370:
40:
221:
289:
sileni are often shown dancing on vase paintings. The tutor of
Dionysus is represented by a single aged Silenus. The retinue is sometimes shown being brought before a seated recipient: the tragic human welcomer of the
112:, often pictured as inebriated revelers. Many of the myths of Dionysus are connected with his arrival in the form of a procession. The grandest such version was his triumphant return from "
421:. Lattimore while insisting that the chief god must be Poseidon in a strict sense, includes examples where Poseidon is completely absent in the composition, which most frequently figure
653:
The term 'marine thiasos' might be defined.. most correctly a marine group.. attending the marine god, Poseidon, however.. may not always be depicted.
542:
440:, but is now lost. Still, the theme is well represented in surviving works of Roman art, from tiny decorative reliefs and large
796:
759:
681:
646:
565:
526:
818:
369:
823:
386:
303:
229:
673:
Nereids and
Hippocamps: The Marine Thiasos on Late Antique and Medieval Byzantine Ivory and Bone Caskets
516:
459:(though Poseidon is present as well), and examples of Thetis's retinue have been described as marine
249:
703:
48:
291:
178:
17:
202:
75:
782:
671:
314:
followed the thiasus for a short while following his loss of a drinking contest to
Dionysus.
94:
788:
Mythological statuary in late antiquity: a case study of villa decoration in southwest Gaul
413:) is a term for a group like the Dionysian thiasos, except with the chief god replaced by
8:
418:
342:
326:
31:
691:
536:
422:
517:
Motto Anna Lydia; Clark, John R.; Byrne, Shannon N.; Cueva, Edmund P. (January 1999).
792:
755:
677:
642:
561:
522:
206:
519:
Veritatis
Amicitiaeque Causa: Essays in Honor of Anna Lydia Motto and John R. Clark
318:
786:
768:
749:
730:
636:
499:
437:
351:
71:
39:
398:
390:
194:
182:
85:
641:. Institute of Archaeology, University of California, Los Angeles. p. 1.
220:
812:
117:
113:
447:
Even in the Skopas example, the main theme was the deliverance of the slain
330:
325:. Other notable depictions in art include the silver "Great Dish" from the
441:
355:
334:
267:
Other regulars of the retinue were various nature spirits, including the
504:
394:
382:
253:
170:
126:
584:
in Athens examined by Marcus N. Tod, "A Statute of an Attic
Thiasos",
494:
347:
280:
448:
414:
378:
311:
299:
166:
151:
109:
604:
1976), selects as an example a 6th-century vase, figs 39/A and B.
471:
452:
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307:
295:
285:
272:
268:
261:
155:
143:
135:
131:
105:
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241:
225:
121:
63:
52:
735:
Annual Report of the
Director of the Department of Antiquities
322:
276:
245:
174:
139:
256:, lone female figures can be recognized as belonging to the
558:
Domestic and Divine: Roman
Mosaics in the House of Dionysos
147:
497:
and agitated male nature gods in a state of heightened
321:, Dionysus is accompanied in procession by the three
769:
Bacchus in Roman
Britain: the evidence for his cult
169:is depicted as a triumphal wedding procession with
99:
346:. The Dionysian retinue was a popular subject for
766:, also quoted by Hutchinson, Valérie J. (1986),
676:. Cambridge Scholars Publishing. pp. 73–74.
613:See Kerenyi 1976, ch. iv. "The Myths of Arrival".
602:Dionysos: Archetypal image of indestructible life
491:Dionysos: Archetypal image of indestructible life
436:on this theme was taken to Rome and described by
810:
116:", which influenced symbolic conceptions of the
803:, citing Kaufmann-Heinimann (1984), pp.318–321.
264:, the distinctive staff or rod of the devotee.
665:
663:
661:
493:1976:123, observes that "the ecstatic band of
310:sometimes rides with Dionysus as his consort.
521:. Bolchazy-Carducci Publishers. p. 249.
791:. University of Michigan. p. 109, n11.
731:"Excavations at Kalavassos-Ayios Dhimitrios"
669:
541:: CS1 maint: multiple names: authors list (
27:Ecstatic retinue of the Greek deity Dionysus
658:
630:
628:
622:Detail illustrated in Kerenyi 1976 fig. 37.
224:Triumph of Dionysus on a fragmentary Roman
586:The Annual of the British School at Athens
716:
634:
560:. Cornell University Press. p. 194.
555:
781:
775:
625:
368:
219:
120:and was narrated in rapturous detail in
38:
747:
741:
306:. In the triumphal form of procession,
130:. In this procession, Dionysus rides a
14:
811:
728:
722:
638:The Marine Thiasos in Greek Sculpture
271:(or human dancers costumed as such),
510:
240:were the human female devotees, the
236:The most significant members of the
212:
549:
470:could otherwise be the retinue for
190:
24:
244:, who gradually replaced immortal
173:, attended by figures such as sea
25:
835:
361:
205:whose existence was protected by
754:. Clarendon Press. p. 309.
751:Art in Britain under the Romans
748:Toynbee, Jocelyn M. C. (1964).
710:
670:Papagiannaki, Anthousa (2014).
616:
607:
594:
574:
483:
13:
1:
556:Kondoleon, Christine (1994).
444:panels to extensive mosaics.
387:Altar of Domitius Ahenobarbus
230:Sousse Archaeological Museum
43:Dionysus and members of his
7:
100:
10:
840:
635:Lattimore, Steven (1976).
29:
737:, Republic of Cyprus: 369
729:South, Alison K. (1982),
455:, attended by his mother
377:depicting the wedding of
260:by their brandishing the
198:
89:
503:... is not reflected in
477:
183:historical Greek society
203:religious organizations
819:Companions of Dionysus
783:Stirling, Lea Margaret
474:, or to Venus Marina.
402:
317:On the 6th-century BC
233:
67:
824:Mythology of Heracles
372:
223:
42:
432:An original work of
429:as marine retinues.
302:, and his daughter,
250:Greek vase-paintings
30:For other uses, see
591:(1906/07):328-338).
343:Bacchus and Ariadne
327:Mildenhall Treasure
150:, or alternatively
104:) was the ecstatic
32:Thiasus (mythology)
403:
275:much in evidence,
234:
68:
49:Attic black-figure
798:978-1-443-86774-0
761:978-0-19-817143-0
683:978-1-443-86774-0
401:, 2nd century BCE
228:(3rd century CE,
134:, often drawn by
98:
16:(Redirected from
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802:
779:
773:
771:
765:
745:
739:
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726:
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717:Lattimore (1976)
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165:of the sea god
72:Greek mythology
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719:, pp. 13–
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593:
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481:
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417:or some other
399:Roman Republic
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62:(525–500 BCE,
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331:Lycurgus Cup
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700:|work=
466:The marine
442:sarcophagus
385:, from the
356:sarcophagus
352:bas-reliefs
335:Renaissance
286:ithyphallic
254:bas-reliefs
813:Categories
505:Minoan art
495:bacchantes
395:bas-relief
383:Amphitrite
213:Dionysian
179:hippocamps
171:Amphitrite
127:Dionysiaca
772:, p. 286.
702:ignored (
692:cite book
537:cite book
419:sea deity
405:A marine
348:Roman art
273:phalluses
152:elephants
95:romanized
785:(1994).
449:Achilles
415:Poseidon
409:(or sea
379:Poseidon
358:panels.
312:Heracles
300:Semachos
167:Poseidon
156:centaurs
144:leopards
138:such as
136:big cats
110:Dionysus
76:religion
582:thiasos
472:Oceanus
468:thiasos
461:thiasos
453:Elysium
427:Nereids
423:Tritons
411:thiasos
407:thiasos
389:in the
375:thiasos
364:thiasos
362:Marine
308:Ariadne
304:Erigone
296:Ikarios
262:thyrsos
258:thiasus
242:maenads
238:thiasus
215:thiasos
201:) were
187:thiasoi
163:thiasos
132:chariot
106:retinue
101:thíasos
97::
81:thiasus
59:psykter
45:thiasos
18:Thiasos
795:
758:
680:
645:
564:
525:
457:Thetis
434:Scopas
338:Titian
329:, the
283:. The
279:, and
277:satyrs
269:sileni
246:nymphs
226:mosaic
199:θίασοι
175:nymphs
140:tigers
122:Nonnus
90:θίασος
78:, the
53:krater
47:on an
478:Notes
438:Pliny
323:Horae
248:. In
195:Greek
181:. In
148:lions
146:, or
114:India
86:Greek
793:ISBN
756:ISBN
704:help
678:ISBN
643:ISBN
562:ISBN
543:link
523:ISBN
425:and
381:and
373:Sea
354:and
177:and
161:The
74:and
500:zoë
463:.
451:to
340:'s
298:or
281:Pan
252:or
207:law
191:pl.
154:or
124:'s
108:of
70:In
815::
733:,
696::
694:}}
690:{{
660:^
651:.
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535:{{
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393:,
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185:,
158:.
142:,
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801:.
764:.
706:)
686:.
570:.
545:)
531:.
232:)
189:(
84:(
66:)
56:-
34:.
20:)
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