327:
49:
339:
351:
239:, which covers his entire body except for one shoulder and his upper chest. There is a ribbon and a wreath in his hair. His beard is rather wild. Rhadamanthys in the outer right intercolumiation is also depicted as an old man, with a wild beard and a wreath, but he is shown standing, in three-quarter view, resting on his staff. His himation is paler than Aeacus'. If the warrior is interpreted as a depiction of the tomb's occupant, then the series of images depicts the deceased being led down to judgement in
315:
41:
33:
25:
17:
251:
The interior of the structure is made up of two separate barrel-vaulted structures. The antechamber is unusually large: 6.5 m wide, 2.12 m long and 7.7 m high. This is because it is built to match the monumental scale of the facade. The chamber seems to have been unpainted, but it was
183:
The tomb is best-known for the four paintings in the lower half of the facade. These are located in the upper part of the spaces between the Doric columns. In the outer left space, there is a warrior, depicted frontally, looking slightly to the right. His left hand rests on the sheath of his sword,
256:. A white podium with a cornice runs around the base of the wall, supporting white stucco pilasters in low relief, which themselves support an architrave, topped by a cornice. The wall between the pilasters is painted red, and the faux architectural members are decorated with painted
528:Στεφανή, Ευαγγελία (2012). "Ελεφάντινα αντικείμενα από τον τάφο της Κρίσεως και οι συμβολικές χρήσεις του ελεφαντόδοντου από την ελίτ / Ivory artefacts of the tomb of Judgement and the symbolic uses of ivory by the "elite"". In Αδάμ-Βελένη, Πολυξένη; Τζαναβάρη, Κατερίνα (eds.).
456:Στεφανή, Ευαγγελία (2012). "Ελεφάντινα αντικείμενα από τον τάφο της Κρίσεως και οι συμβολικές χρήσεις του ελεφαντόδοντου από την ελίτ / Ivory artefacts of the tomb of Judgement and the symbolic uses of ivory by the "elite"". In Αδάμ-Βελένη, Πολυξένη; Τζαναβάρη, Κατερίνα (eds.).
136:, which are 1.46 m high. In between these columns are seven 'false windows'. The upper part of most of these has also been lost. Below the columns, is a relief frieze depicting a battle of horsemen & infantry, who are probably
235:). Aeacus is shown on the inner right intercolumniation, in profile, seated on a cubic chair and looking to the left. His left hand is raised over his head and holds a long rod; his right hand is on his thigh. He wears a brown
200:, who lead the spirits of the dead down to the underworld. He is depicted frontally, moving to right, with his head turned to the left. His right arm is stretched out as if beckoning to the warrior and his left hand holds the
252:
severely damaged in antiquity and has not been fully excavated. The burial chamber is also barrel-vaulted, but is much smaller, measuring 4.8 m wide, 4.72 m long, and 5.26 m high. The walls are covered in
326:
128:
with a tympanum containing relief decoration, but this is almost entirely lost as a result of severe damage suffered by the facade in antiquity. Below this, there is an upper story with six
627:
338:
288:
277:
268:. The grave goods included a wooden couch with ivory elements, most notably a small sculpture of a woman, which was found in the antechamber.
350:
578:
282:
112:
chambers: an antechamber and a burial chamber and a disproportionately large monumental facade. The structure was covered by an earthen
93:
539:
467:
496:
400:
292:
208:
or winged sandles. He wears a dark red chiton, a pale blue chlamys with purple edges, and tall yellow boots.
100:), noted for its monumental painted facade. It was probably built at the beginning of the third century BC.
632:
617:
48:
314:
116:, which was 1.5 m high and had a diameter of about 10 m; it was removed during excavation.
622:
260:. The design recalls wall painting in houses from the same period that have been excavated in
148:, their armour and clothes are painted, and the background is dark blue. Below this, there is a
228:
220:
70:
8:
197:
137:
557:
428:
637:
535:
492:
463:
396:
219:, two of the three judges of the dead, each identified by an inscription above them (
177:
89:
52:
The rear of the facade and the exterior of the vaulted antechamber and burial chamber
515:Στεφανή, Λ. (1998). "Η ανασκαφή στον προθάλαμο του Τάφου της Κρίσεως στα Λευκάδια".
558:"Ministry of Culture and Sports: Mieza, the so-called macedonian tomb of Judgement"
429:"Ministry of Culture and Sports: Mieza, the so-called Macedonian Tomb of Judgement"
257:
185:
196:
over the right shoulder, and high yellow boots. In the inner left space there is
97:
85:
61:
611:
593:
580:
165:
124:
The facade is 8.68 m wide and 8.6 m high. It once had a triangular
216:
109:
276:
The tomb was discovered during road construction in 1954 and excavated by
169:
153:
145:
129:
40:
32:
24:
16:
184:
while his right hand holds a spear point down. He wears a short red
534:. Thessaloniki: Αρχαιολγικο μουσειο Θεσσαλονίκη. pp. 509–522.
529:
462:. Thessaloniki: Αρχαιολγικο μουσειο Θεσσαλονίκη. pp. 509–522.
457:
236:
201:
157:
141:
125:
205:
193:
189:
149:
113:
287:
from 1954 to 1964. In 1998, it was re-excavated and restored by
491:. Princeton, NJ: Princeton University Press. pp. 178–181.
395:. Princeton, NJ: Princeton University Press. pp. 178–181.
253:
212:
161:
265:
261:
240:
628:
Ancient Greek archaeological sites in
Central Macedonia
531:δινήεσσα τιµητικός τόµος για την Κατερίνα Ρωµιοπούλου
459:δινήεσσα τιµητικός τόµος για την Κατερίνα Ρωµιοπούλου
344:
152:
with floral designs on a dark blue background and an
44:
176:. The doorway to the antechamber is in the central
75:
332:Standing warrior, outer left section of the facade
609:
168:. The lower half of the facade consists of four
489:Macedonia: From Philip II to the Roman Conquest
393:Macedonia: From Philip II to the Roman Conquest
356:Rhadamanthys, outer right section of the facade
295:. The tomb is protected by a modern structure.
291:. Finds from this excavation are stored in the
243:. This is the source of the tomb's usual name.
36:Warrior and Hermes, left section of the facade
211:In the spaces to the right of the door, are
510:. Athens: Αθήναις Αρχαιολογικής Εταιρείας.
386:
384:
382:
380:
378:
376:
374:
451:
449:
486:
390:
47:
39:
31:
23:
15:
527:
514:
455:
371:
610:
505:
446:
422:
420:
418:
416:
414:
412:
13:
555:
426:
409:
88:tomb of the Hellenistic period in
14:
649:
549:
349:
337:
325:
313:
480:
293:Archaeological Museum of Veroia
20:Facade of the Tomb of Judgement
103:
1:
364:
271:
144:. The figures are made from
7:
320:Lower section of the facade
246:
204:, but he does not wear the
76:
28:Upper section of the facade
10:
654:
506:Πέτσας, Φώτιος Μ. (1966).
298:
232:
224:
594:40.6542801°N 22.1345297°E
119:
108:The tomb consists of two
65:
487:Ginouvès, René (1994).
391:Ginouvès, René (1994).
192:over the top, a yellow
599:40.6542801; 22.1345297
82:Great Tomb of Lefkadia
53:
45:
37:
29:
21:
508:Ο τάφος των Λευκαδίων
156:made up of dark blue
80:), also known as the
51:
43:
35:
27:
19:
633:Ancient Greek tombs
618:Antigonid Macedonia
590: /
562:odysseus.culture.gr
433:odysseus.culture.gr
198:Hermes Psychopompus
86:ancient Macedonian
54:
46:
38:
30:
22:
541:978-960-9621-09-0
469:978-960-9621-09-0
305:Tomb of Judgement
178:intercolumniation
77:tafos tis kriseōs
74:
66:τάφος της Κρίσεως
58:Tomb of Judgement
645:
605:
604:
602:
601:
600:
595:
591:
588:
587:
586:
583:
572:
570:
568:
545:
524:
511:
502:
474:
473:
453:
444:
443:
441:
439:
424:
407:
406:
388:
353:
341:
329:
317:
286:
234:
226:
79:
69:
67:
653:
652:
648:
647:
646:
644:
643:
642:
623:Tombs in Greece
608:
607:
598:
596:
592:
589:
584:
581:
579:
577:
576:
566:
564:
552:
542:
499:
483:
478:
477:
470:
454:
447:
437:
435:
425:
410:
403:
389:
372:
367:
362:
361:
360:
357:
354:
345:
342:
333:
330:
321:
318:
307:
306:
301:
280:
274:
249:
122:
106:
98:Naousa, Imathia
12:
11:
5:
651:
641:
640:
635:
630:
625:
620:
574:
573:
551:
550:External links
548:
547:
546:
540:
525:
512:
503:
497:
482:
479:
476:
475:
468:
445:
408:
401:
369:
368:
366:
363:
359:
358:
355:
348:
346:
343:
336:
334:
331:
324:
322:
319:
312:
309:
308:
304:
303:
302:
300:
297:
273:
270:
248:
245:
121:
118:
105:
102:
9:
6:
4:
3:
2:
650:
639:
636:
634:
631:
629:
626:
624:
621:
619:
616:
615:
613:
606:
603:
563:
559:
554:
553:
543:
537:
533:
532:
526:
522:
518:
513:
509:
504:
500:
498:0-691-03635-7
494:
490:
485:
484:
471:
465:
461:
460:
452:
450:
434:
430:
423:
421:
419:
417:
415:
413:
404:
402:0-691-03635-7
398:
394:
387:
385:
383:
381:
379:
377:
375:
370:
352:
347:
340:
335:
328:
323:
316:
311:
310:
296:
294:
290:
289:Liana Stefani
284:
279:
278:Photis Petsas
269:
267:
263:
259:
255:
244:
242:
238:
230:
229:Ancient Greek
222:
221:Ancient Greek
218:
214:
209:
207:
203:
199:
195:
191:
188:with a white
187:
181:
179:
175:
171:
167:
166:centauromachy
163:
159:
155:
151:
147:
143:
139:
135:
131:
127:
117:
115:
111:
101:
99:
95:
91:
87:
83:
78:
72:
63:
59:
50:
42:
34:
26:
18:
575:
565:. Retrieved
561:
530:
520:
516:
507:
488:
481:Bibliography
458:
436:. Retrieved
432:
392:
275:
250:
217:Rhadamanthys
210:
182:
173:
133:
123:
107:
81:
57:
55:
597: /
556:Psarra, I.
427:Psarra, I.
281: [
154:entablature
146:lime mortar
138:Macedonians
104:Description
612:Categories
585:22°08′04″E
582:40°39′15″N
523:: 413-420.
365:References
272:Excavation
233:ΡΑΔΑΜΝΘΥΣ
158:triglyphs
71:romanized
638:Bottiaea
567:14 April
438:14 April
258:rosettes
247:Interior
237:himation
202:caduceus
174:in antis
172:columns
142:Persians
134:in antis
132:columns
126:pediment
94:Lefkadia
92:(modern
299:Gallery
206:petasus
194:chlamys
190:cuirass
164:with a
162:metopes
150:cornice
114:tumulus
110:vaulted
96:, near
73::
538:
495:
466:
399:
254:stucco
213:Aeacus
186:chiton
120:Facade
84:is an
285:]
266:Delos
262:Pella
241:Hades
170:Doric
130:Ionic
90:Mieza
62:Greek
569:2019
536:ISBN
517:ΑΕΜΘ
493:ISBN
464:ISBN
440:2019
397:ISBN
264:and
227:and
215:and
160:and
140:and
56:The
225:ΚΟΣ
180:.
614::
560:.
521:12
519:.
448:^
431:.
411:^
373:^
283:el
231::
223::
68:,
64::
571:.
544:.
501:.
472:.
442:.
405:.
60:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.