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556:(1887), p. 832: "Thespidis quaecumque feruntur ab impostoribus esse ficta vix est quod moneam, et proditur hoc fraudis genere usus esse Heraclides Ponticus......Heraclidis igitur crediderim esse fr.1-3; nam fr.4 non dubito quin alteri post Christum saeculo debeatur."
160:, and Thespis won the first documented competition. Capitalising on his success, Thespis also invented theatrical touring; he would tour various cities while carrying his costumes, masks and other props in a horse-drawn wagon.
145:). He is credited with introducing a new style in which one singer or actor performed the words of individual characters in the stories, distinguishing between the characters with the aid of different masks.
134:(instead of speaking as himself). In other sources, he is said to have introduced the first principal actor in addition to the chorus. He is often called the "Inventor of Tragedy".
324:, the first collaboration between the two men, although the musical score has mostly been lost. The story involves Thespis and his troupe of actors temporarily replacing the
297:, and that prior to his performances, no one had ever assumed the resemblance of another person for the purpose of storytelling. In fact, Thespis is the first known actor in
328:, while the latter come down to earth to "mingle" with humanity. The actors do a bad job of it, and the gods return angrily to resume their rightful roles.
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Diogenes
Laertius, Book V, Heraclides, 92: "And Aristoxenus the musician says, that he composed tragedies, and inscribed them with the name of Thespis."
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as we know it today. In homage to
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Titles of some plays have been attributed to
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plays. He may thus have had a substantial role in changing the way stories were told and inventing
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expressly instituted in 1939 to tour the country is named "The Wagon of
Thespis" (
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poet. He was born in the ancient city of
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Thespis: Ritual, Myth, and Drama in the
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583:"Libretto: 'Thespis, or The Gods Grown Old'"
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632:Categories
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485:2021-06-29
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399:References
383:Phrynichus
178:Common Era
139:dithyrambs
393:Sophocles
373:Euripides
363:Aristotle
353:Aeschylus
307:thespians
200:Hemitheoi
124:Aristotle
368:Dionysia
347:See also
223:(1887).
210:Pentheus
204:Demigods
143:refrains
51:Florence
604:Sources
303:theatre
299:written
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217:A Nauck
194:Priests
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