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464:"Song pluggers" were pianists and singers who represented the music publishers, making their living demonstrating songs to promote sales of sheet music. Most music stores had song pluggers on staff. Other pluggers were employed by the publishers to travel and familiarize the public with their new publications. Among the ranks of song pluggers were
603:, Kathleen E. R. Smith writes that "escapism seemed to be a high priority for music listeners", leading "the composers of Tin Pan Alley to write a war song that would appeal both to civilians and the armed forces". By the end of the war, no such song had been produced that could rival hits like "Over There" from World War I.
591:' during World War I." In the United States, the song "Over There" has been said to be the most popular and resonant patriotic song associated with World War I. Due to the large fan base of Tin Pan Alley, the government believed that this sector of the music business would be far-reaching in spreading patriotic sentiments.
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The term and established business methodologies associated with Tin Pan Alley persisted into the 1960s when artists like Bob Dylan helped establish new norms. Referring to the dominant conventions of music publishers of the early 20th century, "Tin Pan Alley is gone", Dylan proclaimed in 1985, "I put
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When vaudeville performers played New York City, they would often visit various Tin Pan Alley firms to find new songs for their acts. Second- and third-rate performers often paid for rights to use a new song, while famous stars were given free copies of publisher's new numbers or were paid to perform
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took up the question of preserving five buildings on the north side of the street as a Tin Pan Alley
Historic District. The agency designated five buildings (47–55 West 28th Street) individual landmarks on December 10, 2019, after a concerted effort by the "Save Tin Pan Alley" initiative of the 29th
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As the war progressed, those in charge of writing the would-be national war song began to understand that the interest of the public lay elsewhere. Since the music would take up such a large amount of airtime, it was imperative that the writing be consistent with the war message that the radio was
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were incorporated, although less completely, as Tin Pan Alley was oriented towards producing songs that amateur singers or small town bands could perform from printed music. In the 1910s and 1920s Tin Pan Alley published pop songs and dance numbers created in newly popular jazz and blues styles.
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control of melodies was not as strict, and publishers would often print their own versions of the songs popular at the time. With stronger copyright protection laws late in the century, songwriters, composers, lyricists, and publishers started working together for their mutual financial benefit.
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was being interviewed about the area around 28th Street and Fifth Avenue, where many music publishers had offices. Von Tilzer had modified his expensive
Kindler & Collins piano by placing strips of paper down the strings to give the instrument a more percussive sound. The journalist told von
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Aspiring songwriters came to demonstrate tunes they hoped to sell. When tunes were purchased from unknowns with no previous hits, the name of someone with the firm was often added as co-composer (in order to keep a higher percentage of royalties within the firm), or all rights to the song were
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cites
Jeffrey C. Livingstone as claiming that Tin Pan Alley released more songs during World War I than it did in World War II. Jones, on the other hand, argues that "there is also strong documentary evidence that the output of American war-related songs during World War II was most probably
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In the United States
Congress, congressmen quarreled over a proposal to exempt musicians and other entertainers from the draft in order to remain in the country to boost morale. Stateside, these artists and performers were continuously using available media to promote the war effort and to
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The biggest music houses established themselves in New York City, but small local publishers – often connected with commercial printers or music stores – continued to flourish throughout the country, and there were important regional music publishing centers in
Chicago,
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was in charge of this project, and believed that Tin Pan Alley contained "a reservoir of talent and competence capable of influencing people's feelings and opinions" that it "might be capable of even greater influence during wartime than that of George M. Cohan's
488:: "They had 20,000 people there, we had a pianist and a singer with a large horn. We'd sing a song to them thirty times a night. They'd cheer and yell, and we kept pounding away at them. When people walked out, they'd be singing the song. They couldn't help it."
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purchased outright for a flat fee (including rights to put someone else's name on the sheet music as the composer). Many Jewish immigrants became music publishers and songwriters on Tin Pan Alley. Among the songwriters who frequented Tin Pan Alley were
543:, which would have changed the term of copyright for published music from 24 to 40 years, renewable for an additional 20 instead of 14 years. The bill, if enacted, would also have included music among the subject matter covered by the
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demonstrate a commitment to victory. However, the proposal was contested by those who strongly believed that only those who provided more substantial contributions to the war effort should benefit from draft exemption.
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described his employer as being a natural outgrowth of Tin Pan Alley, in that the older songwriters were still employed in Tin Pan Alley firms while younger songwriters such as Sedaka found work at the Brill
Building.
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The start of Tin Pan Alley is usually dated to about 1885, when a number of music publishers set up shop in the same district of
Manhattan. The end of Tin Pan Alley is less clear cut. Some date it to the start of the
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has the stanza "I stretched back and I hiccupped / And looked back on my busy day / Eleven hours in the Tin Pan / God, there's got to be another way", which references a long legal meeting with music publisher
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Street
Neighborhood Association. Following successful protection of these landmarks, project director George Calderaro and other proponents formed the Tin Pan Alley American Popular Music Project.
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With time, the nickname came to describe the
American music publishing industry in general. The term then spread to the United Kingdom, where "Tin Pan Alley" was also used to describe
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480:. A more aggressive form of song plugging was known as "booming": it meant buying dozens of tickets for shows, infiltrating the audience and then singing the song to be plugged. At
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ownership was widespread in middle-class families, and if one wanted to hear a popular new song or melody, one would buy the sheet music and then perform the piece at home.
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Tilzer, "Your
Kindler & Collins sounds exactly like a tin can. I'll call the article 'Tin Pan Alley'." In any case, the name was firmly attached by the fall of 1908, when
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as the driving force of American popular music, while others consider Tin Pan Alley to have continued into the 1950s when earlier styles of music were upstaged by the rise of
2096:"We used to think of Tin Pan Alley, which is what they called Denmark Street years ago when all the music publishers were there, as rather old-fashioned," recalls Peter Asher
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558:(ASCAP) was founded in 1914 to aid and protect the interests of established publishers and composers. New members were only admitted with sponsorship of existing members.
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There are conflicting explanations regarding the origins of the term "Tin Pan Alley". The most popular account holds that it was originally a derogatory reference made by
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Whether or not the number of songs circulated from Tin Pan Alley between 1939 and 1945 was greater than during the First World War is still debated. In his book
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under the influence of new and vigorous publishers which concentrated on vocal music. The two most enterprising New York publishers were Willis Woodard and
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Charlton (2011), p. 3 Quote: the "term Tin Pan Alley referred to the thin, tinny tone quality of cheap upright pianos used in music publisher's offices."
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to the collective sound made by many "cheap upright pianos" all playing different tunes being reminiscent of the banging of tin pans in an alleyway.
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A group of Tin Pan Alley music houses formed the Music Publishers Association of the United States on June 11, 1895, and unsuccessfully lobbied the
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bar named Tin Pan Alley, its owners, Steve d'Agroso and Maggie Smith, and many of its patrons were the real-life inspiration for the HBO series
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also cites Rosenfeld as originator of the term, dating its first use from 1903. However, whilst an article on Tin Pan Alley can be found in the
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312:. When a tune became a significant local hit, rights to it were usually purchased from the local publisher by one of the big New York firms.
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had sold neckties and buttons, respectively. The music houses in lower Manhattan were lively places, with a steady stream of songwriters,
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The song publishers who created Tin Pan Alley frequently had backgrounds as salesmen. Isadore Witmark previously sold water filters and
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Initially Tin Pan Alley specialized in melodramatic ballads and comic novelty songs, but it embraced the newly popular styles of the
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quotes an account of the origin of the name published in a 1930 book about the music business. In this version, popular songwriter
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On April 2, 2022, 28th Street between Broadway and 6th Avenue was officially co-named "Tin Pan Alley" by the City of New York.
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The commercial center of the popular music publishing industry changed during the course of the 19th century, starting in
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in the late 19th and early 20th centuries. Originally, it referred to a specific location on West 28th Street, between
461:. Songwriters who became established producers of successful songs were hired to be on the staff of the music houses.
201:, "tin pan" was slang for "a decrepit piano" (1882), and the term came to mean a "hit song writing business" by 1907.
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Hajduk, John (2003). "Tin Pan Alley on the March: Popular Music, World War II, and the Quest for a Great War Song".
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from May of that year, this is unattributed and no piece by Rosenfeld that employs the phrase has been discovered.
2593:. Translated by Debord, Brigitte (Second ed.). Fayetteville: University of Arkansas Press. pp. 279–280.
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2357:"Abner Silver Composer Dies", The Washington Observer, Nov. 25, 1966, p. 10 Abner Silver Obituary on Google Books
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American Popular Music and Its Business: The First Four Hundred Years, Volume III: From 1900 to 1984
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in the early 20th century. The buildings shown were designated as historic landmarks in 2019.
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The American's Songs: The Stories Behind the Songs of Broadway, Hollywood, and Tin Pan Alley
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in downtown Manhattan. He was one of the only musicians or composers to publish his own
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2495:"LPC Designates Five Historic Buildings Associated with Tin Pan Alley" (press release)
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1904:. Vol. 8 (Second ed.). New York: Oxford University Press. pp. 214–216.
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Songwriters would bang on the doors of Tin Pan Alley businesses to get new material.
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From Print to Plastic: Publishing and Promoting America's Popular Music, 1900–1980
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2641:"Allen Klein: Notorious business manager for the Beatles and the Rolling Stones"
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Hischak, Thomas S. (2013). "Tin Pan Alley". In Garrett, Charles Hiroshi (ed.).
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359:(active 1862-1890) published sheet music out of a piano and organ salesroom in
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Reinventing Dixie: Tin Pan Alley's Songs and the Creation of the Mythic South
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was created from a revision of this article dated 26 November 2018
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2261:"Bob Dylan, Titan Of American Music, Wins 2016 Nobel Prize In Literature"
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blues song "Tin Pan Alley (AKA The Roughest Place in Town)", recorded by
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Musical Aesthetics: An Introduction to Concepts, Theories, and Functions
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Tin Pan Alley: The Composers, the Songs, the Performers and Their Times
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1917:""Tin Pan Alley?" Why It's The Place Where The Popular Songs Come From"
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2658:"The True Meanings Behind The Who's Most Famous Songs: Who Are You"
1950:. Newcastle upon Tyne: Cambridge Scholars Publishing. p. 119.
1926:. Vol. 55, no. 262. May 10, 1903. p. 9B – via
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housed the sheet-music publishers that were the center of American
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The Poets of Tin Pan Alley: A History of America's Great Lyricists
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The American Songbook: The Singers, the Songwriters, and the Songs
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3069:, Bowling Green State University, Popular Press, 1989 (Volume II)
1760:"America's Music Publishing Industry: The story of Tin Pan Alley"
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296:, and by the late 1890s most publishers had followed their lead.
280:, the first companies to specialize in popular songs rather than
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3060:, Bowling Green State University, Popular Press, 1989 (Volume I)
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American Popular Music: The nineteenth century and Tin Pan Alley
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Easy to Remember: The Great American Songwriters and Their Songa
2221:"Popular modernism? The 'urban' style of interwar Tin Pan Alley"
2014:. New York: Frederick Ungar Publishing. p. 173 – via
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The Songs That Fought the War: Popular Music and the Home Front
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published an article titled "Tin Pan Alley" about 28th Street.
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and Sixth. Several buildings on Tin Pan Alley are protected as
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Collection of music publishers and songwriters in New York City
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Spreadin' Rhythm Around: Black Popular Songwriters, 1880–1930
1719: – Alley in downtown Nashville, Tennessee, United States
1590:" (1920) – written by Malvin Schonberger and John Schonberger
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2296:. Lexington, Kentucky: University Press of Kentucky. pp. 2–6
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them, the publishers knowing this was valuable advertising.
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1775:"'Bowery Boys' Are Amateur But Beloved New York Historians"
1327:" (1905) – written by Harry Williams and Egbert van Alstyne
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The Way to Tin Pan Alley: American Popular Song, 1866–1910
2187:
2185:
1375:" (1901) – written by Ethelbert Nevin and Frank L. Stanton
1344:" (1910) – written by Beth Slater Whitson and Leo Friedman
2409:
Colangelo, Lisa L. & Pereira, Ivan (March 12, 2019).
2042:. Vol. 21, no. 4. pp. 455–462 – via
1388:" (1927) – written by Walter Donaldson and George Whiting
2540:"Tin Pan Alley finds its place on Manhattan street sign"
2514:"This NYC street is now officially called Tin Pan Alley"
2411:"Manhattan's Tin Pan Alley could become a city landmark"
2347:(Lebanon: University Press of Kentucky, 2003), pp. 32–33
1980:
Ta-ra-ra-boom-de-ay: The Beginning of the Music Business
1515:" (1895) – written by Charles B. Ward and John F. Palmer
2182:
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Beginning in the early 1860s, the pianist and composer
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These buildings (47–55 West 28th Street) and others on
3996:
3014:
American Popular Song: The Great Innovators, 1900–1950
2759:(Second ed.). New York: Oxford University Press.
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1846:"A Tin Pan Alley Survivor -- No. 38 West 28th Street "
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an end to it. People can record their own songs now."
556:
American Society of Composers, Authors, and Publishers
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The NPR Curious Listener's Guide to Popular Standards
2866:. Baton Rouge, LA: Louisiana State University Press.
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2168:. New York: Oxford University Press. pp. 29–31.
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2568:(Revised ed.). New York: Penguin. p. 524.
2010:
Tin Pan Alley: A Chronicle of American Popular Music
1378:"Mister Johnson, Turn Me Loose" (1896) – written by
2889:Marks, Edward B. & Liebling, Abbott J. (1935).
2684:Dire Straits Song on Lyric Find (February 6, 2024)
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1713: – Historical district in Nashville, Tennessee
1567:" (1896) – written by Joe Hayden and Theodore Mertz
1401:"Oh, Donna Clara" (1928) – written by Irving Caesar
2566:The Big Book of Blues: A Biographical Encyclopedia
2502:
2368:Songs composed Abner Silver on secondhandsongs.com
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2007:
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1597:" (1923) – written by Frank Silver and Irving Cohn
1432:" (1913) – written by Fred Fisher and Alfred Bryan
1320:" (1902) – written by Ren Shields and George Evans
1269:" (1899) – written by Emerson, Howard and Sterling
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2164:Starr, Larry & Waterman, Christopher (2003).
1310:"In the Baggage Coach Ahead" (1896) – written by
1255:" (1930) – written by Jack Yellen and Milton Ager
1248:" (1918; revised 1938) – written by Irving Berlin
569:Tin Pan Alley street sign, unveiled in April 2022
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1570:"Warmest Baby in the Bunch" (1896) – written by
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515:Tin Pan Alley also acted as another approach to
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2940:. Lexington, KY: University Press of Kentucky.
2498:New York City Landmarks Preservation Commission
2469:"'Tin Pan Alley' Buildings Now a City Landmark"
2444:"Tin Pan Alley buildings are now NYC landmarks"
1669:. The bar was renamed The Hi-Hat in the series.
1625:New York City Landmarks Preservation Commission
1133:"At a Georgia Campmeeting" (1897) – written by
623:Tin Pan Alley composers and lyricists include:
4134:Music organizations based in the United States
2891:They All Sang: From Tony Pastor to Rudy Vallée
2747:
2166:American Popular Music: From Minstrelsy to MTV
1973:
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1565:There'll Be a Hot Time in the Old Town Tonight
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599:carrying throughout the nation. In her book,
3139:Tin Pan Alley American Popular Music Project
2938:God Bless America: Tin Pan Alley Goes to War
2345:God Bless America: Tin Pan Alley Goes to War
2294:God Bless America: Tin Pan Alley Goes to War
601:God Bless America: Tin Pan Alley Goes to War
2781:
2741:Listening to Classic American Popular Songs
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1977:
1968:
1262:" (1899) – written by Theodore Moses Tobani
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2987:After the Ball: Pop Music from Rag to Rock
2853:Jasen, David A. & Jones, Gene (1998).
2852:
2192:Culwell-Block, Logan (December 12, 2019).
1895:
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244:Origin of song publishing in New York City
2615:"The Deuce: Behind the Scenes Podcast 72"
2441:
2126:Denmark Street: London’s Street of Sounds
1940:
1792:"City Room: Tin Pan Alley, Not So Pretty"
1652:performers. The song was also covered by
1534:The Man Who Broke the Bank at Monte Carlo
429:and Broadway performers, musicians, and "
3122:, and does not reflect subsequent edits.
3105:
2981:
2729:
2588:
2582:
2563:
2557:
2511:
2442:Ricciulli, Valeria (December 10, 2019).
2339:
2337:
2288:
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2284:
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2280:
2278:
2276:
2274:
2217:
2151:
2002:
1731: – Musical written by Mark Saltzman
564:
526:
214:
132:, radio, and motion pictures supplanted
3066:American Popular Music: The age of rock
3020:
2537:
1899:
1890:
1508:" (1908) – written by Albert Von Tilzer
1408:" (1919) – written by Albert Von Tilzer
1155:Bill Bailey, Won't You Please Come Home
1070:Tin Pan Alley's biggest hits included:
4121:
3144:Parlor Songs: History of Tin Pan Alley
3011:
2919:
2905:. New York: Berkley Publishing Group.
2897:
2377:
2375:
2305:
2028:
1902:The Grove Dictionary of American Music
1546:" (1894) – written by Lawlor and Blake
1110:" (1915) – written by Jack Yellen and
1079:" (1900) – written by Harry Von Tilzer
170:The Grove Dictionary of American Music
3152:
2935:
2861:
2825:
2738:
2707:. New York: Black Dog and Leventhal.
2699:
2334:
2271:
2258:
2157:
2086:from the original on January 12, 2022
2071:
1634:
1529:" (1894) – written by Marks and Stern
1425:" (1917) – written by George M. Cohan
1395:" (1931) – written by Al Sherman and
1351:" (1927) – written by Al Sherman and
1241:" (1904) – written by George M. Cohan
152:
2962:
2924:. New York: Oxford University Press.
2803:
1875:
1522:" (1917) – written by Shelton Brooks
1413:On the Banks of the Wabash, Far Away
1267:Hello Ma Baby (Hello Ma Ragtime Gal)
1065:
319:
2989:. New York: Proscenium Publishers.
2743:. New Haven: Yale University Press.
2639:Perrone, Pierre (October 23, 2011)
2372:
1773:Dickerson, Aitlin (March 12, 2013)
1349:Lindbergh (The Eagle of the U.S.A.)
1187:Come Josephine in My Flying Machine
1130:" (1924) – written by Irving Berlin
549:International Copyright Act of 1891
13:
3092:
3048:
3016:. London: Oxford University Press.
2765:10.1093/oso/9780190906467.001.0001
2423:from the original on April 2, 2019
1619:Landmark designation and co-naming
1604:" (1933) – written by Al Sherman,
1580:" (1922) – written by Creamer and
1325:In the Shade of the Old Apple Tree
531:Plaque commemorating Tin Pan Alley
118:New York City designated landmarks
90:popular music of the United States
14:
4170:
4144:Cultural history of New York City
3073:
2669:Spray, Angie (February 11, 2015)
2419:. New York: Newsday Media Group.
2259:Dwyer, Colin (October 13, 2016).
1982:. London: Unbound. pp. 6–7.
1692:song It Never Rains on the album
1157:" (1902) – written by Huey Cannon
371:, and urban middle classes grew.
3104:
3025:. Jaffrey, NH: David R. Godine.
2656:Rosenbaum, Marty (May 21, 2019)
2512:Rahmanan, Anna (April 5, 2022).
1860:Today's Mini-Concert - 4/14/2021
1162:By the Light of the Silvery Moon
398:
387:
323:
59:
52:Buildings of Tin Pan Alley, 1910
45:
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2117:
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2065:
2050:
2022:
1996:
1934:
1908:
1829:"The Remnants of Tin Pan Alley"
1790:Mooney Jake (October 17, 2008)
1659:In the 1970s to early 1980s, a
615:unsurpassed in any other war".
378:
2936:Smith, Kathleen E. R. (2003).
2785:& Lasser, Michael (2006).
2671:"Who Are You and Moon's death"
2538:Parrott, Max (April 4, 2022).
2292:Smith, Kathleen E. R. (2003).
2072:Daley, Dan (January 8, 2004).
1881:
1853:
1838:
1821:
1801:
1784:
1767:
1752:
1578:Way Down Yonder in New Orleans
1393:Now's the Time to Fall in Love
1:
4159:20th century in New York City
3178:
1741:
574:Contributions to World War II
523:Influence on law and business
423:Joe Stern and Edward B. Marks
411:"I'm a Yiddish Cowboy" (1908)
316:New York Before Tin Pan Alley
3301:Contemporary Christian music
2967:. New York: Schirmer Books.
2830:. New York: Donald I. Fine.
2730:Charlton, Katherine (2011).
1844:Miller, Tom (April 8, 2016)
1746:
1602:You Gotta Be a Football Hero
1520:The Darktown Strutters' Ball
1506:Take Me Out to the Ball Game
482:Shapiro, Bernstein & Co.
144:. Brill Building songwriter
140:, which was centered on the
7:
3997:
2857:. New York: Schirmer Books.
2732:Rock Music Style: A History
2320:10.1080/0300776032000144940
1978:Napier-Bell, Simon (2014).
1758:Reublin, Rick (March 2009)
1704:
1318:In the Good Old Summer Time
1302:I'm Forever Blowing Bubbles
1239:Give My Regards to Broadway
1201:Down by the Old Mill Stream
199:Online Etymology Dictionary
10:
4175:
2963:Tawa, Nicholas E. (1990).
2493:Staff (December 10, 2019)
1342:Let Me Call You Sweetheart
18:
3968:
3788:
3599:
3551:
3523:
3516:
3212:
3186:
3021:Zinsser, William (2000).
2893:. New York: Viking Press.
2862:Jones, John Bush (2015).
2591:Encyclopedia of the Blues
2589:Herzhaft, Gérard (1997).
2564:Santelli, Robert (2001).
2308:Popular Music and Society
2238:10.1017/S0261143003003192
1613:
1544:The Sidewalks of New York
1443:and Lilla Cayley Robinson
1253:Happy Days Are Here Again
584:Office of War Information
248:In the mid-19th century,
4129:American styles of music
2920:Sanjek, Russell (1988).
2826:Jasen, David A. (1988).
2734:. New York: McGraw Hill.
2108:"Tin Pan Alley (London)"
2075:"Pop's street of dreams"
1763:The Parlor Songs Academy
1118:Alexander's Ragtime Band
294:gradually shifted uptown
66:The same buildings, 2011
2140:"Pattison, John Nelson"
1923:St. Louis Post-Dispatch
1827:Spencer, Luke J. (ndg)
1735:Great American Songbook
1595:Yes, We Have No Bananas
1221:For Sentimental Reasons
1211:Everybody Loves My Baby
1173:Carolina in the Morning
1077:A Bird in a Gilded Cage
619:Composers and lyricists
176:St. Louis Post-Dispatch
112:on 28th Street between
4139:Music of New York City
4105:40.74556°N 73.989583°W
4022:Popular music pedagogy
3100:
3080:Listen to this article
3063:Scheurer, Timothy E.,
3054:Scheurer, Timothy E.,
2809:Music in the New World
2218:Lindberg, Ulf (2003).
2030:Browne, Porter Emerson
1942:Friedmann, Jonathan L.
1849:Daytonian in Manhattan
1688:The last lines in the
1553:" (1920) – written by
1536:" (1892) – written by
1498:" (1925) – written by
1488:" (1919) – written by
1474:" (1927) – written by
1464:" (1911) – written by
1450:" (1908) – written by
1439:" (1907) – written by
1437:Shine Little Glow Worm
1415:" (1897) – written by
1361:" (1922) – written by
1334:" (1918) – written by
1304:" (1919) – written by
1290:" (1923) – written by
1276:" (1929) – written by
1223:" (1936) – written by
1213:" (1924) – written by
1203:" (1910) – written by
1189:" (1910) – written by
1175:" (1922) – written by
1164:" (1909) – written by
1143:" (1926) – written by
1120:" (1911) – written by
1096:" (1927) – written by
1086:" (1892) – written by
570:
541:Treloar Copyright Bill
532:
240:
128:in the 1930s when the
4027:Rockism and poptimism
3099:
3012:Wilder, Alec (1972).
2739:Forte, Allen (2001).
2382:"Song for Hard Times"
2142:, Grove Music Online.
1729:The Tin Pan Alley Rag
1527:The Little Lost Child
1448:Shine on Harvest Moon
568:
530:
486:Madison Square Garden
218:
108:, as commemorated by
33:The Tin Pan Alley Rag
4110:40.74556; -73.989583
4017:Pop music automation
3131:More spoken articles
2811:. New York: Norton.
2753:Patterson, Laurie J.
2112:musicpilgrimages.com
2039:The Hampton Magazine
1551:The Japanese Sandman
1282:Thomas "Fats" Waller
789:Oscar Hammerstein II
545:Manufacturing clause
433:" coming and going.
192:The Hampton Magazine
76:was a collection of
30:. For the play, see
28:Tin Pan Alley (band)
26:. For the band, see
4101: /
4007:Honorific nicknames
3254:Paisley Underground
2621:. September 3, 2017
2475:. December 11, 2019
1698:'Vaudeville Valley'
1496:Sweet Georgia Brown
999:Edward Teschemacher
794:E. Y. "Yip" Harburg
272:before settling in
159:Monroe H. Rosenfeld
88:that dominated the
3222:Adult contemporary
3101:
2399:Bush Jones, p. 211
2114:, November 7, 2009
2062:, January 14, 2020
1816:The New York Times
1796:The New York Times
1700:and Tin Pan Alley.
1654:Stevie Ray Vaughan
1635:In popular culture
1555:Richard A. Whiting
1513:The Band Played On
1462:Some of These Days
1373:Mighty Lak' a Rose
1260:Hearts and Flowers
1029:Richard A. Whiting
571:
537:federal government
533:
421:had sold corsets.
335:. You can help by
241:
153:Origin of the name
19:For the film, see
4154:Vaudeville tropes
4084:
4083:
4066:Verse–chorus form
4012:Music and fashion
3964:
3963:
3671:Hong Kong English
3517:Regional variants
3187:Stylistic origins
3097:
2928:Sanjek, Russell.
2619:The Rialto Report
2518:Time Out New York
2473:Spectrum News NY1
2343:John Bush Jones,
2138:John C. Schmidt,
2034:"'Tin Pan Alley'"
1808:Gray, Christopher
1246:God Bless America
1168:and Edward Madden
1088:Charles K. Harris
1066:Notable hit songs
1004:Albert Von Tilzer
799:Charles K. Harris
714:Gussie Lord Davis
403:
353:
352:
197:According to the
183:Simon Napier-Bell
4166:
4116:
4115:
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3800:Balkan pop-folk
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2686:"It Never Rains"
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2032:(October 1908).
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1810:(July 13, 2003)
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1765:
1756:
1650:West Coast blues
1476:Hoagy Carmichael
1296:Nacio Herb Brown
1274:Honeysuckle Rose
1215:Spencer Williams
1181:Walter Donaldson
1009:Harry Von Tilzer
829:James P. Johnson
724:Walter Donaldson
694:Hoagy Carmichael
679:Nacio Herb Brown
580:Second World War
539:in favor of the
405:
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221:West 28th Street
187:Harry von Tilzer
126:Great Depression
78:music publishers
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3569:Brazilian (MPB)
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3199:Traditional pop
3182:
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3115:
3112:This audio file
3109:
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3051:
3049:Further reading
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2390:, May–June 2009
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2060:etyomonline.com
2057:"tin pan alley"
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2004:Goldberg, Isaac
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1717:Printer's Alley
1707:
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1616:
1611:
1572:George M. Cohan
1559:Raymond B. Egan
1490:George Gershwin
1480:Mitchell Parish
1430:Peg o' My Heart
1336:Geoffrey O'Hara
1312:Gussie L. Davis
1288:I Cried for You
1108:Alabama Jubilee
1094:Ain't She Sweet
1068:
1063:
1049:Vincent Youmans
984:Lee Orean Smith
949:Richard Rodgers
919:Bernice Petkere
914:Mitchell Parish
909:Ethelbert Nevin
774:George Gershwin
699:George M. Cohan
664:George Botsford
659:Bernard Bierman
634:Thomas S. Allen
621:
612:John Bush Jones
576:
525:
474:Vincent Youmans
466:George Gershwin
447:George M. Cohan
415:
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333:needs expansion
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286:classical music
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164:New York Herald
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102:Flower District
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4037:Talent manager
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3969:Related topics
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1516:
1509:
1502:
1492:
1482:
1468:
1466:Shelton Brooks
1458:
1444:
1433:
1426:
1419:
1409:
1402:
1399:
1389:
1386:My Blue Heaven
1382:
1376:
1369:
1359:Lovesick Blues
1355:
1353:Howard Johnson
1345:
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1112:George L. Cobb
1104:
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1084:After the Ball
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1056:
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1034:Harry M. Woods
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899:Theodora Morse
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894:Halsey K. Mohr
891:
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824:William Jerome
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749:Dorothy Fields
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451:Dorothy Fields
410:
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351:
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344:September 2024
330:
328:
317:
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260:and moving to
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206:Denmark Street
154:
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142:Brill Building
65:
58:
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44:
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15:
9:
6:
4:
3:
2:
4171:
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4149:Popular music
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3659:Zhongguo feng
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3380:Dunedin sound
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3230:
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3225:
3224:
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3220:
3219:
3217:
3215:
3211:
3205:
3204:Rock and roll
3202:
3200:
3197:
3195:
3194:Tin Pan Alley
3192:
3191:
3189:
3185:
3181:
3174:
3169:
3167:
3162:
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3154:
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3137:
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3132:
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3068:
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3062:
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3042:
3038:
3034:
3028:
3024:
3019:
3015:
3010:
3006:
3002:
2998:
2996:0-671-21468-3
2992:
2988:
2984:
2983:Whitcomb, Ian
2980:
2976:
2970:
2966:
2961:
2957:
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2873:9780807159446
2869:
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2829:
2824:
2820:
2814:
2810:
2806:
2805:Hamm, Charles
2802:
2798:
2792:
2789:. Routledge.
2788:
2784:
2783:Furia, Philip
2780:
2776:
2774:9780190906467
2770:
2766:
2762:
2758:
2754:
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2749:Furia, Philip
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2226:Popular Music
2222:
2214:
2199:
2195:
2188:
2186:
2177:
2171:
2167:
2160:
2154:, p. 44.
2153:
2148:
2141:
2135:
2128:
2127:
2123:Peter Watts.
2120:
2113:
2109:
2104:
2097:
2085:
2081:
2080:The Telegraph
2076:
2068:
2061:
2058:
2053:
2045:
2041:
2040:
2035:
2031:
2025:
2017:
2012:
2011:
2005:
1999:
1991:
1989:9781783520312
1985:
1981:
1974:
1972:
1963:
1959:
1953:
1949:
1948:
1943:
1937:
1929:
1925:
1924:
1920:. Part Four.
1918:
1911:
1903:
1896:
1894:
1884:
1877:
1872:
1870:
1868:
1861:
1856:
1850:
1847:
1841:
1835:
1834:
1833:Atlas Obscura
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1824:
1818:
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1629:
1626:
1623:In 2019, the
1607:
1603:
1599:
1596:
1592:
1589:
1585:
1583:
1582:Turner Layton
1579:
1575:
1573:
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1535:
1531:
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1501:
1500:Maceo Pinkard
1497:
1493:
1491:
1487:
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1481:
1477:
1473:
1469:
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1459:
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1456:Jack Norworth
1453:
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1306:John Kellette
1303:
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1234:
1233:Edward Heyman
1230:
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1129:
1125:
1123:
1122:Irving Berlin
1119:
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1113:
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1103:
1099:
1095:
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1078:
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987:
985:
982:
980:
977:
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959:Jean Schwartz
957:
955:
952:
950:
947:
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942:
940:
937:
935:
932:
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927:
925:
924:Maceo Pinkard
922:
920:
917:
915:
912:
910:
907:
905:
902:
900:
897:
895:
892:
890:
889:Johnny Mercer
887:
885:
884:F. W. Meacham
882:
880:
877:
875:
874:Frank Loesser
872:
870:
867:
865:
862:
860:
857:
855:
852:
850:
847:
845:
842:
840:
837:
835:
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830:
827:
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822:
820:
817:
815:
814:Ray Henderson
812:
810:
807:
805:
802:
800:
797:
795:
792:
790:
787:
785:
784:Albert Gumble
782:
780:
777:
775:
772:
770:
769:T. Mayo Geary
767:
765:
762:
760:
757:
755:
752:
750:
747:
745:
742:
740:
737:
735:
732:
730:
727:
725:
722:
720:
719:Buddy DeSylva
717:
715:
712:
710:
709:J. Fred Coots
707:
705:
702:
700:
697:
695:
692:
690:
687:
685:
684:Irving Caesar
682:
680:
677:
675:
672:
670:
667:
665:
662:
660:
657:
655:
654:Irving Berlin
652:
650:
647:
645:
642:
640:
637:
635:
632:
630:
627:
626:
624:
616:
613:
609:
604:
602:
596:
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581:
567:
563:
559:
557:
552:
550:
546:
542:
538:
529:
520:
518:
513:
510:
506:
502:
501:ragtime music
498:
493:
489:
487:
483:
479:
475:
471:
467:
462:
460:
456:
452:
448:
444:
443:Irving Berlin
440:
434:
432:
431:song pluggers
428:
424:
420:
390:
376:
374:
370:
366:
362:
358:
357:J.N. Pattison
347:
338:
334:
331:This section
329:
326:
322:
321:
313:
311:
307:
303:
297:
295:
291:
287:
283:
279:
275:
274:New York City
271:
267:
263:
259:
254:
251:
238:
237:popular music
234:
230:
226:
222:
217:
213:
211:
207:
202:
200:
195:
193:
188:
184:
180:
178:
177:
172:
171:
166:
165:
160:
150:
147:
143:
139:
135:
131:
127:
121:
119:
115:
111:
107:
103:
99:
98:Sixth Avenues
95:
91:
87:
86:New York City
83:
79:
75:
74:Tin Pan Alley
62:
48:
39:
35:
34:
29:
25:
23:
22:Tin Pan Alley
4096:73°59′22.5″W
4086:
4071:Virtual band
4042:Talent agent
3552:The Americas
3461:Sophisti-pop
3355:Experimental
3193:
3065:
3056:
3022:
3013:
2986:
2964:
2937:
2929:
2921:
2902:
2890:
2863:
2854:
2827:
2808:
2786:
2756:
2740:
2731:
2704:
2694:Bibliography
2680:
2673:
2665:
2652:
2643:
2635:
2623:. Retrieved
2618:
2609:
2590:
2584:
2565:
2559:
2549:February 22,
2547:. Retrieved
2543:
2533:
2523:February 22,
2521:. Retrieved
2517:
2489:
2479:February 22,
2477:. Retrieved
2472:
2463:
2453:February 22,
2451:. Retrieved
2447:
2437:
2425:. Retrieved
2414:
2404:
2395:
2385:
2363:
2352:
2344:
2311:
2307:
2301:
2293:
2264:
2254:
2229:
2225:
2213:
2203:February 22,
2201:. Retrieved
2197:
2165:
2159:
2147:
2134:
2124:
2119:
2111:
2103:
2095:
2090:February 23,
2088:. Retrieved
2079:
2067:
2059:
2052:
2037:
2024:
2009:
1998:
1979:
1962:Google Books
1960:– via
1946:
1936:
1921:
1910:
1901:
1883:
1855:
1848:
1840:
1831:
1823:
1814:
1803:
1794:
1786:
1777:
1769:
1762:
1754:
1690:Dire Straits
1665:
1661:Times Square
1646:Jimmy Wilson
1630:
1622:
1608:and Al Lewis
1606:Buddy Fields
1417:Paul Dresser
1406:Oh by Jingo!
1367:Irving Mills
1363:Cliff Friend
1292:Arthur Freed
1229:Abner Silver
1195:Alfred Bryan
1069:
1039:Allie Wrubel
1019:Harry Warren
979:Sunny Skylar
969:Abner Silver
939:J. A. Raynes
879:Jimmy McHugh
869:Sam M. Lewis
839:Scott Joplin
779:Ira Gershwin
764:Cliff Friend
759:Max Freedman
754:Ted Fio Rito
729:Paul Dresser
649:Harry Barris
639:Harold Arlen
622:
607:
605:
600:
597:
593:
577:
560:
553:
534:
514:
494:
490:
470:Harry Warren
463:
455:Scott Joplin
439:Harold Arlen
435:
416:
379:In its prime
361:Union Square
354:
341:
337:adding to it
332:
298:
290:Union Square
262:Philadelphia
255:
247:
225:Sixth Avenue
208:in London's
203:
196:
191:
181:
174:
168:
162:
156:
122:
73:
72:
38:
32:
21:
4108: /
3991:Teenybopper
3986:Sasaeng fan
3981:Bobby soxer
3735:Kazakhstani
3728:Shibuya-kei
3664:Chinoiserie
3617:Azerbaijani
3503:Traditional
3451:Psychedelic
3446:Progressive
3311:Bro-country
3249:Alternative
3232:Quiet storm
2899:Morath, Max
1876:Hamm (1983)
1683:Allen Klein
1674:Who Are You
1642:Bob Geddins
1441:Paul Lincke
1205:Tell Taylor
1191:Fred Fisher
1166:Gus Edwards
1145:Benny Davis
1135:Kerry Mills
1102:Milton Ager
1098:Jack Yellen
1044:Jack Yellen
1014:Fats Waller
934:Cole Porter
929:Lew Pollack
904:Owen Murphy
859:Ted Koehler
854:Jerome Kern
849:Bert Kalmar
834:Isham Jones
809:Silvio Hein
804:Lorenz Hart
744:Vernon Duke
734:Dave Dreyer
644:Ernest Ball
629:Milton Ager
578:During the
459:Fats Waller
365:sheet music
302:New Orleans
146:Neil Sedaka
134:sheet music
82:songwriters
4123:Categories
4093:40°44′44″N
4059:Girl group
4032:Songwriter
3890:Macedonian
3863:French pop
3824:Turbo-folk
3780:Vietnamese
3770:Philippine
3698:Indonesian
3486:Electropop
3397:Orchestral
3370:Hypnagogic
3345:Disco polo
3127:Audio help
3118:2018-11-26
3032:1567921477
2974:0028725417
2947:0813122562
2912:0399527443
2837:1556110995
2818:0393951936
2796:0415990521
2714:1579124488
2701:Bloom, Ken
2674:Rockapedia
2625:January 5,
2600:1557284520
2575:0141001453
2175:019510854X
2082:. London.
2044:HathiTrust
1742:References
1672:The song "
1588:Whispering
1452:Nora Bayes
1423:Over There
1380:Ben Harney
1332:K-K-K-Katy
1278:Andy Razaf
1225:Al Sherman
1149:Harry Akst
989:Ted Snyder
974:Lou Singer
964:Al Sherman
954:Harry Ruby
944:Andy Razaf
819:Ben Jerome
704:Con Conrad
689:Sammy Cahn
589:Over There
478:Al Sherman
427:vaudeville
278:T.B. Harms
270:Cincinnati
130:phonograph
4076:Worldbeat
4049:Teen idol
3976:Celebrity
3956:Ukrainian
3949:VIA music
3880:Hungarian
3853:Eurodance
3841:Nederbeat
3796:Austropop
3765:Pakistani
3760:Malaysian
3718:Kayōkyoku
3591:Nueva ola
3564:Argentine
3536:Afrobeats
3491:Futurepop
3481:Synth-pop
3466:Space age
3429:Pop metal
3338:Freestyle
3328:Dancehall
3291:Bubblegum
3227:Christian
3180:Pop music
2985:(1986) .
2882:894313622
2544:amNewYork
2448:Curbed NY
2427:March 18,
2328:194077544
2246:1474-0095
2006:(1961) .
1747:Citations
1723:Radio Row
1711:Music Row
1666:The Deuce
1141:Baby Face
1128:All Alone
1054:Joe Young
1024:Paul West
994:Kay Swift
674:Lew Brown
517:modernism
503:. Later,
419:Leo Feist
369:Civil War
306:St. Louis
250:copyright
233:Manhattan
106:Manhattan
4054:Boy band
3919:Schlager
3902:Romanian
3708:Japanese
3691:Hindutva
3642:Mandopop
3627:Cantopop
3612:Assyrian
3579:Tropipop
3559:American
3541:Moroccan
3471:Sunshine
3434:Pop-punk
3414:Pop rock
3392:Operatic
3365:Hyperpop
3237:Rhythmic
3129: ·
3041:45080154
2956:50868277
2901:(2002).
2846:18135644
2807:(1983).
2755:(2022).
2723:62411478
2703:(2005).
2421:Archived
2198:Playbill
2084:Archived
1944:(2018).
1705:See also
1472:Stardust
1397:Al Lewis
1177:Gus Kahn
1059:Hy Zaret
864:Al Lewis
844:Gus Kahn
739:Al Dubin
497:cakewalk
229:Broadway
223:between
210:West End
114:Broadway
110:a plaque
3934:Turkish
3929:Swedish
3924:Serbian
3914:Russian
3895:Čalgija
3885:Italian
3858:Europop
3846:New pop
3831:British
3819:Tallava
3739:Korean
3723:Ryūkōka
3703:Iranian
3681:Bhangra
3637:Hokkien
3622:Chinese
3584:Mexican
3409:Pop rap
3402:Baroque
3306:Country
3296:Chamber
3261:Ambient
3116: (
3087:minutes
1678:The Who
547:of the
266:Chicago
161:in the
100:in the
3944:Soviet
3907:Manele
3814:Manele
3804:Chalga
3789:Europe
3676:Indian
3654:Xinyao
3647:French
3607:Arabic
3531:Africa
3524:Africa
3424:Jangle
3323:Cringe
3316:Cowboy
3214:Styles
3039:
3029:
3005:628022
3003:
2993:
2971:
2954:
2944:
2909:
2880:
2870:
2844:
2834:
2815:
2793:
2771:
2751:&
2721:
2711:
2597:
2572:
2326:
2244:
2172:
2129:(2023)
1986:
1954:
1614:Impact
1486:Swanee
457:, and
310:Boston
308:, and
258:Boston
24:(film)
3873:Yé-yé
3836:Dutch
3809:Laïko
3748:South
3743:North
3686:Filmi
3632:Hakka
3574:Latin
3508:Wonky
3476:Swamp
3439:Power
3375:Indie
3350:Dream
3333:Dance
3276:Beach
3271:Avant
3242:Urban
2660:93XRT
2324:S2CID
1676:" by
509:blues
373:Piano
282:hymns
94:Fifth
3998:Wota
3775:Thai
3713:City
3600:Asia
3498:Teen
3385:Twee
3360:Folk
3281:Beat
3037:OCLC
3027:ISBN
3001:OCLC
2991:ISBN
2969:ISBN
2952:OCLC
2942:ISBN
2907:ISBN
2878:OCLC
2868:ISBN
2842:OCLC
2832:ISBN
2813:ISBN
2791:ISBN
2769:ISBN
2719:OCLC
2709:ISBN
2627:2019
2595:ISBN
2570:ISBN
2551:2024
2525:2024
2481:2024
2455:2024
2429:2019
2416:amNY
2242:ISSN
2205:2024
2170:ISBN
2092:2011
1984:ISBN
1952:ISBN
1640:The
1557:and
1478:and
1454:and
1365:and
1294:and
1280:and
1231:and
1193:and
1179:and
1147:and
1100:and
554:The
507:and
505:jazz
499:and
476:and
268:and
227:and
96:and
80:and
3755:Lao
3419:Emo
3266:Art
2761:doi
2316:doi
2265:NPR
2234:doi
1779:NPR
339:.
284:or
231:in
104:of
84:in
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