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Tomb of Judgement, Lefkadia

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327: 49: 339: 351: 239:, which covers his entire body except for one shoulder and his upper chest. There is a ribbon and a wreath in his hair. His beard is rather wild. Rhadamanthys in the outer right intercolumiation is also depicted as an old man, with a wild beard and a wreath, but he is shown standing, in three-quarter view, resting on his staff. His himation is paler than Aeacus'. If the warrior is interpreted as a depiction of the tomb's occupant, then the series of images depicts the deceased being led down to judgement in 315: 41: 33: 25: 17: 251:
The interior of the structure is made up of two separate barrel-vaulted structures. The antechamber is unusually large: 6.5 m wide, 2.12 m long and 7.7 m high. This is because it is built to match the monumental scale of the facade. The chamber seems to have been unpainted, but it was
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The tomb is best-known for the four paintings in the lower half of the facade. These are located in the upper part of the spaces between the Doric columns. In the outer left space, there is a warrior, depicted frontally, looking slightly to the right. His left hand rests on the sheath of his sword,
256:. A white podium with a cornice runs around the base of the wall, supporting white stucco pilasters in low relief, which themselves support an architrave, topped by a cornice. The wall between the pilasters is painted red, and the faux architectural members are decorated with painted 528:Στεφανή, Ευαγγελία (2012). "Ελεφάντινα αντικείμενα από τον τάφο της Κρίσεως και οι συμβολικές χρήσεις του ελεφαντόδοντου από την ελίτ / Ivory artefacts of the tomb of Judgement and the symbolic uses of ivory by the "elite"". In Αδάμ-Βελένη, Πολυξένη; Τζαναβάρη, Κατερίνα (eds.). 456:Στεφανή, Ευαγγελία (2012). "Ελεφάντινα αντικείμενα από τον τάφο της Κρίσεως και οι συμβολικές χρήσεις του ελεφαντόδοντου από την ελίτ / Ivory artefacts of the tomb of Judgement and the symbolic uses of ivory by the "elite"". In Αδάμ-Βελένη, Πολυξένη; Τζαναβάρη, Κατερίνα (eds.). 136:, which are 1.46 m high. In between these columns are seven 'false windows'. The upper part of most of these has also been lost. Below the columns, is a relief frieze depicting a battle of horsemen & infantry, who are probably 235:). Aeacus is shown on the inner right intercolumniation, in profile, seated on a cubic chair and looking to the left. His left hand is raised over his head and holds a long rod; his right hand is on his thigh. He wears a brown 200:, who lead the spirits of the dead down to the underworld. He is depicted frontally, moving to right, with his head turned to the left. His right arm is stretched out as if beckoning to the warrior and his left hand holds the 252:
severely damaged in antiquity and has not been fully excavated. The burial chamber is also barrel-vaulted, but is much smaller, measuring 4.8 m wide, 4.72 m long, and 5.26 m high. The walls are covered in
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with a tympanum containing relief decoration, but this is almost entirely lost as a result of severe damage suffered by the facade in antiquity. Below this, there is an upper story with six
627: 338: 288: 277: 268:. The grave goods included a wooden couch with ivory elements, most notably a small sculpture of a woman, which was found in the antechamber. 350: 578: 282: 112:
chambers: an antechamber and a burial chamber and a disproportionately large monumental facade. The structure was covered by an earthen
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or winged sandles. He wears a dark red chiton, a pale blue chlamys with purple edges, and tall yellow boots.
100:), noted for its monumental painted facade. It was probably built at the beginning of the third century BC. 632: 617: 48: 314: 116:, which was 1.5 m high and had a diameter of about 10 m; it was removed during excavation. 622: 260:. The design recalls wall painting in houses from the same period that have been excavated in 148:, their armour and clothes are painted, and the background is dark blue. Below this, there is a 228: 220: 70: 8: 197: 137: 557: 428: 637: 535: 492: 463: 396: 219:, two of the three judges of the dead, each identified by an inscription above them ( 177: 89: 52:
The rear of the facade and the exterior of the vaulted antechamber and burial chamber
515:Στεφανή, Λ. (1998). "Η ανασκαφή στον προθάλαμο του Τάφου της Κρίσεως στα Λευκάδια". 558:"Ministry of Culture and Sports: Mieza, the so-called macedonian tomb of Judgement" 429:"Ministry of Culture and Sports: Mieza, the so-called Macedonian Tomb of Judgement" 257: 185: 196:
over the right shoulder, and high yellow boots. In the inner left space there is
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The facade is 8.68 m wide and 8.6 m high. It once had a triangular
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The tomb was discovered during road construction in 1954 and excavated by
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while his right hand holds a spear point down. He wears a short red
534:. Thessaloniki: Αρχαιολγικο μουσειο Θεσσαλονίκη. pp. 509–522. 529: 462:. Thessaloniki: Αρχαιολγικο μουσειο Θεσσαλονίκη. pp. 509–522. 457: 236: 201: 157: 141: 125: 205: 193: 189: 149: 113: 287:
from 1954 to 1964. In 1998, it was re-excavated and restored by
491:. Princeton, NJ: Princeton University Press. pp. 178–181. 395:. Princeton, NJ: Princeton University Press. pp. 178–181. 253: 212: 161: 265: 261: 240: 628:
Ancient Greek archaeological sites in Central Macedonia
531:δινήεσσα τιµητικός τόµος για την Κατερίνα Ρωµιοπούλου 459:δινήεσσα τιµητικός τόµος για την Κατερίνα Ρωµιοπούλου 344:
Hermes Psychopompus, inner left section of the facade
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with floral designs on a dark blue background and an
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Aeacus and Rhadamanthys, right section of the facade
176:. The doorway to the antechamber is in the central 75: 332:Standing warrior, outer left section of the facade 609: 168:. The lower half of the facade consists of four 489:Macedonia: From Philip II to the Roman Conquest 393:Macedonia: From Philip II to the Roman Conquest 356:Rhadamanthys, outer right section of the facade 295:. The tomb is protected by a modern structure. 291:. Finds from this excavation are stored in the 243:. This is the source of the tomb's usual name. 36:Warrior and Hermes, left section of the facade 211:In the spaces to the right of the door, are 510:. Athens: Αθήναις Αρχαιολογικής Εταιρείας. 386: 384: 382: 380: 378: 376: 374: 451: 449: 486: 390: 47: 39: 31: 23: 15: 527: 514: 455: 371: 610: 505: 446: 422: 420: 418: 416: 414: 412: 13: 555: 426: 409: 88:tomb of the Hellenistic period in 14: 649: 549: 349: 337: 325: 313: 480: 293:Archaeological Museum of Veroia 20:Facade of the Tomb of Judgement 103: 1: 364: 271: 144:. The figures are made from 7: 320:Lower section of the facade 246: 204:, but he does not wear the 76: 28:Upper section of the facade 10: 654: 506:Πέτσας, Φώτιος Μ. (1966). 298: 232: 224: 594:40.6542801°N 22.1345297°E 119: 108:The tomb consists of two 65: 487:Ginouvès, René (1994). 391:Ginouvès, René (1994). 192:over the top, a yellow 599:40.6542801; 22.1345297 82:Great Tomb of Lefkadia 53: 45: 37: 29: 21: 508:Ο τάφος των Λευκαδίων 156:made up of dark blue 80:), also known as the 51: 43: 35: 27: 19: 633:Ancient Greek tombs 618:Antigonid Macedonia 590: /  562:odysseus.culture.gr 433:odysseus.culture.gr 198:Hermes Psychopompus 86:ancient Macedonian 54: 46: 38: 30: 22: 541:978-960-9621-09-0 469:978-960-9621-09-0 305:Tomb of Judgement 178:intercolumniation 77:tafos tis kriseōs 74: 66:τάφος της Κρίσεως 58:Tomb of Judgement 645: 605: 604: 602: 601: 600: 595: 591: 588: 587: 586: 583: 572: 570: 568: 545: 524: 511: 502: 474: 473: 453: 444: 443: 441: 439: 424: 407: 406: 388: 353: 341: 329: 317: 286: 234: 226: 79: 69: 67: 653: 652: 648: 647: 646: 644: 643: 642: 623:Tombs in Greece 608: 607: 598: 596: 592: 589: 584: 581: 579: 577: 576: 566: 564: 552: 542: 499: 483: 478: 477: 470: 454: 447: 437: 435: 425: 410: 403: 389: 372: 367: 362: 361: 360: 357: 354: 345: 342: 333: 330: 321: 318: 307: 306: 301: 280: 274: 249: 122: 106: 98:Naousa, Imathia 12: 11: 5: 651: 641: 640: 635: 630: 625: 620: 574: 573: 551: 550:External links 548: 547: 546: 540: 525: 512: 503: 497: 482: 479: 476: 475: 468: 445: 408: 401: 369: 368: 366: 363: 359: 358: 355: 348: 346: 343: 336: 334: 331: 324: 322: 319: 312: 309: 308: 304: 303: 302: 300: 297: 273: 270: 248: 245: 121: 118: 105: 102: 9: 6: 4: 3: 2: 650: 639: 636: 634: 631: 629: 626: 624: 621: 619: 616: 615: 613: 606: 603: 563: 559: 554: 553: 543: 537: 533: 532: 526: 522: 518: 513: 509: 504: 500: 498:0-691-03635-7 494: 490: 485: 484: 471: 465: 461: 460: 452: 450: 434: 430: 423: 421: 419: 417: 415: 413: 404: 402:0-691-03635-7 398: 394: 387: 385: 383: 381: 379: 377: 375: 370: 352: 347: 340: 335: 328: 323: 316: 311: 310: 296: 294: 290: 289:Liana Stefani 284: 279: 278:Photis Petsas 269: 267: 263: 259: 255: 244: 242: 238: 230: 229:Ancient Greek 222: 221:Ancient Greek 218: 214: 209: 207: 203: 199: 195: 191: 188:with a white 187: 181: 179: 175: 171: 167: 166:centauromachy 163: 159: 155: 151: 147: 143: 139: 135: 131: 127: 117: 115: 111: 101: 99: 95: 91: 87: 83: 78: 72: 63: 59: 50: 42: 34: 26: 18: 575: 565:. Retrieved 561: 530: 520: 516: 507: 488: 481:Bibliography 458: 436:. Retrieved 432: 392: 275: 250: 217:Rhadamanthys 210: 182: 173: 133: 123: 107: 81: 57: 55: 597: / 556:Psarra, I. 427:Psarra, I. 281: [ 154:entablature 146:lime mortar 138:Macedonians 104:Description 612:Categories 585:22°08′04″E 582:40°39′15″N 523:: 413-420. 365:References 272:Excavation 233:ΡΑΔΑΜΝΘΥΣ 158:triglyphs 71:romanized 638:Bottiaea 567:14 April 438:14 April 258:rosettes 247:Interior 237:himation 202:caduceus 174:in antis 172:columns 142:Persians 134:in antis 132:columns 126:pediment 94:Lefkadia 92:(modern 299:Gallery 206:petasus 194:chlamys 190:cuirass 164:with a 162:metopes 150:cornice 114:tumulus 110:vaulted 96:, near 73::  538:  495:  466:  399:  254:stucco 213:Aeacus 186:chiton 120:Facade 84:is an 285:] 266:Delos 262:Pella 241:Hades 170:Doric 130:Ionic 90:Mieza 62:Greek 569:2019 536:ISBN 517:ΑΕΜΘ 493:ISBN 464:ISBN 440:2019 397:ISBN 264:and 227:and 215:and 160:and 140:and 56:The 225:ΚΟΣ 180:. 614:: 560:. 521:12 519:. 448:^ 431:. 411:^ 373:^ 283:el 231:: 223:: 68:, 64:: 571:. 544:. 501:. 472:. 442:. 405:. 60:(

Index






Greek
romanized
ancient Macedonian
Mieza
Lefkadia
Naousa, Imathia
vaulted
tumulus
pediment
Ionic
Macedonians
Persians
lime mortar
cornice
entablature
triglyphs
metopes
centauromachy
Doric
intercolumniation
chiton
cuirass
chlamys
Hermes Psychopompus
caduceus

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