: 2715: 2711: 2708: 2707: 2701: 2697: 2695: 2691: 2687: 2685: 2680: 2676: 2674: 2670: 2666: 2664: 2659: 2655: 2653: 2648: 2644: 2642: 2638: 2634: 2632: 2627: 2623: 2621: 2619: 2613: 2609: 2605: 2601: 2599: 2594: 2590: 2588: 2587:Top 20 Albums 2586: 2580: 2572: 2566: 2565: 2564: 2563: 2557:Weekly charts 2546: 2543: 2540: 2537: 2534: 2531: 2528: 2524: 2520: 2517: 2515: 2511: 2510:Zakir Hussain 2508: 2506: 2503: 2499: 2496: 2493: 2490: 2487: 2484: 2482: 2478: 2474: 2471: 2469: 2465: 2461: 2458: 2456: 2452: 2451:Nicky Hopkins 2449: 2447: 2443: 2439: 2436: 2435: 2426: 2422: 2419: 2414: 2413: 2412: 2407:2014 remaster 2401: 2398: 2395: 2392: 2388: 2387: 2386: 2385: 2378: 2374: 2371: 2365: 2364: 2363: 2358:2006 remaster 2352: 2348: 2345: 2341: 2338: 2334: 2331: 2327: 2324: 2320: 2319: 2318: 2317: 2310: 2306: 2303: 2299: 2296: 2292: 2289: 2285: 2282: 2278: 2275: 2271: 2270: 2269: 2268: 2259: 2254:Track listing 2251: 2249: 2245: 2241: 2237: 2233: 2232:Rolling Stone 2229: 2228: 2223: 2214: 2211: 2205: 2203: 2199: 2195: 2191: 2187: 2183: 2179: 2175: 2171: 2167: 2163: 2148: 2142: 2138: 2134: 2129: 2124: 2122: 2118: 2114: 2113:George Martin 2107: 2102: 2099: 2095: 2094: 2088: 2084: 2080: 2076: 2066: 2065:at number 6. 2064: 2063: 2058: 2057: 2052: 2051: 2046: 2042: 2040: 2036: 2032: 2031: 2025: 2021: 2016: 2009: 2008: 2003: 2002: 1997: 1992: 1990: 1986: 1982: 1981:Dave Thompson 1978: 1977: 1972: 1965: 1964: 1959: 1955: 1954:Rolling Stone 1950: 1947: 1943: 1942:The Music Box 1939: 1935: 1899: 1897: 1896: 1892: 1891: 1836: 1834: 1833: 1829: 1828: 1824: 1822: 1821: 1817: 1816: 1786: 1784: 1781: 1780: 1776: 1774: 1773: 1769: 1768: 1738: 1736: 1735:The Music Box 1733: 1732: 1702: 1700: 1699: 1695: 1694: 1690: 1688: 1687: 1683: 1682: 1652: 1650: 1649: 1645: 1644: 1614: 1612: 1609: 1608: 1600: 1597:Review scores 1595: 1584: 1582: 1576: 1574: 1569: 1565: 1564: 1563:Ear for Music 1557: 1555: 1551: 1550: 1542: 1540: 1539:be-bop-a-lula 1533: 1531: 1530: 1525: 1521: 1517: 1516: 1511: 1510: 1505: 1500: 1496: 1491: 1487: 1486: 1479: 1477: 1476: 1471: 1464: 1459: 1457: 1456:Bob Woffinden 1453: 1449: 1444: 1441: 1437: 1432: 1428: 1427: 1420: 1417: 1416: 1415:Rolling Stone 1411: 1404: 1402: 1396: 1394: 1390: 1389: 1383: 1382:Rolling Stone 1379: 1364: 1362: 1358: 1354: 1350: 1346: 1342: 1338: 1337: 1332: 1327: 1325: 1321: 1317: 1316: 1310: 1307: 1303: 1299: 1295: 1293: 1288: 1284: 1282: 1278: 1274: 1270: 1269: 1264: 1263: 1258: 1257: 1252: 1244: 1239: 1230: 1228: 1224: 1218: 1216: 1213: 1209: 1205: 1201: 1200:New Testament 1197: 1193: 1189: 1185: 1184: 1179: 1173: 1171: 1170:silver dollar 1167: 1163: 1159: 1155: 1150: 1147: 1143: 1139: 1135: 1131: 1127: 1123: 1122:Rolling Stone 1119: 1115: 1111: 1107: 1103: 1099: 1092: 1091: 1085: 1079:Album artwork 1076: 1074: 1073: 1068: 1067: 1060: 1058: 1057: 1052: 1048: 1047:middle eights 1044: 1040: 1039:Zakir Hussain 1036: 1032: 1028: 1023: 1021: 1017: 1013: 1010:and his wife 1009: 999: 997: 996: 991: 987: 983: 979: 974: 972: 968: 964: 963: 958: 957: 952: 948: 944: 940: 936: 935:Apple Studios 931: 929: 925: 921: 920: 915: 907: 902: 898: 896: 892: 891:Phil McDonald 888: 884: 883:Sour Milk Sea 880: 876: 872: 868: 864: 854: 852: 848: 847: 846:Rolling Stone 842: 838: 833: 831: 827: 823: 819: 814: 810: 806: 805:Wall of Sound 800: 797: 790: 779: 777: 773: 769: 765: 760: 758: 754: 750: 746: 738: 734: 730: 726: 722: 718: 714: 710: 706: 700: 697: 690: 688: 682: 680: 676: 672: 668: 664: 659: 657: 656: 651: 650:My Sweet Lord 647: 643: 639: 638: 632: 631:Bhagavad Gita 624: 620: 615: 611: 609: 605: 601: 597: 593: 589: 586: 582: 578: 574: 564: 562: 558: 554: 550: 549: 543: 541: 537: 533: 529: 525: 524:Harry Nilsson 521: 517: 513: 509: 505: 501: 497: 493: 488: 486: 482: 478: 477: 472: 468: 464: 463:Apple Records 460: 456: 452: 448: 444: 443:Nicky Hopkins 440: 439: 434: 430: 429: 423: 419: 415: 410: 408: 404: 403: 402:Record Mirror 395: 385: 383: 379: 375: 371: 367: 366: 365:Rolling Stone 360: 358: 357:Zakir Hussain 354: 350: 346: 342: 338: 334: 333:Nicky Hopkins 330: 326: 321: 317: 315: 311: 307: 303: 299: 298: 293: 292:Apple Records 289: 285: 284: 274: 263: 257: 256: 253: 250: 246: 242: 238: 229: 228: 224: 220: 219: 215: 211: 210: 206: 205: 201: 197: 193: 189: 185: 180: 177: 175: 171: 168: 165: 163: 159: 147: 143: 137: 134: 133: 131: 129: 125: 119: 116: 114:, Oxfordshire 113: 110: 107: 104: 103: 102: 98: 88: 77: 76: 75: 71: 60: 56: 52: 47: 43: 39: 34: 29: 23: 19: 7926: 7919: 7912: 7722: 7721: 7655: 7648: 7641: 7634: 7619: 7601: 7594: 7587: 7580: 7573: 7565: 7557: 7550: 7527: 7520: 7513: 7506: 7499: 7492: 7485: 7478: 7471: 7464: 7457: 7450: 7443: 7436: 7428: 7421: 7414: 7407: 7400: 7393: 7363:Derek Taylor 7358:Ravi Shankar 7301:Eric Clapton 7261: 7211: 7129: 7122: 7115: 7108: 7090: 7083: 7075: 7068: 7050: 7043: 7036: 7029: 7023:Compilations 7011: 7004: 6986: 6979: 6972: 6965: 6958: 6951: 6944: 6937: 6931: 6930: 6923: 6916: 6909: 6857: 6844: 6822: 6821:Bill Wyman, 6807: 6792: 6777: 6762: 6753: 6738: 6723: 6708: 6693: 6678: 6663: 6662:Simon Leng, 6648: 6633: 6632:Ian Inglis, 6618: 6603: 6588: 6587:Bill Harry, 6573: 6558: 6543: 6528: 6513: 6509: 6494: 6479: 6470: 6455: 6440: 6425: 6410: 6387: 6383: 6377: 6367: 6359: 6340: 6321: 6309:the original 6299: 6287:. Retrieved 6281:(in Dutch). 6270: 6254: 6246: 6236: 6228: 6221:Oricon Style 6193:13 September 6191:. Retrieved 6183:oricon.co.jp 6182: 6176: 6169: 6150: 6142:Record World 6140: 6135: 6125: 6120: 6110: 6094: 6085: 6062: 6043: 6024: 6018: 5999: 5972: 5967: 5926: 5916: 5889: 5888:David Kent, 5884: 5874: 5858: 5850: 5807: 5799: 5794: 5785: 5764: 5758: 5738:Jill Menze, 5696: 5689:The Rip Post 5688: 5679: 5670: 5661: 5653:Classic Rock 5651: 5647: 5642: 5615: 5605: 5589: 5565: 5555: 5539: 5529: 5513: 5503: 5498:Tyler Kane, 5494: 5485: 5478:Vintage Rock 5477: 5448: 5444: 5439: 5429: 5424: 5416: 5411: 5402: 5386: 5376: 5364:Zeth Lundy, 5343: 5334: 5322: 5314: 5305: 5297: 5284: 5262: 5258: 5242:Classic Rock 5240: 5236: 5231: 5221: 5216: 5207: 5198: 5177: 5167: 5162: 5138:. Retrieved 5127: 5114: 5104: 5083: 5066: 5046: 5030:Melody Maker 5028: 5012:Melody Maker 5010: 5006: 4996: 4987: 4978: 4969: 4960: 4951: 4942: 4932: 4924: 4914: 4875: 4856: 4829: 4820: 4799: 4790: 4781: 4772: 4763: 4754: 4745: 4736: 4727: 4718: 4697: 4674: 4635: 4626: 4617: 4608: 4596: 4591: 4581: 4565: 4532: 4523: 4514: 4505: 4496: 4475: 4466: 4457: 4448: 4439: 4430: 4421: 4412: 4403: 4394: 4384: 4380: 4375: 4366: 4357: 4352:Snow, p. 70. 4348: 4339: 4319: 4310: 4300: 4296: 4291:Snow, p. 72. 4275: 4254: 4245: 4212: 4209:Bruce Eder, 4185: 4176: 4167: 4130: 4121: 4098: 4089: 4039: 4034: 4012: 4007: 3999: 3980: 3971: 3952: 3943: 3934: 3901: 3892: 3883: 3874: 3865: 3856: 3847: 3826: 3816: 3800: 3791: 3758: 3749: 3740: 3716: 3710: 3703: 3694: 3685: 3676: 3657: 3648: 3639: 3630: 3621: 3612: 3603: 3580: 3571: 3562: 3553: 3532: 3523: 3490: 3481: 3472: 3453: 3444: 3435: 3414: 3405: 3384: 3375: 3366: 3346: 3329: 3308: 3291: 3281: 3276: 3267: 3258: 3249: 3240: 3231: 3222: 3213: 3204: 3194: 3181: 3142: 3134: 3127:superimposed 3121: 3110: 3105: 3091: 3078: 3061: 3048: 3038: 3029: 3008: 2995: 2981: 2972: 2954: 2926:Music Canada 2872: 2819: 2808: 2759:West German 2751:Album Chart 2748:Record World 2746: 2732: 2719: 2706:Melody Maker 2704: 2617: 2584: 2533:Leon Russell 2529:arrangements 2477:standup bass 2410: 2383: 2382: 2361: 2315: 2314: 2266: 2265: 2257: 2247: 2243: 2239: 2236:David Fricke 2231: 2225: 2221: 2220: 2206: 2201: 2177: 2166:Bruce Spizer 2161: 2159: 2140: 2132: 2127: 2125: 2116: 2105: 2103: 2093:Classic Rock 2091: 2090:review, for 2086: 2082: 2075:2014 reissue 2072: 2060: 2054: 2048: 2044: 2043: 2038: 2028: 2023: 2020:Vintage Rock 2019: 2005: 1999: 1993: 1988: 1984: 1974: 1970: 1961: 1953: 1951: 1945: 1941: 1933: 1931: 1893: 1830: 1818: 1770: 1734: 1696: 1686:Classic Rock 1684: 1646: 1580: 1577: 1572: 1561: 1559: 1553: 1549:Melody Maker 1547: 1544: 1536: 1527: 1513: 1507: 1498: 1494: 1483: 1481: 1473: 1466: 1462: 1451: 1445: 1439: 1438:, such that 1435: 1430: 1426:Melody Maker 1424: 1422: 1413: 1406: 1400: 1399: 1392: 1386: 1381: 1377: 1375: 1356: 1348: 1344: 1334: 1330: 1328: 1319: 1313: 1311: 1297: 1291: 1286: 1285: 1280: 1272: 1266: 1260: 1254: 1250: 1248: 1219: 1204:Dale Allison 1181: 1174: 1151: 1121: 1113: 1101: 1097: 1095: 1088: 1070: 1064: 1061: 1054: 1037:, flute and 1031:slide guitar 1024: 1005: 993: 975: 966: 960: 954: 950: 932: 917: 910: 905: 894: 879:Jackie Lomax 862: 860: 851:Eric Clapton 844: 840: 836: 834: 818:Leon Russell 813:Phil Spector 808: 802: 796:Phil Spector 792: 787: 763: 761: 756: 736: 733:Gary Tillery 702: 692: 686: 685: 674: 666: 660: 653: 646:gospel music 636: 628: 576: 572: 570: 560: 557:Hare Krishna 546: 544: 516:Alan Clayson 489: 474: 473:documentary 471:Ravi Shankar 436: 426: 412: 400: 397: 393: 373: 369: 363: 361: 328: 324: 319: 318: 295: 282: 281: 280: 248: 225: 217: 216: 207: 184:Phil Spector 46:Studio album 22: 7950:1973 albums 7849:Miss O'Dell 7827:That Is All 7806:Be Here Now 7657:George Fest 7445:Straight Up 7378:Gary Wright 7323:Jim Keltner 7295:Pattie Boyd 7290:The Beatles 7285:John Barham 7177:Discography 7134:(as editor) 7110:I, Me, Mine 6998:Live albums 6988:Brainwashed 6974:Gone Troppo 5811:Kory Grow, 5683:Rip Rense, 5620:Paul Trynka 5582:Blogcritics 5569:Chaz Lipp, 5327:Music Story 5323:(in French) 4601:EMI Records 2909:Australia ( 2596:Australian 2582:Australian 2519:John Barham 2505:arrangement 2492:Ringo Starr 2486:Jim Keltner 2468:harpsichord 2460:Gary Wright 2425:Bangla Desh 2377:Miss O'Dell 2351:That Is All 2330:Be Here Now 2198:liner notes 2186:Bangla Desh 2121:Roy Orbison 2098:Paul Trynka 2079:Blogcritics 1952:Writing in 1783:Music Story 1448:White Album 1418:, June 1973 1353:BBC Radio 1 1277:Beatlemania 1243:lead single 1215:six-shooter 1069:(1974) and 1020:Allen Klein 980:to work on 875:Jim Keltner 867:Gary Wright 745:That Is All 721:Be Here Now 705:the Beatles 671:John Barham 608:Miss O'Dell 504:Pattie Boyd 481:Cilla Black 459:Ringo Starr 447:John Lennon 378:the Beatles 353:John Barham 349:Ringo Starr 345:Jim Keltner 337:Gary Wright 7944:Categories 7874:Photograph 7650:Tribute To 7430:Joi Bangla 7409:Doris Troy 7353:The Rutles 7328:Jeff Lynne 7240:Harrisongs 7202:Friar Park 6981:Cloud Nine 6939:Dark Horse 6251:David Kent 6212:|url= 5607:PopMatters 5378:PopMatters 4386:Gramophone 3156:References 3098:tax-exempt 3084:Photograph 3054:Harrisongs 3040:Dark Horse 2661:Norwegian 2620:100 Albums 2539:Jim Gordon 2523:orchestral 2391:Tokyo Dome 2083:PopMatters 2037:described 1963:PopMatters 1944:refers to 1832:PopMatters 1490:Tony Tyler 1470:Tony Tyler 1361:Bill Harry 1245:, May 1973 1196:wheelchair 1192:Ken Marcus 1188:mock-Tudor 1106:Tom Wilkes 943:Savile Row 919:Abbey Road 822:Jim Gordon 782:Production 735:writes of 729:High Court 540:roundabout 520:Bobby Keys 455:Friar Park 422:Bangladesh 388:Background 227:Dark Horse 198:chronology 65:1973-05-30 7438:Footprint 7216:(bootleg) 7131:Raga Mala 6559:I Me Mine 6369:Billboard 6238:Billboard 6112:Billboard 5918:Billboard 5419:, p. 188. 4998:Billboard 4934:Billboard 4858:Billboard 4599:reissue ( 4015:, p. 180. 3818:Elsewhere 2980:over the 2873:Billboard 2839:Position 2809:Billboard 2784:Position 2720:Billboard 2650:Japanese 2615:Canadian 2577:Position 2464:harmonium 2462:– organ, 2453:– piano, 2432:Personnel 2370:Deep Blue 2210:slideshow 2202:I Me Mine 2190:Mal Evans 2182:Deep Blue 2033:in 2008, 1956:in 2002, 1393:Billboard 1336:Billboard 1302:gold disc 1292:Billboard 1262:1967–1970 1256:1962–1966 1134:Om symbol 1008:Bob Dylan 986:new album 945:, London 928:Tom Evans 926:bandmate 924:Badfinger 857:Recording 776:perpetual 655:I Me Mine 508:Japa Yoga 465:protégés 7859:Outtakes 7791:Side two 7738:Side one 7680:Category 7613:Tributes 7197:Kinfauns 7170:Articles 7062:Box sets 6514:Harrison 6348:Archived 6329:Archived 6283:Archived 6203:cite web 6187:Archived 6158:Archived 6127:Cash Box 6103:Archived 6070:Archived 6051:Archived 6007:Archived 5977:Roppongi 5956:Archived 5934:Archived 5867:Archived 5843:Archived 5816:Archived 5778:AllMusic 5770:Archived 5743:Archived 5720:Archived 5635:TeamRock 5627:Archived 5598:Archived 5574:Archived 5548:Archived 5522:Archived 5470:Archived 5431:Goldmine 5369:Archived 5345:OndaRock 5290:Archived 5134:Archived 5049:, p. 44. 4907:Archived 4881:Archived 4574:Archived 4328:Archived 4226:AllMusic 4218:Archived 4041:Musician 3960:Archived 3809:Archived 3665:Archived 3461:Archived 3349:, p. 43. 3318:Archived 3187:Archived 3001:drum-kit 2949:500,000 2924:Canada ( 2875:Year-End 2734:Cash Box 2682:Swedish 2545:Pete Ham 2498:Jim Horn 2427:" – 3:57 2379:" – 2:33 2372:" – 3:47 2353:" – 3:43 2346:" – 2:53 2339:" – 4:08 2332:" – 4:09 2325:" – 4:34 2316:Side two 2311:" – 5:31 2304:" – 3:52 2297:" – 2:57 2290:" – 3:31 2283:" – 4:48 2276:" – 3:36 2267:Side one 2151:Reissues 2015:Mat Snow 1976:Goldmine 1958:Greg Kot 1938:AllMusic 1820:OndaRock 1611:AllMusic 1532:(1972). 1524:Yoko Ono 1520:Roy Carr 1227:fan club 1212:Old West 1202:scholar 1166:US coins 1110:gatefold 1075:(1973). 1059:(1968). 1027:overdubs 887:Jim Horn 881:single " 826:Pete Ham 536:Mercedes 174:Producer 120:, London 108:, London 89:February 73:Recorded 58:Released 48: by 7637:(album) 7459:Brother 7163:Related 6851:Discogs 6403:Sources 6384:Artist: 6289:2 April 6214:value ( 5223:Blender 5140:25 June 3114:bootleg 3100:status. 2934:50,000 2919:35,000 2904:/sales 2895:Region 2774:Reissue 2137:utopian 1648:Blender 1482:In the 1341:My Love 1304:by the 1233:Release 978:Jamaica 962:Imagine 747:" and " 719:" and " 663:Krishna 585:Ronette 563:album. 538:into a 308:by the 245:Singles 231:(1974) 222:(1973) 213:(1971) 78:October 63: ( 7867:So Sad 7576:(film) 7568:(film) 7387:Albums 7313:(wife) 7297:(wife) 7278:People 6829: 6814: 6799: 6784: 6769: 6745: 6730: 6715: 6700: 6685: 6670: 6655: 6640: 6625: 6610: 6595: 6580: 6565: 6550: 6535: 6520: 6501: 6486: 6462: 6447: 6432: 6417: 6388:Title: 6261: 6210:Check 6031: 5987: 5896: 3043:album. 3035:So Sad 3022:ISKCON 2820: 2629:Dutch 2585:Go-Set 2552:Charts 2527:choral 2238:pairs 1998:, for 1605:Rating 1602:Source 1343:" and 1138:Arjuna 939:FPSHOT 914:Leslie 768:B-side 698:, 2003 642:bhajan 637:sutras 635:Vedic 182:(with 145:Length 112:FPSHOT 100:Studio 91: 84: 80: 7731:Songs 7539:Films 7473:Ringo 7319:(son) 7182:Songs 7142:Tours 7102:Books 6472:Uncut 6312:(PHP) 6279:(ASP) 5981:Tokyo 5505:Paste 5129:Creem 2965:Notes 2946:Gold 2931:Gold 2916:Gold 2514:tabla 2446:sitar 2442:dobro 2242:with 2144:' 2109:' 2050:Paste 2030:Uncut 2011:' 1967:' 1777:3.5/5 1509:Creem 1329:With 1223:Wings 1072:Ringo 1043:tabla 1035:sitar 740:' 679:Help! 567:Songs 247:from 167:Apple 162:Label 128:Genre 106:Apple 7603:Raga 7452:Raga 7433:(EP) 6827:ISBN 6812:ISBN 6797:ISBN 6782:ISBN 6767:ISBN 6755:Mojo 6743:ISBN 6728:ISBN 6713:ISBN 6698:ISBN 6683:ISBN 6668:ISBN 6653:ISBN 6638:ISBN 6623:ISBN 6608:ISBN 6593:ISBN 6578:ISBN 6563:ISBN 6548:ISBN 6533:ISBN 6518:ISBN 6499:ISBN 6484:ISBN 6460:ISBN 6445:ISBN 6430:ISBN 6415:ISBN 6291:2014 6259:ISBN 6216:help 6195:2011 6029:ISBN 5985:ISBN 5894:ISBN 5264:Mojo 5142:2018 2941:RIAA 2911:ARIA 2525:and 2502:horn 2217:2014 2192:and 2156:2006 2007:Mojo 1825:7/10 1698:Mojo 1691:8/10 1306:RIAA 1259:and 1158:UCLA 1146:glam 1100:and 1012:Sara 715:", " 598:", " 594:", " 512:coke 476:Raga 461:and 449:'s " 343:and 306:gold 186:on " 136:Rock 93:1971 86:1973 6849:at 5650:", 5447:", 5261:", 5239:", 5106:NME 4916:RPM 4876:RPM 4383:", 3069:'s 2879:43 2870:US 2865:16 2857:39 2849:24 2814:36 2807:US 2802:33 2794:14 2765:20 2745:US 2731:US 2717:US 2703:UK 2645:10 2618:RPM 2196:), 2170:EMI 1485:NME 1475:NME 1412:in 1391:." 1180:'s 1160:'s 1120:of 1041:'s 759:". 610:"). 487:". 416:'s 382:EMI 118:EMI 7946:: 6833:). 6818:). 6803:). 6788:). 6773:). 6749:). 6734:). 6719:). 6704:). 6689:). 6674:). 6659:). 6644:). 6629:). 6614:). 6599:). 6584:). 6569:). 6554:). 6539:). 6524:). 6512:, 6505:). 6490:). 6466:). 6451:). 6436:). 6421:). 6392:, 6366:, 6265:). 6253:, 6235:, 6207:: 6205:}} 6201:{{ 6181:. 6109:, 6076:, 5979:, 5975:. 5945:^ 5915:, 5905:^ 5900:). 5873:, 5849:, 5831:^ 5822:, 5776:, 5749:, 5731:^ 5705:^ 5687:, 5633:, 5622:, 5604:, 5580:, 5554:, 5528:, 5502:, 5476:, 5458:^ 5393:, 5375:, 5353:^ 5342:, 5325:, 5296:, 5272:^ 5250:^ 5186:^ 5150:^ 5132:. 5126:. 5094:^ 5075:^ 5054:^ 5038:^ 5020:^ 4995:, 4931:, 4913:, 4896:^ 4887:, 4866:^ 4855:, 4845:^ 4836:, 4808:^ 4706:^ 4683:^ 4660:^ 4644:^ 4580:, 4541:^ 4484:^ 4284:^ 4263:^ 4233:^ 4224:, 4194:^ 4153:^ 4139:^ 4107:^ 4077:^ 4049:^ 4020:^ 3989:^ 3922:^ 3910:^ 3835:^ 3815:, 3779:^ 3767:^ 3726:^ 3715:, 3589:^ 3541:^ 3511:^ 3499:^ 3423:^ 3393:^ 3354:^ 3338:^ 3300:^ 3193:, 3163:^ 2943:) 2928:) 2913:) 2754:1 2740:1 2726:1 2712:5 2698:2 2688:2 2677:1 2667:4 2656:9 2635:5 2624:1 2610:1 2602:2 2591:1 2521:– 2512:– 2479:, 2444:, 2234:, 2204:. 2096:, 2077:, 2013:s 1566:, 1488:, 1468:– 1408:– 1318:. 1172:. 998:. 984:' 973:. 947:W1 897:. 865:. 832:. 824:, 820:, 694:– 351:, 347:. 339:, 335:, 190:") 154:55 150:43 7909:" 7905:" 7876:" 7872:" 7869:" 7865:" 7851:" 7847:" 7829:" 7825:" 7822:" 7818:" 7815:" 7811:" 7808:" 7804:" 7801:" 7797:" 7783:" 7779:" 7776:" 7772:" 7769:" 7765:" 7762:" 7758:" 7755:" 7751:" 7748:" 7744:" 7714:e 7707:t 7700:v 7630:" 7626:" 7248:" 7244:" 6888:e 6881:t 6874:v 6382:" 6293:. 6218:) 6197:. 6037:. 5993:. 5450:Q 5287:" 5144:. 4874:" 4215:" 3713:" 3184:" 3149:. 3056:. 2423:" 2375:" 2368:" 2349:" 2342:" 2335:" 2328:" 2321:" 2307:" 2300:" 2293:" 2286:" 2279:" 2272:" 2001:Q 743:" 264:" 260:" 152:: 67:) 20:.

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

Knowledge

Living in the Material World

Index