1198:
519:
507:
495:
483:
1571:
161:
2205:
2195:
20:
531:
1430:
237:
307:. The double-dotted note is used less frequently than the dotted note. Typically, as in the example to the right, it is followed by a note whose duration is one-quarter the length of the basic note value, completing the next higher note value. Before the mid-18th century, double dots were not used. Until then, in some circumstances, single dots could mean double dots.
474:
Though theoretically possible, a note with more than three dots is highly uncommon; only quadruple dots have been attested. If the original note is considered as being of length 1, then a quintuple dot would only be 1/32 longer than the quadruple dotted note. The difficulty may be seen by comparing
192:
of any value. If the rest is in its normal position, dots are always placed in third staff space from the bottom, as shown in the example below. The dotted rests are very common in simple meters, but also necessary in compound ones, as shown in the example below.
394:
380:
366:
352:
1267:. London: Augener (1951): 28. "Contemporary theorists made it clear that the dotted note should be sustained beyond its actual value (the double dot was not then in use), and that the short note or notes should be played as quickly as possible."
270:
139:
198:
1207:, pp. 117–118. "Ranging from Renaissance madrigals to the keyboard works of Johannes Brahms, one often finds such a notation as the one at the left below." (The next page shows an example labeled "older notation" of two measures of music in
268:
995:, Frederick George Edwards, used the pseudonym "Dotted Crochet". Under this name he wrote "educationally suggestive interviews with musical celebrities", as well as articles about "cathedrals, churches, and educational institutions".
393:
379:
365:
351:
271:
344:
118:. The precise performance of dotted rhythms can be a complex issue. Even in notation that employs dots, their performed values may be longer or shorter than the dot mathematically indicates, practices known as
392:
378:
364:
350:
1100:
tempo of quarter note = 60 (one quarter note per second; 60 bpm), the length of a quintuple dotted note is 0.03125 seconds longer than a quadruple dotted note and presumably below the
134:
If the note to be dotted is on a space, the dot also goes on the space, while if the note is on a line, the dot goes on the space above (this also goes for notes on ledger lines).
1082:
719:
829:
686:
808:
653:
787:
620:
766:
966:
936:
906:
876:
855:
745:
586:
466:(half note), lasting 15 semiquavers, simultaneously with the first left-hand semiquaver, then one semiquaver simultaneously with the 16th left-hand semiquaver.
1186:
395:
381:
367:
353:
269:
70:
The use of dotted notes dates back at least to the 10th century, but the exact amount of lengthening a dot provides in early music contexts may vary.
330:"Triple dot" redirects here. For the punctuation mark that usually indicates an intentional omission of a word or phrase from the original text, see
420:
times its basic note value. Use of a triple-dotted note value is not common in the
Baroque and Classical periods, but quite common in the music of
1320:
1150:
1468:
318:), notes written as dotted notes are often interpreted to mean double-dotted notes, and the following note is commensurately shortened; see
1638:
535:). Although shorter notes do occur, sixty-fourth notes are considered the shortest practical duration found in musical notation.
258:
1560:
1353:
1245:
1163:
462:(sixteenth notes) in the left hand. Several times during the piece Chopin asks for the right hand to play a triple-dotted
240:
164:
142:
518:
1461:
1288:
319:
2104:
506:
1631:
178:
The dots on dotted notes, which are located to the right of the note, should not be confused with the dots for
115:
1434:
226:, but most writers today regard this usage as obsolete and recommend using a tie across the barline instead.
1570:
1555:
1454:
156:
The placement of dots gets more complicated for adjacent-note chords and for lower voices, as shown below.
2139:
2003:
1329:
1145:
494:
482:
343:
335:
236:
197:
160:
138:
1195:, p. 119; p. 120, ex. 8–28. The author points out the obvious fact "that it is impossible to tie rests".
1550:
1101:
1222:
of which the second measure contains, in order: an augmentation dot, a quarter note and a half note.).
2208:
2099:
2074:
1865:
1624:
2109:
2059:
1948:
1855:
1121:
1440:
2198:
2069:
243:
223:
167:
145:
1748:
265:. The first note is double-dotted. Haydn's theme was adapted for piano by an unknown composer.
2180:
2044:
1743:
1052:
701:
814:
668:
2229:
1875:
1673:
1155:
793:
635:
432:
215:
182:
105:
85:
1301:
772:
602:
8:
2114:
2094:
751:
2144:
67:. Subsequent dots add progressively halved value, as shown in the example to the right.
1766:
1540:
951:
921:
891:
861:
840:
730:
571:
512:
93:
editions of
Solesmes, a dot is typically interpreted as a doubling of length (see also
530:
2160:
1908:
1668:
1663:
1545:
1510:
1389:
1359:
1349:
1284:
1241:
1159:
991:
524:
436:
289:
A double-dotted note is a note with two small dots written after it. Its duration is
262:
71:
110:
2119:
1923:
1898:
1850:
1723:
1647:
1105:
44:
43:
with a small dot written after it. In modern practice, the first dot increases the
32:
100:
A pattern using longer notes alternating with shorter notes is sometimes called a
2013:
2008:
1893:
1860:
1776:
406:
A triple-dotted note is a note with three dots written after it; its duration is
311:
90:
2170:
1883:
1738:
1535:
1500:
1345:
Music and
Ceremonial at British Coronations : From James I to Elizabeth II
1276:
500:
459:
440:
425:
421:
2223:
2175:
2034:
1953:
1825:
1781:
1718:
1698:
1655:
1505:
1393:
1363:
1325:
1141:
315:
1265:
18th
Century Symphonies: A Short History of the Symphony in the 18th Century
2089:
2079:
2054:
1965:
1928:
1830:
1818:
1808:
1771:
1758:
1708:
1525:
1490:
1486:
1410:
1378:"Frederick George Edwards. Born, October 11, 1853. Died, November 28, 1909"
254:
219:
189:
64:
48:
40:
1343:
2165:
2039:
2018:
1995:
1980:
1728:
1703:
1678:
1530:
488:
476:
211:
56:
24:
55:. This means that a dotted note is equivalent to writing the basic note
2064:
1938:
1803:
1798:
1595:
1590:
1515:
1478:
1260:
304:
79:
52:
1446:
1377:
23:
Dotted notes and their equivalent durations. The curved lines, called
2134:
2124:
2084:
2049:
1933:
1693:
1520:
1097:
463:
104:, whether or not it is written as such. Historical examples of music
78:
to clarify ambiguities about its context-dependent interpretation of
60:
1985:
1970:
1813:
1788:
1616:
1029:
331:
276:
179:
499:), a dotted quarter = 3 tied eighth notes, double dotted = 7 tied
1960:
1943:
1918:
1903:
1888:
1845:
1688:
1600:
1033:
203:
In
Baroque music, dotted notation was sometimes used to indicate
19:
1975:
1913:
1840:
1605:
1429:
1004:
431:
An example of the use of double- and triple-dotted notes is in
204:
2129:
1835:
1733:
1713:
1237:
1093:
94:
1441:"Learn to Read Drum Music – Part 6 – Dotted Notes Explained"
1683:
279:
47:
of the basic note by half (the original note with an extra
1556:
Two hundred fifty-sixth note (demisemihemidemisemiquaver)
242:
Audio playback is not supported in your browser. You can
166:
Audio playback is not supported in your browser. You can
144:
Audio playback is not supported in your browser. You can
1130:, p. 114, ex. 8–11; p. 116, ex. 8–18; p. 117, ex. 8–20.
1096:
vary from ≤24 beats per minute to ≥200 bpm; at a slow
1055:
954:
924:
894:
864:
843:
817:
796:
775:
754:
733:
704:
671:
638:
605:
574:
437:
Prelude in G major for piano, Op. 28, No. 3
59:
to a note of half the value – for instance, a dotted
1348:. Cambridge: Cambridge University Press. p. 4.
188:
Theoretically, any note value can be dotted, as can
1551:
Hundred twenty-eighth note (semihemidemisemiquaver)
1104:for musical duration and too fast to allow proper
1076:
960:
930:
900:
870:
849:
823:
802:
781:
760:
739:
713:
680:
647:
614:
580:
1140:Hefling, Stephen E. (2001). "Dotted rhythms". In
2221:
1321:The New Grove Dictionary of Music and Musicians
1151:The New Grove Dictionary of Music and Musicians
1632:
1462:
185:, which are located above or below the note.
1415:Music Notation: A Manual of Modern Practice
1318:Morehen, John. 2001. "Hemidemisemiquaver".
2194:
1639:
1625:
1469:
1455:
1417:(2nd ed.). Boston: Allyn & Bacon.
1028:For dots placed above or below notes, see
1302:"Extremes of Conventional Music Notation"
266:
18:
1476:
1139:
1010:
63:is equivalent to a half note tied to a
2222:
1546:Sixty-fourth note (hemidemisemiquaver)
1231:
1620:
1450:
1341:
253:A fragment of the second movement of
1646:
1409:
1294:
1204:
1192:
1127:
1541:Thirty-second note (demisemiquaver)
1234:The AB Guide to Music Theory Part I
428:, especially in their brass parts.
13:
523:), and quadruple dotted = 31 tied
390:
376:
362:
348:
14:
2241:
1422:
1183:. New York: Passantino (1979): 29
984:
325:
320:Historically informed performance
229:
2204:
2203:
2193:
1569:
1428:
1281:Elements of Notation and Harmony
1084:the length (1/2, 1/4, 1/8, ...).
1045:If the base note is 1, then the
529:
517:
505:
493:
481:
207:rhythms when it seemed obvious.
1370:
1335:
1312:
1270:
1087:
469:
27:, add the note values together.
1254:
1225:
1173:
1133:
1039:
1022:
108:using unequal rhythms include
1:
989:The journalist and editor of
259:String Quartet, Op. 74, No. 2
1506:Quadruple whole note (longa)
1324:, second edition, edited by
239:
163:
141:
7:
2004:History of music publishing
1536:Sixteenth note (semiquaver)
1501:Octuple whole note (maxima)
998:
511:), triple dotted = 15 tied
336:Three dots (disambiguation)
129:
89:as described above. In the
10:
2246:
1102:just-noticeable difference
487:) is equivalent to 2 tied
479:notation: a quarter note (
329:
224:Symphony No. 70 in D major
82:, sometimes alongside the
2209:Category:Musical notation
2189:
2153:
2075:Numbered musical notation
2027:
1994:
1874:
1866:Scientific pitch notation
1757:
1654:
1578:
1567:
1511:Double whole note (breve)
1485:
1856:Helmholtz pitch notation
1342:Range, Matthias (2012).
1154:(2nd ed.). London:
210:Dots can be used across
2199:List of musical symbols
2070:Nashville Number System
1526:Quarter note (crotchet)
1283:, p. 14. 2010 edition:
1077:{\displaystyle 1/2^{x}}
714:{\displaystyle =0.0625}
541:Base note duration = 1
244:download the audio file
168:download the audio file
146:download the audio file
1749:Transposing instrument
1516:Whole note (semibreve)
1078:
962:
932:
902:
872:
851:
825:
824:{\displaystyle 1.9375}
804:
783:
762:
741:
715:
682:
681:{\displaystyle =0.125}
649:
616:
582:
399:
385:
371:
357:
334:. For other uses, see
283:
28:
1232:Taylor, Eric (2011).
1181:Music Notation Primer
1079:
963:
933:
903:
873:
852:
826:
805:
803:{\displaystyle 1.875}
784:
763:
742:
716:
683:
650:
648:{\displaystyle =0.25}
617:
583:
398:
384:
370:
356:
314:(and sometimes other
274:
106:performance practices
22:
16:Musical note duration
1531:Eighth note (quaver)
1437:at Wikimedia Commons
1332:. London: Macmillan.
1156:Macmillan Publishers
1053:
1011:Notes and references
952:
922:
892:
862:
841:
815:
794:
782:{\displaystyle 1.75}
773:
752:
731:
702:
669:
636:
615:{\displaystyle =0.5}
603:
572:
458:), contains running
263:theme and variations
216:H. C. Robbins Landon
2095:Percussion notation
1443:, thenewdrummer.com
1388:(803): 9–11. 1910.
761:{\displaystyle 1.5}
542:
513:thirty-second notes
475:dotted notation to
1074:
958:
928:
898:
868:
847:
835:Fractional result
821:
800:
779:
758:
737:
711:
678:
645:
612:
578:
540:
525:sixty-fourth notes
400:
386:
372:
358:
284:
51:) of its original
29:
2217:
2216:
2161:Mensural notation
1614:
1613:
1521:Half note (minim)
1433:Media related to
1382:The Musical Times
1355:978-1-139-55234-9
1247:978-1-85472-446-5
1179:Glen Rosencrans,
1165:978-1-56159-239-5
992:The Musical Times
980:
979:
961:{\displaystyle 1}
931:{\displaystyle 1}
901:{\displaystyle 1}
871:{\displaystyle 1}
850:{\displaystyle 1}
740:{\displaystyle 1}
581:{\displaystyle 0}
396:
382:
368:
354:
272:
248:
172:
150:
72:Mensural notation
2237:
2207:
2206:
2197:
2196:
2060:Graphic notation
1724:Rehearsal letter
1648:Musical notation
1641:
1634:
1627:
1618:
1617:
1573:
1471:
1464:
1457:
1448:
1447:
1432:
1418:
1398:
1397:
1374:
1368:
1367:
1339:
1333:
1316:
1310:
1309:
1298:
1292:
1274:
1268:
1258:
1252:
1251:
1229:
1223:
1221:
1220:
1219:
1218:
1202:
1196:
1190:
1184:
1177:
1171:
1169:
1137:
1131:
1125:
1109:
1091:
1085:
1083:
1081:
1080:
1075:
1073:
1072:
1063:
1043:
1037:
1026:
976:
975:
971:
967:
965:
964:
959:
946:
945:
941:
937:
935:
934:
929:
916:
915:
911:
907:
905:
904:
899:
886:
885:
881:
877:
875:
874:
869:
856:
854:
853:
848:
830:
828:
827:
822:
809:
807:
806:
801:
788:
786:
785:
780:
767:
765:
764:
759:
746:
744:
743:
738:
720:
718:
717:
712:
698:
697:
693:
687:
685:
684:
679:
665:
664:
660:
654:
652:
651:
646:
632:
631:
627:
621:
619:
618:
613:
599:
598:
594:
587:
585:
584:
579:
543:
539:
534:
533:
522:
521:
510:
509:
498:
497:
486:
485:
457:
456:
455:
454:
439:. The piece, in
419:
418:
414:
411:
397:
383:
369:
355:
303:times its basic
302:
301:
297:
294:
273:
33:musical notation
2245:
2244:
2240:
2239:
2238:
2236:
2235:
2234:
2220:
2219:
2218:
2213:
2185:
2149:
2023:
2014:Music publisher
2009:Music engraving
1990:
1870:
1861:Letter notation
1753:
1650:
1645:
1615:
1610:
1574:
1565:
1493:
1481:
1475:
1425:
1401:
1376:
1375:
1371:
1356:
1340:
1336:
1317:
1313:
1300:
1299:
1295:
1277:Bussler, Ludwig
1275:
1271:
1259:
1255:
1248:
1230:
1226:
1217:
1212:
1211:
1210:
1209:
1208:
1203:
1199:
1191:
1187:
1178:
1174:
1166:
1138:
1134:
1126:
1122:
1113:
1112:
1092:
1088:
1068:
1064:
1059:
1054:
1051:
1050:
1044:
1040:
1027:
1023:
1013:
1001:
987:
973:
969:
968:
953:
950:
949:
943:
939:
938:
923:
920:
919:
913:
909:
908:
893:
890:
889:
883:
879:
878:
863:
860:
859:
842:
839:
838:
816:
813:
812:
795:
792:
791:
774:
771:
770:
753:
750:
749:
732:
729:
728:
725:Decimal result
703:
700:
699:
695:
691:
690:
670:
667:
666:
662:
658:
657:
637:
634:
633:
629:
625:
624:
604:
601:
600:
596:
592:
591:
573:
570:
569:
528:
516:
504:
501:sixteenth notes
492:
480:
472:
453:
448:
447:
446:
445:
444:
433:Frédéric Chopin
416:
412:
409:
407:
404:
403:
402:
391:
389:
388:
377:
375:
374:
363:
361:
360:
349:
346:
345:
339:
328:
312:French overture
299:
295:
292:
290:
287:
286:
285:
267:
251:
250:
249:
247:
232:
199:
174:
173:
171:
152:
151:
149:
132:
91:gregorian chant
80:rhythmic values
76:dot of division
17:
12:
11:
5:
2243:
2233:
2232:
2215:
2214:
2212:
2211:
2201:
2190:
2187:
2186:
2184:
2183:
2178:
2173:
2168:
2163:
2157:
2155:
2151:
2150:
2148:
2147:
2142:
2137:
2132:
2127:
2122:
2117:
2112:
2107:
2102:
2097:
2092:
2087:
2082:
2077:
2072:
2067:
2062:
2057:
2052:
2047:
2042:
2037:
2031:
2029:
2025:
2024:
2022:
2021:
2016:
2011:
2006:
2000:
1998:
1992:
1991:
1989:
1988:
1983:
1978:
1973:
1968:
1963:
1958:
1957:
1956:
1951:
1946:
1941:
1936:
1931:
1921:
1916:
1911:
1906:
1901:
1896:
1891:
1886:
1880:
1878:
1872:
1871:
1869:
1868:
1863:
1858:
1853:
1848:
1843:
1838:
1833:
1828:
1823:
1822:
1821:
1816:
1811:
1801:
1796:
1791:
1786:
1785:
1784:
1779:
1774:
1763:
1761:
1755:
1754:
1752:
1751:
1746:
1741:
1739:Time signature
1736:
1731:
1726:
1721:
1716:
1711:
1706:
1701:
1696:
1691:
1686:
1681:
1676:
1671:
1666:
1660:
1658:
1652:
1651:
1644:
1643:
1636:
1629:
1621:
1612:
1611:
1609:
1608:
1603:
1598:
1593:
1588:
1582:
1580:
1576:
1575:
1568:
1566:
1564:
1563:
1558:
1553:
1548:
1543:
1538:
1533:
1528:
1523:
1518:
1513:
1508:
1503:
1497:
1495:
1483:
1482:
1474:
1473:
1466:
1459:
1451:
1445:
1444:
1438:
1424:
1423:External links
1421:
1420:
1419:
1400:
1399:
1369:
1354:
1334:
1311:
1293:
1269:
1253:
1246:
1240:. p. 18.
1224:
1213:
1197:
1185:
1172:
1164:
1142:Sadie, Stanley
1132:
1119:
1111:
1110:
1086:
1071:
1067:
1062:
1058:
1038:
1020:
1019:
1012:
1009:
1008:
1007:
1000:
997:
986:
985:Other contexts
983:
982:
981:
978:
977:
957:
947:
927:
917:
897:
887:
867:
857:
846:
836:
832:
831:
820:
810:
799:
789:
778:
768:
757:
747:
736:
726:
722:
721:
710:
707:
688:
677:
674:
655:
644:
641:
622:
611:
608:
589:
577:
566:
562:
561:
558:
555:
552:
549:
546:
471:
468:
449:
426:Anton Bruckner
422:Richard Wagner
347:
342:
341:
340:
327:
326:Triple dotting
324:
252:
241:
238:
235:
234:
233:
231:
230:Double dotting
228:
218:'s edition of
201:
200:
176:
175:
165:
162:
154:
153:
143:
140:
131:
128:
111:notes inégales
15:
9:
6:
4:
3:
2:
2242:
2231:
2228:
2227:
2225:
2210:
2202:
2200:
2192:
2191:
2188:
2182:
2181:Transcription
2179:
2177:
2176:Sight-reading
2174:
2172:
2171:Perfect pitch
2169:
2167:
2164:
2162:
2159:
2158:
2156:
2152:
2146:
2143:
2141:
2138:
2136:
2133:
2131:
2128:
2126:
2123:
2121:
2118:
2116:
2113:
2111:
2108:
2106:
2105:Ancient Greek
2103:
2101:
2098:
2096:
2093:
2091:
2088:
2086:
2083:
2081:
2078:
2076:
2073:
2071:
2068:
2066:
2063:
2061:
2058:
2056:
2053:
2051:
2048:
2046:
2045:Chord diagram
2043:
2041:
2038:
2036:
2035:Braille music
2033:
2032:
2030:
2028:Other systems
2026:
2020:
2017:
2015:
2012:
2010:
2007:
2005:
2002:
2001:
1999:
1997:
1993:
1987:
1984:
1982:
1979:
1977:
1974:
1972:
1969:
1967:
1964:
1962:
1959:
1955:
1952:
1950:
1947:
1945:
1942:
1940:
1937:
1935:
1932:
1930:
1927:
1926:
1925:
1922:
1920:
1917:
1915:
1912:
1910:
1907:
1905:
1902:
1900:
1897:
1895:
1892:
1890:
1887:
1885:
1882:
1881:
1879:
1877:
1873:
1867:
1864:
1862:
1859:
1857:
1854:
1852:
1849:
1847:
1844:
1842:
1839:
1837:
1834:
1832:
1829:
1827:
1824:
1820:
1817:
1815:
1812:
1810:
1807:
1806:
1805:
1802:
1800:
1797:
1795:
1792:
1790:
1787:
1783:
1780:
1778:
1775:
1773:
1770:
1769:
1768:
1765:
1764:
1762:
1760:
1759:Musical notes
1756:
1750:
1747:
1745:
1744:Transposition
1742:
1740:
1737:
1735:
1732:
1730:
1727:
1725:
1722:
1720:
1717:
1715:
1712:
1710:
1707:
1705:
1702:
1700:
1699:Key signature
1697:
1695:
1692:
1690:
1687:
1685:
1682:
1680:
1677:
1675:
1672:
1670:
1667:
1665:
1662:
1661:
1659:
1657:
1653:
1649:
1642:
1637:
1635:
1630:
1628:
1623:
1622:
1619:
1607:
1604:
1602:
1599:
1597:
1594:
1592:
1589:
1587:
1584:
1583:
1581:
1577:
1572:
1562:
1559:
1557:
1554:
1552:
1549:
1547:
1544:
1542:
1539:
1537:
1534:
1532:
1529:
1527:
1524:
1522:
1519:
1517:
1514:
1512:
1509:
1507:
1504:
1502:
1499:
1498:
1496:
1492:
1488:
1484:
1480:
1472:
1467:
1465:
1460:
1458:
1453:
1452:
1449:
1442:
1439:
1436:
1431:
1427:
1426:
1416:
1412:
1411:Read, Gardner
1408:
1407:
1406:
1405:
1395:
1391:
1387:
1383:
1379:
1373:
1365:
1361:
1357:
1351:
1347:
1346:
1338:
1331:
1327:
1326:Stanley Sadie
1323:
1322:
1315:
1307:
1303:
1297:
1290:
1289:1-152-45236-3
1286:
1282:
1278:
1273:
1266:
1262:
1257:
1249:
1243:
1239:
1235:
1228:
1216:
1206:
1201:
1194:
1189:
1182:
1176:
1167:
1161:
1157:
1153:
1152:
1147:
1146:Tyrrell, John
1143:
1136:
1129:
1124:
1120:
1118:
1117:
1108:and accuracy.
1107:
1103:
1099:
1095:
1090:
1069:
1065:
1060:
1056:
1048:
1042:
1035:
1031:
1025:
1021:
1018:
1017:
1006:
1003:
1002:
996:
994:
993:
955:
948:
925:
918:
895:
888:
865:
858:
844:
837:
834:
833:
818:
811:
797:
790:
776:
769:
755:
748:
734:
727:
724:
723:
708:
705:
689:
675:
672:
656:
642:
639:
623:
609:
606:
590:
575:
567:
564:
563:
559:
556:
553:
550:
547:
545:
544:
538:
537:
536:
532:
526:
520:
514:
508:
502:
496:
490:
484:
478:
467:
465:
461:
452:
442:
438:
434:
429:
427:
423:
337:
333:
323:
321:
317:
316:Baroque music
313:
308:
306:
281:
278:
264:
260:
256:
245:
227:
225:
221:
217:
214:, such as in
213:
208:
206:
196:
195:
194:
191:
186:
184:
181:
169:
159:
158:
157:
147:
137:
136:
135:
127:
125:
124:under-dotting
121:
117:
113:
112:
107:
103:
102:dotted rhythm
98:
96:
92:
88:
87:
81:
77:
73:
68:
66:
62:
58:
54:
50:
46:
42:
38:
34:
26:
21:
2080:Klavarskribo
2055:Figured bass
1929:Appoggiatura
1876:Articulation
1793:
1674:Abbreviation
1585:
1435:Dotted notes
1414:
1403:
1402:
1385:
1381:
1372:
1344:
1337:
1330:John Tyrrell
1319:
1314:
1305:
1296:
1280:
1272:
1264:
1256:
1233:
1227:
1214:
1200:
1188:
1180:
1175:
1149:
1135:
1123:
1115:
1114:
1089:
1049:th dot adds
1046:
1041:
1024:
1015:
1014:
990:
988:
489:eighth notes
473:
470:Beyond three
450:
430:
405:
309:
288:
255:Joseph Haydn
220:Joseph Haydn
209:
202:
187:
183:articulation
177:
155:
133:
123:
120:over-dotting
119:
109:
101:
99:
86:augmentation
83:
75:
69:
65:quarter note
36:
30:
2230:Note values
2166:Music stand
2040:Chord chart
2019:Scorewriter
1996:Sheet music
1794:Dotted note
1729:Repeat sign
1704:Ledger line
1586:Dotted note
1479:note values
1306:indiana.edu
460:semiquavers
441:common time
37:dotted note
31:In Western
2140:Shakuhachi
2115:Ekphonetic
2100:Simplified
2065:Lead sheet
1939:Grace note
1804:Note value
1799:Grace note
1767:Accidental
1596:Swung note
1591:Grace note
1579:Variations
1261:Adam Carse
1116:References
565:Lengthens
305:note value
275:(3.7
2135:Swaralipi
2125:Kunkunshi
2085:Tablature
2050:Eye music
1934:Glissando
1909:Fingering
1694:Dal segno
1394:0027-4666
1364:811502356
1205:Read 1969
1193:Read 1969
1128:Read 1969
1098:larghetto
548:Undotted
61:half note
2224:Category
2145:Znamenny
1986:Tonguing
1971:Staccato
1924:Ornament
1899:Dynamics
1851:Interval
1814:Notehead
1789:Cue note
1477:Musical
1413:(1969).
1279:(1890).
1148:(eds.).
1106:counting
1030:Staccato
999:See also
401:(3 dots)
387:(2 dots)
359:(0 dots)
332:Ellipsis
212:barlines
180:staccato
130:Notation
45:duration
2154:Related
2120:Gamelan
2110:Chinese
2090:Parsons
1961:Portato
1944:Mordent
1919:Marcato
1904:Fermata
1894:Damping
1889:Caesura
1846:Tremolo
1777:natural
1689:Da capo
1601:Tremolo
1494:lengths
1404:Sources
1034:Portato
972:⁄
942:⁄
912:⁄
882:⁄
694:⁄
661:⁄
628:⁄
595:⁄
560:4 dots
557:3 dots
554:2 dots
415:⁄
373:(1 dot)
298:⁄
205:triplet
84:dot of
74:uses a
1976:Tenuto
1914:Legato
1884:Accent
1841:Tuplet
1606:Tuplet
1392:
1362:
1352:
1287:
1244:
1162:
1094:Tempos
1005:Tuplet
819:1.9375
709:0.0625
551:1 dot
2130:Neume
1954:Trill
1949:Slide
1836:Tacet
1826:Pitch
1782:sharp
1734:Tempo
1719:Scale
1714:Ossia
1656:Staff
1238:ABRSM
1016:Notes
798:1.875
676:0.125
568:N/A (
464:minim
310:In a
282:file)
190:rests
116:swing
95:Neume
53:value
39:is a
1966:Slur
1831:Rest
1819:stem
1809:beam
1772:flat
1709:Mode
1684:Clef
1491:rest
1489:and
1487:Note
1390:ISSN
1360:OCLC
1350:ISBN
1328:and
1285:ISBN
1242:ISBN
1160:ISBN
1032:and
777:1.75
643:0.25
477:tied
424:and
280:MIDI
261:, a
114:and
57:tied
49:beam
41:note
35:, a
25:ties
1981:Tie
1679:Bar
1561:...
756:1.5
610:0.5
435:'s
257:'s
222:'s
122:or
97:).
2226::
1669:15
1386:51
1384:.
1380:.
1358:.
1304:.
1263:,
1236:.
1158:.
1144:;
974:16
970:15
696:16
588:)
322:.
277:KB
126:.
1664:8
1640:e
1633:t
1626:v
1470:e
1463:t
1456:v
1396:.
1366:.
1308:.
1291:.
1250:.
1215:4
1170:
1168:.
1070:x
1066:2
1061:/
1057:1
1047:x
1036:.
956:1
944:8
940:7
926:1
914:4
910:3
896:1
884:2
880:1
866:1
845:1
735:1
706:=
692:1
673:=
663:8
659:1
640:=
630:4
626:1
607:=
597:2
593:1
576:0
527:(
515:(
503:(
491:(
451:4
443:(
417:8
413:7
410:+
408:1
338:.
300:4
296:3
293:+
291:1
246:.
170:.
148:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
