Knowledge

Transcription (novel)

Source 📝

185:
pay for what she has done. Juliet grows paranoid, believing the note comes from one of Godrey's recruits. After Mrs. Scaife's arrest, Juliet and Godfrey were involved in killing Dolly, one of the low-level Nazi sympathisers, after she accidentally discovered their operation. However, none of the other living members of the circle ever discovered what Juliet had done. On her way home from the BBC Juliet is attacked, but is relieved to find that her attacker is a former spy named Nelly Varga who was persuaded to work for MI5 after they kidnapped her dog, a dog Juliet was put in charge of who later died.
29: 271:, viewed it as continuing "the puzzle-making of a mystery with the historical settings of her other fiction". Stephanie Merritt, reviewing it for the same newspaper, called it "a fine example of Atkinson’s mature work; an unapologetic novel of ideas, which is also wise, funny and paced like a spy thriller". 168:
Juliet develops a crush on Perry, who seems to encourage speculation that they are having an affair but does not return her affections. Instead he recruits her to ingratiate herself to a woman named Mrs. Scaife, hoping that she will lead them to the Red Book, a rumoured ledger containing the names of
180:
to Juliet, who doesn't realise he is gay. The following morning Juliet is sought out by the police who believed she was dead as they found the body of a young woman with her identification papers. Juliet realises that the body is Beatrice Dodd and is frightened as the location her body was found in
188:
Returning home Juliet finds a mysterious visitor waiting for her, a friend of Godfrey's, and realises she was being spied on for years by MI5 as she was a double agent for the Soviets, recruited at her MI5 interview. Godfrey's friend persuades her to betray her soviet handlers. Juliet realises she
184:
By 1950, Juliet is working at the BBC after the operation, and her relationship with Perry, quickly dissolved. However, she still has MI5 ties and allows her apartment to be used as a safe house for Soviet defectors. At work she receives an anonymous note telling her that she will never be able to
169:
influential Nazi sympathisers. Juliet is given the false name Iris Carter-Jenkins. She is also approached by Oliver Alleyne, Perry's boss, who asks her to spy on Godfrey. Juliet does so, but despite noticing Godfrey acting suspiciously does not report back to Oliver.
161:, she is quickly scouted for an operation run by the elusive Perry Gibbons. Working out of two flats, the MI5 team reveal that they are spying on a group of low-level Nazi sympathisers who report to MI5 spy Godfrey Toby, believing he is a secret spy for the 172:
While searching for the Red Book in Mrs. Scaife's house Juliet accidentally leaves behind her handbag, containing her real identity card, and asks Mrs. Scaife's maid, an orphan named Beatrice Dodd, to help cover for her.
189:
will never truly be free of either party. She tries to escape but is quickly caught by MI5 agents. However, Nelly Varga attacks her a second time, allowing her to escape, and Perry helps to smuggle her to
246:, an MI5 officer who spent the Second World War masquerading as a Gestapo officer in London, running a group of British fascists who believed themselves to be German spies, in what was known as the 292:, highlighted Atkinson's "unexpected and inspired" use of comedy in the first half of the novel, but viewed Juliet as becoming "cipherlike" in the later stages. 396: 358: 181:
was one mentioned by Godfrey Toby's Nazi sympathisers. A few days later, Juliet takes part in a sting operation during which Mrs. Scaife is arrested.
619: 157:
The incident causes Juliet to reflect back to 1940 when she was a young 18-year-old woman who had recently been orphaned. Hired to work at
671: 487: 415: 342: 247: 681: 165:. The walls are bugged with microphones and Juliet's job is to transcribe the audio recordings of their conversations. 110: 666: 434: 377: 193:. Thirty years later, MI5 forcibly repatriates her to help flush out other Soviet spies, including Oliver Alleyne. 576: 512: 638: 552: 458: 661: 480: 560: 280:
s Kate Webb called it "a contemporary version of a ripping good yarn". Jonathan Dee, reviewing for
676: 568: 154:, sees Godfrey Toby, a man she knew during WWII. When she approaches him he denies knowing her. 497: 473: 124: 42: 544: 76: 8: 210:
Juliet Armstrong, an employee of MI5 and later the BBC, spy name is Iris Carter-Jenkins.
439: 312: 288: 243: 600: 528: 397:
Kate Atkinson’s new novel Transcription asks us how carefully we are paying attention
338: 105: 28: 177: 286:, commented on Atkinson's "witty, functionally elegant style". Jennifer Egan, for 130:
The novel focuses on the activities of British orphan Juliet Armstrong throughout
592: 332: 317: 258: 536: 420: 282: 242:
Atkinson said in an author's note that she was partly inspired by the story of
655: 520: 401: 273: 81: 378:
Transcription by Kate Atkinson review – secrets and lies in the line of duty
382: 363: 267: 196:
In 1981, shortly after being repatriated, Juliet is hit by a car and dies.
131: 213:
Godfrey Toby, alias of an MI5 agent posing as a British operative for the
465: 190: 134:
and afterwards. She begins a career as a low-level transcriptionist for
359:
Transcription by Kate Atkinson review – second world war spying hijinks
150:
In 1950, Juliet Armstrong, a producer of children's programmes at the
138:, before rising through the ranks. After the war she moves to the 214: 162: 220:
Peregrine "Perry" Gibbons, Juliet's and Toby's superior at MI5.
217:, under whom Armstrong works. His real name is John Hazeldine. 435:
A Novel of World War II Espionage With an Unlikely Heroine
233:
Myles Merton, hired Armstrong to work with Toby and Perry
158: 151: 139: 135: 313:
Kate Atkinson’s WWII Spy Drama Is Fall’s Must Read Novel
265:"Fall's Must Read Novel". Lisa Allardyce, writing for 653: 443:, 25 September 2018. Retrieved 12 November 2018. 405:, 22 September 2018. Retrieved 12 November 2018. 321:, 20 September 2018. Retrieved 12 November 2018. 424:, 24 September 2018. Retrieved 12 November 2018 386:, 4 September 2018. Retrieved 12 November 2018. 367:, 7 September 2018. Retrieved 12 November 2018. 481: 416:Kate Atkinson's Spy Novel Makes the Genre New 330: 324: 495: 488: 474: 27: 307: 305: 230:Oliver Alleyne, Gibbons' superior at MI5. 351: 654: 302: 469: 389: 224: 123:is a spy novel by British novelist 13: 331:Kate Atkinson (6 September 2018). 204: 14: 693: 450: 513:Behind the Scenes at the Museum 127:, published in September 2018. 672:Novels set during World War II 427: 408: 370: 237: 1: 553:When Will There Be Good News? 295: 199: 376:Merritt, Sptephanie (2018) " 253: 92:Print (hardcover, paperback) 7: 682:Doubleday (publisher) books 10: 698: 561:Started Early, Took My Dog 311:Patrick, Bethanne (2018) " 145: 630: 611: 504: 104: 96: 88: 72: 64: 56: 48: 38: 26: 620:Not the End of the World 357:Allardice, Lisa (2018) " 176:A few days later, Perry 667:Novels by Kate Atkinson 612:Short story collections 433:Egan, Jennifer (2018) " 414:Dee, Jonathan (2018) " 248:Fifth Column operation 18:Novel by Kate Atkinson 662:2018 British novels 395:Webb, Kate (2018) " 23: 440:The New York Times 289:The New York Times 33:First edition (UK) 21: 649: 648: 631:Television series 601:Shrines of Gaiety 529:Emotionally Weird 344:978-1-4090-4376-8 116: 115: 52:Kate Costello Ltd 49:Cover artist 689: 490: 483: 476: 467: 466: 462: 461: 459:Official website 444: 431: 425: 412: 406: 393: 387: 374: 368: 355: 349: 348: 328: 322: 309: 279: 225:Other characters 31: 24: 20: 697: 696: 692: 691: 690: 688: 687: 686: 652: 651: 650: 645: 626: 607: 569:Life After Life 500: 494: 457: 456: 453: 448: 447: 432: 428: 413: 409: 394: 390: 375: 371: 356: 352: 345: 329: 325: 310: 303: 298: 277: 256: 240: 227: 207: 205:Main characters 202: 148: 89:Media type 80: 34: 19: 12: 11: 5: 695: 685: 684: 679: 677:MI5 in fiction 674: 669: 664: 647: 646: 644: 643: 634: 632: 628: 627: 625: 624: 615: 613: 609: 608: 606: 605: 597: 589: 581: 577:A God in Ruins 573: 565: 557: 549: 541: 537:Case Histories 533: 525: 517: 508: 506: 502: 501: 493: 492: 485: 478: 470: 464: 463: 452: 451:External links 449: 446: 445: 426: 421:The New Yorker 407: 388: 369: 350: 343: 337:. Transworld. 323: 300: 299: 297: 294: 283:The New Yorker 255: 252: 239: 236: 235: 234: 231: 226: 223: 222: 221: 218: 211: 206: 203: 201: 198: 147: 144: 114: 113: 108: 102: 101: 98: 94: 93: 90: 86: 85: 74: 70: 69: 66: 62: 61: 58: 54: 53: 50: 46: 45: 40: 36: 35: 32: 22:Transcription 17: 9: 6: 4: 3: 2: 694: 683: 680: 678: 675: 673: 670: 668: 665: 663: 660: 659: 657: 641: 640: 636: 635: 633: 629: 622: 621: 617: 616: 614: 610: 603: 602: 598: 595: 594: 590: 587: 586: 585:Transcription 582: 579: 578: 574: 571: 570: 566: 563: 562: 558: 555: 554: 550: 547: 546: 545:One Good Turn 542: 539: 538: 534: 531: 530: 526: 523: 522: 521:Human Croquet 518: 515: 514: 510: 509: 507: 503: 499: 498:Kate Atkinson 491: 486: 484: 479: 477: 472: 471: 468: 460: 455: 454: 442: 441: 436: 430: 423: 422: 417: 411: 404: 403: 402:The Spectator 398: 392: 385: 384: 379: 373: 366: 365: 360: 354: 346: 340: 336: 335: 334:Transcription 327: 320: 319: 314: 308: 306: 301: 293: 291: 290: 285: 284: 276: 275: 274:The Spectator 270: 269: 264: 263:Transcription 260: 259:Time magazine 251: 249: 245: 232: 229: 228: 219: 216: 212: 209: 208: 197: 194: 192: 186: 182: 179: 174: 170: 166: 164: 160: 155: 153: 143: 141: 137: 133: 128: 126: 125:Kate Atkinson 122: 121: 120:Transcription 112: 111:9780316176637 109: 107: 103: 99: 95: 91: 87: 83: 82:Little, Brown 78: 75: 71: 67: 63: 59: 55: 51: 47: 44: 43:Kate Atkinson 41: 37: 30: 25: 16: 637: 618: 599: 591: 584: 583: 575: 567: 559: 551: 543: 535: 527: 519: 511: 438: 429: 419: 410: 400: 391: 383:The Guardian 381: 372: 364:The Guardian 362: 353: 333: 326: 316: 287: 281: 272: 268:The Guardian 266: 262: 257: 244:Eric Roberts 241: 195: 187: 183: 175: 171: 167: 156: 149: 132:World War II 129: 119: 118: 117: 15: 642:(2016–2017) 238:Inspiration 656:Categories 296:References 200:Characters 639:The Catch 496:Works by 254:Reception 77:Doubleday 73:Publisher 65:Published 178:proposes 57:Language 593:Big Sky 261:called 215:Gestapo 191:Holland 163:Gestapo 146:Summary 60:English 623:(2002) 604:(2022) 596:(2019) 588:(2018) 580:(2015) 572:(2013) 564:(2010) 556:(2008) 548:(2006) 540:(2004) 532:(2000) 524:(1997) 516:(1995) 505:Novels 341:  39:Author 278:' 97:Pages 339:ISBN 318:Time 106:ISBN 84:(US) 79:(UK) 68:2018 437:", 418:", 399:", 380:", 361:", 159:MI5 152:BBC 140:BBC 136:MI5 100:352 658:: 315:" 304:^ 250:. 142:. 489:e 482:t 475:v 347:.

Index


Kate Atkinson
Doubleday
Little, Brown
ISBN
9780316176637
Kate Atkinson
World War II
MI5
BBC
BBC
MI5
Gestapo
proposes
Holland
Gestapo
Eric Roberts
Fifth Column operation
Time magazine
The Guardian
The Spectator
The New Yorker
The New York Times


Kate Atkinson’s WWII Spy Drama Is Fall’s Must Read Novel
Time
Transcription
ISBN
978-1-4090-4376-8

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.