4887:, are influential figures, who "are generally given credit for inventing the type of dance band which" dominates American popular music for the first half of the 20th century; they were among the earliest to "write separate music for the reed and brass sections, combining the higher and lower instruments in each section into choirs... for dancing rather than listening." Hickman was also probably the first to hire three saxophones, enabling the use of more complex and richer harmonies.
4729:
1976:; the song is a "landmark in American music history" and is a great commercial success, unprecedented for a black composer. It remains the most famous and popular piano rag, and "establishe(s) a model for classic ragtime that (will be) emulated by all rag composers interested in serious composition". Since its first publication, Maple Leaf Rag has never been out of print.
4650:. He will go on to pioneer the African American "master teacher" phenomenon, in which a public school teacher contributes an "enormous amount of time to developing the skills of talented young people". Smith becomes a local legend, and his students include many of the "leading jazz and concert artists" of the mid-20th century.
1112:
achieves wide recognition after his performance there, and will become the first
African American violinist to conduct a transcontinental tour, and the first to tour as a concert violinist. The first Indonesian music performance in the United States is believed to occur at the Exposition. At the same
3146:
is passed to secure royalties for composers on the sale of recordings and public performances. It also required publishers of music to allow mechanical reproduction by anybody if they allow any individual to do so; furthermore, the law is the first in
American history to intervene directly into the
4853:
believed it threatened the moral integrity of the armed forces; the result is an exodus of black musicians, who had played in the bars and clubs of
Storyville, to cities like Memphis and Chicago. Many of the musicians are hired by Northern bands because their style was considered a novelty that is
3809:
on the basis that it was "probably too real to life" in its portrayal of "life among the humble
Italians". The opera takes place in "the seamy side of Boston (which) Chadwick was the first to dramatize... musically and realistically". It is among the earliest American operas to present its subject
5100:, authorizes the creation of twenty additional bands for the duration of World War I. Pershing also increases the size of bands to allow for full instrumentation, setting the standard lineup for future military bands, relieves bandsmen of all non-musical duties, and establishes a band school at
2768:, used unusual noisemaking devices besides drummers. Unorthodox folk instruments are also used in place of the traditional brass and woodwind lineup. The group was the first to "introduce the concept of the 'singing band' to the entertainment world", and performed in a style now known as
992:, a white drummer and saxophonist from New Orleans, claims that he is the first to use the first saxophone in the proto-jazz bands of New Orleans. He is sometimes said to have formed the first ragtime band as well. Laine is considered one of the first white jazz musicians.
1177:
are primarily derived from
European music. This will not be solved conclusively until the 1960s, when scholars showed that spirituals were "grounded in African-derived music values yet shaped into its distinctiveness as a direct result of the North American sociocultural
9059:
Sanjek, David and Will Straw, "The Music
Industry", pgs. 256–267, in the Garland Encyclopedia of World Music, Sanjek and Straw claim that this was the "first time in the country's history (that a) price for the use of a piece of private property was codified by federal
2456:, is the first black show on Broadway, and the "first with an all-black cast". Walker and Williams would go on to star in many major productions, and would "revolutionize black theater". Williams will become the first and most important African American performer in
906:
forms, with income from backers who pledged $ 1000 for each of three years. The backers formed an
Orchestral Association, which hired a music director. Many cities subsequently used the same model, including Pittsburgh, Philadelphia, St. Louis, Cincinnati and
133:
George Upton's "Women in Music" is the "first of many articles and reviews by prominent male critics which sought to trivialize and undermine the achievements of what was considered an alarming number of new women composers in the realm of 'serious' classical
4569:
begins collecting
Scottish and English folk songs in the southern Appalachian region, and is surprised to discover that the "cult of singing (British) traditional songs is far more alive than it is in England, or has been, for fifty years or
3014:, which "enlarged the scope of entertainment with every kind of extravagant presentation, including current topics, comedy routines, and of course, the ever-present gorgeous girls. It will "set the standard and (break) box-office records".
4415:
becomes the first published jazz arrangement. Morton, one of the first jazz pianists, will come to be regarded as "the first true jazz composer" in that he was probably the first to write down his jazz arrangements in musical notation.
2348:
begins a private career as a composer, forging a new style that was "radically forward-looking in style yet rooted in
American musical traditions and celebrating American life." He will become the "most spectacular amateur in musical
3410:
spurs a wave of immigration, mostly to states with large
Mexican populations, like Colorado and New Mexico; these immigrants bring with them contemporary Mexican culture and helped to revitalize the indigenous music of the Hispanic
3001:
The migration of Japanese-Hawaiians to the mainland United States is banned, preceding a ban on labor emigration in Japan, effectively isolating Japanese Americans on the mainland and in Hawaii, both from each other and from Japan
2890:
model until the late 1920s. The Victrola is also the first playback machine containing an internal horn. Victor also erects the world's largest illuminated billboard at the time, on Broadway in New York, to advertise the company's
2802:
Will H. Dixon was dubbed "The Original Dancing Conductor" by James Weldon Johnson, (Black Manhattan) circa. 1930. "The Memphis Students were the first band or orchestra to play jazz on a New York stage." a direct quote by
4795:
With the United States' entry into World War 1, warrior customs among the Plains Native Americans are briefly revived, as many ceremonies and rituals are allowed, after many years of being banned, for the duration of the
3580:
2693:
Most blues performers born before this year generally considered themselves musicians whose repertoire included a wide variety of musical styles; those born later will mostly view themselves as playing a distinct
3992:, a movement "identified with technology and the urban-industrial environment... "seeking to enlarge and enrich the domain of sounds in all categories". The foremost proponent of futurism in the United States is
1016:
typical of the time, which is said to be the most popular song of the decade, and the biggest hit of the century. It is interpolated into a play, and the sheet music is said to have sold more than five million
4758:
makes the first jazz recordings, though the white band's style is meant for white audiences with little awareness of African American music practices, and the band is unable to impress black audiences or jazz
3770:
8693:
Abel, pgs. 50–51; William Lewis Cabell, the United Confederate Veterans' Vice-President denounced it as sacrilegious onstage at the convention, while others voiced similar sentiments to the newsmagazine
5040:
is considered his "most original... most complex and ambitious work", and a "powerfully creative and consistently conceived work that (stands) as a peak for neo-Romantic expression in American music for
4219:
3957:, whose band becomes the first all-African American dance band to receive a commercial recording contract, recording "Down Home Rag" this year. Europe and the Castles are best known for introducing the
556:
establishes the reservation system and distributes land to Native American families, destroying the traditional social setup of many indigenous cultures, leading to a reduction in traditional music and
3429:
3728:
1886:
is the "first full-length musical play written and produced by blacks on Broadway", and the first black operetta in the modern syncopated style. It is a harbinger of a new style: the American
3713:; its publication creates "an unprecedented vogue" for blues-styled songs, and made Handy's band the most popular in Memphis. Earlier in the year, the first blues texts to be published were
935:
make it impossible to publish foreign music without payment to the original composer or publisher. This stimulates the establishment of American subsidiaries of foreign publishing companies.
3868:
2023:
4658:
4270:
3254:
518:
spiritual movement, which fused Christian (particularly Presbyterian and Mormon) teachings with those of Wovoka's father, Ta'vibo, which revolved around traditionalism and resurrection.
9517:
Crawford points out that this leads to dancing becoming an integral part of popular music in the United States, and that more than 100 new dances were introduced between 1912 and 1914.
2821:
539:
3616:
875:
Sam Jacks' Creole Burlesque Company opens in New York, and is a popular novelty act, unusual for a time in that the cast includes both men and women, and the show's format is more
2076:
begins touring, bucking "stereotypes of the time by showing that women could endure the rigors of touring life and lease enough paying customers to survive in the music business".
1049:
4039:
will sing at "all important occasions in Chicago that called for the participation of blacks" into the 1930s, when the duo's choruses attracted wide attention for their rivalry.
3114:
2496:
found the "first relatively permanent (African American) music publishing" company, in Chicago; it is also "probably the first black-owned music publishing company in history".
6651:
5018:
4174:
3895:
3880:
3857:
2895:
1573:
1334:
1229:
The massacres of numerous Armenians in Turkey leads to the first wave of large-scale Armenian immigration to the United States, and the beginning of Armenian American music.
471:
and soon becomes a fixture at the Silver Dollar Saloon, beginning his career which will put "his creative stamp on that great body of music that came to be known as classic
1609:
1247:
in New Orleans become the top dance bands of the era, and frequently competitive, both economically and in actual performances. These bands are a significant precursor of
4046:
3587:
3193:
2254:, dedicated to music by American composers using indigenous music. Its output will become "one of the most important documents of this period of American music history".
92:
4744:
3215:
2620:
1724:
80:
4587:
4445:
4364:
64:
4792:
rules that the "public performance of music contributed to the ability of an establishment to make profits even if no special admission was charged for that music".
4308:
The United States begins to become an "outpost where new European works were seldom heard into an important international center for the presentation of new music."
4124:
law on behalf of composers of music, specifically by collecting royalties from public performances of music. There are 170 charter members, of whom, six are black:
1453:
launches a string of forty successful operettas, several of which have become staples of the American repertoire and produced a "lasting heritage of popular songs".
4441:
3748:
3351:
2857:
trumpeters in that city. He will later turn down a recording contract, fearing it will make his music too easy to steal; the contract will instead be given to the
2646:
2206:
Steel strings for the guitar are introduced, making the instrument more easily heard in crowded and noisy settings, which helps the guitar spread across the South.
289:
greatly limits the immigration of Chinese people to the United States, amid a wave of anti-Chinese sentiment, leading to a reduction in Chinese musical practices.
10094:
5220:
4626:
2482:
1406:, specifically the songs of two Southern Arapaho men who were visiting Washington, D.C., Left Hand and Row of Lodges. Some of her previous research had inspired
5179:
4643:
4543:
4117:
2595:
convention caused an uproar and was denounced as sacrilege. Any hope of changing the words ended when the song's author, Daniel Emmett, died eleven days later.
2405:
2073:
59:
54:
40:
35:
5182:, becoming the most famous circus bandleader in the country, especially known for leading the other performers with one hand while simultaneously playing the
169:'s Twenty-Second Regimental Band becomes the first fully professional ensemble of any kind in the country to be engaged in performances full-time, year-round.
5051:
is the "most notable" of the Native American-themed operas then popular; it will run for eight shows in two seasons, setting a new American record for opera.
4388:
4209:
2278:
1791:'s "Harlem Rag", the first rag composed by an African American to be published, is also published in this year, and the first ragtime recordings are made by
3549:
song to not revolve around explicitly black lyrical themes. Berlin shifts to describing his work in this style as "syncopated", rather than "ragtime". His "
3462:
publishes the first of many gospel song collections that will quickly become a major part of the repertoire for African American churches across the nation.
4028:
3843:
2954:
1269:
521:
Several Swedish American choirs join together to form the Union of Scandinavian Singers, which becomes a major part of the Swedish American music industry.
4532:. He is the first to arrange a spiritual for solo voice, and is also credited with "starting the practice of closing recitals with a group of spirituals".
4266:
3853:
3648:
1796:
1784:
320:
Norwegian American choirs begin to form organizations, putting together festivals and other periodic gatherings to celebrate Norwegian culture and music.
84:
5223:
publishes three rags, "which are among the most demanding of all published piano ragtime": "New Era Rag", "Troubadour Rag" and "Pegasus: A Classic Rag".
3871:; these attract large, mixed-race audiences, and inspire other similar concerts in cities around the country. The most remarkable feature is the use of
461:
is credited with inventing the Hawaiian guitar, in which strings are melodically picked and stopped by a metal bar, with the guitar held across the lap.
5036:
4237:
3689:
3435:
3415:
3258:
3094:
3032:
2753:
2489:
1316:
96:
9069:
Clarke, pg. 229; Clarke says that this was the "first time in history that the government intervened directly between supplier and user of a product".
3091:
The first black bandmasters are appointed to the U.S. Army, for the Ninth and Tenth Cavalry and the Twenty-Fourth and Twenty-Fifth Infantry regiments.
5203:
4380:
4036:
3849:
3466:
3201:
2011:
1819:
1631:
1540:
475:". The Saloon is owned by John Turpin, an important patron of ragtime whose son, Thomas Million Turpin is known as the "Father of St. Louis Ragtime".
1590:
that lasts until World War I. The published version carries a caption, describing the second chorus, which is the "earliest association of the word
10477:
5058:
4961:
3640:
1986:
5072:
4577:
3783:
3758:
3243:
2972:
1733:, one of the productions that helped to establish the field of African American musical comedy. It is the first black show to appear on Broadway.
112:
108:
104:
100:
3147:
marketplace by setting a price for the use of private property, requiring payment of two cents to the copyright holder from the creator of each
10673:
3933:
3304:
2850:
2728:
1200:"; the subsequent controversy regarding the trial of Peter DeGraff for her murder leads to the song's spread across the state, so much so that
30:
203:
becomes an established theater owner on 14th Street in New York City, where he becomes the first person "to bid... for women customers in the
4141:
3970:
3801:
2323:
1900:
1360:
352:
9437:
7179:
Hardie, pg. 175; Hardie notes some doubt about Laine's claims, but acknowledges that Laine is a key figure in the transition to white jazz.
5657:
4125:
1002:. He and his band will be the most prominent and influential professional symphonic group at the peak of popularity for bands of that sort.
10462:
Preston, Katherine K.; Susan Key, Judith Tick, Frank J. Cipolla and Raoul F. Camus. "Snapshot: Four Views of Music in the United States".
4877:, forms his first band. He will play with a wealth of well-remembered recording artist, though he will only play on one record, from 1924.
3966:
3567:
moves away from a German Romantic style and towards a more free-form style that comes to include French, East Asian and other influences.
1330:
2764:. The show featured a '"dancing conductor", Will Dixon, who danced rhythms to keep the band performing tightly, and the band's drummer,
2552:, and hears a blues performance. This inspires his career, and is said to be the first documentation of actual blues and the use of the
207:", bringing that field out of "disreputable saloons" and transforming it "into decent entertainment that respectable women could enjoy".
5217:. Other songs, like "Drivin' Nails in My Coffin (Every Time I Drink a Bottle of Booze)" expressed support for the abolition of alcohol.
4319:
978:
in New York. He becomes a fierce advocate for cultural and musical nationalism, and is very interested in American music incorporating
775:
releases the first catalog of recordings, consisting of ten pages worth of cylinder recordings. The catalog is intended primarily for
5003:
is opened in Los Angeles, eventually becoming one of the premier avenues for Spanish language performances in the Western hemisphere.
4978:' "Mickey (Pretty Mickey)" is one of the first pieces of music written expressly for a film, for the movie of the same name starring
4854:
thought to increase an ensemble's commercial potential; the Northerners, however, tended to adopt the "hot", bluesy style themselves.
4323:
4157:
Dance is becoming a major part of social life in New York and other cities, while certain dancers become national symbols, including
1481:
975:
4486:
African Americans begin moving to northern cities, especially Chicago, in large numbers, bring with them their distinctive forms of
4253:
publishes "Carolina Shout", the song that will make him famous and launch his career as one of the big composers of Eastern ragtime.
4716:
7568:
4240:, a jazz cornetist, takes his Original Creole Orchestra to California, causing a popular sensation with his music, which he calls
3074:; he is lauded for "his energy, the command he brought to the podium, his demands for perfection, and his uncanny musical memory."
2965:
for Irish Americans and Canadians. It will be one of the preeminent Irish music venues in the country during the mid-20th century.
1558:. The Church is known in part for a "self-sufficient musical tradition without equal that consumes more than half of any service".
5241:
2470:
in New York. He will be the first internationally renowned performer to realize the full potential of audio recording technology.
4909:
More than 60,000 African Americans from Texas, Arkansas, Alabama, Louisiana and Texas move to Chicago, especially in the city's
1363:
forms a music publishing company, which will become one of the first to publish African American songwriters with great success.
4539:
3919:
3205:
3197:
2697:
The first large-scale Filipino immigration to the United States begins, thus beginning the Filipino American musical tradition.
21:
4095:
in New York opens, eventually becoming a music venue and cultural symbol of unparalleled importance in African American music.
159:
has his first hit with "We Sat Beneath the Maple on the Hill", making him the first African American songwriter to succeed in
5948:
5345:
4913:. The black population boom "ushered in the city's jazz age, widening the market for black musical entertainment", including
4154:", "the most widely popular and enduring commercial success of all blues songs" It will carry "the blues all over the world".
3265:
and other black theater owner-managers. It will become the primary booking agency for African American performers of the era.
2008:
becomes the most popular, and his works make a "marked impression on the American public, particularly in black communities".
10759:
7155:
3189:
3181:
1853:
1762:
3939:
Ragtime is a major part of a brief craze for social and ballroom dancing, which spurs the rise of two well-known dancers,
2321:" which becomes the first song composed by an American woman to sell 1 million copies. "I Love You Truly" appeared in her
3166:
2584:
1440:", which will be recording more than 150 times since 1897, making Lee the most prominent criminal in American folk music.
932:
431:
Japanese immigration to the United States increases considerably following the legalization of labor emigration in Japan.
3097:
composes "The Caissons Go Rolling Along", which, as "The Army Goes Rolling Along", will become the official song of the
10298:
9537:
Walton, Lester A.; White, L. H.; A. W. K; White, Lucien H. (1978). "Black Music Concerts in Carnegie Hall, 1912–1915".
4789:
4008:
2297:
1931:
1551:
924:
is built in New York City as a venue for classical performances. It will become the foremost concert stage in the city.
408:
73:
9931:
Cowdery, James R. and Anne Lederman, "Blurring the Boundaries of Social and Musical Identities", pgs. 322–333, in the
5061:
is the only African American military band of World War 1 sent on a special mission to perform for troops on leave in
4573:
The first Lithuanian American song festival is held, predating the first similar festival in Lithuania by eight years.
4550:, including "Heavenly Sunshine", "Something Within", "He Understands, He'll Say 'Well Done'" and "The King's Highway".
4355:
is held in San Francisco, and Hawaiian performances lead to unprecedented interest for Hawaiian music, as well as the
3782:, songs have been composed about the disaster, one being a ballad being sold by a black, seemingly blind, preacher to
10657:
6334:
6065:
6044:
5988:
5959:
5927:
5904:
5883:
5862:
5839:
5818:
5793:
5774:
5755:
5736:
5717:
5646:
5613:
5556:
5537:
5518:
5495:
5454:
5435:
5412:
5389:
5366:
5326:
5303:
5280:
4835:
4688:
3724:
Community dance halls begin to grow more common, as a number of new dances become a part of the American music scene.
3169:", a classical work using American indigenous musical themes, crosses over and becomes a surprise mainstream success.
4247:
Jewish American choirs begin springing up in urban areas across the country, many of them associated with socialism.
1692:
The first music festival celebrating Finnish American culture are organized by various Finnish temperance societies.
10799:
10794:
10789:
10784:
5148:
2623:
is founded in San Francisco, becoming the first organization formed to promote Estonian music in the United States.
2388:
1498:
1457:
1173:
Philosopher Richard Wallaschek sparks the "origins" controversy when he puts forth the claim that African American
2602:
visits the United States, working with his future student, the "most influential composer and propagandist of the
488:
The Anglo-Canadian Music Publishers' Association is formed to protect the copyrights of European music publishers.
5021:
3128:
Sound recordings, along with photography and cinematography, are added to the Berne Convention, an international
1093:
236:
88:
4906:
The wind ensembles that have dominated local community bands since the Civil War begin to decline in importance.
1265:
The Standard Quartette of Chicago becomes the first commercial recording of an African American singing quartet.
341:
C. C. Perkins and J. S. Dwight publish the first history of a musical society in the United States, that of the
10769:
10764:
10098:
5145:
like "Jazz Me Blues", pop songs that were marketed as blues like "Wabash Blues", as well as actual blues songs.
4708:
4260:
4085:
3988:, "in which he (views) the evolution of modern music as parallel to that of industrial machinery", a basis for
3624:, which is "very likely the first grand opera to be composed, scored, and then conducted by an American woman".
2879:
2739:
2627:
2528:
2444:
2399:
2122:
becomes the first American woman composer to perform as a soloist on her own work, the Piano Concerto with the
1279:
1201:
4073:
forms a disc company, essentially conceding to the new format rather than his long-time business of cylinders.
2979:, intending to "reposition ragtime in the sheet music marketplace by playing down its African American roots."
1027:. He will become known for combining secular and sacred African American music with traditional Western opera.
5258:. It will become the oldest and most renowned jazz club in Cambridge, and the second-most in the Boston area.
5213:'s "You Cannot Make Your Shimmy Shake on Tea" is one of many songs from the era that expressed opposition to
4042:
3422:
3366:. Music historian Don Cusic has called Rodeheaver the first American chorister perceived as a ladies' man or
2167:
1276:
and other popular African American musicians, a "breakthrough" show in the history of African American music.
3594:
to create educational materials that could be sold alongside recordings, for the purpose of music education.
3384:, a ground-breaking publication that launched his career; he is shortly afterwards elected president of the
2304:
recordings, though the practice does not violate copyright due to a lack of protection for sound recordings.
1979:
The wildly popular "My Wild Irish Rose" continues the popular Irish song tradition within the United States.
789:
An era that has been called a "golden age" begins, centered around a group of composers in Boston including
380:-based periodical, is founded, soon becoming the primary trade paper for African American theatrical groups.
10114:
10106:
5810:
4755:
4704:
is home to the first contest for students on the memorization of recording works ("music memory contests").
4695:
4461:
4417:
3239:
2858:
2251:
2019:
1197:
4454:
begins a series of jazz-themed paintings that are a "definitive contribution to the early history of jazz.
3914:
is used in print for the first time, in San Francisco in reference to "speed and excitement" in a game of
3024:, a "definitive collection" of songs that "set the standard for all future musicologists in the study" of
868:, a Native American spiritual movement, of which music and dance were integral parts, is banned after the
9285:
8541:
Crawford, pg. 534; Crawford calls it the "first black-produced show to run at a regular Broadway theater"
8441:
6686:
Southern, pg. 324; Southern does not refer to any ambiguity in the year of Joplin's arrival in St. Louis.
5155:
into secret clubs and other establishments, many of which became associated with the developing genre of
4867:
4630:
is a popular work, the "first publication of a collection of gospel hymns written by a black songwriter".
4435:
3550:
2592:
2181:
1917:
886:
Samuel W. Cole leads what is probably the first high school production of a full oratorio in the country.
751:
Harriett Gibbs Marshall becomes the first African American woman to graduate with a degree in music from
4596:
comes to America. His subsequent work will mark "the crux of the Hebraic impact in America's art music".
3755:, the first "organized attempt" to showcase African American music for mainstream audiences in New York.
1787:'s "Louisiana Rag", published later in the year, is sometimes considered the first "genuine piano rag".
9850:
Crawford notes that the event was so controversial that it was still a topic of conversation among the
5114:
4975:
4935:
songwriters capitalize on the Hawaiian music fad, creating songs with thematic elements evoking Hawaii.
3796:
3480:(1862–1946) sells 25 million copies. Bond becomes America's first woman to make a living as a composer.
2449:
2369:
into her stage show, eventually becoming one of the most famous performers of the genre in the country.
2268:
1189:
903:
896:
798:
692:
is the first attempt at a history of "popular and the higher music education" in the country; it hails
3054:
1828:, a legendary, little-known bluesman, played the blues as early as this year. He will go on to mentor
9109:
5031:
4866:'s band makes some of the earliest major recordings by African American artists at a session for the
4468:
in Chicago; this dance orchestra was the first group to "formally introduce the music called jazz or
4448:
begins performing, soon making Lucas the best known of the "female leaders of syncopated orchestras".
4352:
4190:
4181:
3949:
3385:
2872:
2395:
2328:
2123:
2103:
1707:
1625:
1342:
1212:
811:
646:
631:
183:
9497:
Some authors, like Upkopodu, pg. 75, call "The Memphis Blues" the first published blues composition.
7711:
5172:
is a system of assessing musical aptitude that becomes widely adopted but also inspires controversy.
2649:
in Berlin. She will become the "first black woman to make a stir in the musical world as a pianist".
7972:
Southern, pg. 320; Southern specifies Jasen and Tichenor, pg. 17 as among the scholars referred to.
5575:
Heskes, Irene (Winter 1984). "Music as Social History: American Yiddish Theater Music, 1882–1920".
5255:
5048:
3162:
2987:
2539:
2144:. It becomes phenomenally successful, and would go on to employ many of the early African American
2137:
1639:
1142:
700:
435:
425:
342:
310:
6263:
Cockrell, Dale and Andrew M. Zinck, "Popular Music of the Parlor and Stage", pgs. 179–201, in the
5131:
is murdered; he becomes the first African American honored with a public funeral in New York City.
2778:
begins promoting a well-attended Annual Reception and Ball. She is the first major American woman
1909:
becomes a part of the United States, leading to the arrival of numerous immigrants and with them,
638:
of Britain, and dedicated to gathering and publishing the folk songs and stories of North America.
451:
begins one of the earliest collections of Spanish folk songs soon after he arrives in Los Angeles.
10779:
10774:
9434:
8479:
Bowers, Jane, Zoe C. Sherinian and Susan Fast, "Snapshot: Gendering Music", pgs. 103–115, in the
5661:
5011:
4846:
4785:
orchestras; these groups come to be seen as "role models" by similar groups in the United States.
4339:
4158:
3447:
2599:
2571:
1997:
1927:, "to achieve national distinction as a composer, arranger, and concert artist" begins composing.
1818:. Musicians gravitate there, and the area becomes a hotbed of innovation and a major part of the
1815:
1555:
1306:
448:
4781:
in Russia leads to political change, soon resulting in state support for professional, virtuoso
3918:. The word's first use to describe a genre of music this year as well, in the catalogue for the
2004:, inspiring him to create a collection of African-derived melodies, arranged for the piano. The
1628:. Beach will be accepted as the first American female "composer of significance" in the country.
5000:
4986:
4487:
4457:
4286:
4151:
4088:
opens in Miami, soon becoming one of the pre-eminent African American music venues in the area.
3738:
3362:. Rodeheaver will be the first gospel artist to record, and will found the first gospel label,
2607:
2507:
2258:
1521:, whose nominating committee praises him as "the greatest musical genius America has produced".
1445:
1302:
1215:, marking the first time that institution had performed the work of an American woman composer.
1020:
979:
836:
10461:
8635:
5010:
becomes the first African American to complete a master's degree education in music, from the
2591:", to make them more favorable to the Southern cause. The introduction of new versions at the
2116:'s "A Bird in a Gilded Cage" is released, becoming his "most famous and enduring" composition.
1309:
to live uptown, thus bringing them and their music into closer contact with African Americans.
1153:
971:
10649:
8448:. 2008-01-17. 45 minutes in. See also reference to "A Perfect Day" published by Bond in 1910
6307:
Chase, pg. 395 calls it the "first quasi-scientific treatise on North American Indian music".
5101:
4850:
4701:
4647:
4639:
4396:
4014:
3591:
3143:
3025:
3017:
3010:
2868:
2549:
2286:
2232:
2185:
2133:
2086:
1938:
1514:
1411:
1346:
1134:
1114:
1009:
983:
950:
869:
825:
652:
377:
286:
229:
225:
10285:
Haskins, Rob, "Orchestral and Chamber Music in the Twentieth Century", pgs. 173–178, in the
5916:
4636:
becomes one of the first African Americans to record, though the results are never released.
3557:
songwriters, and brings about a "brief revival of interest in (ragtime)" despite being the "
2659:
tube, a technical innovation that lays the groundwork for electrical technologies including
2359:. He will do "as much as anyone to shape the directions of musicology in the United States".
413:
10628:
9239:
7604:
5981:
Continuum Encyclopedia of Popular Music of the World, Volume 1: Media, Industry and Society
4823:
4669:
4653:
4606:
in San Francisco, greatly improving distribution for Hawaiian music on the mainland, while
4583:
4558:
4223:
4137:
4077:
3813:
2995:
2836:
2828:
2285:
and the first African American collector of black folk songs, publishes, with his brother,
2099:
2001:
1969:
1910:
1396:, much of the population of which, at the time, was descended from African American slaves.
1182:
635:
239:
become the first black choir to perform at the White House, at the invitation of President
193:
music publishing company is established solely to publish popular music, then referring to
10734:
Songs of the Cowboys, by n. Howard ('Jack') Thorp: Variants, Commentary, Notes and Lexicon
4053:, who become the first African American dance band to make transcontinental tours, on the
3789:
Cyrus H. K. Curtis gives the first public recital of organ music in the United States, in
1299:, his technical innovations helping to spread the instrument throughout the United States.
8:
8696:
7608:
7600:
6075:
Ukpokodu, Peter (May 2000). "African American Males in Dance, Music, Theater, and Film".
5065:. The band performs throughout the area, and is very well received. The band popularizes
4910:
4771:
4633:
3962:
3762:
3542:
3495:
3225:
3152:
2864:
The first African American orchestra in the nation to be incorporated is in Philadelphia.
2636:
2521:
2356:
2311:- identify a brand name given to a series of recordings released by a particular company.
2236:
2095:
1858:
1720:
1714:
1665:
1518:
1273:
1130:
939:
850:
843:
726:
528:
478:
The Chicago Music Company releases the first opera by an American woman to be published,
468:
179:
10682:
10632:
5636:
5476:
5465:
4289:
becomes the first white jazz performer to leave New Orleans to make a career in Chicago.
2721:, a collection of songs that include "The Lone Prairee", which Farwell called the first
1993:
piece", and it will establish his career as one of the top composers of Eastern ragtime.
1941:
is founded. It will be the largest agency in the country by the end of the 20th century.
1100:
scene, led by patriarch Plunk Henry and exemplified in performance at the Exposition by
10667:
10471:
10408:
9851:
9554:
9408:
9003:
8623:
7699:
7572:
7346:
6055:
6023:
6015:
5694:
5592:
5424:
5378:
5356:
5315:
5292:
5128:
5109:
5054:
4883:, a San Francisco bandleader, publishes "Rose Room". Hickman and his pianist-arranger,
4778:
4736:
4621:
4170:
4081:
begins publishing information on the relative success of sheet music for various songs.
3954:
3806:
3744:
3673:
3575:
3516:
3477:
3407:
3396:
3392:
3325:
3317:
3293:
3185:
3104:
3071:
2922:
2832:
2814:
2785:
2757:
2664:
2603:
2527:
The first recordings of African American music - camp meeting shouts - are made by the
2477:
2467:
2416:
2314:
2171:
2056:
1863:
1729:
1586:'s "All Coons Look Alike to Me" is an immediate hit, and launches a fad for syncopated
1437:
1420:
1381:
1286:
1117:, is the first exposure to Middle Eastern culture for many Americans, while a group of
1086:
1023:
becomes the first African American to have an opera he wrote produced, his first work,
790:
607:
454:
M. Wittmark and Sons is formed to focus exclusively on publishing popular parlor music.
351:, who began preaching revelations the year before, is seen as being healed by his wife
335:
144:
1867:
are the first musicals "written, directed and performed by African American artists".
1436:
The murder of William Lyons by Lee Shelton in St. Louis will inspire a ballad called "
998:
forms a band that set a new standard for American professional bands, having left the
10721:
10653:
10642:
10559:
6061:
6040:
6027:
5984:
5944:
5938:
5923:
5900:
5894:
5879:
5873:
5858:
5851:
5835:
5829:
5814:
5804:
5789:
5770:
5751:
5732:
5713:
5642:
5609:
5552:
5533:
5514:
5491:
5450:
5431:
5408:
5385:
5362:
5341:
5322:
5299:
5276:
5270:
5194:
5190:
4895:
4807:
4803:
4799:
4517:
4513:
4495:
4431:
4412:
4401:
4297:
4201:
4185:
4129:
4110:
4018:
4004:
3926:) in New York, and in reference to US Army musicians "trained in ragtime and 'jazz'".
3839:
3734:
3710:
3706:
3483:
3453:
3313:
3262:
3219:
2947:
2779:
2613:
2535:
2301:
2188:; these festivals are a "major early stimulus" in the revival of Bach's compositions.
2041:
1973:
1924:
1681:
1389:
1350:
1338:
1218:
1174:
1157:
1030:
1005:
995:
954:
722:
595:
570:
524:
421:
298:
269:
262:
240:
156:
5507:
4503:
as chief editor, gives musicologists their first "specialized forum" in the country.
4198:
and other new elements; the premier scandalized the musical establishment of Boston.
2817:
testifies that the phonograph was discouraging Americans from performing themselves.
2752:
act that is the "first syncopated music concert in history". The performers are the
656:(1893), "regarded as a culmination of the long productive tradition of the dramatic
10605:
9546:
9293:
7338:
7056:
6084:
6007:
5686:
5584:
5401:
5097:
4408:
4250:
4227:
4133:
4027:
begins founding community groups in Chicago, and staging "mammoth concerts" at the
3929:
3681:
3621:
3459:
3425:
ceases to be a musician-run cooperative, and is taken over by a board of directors.
3388:. This collection is the first of American folk songs to be printed with the music.
3067:
3005:
2769:
2761:
2704:
2517:
2439:
2318:
2307:
The first paper label applied to recorded discs is released. Labels of this sort -
2119:
2113:
2069:
1893:
Music education is first introduced into the public school system of New York City.
1848:
1775:
copyrights "Mississippi Rag", the first "published piano piece to include the word
1615:
1407:
1283:
1193:
999:
772:
737:
313:
outlaws a wide range of Native American customs and rituals, having begun with the
278:
10610:
10593:
8606:
5707:
4580:, becoming one of the major institutions of the Ukrainian American music industry.
4404:, launches the idea of a written film score being a musical work in its own right.
3218:, one of the earliest ensembles in the country to gain recognition for performing
420:
The first "normal school for the preparation of music teachers" is established by
10240:
Clarke, pg. 72; Clarke says that Marable sole recording "is said to be terrible".
9441:
5251:
5226:
4813:
4607:
4375:
4256:
4166:
4050:
4032:
3835:
3790:
3685:
3611:
3564:
3532:
3363:
3047:
2976:
2934:
2912:
2846:
2775:
2700:
2632:
2577:
2499:
2423:
constitutes the first royalty agreement between a record company and a performer.
2373:
2282:
2272:
2228:
2218:, becomes the first piece of musical theatre to be recorded by its original cast.
2192:
1887:
1620:
1601:
1504:
1477:
1463:
1326:
1320:
1146:
1124:
1109:
989:
944:
752:
678:
671:
641:
574:
511:
292:
190:
166:
9506:
Bird, pg. 45, Bird says that Handy began publishing the "first commercial blues"
6088:
4774:; this is the "first major scholarly collection of the mountain people's music".
3456:
becomes the "first black pianist to make a transcontinental tour of the nation".
3446:
orchestra to the United States, inspiring a similar orchestra, supported by the
685:
in New York, establishing him as one of the most prominent composers of the era.
10506:
9855:
8301:
7544:
7329:
Caldwell Titcomb (Spring 1990). "Black String Musicians: Ascending the Scale".
6348:
Seeger, Anthony and Paul Théberg, "Technology and Media", pgs. 235–249, in the
5677:
Klitz, Brian (June 1989). "Blacks and Pre-Jazz Instrumental Music in America".
5530:
A Singing Ambivalence: American Immigrants Between Old World and New, 1830–1930
5152:
5080:
5076:
4965:
4938:
4842:
and is used by "more black vaudeville acts than any other song ever published".
4802:, one of the most prominent African American composers of his time, publishes "
4712:
4684:
4553:
4535:
4480:
4465:
4451:
4428:, for the song "Brown Skin, Who You For?", which he described as a "Jazz Song".
4335:
4162:
4092:
4057:
circuit. This band carries the "jazz of New Orleans to the rest of the nation".
3714:
3666:
3654:
3512:
3450:, to form in St. Louis, followed by Chicago and New York in the next two years.
3289:
3233:
3211:
3039:
2917:
2714:
2708:
2677:
2642:
2567:
2503:
2493:
2243:
1965:
1896:
1829:
1792:
1659:
1577:
1450:
1399:
1292:
1240:
1233:
1145:" will be chosen, "America the Beautiful" will be the other major option for a
1138:
1101:
1078:
943:
is first published; it can be considered one of the first examples of American
915:
794:
560:
217:
6582:
Campbell, Patricia Sheehan and Rita Klinger, "Learning", pgs. 274–287, in the
4884:
3296:
and others. Europe would go on to make it into a performing orchestra as well.
2929:
2824:
forms to connect theater managers and performers in the eastern United States.
2524:
company is a landmark of American early music performed on period instruments.
1474:) is one of the earliest, and possibly still the largest, electric instrument.
10753:
5230:
5210:
5165:
5134:
5062:
4979:
4954:
is founded in Harlem, soon becoming the most prominent jazz venuesof the era.
4932:
4926:
4500:
4331:
4070:
3981:
3940:
3752:
3637:
is the first of an African American "folk opera written by a black composer".
3554:
3538:
3528:
3247:
3043:
2958:
2765:
2732:
2687:
2682:
2652:
2463:
2453:
2420:
2352:
2264:
2215:
2129:
1772:
1605:
1525:
1082:
947:, as it consists of a single plot that the entire production revolves around.
921:
880:
858:
854:
847:
is a historical theatrical production, running for a record 657 performances.
832:
730:
458:
356:
160:
10302:
6096:
5974:
5606:
Women Composers and Music Technology in the United States: Crossing the Line
4483:.the most prominent African American music venue in Washington, D.C., opens.
4000:
this year; it is the first of his "anarchistic" and highly dissonant pieces.
3057:
opens in Chicago. As of 2009, it is the oldest extant nightclub in the city.
2616:
begins making the first recordings of Mexican American music, in California.
10110:
10102:
8055:
6730:
5748:
Garland Encyclopedia of World Music, Volume 3: The United States and Canada
5632:
5086:
4957:
4874:
4599:
4593:
4360:
4327:
4275:
3993:
3944:
3718:
3634:
3605:
3597:
3470:
3359:
3355:
3299:
3177:
3122:
3077:
2983:
2968:
2840:
2745:
2722:
2588:
2553:
2426:
2381:
2345:
2308:
2247:
2153:
2052:
1961:
1948:
1879:
1814:
New Orleans, led by Alderman Story, sets up a prostitution district called
1758:
1736:
1583:
1561:
1544:
1509:
1484:
1467:
1374:
1268:
The Black Extravaganza, an outdoor concert in New York City, featuring the
1244:
1105:
876:
802:
693:
611:
580:
507:
483:
464:
434:
The first summer training course for exclusively music teachers is held in
404:
362:
204:
194:
5075:
organizes the "first American competition for serious concert band work".
4860:, bandmaster of service bands during World War I composes "Tramping Tune".
2398:
becomes the first known African American group to record on disc, for the
2132:
organizes an African American theater touring company, initially based in
707:. She is also one of the three women who each became the first to have an
531:" sells more than a million copies, marking a turning point in his career.
8106:
7125:
Sanjek, David and Will Straw, "The Music Industry", pgs. 256–267, in the
6419:
Levy, Mark; Carl Rahkonen and Ain Haas. "Scandinavian and Baltic Music".
5976:
5214:
5175:
5025:
4990:
4951:
4880:
4863:
4857:
4763:
4748:
4732:
4728:
4603:
4566:
4425:
4370:
4315:
4147:
4024:
3958:
3923:
3831:
3778:
3766:
3702:
3629:
3331:
3309:
2991:
2962:
2943:
2545:
2513:
1982:
1906:
1903:" is the first major American composition in the Hungarian "Gypsy" style.
1825:
1748:
1569:
1471:
1403:
1354:
1163:
1053:
865:
758:
670:
Antoni Mallek forms the Polish Singers Alliance, an influential national
515:
348:
200:
5568:
Exploring Early Jazz: The Origins and Evolution of the New Orleans Style
2257:
The first African American to publish a collection of original songs is
9558:
7561:
7432:
6019:
5596:
5478:
University Musical Encyclopedia: Hymn, Plain Song, Chant, Mass, Requiem
4996:
The first permanent professional orchestra is established in Cleveland.
4922:
4918:
4831:
4827:
4817:
4681:
4384:
4215:
The first permanent professional orchestra is established in Baltimore.
4064:
4060:
4054:
3887:
3828:, "and as such it (will be) a wellspring of the 1970s ragtime revival".
3824:
songs arranged for small orchestra. It will eventually become known as
3373:
3367:
3173:
3156:
3148:
2887:
2796:
2749:
2457:
2163:
2149:
2080:
2014:
becomes the "first black musician to take his vaudeville acts into the
1800:
1788:
1766:
1670:
1655:
1645:
1425:
1167:
762:
741:
564:
186:; Higginson would personally run the Orchestra for almost four decades.
7433:
Maultsby, Portia K.; Mellonee V. Burnin and Susan Oehler. "Overview".
7350:
5698:
4472:" to white Americans. African American ensembles did not use the word
3932:'s research constitutes the most extensive description of traditional
2990:
claiming to have written the song in 1858. He is able to convince the
1783:) in its title". It is advertised as the first ragtime song. However,
1170:
in Chicago is the first music school connected to the settlement work.
1081:
begins her prolific scholarly career with a study of the music of the
365:
publishes the first comprehensive music history of the United States,
8669:
8089:
5312:
5245:
5234:
5007:
4782:
4195:
4121:
3864:
3558:
3524:
3439:
3285:
3129:
3098:
2660:
2534:
The first popular recorded song dealing with the subject of death is
2362:
2210:
2157:
2030:
1944:
1587:
1565:
1535:
The first "distinctively syncopated songs (are) published under the '
1529:
1513:
is premiered; it is an influential work that incorporates aspects of
1289:, one of the first American composers to incorporate Slavic elements.
1096:, a watershed in American culture, attracts attention to the Chicago
1045:
928:
806:
553:
535:
390:
314:
149:
138:
9550:
6677:
Chase, pg. 415; Chase indicates that the year, 1885, is approximate.
6011:
5588:
4711:", a jazz standard, is published in a Baptist hymnal. Its author is
3863:
A series of concerts begin to be held in New York, sponsored by the
3860:, "one of the most important black musical institutions" of the era.
2799:, capable of being fitted to any model of instrument, is introduced.
2391:
accepts its first African American local union, Chicago's Local 208.
2184:
begins a series of annual concert festivals presenting the music of
1934:, the largest music teachers association in the country, is founded.
1747:
in the early history of jazz, and his band innovates the use of the
1532:, which came to control theaters in New York and across the country.
8090:
Colwell, Richard; James W. Pruett and Pamela Bristah. "Education".
7342:
5690:
5272:
Singing the New Nation: How Music Shaped the Confederacy, 1861–1865
5198:
5090:
4230:. The Association's main activities are fiddling contests known as
4106:
3989:
3915:
3872:
3677:
3644:
2939:
2883:
1875:
1743:
band, and Bolden the first jazz musician. Bolden is an influential
1675:
1430:
1061:
729:" establishes his reputation as the country's foremost composer of
708:
251:
6501:
Levine, Victoria Lindsay; Judith A. Gray. "Musical Interactions".
3308:
is the first American opera accepted by one of the great European
1624:
is the first symphony composed by a woman to be performed, by the
1576:; it is probable that the recordings are of Mooney or his brother
1417:
Permanent orchestras are established in Cincinnati and Pittsburgh.
1085:
tribe of Native Americans. The study, done with the assistance of
153:, premiers in Boston, and is "received with unparalleled success".
10556:
9289:
8445:
6538:
6536:
6083:(The African American Male in American Life and Thought): 71–85.
5509:
See You at the Hall: Boston's Golden Era of Irish Music And Dance
5142:
5066:
4914:
4663:
4611:
4434:
becomes the first African American to become an associate in the
4356:
3974:
3821:
3546:
3345:
3085:
2899:
2570:
begins transcribing the recordings of Spanish folk songs made by
2377:
2175:
1990:
1872:
1842:
1780:
1649:
1595:
1536:
1393:
1097:
967:
776:
766:
745:
657:
584:
472:
383:
7651:
6481:
History of the Handel and Haydn Society of Boston, Massachusetts
6465:
Blum, Stephen. "Sources, Scholarship and Historiography" in the
6006:(6). MENC: The National Association for Music Education: 42–45.
5028:, relocates to New York and becomes a leading local institution.
3747:, the first black bandleader in the country, presents the first
2902:-like machine, the first to play a series of gramophone records.
699:
The first African American woman to compose a produced opera is
10694:
Music and the Silent Film: Contexts and Case Studies, 1895–1924
10619:
Howard, James H. (1955). "The Pan-Indian Culture of Oklahoma".
9912:
Crawford notes that this process was complete by the mid-1920s.
9242:, "Snapshot: Two Views of Music and Class", pgs. 55–62, in the
7903:
Bergey, Barry, "Government and Politics", pgs. 288–303, in the
5237:, becomes a "tremendous hit" and Gershwin's "big breakthrough".
5183:
4373:
receives his first "major success with a musical comedy", with
4280:
4205:
3834:
becomes the first African American pianist to matriculate from
3377:
3341:
3111:
is the first American full opera scores to be published abroad.
2656:
2275:. These are the first recordings of African American musicians.
2015:
1744:
1433:, and will run continuously from 1896 to 1900 in North America.
1296:
755:. She will go on to found the Washington Conservatory of Music.
618:
503:
273:
247:
228:; It is Baker's doctoral dissertation, on Seneca music, at the
8865:
7552:
6533:
6077:
Annals of the American Academy of Political and Social Science
5107:
The first attempt to cross-promote a song and film comes from
4989:, which uses many musical elements in its services, including
3570:
The first permanent orchestra is established in San Francisco.
1878:, introduced "syncopated 'hot' music to Broadway" and starred
1642:'s upcoming move from a German-oriented style to a French one.
1572:
songs, which are first commercially released this year by the
1181:
The first Chinese opera theater in New York City is opened in
10585:
Black Music in the Harlem Renaissance: A Collection of Essays
9292:. 2008-01-17. 0:45 minutes in. See also reference to Bond's "
8670:
Buckley, David; John Shepherd and Berndt Ostendorf. "Death".
8604:
5957:
5679:
International Review of the Aesthetics and Sociology of Music
5138:
4766:
publishes an anthology of songs from western North Carolina,
4556:
writes the first full-length score for a motion picture, for
3936:, and the "largest collection ever published from one tribe".
3876:
3443:
3336:
2412:
is the first American opera successfully produced in Germany.
2366:
2145:
2107:
2092:
The first permanent orchestra is established in Philadelphia.
1739:'s band begins performing; some will consider this the first
1060:, become probably the first African Americans to perform the
1013:
899:
became the first African-American to make commercial records.
6728:
6232:
Kearns, Williams. "Overview of Music in the United States".
5831:
Flowers in the Dustbin: The Rise of Rock and Roll, 1947–1977
5625:
The New Grove Dictionary of American Music, Volume II: E - K
5162:
The first permanent orchestra is established in Los Angeles.
4873:
The most famous riverboat bandleader of the early jazz era,
4618:, the first of many to come throughout the following decade.
4546:; during her career, she will compose a number of important
4520:, artistically composed to fit within the Western classical
3643:
becomes the first known African American pianist to perform
3132:
agreement which the United States is not yet a signatory to.
2473:
The first permanent orchestra is established in Minneapolis.
1378:
becomes the first "important black (theatrical) production".
9013:
9011:
6773:
6771:
5156:
4677:
4586:'s commercial recording begins in earnest with the work of
4547:
4525:
4521:
4469:
3910:
3879:
and other elements of African American folk culture by the
3270:
2854:
1752:
1740:
1248:
1160:"all that is needed for a great and noble school of music".
1119:
974:
arrives for a stay in the United States as director of the
765:
in a saloon in San Francisco, the first predecessor of the
10639:
10301:. Kansas Historical Society. February 1997. Archived from
8306:
The New Grove Dictionary of American Music, Volume II: E-K
6650:
6418:
5447:
The History of the Blues: The Roots, The Music, The People
4820:", which will become the most popular song of World War I.
4751:; this is the first black band and bandmaster in the Navy.
4226:
to preserve and celebrate the traditions of the Norwegian
4120:(ASCAP) is founded to take advantage of recent changes in
3890:
recordings of African American performers are made by the
3084:, "a landmark in the development and diffusion of classic
2982:
The battle over cultural ownership of the patriotic song "
2925:, to great controversy over the scandalous subject matter.
2731:
founds the first permanent black theater, in Chicago, the
2261:, a "pivotal figure in the history of black church music".
1353:
minstrels. This was probably the first-ever example of a "
853:
makes the first musical field recordings, specifically of
389:
J. S. Putnam's "New Coon in Town" is one of the first hit
6516:
Reyes, Adelaida. "Identity, Diversity, and Interaction".
5998:
Souchon, Edmund (June–July 1957). "Jazz in New Orleans".
4662:
is the first work by a white composer to use elements of
3891:
2789:
386:
becomes the first drum manufacturer in the United States.
10493:
The Continuum Encyclopedia of Popular Music of the World
10422:
The Continuum Encyclopedia of Popular Music of the World
10374:
Clarke, pg.100; Clarke notes that this music was called
10362:
The Continuum Encyclopedia of Popular Music of the World
9753:
The Continuum Encyclopedia of Popular Music of the World
9090:
The Continuum Encyclopedia of Popular Music of the World
9047:
The Continuum Encyclopedia of Popular Music of the World
9020:
The Continuum Encyclopedia of Popular Music of the World
9008:
8898:
The Continuum Encyclopedia of Popular Music of the World
8883:
The Continuum Encyclopedia of Popular Music of the World
8868:
The Continuum Encyclopedia of Popular Music of the World
8866:
Barnard, Stephen; Donna Halper and Dave Laing. "Radio".
8745:
The Continuum Encyclopedia of Popular Music of the World
8672:
The Continuum Encyclopedia of Popular Music of the World
8608:
The Continuum Encyclopedia of Popular Music of the World
8605:
Pruter, Robert; Paul Oliver and The Editors. "Chicago".
8592:
The Continuum Encyclopedia of Popular Music of the World
8410:
The Continuum Encyclopedia of Popular Music of the World
8144:
The Continuum Encyclopedia of Popular Music of the World
8002:
The Continuum Encyclopedia of Popular Music of the World
7727:
The Continuum Encyclopedia of Popular Music of the World
7683:
7654:
The Continuum Encyclopedia of Popular Music of the World
7652:
Hilts, Janet; David Buckley and John Shepherd. "Crime".
7025:
The Continuum Encyclopedia of Popular Music of the World
6980:
The Continuum Encyclopedia of Popular Music of the World
6965:
The Continuum Encyclopedia of Popular Music of the World
6831:
The Continuum Encyclopedia of Popular Music of the World
6800:
6798:
6780:
The Continuum Encyclopedia of Popular Music of the World
6768:
6545:
The Continuum Encyclopedia of Popular Music of the World
4849:, the prostitution district of New Orleans, because the
4017:
becomes the first African American director of music at
3324:
becomes the first American opera to be performed at the
748:-run machine, to record Native American music and speech
711:
they composed produced, along with Emma Marcy Raymond's
542:, is signed; the United States will not sign until 1989.
122:
timeline of music in the United States from 1880 to 1919
9536:
9161:
Sonneborn, D. Atesh. "Snapshot: Sufi Music and Dance".
8376:
8374:
8372:
4972:, and "important compositional and theoretical primer".
1236:, almost always with live music played locally, begins.
1113:
event, an ensemble of musicians with a dancer known as
295:
begins its period of greatest popularity and influence.
9793:
9791:
9789:
8707:
8705:
7364:
Diamond, Beverly; Barbara Benary. "Indonesian Music".
7136:
7134:
6496:
6494:
6492:
6490:
5622:
5430:. New York: Continuum International Publishing Group.
5313:
Mellonnee V. Burnim; Portia K. Maultsby, eds. (2005).
4359:
and the Hawaiian guitar, which eventually becomes the
4118:
American Society of Composers, Authors, and Publishers
3731:
becomes the first contest devoted to music in schools.
3395:
performs its first show by an American composer, with
3232:, is the first known American stage production to use
2711:, achieving surprising success throughout the country.
2510:, becoming the first African American group to record.
2429:'s The Entertainer was enjoyed by the American public.
1807:. The first actual use of the word in a popular media
1517:. He is also offered the first music professorship at
839:
becomes the most prominent music publisher of the era.
355:'s prayers; the Slocums' followers come to create the
9996:
9994:
9653:
9651:
9649:
9647:
9645:
9643:
9475:
9473:
8822:
8820:
8729:
8727:
8725:
8723:
8656:
8654:
8394:
8392:
8203:
8201:
8085:
8083:
8081:
8079:
8077:
8075:
8073:
7899:
7897:
7676:
7674:
7672:
7528:
7526:
7489:
7487:
7485:
6795:
6414:
6412:
6410:
6408:
6406:
6404:
6402:
5892:
5802:
5426:
People Get Ready: A New History of Black Gospel Music
5338:
History of Public School Music - In the United States
5024:, a firm for African American composers, co-owned by
4680:) in reference to the performers he directed for the
4273:
to assist in implementing the musical reforms of the
4177:, the first black ensemble with a recording contract.
3709:", a song he had written for the mayoral campaign of
3358:, an influential development in the early history of
2033:'s union strikes for wages rather than profit shares.
1604:, the most successful African American songwriter in
10420:
Smith, Jeff. "The Film Industry and Popular Music".
9464:
Continuum Encyclopedia of Popular Music of the World
8369:
7315:
7313:
7196:
7194:
6902:
6900:
6807:
Continuum Encyclopedia of Popular Music of the World
6344:
6342:
6294:
6292:
6290:
6259:
6257:
6255:
6253:
6251:
6249:
6247:
6245:
6243:
5975:
John Shepherd; David Horn; Dave Laing; Paul Oliver;
5767:
Music Cultures in the United States: An Introduction
5488:
Rural Roots of Bluegrass: Songs, Stories and History
5294:
The Da Capo Jazz and Blues Lover's Guide to the U.S.
2291:
New Jubilee Songs as Sun by the Fisk Jubilee Singers
2055:
becomes the capital for African American culture in
10557:Berry, Jason; Jonathan Foose and Tad Jones (1986).
10395:
10393:
10161:
10159:
9786:
9418:
9416:
9374:
9372:
9129:
9127:
8702:
8585:
8583:
7914:
7912:
7887:
7885:
7131:
6578:
6576:
6574:
6572:
6487:
6478:
6227:
6225:
6223:
6221:
6219:
6217:
6215:
5113:, a film whose title song, "Mickey", is written by
4694:Congress authorizes the creation of a band for the
10740:
10720:
10641:
10558:
10279:
9991:
9925:
9640:
9606:
9604:
9470:
8861:
8859:
8817:
8720:
8651:
8389:
8198:
8164:
8162:
8070:
7894:
7866:
7864:
7862:
7860:
7669:
7629:
7627:
7550:
7523:
7482:
7121:
7119:
7117:
7115:
6646:
6644:
6642:
6640:
6638:
6636:
6399:
6213:
6211:
6209:
6207:
6205:
6203:
6201:
6199:
6197:
6195:
5915:
5850:
5506:
5423:
5400:
5377:
5314:
5291:
4067:found the first black-owned music publishing firm.
3469:becomes first all-white and all-male professional
3214:organizes the MacDowell Chorus, soon known as the
3176:in the American military are appointed; these are
1410:, who began series of very successful lectures on
835:neighborhood begins to form in New York City, and
10743:English Folk Songs From the Southern Appalachians
10455:
10030:
9214:
8598:
7363:
7310:
7191:
6897:
6377:
6375:
6339:
6287:
6240:
5853:The Cambridge Companion to Blues and Gospel Music
5375:
5358:America's Music: From the Pilgrims to the Present
5093:become the first states to sponsor band contests.
4616:The Ukulele: A Hawaiian Guitar and How to Play It
2686:, which is successful and launches the hit song "
2587:of Alabama begin working to change the words to "
1989:" is published; it is his "first and most famous
1923:The first African American nationalist composer,
1041:Irish-American dominance in musical theater ends.
610:becomes financially solvent as it specializes in
10751:
10731:
10703:Ethnomusicology: Historical and Regional Studies
10578:(53). Washington, D.C.: Smithsonian Institution.
10390:
10156:
9413:
9369:
9124:
8580:
8473:
7909:
7882:
7784:Miller, Terry, "Religion", pgs. 116–128, in the
7778:
7469:
7467:
7328:
7161:songbook for 1891, where it appears as Item 223.
6602:
6600:
6569:
6500:
5275:. Mechanicsburg, Pennsylvania: Stackpole Books.
4003:The "first black theater circuit" is founded by
1539:' label". These include "My Coal Black Lady" by
563:invents the first disc recording method and the
10582:
10565:. Athens, Georgia: University of Georgia Press.
9601:
9362:
9360:
9031:
9029:
8918:
8916:
8856:
8504:
8502:
8500:
8498:
8496:
8494:
8492:
8490:
8488:
8335:
8333:
8251:
8249:
8159:
7999:
7857:
7808:
7806:
7804:
7802:
7624:
7476:New Grove Dictionary of Music, Volume II: E - K
7473:
7234:
7232:
7230:
7228:
7226:
7224:
7112:
6971:
6633:
6192:
5958:Office of the Press Secretary (June 17, 2008).
4542:'s Sunday School and the Union Congress of the
4259:becomes the first violinist to record, for the
3604:is premiered in San Francisco, an early use of
3581:Mr. Jefferson, Lord, Play That Barbershop Chord
2680:, a popular songwriter, publishes the operetta
2486:is a milestone in Irish American music history.
1765:", one of his most popular songs and later the
10359:
10045:
9880:
8766:
8296:
8294:
8292:
8290:
8288:
8098:
8058:at a "rather obscure theater on Third Avenue".
7554:They All Sang: from Tony Pastor to Rudy Vallee
7093:
7091:
7089:
6746:
6744:
6461:
6459:
6457:
6455:
6453:
6434:
6432:
6430:
6372:
5354:
5248:organizes a black musicians summit in Chicago.
4367:" is usually credited with sparking the craze.
3292:for African American performers, is formed by
2867:The first radio broadcast of music is sent by
2742:becomes the first black symphony in the North.
2520:moves to the United States. His work with the
1717:creates a section for music-related materials.
272:, where a famous annual Easter performance of
10723:Early Jazz: Its Roots and Musical Development
10490:
10117:, as those who followed in Smith's footsteps.
9680:
9678:
8896:Laing, Dave. "Advertising of Popular Music".
8751:
8104:
7464:
7426:
7377:
7375:
6597:
6185:
6183:
6181:
5875:Folk Music USA: The Changing Voice of Protest
5603:
5403:The Sound of Light: A History of Gospel Music
4530:Jubilee Songs of the United States of America
3418:is formed to promote music in public schools.
3340:player, comes to the United States to spread
3050:" becomes the first to sell a million copies.
2466:becomes a major star after performing at the
2324:Seven Songs as Unpretentious as the Wild Rose
1920:hymnal to contain written music is published.
259:Plantation Melodies, Book of Negro Folk Songs
10570:Densmore, Frances (1913). "Chippewa Music".
10550:Uber die Musik der nordamerikanischen Wilden
10476:: CS1 maint: multiple names: authors list (
10437:
10027:Erbsen, pg. 13, quote cited to Sharp's diary
9916:
9806:
9692:
9690:
9660:
9521:
9435:Spotlight Biography: William Christian Handy
9404:
9402:
9357:
9234:
9232:
9103:
9101:
9099:
9026:
8913:
8589:
8485:
8330:
8246:
7799:
7457:
7455:
7453:
7221:
7140:
6977:
6949:
6947:
6945:
6543:Bastian, Vanessa. "Instrument Manufacture".
5685:(1). Croatian Musicological Society: 43–60.
5141:-like music; these songs include syncopated
3771:Spiritual Singers Society of Coastal Georgia
3527:that documents the music and culture of the
3008:launches the show that will become known as
2083:musical theater format begins to take shape.
1811:is in a Chicago newspaper article this year.
10700:
8520:The Continuum Encyclopedia of Popular Music
8425:The Continuum Encyclopedia of Popular Music
8285:
7595:The Continuum Encyclopedia of Popular Music
7474:Steiner, Fred; Martin Marks. "Film music".
7382:Rasmussen, Anne K. "Middle Eastern Music".
7322:
7143:The Continuum Encyclopedia of Popular Music
7086:
6991:
6989:
6837:
6741:
6735:The Continuum Encyclopedia of Popular Music
6450:
6427:
5623:Hitchcock, H. Wiley; Stanley Sadie (1984).
5490:. Pacific, Missouri: Mel Bay Publications.
4363:used primarily in country music. The song "
3553:" is "conspicuously representative" of the
1123:dancers leads to an increased awareness of
514:, articulates the messianic message of the
222:Über die Musik de nordamerikanischen Wilden
10672:: CS1 maint: location missing publisher (
10594:"Plains Ghost Dance and Great Basin Music"
10552:(in German). Liepzig: Breitkopf u. Härtel.
10182:
10180:
9675:
8300:
7372:
7357:
7239:Wright, Jacqueline R. B. "Concert Music".
7141:Horn, David; David Sanjek. "Sheet Music".
7105:
7103:
6715:
6713:
6711:
6709:
6707:
6705:
6703:
6701:
6178:
6142:
5638:Blues People: Negro Music in White America
5583:(4). University of Illinois Press: 73–87.
5549:The American Wind Band: A Cultural History
4806:", the first of many classically arranged
4220:Hardanger Violinist Association of America
3741:, becoming well known for his showmanship.
2853:, soon becoming one of the most prominent
2355:becomes head of the Music Division of the
268:The Bethany Oratorio Society is formed in
10712:The Devil's Music: A History of the Blues
10609:
10402:
9687:
9430:
9428:
9399:
9229:
9107:Clarke, pg. 68; Clarke cites this to the
9096:
7450:
6942:
5960:"President Bush Honors Black Music Month"
5893:Malone, Bill C.; David Stricklin (2003).
5803:Malone, Bill C.; David Stricklin (2003).
4324:Country Dance and Song Society of America
4311:The creative peak of jazz in New Orleans.
4208:" versions of a spiritual, specifically "
4204:composes and publishes one of the first "
2645:is invited to perform at the prestigious
2166:'s "My Ragtime Baby" wins a prize at the
1204:banned the singing of "Poor Ellen Smith".
534:The principal international agreement on
10718:
10569:
9221:Leger, James K. "Música Nuevomexicana".
8773:Trimillos, Ricardo D. "Filipino Music".
8000:Fabbri, Franco; John Shepherd. "Genre".
7551:Marks, Edward B.; A.J. Liebling (1934).
6986:
6888:
6138:
6136:
6134:
6132:
6130:
6074:
6034:
5913:
5871:
4727:
4420:claimed to be the first to use the word
3947:, especially after their performance in
3430:Norwegian Singers Association of America
1854:Clorindy, or The Origin of the Cake Walk
1402:makes the first known recordings of the
10741:Sharp, Cecil J.; Maud Karpeles (1924).
10684:Cowboy Songs and Other Frontier Ballads
10491:Buckley, David; Dave Laing. "Alcohol".
10464:The Garland Encyclopedia of World Music
10177:
10093:Southern, pgs. 289–290; Southern lists
10054:The Garland Encyclopedia of World Music
10039:The Garland Encyclopedia of World Music
9889:The Garland Encyclopedia of World Music
9800:The Garland Encyclopedia of World Music
9669:The Garland Encyclopedia of World Music
9223:The Garland Encyclopedia of World Music
9163:The Garland Encyclopedia of World Music
8775:The Garland Encyclopedia of World Music
8760:The Garland Encyclopedia of World Music
8714:The Garland Encyclopedia of World Music
8383:The Garland Encyclopedia of World Music
8381:Burnim, Mellonee V. "Religious Music".
8111:The Garland Encyclopedia of World Music
8050:Southern, pg. 303; Southern notes that
7815:The Garland Encyclopedia of World Music
7435:The Garland Encyclopedia of World Music
7384:The Garland Encyclopedia of World Music
7366:The Garland Encyclopedia of World Music
7241:The Garland Encyclopedia of World Music
7100:
6909:The Garland Encyclopedia of World Music
6753:The Garland Encyclopedia of World Music
6698:
6656:The Garland Encyclopedia of World Music
6609:The Garland Encyclopedia of World Music
6518:The Garland Encyclopedia of World Music
6503:The Garland Encyclopedia of World Music
6421:The Garland Encyclopedia of World Music
6384:The Garland Encyclopedia of World Music
6335:President Bush Honors Black Music Month
6234:The Garland Encyclopedia of World Music
6145:The Garland Encyclopedia of World Music
5997:
5936:
5918:The Cambridge History of American Music
5764:
5745:
5504:
5317:African American Music: An Introduction
5242:National Association of Negro Musicians
5096:Congress, on the suggestion of General
4768:Folk Songs of the Southern Appalachians
4194:, a composition that experimented with
3661:is the first American opera to display
3382:Cowboy Songs and Other Frontier Ballads
2174:'s band. This is the first exposure of
1706:The "golden age" of composition in the
1648:'s "Harlem Rag" is the first published
1345:glass slides the lyrics of their song "
1319:is the first "dance drummer to use the
1127:among Americans throughout the country.
407:" in the United States are held at the
403:The first "thorough representations of
10752:
10732:Fife, Austin E.; Alta S. Fife (1966).
10709:
10618:
10591:
10052:Levy, Mark. "Eastern European Music".
9425:
9282:Wisconsin Hometown Stories: Janesville
8470:Brooks, David, cited in Chase, pg. 434
8438:Wisconsin Hometown Stories: Janesville
7057:"Honoring George W. Johnson - At Last"
6143:Gooding, Erik D. (440–450). "Plains".
5827:
5783:
5726:
5574:
5565:
5546:
5527:
5485:
5421:
4334:in the Northeast US, including at the
4318:visits the United States and recruits
4007:. It will lead to the creation of the
3920:International Exhibition of Modern Art
3579:comes into usage with the release of "
2331:" is one of the other songs among the
2140:, to produce musicals, beginning with
265:, put together by an African American.
22:Timeline of music in the United States
10691:
10680:
10640:David Jasen; Trebor Tichenor (1978).
10547:
10018:Burk, Meierhoff and Phillips, pg. 268
9589:Burk, Meierhoff and Phillips, pg. 280
9160:
9154:
8772:
8712:Loza, Steven. "Hispanic California".
8590:Horn, David; David Sanjek. "Victor".
8577:Burk, Meierhoff and Phillips, pg. 231
7414:Burk, Meierhoff and Phillips, pg. 284
7381:
6978:Laing, Dave; Paul Oliver. "Catalog".
6479:Perkins, C. C.; J. S. Dwight (1883).
6447:Burk, Meierhoff and Phillips, pg. 229
6369:Burk, Meierhoff and Phillips, pg. 183
6127:
6053:
5848:
5676:
5660:. Department of State. Archived from
5631:
5474:
5463:
5444:
5398:
5335:
5137:publishes songs that spark a fad for
4941:piano grows popular in New York City.
4717:He's Got the Whole World in His Hands
4576:A bookstore in New York is opened by
4263:, but the results are never released.
3729:All-Kansas Music Competition Festival
3416:Music Supervisors National Conference
3121:is the first published collection of
2725:to be printed, both words and music".
809:. This group is variously called the
359:, of which music is an integral part.
224:is the first scholarly work to study
10727:. New York: Oxford University Press.
10696:. New York: Oxford University Press.
10360:Laing, Dave; John Shepherd. "Tour".
10036:
9797:
8742:
7689:
6733:and David Horn. "Music Publishing".
5705:
5289:
5268:
4735:, the first black bandmaster in the
3776:Within a week of the sinking of the
3769:of Georgia, eventually founding the
2835:, an integral part of the origin of
1763:On the Banks of the Wabash, Far Away
10287:Garland Encyclopedia of World Music
9933:Garland Encyclopedia of World Music
9750:
9244:Garland Encyclopedia of World Music
8880:
8481:Garland Encyclopedia of World Music
7905:Garland Encyclopedia of World Music
7127:Garland Encyclopedia of World Music
6907:Riis, Thomas L. "Musical Theater".
6891:A Hundred Years of Music in America
6804:
6584:Garland Encyclopedia of World Music
6542:
6509:
6467:Garland Encyclopedia of World Music
6350:Garland Encyclopedia of World Music
6265:Garland Encyclopedia of World Music
5655:
5151:begins, driving the consumption of
4169:. The Castles' recordings are with
3953:the following year. They work with
3869:Music School Settlement for Colored
3842:, and is also the first to win the
3676:'s bandmaster school is founded at
3167:From the Land of the Sky-Blue Water
3033:Music Educators National Conference
2585:United Daughters of the Confederacy
2024:Sells and Forepaugh Brothers Circus
2018:", with his group's performance in
1845:songs begin to appear on the stage.
1636:Practical Harmony on a French Basis
933:International Copyright Act of 1891
914:, a pioneering early collection of
690:A Hundred Years of Music in America
617:The modern form of Native American
13:
10745:. London: Oxford University Press.
10541:
9886:
9666:
9461:
9087:
9017:
8380:
7812:
7725:Laing, Dave. "Musicians' Unions".
7592:
7238:
7022:
6828:
6750:
6231:
6039:. New York: W.W. Norton & Co.
5878:. New York: Schirmer Trade Books.
5834:. New York: Simon & Schuster.
5788:. American Musicological Society.
4659:Concertino for Piano and Orchestra
4538:becomes the music director of the
4109:ends its period of dominating the
4009:Theater Owners Booking Association
3274:in print, in reference to dancing.
2214:, with music and lyrics mostly by
1932:National Federation of Music Clubs
1803:, pianist-composer, publishes the
1552:Church of God and Saints of Christ
861:by Peter Selmore and Noel Josephs.
74:Music history of the United States
14:
10811:
10419:
9667:Romero, Brenda M. "Great Lakes".
9220:
9044:
9018:Oliver, Paul. "Song Collecting".
8895:
8757:
8517:
8422:
8407:
8141:
7724:
7023:Oliver, Paul. "Field Recording".
6962:
6805:Linehan, Andrew. "Soundcarrier".
6778:Laing, Dave. "Berne Convention".
6777:
6751:Romero, Brenda M. "Great Basin".
6607:Asai, Susan M. "Japanese Music".
6515:
6381:
5784:Levine, Victoria Lindsay (2002).
5604:Hinkle-Turner, Elizabeth (2006).
5380:America's Musical Life: A History
4271:Society of St. Gregory of America
3620:, with a libretto by her mother,
2861:, who will become national stars.
1674:becomes the first major American
1528:pool their resources to form the
696:as the founder of American music.
254:is patented in the United States.
10529:
10520:
10511:
10499:
10484:
10446:
10428:
10413:
10381:
10368:
10353:
10344:
10335:
10326:
10317:
10291:
10270:
10261:
10252:
10243:
10234:
10225:
10216:
10207:
10198:
10189:
10168:
10147:
10138:
10129:
10120:
10087:
10078:
10069:
10060:
10051:
10021:
10012:
10003:
9982:
9973:
9964:
9955:
9946:
9937:
9904:
9895:
9871:
9862:
9842:
9833:
9824:
9815:
9777:
9768:
9759:
9744:
9735:
9726:
9717:
9708:
9699:
9631:
9622:
9613:
9592:
9583:
9574:
9565:
9530:
9509:
9500:
9491:
9482:
9455:
9446:
9390:
9381:
9348:
9339:
9330:
9321:
9312:
9303:
9275:
9266:
9257:
9248:
9205:
9196:
9187:
9178:
9169:
9145:
9136:
9115:
9081:
9072:
9063:
9053:
9038:
8997:
8988:
8979:
8970:
8961:
8952:
8943:
8934:
8925:
8904:
8889:
8874:
8847:
8838:
8829:
8808:
8799:
8790:
8781:
8736:
8711:
8687:
8678:
8663:
8642:
8571:
8562:
8553:
8544:
8535:
8526:
8518:Laing, Dave. "Record Industry".
8511:
8464:
8455:
8431:
8416:
8401:
8360:
8351:
8342:
8321:
8312:
8276:
8267:
8258:
8237:
8228:
8219:
8210:
8189:
8180:
8171:
8150:
8135:
8126:
8117:
8061:
8044:
8035:
8026:
8017:
8008:
7993:
7984:
7975:
7966:
7957:
7948:
7939:
7930:
7921:
7873:
7848:
7839:
7830:
7821:
7790:
7769:
7760:
7751:
7742:
7733:
7718:
7660:
7645:
7636:
7615:
7586:
7557:. The Viking Press. p. 321.
7535:
7514:
7505:
7496:
7441:
6906:
6606:
5899:. University Press of Kentucky.
5872:Lankford, Ronald D. Jr. (2005).
5712:. University of Illinois Press.
5361:. University of Illinois Press.
3608:in the field of classical music.
2822:United Booking Office of America
2719:Folk-Songs of the West and South
2389:American Federation of Musicians
2195:periodicals begin to be issued:
1547:'s "All Coons Look Alike to Me".
1499:American Federation of Musicians
1458:American Federation of Musicians
1349:" being performed by a group of
957:" to his largely white audience.
857:songs and stories, performed in
261:becomes the first collection of
17:
7417:
7408:
7399:
7390:
7301:
7292:
7283:
7274:
7265:
7256:
7247:
7212:
7203:
7182:
7173:
7164:
7149:
7077:
7049:
7040:
7031:
7016:
7007:
6998:
6956:
6933:
6924:
6915:
6882:
6873:
6864:
6855:
6846:
6822:
6813:
6786:
6759:
6722:
6689:
6680:
6671:
6662:
6624:
6615:
6588:
6560:
6551:
6524:
6472:
6441:
6390:
6363:
6354:
6328:
6319:
6310:
6301:
6278:
6057:Country: A Regional Exploration
5532:. Kent State University Press.
4743:The U.S. Navy appropriates the
3647:with a symphony orchestra, the
3617:Narcissa, or The Cost of Empire
3531:; it is often called the first
2516:performer and instrument maker
1947:builds the first coin-operated
1913:in New York City and elsewhere.
1832:, one of the earliest bluesmen.
1638:, a precursor and harbinger of
828:is recorded for the first time.
237:Fisk University Jubilee Singers
9887:Slobin, Mark. "Jewish Music".
9539:The Black Perspective in Music
8881:Millard, Andre. "Gramophone".
7593:Sanjek, David. "E. B. Marks".
6269:
6169:
6160:
6151:
6118:
6060:. Greenwood Publishing Group.
5922:. Cambridge University Press.
5857:. Cambridge University Press.
5384:. W. W. Norton & Company.
4838:, is an early use of the word
4709:When the Saints Go Marching In
4642:begins his teaching career at
4387:, based on a farce written by
4261:Victor Talking Machine Company
4184:hosts the American premier of
3498:are introduced to New Orleans.
3255:Theater Owners' Booking Agency
2880:Victor Talking Machine Company
2740:Philadelphia Concert Orchestra
2635:performed abroad (in London's
2631:is the first African American
2628:Walker and Williams in Dahomey
2529:Victor Talking Machine Company
2445:Walker and Williams in Dahomey
2400:Victor Talking Machine Company
2231:dies shortly after composing "
2106:", the official anthem of the
2000:attends a concert held by the
1282:begins presenting concerts of
1280:Henry Franklin Belknap Gilbert
1202:Forsyth County, North Carolina
910:Leopold Vincent publishes the
577:, immigrates to New York City.
1:
10611:10.1525/aa.1935.37.3.02a00040
10583:Samuel A. Floyd, ed. (1990).
9751:Millard, Andre. "Cylinders".
8743:Théberge, Paul. "Amplifier".
8092:New Grove Dictionary of Music
7786:Garland Encyclopedia of Music
6829:Gronow, Pekka. "Phonograph".
6483:. Boston: Stone & Forell.
5896:Southern Music/American Music
5806:Southern Music/American Music
5786:Writing American Indian Music
5475:Elson, Louis Charles (1912).
5467:The History of American Music
5464:Elson, Louis Charles (1915).
5336:Birge, Edward Bailey (2007).
5262:
5189:Canadian-born black composer
4476:consistently until the 1920s.
3894:company, a subsidiary of the
3737:becomes the conductor of the
3473:vocal quartet in the country.
3423:New York Philharmonic Society
3322:Iolan, Or, the Pipe of Desire
3109:Iolan, Or, the Pipe of Desire
3070:becomes the conductor of the
2986:" continues, with Southerner
2410:Zenobia, the Queen of Palmyra
1211:Overture is presented by the
1192:leads to the composition of "
1188:The murder of Ellen Smith in
1089:, took ten years to complete.
480:The Joust, Or, The Tournament
10587:. New York: Greenwood Press.
10572:Bureau of American Ethnology
10213:Malone and Stricklin, pg. 31
10107:Wendell Phillips High School
10037:Rahkonen, Carl. "Overview".
9452:Malone and Stricklin, pg. 45
8186:Malone and Stricklin, pg. 41
7936:Malone and Stricklin, pg. 52
7532:Malone and Stricklin, pg. 10
7331:Black Music Research Journal
6852:Malone and Stricklin, pg. 29
6382:Zheng, Su. "Chinese Music".
6097:"U.S. Army Bands in History"
5943:. Rowman & Littlefield.
5811:University Press of Kentucky
5746:Koskoff, Ellen, ed. (2000).
5019:Pace and Handy Music Company
4834:Estelle Harris at Chicago's
4762:English folk song collector
4756:Original Dixieland Jazz Band
4696:U.S. Army Corps of Engineers
4175:Syncopated Society Orchestra
4035:. Choruses led by Mundy and
3896:Melville Clark Piano Company
3881:Clef Club Symphony Orchestra
3858:Martin-Smith School of Music
3428:The first convention of the
3316:of Berlin. Later this year,
2921:premiers in New York at the
2859:Original Dixieland Jazz Band
2813:At a Congressional hearing,
2703:is commercially recorded by
2252:Newton Center, Massachusetts
1608:, has his biggest hit with "
1094:World's Columbian Exposition
7:
10760:Timelines of American music
9286:Wisconsin Public Television
8442:Wisconsin Public Television
7571:. PBS. 2004. Archived from
7423:Burnim and Maultsby, pg. 11
6889:Matthews, W. S. B. (1889).
6089:10.1177/0002716200569001006
5937:Peretti, Burton W. (2008).
5547:Hansen, Richard K. (2005).
4993:, is formally incorporated.
4868:Columbia Phonograph Company
4698:and headquarters companies.
4602:begins publishing Hawaiian
4540:National Baptist Convention
4462:Brown's Dixieland Jass Band
4436:American Guild of Organists
3826:The Red-Backed Book of Rags
3172:The first African American
2896:Gabel Automatic Entertainer
2593:United Confederate Veterans
2182:The Bach Choir of Bethlehem
1918:African Methodist Episcopal
1574:National Gramophone Company
953:(1861–1943) publishes "The
912:Alliance and Labor Songster
740:becomes the first to use a
715:and Emma Roberts Steiner's
621:traditions begin to evolve.
457:A Hawaiian schoolboy named
10:
10816:
10719:Schuller, Gunther (1968).
10681:Lomax, John Avery (1911).
10561:Up from the Cradle of Jazz
9462:Street, John. "Politics".
9296:" first published in 1901
9238:Livingston, Tamara E. and
9045:Laing, Dave. "Copyright".
7599:Sanjek specifically names
6652:Stillman, Amy Ku'uleialoha
5727:Komara, Edward M. (2006).
5528:Greene, Victor R. (2004).
5376:Crawford, Richard (2001).
5269:Abel, E. Lawrence (2000).
5193:is the first to arrange a
5170:Measures of Musical Talent
4279:encyclical issued by Pope
3797:George Whitefield Chadwick
3376:publishes a collection of
3268:The first use of the word
2849:becomes bandleader of the
1610:In the Baggage Coach Ahead
1554:is founded in Oklahoma by
1190:Mount Airy, North Carolina
1149:when it is chosen in 1931.
904:Chicago Symphony Orchestra
799:George Whitefield Chadwick
257:Rev. Marshall W. Taylor's
10701:Helen Myers, ed. (1993).
10323:Gates and Appiah, pg. 918
9110:Oxford English Dictionary
9088:Oliver, Paul. "Circuit".
8304:. "Early-music revival".
7262:Gates and Appiah, pg. 560
6035:Southern, Eileen (1997).
5729:Encyclopedia of the Blues
5706:Kirk, Elise Kuhl (2001).
5481:. The University Society.
5290:Bird, Christiane (2001).
5032:Charles Tomlinson Griffes
4353:Panama-Pacific Exposition
4191:Five Pieces for Orchestra
4182:Boston Symphony Orchestra
4047:Original Creole Orchestra
3717:'s "Baby Seal Blues" and
3627:A private performance of
3588:Victor Gramophone Company
3487:Early 1910s music trends
3386:American Folklore Society
2873:Brant Rock, Massachusetts
2415:An agreement between the
2396:Dinwiddie Colored Quartet
2124:Boston Symphony Orchestra
2104:Lift Every Voice and Sing
2059:and the entire mid-South.
2045:Early 1900s music trends
1996:African-English composer
1708:Second New England School
1626:Boston Symphony Orchestra
1598:) to instrumental music".
1232:The public exhibition of
1213:Boston Symphony Orchestra
1196:", set to the melody of "
1044:The husband-and-wife duo
1034:Early 1890s music trends
897:George Washington Johnson
812:Second New England School
761:installs a coin-operated
647:The Wreck of the Hesperus
634:is formed, modeled after
632:American Folklore Society
184:Boston Symphony Orchestra
79:
72:
20:
10736:. New York: C.N. Potter.
10548:Baker, Theodore (1881).
8408:Laing, Dave. "Bootleg".
7813:Monson, Ingrid. "Jazz".
7569:"Music Video 1900 Style"
6963:Laing, Dave. "Jukebox".
6112:
6037:Music of Black Americans
5914:Nicholls, David (1998).
5570:. iUniverse. 0595218768.
5256:Cambridge, Massachusetts
5049:Charles Wakefield Cadman
4899:Late 1910s music trends
4745:St. Thomas Juvenile Band
3818:Standard High-Class Rags
3551:Alexander's Ragtime Band
3216:New York Schola Cantorum
3163:Charles Wakefield Cadman
3080:publishes the education
2988:William Shakespeare Hays
2946:, begin to dominate the
2792:in music in the country.
2621:Estonian Singing Society
2298:Metropolitan Opera House
2271:record songs from black
2138:Port Gibson, Mississippi
2068:Violinist and cornetist
1685:Late 1890s music trends
1640:American classical music
1386:Bahama Songs and Stories
1143:The Star-Spangled Banner
701:Louisa Melvin Delos Mars
599:Late 1880s music trends
436:Lexington, Massachusetts
409:Metropolitan Opera House
343:Handel and Haydn Society
311:Office of Indian Affairs
10800:1910s in American music
10795:1900s in American music
10790:1890s in American music
10785:1880s in American music
10598:American Anthropologist
10592:Herzog, George (1935).
10505:Chase, pg. 419, citing
8758:Evans, David. "Blues".
6054:Tribe, Ivan M. (2006).
6000:Music Educators Journal
5765:Koskoff, Ellen (2005).
5566:Hardie, Daniel (2002).
5505:Gedutis, Susan (2005).
5445:Davis, Francis (2003).
5422:Darden, Robert (1996).
5355:Chase, Gilbert (2000).
5121:
5012:Chicago Musical College
4891:
4723:
4507:
4446:Famous Ladies Orchestra
4394:The score for the film
4365:On the Beach at Waikiki
4340:Plymouth, Massachusetts
4301:Mid-1910s music trends
4293:
4159:Vernon and Irene Castle
4099:
3902:
3696:
3506:
3448:Russian Orthodox Church
3278:
3136:
3061:
2906:
2831:in Los Angeles, led by
2807:
2671:
2600:Samuel Coleridge-Taylor
2572:Charles Fletcher Lummis
2560:
2433:
2339:
2317:(1862–1946) publishes "
2222:
2037:
1998:Samuel Coleridge-Taylor
1955:
1836:
1700:
1556:William Saunders Crowdy
1491:
1429:is his most successful
1367:
1305:passes a law requiring
1259:
1222:Mid 1890s music trends
1072:
961:
890:
837:Oliver Ditson & Co.
783:
664:
591:
546:
492:
449:Charles Fletcher Lummis
442:
397:
338:opens in New York City.
328:
302:Mid-1880s music trends
211:
173:
127:
10714:. New York: Taplinger.
10710:Oakley, Giles (1976).
10692:Marks, Martin (1997).
10687:. New York: Macmillan.
10222:Crawford, pgs. 600–601
10195:Crawford, pgs. 566–567
9854:faculty in 1919, when
9619:Southern, pgs. 288–289
9354:Crawford, pgs. 555–556
8940:Crawford, pgs. 541–542
8423:Laing, Dave. "Label".
8243:Crawford, pgs. 465–466
8142:Laing, Dave. "Agent".
7766:Crawford, pgs. 540–541
7739:Crawford, pgs. 381–382
6893:. Chicago: G. L. Howe.
6695:Southern, pgs. 324–325
6654:. "Polynesian Music".
5828:Miller, James (1999).
5750:. Garland Publishing.
5658:"Spotlight: Biography"
5608:. Ashgate Publishing.
5513:. Mick Moloney. UPNE.
5486:Erbsen, Wayne (2003).
5001:Million Dollar Theater
4987:Native American Church
4964:, while working under
4739:
3749:Concert of Negro Music
3739:Philadelphia Orchestra
3352:Homer Allen Rodeheaver
3198:Twenty-fourth Infantry
3115:N. Howard "Jack" Thorp
2608:Clarence Cameron White
2598:Afro-British composer
2508:Minneapolis, Minnesota
2329:Just Awearyin' for You
2259:Charles Albert Tindley
2152:performers, including
1446:The Wizard of the Nile
1303:New Orleans, Louisiana
1021:Harry Lawrence Freeman
705:Leoni, the Gypsy Queen
587:as a recording medium.
10770:20th century in music
10765:19th century in music
10648:. New York. pp.
10109:) and Lincoln High's
10095:Stanley Lee Henderson
9858:began studying there.
9165:. pp. 1042–1046.
8814:Southern, pg. 345–346
8777:. pp. 1024–1027.
7692:Electroacoustic music
7386:. pp. 1028–1041.
7368:. pp. 1011–1023.
6658:. pp. 1047–1053.
5983:. London: Continuum.
5849:Moore, Allan (2003).
5470:. Macmillan & Co.
5221:James Sylvester Scott
5006:A Kansas woman named
4970:New Musical Resources
4851:Secretary of the Navy
4731:
4715:, who also composed "
4702:Westfield, New Jersey
4648:Kansas City, Missouri
4640:Nathaniel Clark Smith
4627:New Songs of Paradise
4516:arranges a series of
4397:The Birth of a Nation
4015:Robert Nathaniel Dett
3602:Adventures in Harmony
3592:Frances Elliott Clark
3561:" of the ragtime era.
3240:Charles "Doc" Herrold
3206:Twenty-fifth Infantry
3026:Native American music
3018:Natalie Curtis Burlin
2961:in Boston opens as a
2869:Reginald A. Fessenden
2550:Tutwiler, Mississippi
2542:'s "Two Little Boys".
2502:and his band record "
2448:, with the comic duo
2296:The librarian of the
2287:Frederick Jerome Work
2186:Johann Sebastian Bach
2134:Jacksonville, Florida
2020:Madison Square Garden
1939:William Morris Agency
1515:Native American music
1412:Native American music
1347:The Little Lost Child
1198:How Firm a Foundation
1135:America the Beautiful
984:Native American music
976:National Conservatory
951:Charles Davis Tillman
870:Wounded Knee Massacre
826:Native American music
653:The Skeleton in Armor
378:Indianapolis, Indiana
287:Chinese Exclusion Act
230:University of Leipzig
226:Native American music
10378:, though it was not.
10305:on November 12, 2007
10276:Clarke, pgs. 185-186
9868:Darden, pgs. 134–135
9240:Katherine K. Preston
8366:Darden, pgs. 162–163
7605:James Weldon Johnson
7597:. pp. 588–589.
6124:Hinkle-Turner, pg. 1
5551:. GIA Publications.
5180:Ringling-Barnum Band
4845:The Navy shuts down
4824:W. Benton Overstreet
4670:W. Benton Overstreet
4654:John Alden Carpenter
4588:Ellen O'Byrne DeWitt
4584:Irish American music
4559:The Fall of a Nation
4544:Baptist Young People
4460:forms a white band,
4224:Ellsworth, Wisconsin
4138:James Weldon Johnson
3814:John Stillwell Stark
3684:in New York, led by
3119:Songs of the Cowboys
2996:Louisville, Kentucky
2948:theaters of Broadway
2837:Holiness-Pentecostal
2829:Azusa Street Revival
2580:is built in Chicago.
2406:Louise Adolph Coerne
2201:School Music Monthly
2100:James Weldon Johnson
2074:Ladies Military Band
2002:Fisk Jubilee Singers
1970:John Stillwell Stark
1141:, Colorado. Though "
683:Piano Concerto No. 2
636:the Folklore Society
147:'s second symphony,
137:The Native American
89:During the Civil War
10705:. New York: Norton.
10633:1955SciMo..81..215H
10495:. pp. 149–152.
10466:. pp. 554–569.
10424:. pp. 499–504.
10364:. pp. 567–568.
10115:William Levi Dawson
10056:. pp. 908–918.
10041:. pp. 820–830.
9910:Crawford, pg. 568;
9891:. pp. 933–945.
9848:Crawford, pg. 569;
9802:. pp. 705–715.
9755:. pp. 508–509.
9671:. pp. 451–460.
9515:Crawford, pg. 546;
9466:. pp. 299–294.
9225:. pp. 754–769.
9092:. pp. 541–542.
9049:. pp. 481–485.
8900:. pp. 530–532.
8870:. pp. 451–461.
8844:Chase, pg. 506, 508
8762:. pp. 637–649.
8747:. pp. 505–506.
8716:. pp. 734–753.
8697:Confederate Veteran
8674:. pp. 200–204.
8594:. pp. 768–769.
8522:. pp. 637–641.
8327:Clarke, pg. 103-104
8146:. pp. 532–533.
8113:. pp. 718–733.
8004:. pp. 401–404.
7981:Clarke, pgs. 59, 66
7945:Jones, pgs. 144–145
7817:. pp. 650–666.
7729:. pp. 785–787.
7656:. pp. 189–196.
7609:J. Rosamond Johnson
7437:. pp. 572–591.
7243:. pp. 603–613.
7145:. pp. 599–605.
6967:. pp. 513–515.
6911:. pp. 614–623.
6833:. pp. 517–518.
6809:. pp. 359–366.
6782:. pp. 480–481.
6755:. pp. 420–427.
6737:. pp. 595–599.
6611:. pp. 967–974.
6547:. pp. 526–529.
6520:. pp. 504–518.
6505:. pp. 480–490.
6423:. pp. 866–881.
6386:. pp. 957–966.
6275:Chase, pgs. 363–364
6236:. pp. 519–553.
5399:Cusic, Don (1990).
5178:begins leading the
5127:Popular bandleader
4772:Olive Dame Campbell
4644:Lincoln High School
4634:Emma Azalia Hackley
4565:English folklorist
4389:Phillip Bartholomae
4314:English folklorist
4210:Listen to the Lambs
3805:is rejected by the
3543:That Mysterious Rag
3476:"A Perfect Day" by
3300:Arthur Finlay Nevin
3226:John Phillips Sousa
2886:, the most popular
2637:Shaftesbury Theatre
2476:The publication of
2357:Library of Congress
2279:John Wesley Work II
2237:Frank Lebby Stanton
2096:J. Rosamond Johnson
2089:is built in Boston.
1805:Rag-time Instructor
1715:Library of Congress
1666:John Phillips Sousa
1568:of Native American
1519:Columbia University
1274:Old South Quartette
1131:Katherine Lee Bates
940:A Trip to Chinatown
851:Jesse Walter Fewkes
844:A Trip to Chinatown
727:The Washington Post
688:W. S. B. Matthews'
650:is, along with his
529:The Gladiator March
469:St. Louis, Missouri
180:Henry Lee Higginson
10621:Scientific Monthly
10332:Chase, pg. 350–351
10299:"A Moment in Time"
10099:Sumner High School
9877:Clarke, pgs. 72-73
9852:Harvard University
9798:Garofalo, Reebee.
9440:2008-07-24 at the
8634:has generic name (
8052:A Trip to Coontown
5627:. Macmillan Press.
5244:is founded, after
5129:James Reese Europe
5115:Charles N. Daniels
5055:James Reese Europe
4976:Charles N. Daniels
4830:", popularized by
4779:October Revolution
4740:
4737:United States Navy
4622:Charles A. Tindley
4614:instruction book,
4383:and a libretto by
4222:is established in
4171:James Reese Europe
3955:James Reese Europe
3844:Sanford Fellowship
3820:, a collection of
3807:Metropolitan Opera
3745:James Reese Europe
3721:'s "Dallas Blues".
3674:United States Army
3576:barbershop quartet
3533:ethnomusicological
3517:Francis La Flesche
3478:Carrie Jacobs-Bond
3408:Mexican Revolution
3401:The Pipe of Desire
3397:Frederick Converse
3393:Metropolitan Opera
3326:Metropolitan Opera
3318:Frederick Converse
3294:James Reese Europe
3257:is founded by the
3246:, start the first
3186:Alfred Jack Thomas
3105:Frederick Converse
3072:Metropolitan Opera
3011:Ziegfeld's Follies
2955:Intercolonial Hall
2923:Metropolitan Opera
2833:William J. Seymour
2815:John Philips Sousa
2786:Harvard University
2758:James Reese Europe
2665:radio broadcasting
2604:Harlem Renaissance
2468:Metropolitan Opera
2417:Gramophone Company
2315:Carrie Jacobs-Bond
2233:Mighty Lak' a Rose
2178:to most Europeans.
2172:John Philips Sousa
1968:" is published by
1911:Puerto Rican music
1884:A Trip to Coontown
1864:A Trip to Coontown
1730:A Trip to Coontown
1658:shows begin using
1421:John Philips Sousa
1382:Charles L. Edwards
1287:Harvard University
1270:Four Harmony Kings
1087:Francis La Flesche
1050:Charles E. Johnson
817:Boston Classicists
791:John Knowles Paine
608:Metropolitan Opera
411:in New York, with
336:Metropolitan Opera
145:John Knowles Paine
10526:Southern, pg. 312
10452:Crawford, pg. 567
10443:Crawford, pg. 562
10434:Crawford, pg. 554
10350:Southern, pg. 353
10258:Crawford, pg. 627
10153:Southern, pg. 307
10144:Crawford, pg. 466
10126:Southern, pg. 331
10084:Southern, pg. 458
10000:Southern, pg. 367
9970:Southern, pg. 286
9961:Southern, pg. 382
9922:Crawford, pg. 759
9839:Southern, pg. 347
9821:Crawford, pg. 547
9812:Crawford, pg. 538
9765:Bird, pgs.106-107
9741:Southern, pg. 345
9732:Southern, pg. 278
9723:Southern, pg. 298
9657:Southern, pg. 366
9637:Crawford, pg. 566
9628:Southern, pg. 292
9527:Crawford, pg. 585
9488:Southern, pg. 339
9479:Southern, pg. 338
9366:Crawford, pg. 581
9345:Southern, pg. 330
9327:Crawford, pg. 546
9318:Crawford, pg. 399
9309:Crawford, pg. 564
9263:Southern, pg. 453
9202:Crawford, pg. 609
9121:Crawford, pg. 552
9078:Southern, pg. 306
9035:Crawford, pg. 527
9022:. pp. 43–46.
8994:Crawford, pg. 583
8922:Crawford, pg. 526
8853:Southern, pg. 291
8835:Crawford, pg. 469
8826:Southern, pg. 349
8805:Southern, pg. 302
8796:Southern, pg. 296
8733:Southern, pg. 284
8660:Southern, pg. 310
8648:Southern, pg. 308
8559:Southern, pg. 304
8508:Southern, pg. 222
8461:Crawford, pg. 502
8398:Southern, pg. 282
8348:Southern, pg. 268
8339:Crawford, pg. 438
8282:Southern, pg. 319
8273:Southern, pg. 299
8255:Crawford, pg. 478
8216:Southern, pg. 300
8207:Southern, pg. 295
8177:Southern, pg. 322
8156:Crawford, pg. 543
8132:Southern, pg. 269
8094:. pp. 11–21.
8032:Crawford, pg. 541
7827:Southern, pg. 320
7796:Southern, pg. 317
7757:Crawford, pg. 476
7694:. pp. 30–35.
7690:Schrader, Barry.
7680:Southern, pg. 221
7541:Southern, pg. 344
7493:Southern, pg. 343
7319:Southern, pg. 283
7307:Crawford, pg. 539
7298:Southern, pg. 329
7271:Crawford, pg. 396
7253:Crawford, pg. 484
7209:Crawford, pg. 479
7200:Crawford, pg. 455
7170:Southern, pg. 267
7097:Crawford, pg. 497
7083:Crawford, pg. 449
7037:Southern, pg. 301
7027:. pp. 25–26.
7013:Crawford, pg. 471
7004:Crawford, pg. 389
6995:Crawford, pg. 352
6939:Southern, pg. 288
6879:Crawford, pg. 373
6843:Crawford, pg. 604
6792:Southern, pg. 309
6630:Crawford, pg. 437
6530:Southern, pg. 237
6438:Crawford, pg. 525
6298:Crawford, pg. 383
6189:Crawford, pg. 311
6166:Southern, pg. 242
6099:. U.S. Army Bands
5950:978-0-7425-5811-3
5449:. Da Capo Press.
5407:. Popular Press.
5347:978-1-4067-5617-3
5340:. Oliver Ditson.
5298:. Da Capo Press.
5191:R. Nathaniel Dett
4947:
4946:
4800:Harry T. Burleigh
4514:Harry T. Burleigh
4496:Musical Quarterly
4432:Melville Charlton
4418:Clarence Williams
4413:Jelly Roll Morton
4402:Joseph Carl Breil
4348:
4347:
4267:Nicola A. Montani
4202:R. Nathaniel Dett
4186:Arnold Schoenberg
4130:Harry T. Burleigh
4019:Hampton Institute
4005:Sherman H. Dudley
3986:L'arte dei rumori
3854:Helen Elise Smith
3840:Bachelor of Music
3763:St. Simons Island
3735:Leopold Stokowski
3711:Edward Hull Crump
3707:The Memphis Blues
3649:Hartford Symphony
3504:
3503:
3454:R. Nathaniel Dett
3314:Royal Opera House
3230:The American Maid
3220:Renaissance music
3082:School of Ragtime
2788:grants the first
2760:and later led by
2614:Charles F. Lummis
2536:Theodore F. Morse
2281:, a professor at
2235:" with lyrics by
2136:but from 1918 in
2065:
2064:
1974:Sedalia, Missouri
1925:Harry T. Burleigh
1797:Metropolitan Band
1785:Theodore Northrup
1698:
1697:
1392:collected in the
1351:Primrose and West
1257:
1256:
1070:
1069:
1006:Charles K. Harris
996:John Philip Sousa
955:Old Time Religion
723:John Philip Sousa
627:
626:
571:Abraham Goldfaden
525:John Philip Sousa
426:Potsdam, New York
422:Julia Ettie Crane
326:
325:
270:Lindsborg, Kansas
241:Chester A. Arthur
157:Gussie Lord Davis
118:
117:
93:Late 19th century
10807:
10746:
10737:
10728:
10726:
10715:
10706:
10697:
10688:
10677:
10671:
10663:
10647:
10644:Rags and Ragtime
10636:
10615:
10613:
10588:
10579:
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10187:
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10175:
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10166:
10163:
10154:
10151:
10145:
10142:
10136:
10135:Bird, pgs. 24-25
10133:
10127:
10124:
10118:
10091:
10085:
10082:
10076:
10073:
10067:
10066:Gedutis, pg. 149
10064:
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9346:
9343:
9337:
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9328:
9325:
9319:
9316:
9310:
9307:
9301:
9294:I Love You Truly
9279:
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8755:
8749:
8748:
8740:
8734:
8731:
8718:
8717:
8709:
8700:
8691:
8685:
8684:Bird, pgs. 80-81
8682:
8676:
8675:
8667:
8661:
8658:
8649:
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8175:
8169:
8166:
8157:
8154:
8148:
8147:
8139:
8133:
8130:
8124:
8123:Southern, pg. 82
8121:
8115:
8114:
8105:Sheehy, Daniel;
8102:
8096:
8095:
8087:
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8059:
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7011:
7005:
7002:
6996:
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6984:
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6928:
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6859:
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6738:
6726:
6720:
6717:
6696:
6693:
6687:
6684:
6678:
6675:
6669:
6668:Koskoff, pg. 130
6666:
6660:
6659:
6648:
6631:
6628:
6622:
6619:
6613:
6612:
6604:
6595:
6592:
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6394:
6388:
6387:
6379:
6370:
6367:
6361:
6358:
6352:
6346:
6337:
6332:
6326:
6325:Nicholls, pg. 28
6323:
6317:
6316:Levine, pg. xxxv
6314:
6308:
6305:
6299:
6296:
6285:
6282:
6276:
6273:
6267:
6261:
6238:
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6108:
6106:
6104:
6092:
6071:
6050:
6031:
5994:
5971:
5969:
5967:
5954:
5940:Lift Every Voice
5933:
5921:
5910:
5889:
5868:
5856:
5845:
5824:
5799:
5780:
5761:
5742:
5723:
5702:
5673:
5671:
5669:
5664:on July 24, 2008
5652:
5628:
5619:
5600:
5571:
5562:
5543:
5524:
5512:
5501:
5482:
5471:
5460:
5441:
5429:
5418:
5406:
5395:
5383:
5372:
5351:
5332:
5320:
5309:
5297:
5286:
5233:", performed by
5098:John J. Pershing
5083:serve as judges.
5057:'s band for the
5037:Sonata for Piano
5022:music publishing
4896:
4409:Jelly Roll Blues
4298:
4251:James P. Johnson
4238:Freddie Kreppard
4228:Hardanger fiddle
4134:Will Marion Cook
3930:Frances Densmore
3761:begins going to
3690:Arthur A. Clappe
3688:and directed by
3682:Governors Island
3622:Sarah Pratt Carr
3494:Dances like the
3484:
3460:Homer Rodeheaver
3436:Vassily Andreyev
3259:Barasso Brothers
3095:Edward L. Gruber
3068:Arturo Toscanini
3022:The Indians Book
3006:Florenz Ziegfeld
2770:barbershop music
2762:Will Marion Cook
2754:Memphis Students
2518:Arnold Dolmetsch
2490:J. Berni Barbour
2460:and on Broadway.
2440:Will Marion Cook
2319:I Love You Truly
2300:makes the first
2168:Paris Exposition
2120:Amy Cheney Beach
2114:Harry Von Tilzer
2070:Helen May Butler
2042:
1849:Will Marion Cook
1773:William H. Krell
1751:in place of the
1682:
1616:Amy Cheney Beach
1408:Frances Densmore
1317:Dee Dee Chandler
1219:
1194:Poor Ellen Smith
1031:
1000:U.S. Marine Band
980:African American
821:Boston Academics
773:Columbia Records
738:J. Walter Fewkes
596:
573:, the father of
540:Berne Convention
393:to be published.
367:Music in America
299:
85:to the Civil War
18:
10815:
10814:
10810:
10809:
10808:
10806:
10805:
10804:
10750:
10749:
10665:
10664:
10660:
10544:
10542:Further reading
10539:
10534:
10530:
10525:
10521:
10516:
10512:
10504:
10500:
10489:
10485:
10469:
10468:
10460:
10456:
10451:
10447:
10442:
10438:
10433:
10429:
10418:
10414:
10409:U.S. Army Bands
10407:
10403:
10399:Hansen, pg. 251
10398:
10391:
10387:Peretti, pg. 66
10386:
10382:
10373:
10369:
10358:
10354:
10349:
10345:
10340:
10336:
10331:
10327:
10322:
10318:
10308:
10306:
10297:
10296:
10292:
10284:
10280:
10275:
10271:
10266:
10262:
10257:
10253:
10249:Clarke, pg. 123
10248:
10244:
10239:
10235:
10230:
10226:
10221:
10217:
10212:
10208:
10203:
10199:
10194:
10190:
10186:Bird, pg. 17-19
10185:
10178:
10173:
10169:
10165:Hansen, pg. 249
10164:
10157:
10152:
10148:
10143:
10139:
10134:
10130:
10125:
10121:
10092:
10088:
10083:
10079:
10074:
10070:
10065:
10061:
10050:
10046:
10035:
10031:
10026:
10022:
10017:
10013:
10009:Darden, pg. 163
10008:
10004:
9999:
9992:
9987:
9983:
9978:
9974:
9969:
9965:
9960:
9956:
9951:
9947:
9942:
9938:
9930:
9926:
9921:
9917:
9909:
9905:
9901:Souchon, pg. 43
9900:
9896:
9885:
9881:
9876:
9872:
9867:
9863:
9847:
9843:
9838:
9834:
9829:
9825:
9820:
9816:
9811:
9807:
9796:
9787:
9783:Darden, pg. 199
9782:
9778:
9773:
9769:
9764:
9760:
9749:
9745:
9740:
9736:
9731:
9727:
9722:
9718:
9713:
9709:
9704:
9700:
9695:
9688:
9684:Clarke, pg. 126
9683:
9676:
9665:
9661:
9656:
9641:
9636:
9632:
9627:
9623:
9618:
9614:
9609:
9602:
9597:
9593:
9588:
9584:
9580:Darden, pg. 143
9579:
9575:
9570:
9566:
9551:10.2307/1214304
9535:
9531:
9526:
9522:
9514:
9510:
9505:
9501:
9496:
9492:
9487:
9483:
9478:
9471:
9460:
9456:
9451:
9447:
9442:Wayback Machine
9433:
9426:
9422:Hansen, pg. 247
9421:
9414:
9409:U.S. Army Bands
9407:
9400:
9395:
9391:
9386:
9382:
9378:Darden, pg. 135
9377:
9370:
9365:
9358:
9353:
9349:
9344:
9340:
9335:
9331:
9326:
9322:
9317:
9313:
9308:
9304:
9280:
9276:
9271:
9267:
9262:
9258:
9254:Koskoff, pg. 70
9253:
9249:
9237:
9230:
9219:
9215:
9210:
9206:
9201:
9197:
9193:Lankford, pg. 6
9192:
9188:
9183:
9179:
9174:
9170:
9159:
9155:
9150:
9146:
9141:
9137:
9133:Peretti, pg. 65
9132:
9125:
9120:
9116:
9106:
9097:
9086:
9082:
9077:
9073:
9068:
9064:
9058:
9054:
9043:
9039:
9034:
9027:
9016:
9009:
9004:U.S. Army Bands
9002:
8998:
8993:
8989:
8984:
8980:
8976:Struble, pg. 11
8975:
8971:
8966:
8962:
8957:
8953:
8948:
8944:
8939:
8935:
8931:Gedutis, pg. 42
8930:
8926:
8921:
8914:
8910:Clarke, pg. 228
8909:
8905:
8894:
8890:
8879:
8875:
8864:
8857:
8852:
8848:
8843:
8839:
8834:
8830:
8825:
8818:
8813:
8809:
8804:
8800:
8795:
8791:
8786:
8782:
8771:
8767:
8756:
8752:
8741:
8737:
8732:
8721:
8710:
8703:
8692:
8688:
8683:
8679:
8668:
8664:
8659:
8652:
8647:
8643:
8631:
8630:
8621:
8620:
8613:
8611:
8603:
8599:
8588:
8581:
8576:
8572:
8567:
8563:
8558:
8554:
8550:Peretti, pg. 51
8549:
8545:
8540:
8536:
8532:Clarke, pg. 100
8531:
8527:
8516:
8512:
8507:
8486:
8478:
8474:
8469:
8465:
8460:
8456:
8436:
8432:
8421:
8417:
8406:
8402:
8397:
8390:
8379:
8370:
8365:
8361:
8357:Struble, pg. 71
8356:
8352:
8347:
8343:
8338:
8331:
8326:
8322:
8317:
8313:
8308:. pp. 2–6.
8299:
8286:
8281:
8277:
8272:
8268:
8263:
8259:
8254:
8247:
8242:
8238:
8233:
8229:
8224:
8220:
8215:
8211:
8206:
8199:
8194:
8190:
8185:
8181:
8176:
8172:
8167:
8160:
8155:
8151:
8140:
8136:
8131:
8127:
8122:
8118:
8103:
8099:
8088:
8071:
8067:Clarke, pg. 103
8066:
8062:
8049:
8045:
8040:
8036:
8031:
8027:
8022:
8018:
8013:
8009:
7998:
7994:
7990:Komara, pg. 767
7989:
7985:
7980:
7976:
7971:
7967:
7962:
7958:
7953:
7949:
7944:
7940:
7935:
7931:
7926:
7922:
7918:Peretti, pg. 50
7917:
7910:
7902:
7895:
7891:Hansen, pg. 241
7890:
7883:
7879:Hansen, pg. 240
7878:
7874:
7869:
7858:
7853:
7849:
7845:Struble, pg. 36
7844:
7840:
7836:Erbsen, pg. 124
7835:
7831:
7826:
7822:
7811:
7800:
7795:
7791:
7783:
7779:
7774:
7770:
7765:
7761:
7756:
7752:
7747:
7743:
7738:
7734:
7723:
7719:
7707:
7706:
7697:
7696:
7688:
7684:
7679:
7670:
7665:
7661:
7650:
7646:
7641:
7637:
7632:
7625:
7621:Darden, pg. 128
7620:
7616:
7591:
7587:
7578:
7576:
7567:
7566:
7562:
7549:
7545:
7540:
7536:
7531:
7524:
7519:
7515:
7511:Darden, pg. 156
7510:
7506:
7502:Darden, pg. 148
7501:
7497:
7492:
7483:
7472:
7465:
7460:
7451:
7447:Erbsen, pg. 134
7446:
7442:
7431:
7427:
7422:
7418:
7413:
7409:
7404:
7400:
7395:
7391:
7380:
7373:
7362:
7358:
7327:
7323:
7318:
7311:
7306:
7302:
7297:
7293:
7288:
7284:
7279:
7275:
7270:
7266:
7261:
7257:
7252:
7248:
7237:
7222:
7217:
7213:
7208:
7204:
7199:
7192:
7187:
7183:
7178:
7174:
7169:
7165:
7154:
7150:
7139:
7132:
7124:
7113:
7108:
7101:
7096:
7087:
7082:
7078:
7068:
7066:
7059:
7055:
7054:
7050:
7045:
7041:
7036:
7032:
7021:
7017:
7012:
7008:
7003:
6999:
6994:
6987:
6976:
6972:
6961:
6957:
6953:Clarke, pg. 229
6952:
6943:
6938:
6934:
6929:
6925:
6920:
6916:
6905:
6898:
6887:
6883:
6878:
6874:
6869:
6865:
6860:
6856:
6851:
6847:
6842:
6838:
6827:
6823:
6818:
6814:
6803:
6796:
6791:
6787:
6776:
6769:
6764:
6760:
6749:
6742:
6727:
6723:
6718:
6699:
6694:
6690:
6685:
6681:
6676:
6672:
6667:
6663:
6649:
6634:
6629:
6625:
6620:
6616:
6605:
6598:
6593:
6589:
6581:
6570:
6565:
6561:
6556:
6552:
6541:
6534:
6529:
6525:
6514:
6510:
6499:
6488:
6477:
6473:
6464:
6451:
6446:
6442:
6437:
6428:
6417:
6400:
6395:
6391:
6380:
6373:
6368:
6364:
6360:Darden, pg. 126
6359:
6355:
6347:
6340:
6333:
6329:
6324:
6320:
6315:
6311:
6306:
6302:
6297:
6288:
6284:Hansen, pg. 233
6283:
6279:
6274:
6270:
6262:
6241:
6230:
6193:
6188:
6179:
6175:Hansen, pg. 223
6174:
6170:
6165:
6161:
6156:
6152:
6141:
6128:
6123:
6119:
6115:
6102:
6100:
6095:
6068:
6047:
6012:10.2307/3388229
5991:
5979:, eds. (2003).
5965:
5963:
5951:
5930:
5907:
5886:
5865:
5842:
5821:
5796:
5777:
5758:
5739:
5720:
5667:
5665:
5649:
5616:
5589:10.2307/3051563
5559:
5540:
5521:
5498:
5457:
5438:
5415:
5392:
5369:
5348:
5329:
5306:
5283:
5265:
5252:Ryles Jazz Club
5227:George Gershwin
5204:Chariot Jubilee
5197:in a classical
5124:
4894:
4814:George M. Cohan
4726:
4528:traditions, in
4510:
4381:Schuyler Greene
4379:with lyrics by
4376:Very Good Eddie
4332:country dancing
4296:
4257:Joseph Douglass
4167:Florence Walton
4152:St. Louis Blues
4102:
4051:Freddie Keppard
4037:J. Wesley Jones
3996:, who composes
3950:Watch Your Step
3905:
3850:David I. Martin
3836:Yale University
3791:Portland, Maine
3699:
3686:Walter Damrosch
3612:Mary Carr Moore
3565:Charles Griffes
3545:" is the first
3521:The Omaha Tribe
3509:
3467:Vaughan Quartet
3364:Rainbow Records
3281:
3234:motion pictures
3202:Egbert Thompson
3139:
3064:
3048:Vesti la Giubba
2977:Joseph W. Stern
2935:The Merry Widow
2928:Beginning with
2913:Richard Strauss
2909:
2847:Freddie Keppard
2810:
2795:A standardized
2776:Hallie Anderson
2772:for some songs.
2756:, organized by
2674:
2563:
2500:Wilbur Sweatman
2483:O'Neill's Music
2478:Francis O'Neill
2436:
2374:Aeolian Company
2342:
2283:Fisk University
2229:Ethelbert Nevin
2225:
2193:music education
2170:, performed by
2142:A Rabbit's Foot
2040:
2012:Perry J. Lowery
1958:
1888:musical theater
1839:
1820:origins of jazz
1703:
1660:motion pictures
1632:Homer A. Norris
1621:Gaelic Symphony
1602:Gussie L. Davis
1541:W. T. Jefferson
1505:Edward McDowell
1494:
1480:introduces the
1464:Thaddeus Cahill
1370:
1327:Edward B. Marks
1295:begins selling
1262:
1234:motion pictures
1207:Ruthven Lang's
1152:Czech composer
1147:national anthem
1110:Joseph Douglass
1075:
990:Papa Jack Laine
964:
945:musical theater
893:
786:
753:Oberlin College
679:Edward McDowell
672:Polish American
667:
642:Arthur W. Foote
594:
575:Yiddish theater
549:
512:Northern Paiute
495:
445:
400:
331:
293:Yiddish theatre
282:is shown today.
214:
205:variety theater
191:Thomas B. Harms
176:
167:Patrick Gilmore
130:
12:
11:
5:
10813:
10803:
10802:
10797:
10792:
10787:
10782:
10780:1890s in music
10777:
10775:1880s in music
10772:
10767:
10762:
10748:
10747:
10738:
10729:
10716:
10707:
10698:
10689:
10678:
10658:
10637:
10627:(5): 215–220.
10616:
10604:(3): 403–419.
10589:
10580:
10567:
10554:
10543:
10540:
10538:
10537:
10528:
10519:
10517:Chase, pg. 475
10510:
10507:William Bolcom
10498:
10483:
10454:
10445:
10436:
10427:
10412:
10401:
10389:
10380:
10367:
10352:
10343:
10341:Chase, pg. 545
10334:
10325:
10316:
10290:
10278:
10269:
10260:
10251:
10242:
10233:
10231:Chase, pg. 374
10224:
10215:
10206:
10204:Chase, pg. 507
10197:
10188:
10176:
10174:Jones, pg. 143
10167:
10155:
10146:
10137:
10128:
10119:
10086:
10077:
10075:Chase, pg. 472
10068:
10059:
10044:
10029:
10020:
10011:
10002:
9990:
9981:
9972:
9963:
9954:
9952:Jones, pg. 146
9945:
9943:Chase, pg. 375
9936:
9924:
9915:
9903:
9894:
9879:
9870:
9861:
9856:Virgil Thomson
9841:
9832:
9830:Chase, pg. 333
9823:
9814:
9805:
9785:
9776:
9767:
9758:
9743:
9734:
9725:
9716:
9714:Chase, pg. 450
9707:
9705:Chase, pg. 449
9698:
9696:Jones, pg. 111
9686:
9674:
9659:
9639:
9630:
9621:
9612:
9610:Chase, pg. 423
9600:
9598:Chase, pg. 390
9591:
9582:
9573:
9571:Darden, pg. 71
9564:
9529:
9520:
9508:
9499:
9490:
9481:
9469:
9454:
9445:
9424:
9412:
9398:
9396:Chase, pg. 544
9389:
9387:Chase, pg. 457
9380:
9368:
9356:
9347:
9338:
9336:Chase, pg. 421
9329:
9320:
9311:
9302:
9274:
9272:Moore, pg. 170
9265:
9256:
9247:
9228:
9213:
9211:Chase, pg. 543
9204:
9195:
9186:
9177:
9175:Clarke, pg. 40
9168:
9153:
9144:
9142:Chase, pg. 332
9135:
9123:
9114:
9095:
9080:
9071:
9062:
9052:
9037:
9025:
9007:
8996:
8987:
8978:
8969:
8967:Clarke, pg. 47
8960:
8958:Chase, pg. 373
8951:
8942:
8933:
8924:
8912:
8903:
8888:
8885:. p. 512.
8873:
8855:
8846:
8837:
8828:
8816:
8807:
8798:
8789:
8787:Chase, pg. 355
8780:
8765:
8750:
8735:
8719:
8701:
8686:
8677:
8662:
8650:
8641:
8632:|author2=
8597:
8579:
8570:
8568:Clarke, pg. 63
8561:
8552:
8543:
8534:
8525:
8510:
8484:
8472:
8463:
8454:
8430:
8427:. p. 620.
8415:
8412:. p. 481.
8400:
8388:
8368:
8359:
8350:
8341:
8329:
8320:
8318:Birge, pg. 145
8311:
8302:Paul C. Echols
8284:
8275:
8266:
8264:Chase, pg. 338
8257:
8245:
8236:
8227:
8225:Heskes, pg. 84
8218:
8209:
8197:
8195:Chase, pg. 424
8188:
8179:
8170:
8168:Chase, pg. 416
8158:
8149:
8134:
8125:
8116:
8109:. "Overview".
8097:
8069:
8060:
8043:
8041:Chase, pg. 368
8034:
8025:
8016:
8014:Clarke, pg. 72
8007:
7992:
7983:
7974:
7965:
7956:
7954:Chase, pg. 337
7947:
7938:
7929:
7920:
7908:
7893:
7881:
7872:
7870:Moore, pg. xii
7856:
7854:Chase, pg. 392
7847:
7838:
7829:
7820:
7798:
7789:
7777:
7775:Clarke, pg. 59
7768:
7759:
7750:
7748:Chase, pg. 345
7741:
7732:
7717:
7682:
7668:
7666:Chase, pg. 371
7659:
7644:
7642:Chase, pg. 370
7635:
7633:Chase, pg. 397
7623:
7614:
7585:
7560:
7543:
7534:
7522:
7520:Chase, pg. 352
7513:
7504:
7495:
7481:
7463:
7461:Chase, pg. 384
7449:
7440:
7425:
7416:
7407:
7398:
7396:Clarke, pg. 16
7389:
7371:
7356:
7343:10.2307/779543
7337:(1): 107–112.
7321:
7309:
7300:
7291:
7289:Clarke, pg. 58
7282:
7280:Chase, pg. 396
7273:
7264:
7255:
7246:
7220:
7218:Chase, pg, 337
7211:
7202:
7190:
7181:
7172:
7163:
7148:
7130:
7111:
7099:
7085:
7076:
7064:Arsc-audio.org
7048:
7046:Birge, pg. 142
7039:
7030:
7015:
7006:
6997:
6985:
6982:. p. 535.
6970:
6955:
6941:
6932:
6930:Chase, pg. 398
6923:
6921:Chase, pg. 324
6914:
6896:
6881:
6872:
6870:Greene, pg. 97
6863:
6861:Chase, pg. 383
6854:
6845:
6836:
6821:
6819:Heskes, pg. 75
6812:
6794:
6785:
6767:
6765:Chase, pg. 323
6758:
6740:
6721:
6697:
6688:
6679:
6670:
6661:
6632:
6623:
6621:Birge, pg. 133
6614:
6596:
6594:Birge, pg. 139
6587:
6568:
6566:Elson, pg. 116
6559:
6557:Clarke, pg. 62
6550:
6532:
6523:
6508:
6486:
6471:
6449:
6440:
6426:
6398:
6396:Heskes, pg. 86
6389:
6371:
6362:
6353:
6338:
6327:
6318:
6309:
6300:
6286:
6277:
6268:
6239:
6191:
6177:
6168:
6159:
6157:Chase, pg. 342
6150:
6126:
6116:
6114:
6111:
6110:
6109:
6093:
6072:
6066:
6051:
6045:
6032:
5995:
5989:
5972:
5955:
5949:
5934:
5928:
5911:
5905:
5890:
5884:
5869:
5863:
5846:
5840:
5825:
5819:
5800:
5794:
5781:
5775:
5762:
5756:
5743:
5737:
5724:
5718:
5709:American Opera
5703:
5691:10.2307/836550
5674:
5653:
5647:
5629:
5620:
5614:
5601:
5577:American Music
5572:
5563:
5557:
5544:
5538:
5525:
5519:
5502:
5496:
5483:
5472:
5461:
5455:
5442:
5436:
5419:
5413:
5396:
5390:
5373:
5367:
5352:
5346:
5333:
5327:
5310:
5304:
5287:
5281:
5264:
5261:
5260:
5259:
5249:
5238:
5224:
5218:
5208:
5187:
5173:
5163:
5160:
5146:
5132:
5123:
5120:
5119:
5118:
5105:
5094:
5084:
5081:Victor Herbert
5077:Percy Grainger
5070:
5059:369th Infantry
5052:
5042:
5029:
5015:
5004:
4997:
4994:
4983:
4973:
4966:Charles Seeger
4962:ultramodernist
4955:
4945:
4944:
4943:
4942:
4936:
4930:
4927:movie theaters
4907:
4901:
4900:
4893:
4890:
4889:
4888:
4878:
4871:
4861:
4855:
4843:
4821:
4811:
4797:
4793:
4786:
4775:
4760:
4752:
4725:
4722:
4721:
4720:
4713:Edward Boatner
4705:
4699:
4692:
4685:Estelle Harris
4672:uses the word
4667:
4651:
4637:
4631:
4619:
4597:
4591:
4581:
4574:
4571:
4563:
4554:Victor Herbert
4551:
4536:Lucie Campbell
4533:
4509:
4506:
4505:
4504:
4491:
4484:
4481:Howard Theater
4477:
4455:
4452:Charles Demuth
4449:
4439:
4429:
4405:
4400:, composed by
4392:
4368:
4346:
4345:
4344:
4343:
4336:Pinewoods Camp
4312:
4309:
4303:
4302:
4295:
4292:
4291:
4290:
4284:
4269:organizes the
4264:
4254:
4248:
4245:
4235:
4216:
4213:
4199:
4178:
4163:Maurice Mouvet
4155:
4145:
4114:
4101:
4098:
4097:
4096:
4093:Apollo Theatre
4089:
4082:
4074:
4068:
4058:
4040:
4033:Orchestra Hall
4022:
4012:
4001:
3978:
3937:
3927:
3904:
3901:
3900:
3899:
3884:
3861:
3847:
3829:
3811:
3810:realistically.
3794:
3787:
3774:
3756:
3742:
3732:
3725:
3722:
3715:Artie Matthews
3698:
3695:
3694:
3693:
3670:
3655:Victor Herbert
3652:
3641:Raymond Lawson
3638:
3625:
3609:
3595:
3584:
3571:
3568:
3562:
3536:
3513:Alice Fletcher
3508:
3505:
3502:
3501:
3500:
3499:
3489:
3488:
3482:
3481:
3474:
3463:
3457:
3451:
3433:
3426:
3419:
3412:
3404:
3389:
3371:
3349:
3329:
3297:
3290:booking agency
3280:
3277:
3276:
3275:
3266:
3251:
3242:and his wife,
3237:
3223:
3212:Kurt Schindler
3209:
3170:
3160:
3138:
3135:
3134:
3133:
3126:
3112:
3102:
3092:
3089:
3075:
3063:
3060:
3059:
3058:
3051:
3040:Victor Records
3036:
3029:
3015:
3003:
2999:
2980:
2966:
2951:
2926:
2908:
2905:
2904:
2903:
2892:
2876:
2865:
2862:
2844:
2825:
2818:
2809:
2806:
2805:
2804:
2800:
2793:
2783:
2773:
2743:
2736:
2726:
2715:Arthur Farwell
2712:
2709:Victor Records
2701:Hawaiian music
2698:
2695:
2691:
2678:Victor Herbert
2673:
2670:
2669:
2668:
2650:
2643:Hazel Harrison
2640:
2624:
2617:
2611:
2596:
2581:
2578:Orchestra Hall
2575:
2568:Arthur Farwell
2562:
2559:
2558:
2557:
2543:
2532:
2525:
2511:
2504:Maple Leaf Rag
2497:
2494:N. Clark Smith
2487:
2474:
2471:
2461:
2435:
2432:
2431:
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2424:
2413:
2403:
2392:
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2350:
2341:
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2305:
2294:
2276:
2262:
2255:
2244:Arthur Farwell
2240:
2224:
2221:
2220:
2219:
2207:
2204:
2191:The first two
2189:
2179:
2161:
2127:
2117:
2111:
2093:
2090:
2084:
2077:
2063:
2062:
2061:
2060:
2047:
2046:
2039:
2036:
2035:
2034:
2027:
2009:
1994:
1987:Charleston Rag
1980:
1977:
1966:Maple Leaf Rag
1957:
1954:
1953:
1952:
1942:
1935:
1928:
1921:
1914:
1904:
1897:Victor Herbert
1894:
1891:
1846:
1838:
1835:
1834:
1833:
1830:Charley Patton
1823:
1812:
1793:Vess L. Ossman
1770:
1756:
1734:
1718:
1711:
1702:
1699:
1696:
1695:
1694:
1693:
1687:
1686:
1680:
1679:
1663:
1653:
1643:
1629:
1613:
1599:
1581:
1559:
1548:
1533:
1526:booking agents
1522:
1502:
1493:
1490:
1489:
1488:
1475:
1461:
1454:
1451:Victor Herbert
1441:
1434:
1418:
1415:
1400:Alice Fletcher
1397:
1379:
1369:
1366:
1365:
1364:
1358:
1324:
1310:
1300:
1293:Orville Gibson
1290:
1277:
1266:
1261:
1258:
1255:
1254:
1253:
1252:
1241:John Robichaux
1237:
1230:
1224:
1223:
1217:
1216:
1205:
1186:
1179:
1171:
1161:
1154:Antonín Dvořák
1150:
1128:
1125:Hawaiian music
1102:Johnny Seymour
1090:
1079:Alice Fletcher
1074:
1071:
1068:
1067:
1066:
1065:
1042:
1036:
1035:
1029:
1028:
1018:
1010:After the Ball
1003:
993:
987:
972:Antonín Dvořák
963:
960:
959:
958:
948:
936:
931:law under the
925:
919:
908:
900:
892:
889:
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884:
873:
862:
848:
840:
829:
823:
795:Horatio Parker
785:
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756:
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686:
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663:
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639:
625:
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561:Emile Berliner
558:
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218:Theodore Baker
213:
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33:
25:
24:
9:
6:
4:
3:
2:
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10655:
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10535:Bird, pg. 176
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10267:Bird, pg. 116
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9988:Bird, pg. 234
9985:
9979:Bird, pg. 223
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9774:Bird, pg. 127
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9224:
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9208:
9199:
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9184:Cusic, pg. 70
9181:
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9151:Elson, pg. 23
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8985:Bird, pg. 253
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8054:was actually
8053:
8047:
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8020:
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8003:
7996:
7987:
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7969:
7963:Klitz, pg. 56
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7655:
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7611:
7610:
7606:
7602:
7596:
7589:
7575:on 2010-01-04
7574:
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7405:Darden, pg. 7
7402:
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7109:Bird, pg. 133
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6729:Laing, Dave;
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6078:
6073:
6069:
6067:0-313-33026-3
6063:
6059:
6058:
6052:
6048:
6046:0-393-03843-2
6042:
6038:
6033:
6029:
6025:
6021:
6017:
6013:
6009:
6005:
6001:
5996:
5992:
5990:0-8264-6321-5
5986:
5982:
5978:
5973:
5962:. White House
5961:
5956:
5952:
5946:
5942:
5941:
5935:
5931:
5929:0-521-45429-8
5925:
5920:
5919:
5912:
5908:
5906:0-8131-9055-X
5902:
5898:
5897:
5891:
5887:
5885:0-8256-7300-3
5881:
5877:
5876:
5870:
5866:
5864:0-521-00107-2
5860:
5855:
5854:
5847:
5843:
5841:0-684-80873-0
5837:
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5826:
5822:
5820:0-8131-9055-X
5816:
5812:
5808:
5807:
5801:
5797:
5795:0-89579-494-2
5791:
5787:
5782:
5778:
5776:0-415-96589-6
5772:
5769:. Routledge.
5768:
5763:
5759:
5757:0-8240-4944-6
5753:
5749:
5744:
5740:
5738:0-415-92699-8
5734:
5731:. Routledge.
5730:
5725:
5721:
5719:0-252-02623-3
5715:
5711:
5710:
5704:
5700:
5696:
5692:
5688:
5684:
5680:
5675:
5663:
5659:
5654:
5650:
5648:0-688-18474-X
5644:
5641:. Perennial.
5640:
5639:
5634:
5630:
5626:
5621:
5617:
5615:0-7546-0461-6
5611:
5607:
5602:
5598:
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5590:
5586:
5582:
5578:
5573:
5569:
5564:
5560:
5558:1-57999-467-9
5554:
5550:
5545:
5541:
5539:0-87338-794-5
5535:
5531:
5526:
5522:
5520:1-55553-640-9
5516:
5511:
5510:
5503:
5499:
5497:0-7866-7137-8
5493:
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5480:
5479:
5473:
5469:
5468:
5462:
5458:
5456:0-306-81296-7
5452:
5448:
5443:
5439:
5437:0-8264-1752-3
5433:
5428:
5427:
5420:
5416:
5414:0-87972-498-6
5410:
5405:
5404:
5397:
5393:
5391:0-393-04810-1
5387:
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5381:
5374:
5370:
5368:0-252-00454-X
5364:
5360:
5359:
5353:
5349:
5343:
5339:
5334:
5330:
5328:0-415-94137-7
5324:
5321:. Routledge.
5319:
5318:
5311:
5307:
5305:0-306-81034-4
5301:
5296:
5295:
5288:
5284:
5282:0-8117-0228-6
5278:
5274:
5273:
5267:
5266:
5257:
5253:
5250:
5247:
5243:
5239:
5236:
5232:
5228:
5225:
5222:
5219:
5216:
5212:
5211:Irving Berlin
5209:
5206:
5205:
5200:
5196:
5192:
5188:
5185:
5181:
5177:
5174:
5171:
5167:
5166:Carl Seashore
5164:
5161:
5158:
5154:
5150:
5147:
5144:
5140:
5136:
5135:Tin Pan Alley
5133:
5130:
5126:
5125:
5116:
5112:
5111:
5106:
5103:
5099:
5095:
5092:
5088:
5085:
5082:
5078:
5074:
5073:E. F. Goldman
5071:
5068:
5064:
5063:Aix-les-Bains
5060:
5056:
5053:
5050:
5046:
5043:
5039:
5038:
5033:
5030:
5027:
5023:
5020:
5016:
5013:
5009:
5005:
5002:
4998:
4995:
4992:
4988:
4984:
4981:
4980:Mabel Normand
4977:
4974:
4971:
4967:
4963:
4959:
4956:
4953:
4949:
4948:
4940:
4937:
4934:
4933:Tin Pan Alley
4931:
4928:
4924:
4920:
4916:
4912:
4908:
4905:
4904:
4903:
4902:
4898:
4897:
4886:
4882:
4879:
4876:
4872:
4869:
4865:
4862:
4859:
4856:
4852:
4848:
4844:
4841:
4837:
4836:Grand Theatre
4833:
4829:
4825:
4822:
4819:
4815:
4812:
4809:
4805:
4801:
4798:
4794:
4791:
4790:Supreme Court
4787:
4784:
4780:
4776:
4773:
4769:
4765:
4761:
4757:
4753:
4750:
4746:
4742:
4741:
4738:
4734:
4730:
4718:
4714:
4710:
4706:
4703:
4700:
4697:
4693:
4690:
4689:Grand Theatre
4686:
4683:
4679:
4675:
4671:
4668:
4665:
4661:
4660:
4655:
4652:
4649:
4645:
4641:
4638:
4635:
4632:
4629:
4628:
4623:
4620:
4617:
4613:
4609:
4605:
4601:
4598:
4595:
4592:
4589:
4585:
4582:
4579:
4578:Myron Surmach
4575:
4572:
4568:
4564:
4561:
4560:
4555:
4552:
4549:
4545:
4541:
4537:
4534:
4531:
4527:
4523:
4519:
4515:
4512:
4511:
4502:
4501:Oscar Sonneck
4498:
4497:
4493:The founding
4492:
4489:
4485:
4482:
4478:
4475:
4471:
4467:
4463:
4459:
4456:
4453:
4450:
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4427:
4423:
4419:
4414:
4410:
4406:
4403:
4399:
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4393:
4390:
4386:
4382:
4378:
4377:
4372:
4369:
4366:
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4358:
4354:
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4337:
4333:
4329:
4325:
4321:
4317:
4313:
4310:
4307:
4306:
4305:
4304:
4300:
4299:
4288:
4285:
4282:
4278:
4277:
4272:
4268:
4265:
4262:
4258:
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4236:
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4229:
4225:
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4217:
4214:
4211:
4207:
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4197:
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4187:
4183:
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4176:
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4168:
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4160:
4156:
4153:
4149:
4146:
4143:
4139:
4135:
4131:
4127:
4123:
4119:
4115:
4112:
4108:
4104:
4103:
4094:
4090:
4087:
4086:Lyric Theater
4083:
4080:
4079:
4075:
4072:
4071:Thomas Edison
4069:
4066:
4062:
4059:
4056:
4052:
4048:
4044:
4041:
4038:
4034:
4030:
4026:
4023:
4020:
4016:
4013:
4010:
4006:
4002:
3999:
3995:
3991:
3987:
3983:
3982:Luigi Russolo
3979:
3976:
3972:
3968:
3964:
3960:
3956:
3952:
3951:
3946:
3942:
3938:
3935:
3931:
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3917:
3913:
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3907:
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3897:
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3889:
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3878:
3874:
3870:
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3859:
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3837:
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3830:
3827:
3823:
3819:
3815:
3812:
3808:
3804:
3803:
3798:
3795:
3792:
3788:
3785:
3784:A. E. Perkins
3781:
3780:
3775:
3772:
3768:
3764:
3760:
3759:Lydia Parrish
3757:
3754:
3753:Carnegie Hall
3750:
3746:
3743:
3740:
3736:
3733:
3730:
3726:
3723:
3720:
3716:
3712:
3708:
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3656:
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3646:
3642:
3639:
3636:
3632:
3631:
3626:
3623:
3619:
3618:
3613:
3610:
3607:
3606:tone clusters
3603:
3599:
3596:
3593:
3589:
3585:
3582:
3578:
3577:
3572:
3569:
3566:
3563:
3560:
3556:
3555:Tin Pan Alley
3552:
3548:
3544:
3540:
3539:Irving Berlin
3537:
3534:
3530:
3526:
3522:
3518:
3514:
3511:
3510:
3497:
3493:
3492:
3491:
3490:
3486:
3485:
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3475:
3472:
3468:
3464:
3461:
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3455:
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3445:
3441:
3437:
3434:
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3427:
3424:
3420:
3417:
3413:
3409:
3405:
3402:
3398:
3394:
3390:
3387:
3383:
3379:
3375:
3372:
3369:
3365:
3361:
3357:
3353:
3350:
3347:
3343:
3339:
3338:
3333:
3330:
3327:
3323:
3319:
3315:
3311:
3307:
3306:
3301:
3298:
3295:
3291:
3287:
3283:
3282:
3273:
3272:
3267:
3264:
3260:
3256:
3252:
3249:
3248:college radio
3245:
3241:
3238:
3235:
3231:
3228:'s operetta,
3227:
3224:
3221:
3217:
3213:
3210:
3207:
3203:
3199:
3195:
3191:
3190:Tenth Cavalry
3187:
3183:
3182:Ninth Cavalry
3179:
3175:
3171:
3168:
3164:
3161:
3158:
3154:
3150:
3145:
3144:Copyright Act
3141:
3140:
3131:
3127:
3124:
3120:
3116:
3113:
3110:
3106:
3103:
3100:
3096:
3093:
3090:
3087:
3083:
3079:
3076:
3073:
3069:
3066:
3065:
3056:
3052:
3049:
3045:
3044:Enrico Caruso
3042:recording of
3041:
3037:
3034:
3030:
3027:
3023:
3019:
3016:
3013:
3012:
3007:
3004:
3000:
2997:
2993:
2989:
2985:
2981:
2978:
2974:
2973:Gladiolus Rag
2970:
2967:
2964:
2960:
2959:Dudley Street
2956:
2952:
2949:
2945:
2941:
2937:
2936:
2931:
2927:
2924:
2920:
2919:
2914:
2911:
2910:
2901:
2897:
2893:
2889:
2885:
2882:releases the
2881:
2877:
2874:
2870:
2866:
2863:
2860:
2856:
2852:
2848:
2845:
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2838:
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2811:
2801:
2798:
2794:
2791:
2787:
2784:
2781:
2777:
2774:
2771:
2767:
2766:Buddy Gilmore
2763:
2759:
2755:
2751:
2747:
2744:
2741:
2737:
2734:
2733:Pekin Theatre
2730:
2727:
2724:
2720:
2716:
2713:
2710:
2706:
2702:
2699:
2696:
2692:
2689:
2688:Kiss Me Again
2685:
2684:
2683:Mlle. Modiste
2679:
2676:
2675:
2666:
2662:
2661:amplification
2658:
2655:develops the
2654:
2653:Lee de Forest
2651:
2648:
2647:Royal Theatre
2644:
2641:
2638:
2634:
2630:
2629:
2625:
2622:
2618:
2615:
2612:
2609:
2605:
2601:
2597:
2594:
2590:
2586:
2582:
2579:
2576:
2573:
2569:
2565:
2564:
2555:
2551:
2547:
2544:
2541:
2540:Edward Madden
2537:
2533:
2530:
2526:
2523:
2519:
2515:
2512:
2509:
2505:
2501:
2498:
2495:
2491:
2488:
2485:
2484:
2479:
2475:
2472:
2469:
2465:
2464:Enrico Caruso
2462:
2459:
2455:
2454:Bert Williams
2451:
2450:George Walker
2447:
2446:
2441:
2438:
2437:
2428:
2425:
2422:
2421:Enrico Caruso
2418:
2414:
2411:
2407:
2404:
2401:
2397:
2393:
2390:
2386:
2383:
2379:
2376:releases the
2375:
2371:
2368:
2365:incorporates
2364:
2361:
2358:
2354:
2353:Oscar Sonneck
2351:
2347:
2344:
2343:
2334:
2330:
2326:
2325:
2320:
2316:
2313:
2310:
2309:record labels
2306:
2303:
2299:
2295:
2292:
2288:
2284:
2280:
2277:
2274:
2270:
2269:George Walker
2266:
2265:Bert Williams
2263:
2260:
2256:
2253:
2249:
2245:
2241:
2238:
2234:
2230:
2227:
2226:
2217:
2216:Leslie Stuart
2213:
2212:
2208:
2205:
2202:
2198:
2194:
2190:
2187:
2183:
2180:
2177:
2173:
2169:
2165:
2162:
2159:
2155:
2151:
2147:
2143:
2139:
2135:
2131:
2130:Pat Chappelle
2128:
2125:
2121:
2118:
2115:
2112:
2109:
2105:
2101:
2097:
2094:
2091:
2088:
2087:Symphony Hall
2085:
2082:
2078:
2075:
2071:
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2058:
2054:
2051:
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2049:
2048:
2044:
2043:
2032:
2028:
2025:
2021:
2017:
2013:
2010:
2007:
2003:
1999:
1995:
1992:
1988:
1984:
1981:
1978:
1975:
1971:
1967:
1963:
1960:
1959:
1950:
1946:
1943:
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1936:
1933:
1929:
1926:
1922:
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1915:
1912:
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1726:
1725:Billy Johnson
1722:
1719:
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1617:
1614:
1611:
1607:
1606:Tin Pan Alley
1603:
1600:
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1567:
1563:
1560:
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1383:
1380:
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1372:
1371:
1362:
1359:
1356:
1352:
1348:
1344:
1343:Magic lantern
1340:
1336:
1335:George Thomas
1332:
1328:
1325:
1322:
1318:
1314:
1311:
1308:
1304:
1301:
1298:
1294:
1291:
1288:
1285:
1281:
1278:
1275:
1271:
1267:
1264:
1263:
1250:
1246:
1242:
1239:The bands of
1238:
1235:
1231:
1228:
1227:
1226:
1225:
1221:
1220:
1214:
1210:
1206:
1203:
1199:
1195:
1191:
1187:
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1155:
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1144:
1140:
1136:
1132:
1129:
1126:
1122:
1121:
1116:
1111:
1107:
1103:
1099:
1095:
1091:
1088:
1084:
1080:
1077:
1076:
1063:
1059:
1055:
1051:
1047:
1043:
1040:
1039:
1038:
1037:
1033:
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1026:
1022:
1019:
1015:
1011:
1007:
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985:
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966:
965:
956:
952:
949:
946:
942:
941:
937:
934:
930:
926:
923:
922:Carnegie Hall
920:
917:
913:
909:
905:
901:
898:
895:
894:
885:
882:
881:minstrel show
878:
874:
871:
867:
863:
860:
859:Calais, Maine
856:
855:Passamaquoddy
852:
849:
846:
845:
841:
838:
834:
833:Tin Pan Alley
830:
827:
824:
822:
818:
814:
813:
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804:
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796:
792:
788:
787:
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735:
732:
728:
724:
721:
718:
714:
710:
706:
702:
698:
695:
691:
687:
684:
681:premiers his
680:
677:The composer
676:
674:organization.
673:
669:
668:
659:
655:
654:
649:
648:
643:
640:
637:
633:
629:
628:
620:
616:
613:
609:
605:
604:
603:
602:
598:
597:
586:
582:
581:Wax cylinders
579:
576:
572:
569:
566:
562:
559:
555:
551:
550:
541:
537:
533:
530:
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513:
509:
505:
501:
497:
496:
487:
485:
481:
477:
474:
470:
466:
463:
460:
459:Joseph Kekuku
456:
453:
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410:
406:
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392:
388:
385:
382:
379:
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357:Shaker Church
354:
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161:Tin Pan Alley
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16:
10742:
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10702:
10693:
10683:
10643:
10624:
10620:
10601:
10597:
10584:
10575:
10571:
10560:
10549:
10531:
10522:
10513:
10501:
10492:
10486:
10463:
10457:
10448:
10439:
10430:
10421:
10415:
10404:
10383:
10375:
10370:
10361:
10355:
10346:
10337:
10328:
10319:
10309:February 12,
10307:. Retrieved
10303:the original
10293:
10286:
10281:
10272:
10263:
10254:
10245:
10236:
10227:
10218:
10209:
10200:
10191:
10170:
10149:
10140:
10131:
10122:
10111:Alonzo Lewis
10103:Walter Dyett
10089:
10080:
10071:
10062:
10053:
10047:
10038:
10032:
10023:
10014:
10005:
9984:
9975:
9966:
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5637:
5633:Jones, LeRoi
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4991:peyote songs
4969:
4958:Henry Cowell
4875:Fate Marable
4839:
4832:vaudevillean
4767:
4759:enthusiasts.
4682:vaudevillean
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4625:
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4610:publishes a
4608:Ernest Ka'ai
4600:Sherman Clay
4594:Ernest Bloch
4557:
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4361:steel guitar
4322:to form the
4276:Motu proprio
4274:
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4076:
4043:Bill Johnson
4021:in Virginia.
3997:
3994:Leo Ornstein
3985:
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3948:
3945:Irene Castle
3934:Ojibwe music
3909:
3825:
3817:
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3662:
3658:
3635:Scott Joplin
3628:
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3598:Henry Cowell
3574:
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3400:
3381:
3360:gospel music
3356:Billy Sunday
3354:is hired by
3335:
3321:
3310:opera houses
3303:
3288:, the first
3269:
3263:S. H. Dudley
3229:
3194:William Polk
3178:Wade Hammond
3151:, recording
3123:cowboy music
3118:
3108:
3081:
3078:Scott Joplin
3021:
3009:
2969:Scott Joplin
2944:comic operas
2933:
2916:
2898:is an early
2851:Olympia Band
2841:gospel music
2746:Ernest Hogan
2729:Robert Motts
2718:
2681:
2626:
2554:slide guitar
2481:
2443:
2427:Scott Joplin
2409:
2382:player piano
2380:, the first
2346:Charles Ives
2332:
2322:
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2248:Wa-Wan Press
2209:
2200:
2197:School Music
2196:
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2141:
2053:Beale Street
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1962:Scott Joplin
1949:player piano
1883:
1880:Ernest Hogan
1868:
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1759:Paul Dresser
1737:Buddy Bolden
1728:
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1564:publishes a
1562:James Mooney
1545:Ernest Hogan
1510:Indian Suite
1508:
1485:player piano
1468:Telharmonium
1444:
1424:
1388:, featuring
1385:
1375:The Octoroon
1373:
1312:
1284:Slavic music
1245:Buddy Bolden
1208:
1178:experience".
1118:
1115:Little Egypt
1106:Scott Joplin
1057:
1024:
938:
911:
907:Minneapolis.
842:
820:
816:
810:
803:Arthur Foote
736:Ethnologist
716:
712:
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694:Lowell Mason
689:
682:
660:in America".
651:
645:
612:German opera
508:medicine man
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484:G. Estabrook
479:
465:Scott Joplin
412:
405:German opera
373:
366:
363:F. L. Ritter
277:
258:
221:
195:parlor music
148:
121:
119:
81:Colonial era
65:1970–present
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8107:Steven Loza
7708:|work=
5977:Peter Wicke
5215:Prohibition
5176:Merle Evans
5149:Prohibition
5026:W. C. Handy
4952:Cotton Club
4919:dance halls
4885:Ferde Grofé
4881:Art Hickman
4864:W. C. Handy
4858:Leo Sowerby
4764:Cecil Sharp
4749:Alton Adams
4733:Alton Adams
4691:of Chicago.
4604:sheet music
4567:Cecil Sharp
4466:Lamb's Club
4442:Marie Lucas
4426:sheet music
4371:Jerome Kern
4316:Cecil Sharp
4150:publishes "
4148:W. C. Handy
4142:J. Rosamond
4045:founds the
4025:James Mundy
3998:Dwarf Suite
3971:Castle rock
3963:turkey trot
3959:castle walk
3924:Armory Show
3832:Helen Hagan
3802:The Padrone
3779:RMS Titanic
3767:Sea Islands
3705:publishes "
3703:W. C. Handy
3630:Treemonisha
3496:turkey trot
3438:brings his
3332:Inayat Khan
3174:bandmasters
3035:is founded.
2992:Filson Club
2971:publishes "
2963:social club
2930:Franz Lehár
2723:cowboy song
2546:W. C. Handy
2514:Early music
2246:founds the
2029:The Jewish
1983:Eubie Blake
1907:Puerto Rico
1901:Romany Life
1826:Henry Sloan
1769:of Indiana.
1749:string bass
1570:Ghost Dance
1501:is founded.
1472:Dynamophone
1460:is founded.
1438:Stagger Lee
1404:Ghost Dance
1361:E. B. Marks
1355:music video
1313:Approximate
1164:Jane Addams
1139:Pike's Peak
1058:Creole Show
1054:Sam T. Jack
927:Changes in
866:Ghost Dance
759:Louis Glass
516:Ghost Dance
500:Approximate
467:arrives in
349:John Slocum
250:called the
201:Tony Pastor
10754:Categories
7579:2009-12-20
7156:Tillman's
5263:References
5104:in France.
5069:in France.
4923:vaudeville
4911:South Side
4847:Storyville
4828:Jazz Dance
4818:Over There
4808:spirituals
4804:Deep River
4590:in Boston.
4518:spirituals
4464:, for the
4385:Guy Bolton
4232:kappleikar
4206:anthemized
4126:Will Tyers
4065:W.C. Handy
4061:Harry Pace
4055:vaudeville
4049:featuring
3984:publishes
3888:piano-roll
3886:The first
3856:found the
3816:publishes
3411:Southwest.
3374:John Lomax
3368:sex symbol
3157:phonograph
3149:piano roll
3055:Green Mill
3020:publishes
2888:gramophone
2797:piano roll
2750:vaudeville
2748:creates a
2717:publishes
2522:Chickering
2458:vaudeville
2164:Fred Stone
2150:vaudeville
2081:vaudeville
1916:The first
1816:Storyville
1801:Ben Harney
1789:Tom Turpin
1767:state song
1671:El Capitan
1656:Vaudeville
1646:Tom Turpin
1634:publishes
1588:coon songs
1426:El Capitan
1390:spirituals
1384:publishes
1341:" through
1339:illustrate
1321:foot pedal
1175:spirituals
1168:Hull House
1158:spirituals
1108:Violinist
1008:premiers "
763:phonograph
742:phonograph
565:gramophone
414:Tannhäuser
391:coon songs
345:of Boston.
246:A chorded
182:forms the
141:is banned.
120:This is a
10668:cite book
10472:cite book
8624:cite book
7710:ignored (
7700:cite book
6028:143404512
5656:InfoUSA.
5635:(2002) .
5254:opens in
5246:Nora Holt
5235:Al Jolson
5195:spiritual
5008:Nora Holt
4968:, writes
4783:balalaika
4747:, led by
4458:Tom Brown
4326:to teach
4287:Tom Brown
4196:atonality
4122:copyright
4078:Billboard
3967:bunny-hug
3908:The word
3865:Clef Club
3799:'s opera
3645:concertos
3614:composes
3573:The term
3559:swan song
3525:monograph
3440:balalaika
3344:, of the
3286:Clef Club
3130:copyright
3099:U.S. Army
3046:singing "
2940:operettas
2780:conductor
2566:Composer
2363:Ma Rainey
2349:history".
2242:Composer
2211:Florodora
2158:Ma Rainey
2102:compose "
2031:chorister
1945:Wurlitzer
1745:cornetist
1566:monograph
1530:Syndicate
1331:Joe Stern
1183:Chinatown
1046:Dora Dean
970:composer
929:copyright
807:Amy Beach
777:jukeboxes
717:Fleurette
554:Dawes Act
536:copyright
315:Sun Dance
263:spiritual
150:In Spring
139:Sun Dance
97:1900–1940
60:1950–1969
55:1920–1949
46:1880–1919
41:1850–1879
36:1820–1849
9438:Archived
7601:Bob Cole
6103:July 20,
5966:July 30,
5668:July 27,
5199:oratorio
5143:foxtrots
5102:Chaumont
5091:Oklahoma
5045:Shanewis
4915:cabarets
4816:writes "
4320:May Gadd
4283:in 1903.
4111:Broadway
4107:operetta
4029:Coliseum
3990:futurism
3975:fox trot
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3873:mandolin
3867:and the
3678:Fort Jay
3519:publish
3432:is held.
3250:station.
3153:cylinder
2938:, light
2891:records.
2884:Victrola
2803:Johnson.
2705:Columbia
2273:musicals
2022:for the
2006:Bamboula
1876:operetta
1869:Clorindy
1859:Bob Cole
1799:, while
1795:and the
1761:writes "
1727:compose
1721:Bob Cole
1676:operetta
1431:operetta
1209:Dramatic
1133:writes "
1064:onstage.
1062:cakewalk
1025:Epthelia
968:Bohemian
709:operetta
583:replace
317:in 1880.
252:autoharp
10629:Bibcode
9559:1214304
9290:WPNE-TV
8614:July 9,
8446:WPNE-TV
7158:Revival
7069:23 July
6020:3388229
5597:3051563
5201:, with
5153:alcohol
5067:ragtime
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4770:, with
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3838:with a
3822:ragtime
3765:in the
3667:realism
3663:verismo
3547:ragtime
3380:songs,
3346:Chishti
3159:record.
3086:ragtime
3002:itself.
2975:" with
2900:jukebox
2839:-style
2633:musical
2538:'s and
2378:Pianola
2302:bootleg
2176:ragtime
2057:Memphis
1991:ragtime
1873:ragtime
1843:Ragtime
1809:ragtime
1781:ragtime
1779:(as in
1650:ragtime
1596:ragtime
1594:(as in
1578:Charles
1537:ragtime
1482:Aeriola
1478:Aeolian
1394:Bahamas
1307:Creoles
1297:guitars
1098:ragtime
1017:copies.
877:variety
819:or the
767:jukebox
746:treadle
731:marches
713:Dovetta
703:, with
658:cantata
585:tinfoil
510:of the
473:ragtime
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279:Messiah
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3348:order.
3342:Sufism
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2694:genre.
2657:Audion
2548:is in
2016:circus
1272:, the
1156:calls
918:songs.
815:, the
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557:dance.
538:, the
504:Wovoka
274:Handel
248:zither
9555:JSTOR
9298:supra
8450:infra
7347:JSTOR
7060:(PDF)
6113:Notes
6024:S2CID
6016:JSTOR
5695:JSTOR
5593:JSTOR
5139:blues
4960:, an
4548:hymns
4488:music
4411:" by
4338:near
3877:banjo
3535:work.
3529:Omaha
3444:domra
3244:Sybil
2984:Dixie
2942:, or
2589:Dixie
2506:" in
2367:blues
2333:Seven
2146:blues
2108:NAACP
1710:ends.
1652:song.
1443:With
1333:hire
1137:" at
1083:Omaha
1052:, in
1014:waltz
1012:", a
916:labor
879:than
482:, by
376:, an
113:1980s
109:1970s
105:1960s
101:1950s
10674:link
10654:ISBN
10478:link
10376:jazz
10311:2008
10113:and
9060:law"
8636:help
8616:2008
7712:help
7607:and
7071:2014
6105:2008
6062:ISBN
6041:ISBN
5985:ISBN
5968:2008
5945:ISBN
5924:ISBN
5901:ISBN
5880:ISBN
5859:ISBN
5836:ISBN
5815:ISBN
5790:ISBN
5771:ISBN
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5733:ISBN
5714:ISBN
5670:2008
5643:ISBN
5610:ISBN
5553:ISBN
5534:ISBN
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5492:ISBN
5451:ISBN
5432:ISBN
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5386:ISBN
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4754:The
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4508:1916
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4422:jazz
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3507:1911
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2808:1906
2738:The
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2672:1905
2663:and
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2267:and
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2038:1900
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1964:'s "
1956:1899
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1930:The
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1871:, a
1857:and
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1753:tuba
1741:jazz
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1701:1897
1550:The
1543:and
1524:Six
1497:The
1492:1896
1456:The
1368:1895
1337:to "
1329:and
1260:1894
1249:jazz
1243:and
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1104:and
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891:1891
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744:, a
725:'s "
665:1889
630:The
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592:1888
552:The
547:1887
527:'s "
506:, a
493:1886
443:1885
398:1884
372:The
353:Mary
334:The
329:1883
309:The
285:The
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212:1882
189:The
174:1881
128:1880
10606:doi
10101:),
9547:doi
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6085:doi
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5585:doi
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5047:by
4656:'s
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4624:'s
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