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Tie (music)

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A tie is a curved line connecting two notes of the same pitch, thereby creating a durational value equal to the sum of the values of the two notes. This is necessary when a note is to be sustained over a bar line, and under certain conditions, within the same
299:. The tie was used to show the duration of differing harmonies on early figured basses to show how they should be sounded over the held bass note. Many early pianists, like Beethoven, used the tie in many pieces to show the demand of gentle reiteration. 158:
The duration of a note can be prolonged...using a tie to the one note over to another of the same pitch....A tie adds to the time value of the first note the value of the succeeding note or notes that are paired together by the tie or
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Several notes in succession can be tied together. Such a succession can also be part of a larger, slurred phrase, in which case, ties and slurs must be used simultaneously and distinguishably.
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to express this duration. However, in some cases one might tie two notes that could be written with a single note value, such as a quarter note tied to an eighth note (the same length as a
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A tie is a curved line above or below two notes of the same pitch, which indicates that they are to be performed like one note equal in length to the two.
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is a curved line that connects two adjacent notes of the same pitch into a single sound with a duration equal to the sum of both note values.
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within a bar, i.e. to allow the beat to be clearly seen; and (c) for unusual note lengths which cannot be expressed in standard notation.
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indicating, together, the total time value desired. ... Ties are normally employed to join the time-value of two notes of
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A tie is a curved line connecting two notes of the same pitch, to show that the second is a continuation of the first.
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measure with three equal notes would have a quarter note on each side but two tied eighth notes in the middle; a
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Music: A Monthly Magazine, Devoted to the Art, Science, Technic and Literature of Music, Volumes 20-21
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of a note. ... Our modern tie-mark, first systematically used in the early sixteenth century [
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as long as a quarter note, or five times as long as a sixteenth note—there is no single
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A writer in 1901, said that the following definition is preferable to the previous:
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of the meter. This change in notation (choosing the tie rather than the longer
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Dotted note notation and the equivalent durations in tied note notation.
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The tie first appeared in 1523 in the Recerchari, motetti, canzoni by
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Tie across the beat, followed by identical rhythm notated without tie
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Ties are used for three reasons: (a) when holding a note across a
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measure with three equal notes would have all quarter notes.
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direction of the notes, unless there are two or more
126:of a note into succeeding beats, as opposed to a 1206: 315:to indicate beat grouping, the example given is 122:Ties...are a notational device used to show the 1189: 557: 62:is a curved line connecting the heads of two 1196: 1182: 1119: 564: 550: 180:The tie shown at the top right connects a 74:equal to the sum of the individual notes' 412: 410: 423:, p.110. Cresendo, Taplinger: New York. 45: 37: 512:10.1093/gmo/9781561592630.article.27937 497: 477:Music Theory for the Music Professional 392: 1207: 407: 169:Ties are normally placed opposite the 78:. A tie is similar in appearance to a 545: 1148: 571: 538:– A simple explanation of tied notes 93:; (b) when holding a note across a 13: 385:. Boston Ginn & Co. Quoted in 14: 1231: 529: 1152: 1129: 1128: 1118: 444:, Vol. I, p.8. Seventh Edition. 353: 346: 339: 327: 318: 491: 468: 455: 434: 382:Elements and Notation of Music 373: 309: 188:(semiquaver), creating a note 100: 1: 442:Music: In Theory and Practice 379:McLaughlin, James M. (1902). 366: 1168:. You can help Knowledge by 440:Benward & Saker (2003). 7: 929:History of music publishing 10: 1236: 1147: 290: 206:). This might be because: 1134:Category:Musical notation 1114: 1078: 1000:Numbered musical notation 952: 919: 799: 791:Scientific pitch notation 682: 579: 498:Rastall, Richard (2001). 480:, p.11. Scarecrow Press. 461:Castellini, John (1962). 387:Music: A Monthly Magazine 230:The second note begins a 781:Helmholtz pitch notation 465:, p.51-2. W.W. Norton. . 404:, p.355. W.S.B. Mathews. 302: 234:, falling on a stressed 1124:List of musical symbols 995:Nashville Number System 506:. Oxford Music Online. 474:Sorce, Richard (1995). 297:Marco Antonio Cavazzoni 674:Transposing instrument 167: 161: 155: 146: 116: 108: 51: 43: 1215:Articulations (music) 162: 156: 147: 120: 112: 104: 49: 41: 214:is between the notes 1020:Percussion notation 1220:Music theory stubs 504:Grove Music Online 463:Rudiments of Music 52: 44: 1177: 1176: 1142: 1141: 1086:Mensural notation 450:978-0-07-294262-0 1227: 1198: 1191: 1184: 1156: 1149: 1132: 1131: 1122: 1121: 985:Graphic notation 649:Rehearsal letter 573:Musical notation 566: 559: 552: 543: 542: 523: 522: 520: 518: 495: 489: 472: 466: 459: 453: 438: 432: 414: 405: 396: 390: 377: 360: 358: 357: 351: 350: 344: 343: 332: 331: 325: 324: 322: 313: 271: 270: 269: 268: 256: 255: 254: 253: 197: 196: 192: 184:(crotchet) to a 177:simultaneously. 16:Musical notation 1235: 1234: 1230: 1229: 1228: 1226: 1225: 1224: 1205: 1204: 1203: 1202: 1145: 1143: 1138: 1110: 1074: 948: 939:Music publisher 934:Music engraving 915: 795: 786:Letter notation 678: 575: 570: 532: 527: 526: 516: 514: 496: 492: 473: 469: 460: 456: 439: 435: 415: 408: 397: 393: 378: 374: 369: 364: 363: 352: 345: 338: 337: 336: 326: 317: 316: 314: 310: 305: 293: 281: 267: 262: 261: 260: 259: 258: 252: 247: 246: 245: 244: 243: 232:metric grouping 223: 194: 190: 189: 142:identical pitch 118:Other sources: 103: 36: 35: 34: 24: 23: 17: 12: 11: 5: 1233: 1223: 1222: 1217: 1201: 1200: 1193: 1186: 1178: 1175: 1174: 1157: 1140: 1139: 1137: 1136: 1126: 1115: 1112: 1111: 1109: 1108: 1103: 1098: 1093: 1088: 1082: 1080: 1076: 1075: 1073: 1072: 1067: 1062: 1057: 1052: 1047: 1042: 1037: 1032: 1027: 1022: 1017: 1012: 1007: 1002: 997: 992: 987: 982: 977: 972: 967: 962: 956: 954: 950: 949: 947: 946: 941: 936: 931: 925: 923: 917: 916: 914: 913: 908: 903: 898: 893: 888: 883: 882: 881: 876: 871: 866: 861: 856: 846: 841: 836: 831: 826: 821: 816: 811: 805: 803: 797: 796: 794: 793: 788: 783: 778: 773: 768: 763: 758: 753: 748: 747: 746: 741: 736: 726: 721: 716: 711: 710: 709: 704: 699: 688: 686: 680: 679: 677: 676: 671: 666: 664:Time signature 661: 656: 651: 646: 641: 636: 631: 626: 621: 616: 611: 606: 601: 596: 591: 585: 583: 577: 576: 569: 568: 561: 554: 546: 540: 539: 536:Ties Explained 531: 530:External links 528: 525: 524: 490: 467: 454: 433: 421:Music Notation 406: 391: 389:(1901), p.355. 371: 370: 368: 365: 362: 361: 334: 333: 307: 306: 304: 301: 292: 289: 285: 284: 283: 282: 274: 273: 263: 248: 227: 226: 225: 224: 216: 215: 204:dotted quarter 186:sixteenth note 102: 99: 56:music notation 32:sixteenth note 25: 20: 19: 18: 15: 9: 6: 4: 3: 2: 1232: 1221: 1218: 1216: 1213: 1212: 1210: 1199: 1194: 1192: 1187: 1185: 1180: 1179: 1173: 1171: 1167: 1164:article is a 1163: 1158: 1155: 1151: 1150: 1146: 1135: 1127: 1125: 1117: 1116: 1113: 1107: 1106:Transcription 1104: 1102: 1101:Sight-reading 1099: 1097: 1096:Perfect pitch 1094: 1092: 1089: 1087: 1084: 1083: 1081: 1077: 1071: 1068: 1066: 1063: 1061: 1058: 1056: 1053: 1051: 1048: 1046: 1043: 1041: 1038: 1036: 1033: 1031: 1030:Ancient Greek 1028: 1026: 1023: 1021: 1018: 1016: 1013: 1011: 1008: 1006: 1003: 1001: 998: 996: 993: 991: 988: 986: 983: 981: 978: 976: 973: 971: 970:Chord diagram 968: 966: 963: 961: 960:Braille music 958: 957: 955: 953:Other systems 951: 945: 942: 940: 937: 935: 932: 930: 927: 926: 924: 922: 918: 912: 909: 907: 904: 902: 899: 897: 894: 892: 889: 887: 884: 880: 877: 875: 872: 870: 867: 865: 862: 860: 857: 855: 852: 851: 850: 847: 845: 842: 840: 837: 835: 832: 830: 827: 825: 822: 820: 817: 815: 812: 810: 807: 806: 804: 802: 798: 792: 789: 787: 784: 782: 779: 777: 774: 772: 769: 767: 764: 762: 759: 757: 754: 752: 749: 745: 742: 740: 737: 735: 732: 731: 730: 727: 725: 722: 720: 717: 715: 712: 708: 705: 703: 700: 698: 695: 694: 693: 690: 689: 687: 685: 684:Musical notes 681: 675: 672: 670: 669:Transposition 667: 665: 662: 660: 657: 655: 652: 650: 647: 645: 642: 640: 637: 635: 632: 630: 627: 625: 624:Key signature 622: 620: 617: 615: 612: 610: 607: 605: 602: 600: 597: 595: 592: 590: 587: 586: 584: 582: 578: 574: 567: 562: 560: 555: 553: 548: 547: 544: 537: 534: 533: 513: 509: 505: 501: 494: 487: 486:9781880157206 483: 479: 478: 471: 464: 458: 451: 447: 443: 437: 430: 429:0-8008-5453-5 426: 422: 418: 417:Read, Gardner 413: 411: 403: 402: 395: 388: 384: 383: 376: 372: 356: 349: 342: 330: 321: 312: 308: 300: 298: 288: 278: 277: 276: 275: 266: 251: 241: 237: 233: 229: 228: 220: 219: 218: 217: 213: 209: 208: 207: 205: 201: 187: 183: 178: 176: 172: 166: 160: 154: 152: 145: 143: 139: 135: 134:Baroque music 131: 130: 125: 119: 115: 111: 107: 98: 96: 92: 87: 85: 81: 77: 73: 69: 65: 61: 57: 48: 40: 33: 29: 1170:expanding it 1162:music theory 1159: 1144: 1005:Klavarskribo 980:Figured bass 905: 854:Appoggiatura 801:Articulation 599:Abbreviation 515:. Retrieved 503: 493: 475: 470: 462: 457: 441: 436: 420: 399: 394: 386: 380: 375: 311: 294: 286: 264: 249: 182:quarter note 179: 168: 163: 157: 150: 148: 141: 127: 124:prolongation 123: 121: 117: 113: 109: 105: 88: 66:of the same 59: 53: 28:quarter note 1091:Music stand 965:Chord chart 944:Scorewriter 921:Sheet music 719:Dotted note 654:Repeat sign 629:Ledger line 101:Explanation 1209:Categories 1065:Shakuhachi 1040:Ekphonetic 1025:Simplified 990:Lead sheet 864:Grace note 729:Note value 724:Grace note 692:Accidental 367:References 240:note value 200:note value 138:note-heads 129:repetition 30:tied to a 1060:Swaralipi 1050:Kunkunshi 1010:Tablature 975:Eye music 859:Glissando 834:Fingering 619:Dal segno 1070:Znamenny 911:Tonguing 896:Staccato 849:Ornament 824:Dynamics 776:Interval 739:Notehead 714:Cue note 517:15 April 419:(1969). 398:(1901). 165:measure. 91:bar line 72:duration 1079:Related 1045:Gamelan 1035:Chinese 1015:Parsons 886:Portato 869:Mordent 844:Marcato 829:Fermata 819:Damping 814:Caesura 771:Tremolo 702:natural 614:Da capo 291:History 212:barline 193:⁄ 901:Tenuto 839:Legato 809:Accent 766:Tuplet 484:  448:  427:  359:in 4/4 175:voices 84:legato 76:values 1160:This 1055:Neume 879:Trill 874:Slide 761:Tacet 751:Pitch 707:sharp 659:Tempo 644:Scale 639:Ossia 581:Staff 500:"Tie" 303:Notes 159:ties. 68:pitch 64:notes 1166:stub 891:Slur 756:Rest 744:stem 734:beam 697:flat 634:Mode 609:Clef 519:2020 482:ISBN 446:ISBN 425:ISBN 236:beat 171:stem 149:The 95:beat 80:slur 58:, a 906:Tie 604:Bar 508:doi 151:tie 86:). 60:tie 54:In 1211:: 594:15 502:. 409:^ 210:A 26:A 1197:e 1190:t 1183:v 1172:. 589:8 565:e 558:t 551:v 521:. 510:: 488:. 452:. 431:. 335:˘ 323:. 265:4 250:8 195:4 191:5 144:.

Index

quarter note
sixteenth note


music notation
notes
pitch
duration
values
slur
legato
bar line
beat
repetition
Baroque music
note-heads
stem
voices
quarter note
sixteenth note
note value
dotted quarter
barline
metric grouping
beat
note value
Marco Antonio Cavazzoni
dotted quarter note
eighth note
eighth note

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