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408:(1963â64). where Trevelyan notes, âthe composition establishes a push-pull effect of great energy and dynamism.â In 1971 Woollaston made another breakthrough, this time with the assistance of his Wellington dealer Peter McLeavey, who suggested working on a larger scale using full sheets of 9 x 4 foot (274 x 121cms) hardboard. Woollaston wrote to Charles Brasch, âThe size has a curious effect on my feelings about other work. I feel stimulated.â
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became a major feature of
Woollastonâs work. He earned his living as a Rawleighs salesman, although the pressure of the job gave him little time for painting. Concerned at Woollaston being side-tracked by his art, the Rawleighs management once cautioned him, that while âart might be the cream on your
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and the two became lovers and remained life-long friends after
Woollastonâs marriage to Edith Alexander who had also been an art student in Dunedin. Kennedy went on to become a driving force of avant garde arts in Dunedin and one of the countryâs leading drama producers. He was an early supporter and
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described it as having, âa greater control, with the ability to use colour in a manner suggestive of luminosity.â From the outset
Woollaston painted alongside landscapes, figurative subjects which were largely of his immediate family and friends. Art historian Tony Green described his early work as,
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McCahon recalls, âI met the artist himself some years later; I saw the actual Nelson landscape and better understood the discipline imposed by the painter on his subjectâŠI still remember the revelations of that first exhibitionâ It was the beginning of a long association and friendship but, as the
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to the New
Plymouth City Council as a purchase for the collection. The Mayor D. V. Sutherland responded by claiming the artist would be, âlaughing all the way to the bank.â It was one of many attacks by the Council on purchases during OâReillyâs tenure. In his spirited defence OâReilly told the
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from 1981 to 1990 and currently manages the Toss
Woollaston Trust. Edith Woollaston died in 1987 following a severe stroke, aged 83. After her death, Woollaston became a close friend of Anne Martindell who had been the United States Ambassador to New Zealand from 1979 to 1981. They spent time
697:. 'The antidote to an easy, wistful idealism about life and art is a thorough realisation of the implacable enmity which exists between an artist who retains the intensity of his calling, and the bourgeoisie. . .â wrote Woollaston. He also wrote for the journal
371:. In his autobiography he wrote, âthe pictures are full of a new kind of space ... created in terms of the two dimensions of the picture-plane itselfâŠâ The move to Greymouth brought a more expressionistic linear approach to his work. Art writers
380:âthe nearest to a radical rejection of older representational normsâŠwith their appeal to the authority of a universal natural feeling, instead of an appeal to techniques of accurate transcription of the visible. A good example of this is
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By the 1960s
Woollaston was finally able to paint full-time and earn a living from his work assisted by a second Fellowship grant. In 1962 this second grant allowed a trip to Europe and the United States. In 1968 the Woollastons moved to
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Woollaston began a series of studies of MÄori schoolboy Rodney
Gutteridge, in preparation for a painting in 1961. A selection of these studies accompanied by Woollastonâs observations was published by Blackwood & Janet Paul Ltd.
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Woollaston sets the tone with the first line of this autobiography, âMy Mother wished I had been a daughter.â The book tells
Woollastonâs story from birth to 1936. The book was published by William Collins Publishing (Auckland).
319:. Woollaston commented that, âThe artist is indeed often lonely when his vision stands up in contrast to the horizontal will of the publicâŠfor things already assured by repetitionâŠâ The same year McCahon dedicated the painting
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388:, when director of the Auckland City Art Gallery, called it âthe first modern portrait in New Zealand.â Woollastonâs interest in portraits continued throughout his painting career and, as noted by curator and writer
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Council, âOur policy is to buy contemporary work and
Woollaston is one of the leading contemporary painters. I donât want to argue about it.â As with a number of other contentious purchases, OâReilly got his way.
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two men were rarely in the same place at the same time, much of it was conducted by mail. In 1959 Woollaston took the unusual step of publicly supporting McCahon by reviewing his friendâs work in the exhibition
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Govett-Brewster Art
Gallery, New Plymouth. To celebrate New Plymouthâs Centennial the Govett-Brewster Art Gallery invited Woollaston to spend a month in the city making paintings to be exhibited in the gallery.
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coffee Rawleighs is your bread and butterâ. An annual Fellowship awarded by the Federation of New Zealand Art Societies in 1958 enabled him to travel to Australia where he studied old Master paintings at the
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and the rotation of planes and foreshortening of foregrounds this revealed appealed to the young painter. Woollaston had deeply admired Cezanne since he had seen reproductions as a boy in
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Although committed and talented, after leaving art school Woollaston was still searching for an independent way to express himself. He found it in 1935 in the teachings of the German
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and built a house. It was a location with âromantic associationsâ as Woollaston had lived there briefly as an eighteen-year-old at a time when he was bent on becoming a poet.
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In the sixties, when Woollaston travelled overseas, he submitted a regular series of observational commentaries on the art he had seen and how it affected him. His series
359:. Scales had kept notes from her lessons with Hoffman when she had been in Germany and Woollaston made a copy of them for his own study. Hoffman had analysed the work of
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Gallery, Wellington. Hitchings later said of the exhibition, âThe impact of these two painters was tremendousâand particularly together! Nothing like it had been seen!â
472:, Wellington. This was Woollastonâs first exhibition at Peter McLeaveyâs gallery. He would have 18 more exhibitions during his life-time with the Wellington dealer.
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in Christchurch for the first time, becoming a member in 1940. He went on to participate in 27 exhibitions of The Group and was included in the 1977 retrospective.
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693:. It started publication in 1934. In the April 1936 issue Woollaston contributed, in what would become his typical frank and provocative style,
559:(toured). The critic JNK said of Woollaston's work, âThere is quiet spiritual strength in these big, spacious, ruggedly painted compositions.â
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As a full-time orchard worker Woollaston was exempted from enlistment in World War II and spent most of the forties in the MÄpua area. After
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287:, the youngest of Woollastonâs four children, kept up the family associations with the area. He was the (Labour) Member of Parliament for
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was featured in The Press from 1962 to 1963. A typical column describes his walk to the Prado in Madrid where he spends time with Goyaâs
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2018:
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Originally presented as an autobiographical lecture to the Auckland Gallery Associates and published by the Auckland City Art Gallery.
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335:. Much later, in 1980, McCahon referred directly to a connection with Woollaston in the title of a major black and white work
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240:. Between them they provided ongoing,moral, critical and financial support. In 1936 Woollaston was invited to exhibit with
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2002:
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and was a regular letter writer to both publications and to local newspapers. Poetry was also a lifelong passion.
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art criticâs comment that it was, â⊠not a picture of anything,â was strongly rebuffed by Woollastonâs review in
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990:. Gerrard & Marti Friedlander creative lives series. Auckland: Auckland University Press. pp. 24â27.
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He told his readers that he found âGoya, while abating nothing of their fate, had bathed them in compassion.â
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In 1977 the Director of the Govett-Brewster Art Gallery in New Plymouth, Ron OâReilly, proposed Woollastonâs
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to Woollaston. Woollaston publicly supported McCahon again the following year when the younger artistâs work
216:, another passionate collector of contemporary New Zealand art. In 1934 Woollaston and his family settled at
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Throughout his career Woollaston was a frequently published writer of art criticism and commentary.
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Colin McCahon. a question of faith: Stedelijk Museum Amsterdam, 30 August - 10 November 2002 ..
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along with a number of drawings he had made of works from the Galleryâs collection including
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Woollaston, M.T. (29 April 1936). "M.T.Woollaston: Life, Art and the Bourgeois Manifesto".
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8:
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384:(1936) a double portrait of Woollastonâs wife Edith and his close friend Rodney Kennedy.
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Bloem, Marja; Browne, Martin; McCahon, Colin; Stedelijk Museum Amsterdam, eds. (2002).
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in 1963, he introduced more complexity into his paintings. This can clearly be seen in
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1998:
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Whiting, Cliff; Murphy, Bernice; McCormack, John; Sotheran, Cheryll, eds. (1992).
224:, but remained part of a close circle of local artists and writers which included
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817:
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397:
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237:
1831:
Fraser, Ross (Summer 1983). "Ross Fraser: a Conversation with Helen Hitchings".
600:, among others. âTo help counter the impression we are a nation of shepherdsâ.
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McCahon first saw Woollastonâs work while he was at high school. In his essay
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207:, the excitement of the act of painting'. While at art school Woollaston met
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Young, David (10 November 1979). "Toss Woollaston: Distance Looks His Way".
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588:. Along with Woollaston the exhibition included paintings by Colin McCahon,
264:. The Gallery was impressed by Woollastonâs work and purchased the painting
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824:, becoming the first New Zealander to be knighted for services to art (
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368:
32:
1452:
The invention of New Zealand: art & national identity, 1930 - 1970
1127:
Barnett, Gerald; Woollaston, Toss; National Art Gallery, eds. (1991).
1811:"The Gallery of Helen Hitchings â Mixing the Modern â Art and Design"
1126:
252:
188:
1357:. Vol. 2. Auckland: Auckland University Press. pp. 22â23.
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collector of Woollastonâs work and became the long-term partner of
171:
in 1910, Woollaston attended primary school at Stratford, and then
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420:
His first solo exhibition in Dunedin organised by Rodney Kennedy.
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192:
1700:"Peter McLeavey: The Life and Times of a New Zealand Art Dealer"
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New Zealand Ministry for Culture and Heritage Te Manatu Taonga.
810:
1960 Association of New Zealand Art Societies Fellowship Award.
807:
1958 Association of New Zealand Art Societies Fellowship Award.
1429:. Wellington Auckland Sydney: A.H. and A.W. Reed. p. 158.
401:
348:
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203:, Fieldâs work âconveyed directly, without the intervention of
1993:
Barton, Tina; Bywater, Jonathan; Curnow, Wystan, eds. (2016).
1504:
896:
Lady painters : the flower painters of early New Zealand
580:
Takashimaya Department Store, Tokyo, Japan. Organised by the
2269:
1683:
JNK (7 December 1962). "New Paintings by M. T. Woollaston".
1355:
Colin McCahon. Vol. 2: Is this the promised land?: 1960-1987
327:
won the Hayâs Art Competition. The public outcry including
164:
60:
1600:
Peter McLeavey: the Life and Times of a New Zealand Dealer
751:
Woollaston has works in the following public collections:
722:
The Far-away Hills: a Meditation on New Zealand Landscape.
195:
to study with R N Field at the art school attached to the
2042:. National Art Gallery. 1986. pp. 104, 105, 139â141.
1995:
Now Showing: A History of the Govett-Brewster Art Gallery
1207:"Analytical study of Poussin's 'Crossing of the Red Sea'"
1131:. Wellington, N.Z: National Art Gallery. pp. 51â60.
647:
New Zealand Painting 1940-1960: Conformity and Discussion
571:
MT Woollaston â Colin McCahon: a Retrospective Exhibition
1174:. Manawatu Art Gallery Palmerston North. pp. 22â23.
270:
Analytical study of Poussin's 'Crossing of the Red Sea'.
2019:"New Zealand Painting 1940-1960: Conformity and Decent"
1509:. Sydney: The Museum of contemporary Art p. 150.
757:, Auckland. The collection includes 81 of Woollastonâs
467:
M. T. Woollaston: Paintings, Drawings and Watercolours
2718:
People educated at Stratford High School, New Zealand
2265:, Adam Art Gallery, Victoria University of Wellington
1867:
JNK (6 January 1959). "Eight New Zealand Painters".
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Bloomsbury South: the arts in Christchurch 1933-1953
612:
Contemporary Painting in New Zealand: Twelve Artists
151:
artist. He is regarded as one of the most important
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Content/Context: a Survey of Recent New Zealand Art
1992:
1910:"Retrospective Exhibition Shows Painters' Progress"
1267:McCahon, Colin (1966). "Colin McCahon Beginnings".
689:, New Zealandâs first left-wing magazine edited by
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Content/Context: a Survey of Recent New Zealand Art
584:(tours Japan, Malaysia and India) Shown during the
2728:People associated with The Group (New Zealand art)
1573:MacAloon, William; McAloon, William, eds. (2009).
857:
855:
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447:Gallery 91, Christchurch. The gallery was run by
339:named after Woollastonâs deeply religious uncle.
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1769:"Woollaston Paintings and Drawings at the Suter"
1653:"Exhibition of 22 Pictures by Toss Woollaston".
1254:Between the lives: partners in art Auckland, N.Z
295:
1997:. Govett-Brewster Art Gallery. pp. 46â47.
1883:"Woollaston Dominates N.Z. Painting Exhibition"
1577:. Wellington, N.Z: Te Papa Press. p. 253.
1572:
1492:New Zealand Painting: an Introduction 1839-1967
1454:. Auckland: Auckland Univ. Press. p. 108.
1747:"50 drawings from the nude by Toss Woollaston"
1352:
898:. Auckland, New Zealand: Viking. p. 123.
850:
813:1961 Travel grant from Arts Advisory Council.
578:New Zealand Contemporary Painting and Ceramics
2285:
1286:(Jill ed.). Te Papa Press. p. 229.
523:
2160:. William Collins Publisher Ltd (Auckland).
771:Christchurch Art Gallery Te Puna o Waiwhetu.
411:
292:travelling in the United States together.
2246:(3rd supplement). 16 June 1979. p. 27.
1507:Headlands: Thinking through New Zealand Art
199:. As Woollaston noted in his autobiography
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1936:"N.Z. Painting, Ceramics On Show In Tokyo"
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462:Durham Street Art Gallery, Christchurch.
37:Toss Woollaston in his Riwaka studio, 1979
31:
2109:"An Artist AbroadâVIII Goya At The Prado"
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1494:. Collins Bros & Co Ltd. p. 156.
1479:. Auckland City Art Gallery. p. 246.
1427:Two hundred years of New Zealand painting
1281:
1226:
2236:
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1490:Keith, Hamish; Brown, Gordon H. (1969).
1256:. Auckland University Press. p. 22.
1169:
959:
486:Manawatu Art Gallery, Palmerston North.
1424:
1353:Simpson, Peter; McCahon, Colin (2020).
1266:
1251:
985:
680:
518:Museum of New Zealand Te Papa Tongarewa
147:(11 April 1910 â 30 August 1998) was a
106: 1936; died 1987)
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532:Woollaston showed six works including
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1449:
1165:
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918:
695:Life, Art and the Bourgeois Manifesto
1953:"N.Z. Paintings On View In London".
1529:
937:
840:on 30 August 1998 at the age of 88.
672:
605:Contemporary Painting in New Zealand
505:Woollaston Drawings and Watercolours
493:Suter Art Gallery, Nelson (toured).
2569:Other people connected to The Group
1907:
1866:
1682:
966:Dictionary of New Zealand Biography
869:Dictionary of New Zealand Biography
861:
685:An early venue for publication was
13:
1284:Toss Woollaston: a Life in Letters
1229:Toss Woollaston: a Life in Letters
1160:
656:National Art Gallery, Wellington.
251:War, in 1950, the family moved to
14:
2744:
2713:20th-century New Zealand painters
2254:
2212:"Arts Council Sets Up Committees"
1698:Brownson, Ron (11 January 2016).
940:"Toss Woollaston's Love Triangle"
874:Ministry for Culture and Heritage
765:Auckland Art Gallery Toi o TÄmaki
342:
1942:. 24 September 1964. p. 22.
864:"Woollaston, Mountford Tosswill"
639:Woollaston: a Taranaki Excursion
607:Commonwealth Institute, London.
515:Toss Woollaston: a Retrospective
175:. In 1931 he studied art at the
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2174:
2156:Woollaston, Woollaston (1980).
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2011:
1986:
1961:
1946:
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1767:Caselberg, John (Autumn 1980).
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582:Queen Elizabeth II Arts Council
484:MT Woollaston Works / 1933-1973
438:Wellington Architectural Centre
173:Stratford Technical High School
103:
16:New Zealand painter (1910â1998)
2631:Harbour Cone from Peggy's Hill
2181:"Art Society Awards Awarded".
1847:"Fifteen New Zealand Painters"
1642:. 24 November 1948. p. 8.
1602:. Te Papa Press. p. 130.
1401:"Scales, Helen Flora Victoria"
1332:. Nelson: Potton p. 56.
1231:. Te Papa Press. p. 335.
1170:Bieringa, Luit (August 1973).
1047:
1043:. 18 November 1936. p. 5.
1032:
1004:
979:
953:
931:
912:
887:
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710:Execution on the third of May.
659:
500:Dowse Art Gallery, Lower Hutt
392:, after seeing major works by
313:Eight New Zealand Painters III
183:where one of his teachers was
155:painters of the 20th century.
1:
2672:King Edward Technical College
2299:
2115:. 29 January 1963. p. 16
1657:. 2 February 1954. p. 9.
1227:Trevelyan, Jill, ed. (2004).
843:
822:1979 Queen's Birthday Honours
775:Dowse Art Museum, Lower Hutt
491:M.T. Woollaston Life Drawings
430:. Organised by Ron OâReilly.
296:Friendship with Colin McCahon
197:King Edward Technical College
47:Mountford Tosswill Woollaston
2708:New Zealand Knights Bachelor
1379:"A Painting for Uncle Frank"
1107:"Rawleighs Distributor Card"
919:Wells, Peter (Spring 1981).
791:National Gallery of Victoria
566:, Auckland City Art Gallery
262:National Gallery of Victoria
7:
2733:Artists awarded knighthoods
2196:"1960 New Zealand Awards".
1969:"111 Views of Mount Egmont"
1957:. 1 March 1965. p. 13.
816:Woollaston was appointed a
785:Govett-Brewster Art Gallery
740:Sage Tea: an Autobiography.
632:Govett-Brewster Art Gallery
573:Auckland City Art Gallery.
365:The Childrenâs Encyclopedia
10:
2749:
2662:Centre of Contemporary Art
2263:Landscape With Fire (1960)
2200:. 23 May 1960. p. 15.
2185:. 12 May 1958. p. 10.
1727:. 19 March 1974. p. 5
1721:"Woollaston in retrospect"
1477:Sage Tea. An Autobiography
779:Dunedin Public Art Gallery
557:Eight New Zealand Painters
552:Irving Galleries, London.
524:Selected group exhibitions
477:Dunedin Public Art Gallery
451:who later established the
337:A Painting for Uncle Frank
187:. He became interested in
2667:Canterbury College of Art
2649:
2614:
2568:
2485:Patricia Charlotte Perrin
2307:
2158:Sae Tea: an Autobiography
1889:. 22 July 1960. p. 5
1475:Woollaston, M.T. (1980).
1039:"Interesting Paintings".
802:
564:Painting from the Pacific
428:Wellington Public Library
412:Selected solo exhibitions
255:and the landscape of the
113:
87:
68:
42:
30:
23:
2723:Otago Polytechnic alumni
2216:The Press (Christchurch)
2198:The Press (Christchurch)
2183:The Press (Christchurch)
2113:The Press (Christchurch)
1955:The Press (Christchurch)
1940:The Press (Christchurch)
1914:The Press (Christchurch)
1887:The Press (Christchurch)
1869:The Press (Christchurch)
1725:The Press (Christchurch)
1685:The Press (Christchurch)
1670:The Press (Christchurch)
1598:Trevelyan, Jill (2013).
1252:Shepard, D, ed. (2005).
1041:The Press (Christchurch)
960:Entwisle, Peter (2000).
831:
715:
498:Woollaston in Wellington
177:Canterbury School of Art
93:Edith Winifred Alexander
2076:New Plymouth Daily News
1450:Pound, Francis (2009).
1282:Trevelyan, ed. (2004).
986:Simpson, Peter (2016).
550:15 New Zealand Painters
317:The Star (Christchurch)
158:
2657:Brooke Gifford Gallery
1062:Christchurch Libraries
1019:Christchurch Libraries
962:"Kennedy, Rodney Eric"
799:, Palmerston North.
470:Peter McLeavey Gallery
453:Brooke Gifford Gallery
137:Sir Mountford Tosswill
2606:Anne Hamblett McCahon
2365:Viola Macmillan Brown
2135:"Mr Woollaston's Art"
1425:Docking, Gil (1971).
616:Smithsonian Institute
455:with Judith Gifford.
2703:People from Taranaki
2355:Olivia Spencer Bower
2074:"For the Gallery?".
1908:JNK (26 June 1963).
1308:"Toss in Grey mouth"
1154:New Zealand Listener
894:Dawson, Bee (1999).
681:Articles and letters
540:McCahon / Woollaston
1553:"The Buchan Family"
1532:"Figures from Life"
836:Woollaston died in
828:being the second).
25:Sir Toss Woollaston
2450:Douglas MacDiarmid
2405:Claudia Pond Eyley
2243:The London Gazette
2137:. 24 December 1966
2078:. 19 January 1977.
1668:"M.T.Woollaston".
1638:"Art Exhibition".
1623:"M.T.Woollaston".
699:Art in New Zealand
691:Kennaway Henderson
534:Figures from Life.
2680:
2679:
2435:Rata Lovell-Smith
2380:Rosemary Campbell
2315:Chrystabel Aitken
2308:The Group artists
2261:Toss Woollaston,
1640:Otago Daily Times
1625:Otago Daily Times
1584:978-1-877385-38-4
1516:978-1-875632-04-6
1461:978-1-86940-414-7
1436:978-0-589-00426-2
1364:978-1-86940-908-1
1339:978-0-908802-91-3
1186:"Edith with Lamp"
1138:978-1-86941-146-6
997:978-1-86940-848-0
938:Brickell, Chris.
862:Barnett, Gerald.
673:Published writing
508:Suter Art Gallery
406:The Buchan Family
382:Figures from Life
321:Toss in Greymouth
285:Philip Woollaston
266:Edith with a Lamp
185:Margaret Stoddart
134:
133:
118:Philip Woollaston
2740:
2650:Related articles
2639:Northland Panels
2500:Kathleen Salmond
2445:Molly Macalister
2420:Louise Henderson
2415:Suzanne Goldberg
2410:Margaret Frankel
2390:Philip Clairmont
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2086:
2080:
2079:
2071:
2065:
2064:
2062:
2060:
2050:
2044:
2043:
2036:
2030:
2029:
2027:
2025:
2015:
2009:
2008:
1990:
1984:
1983:
1981:
1979:
1973:
1965:
1959:
1958:
1950:
1944:
1943:
1932:
1926:
1925:
1923:
1921:
1905:
1899:
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1896:
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1879:
1873:
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1864:
1858:
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1836:
1828:
1822:
1821:
1819:
1817:
1807:
1801:
1800:
1798:
1796:
1791:
1787:"The Group 1936"
1783:
1777:
1776:
1764:
1758:
1757:
1755:
1753:
1743:
1737:
1736:
1734:
1732:
1717:
1711:
1710:
1708:
1706:
1695:
1689:
1688:
1680:
1674:
1673:
1672:. 26 March 1959.
1665:
1659:
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1643:
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1614:
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1595:
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1496:
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1472:
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1440:
1422:
1416:
1415:
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1411:
1396:
1390:
1389:
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1375:
1369:
1368:
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1343:
1325:
1319:
1318:
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1314:
1304:
1298:
1297:
1279:
1273:
1272:
1264:
1258:
1257:
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1243:
1242:
1224:
1218:
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1197:
1196:
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1176:
1175:
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1143:
1142:
1124:
1118:
1117:
1115:
1113:
1103:
1097:
1096:
1094:
1092:
1087:
1083:"The Group 1977"
1079:
1073:
1072:
1070:
1068:
1059:
1055:"The Group 1940"
1051:
1045:
1044:
1036:
1030:
1029:
1027:
1025:
1016:
1008:
1002:
1001:
983:
977:
976:
974:
972:
957:
951:
950:
948:
946:
935:
929:
928:
916:
910:
909:
891:
885:
884:
882:
880:
859:
787:, New Plymouth.
755:Arts House Trust
706:An Artist Abroad
634:, New Plymouth.
592:and ceramics by
460:M. T. Woollaston
425:M. T. Woollaston
191:after moving to
107:
105:
75:
56:
54:
35:
21:
20:
2748:
2747:
2743:
2742:
2741:
2739:
2738:
2737:
2683:
2682:
2681:
2676:
2645:
2610:
2596:Douglas Lilburn
2564:
2555:Toss Woollaston
2525:Philip Trusttum
2505:E. Rosa Sawtell
2455:Dorothy Manning
2345:Phyllis Bethune
2320:Gladys Anderson
2303:
2298:
2257:
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2235:
2231:
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2210:
2209:
2205:
2195:
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2154:
2150:
2140:
2138:
2133:
2132:
2128:
2118:
2116:
2107:
2106:
2102:
2087:
2083:
2073:
2072:
2068:
2058:
2056:
2052:
2051:
2047:
2038:
2037:
2033:
2023:
2021:
2017:
2016:
2012:
2005:
1991:
1987:
1977:
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1971:
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1966:
1962:
1952:
1951:
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1934:
1933:
1929:
1919:
1917:
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1892:
1890:
1881:
1880:
1876:
1865:
1861:
1851:
1849:
1845:
1844:
1840:
1833:Art New Zealand
1829:
1825:
1815:
1813:
1809:
1808:
1804:
1794:
1792:
1789:
1785:
1784:
1780:
1773:Art New Zealand
1765:
1761:
1751:
1749:
1745:
1744:
1740:
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1719:
1718:
1714:
1704:
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1627:. 28 July 1936.
1622:
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1546:
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1534:
1530:Brownson, Ron.
1528:
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1221:
1211:
1209:
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1204:
1200:
1190:
1188:
1184:
1183:
1179:
1172:M.T. Woollaston
1168:
1161:
1150:
1146:
1139:
1129:Toss Woollaston
1125:
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1009:
1005:
998:
984:
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932:
925:Art New Zealand
917:
913:
906:
892:
888:
878:
876:
860:
851:
846:
834:
818:Knight Bachelor
805:
749:
718:
683:
675:
662:
543:Helen Hitchings
526:
445:M. T. Wollaston
435:M. T. Wollaston
418:M.T. Woollaston
414:
398:Museo del Prado
355:via the artist
345:
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126:
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2598:
2593:
2591:Rodney Kennedy
2588:
2583:
2581:John Caselberg
2578:
2576:Charles Brasch
2572:
2570:
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2563:
2562:
2557:
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2512:
2510:Freda Simmonds
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2470:Tui McLauchlan
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2256:
2255:External links
2253:
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2218:. 19 July 1961
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618:, Washington.
598:Barry Brickell
586:Tokyo Olympics
525:
522:
449:Barbara Brooke
413:
410:
390:Jill Trevelyan
344:
343:Painting style
341:
297:
294:
234:Charles Brasch
230:Ursula Bethell
214:Charles Brasch
209:Rodney Kennedy
160:
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128:John Caselberg
123:Anna Caselberg
115:
111:
110:
99:
95:
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76:(aged 88)
72:30 August 1998
70:
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61:Toko, Taranaki
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2520:Vida Steinert
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2014:
2006:
2004:9780908848744
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1970:
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1949:
1941:
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1871:. p. 13.
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1405:teara.govt.nz
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921:"Book Review"
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839:
838:Upper Moutere
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826:Peter Siddell
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80:Upper Moutere
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63:, New Zealand
62:
57:11 April 1910
45:
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34:
29:
22:
19:
2637:
2629:
2621:
2560:Beth Zanders
2554:
2545:Cora Wilding
2530:Marion Tylee
2495:Helen Rockel
2490:Juliet Peter
2425:Jean Horsley
2400:Betty Curnow
2370:Grace Butler
2330:Ria Bancroft
2262:
2241:
2232:
2220:. Retrieved
2215:
2206:
2197:
2191:
2182:
2176:
2157:
2151:
2139:. Retrieved
2129:
2117:. Retrieved
2112:
2103:
2097:(21): 22â23.
2094:
2090:
2084:
2075:
2069:
2057:. Retrieved
2048:
2039:
2034:
2022:. Retrieved
2013:
1994:
1988:
1976:. Retrieved
1963:
1954:
1948:
1939:
1930:
1918:. Retrieved
1916:. p. 18
1913:
1903:
1891:. Retrieved
1886:
1877:
1868:
1862:
1850:. Retrieved
1841:
1832:
1826:
1814:. Retrieved
1805:
1793:. Retrieved
1781:
1772:
1762:
1750:. Retrieved
1741:
1729:. Retrieved
1724:
1715:
1703:. Retrieved
1693:
1687:. p. 7.
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1556:. Retrieved
1547:
1535:. Retrieved
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1420:
1408:. Retrieved
1404:
1394:
1382:. Retrieved
1373:
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1323:
1311:. Retrieved
1302:
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1268:
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1228:
1222:
1210:. Retrieved
1201:
1189:. Retrieved
1180:
1171:
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1122:
1110:. Retrieved
1101:
1089:. Retrieved
1077:
1065:. Retrieved
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1022:. Retrieved
1018:
1006:
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981:
969:. Retrieved
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943:. Retrieved
933:
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877:. Retrieved
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422:
417:
415:
405:
386:Peter Tomory
381:
377:Gordon Brown
373:Hamish Keith
364:
357:Flora Scales
353:Hans Hoffman
346:
336:
332:
328:
324:
320:
312:
305:
301:
299:
273:
269:
265:
246:
238:Ron O'Reilly
204:
200:
181:Christchurch
162:
144:
140:
136:
135:
130:(son-in-law)
74:(1998-08-30)
18:
2698:1998 deaths
2693:1910 births
2601:Ngaio Marsh
2480:Evelyn Page
2465:Lois McIvor
2430:Olive Jones
2360:Helen Brown
2335:Nola Barron
2238:"No. 47871"
1012:"The Group"
747:Collections
660:Controversy
590:Don Peebles
520:. (toured)
510:, Nelson.
153:New Zealand
149:New Zealand
2687:Categories
2586:John Coley
2535:Edith Wall
2440:Doris Lusk
2325:Rita Angus
2222:7 February
2167:0002169827
2141:7 February
2119:7 February
2059:7 February
2024:7 February
1978:7 February
1920:7 February
1893:7 February
1852:7 February
1816:7 February
1795:7 February
1752:7 February
1731:7 February
1705:7 February
1558:7 February
1537:7 February
1384:7 February
1313:7 February
1293:0909010072
1238:0909010072
1212:7 February
1191:7 February
1112:7 February
1091:7 February
1067:7 February
1024:7 February
971:7 February
945:7 February
905:0670886513
879:29 January
844:References
649:(toured).
625:Mount Egmo
594:Len Castle
369:Arthur Mee
302:Beginnings
257:West Coast
145:Woollaston
125:(daughter)
53:1910-04-11
2642:(McCahon)
2634:(McCahon)
2301:The Group
2054:"Moturoa"
1271:(80): 36.
797:Te Manawa
761:studies.
530:The Group
440:Gallery.
333:The Press
329:The Press
253:Greymouth
242:The Group
189:modernism
114:Relatives
2615:Artworks
2091:Tomorrow
1655:Dominion
1269:Landfall
687:Tomorrow
610:1970-71
351:painter
325:Painting
307:Landfall
201:Sage Tea
169:Taranaki
163:Born in
2626:(Angus)
820:in the
666:Moturoa
396:in the
361:Cezanne
220:, near
205:subject
193:Dunedin
108:
100:
96:
2164:
2001:
1974:. 1971
1606:
1581:
1513:
1458:
1433:
1410:3 June
1361:
1336:
1290:
1235:
1135:
994:
902:
803:Awards
576:1964
489:1977
402:Madrid
349:Cubist
289:Nelson
281:Nelson
277:Riwaka
222:Nelson
88:Spouse
1972:(PDF)
1835:(29).
1790:(PDF)
1775:(15).
1156:: 21.
1086:(PDF)
1058:(PDF)
1015:(PDF)
927:(21).
832:Death
735:1980
729:Erua.
727:1966
720:1962
716:Books
652:1986
645:1981
637:1977
621:1971
603:1965
569:1963
562:1961
555:1959
548:1952
538:1949
528:1936
513:1992
503:1979
496:1979
482:1973
475:1969
465:1968
458:1962
443:1959
433:1954
423:1948
416:1936
279:near
218:MÄpua
120:(son)
102:(
98:
2623:Cass
2224:2024
2162:ISBN
2143:2024
2121:2024
2061:2024
2026:2024
1999:ISBN
1980:2024
1922:2024
1895:2024
1854:2024
1818:2024
1797:2024
1754:2024
1733:2024
1707:2024
1604:ISBN
1579:ISBN
1560:2024
1539:2024
1511:ISBN
1456:ISBN
1431:ISBN
1412:2021
1386:2024
1359:ISBN
1334:ISBN
1315:2024
1288:ISBN
1233:ISBN
1214:2024
1193:2024
1133:ISBN
1114:2024
1093:2024
1069:2024
1026:2024
992:ISBN
973:2024
947:2024
900:ISBN
881:2016
759:Erua
596:and
394:Goya
375:and
236:and
165:Toko
159:Life
141:Toss
69:Died
43:Born
737:and
400:in
367:by
315:in
304:in
249:the
179:in
2689::
2240:.
2214:.
2111:.
2093:.
1938:.
1912:.
1885:.
1771:.
1723:.
1403:.
1162:^
1060:.
1017:.
964:.
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872:.
866:.
852:^
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767:.
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1982:.
1924:.
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