Knowledge

Thomas Struth

Source 📝

33: 194:, a fellow student at the Kunstakademie, and continued his photographs of cityscapes. He went on to produce similar series in Rome (1984), Edinburgh (1985), Tokyo (1986), and elsewhere. These early works largely consisted of black-and-white shots of streets. Skyscrapers were another feature of his work, with many of his photographs attempting to show the relationship people have with their modern-day environment. 281:
facilities and other edifices of technological production. In 2014, Struth presented a series of pictures in which he again penetrates key places of human imagination to scrutinize the landscape of enterprise, invention and digital engineering. Taking an archetypal site for the creation of cultural dreams and imagination, one group of pictures depicts panoramic views of
280:
Again created throughout Asia, Europe and the Americas, mural-sized colour photographs of 2010 that are up to 4 metres long record the structural intricacy of remote techno-industrial and scientific research spaces, such as physics institutes, pharmaceutical plants, space stations, dockyards, nuclear
245:
and the market gate of Milet. After several unsuccessful attempts to make works based on candid shots of visitors at the Pergamon Museum, in 2001 he decided to orchestrate the positioning of participants in a series of photos. Struth's "Museo del Prado" series from 2005, composed of five photographs
181:
In 1976, as part of a student exhibition at the Academy, Struth first showed a grid composed of 49 photographs taken from a centralized perspective on Düsseldorf's deserted streets, each of them obeying a strict logic of central symmetry. The compositions are simple and the photographs are neither
261:
in St. Petersburg. Here the spectators are the central object of the photograph, while the artwork itself remains outside the frame. By including in his photographs people who are looking at art, "Struth makes viewers ... aware of their own active participation in the completion of the work's
227:
in Rome. Expanding the practice after living in Naples and Rome at the end of the 1980s, he also photographed visitors of churches. From 1998 on, Struth expanded the series with images shot on sites of powerful secular significance (including
182:
staged nor digitally manipulated in post-production. Strong contrasts of light and shade are also avoided, Struth preferring the greyish, uninflected light of early morning. This serves to enhance the neutral treatment of the scenes.
240:
in Berlin, taken between 1996 and 2001, comprise the first series of Museum Photographs dedicated entirely to a single museum with architectural and sculptural works from classical antiquity, including the famous
303:(2017–2018), Struth worked at the Leibniz Institute for Zoo and Wildlife Research (IZW) in Berlin, following researchers in biology and veterinary medicine in their study of wildlife diversity and conservation. 185:
In 1977, Struth and Hütte travelled to England for two months, and teamed up to photograph different aspects of housing in the urban context of East London. In 1978 Struth was the first artist in residence at
269:, Struth's profile continued to expand in the 1990s. Between 1998 and 2006, Struth began scouring the earth for jungle settings in Japan, Australia, China, America and Europe; his first eight large-format 197:
In the mid-1980s, Struth added a new dimension to his work when he started to produce family portraits, some of which are in colour and others in black and white. This was after a meeting with
2069: 391:
series, which featured seemingly ordinary shots of people entering churches, museums and other public places. In 2007, he became the first contemporary artist ever to be exhibited at the
306:
Meanwhile, Struth continues to add to his collection of family portraits. In 2002, Gerhard Richter asked Struth to make a family portrait for an article on Richter's work in the
1343: 1925: 1099: 277:
in Australia. Between 1995 and 2003, he produced a series of photographs featuring groups of people gathered at emblematic locations, whether as tourists or as pilgrims.
1533: 1116: 367:, London, which sought to define a current of research born in Germany in the wake of the Bechers’ work. Struth later had his first solo exhibition in the U.S. at 1162: 2044: 510: 1918: 1393: 938: 922: 201: 1078: 1911: 1207: 723: 777: 2049: 1181: 2064: 2059: 992: 957: 1798: 1096: 732: 376: 328: 1622: 1274: 1257: 1243: 1822: 1159: 685: 622: 437: 299:
about the altered perspective and reading of the theme parks since their beginnings in the 1950s. For his most recent work,
2054: 1830: 694: 1934: 1892: 1854: 100: 800: 313: 892: 1846: 1747: 403: 1143: 1043: 708: 658: 321: 1443: 1862: 718: 364: 295: 257:
Also in 2005, he began producing a second series consisting of close-ups of spectators of a single work at the
204:. As a result, these works attempt to show the underlying social dynamics within a seemingly still photograph. 974: 2039: 805: 741: 336: 212: 1226: 513:, a government fund for slave laborers and their families; Flick later made a payment of 5 million euros. 1838: 1791: 1605: 458: 363:, Edinburgh in 1987. In 1988, Struth exhibited in the group show "Another Objectivity", organized by the 286: 1418: 246:
taken over the course of one week, all shot from slightly different angles, of visitors flocking around
150: 68: 1195: 1061: 1027: 895: 713: 444: 220: 1515: 506: 1293: 855: 653: 873: 398:
In 2010, a European retrospective of his work, "Thomas Struth: Photographs 1978–2010" was held at
1169: 1047: 768: 680: 368: 308: 2034: 1948: 1880: 1784: 795: 786: 387:
of portraits on which Struth had been working since 1996. The centre of the exhibition was the
233: 170: 53: 1569: 153:
from 1973 until 1980 where he initially studied painting under Peter Kleemann and, from 1974,
2029: 1467: 750: 411: 372: 1698: 1648: 1368: 954: 339:. Between 2010 and 2011, he served as Humanitas Visiting Professor in Contemporary Art at 8: 1716: 1192: 1009: 407: 380: 360: 274: 1015: 907: 703: 399: 211:, devoted to the visitors to some of the world's great museums and buildings, including 32: 996: 859: 351:
Struth's work has been widely shown in solo and group exhibitions, among them the 44th
317: 216: 133:
taken in the 1970s, and his family photographs series. Struth lives and works between
1771: 1753: 1743: 1270: 978: 618: 340: 1318: 835: 191: 2008: 1903: 1233:
Christie's, Post-War and Contemporary Art Evening Sale, 13 November 2007, New York.
772: 671: 667: 648: 258: 157:. Increasingly drawn to photography and with Richter's support, Struth, along with 1968: 1634: 1497: 158: 1886: 1666: 1103: 1083: 961: 631: 517: 392: 352: 290: 237: 154: 1983: 1963: 1953: 1680: 1279: 371:
in Chicago in 1990. Following the anthological exhibitions held in 2002 at the
242: 224: 1140: 456:
Struth usually works in editions of ten prints. On 12 November 2007, his work
2023: 1988: 1978: 1757: 1166: 1147: 809: 759: 754: 698: 689: 488: 470: 467: 463: 198: 166: 130: 1998: 1973: 1551: 1479: 266: 162: 126: 1214: 491:, on 12 May 2015, currently the highest price reached by one of his works. 485: 478: 430: 229: 57: 643:
Struth's work is held, among others, in the following public collections:
359:
IX (1992) at Kassel. His first solo show outside of Germany took place at
247: 145:
Born to ceramic potter Gisela Struth and bank director Heinrich Struth in
121:(born 11 October 1954) is a German photographer who is best known for his 1993: 1958: 1065: 814: 736: 252: 379:
in Los Angeles, in 2003 his work was presented at the Great Hall of the
327:
From 1993 to 1996, Struth was the first Professor of Photography at the
282: 262:
meaning, not as passive consumers but as re-interpreters of the past."
1570:"Works | Thomas Struth | People | The MFAH Collections" 356: 332: 1587: 662: 501: 187: 763: 745: 146: 49: 1776: 484:. Another version of the same photograph sold by $ 1,810,000 at 443:
2016: Centenary Medal and with it an Honorary Fellowship of the
790: 781: 727: 481: 190:, Long Island City. In 1979 Struth travelled to Paris to visit 134: 1742:(25th anniversary ed.). Köln: Taschen. pp. 300–303. 426:
1997: Spectrum International Photography Prize of Lower Saxony
2070:
Academic staff of the Karlsruhe University of Arts and Design
675: 110: 169:, joined the first year of the new photography class run by 609:
Les Museum Photographs de Thomas Struth. Une mise en abyme
1182:
Thomas Struth at the Metropolitan Museum of Art (02/2003)
423:
1992: Werner Mantz Prize for Photography, the Netherlands
395:, Madrid, among the permanent collection of old masters. 335:, Germany. In 2007, he was an artist in residence at the 1258:"The most expensive photographs sold at auction: part 3" 1244:"The most expensive photographs sold at auction: part 2" 1117:"Alan Johnston, Thomas Struth : unconscious places" 1217:
Contemporary Art Evening Auction, 26 June 2013, London.
1738:
Grosenick, Uta; Riemschneider, Burkhard, eds. (2005).
1737: 125:
series, black and white photographs of the streets of
1160:
Thomas Struth: Photographs, March 25 – April 29, 1990
1933: 207:
In 1989, Struth began work on his best-known cycle,
880:. Retrieved 28 July 2014 from www.britannica.com. 511:Foundation Remembrance, Responsibility and Future 473:, for $ 1,049,000. On 26 June 2013, a version of 2021: 1150:Museo d’Arte Contemporanea Donna Regina, Naples. 549:Thomas Struth. Straßen. Fotografie 1976 bis 1995 1919: 1792: 993:Thomas Struth – 'New Pictures From Paradise' 955:Thomas Struth, 15 January – 28 February 2003 477:, executed in 1992, sold for $ 1,253,208 at 1516:"Works – Thomas Struth – Artists – eMuseum" 505:, Struth publicly criticized art collector 140: 1926: 1912: 1799: 1785: 1275:History's Long, Dark Shadow at Berlin Show 31: 2045:Photographers from North Rhine-Westphalia 1079:Queen's diamond jubilee portrait revealed 975:Watching Art Watchers Is an Art in Itself 724:Museo Nacional Centro de Arte Reina Sofía 436:2014: Honorary fellowship awarded by the 1480:"Thomas Struth | LACMA Collections" 893:Thomas Struth, February 4 — May 18, 2003 1699:"The Guggenheim Museums and Foundation" 888: 886: 836:"Thomas Struth Photography, Bio, Ideas" 547:Stefen Gronert und Christoph Schreier: 289:(devoid of crowds), partly inspired by 2022: 851: 849: 312:. In 2011, he was commissioned by the 1907: 1823:The Smith Family, Fife, Scotland 1989 1780: 1703:The Guggenheim Museums and Foundation 686:Hirshhorn Museum and Sculpture Garden 638: 615:Thomas Struth – Photographs 1978–2010 438:Royal Institute of British Architects 429:2013–2014: Honorary residency at the 1831:Art Institute of Chicago II, Chicago 1029:Thomas Struth: Photographs 1978–2010 1011:Thomas Struth: Photographs 1978–2010 925:Ferdinand-von-Schill-Strasse, Dessau 909:Thomas Struth: Photographs 1978–2010 883: 530:Unbewusste Orte / Unconscious Places 329:Staatliche Hochschule für Gestaltung 846: 778:National Museum of Contemporary Art 695:International Center of Photography 13: 1731: 801:San Francisco Museum of Modern Art 551:, Kunstmuseum Bonn, Cologne, 1995. 383:, with the screening of the video 14: 2081: 2065:21st-century German photographers 2060:20th-century German photographers 1806: 1765: 991:Grace Glueck (17 December 1999), 973:David Pagel (21 September 2002), 628:Thomas Struth: Unconscious Places 404:Kunstsammlung Nordrhein-Westfalen 149:, Germany, Struth trained at the 1935:Düsseldorf School of Photography 1893:Düsseldorf School of Photography 1855:Mailänder Dom (Fassade), Mailand 1348:Canadian Centre for Architecture 1097:Thomas Struth (Contemporary Art) 709:Los Angeles County Museum of Art 659:Canadian Centre for Architecture 494: 101:Düsseldorf School of Photography 2050:Kunstakademie Düsseldorf alumni 1863:Alte Pinakothek (Self-Portrait) 1709: 1691: 1673: 1659: 1649:"Sammlung | Thomas Struth" 1641: 1627: 1616: 1598: 1580: 1562: 1544: 1526: 1508: 1490: 1472: 1461: 1436: 1411: 1386: 1361: 1336: 1311: 1286: 1264: 1250: 1236: 1220: 1201: 1186: 1175: 1153: 1134: 1109: 1090: 1072: 1054: 1036: 1021: 1003: 985: 719:Modern Art Museum of Fort Worth 523: 516:In 2007, Struth married author 16:German photographer (born 1954) 1772:Thomas Struth Official Website 1502:The Metropolitan Museum of Art 1044:A German Goes to Adventureland 1042:J.S. Marcus (3 January 2014), 967: 948: 932: 916: 901: 866: 828: 417: 365:Institute of Contemporary Arts 346: 296:Frankfurter Allgemeine Zeitung 1: 1031:, 11 June – 12 September 2010 1013:, 11 June – 12 September 2010 911:, 11 June – 12 September 2010 821: 451: 316:to make a double portrait of 806:Solomon R. Guggenheim Museum 509:for not contributing to the 337:Atlantic Center for the Arts 273:were created in 1998 in the 213:The Art Institute of Chicago 7: 2055:German contemporary artists 1588:"Thomas Struth | MoMA" 1198:. Retrieved 27 October 2016 573:Thomas Struth – My Portrait 287:Disney California Adventure 10: 2086: 1653:www.sammlung.pinakothek.de 1344:"Thomas Struth | CCA" 1196:Royal Photographic Society 1060:Liz Jobey (17 June 2011), 964:Monica De Cardenas, Milan. 896:Metropolitan Museum of Art 733:Museum of Contemporary Art 714:Metropolitan Museum of Art 585:New Pictures from Paradise 445:Royal Photographic Society 111:https://thomas-struth.com/ 1941: 1873: 1814: 1227:Thomas Struth (b. 1954), 1141:Thomas Struth – Biography 856:Tara Smith, Thomas Struth 507:Friedrich Christian Flick 499:In a 2004 interview with 314:National Portrait Gallery 106: 96: 83: 75: 64: 42: 30: 23: 1667:"Saint Louis Art Museum" 1592:The Museum of Modern Art 1520:collection.themodern.org 1373:www.castellodirivoli.org 1066:Financial Times Magazine 1062:Master of time and space 654:Art Institute of Chicago 617:, Schirmer/Mosel, 2010, 385:One Hour Video Portraits 141:Early life and education 69:Kunstakademie Düsseldorf 1623:National Gallery of Art 1498:"Search the Collection" 1170:The Renaissance Society 1048:The Wall Street Journal 878:Encyclopædia Britannica 769:National Gallery of Art 681:Cleveland Museum of Art 591:Photographien 1977–2002 369:The Renaissance Society 309:New York Times Magazine 293:’s 2008 article in the 236:). His pictures of the 176: 1949:Bernd and Hilla Becher 1881:Bernd and Hilla Becher 1538:www.museoreinasofia.es 941:Shinju-ku (TDK), Tokyo 796:Saint Louis Art Museum 787:Pinakothek der Moderne 634:), Schirmer/Mosel 2012 271:Pictures from Paradise 234:Yosemite National Park 171:Bernd and Hilla Becher 54:North Rhine-Westphalia 1484:collections.lacma.org 1273:(27 September 2004), 1165:10 September 2012 at 1102:25 April 2012 at the 542:Strangers and Friends 402:, later traveling to 1847:San Zaccaria, Venice 1398:www.clevelandart.org 1146:3 September 2012 at 960:2 April 2012 at the 751:Museum of Modern Art 373:Dallas Museum of Art 2040:People from Geldern 742:Museum of Fine Arts 611:, Paris/Munich 2005 462:(1990) was sold to 408:Whitechapel Gallery 381:Metropolitan Museum 361:Fruitmarket Gallery 275:Daintree Rainforest 223:in Venice, and the 1298:akronartmuseum.org 1106:Oxford University. 997:The New York Times 872:Blumberg, Naomi. " 860:The New York Times 639:Public collections 630:(with an essay by 603:Museum Photographs 536:Museum Photographs 433:in Los Angeles, CA 318:Queen Elizabeth II 265:Basing himself in 209:Museum Photographs 151:Düsseldorf Academy 123:Museum Photographs 90:Museum Photographs 2017: 2016: 1901: 1900: 1271:Michael Kimmelman 1231:(1990), Sale 1903 1193:"RPS Awards 2016" 1033:Kunsthaus Zürich. 979:Los Angeles Times 913:Kunsthaus Zürich. 623:978-3-8296-0465-9 406:K20, Düsseldorf; 341:Oxford University 322:Duke of Edinburgh 116: 115: 2077: 2009:Petra Wunderlich 1928: 1921: 1914: 1905: 1904: 1801: 1794: 1787: 1778: 1777: 1761: 1725: 1724: 1713: 1707: 1706: 1695: 1689: 1688: 1681:"Struth, Thomas" 1677: 1671: 1670: 1663: 1657: 1656: 1645: 1639: 1638: 1635:"Struth, Thomas" 1631: 1625: 1620: 1614: 1613: 1602: 1596: 1595: 1584: 1578: 1577: 1574:emuseum.mfah.org 1566: 1560: 1559: 1548: 1542: 1541: 1530: 1524: 1523: 1512: 1506: 1505: 1494: 1488: 1487: 1476: 1470: 1468:Kunsthaus Zürich 1465: 1459: 1458: 1456: 1454: 1440: 1434: 1433: 1431: 1429: 1423:hirshhorn.si.edu 1415: 1409: 1408: 1406: 1404: 1390: 1384: 1383: 1381: 1379: 1365: 1359: 1358: 1356: 1354: 1340: 1334: 1333: 1331: 1329: 1315: 1309: 1308: 1306: 1304: 1290: 1284: 1268: 1262: 1261: 1254: 1248: 1247: 1240: 1234: 1224: 1218: 1205: 1199: 1190: 1184: 1179: 1173: 1157: 1151: 1138: 1132: 1131: 1129: 1127: 1113: 1107: 1094: 1088: 1076: 1070: 1058: 1052: 1040: 1034: 1025: 1019: 1016:Kunsthaus Zürich 1007: 1001: 989: 983: 971: 965: 952: 946: 945:Tate Collection. 936: 930: 929:Tate Collection. 920: 914: 905: 899: 890: 881: 870: 864: 853: 844: 843: 832: 773:Washington, D.C. 704:Kunsthaus Zürich 668:Castle of Rivoli 649:Akron Art Museum 400:Kunsthaus Zürich 86: 35: 21: 20: 2085: 2084: 2080: 2079: 2078: 2076: 2075: 2074: 2020: 2019: 2018: 2013: 1937: 1932: 1902: 1897: 1887:Tara Bray Smith 1869: 1810: 1805: 1768: 1750: 1734: 1732:Further reading 1729: 1728: 1717:"Thomas Struth" 1715: 1714: 1710: 1697: 1696: 1692: 1679: 1678: 1674: 1669:. 8 March 2023. 1665: 1664: 1660: 1647: 1646: 1642: 1633: 1632: 1628: 1621: 1617: 1606:"Thomas Struth" 1604: 1603: 1599: 1586: 1585: 1581: 1568: 1567: 1563: 1552:"Thomas Struth" 1550: 1549: 1545: 1534:"Thomas Struth" 1532: 1531: 1527: 1514: 1513: 1509: 1496: 1495: 1491: 1478: 1477: 1473: 1466: 1462: 1452: 1450: 1444:"Thomas Struth" 1442: 1441: 1437: 1427: 1425: 1419:"Thomas Struth" 1417: 1416: 1412: 1402: 1400: 1394:"Thomas Struth" 1392: 1391: 1387: 1377: 1375: 1369:"Thomas Struth" 1367: 1366: 1362: 1352: 1350: 1342: 1341: 1337: 1327: 1325: 1319:"Thomas Struth" 1317: 1316: 1312: 1302: 1300: 1294:"Thomas Struth" 1292: 1291: 1287: 1269: 1265: 1260:. 30 July 2017. 1256: 1255: 1251: 1246:. 22 July 2017. 1242: 1241: 1237: 1225: 1221: 1208:Thomas Struth, 1206: 1202: 1191: 1187: 1180: 1176: 1158: 1154: 1139: 1135: 1125: 1123: 1115: 1114: 1110: 1104:Wayback Machine 1095: 1091: 1084:Daily Telegraph 1081:(23 June 2011) 1077: 1073: 1059: 1055: 1041: 1037: 1026: 1022: 1008: 1004: 990: 986: 972: 968: 962:Wayback Machine 953: 949: 939:Thomas Struth, 937: 933: 923:Thomas Struth, 921: 917: 906: 902: 891: 884: 871: 867: 863:, 8 April 2007. 854: 847: 834: 833: 829: 824: 819: 641: 632:Richard Sennett 597:Pergamon Museum 579:Löwenzahnzimmer 526: 518:Tara Bray Smith 497: 454: 420: 412:Museu Serralves 393:Museo del Prado 353:Venice Biennale 349: 291:Katja Eichinger 238:Pergamon Museum 217:Musée du Louvre 179: 155:Gerhard Richter 143: 84: 60: 47: 46:11 October 1954 38: 26: 17: 12: 11: 5: 2083: 2073: 2072: 2067: 2062: 2057: 2052: 2047: 2042: 2037: 2032: 2015: 2014: 2012: 2011: 2006: 2001: 1996: 1991: 1986: 1984:Martin Rosswog 1981: 1976: 1971: 1966: 1964:Andreas Gursky 1961: 1956: 1954:Laurenz Berges 1951: 1945: 1943: 1939: 1938: 1931: 1930: 1923: 1916: 1908: 1899: 1898: 1896: 1895: 1890: 1884: 1877: 1875: 1871: 1870: 1868: 1867: 1859: 1851: 1843: 1839:Pantheon, Rome 1835: 1827: 1818: 1816: 1812: 1811: 1804: 1803: 1796: 1789: 1781: 1775: 1774: 1767: 1766:External links 1764: 1763: 1762: 1748: 1733: 1730: 1727: 1726: 1708: 1690: 1672: 1658: 1640: 1626: 1615: 1597: 1579: 1561: 1543: 1525: 1507: 1489: 1471: 1460: 1435: 1410: 1385: 1360: 1335: 1310: 1285: 1280:New York Times 1263: 1249: 1235: 1229:Pantheon, Rome 1219: 1210:Pantheon, Rome 1200: 1185: 1174: 1152: 1133: 1108: 1089: 1071: 1053: 1035: 1020: 1002: 984: 966: 947: 931: 915: 900: 882: 865: 845: 826: 825: 823: 820: 818: 817: 812: 803: 798: 793: 784: 775: 766: 757: 748: 739: 730: 721: 716: 711: 706: 701: 692: 683: 678: 665: 656: 651: 645: 640: 637: 636: 635: 625: 612: 606: 600: 594: 588: 582: 576: 570: 564: 558: 552: 545: 539: 533: 525: 522: 496: 493: 475:Pantheon, Rome 459:Pantheon, Rome 453: 450: 449: 448: 441: 434: 427: 424: 419: 416: 410:, London; and 348: 345: 243:Pergamon Altar 219:in Paris, the 192:Thomas Schütte 188:P.S. 1 Studios 178: 175: 142: 139: 137:and New York. 114: 113: 108: 104: 103: 98: 94: 93: 87: 81: 80: 77: 76:Known for 73: 72: 66: 62: 61: 48: 44: 40: 39: 37:Struth in 2016 36: 28: 27: 24: 15: 9: 6: 4: 3: 2: 2082: 2071: 2068: 2066: 2063: 2061: 2058: 2056: 2053: 2051: 2048: 2046: 2043: 2041: 2038: 2036: 2035:Living people 2033: 2031: 2028: 2027: 2025: 2010: 2007: 2005: 2004:Thomas Struth 2002: 2000: 1997: 1995: 1992: 1990: 1989:Tata Ronkholz 1987: 1985: 1982: 1980: 1979:Simone Nieweg 1977: 1975: 1972: 1970: 1969:Candida Höfer 1967: 1965: 1962: 1960: 1957: 1955: 1952: 1950: 1947: 1946: 1944: 1940: 1936: 1929: 1924: 1922: 1917: 1915: 1910: 1909: 1906: 1894: 1891: 1888: 1885: 1882: 1879: 1878: 1876: 1872: 1865: 1864: 1860: 1857: 1856: 1852: 1849: 1848: 1844: 1841: 1840: 1836: 1833: 1832: 1828: 1825: 1824: 1820: 1819: 1817: 1813: 1809: 1808:Thomas Struth 1802: 1797: 1795: 1790: 1788: 1783: 1782: 1779: 1773: 1770: 1769: 1759: 1755: 1751: 1749:9783822840931 1745: 1741: 1736: 1735: 1722: 1718: 1712: 1704: 1700: 1694: 1686: 1682: 1676: 1668: 1662: 1654: 1650: 1644: 1636: 1630: 1624: 1619: 1611: 1610:Ludwig Museum 1607: 1601: 1593: 1589: 1583: 1575: 1571: 1565: 1557: 1553: 1547: 1539: 1535: 1529: 1521: 1517: 1511: 1503: 1499: 1493: 1485: 1481: 1475: 1469: 1464: 1449: 1445: 1439: 1424: 1420: 1414: 1399: 1395: 1389: 1374: 1370: 1364: 1349: 1345: 1339: 1324: 1323:www.artic.edu 1320: 1314: 1299: 1295: 1289: 1282: 1281: 1276: 1272: 1267: 1259: 1253: 1245: 1239: 1232: 1230: 1223: 1216: 1213: 1211: 1204: 1197: 1194: 1189: 1183: 1178: 1171: 1168: 1167:archive.today 1164: 1161: 1156: 1149: 1148:archive.today 1145: 1142: 1137: 1122: 1121:search.nls.uk 1118: 1112: 1105: 1101: 1098: 1093: 1086: 1085: 1080: 1075: 1068: 1067: 1063: 1057: 1050: 1049: 1045: 1039: 1032: 1030: 1024: 1017: 1014: 1012: 1006: 999: 998: 994: 988: 981: 980: 976: 970: 963: 959: 956: 951: 944: 942: 935: 928: 926: 919: 912: 910: 904: 897: 894: 889: 887: 879: 875: 874:Thomas Struth 869: 862: 861: 857: 852: 850: 841: 840:The Art Story 837: 831: 827: 816: 813: 811: 807: 804: 802: 799: 797: 794: 792: 788: 785: 783: 779: 776: 774: 770: 767: 765: 761: 760:Museum Ludwig 758: 756: 752: 749: 747: 743: 740: 738: 734: 731: 729: 725: 722: 720: 717: 715: 712: 710: 707: 705: 702: 700: 696: 693: 691: 687: 684: 682: 679: 677: 673: 669: 666: 664: 660: 657: 655: 652: 650: 647: 646: 644: 633: 629: 626: 624: 620: 616: 613: 610: 607: 605:, Munich 2005 604: 601: 599:, Munich 2004 598: 595: 593:, Munich 2002 592: 589: 587:, Munich 2002 586: 583: 581:, Munich 2001 580: 577: 574: 571: 569:, Munich 2000 568: 565: 563:, Munich 1998 562: 559: 557:, Munich 1997 556: 553: 550: 546: 543: 540: 538:, Munich 1993 537: 534: 531: 528: 527: 521: 520:in New York. 519: 514: 512: 508: 504: 503: 495:Personal life 492: 490: 487: 483: 480: 476: 472: 469: 465: 464:David Zwirner 461: 460: 446: 442: 439: 435: 432: 428: 425: 422: 421: 415: 413: 409: 405: 401: 396: 394: 390: 386: 382: 378: 374: 370: 366: 362: 358: 354: 344: 342: 338: 334: 330: 325: 323: 319: 315: 311: 310: 304: 302: 298: 297: 292: 288: 284: 278: 276: 272: 268: 263: 260: 256: 254: 249: 244: 239: 235: 231: 226: 222: 218: 214: 210: 205: 203: 202:Ingo Hartmann 200: 199:psychoanalyst 195: 193: 189: 183: 174: 172: 168: 167:Tata Ronkholz 164: 160: 159:Candida Höfer 156: 152: 148: 138: 136: 132: 128: 124: 120: 119:Thomas Struth 112: 109: 105: 102: 99: 95: 91: 88: 82: 78: 74: 70: 67: 63: 59: 55: 51: 45: 41: 34: 29: 25:Thomas Struth 22: 19: 2003: 1861: 1853: 1845: 1837: 1829: 1821: 1807: 1739: 1720: 1711: 1702: 1693: 1684: 1675: 1661: 1652: 1643: 1629: 1618: 1609: 1600: 1591: 1582: 1573: 1564: 1556:www.moca.org 1555: 1546: 1537: 1528: 1519: 1510: 1501: 1492: 1483: 1474: 1463: 1451:. Retrieved 1447: 1438: 1426:. Retrieved 1422: 1413: 1401:. Retrieved 1397: 1388: 1376:. Retrieved 1372: 1363: 1351:. Retrieved 1347: 1338: 1326:. Retrieved 1322: 1313: 1301:. Retrieved 1297: 1288: 1278: 1266: 1252: 1238: 1228: 1222: 1209: 1203: 1188: 1177: 1155: 1136: 1124:. Retrieved 1120: 1111: 1092: 1082: 1074: 1064: 1056: 1046: 1038: 1028: 1023: 1010: 1005: 995: 987: 977: 969: 950: 940: 934: 924: 918: 908: 903: 877: 868: 858: 839: 830: 642: 627: 614: 608: 602: 596: 590: 584: 578: 572: 566: 560: 554: 548: 541: 535: 529: 524:Publications 515: 500: 498: 474: 457: 455: 431:Villa Aurora 397: 388: 384: 350: 326: 307: 305: 300: 294: 279: 270: 264: 251: 230:Times Square 208: 206: 196: 184: 180: 173:, in 1976. 144: 122: 118: 117: 89: 85:Notable work 71:, Düsseldorf 58:West Germany 18: 2030:1954 births 1994:Thomas Ruff 1959:Elger Esser 1815:Photographs 1453:16 February 1448:www.icp.org 1428:16 February 1403:16 February 1378:16 February 1353:21 February 1328:16 February 1303:16 February 898:, New York. 815:Tate Modern 737:Los Angeles 532:, Bern 1987 418:Recognition 355:(1990) and 347:Exhibitions 253:Las Meninas 92:(1989–2002) 79:Photography 2024:Categories 1999:Jörg Sasse 1974:Axel Hütte 1883:(teachers) 1172:, Chicago. 1126:18 January 822:References 468:Christie's 452:Art market 283:Disneyland 267:Düsseldorf 163:Axel Hütte 127:Düsseldorf 1758:191239335 1215:Sotheby's 555:Portraits 486:Sotheby's 479:Sotheby's 414:, Porto. 357:Documenta 333:Karlsruhe 259:Hermitage 248:Velázquez 221:Accademia 65:Education 1163:Archived 1144:Archived 1100:Archived 958:Archived 810:New York 755:New York 699:New York 690:New York 663:Montreal 502:Die Zeit 489:New York 471:New York 375:and the 320:and the 232:and the 225:Pantheon 131:New York 97:Movement 1942:Artists 1874:Related 1740:Art Now 764:Cologne 746:Houston 440:(RIBA). 301:Animals 147:Geldern 107:Website 50:Geldern 1889:(wife) 1866:(2000) 1858:(1998) 1850:(1995) 1842:(1990) 1834:(1990) 1826:(1989) 1756:  1746:  1685:SFMOMA 1277:  1212:(1990) 943:(1986) 927:(1991) 791:Munich 782:Athens 728:Madrid 672:Rivoli 621:  575:, 2000 567:Struth 544:, 1994 482:London 389:Museum 215:, the 165:, and 135:Berlin 676:Turin 561:Still 1754:OCLC 1744:ISBN 1721:Tate 1455:2023 1430:2023 1405:2023 1380:2023 1355:2023 1330:2023 1305:2023 1128:2021 619:ISBN 377:MOCA 285:and 177:Work 129:and 43:Born 876:." 466:at 331:in 250:'s 2026:: 1752:. 1719:. 1701:. 1683:. 1651:. 1608:. 1590:. 1572:. 1554:. 1536:. 1518:. 1500:. 1482:. 1446:. 1421:. 1396:. 1371:. 1346:. 1321:. 1296:. 1119:. 885:^ 848:^ 838:. 808:, 789:, 780:, 771:, 762:, 753:, 744:, 735:, 726:, 697:, 688:, 674:, 670:, 661:, 343:. 324:. 161:, 56:, 52:, 1927:e 1920:t 1913:v 1800:e 1793:t 1786:v 1760:. 1723:. 1705:. 1687:. 1655:. 1637:. 1612:. 1594:. 1576:. 1558:. 1540:. 1522:. 1504:. 1486:. 1457:. 1432:. 1407:. 1382:. 1357:. 1332:. 1307:. 1283:. 1130:. 1087:. 1069:. 1051:. 1018:. 1000:. 982:. 842:. 447:. 255:.

Index


Geldern
North Rhine-Westphalia
West Germany
Kunstakademie Düsseldorf
Düsseldorf School of Photography
https://thomas-struth.com/
Düsseldorf
New York
Berlin
Geldern
Düsseldorf Academy
Gerhard Richter
Candida Höfer
Axel Hütte
Tata Ronkholz
Bernd and Hilla Becher
P.S. 1 Studios
Thomas Schütte
psychoanalyst
Ingo Hartmann
The Art Institute of Chicago
Musée du Louvre
Accademia
Pantheon
Times Square
Yosemite National Park
Pergamon Museum
Pergamon Altar
Velázquez

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.