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corner of her eyes, bags under them, and a deeply lined forehead. This piece has been described as showing "a greater variety of wrinkles than any other depiction of an elite woman from ancient Egypt" It is thought to represent the image of a wise, older woman. A small statue of an aging
Nefertiti also was found in the workshop, depicting her with a rounded, drooping belly, thick thighs, and a curved line at the base of her abdomen showing that she had borne several children, perhaps intended to project an image of fertility.
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183:, apparently a master study for others to copy, which was found on the floor of a storeroom. In addition to this now-famous bust, twenty-two plaster casts of faces—some of which are full heads, others just the face—were found in Rooms 18 and 19 of the studio, with an additional one found in Room 14. Eight of these have been identified as various members of the royal family, including Akhenaten, his other wife
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the decorated rock cut tomb of the "head of the painters in the place of truth", Thutmose. The tomb dates to the time shortly after the Amarna Period. Although the title of the
Thutmose in Saqqara is slightly different from the title of the Thutmose known from Amarna, it seems likely that they refer
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A couple of the pieces found in the workshop depict realistic images of older noblewomen, something rare in
Ancient Egyptian art, which more often portrayed women in an idealized manner as always young, slender, and beautiful. One of the plaster faces depicts an older woman, with wrinkles at the
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provides great detail and many images of artifacts recovered in an adjacent tomb, discussion of many aspects of several topics regarding
Ancient Egyptian research and identification, as well as information about the sculptor, Thutmose.
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682:Ă„gyptisches Museum und Papyrussammlung Berlin, Friederike Seyfried (Hrsg.): Im Licht von Amarna: 100 Jahre Fund der Nofretete; . Imhof, Petersberg 2012, Seite 170 ff. Friederike Seyfried. Der Werkstattkomplex des Thutmosis.
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Portrait study thought to represent Kiya, a secondary wife to the pharaoh
Akhenaten, discovered within the workshop of the royal sculptor Thutmose at Amarna, now part of the Egyptian Museum of Berlin collection
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Plaster portrait study thought to represent Queen
Nefertiti, primary wife of the pharaoh Akhenaten, discovered within the workshop of the royal sculptor Thutmose at Amarna, now part of the Egyptian Museum of
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145:, known today as Amarna, found a ruined house and studio complex (labeled P47.1-3) in early December 1912; the building was identified as that of Thutmose based on an ivory
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found in a rubbish pit in the courtyard inscribed with his name and job title. Since it gave his occupation as "sculptor" and the building was clearly a
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308:, the mother of pharaoh Akhenaten), from late in Akhenaten's reign, years 14–17, from the workshop of the sculptor Thutmose, on display at the
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Statuette of Queen
Nefertiti rendered in limestone from the workshop of the sculptor Thutmose, on display at the Egyptian Museum of Berlin
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Granite statue of the head of Queen
Nefertiti, from the workshop of the sculptor Thutmose, on display at the Egyptian Museum of Berlin
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Sweeney, Deborah (2004). "Forever Young? The
Representation of Older and Ageing Women in Ancient Egyptian Art".
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in the latter part of his reign. A German archaeological expedition digging in
Akhenaten's deserted city of
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to the same person and that the different titles represent different stages in his career.
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Amarna Sunset: Nefertiti, Tutankhamun, Ay, Horemheb, and the Egyptian Counter-Reformation
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Examples of his work recovered from his abandoned studio may be viewed at the
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workshop, the determination seemed logical and has proven to be accurate.
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Plaster portrait study thought to represent the later successor pharaoh
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Plaster face of a young Amarna-era woman, (thought by many to represent
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and the associated bureaucratic and professional industries followed.
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A plaster portrait of Akhenaten (or possibly his immediate successor
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Among many other sculptural items recovered at the same time was the
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La tombe de Thoutmes, directeur des peintres dans la Place de Maât
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An extensive article by Zivie in the July–August 2018 edition of
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Pharaohs of the Sun: Akhenaten - Nefertiti - Tutankhamen
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Krauss, Rolf (2008). "Why Nefertiti Went to Berlin".
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Pharaoh's Man, Abdiel, the vizier with a Semitic name
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Plaster face of an older Amarna-era woman, (possibly
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Rita E. Freed, Yvonne J. Markowitz, Sue H. D'Auria,
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639:. Thames & Hudson.
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586:Dodson, Aidan (2009).
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