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Theatre for Early Years

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The move into under fives theatre was prompted by an occasion when we took Katherine 's niece Annie, then aged three, to see a performance of one of our shows for children. Finding that various aspects of the show frightened Annie, Katherine decided that we should develop a form of theatre tailored
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forms. Francoise Gerbaulet, French theatre maker, has noted "I am always deeply surprised by the seriousness of infant spectators. Babies do not understand, they absorb, the sound of voices, the music of words, anxiety, fear, grief, violence, love, they absorb them all... Babies are ideal
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Despite occasional productions derived wholly from the suggestions of very young children, TEY tends to be created by adults and never features professional baby performers, although in the UK this is technically allowable under the
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to tailor productions to the capabilities of a tightly prescribed audience (such as the pre-verbal but mobile stage between 12 and 18 months), or embracing political frameworks inspired by Article 31 of the
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in 1981, and Oily Cart have gone on to produce at least one show a year for under-fives, although it was not until 2002 that they began making work for the youngest audiences (six months to two years), with
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TEY can be defined by its purposeful design, with experiences carefully crafted especially for babies and their adult companions; this may mean attending to practical issues such as
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impossibility of separating a very young child from all caregivers. Productions tend to be intimate in scale, with small audiences. There is often no
776:"From cradle to stage: how Early Years performing arts experiences are tailored to the developmental capabilities of babies and toddlers" 950: 590: 739: 166:
and creation of theatre experiences for ever younger audiences, with almost thirty different plays now produced for the under-fives.
79:- usually between 30 and 45 minutes long - designed especially for them”. In addition, performances for newborns, centring on 527: 158:
to develop a workshop, and later a performance, for their children aged from 3 months to 5 years. This project, which became
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Young, S (2004). It's a bit like flying: developing participatory theatre with the under-twos: a case study of Oily Cart.
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There are also several organisations and campaigning groups whose influence has been key to the growth of TEY, especially
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Clouds are made of white! Cross-over of live-art and puppetry as an approach to post-dramatic children’s theatre
357:(the international organisation for the promotion and research of theatre for children and young people), the 315: 369:
Almost all mainstream performance art forms have been adapted for Early Years audiences, including theatre,
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for a time have become common. Even productions aimed at foetuses and expectant mothers have been created.
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Speyer, C (2004). Every child has a story to tell if we just listen. The Newcastle Journal. 29 June.
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in TEY, as actors are communicating with spectators throughout. Multisensory experiences use
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Experiencing Art in Early Years: learning and development processes and artistic language
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Charting Antarctica: Another stepping-stone across the landscape of early years theatre
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Goldfinger, E (2011). Theatre for Babies: a new kind of theatre? In S. Schonmann, ed.
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Theatre for Early Years: Research in Performing Arts for Children from Birth to Three
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Theatre as a Medium for Children and Young People: images and observations
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Fletcher-Watson, B; Fletcher-Watson, S; McNaughton, MJ; Birch, A (2014).
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Programme of Culture 2000 Glitterbird Project and the Small Size network.
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Il nido e il teatro. Adulto e bambino: un rapporto da soggetto a soggetto
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or adult companion. Babies usually sit on their caregiver's lap or in a
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to engage with their audiences. The needs of the very young, including
394: 484: 441: 406: 183: 38:(TYA). TEY is known in the US as Theatre for the Very Young, or TVY. 28: 833:. Puppetry and Postdramatic Performance. University of Connecticut. 591:"Child's Play: a postdramatic theatre of paidia for the very young" 390: 284: 266: 163: 153: 72: 56: 24: 719:
Theatre, Youth, and Culture: a Critical and Historical Exploration
459:’s The Children (Performances) Regulations 1968. The presence of 354: 273: 228: 218: 204: 197: 190: 150: 64: 45: 20: 133:. In 1987, the first performance for newborns, JoĂ«lle Rouland’s 464: 341: 308: 259: 252: 242: 138: 120:
to the needs, interests and concentration spans of under fives.
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approximately one and a half to two years old accompanied by a
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Frabetti, R; Manferrari, M; Marchesi, F; Vassuri, P (2000).
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Several members of Theatre Kit went on to make Oily Cart's
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layout and minimising blackouts, employing knowledge from
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Ball, S; Belloli, J; Burn, S; Wynne-Willson, P (2007).
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International Creative Practice in Early Years Settings
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Theatre and Early Years: stories of artistic practices
450:"The Attic", 2010. Produced by Starcatchers, Scotland. 632:
Oily Cart: All Sorts of Theatre for All Sorts of Kids
572:. Rotterdam: Sense Publishers, pp. 295–299. p.295. 364: 503:, are carefully considered by TEY practitioners. 442:Techniques associated with Theatre for Early Years 103:TEY arguably emerged in 1978 with the work of two 1028: 857:. Birmingham: Birmingham Repertory Theatre. p.7. 799:Theatre for Young Audiences: a critical handbook 393:. In theatrical productions, forms vary widely. 314:Imagination Stage, Stages Theatre Company and 115:which led to the earliest experiments in TEY: 867:The Children (Performances) Regulations 1968 178:now producing TEY performances include: 922:. Glitterbird Seminar, Budapest. 25 Oct. 801:. London: Institute of Education Press. 797:Maguire, T; Schuitema, K (eds.) (2012). 445: 612:. Polka Theatre. Retrieved 16 May 2014. 570:Key Concepts in Theatre/Drama Education 182:Windmill Theatre and Polyglot Theatre ( 1029: 348: 951:Convention on the Rights of the Child 528:Convention on the Rights of the Child 721:. New York, NY: Palgrave Macmillan. 169: 224:AthĂ©nor and Compagnie ACTA (France) 91:which invite children to enter the 13: 960: 949:United Nations Treaty Collection. 651:Ben Soussan, P; Mignon, P (2008). 634:. Stoke on Trent: Trentham Books. 405:have all provided inspiration for 307:Ögonblicksteatern and Unga Klara ( 107:-based companies, Theatre Kit and 14: 1048: 463:is universal, due to the obvious 227:HELIOS Theater and Theater o.N. ( 787:doi:10.1080/08929092.2014.940075 409:productions, as have commercial 365:Forms of Theatre for Early Years 281:Catherine Wheels Theatre Company 985:. Bologna: Edizioni Pendragon. 970:. Bologna: Edizioni Pendragon. 943: 934: 925: 910: 901: 896:doi:10.1080/1356978042000185885 881: 872: 860: 845: 836: 821: 812: 791: 768: 757:. Bologna: Edizioni Pendragon. 747: 732: 711: 699:. London: Arts Council England. 676:. Bologna: Edizioni Pendragon. 916:Kiraly, I; Orsolya, K (2005). 878:van de Water, M (2012). p.140. 842:van de Water, M (2012). p.126. 818:van de Water, M (2012). p.121. 702: 687: 666: 645: 624: 615: 603: 583: 562: 141:, at the same time as Italy’s 1: 555: 265:Companhia de MĂșsica Teatral ( 19:or TEY is a blanket term for 755:Small size - a space to grow 738:Young, S; Powers, N (2009). 340:Baby Lab Production Centre ( 143:La Baracca – Testoni Ragazzi 7: 931:Young, S; Powers, N (2009). 889:Research in Drama Education 693:Churchill Dower, R (2004). 655:. Toulouse: Editions ErĂšs. 610:Babies, bumps and lullabies 589:Fletcher-Watson, B (2013). 533: 429:. Other productions create 36:Theatre for Young Audiences 10: 1053: 744:. Edinburgh: Starcatchers. 708:Frabetti, R et al. (2000). 316:Children's Theatre Company 126:Exploding Punch & Judy 98: 1000:. Frankfurt: Peter Lang. 741:See theatre: play theatre 653:Les bĂ©bĂ©s vont au thĂ©Ăątre 196:ThĂ©Ăątre de la Guimbarde ( 89:participatory productions 953:. Retrieved 21 May 2009. 717:van de Water, M (2012). 512:developmental psychology 145:began their career with 41:It has been defined as “ 1015:. Dordrecht: Springer. 869:. Accessed 16 May 2014. 17:Theatre for Early Years 451: 433:or use more abstract, 122: 1011:Schonmann, S (2006). 996:Schneider, W (2009). 981:Nerattini, F (2009). 966:Nerattini, F (2009). 919:Theatre for Tiny Tots 780:Youth Theatre Journal 449: 403:children’s literature 117: 827:Reiniger, R (2011). 540:Theatre in Education 326:for the Very Young ( 753:Belloli, J (2009). 501:going to the toilet 349:Other organisations 217:and Theatre-Rites ( 137:, was presented in 63:from months old to 452: 300:La Casa Incierta ( 249:Teatr MaƂego Widza 630:Brown, M (2012). 520:cognitive science 387:art installations 279:Starcatchers and 215:Peut-Être Theatre 189:Toihaus Theater ( 176:theatre companies 170:Notable companies 21:theatrical events 1044: 954: 947: 941: 940:Young, S (2004). 938: 932: 929: 923: 914: 908: 907:Brown, M (2012). 905: 899: 885: 879: 876: 870: 864: 858: 849: 843: 840: 834: 825: 819: 816: 810: 795: 789: 772: 766: 751: 745: 736: 730: 715: 709: 706: 700: 691: 685: 670: 664: 649: 643: 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Government 448: 439: 438:spectators". 436: 432: 428: 427: 426:Disney on Ice 422: 421: 420:Sesame Street 416: 412: 408: 404: 400: 399:picture books 396: 392: 388: 384: 380: 376: 372: 362: 360: 356: 343: 339: 336: 333:Theatr Iolo ( 332: 329: 328:United States 325: 321: 317: 313: 310: 306: 303: 299: 296: 292: 289: 286: 282: 278: 275: 272:Ion Creangă ( 271: 268: 264: 261: 257: 254: 250: 247: 244: 240: 237: 233: 230: 226: 223: 220: 216: 212: 211:Polka Theatre 209: 206: 202: 199: 195: 192: 188: 185: 181: 180: 179: 177: 167: 165: 161: 157: 156: 152: 148: 144: 140: 136: 132: 131:Jumpin' Beans 127: 121: 116: 114: 110: 106: 96: 94: 90: 86: 82: 78: 74: 70: 66: 62: 58: 54: 51: 47: 44: 39: 37: 33: 30: 26: 23:designed for 22: 18: 1012: 997: 982: 967: 945: 936: 927: 918: 912: 903: 894:, pp.13-28. 891: 888: 883: 874: 862: 853: 847: 838: 829: 823: 814: 798: 793: 782: 779: 770: 754: 749: 740: 734: 718: 713: 704: 695: 689: 673: 668: 652: 647: 631: 626: 617: 605: 597: 594: 585: 569: 564: 550:White (play) 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497:sleep 489:taste 485:smell 481:touch 477:light 473:sound 375:opera 371:dance 335:Wales 302:Spain 160:Acqua 147:Acqua 1017:ISBN 1002:ISBN 987:ISBN 972:ISBN 892:9(1) 803:ISBN 759:ISBN 723:ISBN 678:ISBN 657:ISBN 636:ISBN 598:7(2) 574:ISBN 518:and 499:and 487:and 423:and 389:and 322:and 155:nido 83:and 77:play 318:of 59:of 27:of 1033:: 778:, 593:, 530:. 514:, 495:, 483:, 479:, 475:, 411:TV 397:, 385:, 381:, 377:, 373:, 359:EU 344:). 213:, 207:), 1023:. 1008:. 993:. 978:. 898:. 765:. 729:. 684:. 663:. 642:. 580:. 337:) 330:) 311:) 304:) 297:) 293:( 287:) 283:( 276:) 269:) 262:) 255:) 251:( 245:) 238:) 231:) 221:) 200:) 193:) 186:)

Index

theatrical events
audiences
pre-school
children
Theatre for Young Audiences
professional
theatre
adults
performing
audience
babies
toddlers
parent
stroller
play
bonding
attachment
participatory productions
performance area
London
Oily Cart
epiphany
France
La Baracca – Testoni Ragazzi
Bologna
nido
research
theatre companies
Australia
Austria

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