866:'s Lu Xun Art Academy in 1945. It differs from later adaptations in its depiction of superstition. In the original opera of 1945, Xi'er was caught by the local population, who believed she was a ghost and had power to inflict harm on people. To try to destroy her evil magical power, the local populace poured the boys' urine, the blood of a slain black dog, menstrual blood, and human and animal feces on her, something that was done in real life to at least one of the girls. Her suffering as a woman in a patriarchal society gradually became the suffering of the exploited and oppressed social class. Communists felt it was necessary to eradicate the superstition that was still deeply rooted in the minds of local populaces, so this barbaric act was accurately reflected in the opera, with Wang Dachun eventually stopping the mob after recognizing Xi'er, leading to the final happy ending. After the communist victory in China, this scene was deleted in later adaptations for fear of encouraging superstition and presenting a negative image of the working-class people.
878:"White-haired Girl" is a new national opera that combines poetry, song and dance. First, the structure of the opera plot, the division of the traditional Chinese opera, the scene changes, diverse and flexible. Secondly, the language of opera inherits the fine tradition of singing and singing in Chinese opera. Third, opera music uses northern folk songs and traditional opera music as materials and creates them. It also absorbs some expressions of Western opera music and has a unique national flavor. Fourth, opera performance, learning the traditional Chinese opera performance methods, paying due attention to dance figure and chanting rhythm, at the same time, also learning how to read the lines of the drama, both beautiful and natural, close to life. This play uses the tunes of northern folk music, absorbs drama music, and draws on the creation experience of Western European opera. Unlike other ballets, the music of
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560:.The White-Haired Girl also intentionally showed the political meaning by creating a figure of diligent and beautiful country woman who was under the oppression of the evil landowner. As it aroused an emotion against the "old ruling class", it satisfied "moral ideas of the left-wing literary and artistic intelligence, the popular social and cultural values of rural and urban audiences". The film presented "the traditional Chinese agricultural lifecycle", where the poor lived in poverty no matter how hard they tried. It implied a revolution to overthrown the unchanging social structure. As the mise-en-scene of the film, it used a fair amount of medium-shot to define the character through facial expressions.
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scene and, with her hairpin, pokes Xi'er's face to wake her up. The landlord mother then orders Xi'er to prepare her a lotus seed soup. When the soup is served, the landlord mother, displeased with the taste, pours the still-boiling soup on Xi'er's face. Outraged by the pain and anger, Xi'er picks up the whip that the landlord uses to punish her, and beats up the landlord mother. The landlord mother falls and crawls on the floor attempting to flee while Xi'er continues to whip her with her utmost strength. Xi'er gets her vengeance, but she is subsequently locked up by the landlord.
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daughter, this paper deeply reveals the sharp contradiction between the landlords and the peasants, angrily accuses the evils of the landlord class, warmly praises the
Communist Party and the new society, vividly illustrates the theme of "the old society forces people into ghosts, and the new society turns ghosts into people", and points out the only way for the peasants to turn over and liberate.
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birth to a still-born baby. The suffering of Xi'er reflected the contradiction between the poor peasants and the landlord class in the semi-colonial and semi-feudal society, which proved that only the people's revolution led by the
Communist Party could remove the feudalism and free the peasants who had the same fate as Xi'er.
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In 1950, the opera was further adapted into a new version by He
Jingzhi. This revision followed Ding Yi's thought of deletion and modification, and also made major changes to the original play. These changes included some important parts of Xi Er's characters. At the same year, famous Japanese ballet
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According to one of its original writers, He
Jingzhi, the play "The White-haired girl" is based on a real-life story about a "white-haired goddess" in North Hebei Province in 1940s. The "White-haired goddess" is a peasant woman who lost her family lived in the wild like animals, who was then found by
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invaders. Now he returns with his army to overthrow the rule of the imperialist
Japanese and the landlord. They distribute his farmland to the peasants. Zhang Ershen tells the story of Xi'er, and they decide to look for her in the mountains. Wang Dachun finally finds her in the cave with her hair
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A farmer, a neighbor and fiancé of Xier. After Xier was taken away by the landlord, Dachun joined the
Communists's Eighth Route Army and fought in the Anti-Japanese War. After his return from the war, he overthrew the landlord and distributed his farmland to peasants. In the end, he found Xier in the
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to the 1920s or 1930s. The political overtone and historical background when it was created means that communist propaganda was added in inevitably, and the most obvious example was the added portion of happy ending and the protagonists joining the communist force, which did not happen in real life.
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The landlord who forced Yang Bailao to sell Xier to repay debts. He abused and humiliated Xier and the other maids. After Xier escaped, he encountered white-haired Xier and recognized her as a reincarnation of a goddess who came to punish him for his mistreatment of Xier. Huang Shiren was eventually
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In the 1950 film version, Xi'er's father was tricked and driven to suicide by Huang Shiren. Xi'er was raped by Huang Shiren and became pregnant. When Huang Shiren got married, he and his mother decided to sell Xi'er to a brothel. With Auntie Yang's help, Xi'er ran away to the mountains and gave
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Featuring the same basic plot and background from the opera and ballet, the film is adapted from the opera of the same title. It tells the story of Xier's escape into the mountains and forests after being raped by the landlord Huang Shiren. Her hair turns white, and she is rescued by Dachun later.
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One day, the landlord leaves his overcoat in the living room and in the pocket of the overcoat is the key to Xi'er's cell. Zhang Ershen is determined to help Xi'er. She takes the key and opens the door for Xi'er, who flees. Shortly, the landlord finds Xi'er missing, and sends his accomplice, Mu
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to tie to his daughter's hair for the festivity of the holiday. The landlord catches wind of his return and will not let them have a peaceful and happy Spring
Festival, and the debt collector comes for the high rent which Yang has been unable to pay. They kill Yang Bailao, and take away Xi'er by
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The daughter of a tenant farmer Yang Bailao and the fiancée of Wang Dachun. She was forced to sell to the landlord Huang Shiren to repay his father's debt. After suffering humiliation and mistreatment from the landlord and the landlord's mother, Xier eventually escaped and hid in a mountain temple
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The biggest difference between the film and opera is form of expression. The movie abandoned some dance moves and songs, but it is more direct to show the story and theme, That make it easier for people to understand the theme, Through the tragic experiences of Yang Bailao and Xi'er's, father and
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At the home of the landlord, Xi'er is forced to work day and night as a slave and is exhausted. Zhang Ershen (literally Second Aunt Zhang), an elderly maid of the landlord, is very sympathetic of Xi'er. Xi'er dozes off while trying to take a short break. The mother of the landlord comes on the
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To commemorate the
Seventh National Congress of the Chinese Communist Party, the opera was first performed in Yan An in 1945, and was highly praised by the leadership of the Communist Party and achieved great success. Later, it was widely performed in the liberated area. The end of 1945 saw the
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Renzhi, and other men to chase her. Xi'er comes to a river that stops her. She takes off a shoe and leaves it at the river side, and then hides in the bush. Mu Renzhi and his men find the shoe and assume that Xi'er has drowned herself in the river, and they report to the landlord as such.
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Yin
Jiangyan, " Study on the value of Ideological and Political Education in literary and artistic works ——Red classic opera " the white-haired girl" as the center", Hunan University of Science and Technology, China Academic Journal Electronic Publishing House, June 2018.
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while surviving on offerings. Due to lack of sunlight and little salt intake, her skin and hair gradually turned white causing local villagers to mistakenly perceive her as a powerful white-haired goddess. In the end, Xier was found by Dachun and they reunited.
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who has come to punish him for his mistreatment of Xi'er and other despotisms. He is so frightened that he is paralyzed with fear. Xi'er recognizes that it is her arch-enemy and seizes the opportunity to take further revenge. She picks up the brass
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The folklore of the white-haired girl is believed to have spread widely in the areas occupied by the
Communist Party of Northern China since the late 1930s. Many years later, a literary work was created in the liberated area controlled by the
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by editing this article to remove any non-free copyrighted content and attributing free content correctly, or flagging the content for deletion. Please be sure that the supposed source of the copyright violation is not itself a
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Ll Jing, The Retrospect and Reflection of the New Yangge Movement's Research, Journal of Qinghai Normal University(Philosophy and Social Sciences Edition).Journal of Qinghai Normal University, Xining 810008, China. March, 2009.
693:. Dachun and other villagers come on the scene, and Dachun wants to go to the landlord's residence to fight for justice but is stopped by Zhao Dashu (Uncle Zhao) who, instead, instruct Dachun and other young people to join the
886:, it blends a large number of vocal passages, both solos on the part of Xi'er and choruses into the music. Because of their mellifluous melodies, these songs became very popular. The following is a partial list of these songs:
727:. Coincidentally Xi'er is now in the temple too, and by the light of a flash of lightning, the landlord sees her — with her long white hair and shabby clothes that have been weathered to nearly white. He thinks it is the
534:, describing the misery suffered by local peasantry, particularly the misery of the female members. The stories are based on real-life stories of no fewer than half a dozen women, in a time frame stretching from the late
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turned white. They reunite and rejoice. The final ending of the film fulfilled the audience's revenge to the "evil landlord". The landlord accepted the punishment from the angry people under the judgment of the CCP.
2515:"Chinese Opera Music Album: The White Haired Girl by Various Artists." Apple Music, China Record Corporation, 31 Dec. 2002, music.apple.com/us/album/chinese-opera-music-album-the-white-haired-girl/111883716.
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Chinese ballet troupe performed the show in 1964. However, in the rehearsal stage, in order to better interpret the peasants, all ballet dancers lived with farmers in a small village to experience their lives.
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Wilkinson, J. Norman. "‘The White-Haired Girl’: From ‘Yangko’ to Revolutionary Modern Ballet." Educational Theatre Journal, vol. 26, no. 2, 1974, pp. 164–74. Crossref, doi:10.2307/3206632.
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Bohnenkamp, Max L. Turning Ghosts into People: "The White-Haired Girl", Revolutionary Folklorism and the Politics of Aesthetics in Modern China, ProQuest Dissertations Publishing, 2014.
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In July 1947, Ding Yi, another opera co-author, made many changes and deletions to the Shanxi-Chahar-Hebei version, mainly to cut pregnant Xi Er's hard life after escaping to the cave.
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Shanxi-Chahar-Hebei version. In order to meet the needs of " national salvation to prevail over cultural enlightenment", the play has been continuously adapted into different versions.
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Shan Yuan, Analysis of the Implied Connotation of the Text: White Hair Girl, Research of Chinese Literature, Xianning Teachers College, Xianning city, Hubei 437005, China. March, 2002
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Wu Hanyue, "An Analysis of the Creation Background of the Opera The White-Haired Girl", Song of Yellow River, China Academic Journal Electronic Publishing House, December 2020, p173.
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In 1958, Mikiko Matsuyama and her ballet troupe performed the ballet version of The White-Haired Girl. This was the first time that The White-Haired Girl has performed in a ballet.
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came to China. They had watched The White-Haired Girl film and aimed to transfer the story into a ballet version. Five years later in Japan, Matsuyama played Xi’er in the ballet.
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Bai, Di. "Feminism in the Revolutionary Model Ballets The White-Haired Girl and The Red Detachment of Women." Art in Turmoil: The Chinese Cultural Revolution 76 (1966): 188–202.
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548:, the ballet is regarded as one of the classics of revolutionary China, and its music is familiar to almost everyone who grew up during the 1960s. It is one of the
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On one stormy night, the landlord Huang Shiren and several of his other servants come to the temple to worship and provide offerings. Their trip is stopped by the
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with which they decorate the windows. After the girls leave, Xi'er's fiancé, Wang Dachun, comes to give two catties of wheat flour to Xi'er so that she can make
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The opera ballet more emphasize to Performance tension than the film, It is obvious that Opera Ballet are more ornamental, and test the actors skills.
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Jia, Bo. Gender, Women's Liberation, And The Nation-State: A Study of The Chinese Opera The White Haired Girl. New Brunswick, New Jersey. May, 2015.
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808:'s artistic direction, the performance began in Yan’an. The tour incorporated 3D visual effects and ended in Beijing in Mid-December 2015.
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in the late 1940s. The film was made in 1950 and the first Peking opera performance was in 1958. The first ballet performance was by
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followed Xi's speech, which was about the literature and arts in China, and launched a revival tour of The White-Haired Girl. Under
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in Yan 'an produced an opera, "The White Haired Girl", based on the folk tales and legends of the "white-haired immortal" in 1940.
607:. His performance in The White Haired Girl gained the Special Recognition Award in 6th Karlovy Vary International Film Festival.
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842:, the film was part of a genre of redemptive melodramas which encouraged the audiences to "speak bitterness". Film versions of
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2524:中国电影表演艺术学会 . "第十二届表演艺术学会奖金凤凰奖 - 终身成就奖." 中国电影表演艺术学会, 中国电影表演艺术学会, www.1985byxh.com/awards12_chengjiu.html.
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Tian Hua is a well-known actress famous for her role of Xier. She received extensive learning from the
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2521:新浪娱乐. "第30届大众电影百花奖获奖名单." 新浪娱乐, 新浪娱乐, 16 Oct. 2010, ent.sina.com.cn/m/c/2010-10-16/11193114573.shtml.
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2533:释凡. "著名表演艺术家陈强生前十大经典角色." 陈强十大经典影视角色, 网易娱乐, ent.163.com/special/chenqiangyingshijuesejingdian/.
1672:"Wishing Longevity to Old People and Happiness to the Whole Family in the New Year Celebration"
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2527:中国电影家协会. "第一届中国电影金鸡奖获奖及提名名单（1981）." 中国电影家协会, 中国电影家协会, www.cfa1949.com/pjbj/jjj/jjljhjmd/.
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Xi'er escapes to the mountains, and in the following years, she lives in a cave, gathers
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Chen Qiang was a film and stage actor best known for his performances as antagonists in
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2530:腾讯娱乐 . 陈佩斯父亲陈强去世 生前主演《白毛女》成名, 腾讯娱乐, 27 June 2012, ent.qq.com/a/20120627/000035.htm.
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Cinematic Guerillas: Propaganda, Projectionists, and Audiences in Socialist China
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The references used may be made clearer with a different or consistent style of
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and other beasts. In time, her hair turns white from suffering the elements.
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Xi'er's father secretly returns home at dusk, with no gift other than a red
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Wang Bin and Shui Hua, "The White Haired Girl" Changchun Film Studio, 1950
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was re-released in the mid-1960s alongside new films intended support the
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burner and hurls it against the landlord. The landlord and his gang flee.
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A film version released in 1950 coincided with the Land Reform Movement.
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In 1944, under the direction of President Zhou Yang, some artists of The
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exploiting peasants), has been force to run away from home to avoid the
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used ghost story and horror movie aesthetics to move their audiences.
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is waiting for her father Yang Bailao to return home to celebrate the
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Li BaiWan joined the Communists's Eighth Route Army at the age of 11.
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The opera is based on legends circulating in the border region of
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2404:"'White-Haired Girl,' Opera Created Under Mao, Returns to Stage"
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in 1965. It has also been performed by the noted soprano
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Ministry of Culture of the People's Republic of China
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Red Tourism in China: Commodification of Propaganda
743:Meanwhile, her fiancé, Wang Dachun, has joined the
2463:is available for free viewing and download at the
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768:The Eighth Route Army and sent to the village.
659:landlord Huang Shiren (who makes a fortune as a
592:Performer: Chen Qiang (1918-2012, Hebei, China)
2591:Operas set in the Republic of China (1912–1949)
2586:Plays set in the Republic of China (1912–1949)
905:"Longing for the Rising Red Sun in the East"
575:Performer: Tian Hua (b. 1928, Hebei, China)
639:. The peasant girl Xi'er from a village in
64:Learn how and when to remove these messages
1347:"Dazzled by the Red Lamps under the Eaves"
667:. Xi'er's girl friends come to bring her
158:. Please do not remove this message until
2460:The White-Haired Girl (1950 film version)
1282:"Bidding a Farewell to the Outgoing Year"
252:Learn how and when to remove this message
178:Learn how and when to remove this message
117:Learn how and when to remove this message
779:dancer Mikiko Matsuyama and her husband
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154:Relevant discussion may be found on the
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2257:"We Want to be Masters of Our Own Fate"
1607:"After Daddy Came Back Home Last Night"
487:and Ding Yi. It was later adapted to a
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1152:"Tying the Plait With a Red Ribbon"
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899:"Suddenly the Day Turns to Night"
617:Performer: Li BaiWan (1926-2010)
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882:is more like that of a musical,
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1977:Changchun Film Studio Orchestra
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1542:"Xi’er, you have fallen asleep"
1522:Changchun Film Studio Orchestra
1457:Changchun Film Studio Orchestra
1392:Changchun Film Studio Orchestra
1327:Changchun Film Studio Orchestra
1262:Changchun Film Studio Orchestra
1197:Changchun Film Studio Orchestra
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1002:Changchun Film Studio Orchestra
908:"Big Red Dates for the Beloved"
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53:or discuss these issues on the
27:Chinese ballet, opera, and film
2470:YouTube: Xi'er's Solo in Act I
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1867:"Heaven, You’d Better Kill Me"
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2402:Buckley, Chris (2015-11-11).
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850:Differences among adaptations
793:From the 1940s to the 1970s,
655:hired under the despotic and
635:It is the eve of the Chinese
220:Please review the source and
2561:Chinese western-style operas
902:"Join the Eighth Route Army"
822:Socialist Education Movement
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630:Based on the ballet version
597:The Red Detachment of Women
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1997:"Hatred as Deep as Ocean"
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401:March 11, 1951
203:This article or section
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712:for food from a nearby
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545:Red Detachment of Women
505:Chinese Communist Party
209:from another location,
2335:Lin, Chunfeng (2023).
896:"Tying the Red Ribbon"
890:"Looking at the World"
605:Devils on the Doorstep
509:Shanghai Dance Academy
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2576:Works about landlords
2551:1965 ballet premieres
2477:The White-Haired Girl
2192:"I Want to Speak Out"
926:The White Haired Girl
880:The White-Haired Girl
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2062:"I am a Human Being"
442:The White-Haired Kid
2127:"The Sun Has Risen"
1737:"I Hear Loud Noise"
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914:"Dear Chairman Mao"
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919:Track listing
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781:Masao Shimizu
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729:reincarnation
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444:in the opera.
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2440:China portal
2412:. Retrieved
2410:(in Chinese)
2407:
2397:
2374:
2336:
2330:
2266:Zhang Songru
2201:Zhang Songru
2136:Zhang Songru
2071:Zhang Songru
2006:Zhang Songru
1941:Zhang Songru
1876:Zhang Songru
1811:Zhang Songru
1746:Zhang Songru
1681:Zhang Songru
1616:Zhang Songru
1551:Zhang Songru
1486:Zhang Songru
1421:Zhang Songru
1356:Zhang Songru
1291:Zhang Songru
1226:Zhang Songru
1161:Zhang Songru
1096:Zhang Songru
1031:Zhang Songru
966:Zhang Songru
946:Performed By
925:
883:
879:
877:
868:
853:
843:
837:
834:
830:
826:
817:
815:
812:Film version
799:
794:
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788:
785:
777:
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770:
766:
759:
742:
725:thunderstorm
722:
707:
703:
699:
683:
672:
641:Yanggezhuang
634:
629:
627:
619:
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612:
610:Wang Dachun
609:
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567:
552:approved by
543:
541:
536:Qing dynasty
521:
501:
493:Peking opera
466:
449:
448:
447:
441:
437:
394:Release date
352:Fumiko Kishi
248:
232:
210:
204:
174:
165:
143:
113:
104:
85:
61:
54:
48:
47:Please help
44:
2596:1951 operas
2308:Li Bingshen
2243:Li Bingshen
2178:Li Bingshen
2113:Li Bingshen
2048:Li Bingshen
1983:Li Bingshen
1918:Li Bingshen
1853:Li Bingshen
1788:Li Bingshen
1723:Li Bingshen
1658:Li Bingshen
1593:Li Bingshen
1528:Li Bingshen
1463:Li Bingshen
1398:Li Bingshen
1333:Li Bingshen
1268:Li Bingshen
1203:Li Bingshen
1138:Li Bingshen
1073:Li Bingshen
1008:Li Bingshen
806:Peng Liyuan
681:as a gift.
556:during the
542:Along with
517:Guo Lanying
477:Yan Jinxuan
272:Directed by
222:remedy this
2546:1951 films
2540:Categories
2449:Bai mao nu
2414:2021-06-13
2322:References
2299:Li Yaodong
2296:Zhang Ping
2263:He Jingzhi
2234:Li Yaodong
2231:Zhang Ping
2198:He Jingzhi
2169:Li Yaodong
2166:Zhang Ping
2133:He Jingzhi
2104:Li Yaodong
2101:Zhang Ping
2068:He Jingzhi
2039:Li Yaodong
2036:Zhang Ping
2003:He Jingzhi
1974:Li Yaodong
1971:Zhang Ping
1938:He Jingzhi
1909:Li Yaodong
1906:Zhang Ping
1873:He Jingzhi
1844:Li Yaodong
1841:Zhang Ping
1808:He Jingzhi
1779:Li Yaodong
1776:Zhang Ping
1743:He Jingzhi
1714:Li Yaodong
1711:Zhang Ping
1678:He Jingzhi
1649:Li Yaodong
1646:Zhang Ping
1613:He Jingzhi
1584:Li Yaodong
1581:Zhang Ping
1548:He Jingzhi
1519:Li Yaodong
1516:Zhang Ping
1483:He Jingzhi
1454:Li Yaodong
1451:Zhang Ping
1418:He Jingzhi
1389:Li Yaodong
1386:Zhang Ping
1353:He Jingzhi
1324:Li Yaodong
1321:Zhang Ping
1288:He Jingzhi
1259:Li Yaodong
1256:Zhang Ping
1223:He Jingzhi
1194:Li Yaodong
1191:Zhang Ping
1158:He Jingzhi
1129:Li Yaodong
1126:Zhang Ping
1093:He Jingzhi
1064:Li Yaodong
1061:Zhang Ping
1028:He Jingzhi
999:Li Yaodong
996:Zhang Ping
963:He Jingzhi
957:"Overture"
661:loan shark
568:Yang Xier
554:Jiang Qing
485:He Jingzhi
468:Bái Máo Nǚ
405:1951-03-11
372:Production
293:Written by
235:April 2024
168:April 2024
145:neutrality
99:footnoting
50:improve it
2475:YouTube:
2341:Routledge
1217:"Dunning"
800:In 2015,
710:offerings
691:concubine
345:Edited by
339:Weiyun Wu
156:talk page
56:talk page
2485:Citation
2290:Wang Kun
2278:Zhang Lu
2225:Wang Kun
2213:Zhang Lu
2160:Wang Kun
2148:Zhang Lu
2095:Wang Kun
2083:Zhang Lu
2030:Wang Kun
2018:Zhang Lu
1965:Wang Kun
1953:Zhang Lu
1900:Wang Kun
1888:Zhang Lu
1835:Wang Kun
1823:Zhang Lu
1770:Wang Kun
1758:Zhang Lu
1705:Wang Kun
1693:Zhang Lu
1640:Wang Kun
1628:Zhang Lu
1575:Wang Kun
1563:Zhang Lu
1510:Wang Kun
1498:Zhang Lu
1445:Wang Kun
1433:Zhang Lu
1380:Wang Kun
1368:Zhang Lu
1315:Wang Kun
1303:Zhang Lu
1250:Wang Kun
1238:Zhang Lu
1185:Wang Kun
1173:Zhang Lu
1120:Wang Kun
1108:Zhang Lu
1055:Wang Kun
1043:Zhang Lu
990:Wang Kun
978:Zhang Lu
749:Japanese
657:usurious
513:Shanghai
481:libretto
427:Mandarin
424:Language
361:Music by
326:Shui Hua
321:Bin Wang
314:Starring
305:Shui Hua
300:Bin Wang
284:Shui Hua
279:Bin Wang
211:possibly
149:disputed
107:May 2022
95:citation
2408:纽约时报中文网
2293:Meng Yu
2228:Meng Yu
2163:Meng Yu
2098:Meng Yu
2033:Meng Yu
1968:Meng Yu
1903:Meng Yu
1838:Meng Yu
1773:Meng Yu
1708:Meng Yu
1643:Meng Yu
1578:Meng Yu
1513:Meng Yu
1448:Meng Yu
1383:Meng Yu
1318:Meng Yu
1253:Meng Yu
1188:Meng Yu
1123:Meng Yu
1058:Meng Yu
993:Meng Yu
738:incense
733:goddess
471:) is a
455:Chinese
416:Country
403: (
374:company
2566:Operas
2385:
2347:
2275:Qu Wei
2210:Qu Wei
2145:Qu Wei
2080:Qu Wei
2015:Qu Wei
1950:Qu Wei
1885:Qu Wei
1820:Qu Wei
1755:Qu Wei
1690:Qu Wei
1625:Qu Wei
1560:Qu Wei
1495:Qu Wei
1430:Qu Wei
1365:Qu Wei
1300:Qu Wei
1235:Qu Wei
1170:Qu Wei
1105:Qu Wei
1040:Qu Wei
975:Qu Wei
949:Length
940:Lyrics
864:Yan'an
840:cinema
718:wolves
714:temple
686:ribbon
679:sickle
674:jiaozi
528:Chahar
524:Shanxi
489:ballet
465::
463:pinyin
457::
2281:Ma Ke
2216:Ma Ke
2151:Ma Ke
2086:Ma Ke
2021:Ma Ke
1956:Ma Ke
1891:Ma Ke
1826:Ma Ke
1761:Ma Ke
1696:Ma Ke
1631:Ma Ke
1566:Ma Ke
1501:Ma Ke
1436:Ma Ke
1371:Ma Ke
1306:Ma Ke
1241:Ma Ke
1176:Ma Ke
1111:Ma Ke
1046:Ma Ke
981:Ma Ke
943:Music
937:Title
874:Music
731:of a
532:Hebei
440:with
419:China
365:Ma Ke
2454:IMDb
2383:ISBN
2345:ISBN
2314:1:14
2249:9:06
2184:2:59
2119:3:41
2054:4:33
1989:3:43
1924:4:53
1859:5:10
1794:2:09
1729:3:33
1664:2:10
1599:2:02
1534:1:30
1469:2:07
1404:3:04
1339:1:28
1274:0:58
1209:2:37
1144:2:37
1079:2:25
1014:3:21
884:i.e.
856:geju
624:Plot
603:and
530:and
491:, a
142:The
97:and
2452:at
2254:21.
2189:20.
2124:19.
2059:18.
1994:17.
1929:16.
1864:15.
1799:14.
1734:13.
1669:12.
1604:11.
1539:10.
933:No.
483:by
475:by
459:白毛女
2542::
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2381:.
2377:.
2359:^
2343:.
2339:.
1474:9.
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461:;
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152:.
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114:(
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91:.
66:)
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