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Tobias G. Natter

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140: 25: 885: 218:(2012/13). On October 28, 2013, he declared his dismissal from this function due to turbulence with his CFO Peter Weinhäupl and Weinhäupl's involvement with the Gustav Klimt Wien 1900 Privatstiftung featuring the Klimt collection of 53: 225:
In 2014 he founded Natter Fine Arts, a company specializing in the development of exhibitions and the evaluation of art works. Most recently he curated amongst others exhibitions for the
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In 2011 Natter was enrolled as a certified court expert for Austrian art from 1800 until today and is often consulted in provenance issues.
845: 827: 653:, ed. together with Max Hollein, exhibition catalog Schirn Kunsthalle Frankfurt and Leopold Museum, Vienna. Prestel, Munich, 2005, 33: 777: 210:
as director launching the museum's architectural extension and repositioning. In 2011 he was assigned artistic director of the
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in Vienna where he continued to develop the museum's profile and broadened the exhibition policy with uncommon shows such as
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in Vienna, serving ultimately as the museums´s head curator. Natter was also a consultant and frequent guest curator for the
79: 234: 183: 86: 356: 238: 756: 742: 728: 714: 700: 686: 672: 658: 644: 630: 535: 370: 126: 920: 93: 639:, ed. together with Thomas Trummer, exhibition catalog Österreichische Galerie Belvedere. DuMont, Cologne 2006, 260:(1929-2018). As part of his extensive writings, he published the current catalogue raisonné of the paintings by 695:, ed. together with Gerbert Frodl, exhibition catalog Österreichische Galerie Belvedere. DuMont, Cologne 2000, 667:, ed. together with Ursula Storch, exhibition catalog Historisches Museum Wien. Hatje Cantz, Ostfildern 2004, 915: 880: 75: 625:, together with Thomas Trummer, exhibition catalog Österreichische Galerie Belvedere. DuMont, Cologne 2006, 226: 49: 709:, ed. together with Julius H. Schoeps, exhibition catalog Jewish Museum Vienna. DuMont, Cologne 1997, 665:
Schiele & Roessler. Der Künstler und sein Förderer. Kunst und Networking im frühen 20. Jahrhundert
488:, ed. together with Michael Fehr and Bettina Habsburg-Lothringen, transcript Verlag, Bielefeld 2010, 38: 42: 910: 795: 100: 230: 191: 905: 681:, exhibition catalog Neue Galerie New York and Hamburger Kunsthalle. DuMont, Cologne 2001, 253: 187: 8: 158:
and internationally renowned art expert with a particular expertise in "Vienna 1900".
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Gustav Klimt and The Dialogues of the Heterae. Erotic Boundaries in Vienna Around 1900
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Rabbiner - Bocher - TalmudschĂĽler. Bilder des Wiener Malers Isidor Kaufmann. 1853-1921
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Literature by Tobias G. Natter in the catalogue of the Austrian libraries association
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Natter was entrusted with the estate appraisal of major Austrian artists such as
203: 64: 551:, edited on behalf of the Neue Galerie New York, Prestel Verlag, MĂĽnchen, 2016, 443: 305:, ed. on behalf of the Kunsthaus ZĂĽrich, Scheidegger & Spiess, ZĂĽrich 2021 211: 199: 881:
Literature by Tobias G. Natter in the catalogue of the German National Library
899: 460:, ed. together with Franz Smola, Christian Brandstätter Verlag, Vienna 2013, 257: 249: 219: 155: 265: 261: 179: 516:, ed. together with Christoph Grunenberg, Tate Publishing, London 2008, 319:, ed. on behalf of the Neue Galerie New York, Prestel, Munich e.a. 2019 593:, exhibition catalog Vorarlberg Museum. Hatje-Cantz, Ostfildern 2007, 579:, exhibition catalog Vorarlberg Museum. Hatje-Cantz, Ostfildern 2007, 751:, exhibition catalog Österreichische Galerie Belvedere, Vienna 1994, 279:
2018: awarded the title Professor by the Austrian Federal President.
167: 737:, exhibition catalog Ă–sterreichische Galerie Belvedere, Wien 1996, 386:
ed. on behalf of the abbey of Wettingen-Mehrerau, Bad Vöslau 2023,
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A publication of Neue Galerie New York, Prestel, Munich e.a. 2023,
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and graduated with a PhD in 1988. His museum career started at the
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Die nackte Wahrheit. Klimt, Schiele, Kokoschka und andere Skandale
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Gustav Klimt. The Ronald S. Lauder and Serge Sabarsky Collections.
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exhibition catalog Neue Galerie New York. Prestel, Munich, 2007,
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Natter studied art history and history at the universities of
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from the article and its talk page, especially if potentially
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aufBRĂśCHE. Ă–sterreichische Malerei und Plastik der 50er Jahre
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Die Welt von Klimt, Schiele und Kokoschka. Sammler und Mäzene
565:, ed. together with Elisabeth Leopold, Hirmer, Munich 2012, 202:, to organize the museum's first loan exhibition devoted to 828:"Klimt Dispute Prompts Leopold Museum Director to Resign" 486:
Das Schaudepot. Zwischen offenem Magazin und Inszenierung
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Klimt and Antiquity: Erotic Encounters, ed. together with
268:(2017) both of which are available in several languages. 723:, exhibition catalog Jewish Museum Vienna, Vienna 2000, 549:
Klimt and The Women of Vienna´s Golden Age: 1900–1918
530:, edited on behalf of the Jewish Museum Vienna 1995, 426:
Art for all. The Colour Woodcut in Vienna around 1900
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Max Liebermann und die französischen Impressionisten
778:"Natter: Erfolgreich mit nackten Männern und Klimt" 384:Der Himmel auf Erden. BarockentwĂĽrfe & Design. 897: 331:Egon Schiele: The Complete Paintings 1909 – 1918 864:"Tobias Natter erhielt Ehrentitel "Professor"" 810:"Direktor ohne Scheu vor der nackten Wahrheit" 721:Chaim Soutine. Ein französischer Expressionist 679:Oskar Kokoschka. The Early Portraits 1909–1914 514:Gustav Klimt. Painting, Design and Modern Life 591:Angelica Kaufmann. A Woman of Immense Talent 577:Gold. Schatzkunst zwischen Bodensee und Chur 623:Die Tafelrunde. Egon Schiele und sein Kreis 317:The Self-Portrait: From Schiele to Beckmann 56:about living persons that is unsourced or 796:"Tobias G. Natter. Studium und Werdegang" 563:Nude Men: from 1800 until the present day 222:, a prominent figure of Nazi filmmaking. 182:, after which he spent 15 years with the 127:Learn how and when to remove this message 398:Klimt & Rodin: An Artistic Encounter 138: 303:Hodler, Klimt und die Wiener Werkstätte 898: 414:Stella Rollig, Prestel, Munich, 2017, 349:Gustav Klimt: The Complete Paintings 18: 542: 13: 440:FĂĽrstenglanz. Die Macht der Pracht 239:Fine Arts Museums of San Francisco 14: 932: 874: 235:Ă–sterreichische Galerie Belvedere 184:Ă–sterreichische Galerie Belvedere 502:, Hatje Cantz, Ostfildern 2009, 458:Kokoschka. Das Ich im Brennpunkt 23: 846:"Ein Klimt zu viel restituiert" 446:-Arco, Belvedere, Vienna 2016, 856: 838: 820: 802: 788: 770: 1: 763: 154:, Vorarlberg) is an Austrian 377: 206:. In 2006 Natter joined the 34:biography of a living person 7: 472:Wolken. Welt des FlĂĽchtigen 227:Schirn Kunsthalle Frankfurt 61:must be removed immediately 10: 937: 500:Schnee. Rohstoff der Kunst 607:, in: RenĂ©e Price (Ed.): 351:, Taschen, Cologne 2012, 274: 161: 891:Website Tobias G. Natter 365:, DuMont, Cologne 2003, 289:Gustav Klimt: Interiors. 282: 921:Austrian art historians 850:Wiener Zeitung, Vienna 144: 48:Please help by adding 16:Austrian art historian 231:Neue Galerie New York 192:Neue Galerie New York 150:(born 26 May 1961 in 142: 916:People from Dornbirn 814:Der Standard, Vienna 782:Kleine Zeitung, Graz 693:Klimt und die Frauen 442:, ed. together with 188:Jewish Museum Vienna 54:Contentious material 866:. 24 February 2018. 237:Vienna (2017), the 834:. 29 October 2013. 816:. 29 October 2013. 784:. 28 October 2013. 735:Kokoschka und Wien 241:(2017/18) and the 145: 76:"Tobias G. Natter" 617:978-3-7913-3834-7 599:978-3-7757-1984-1 585:978-3-7757-2213-1 571:978-3-7774-5851-9 557:978-3-7913-5582-5 522:978-1-85437-735-7 508:978-3-7757-2430-2 494:978-3-8376-1616-3 480:978-3-9503018-4-7 466:978-3-85033-785-4 452:978-3-902805-97-3 434:978-9-0000-6619-3 420:978-3-7913-5699-0 406:978-3-7913-5708-9 392:978-3-200-09074-3 343:978-3-8365-4612-6 325:978-3-7913-5859-8 311:978-3-03942-016-2 297:978-3-7913-7978-4 256:(1930-2015), and 208:Vorarlberg Museum 137: 136: 129: 111: 37:needs additional 928: 868: 867: 860: 854: 853: 842: 836: 835: 824: 818: 817: 806: 800: 799: 792: 786: 785: 774: 543:Exhibit catalogs 337:, Cologne 2017, 243:Kunsthaus Zurich 196:Ronald S. Lauder 148:Tobias G. Natter 143:Tobias G. Natter 132: 125: 121: 118: 112: 110: 69: 50:reliable sources 27: 26: 19: 936: 935: 931: 930: 929: 927: 926: 925: 896: 895: 877: 872: 871: 862: 861: 857: 852:. 14 July 2017. 844: 843: 839: 826: 825: 821: 808: 807: 803: 794: 793: 789: 776: 775: 771: 766: 545: 380: 285: 277: 229:(2016/17), the 204:Oskar Kokoschka 164: 133: 122: 116: 113: 70: 68: 47: 28: 24: 17: 12: 11: 5: 934: 924: 923: 918: 913: 908: 894: 893: 888: 883: 876: 875:External links 873: 870: 869: 855: 837: 819: 801: 787: 768: 767: 765: 762: 761: 760: 746: 732: 718: 704: 690: 676: 662: 648: 634: 620: 602: 588: 574: 560: 544: 541: 540: 539: 525: 511: 497: 483: 469: 455: 444:Agnes Husslein 437: 423: 409: 395: 379: 376: 375: 374: 360: 357:978-3836527958 346: 328: 314: 300: 284: 281: 276: 273: 212:Leopold Museum 200:Serge Sabarsky 163: 160: 135: 134: 58:poorly sourced 31: 29: 22: 15: 9: 6: 4: 3: 2: 933: 922: 919: 917: 914: 912: 911:Living people 909: 907: 904: 903: 901: 892: 889: 887: 884: 882: 879: 878: 865: 859: 851: 847: 841: 833: 832:Bloomberg.com 829: 823: 815: 811: 805: 797: 791: 783: 779: 773: 769: 758: 757:3-901508-00-7 754: 750: 747: 744: 743:3-85202-131-6 740: 736: 733: 730: 729:3-901398-12-0 726: 722: 719: 716: 715:3-7701-4294-2 712: 708: 705: 702: 701:3-7701-5370-7 698: 694: 691: 688: 687:3-8321-7182-7 684: 680: 677: 674: 673:3-7757-1479-0 670: 666: 663: 660: 659:3-7913-3284-8 656: 652: 649: 646: 645:3-8321-7722-1 642: 638: 635: 632: 631:3-8321-7700-0 628: 624: 621: 618: 614: 610: 606: 603: 600: 596: 592: 589: 586: 582: 578: 575: 572: 568: 564: 561: 558: 554: 550: 547: 546: 537: 536:3-901398-01-5 533: 529: 526: 523: 519: 515: 512: 509: 505: 501: 498: 495: 491: 487: 484: 481: 477: 473: 470: 467: 463: 459: 456: 453: 449: 445: 441: 438: 435: 431: 427: 424: 421: 417: 413: 410: 407: 403: 399: 396: 393: 389: 385: 382: 381: 372: 371:3-8321-7258-0 368: 364: 361: 358: 354: 350: 347: 344: 340: 336: 332: 329: 326: 322: 318: 315: 312: 308: 304: 301: 298: 294: 290: 287: 286: 280: 272: 269: 267: 263: 259: 258:Anton Lehmden 255: 252:(1919-2014), 251: 250:Maria Lassnig 246: 244: 240: 236: 232: 228: 223: 221: 220:Gustav Ucicky 217: 213: 209: 205: 201: 197: 194:, founded by 193: 189: 185: 181: 177: 173: 169: 159: 157: 156:art historian 153: 149: 141: 131: 128: 120: 109: 106: 102: 99: 95: 92: 88: 85: 81: 78: â€“  77: 73: 72:Find sources: 66: 62: 59: 55: 51: 45: 44: 40: 35: 30: 21: 20: 858: 849: 840: 831: 822: 813: 804: 790: 781: 772: 748: 734: 720: 706: 692: 678: 664: 650: 637:nach Schiele 636: 622: 608: 604: 590: 576: 562: 548: 527: 513: 499: 485: 471: 457: 439: 425: 411: 397: 383: 362: 348: 330: 316: 302: 288: 278: 270: 266:Egon Schiele 262:Gustav Klimt 247: 233:(2017), the 224: 215: 165: 147: 146: 123: 117:January 2022 114: 104: 97: 90: 83: 71: 60: 43:verification 36: 906:1961 births 264:(2012) and 254:Ernst Fuchs 180:Wien Museum 900:Categories 764:References 87:newspapers 378:As editor 245:(2021). 168:Innsbruck 39:citations 216:nude men 152:Dornbirn 65:libelous 335:Taschen 101:scholar 755:  741:  727:  713:  699:  685:  671:  657:  643:  629:  615:  597:  583:  569:  555:  534:  520:  506:  492:  478:  464:  450:  432:  418:  404:  390:  369:  355:  341:  323:  309:  295:  275:Awards 176:Vienna 174:, and 172:Munich 162:Career 103:  96:  89:  82:  74:  283:Books 108:JSTOR 94:books 32:This 753:ISBN 739:ISBN 725:ISBN 711:ISBN 697:ISBN 683:ISBN 669:ISBN 655:ISBN 641:ISBN 627:ISBN 613:ISBN 595:ISBN 581:ISBN 567:ISBN 553:ISBN 532:ISBN 518:ISBN 504:ISBN 490:ISBN 476:ISBN 462:ISBN 448:ISBN 430:ISBN 416:ISBN 402:ISBN 388:ISBN 367:ISBN 353:ISBN 339:ISBN 321:ISBN 307:ISBN 293:ISBN 198:and 80:news 41:for 902:: 848:. 830:. 812:. 780:. 333:, 170:, 52:. 798:. 759:. 745:. 731:. 717:. 703:. 689:. 675:. 661:. 647:. 633:. 619:. 601:. 587:. 573:. 559:. 538:. 524:. 510:. 496:. 482:. 468:. 454:. 436:. 422:. 408:. 394:. 373:. 359:. 345:. 327:. 313:. 299:. 130:) 124:( 119:) 115:( 105:· 98:· 91:· 84:· 67:. 46:.

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Dornbirn
art historian
Innsbruck
Munich
Vienna
Wien Museum
Ă–sterreichische Galerie Belvedere
Jewish Museum Vienna
Neue Galerie New York
Ronald S. Lauder
Serge Sabarsky
Oskar Kokoschka
Vorarlberg Museum
Leopold Museum
Gustav Ucicky

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