285:, many of whose guests are lesbians and gay men. Immediately after this meeting Stephen announces she has decided to settle in Paris at 35 Rue Jacob (purchased at Seymour's recommendation), with its temple in a corner of an overgrown garden. Barney lived and held her salon at 20 Rue Jacob. Stephen is wary of Valérie, and does not visit her salon until after the war, when Brockett persuades her that Mary is becoming too isolated. She finds Valérie to be an "indestructible creature" capable of bestowing a sense of self-respect on others, at least temporarily: "everyone felt very normal and brave when they gathered together at Valérie Seymour's". With Stephen's misgivings "drugged", she and Mary are drawn further into the "desolate country" of Paris gay life. At Alec's Bar – the worst in a series of depressing nightspots – they encounter "the battered remnants of men who...despised of the world, must despise themselves beyond all hope, it seemed, of salvation".
799:, echoes this sentiment, where his "antifeminism and reluctance to see active lust in women committed him to fusing inversion and masculinity". In a society "very conscious of sex and its vast importance", Stephen feels excluded from the rigid, feminine role imposed on her as a biological female. Hence, for Stephen's lesbianism to be recognised by the readers in that time, Hall had to deliberately show Stephen "enter(ing) the male world, as a lesbian in male body drag", which simultaneously enabled the feminine women in the novel to demonstrate their lesbianism through "association with their masculine partners".
270:
375:, she prays that the affliction be transferred to her: "I would like to wash Collins in my blood, Lord Jesus – I would like very much to be a Saviour to Collins – I love her, and I want to be hurt like You were". This childish desire for martyrdom prefigures Stephen's ultimate self-sacrifice for Mary's sake. After she tricks Mary into leaving her – carrying out a plan that leads Valérie to exclaim "you were made for a martyr!" – Stephen, left alone in her home, sees the room thronged with inverts, living, dead and unborn. They call on her to
1859:, Kershaw "made up in costume what she lacked in psychology", with designer boots, breeches and riding crop. Then she changed into a white dress for a final speech in which she "begged humanity, 'already used to earthquakes and murderers', to try to put up with a minor calamity like the play's and the book's Lesbian protagonist, Stephen Gordon". Hall threatened a lawsuit to stop the production, but the issue soon became moot, since the play closed after only a few nights. The public skirmish between Hall and Kershaw increased sales of the novel.
422:
456:, the first modern writer to propose a theory of homosexuality, but does not share his findings with Stephen. Her mother, Lady Anna, is distant, seeing Stephen as a "blemished, unworthy, maimed reproduction" of Sir Phillip. At eighteen Stephen forms a close friendship with a Canadian man, Martin Hallam, but is horrified when he declares his love for her. The following winter Sir Phillip is crushed by a falling tree; at the last moment he tries to explain to Lady Anna that Stephen is an
306:
1445:. But when Kipling appeared on the morning of the trial, Inskip told him he would not be needed. James Melville had wired the defence witnesses the night before to tell them not to come in. The panel of twelve magistrates who heard the appeal had to rely on passages Inskip read to them for knowledge of the book, since the Director of Public Prosecutions had refused to release copies for them to read. After deliberating for only five minutes, they upheld Biron's decision.
1849:. Hall accepted a £100 advance, but when she and Troubridge saw Kershaw act, they found her too feminine for the role of Stephen. Hall tried to void the contract on a technicality, but Kershaw refused to change her plans. The play opened on 2 September 1930. No playwright was credited, implying that Hall had written the adaptation herself; it was actually written by one of Kershaw's ex-husbands, who reworked the story to make it more upbeat. According to
6499:
328:, war work provides a publicly acceptable role for inverted women. The narrative voice asks that their contributions not be forgotten and predicts that they will not go back into hiding: "a battalion was formed in those terrible years that would never again be completely disbanded". This military metaphor continues later in the novel when inverts in postwar Paris are repeatedly referred to as a "miserable army". Hall invokes the image of the
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3427:, pp. 399–400, refers to its "uncanny rhetorical power – a power unaffected by its manifest failures as a work of art – to activate readerly feeling ... Something in the very pathos of Stephen Gordon's torment ... provokes an exorbitant identification in us. Whoever we are, we tend to see ourselves in her." She also notes a "level of emotional seriousness and personal engagement one seldom sees" in criticism of
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2403:, p. 173) and, in response to Hall's claim to be writing on behalf of some of the most persecuted and misunderstood people in the world, remarks "It is doubtful whether Radclyffe Hall and Una, Natalie Barney...and the rest, with their fine houses, stylish lovers, inherited incomes, sparkling careers and villas in the sun, were among the most persecuted and misunderstood people in the world." (
768:, who suggested that those attracted to others of their own sex were born neither male nor female, but both: they were "sexually intermediate types" This theory posited that "the woman who attracts and is attracted by other women is herself half male" and that "homo-sexuality in a woman is the outcome of her masculinity and presupposes a higher degree of development".
691:, truck drivers would call out on the street to any woman who wore a collar and tie: "Oh, you're Miss Radclyffe Hall". Some welcomed their newfound visibility: when Hall spoke at a luncheon in 1932, the audience was full of women who had imitated her look. But in a study of lesbian women in Salt Lake City in the 1920s and '30s, nearly all regretted the publication of
597:, had opposed a bill that would have criminalised lesbianism on the grounds that "of every thousand women ... 999 have never even heard a whisper of these practices". In reality, awareness of lesbianism had been gradually increasing since World War I, but it was still a subject most people had never heard of, or perhaps just preferred to ignore.
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necessarily unacceptable; a book that depicted the "moral and physical degradation which indulgence in those vices must necessary involve" might be allowed, but no reasonable person could say that a plea for the recognition and toleration of inverts was not obscene. He ordered the book destroyed, with the defendants to pay court costs.
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130:, but their happiness together is marred by social isolation and rejection, which Hall depicts as the typical sufferings of "inverts", with predictably debilitating effects. The novel portrays "inversion" as a natural, God-given state and makes an explicit plea: "Give us also the right to our existence".
1834:; its cryptic style, full of in-jokes and ornate language, may have been intended to disguise its content from censors. It could not in any case be prosecuted by the Home Office, since it was published only in France, in a small, privately printed edition. It did not become widely available until 1972.
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in the United States at the same time as Cape in the United
Kingdom. But after Cape brought forward the publication date, Knopf found itself in the position of publishing a book that had been withdrawn in its home country. They refused, telling Hall that nothing they could do would keep the book from
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the inverts in our defence". She took advantage of a lunch recess to tell him that if he continued to maintain her book had no lesbian content she would stand up in court and tell the magistrate the truth before anyone could stop her. Birkett was forced to retract. He argued instead that the book was
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against boredom", allowing her "a few rather schoolgirlish kisses". The pair conduct a relationship that, although not explicitly stated, seems to have some sexual element, at least for
Stephen. Then Stephen discovers that Angela is having an affair with a man. Fearing exposure, Angela shows a letter
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as Dame
Evangeline Musset. Much as Sir Phillip paces his study worrying about Stephen, Dame Musset's father "pac his library in the most normal of Night-Shirts". When, unlike Sir Phillip, he confronts his daughter, she replies confidently: "Thou, good Governor, wast expecting a Son when you lay atop
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could decide whether the book was obscene without hearing any testimony on the question. "I don't think people are entitled to express an opinion upon a matter which is the decision of the court," he said. Since Hall herself was not on trial, she did not have the right to her own counsel, and Cape's
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Harold
Rubinstein sent out 160 letters to potential witnesses. Many were reluctant to appear in court; according to Virginia Woolf, "they generally put it down to the weak heart of a father, or a cousin who is about to have twins". About 40 turned up on the day of the trial, including Woolf herself,
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made sexual inversion a subject of household conversation for the first time. The banning of the book drew so much attention to the very subject it was intended to suppress that it left
British authorities wary of further attempts to censor books for lesbian content. In 1935, after a complaint about
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Martin Hallam, now living in Paris, rekindles his old friendship with
Stephen. In time, he falls in love with Mary. Persuaded that she cannot give Mary happiness, Stephen pretends to have an affair with Valérie Seymour to drive her into Martin's arms. The novel ends with Stephen's plea to God: "Give
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who are expecting a boy and who christen her with the name they had already chosen. Even at birth she is physically unusual, a "narrow-hipped, wide-shouldered little tadpole of a baby". She hates dresses, wants to cut her hair short and longs to be a boy. At seven she develops a crush on a housemaid
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In April 1928, she told her editor that her new book would require complete commitment from its publisher and that she would not allow even one word to be altered. "I have put my pen at the service of some of the most persecuted and misunderstood people in the world...So far as I know nothing of the
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writes to her mother in these terms: "You insulted what to me is natural and sacred." "What to me is sacred"? Natural and sacred! Then I am asked to say that this book is in no sense a defence of unnatural practices between women, or a glorification, or a praise of them, to put it perhaps not quite
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aspect of sexual life as it exists among us today. The relation of certain people, who, while different from their fellow human beings, are sometimes of the highest character and the finest aptitudes—to the often hostile society in which they move, presents difficult and still unresolved problems".
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Stephen moves to London and writes a well-received first novel. Her second novel is less successful, and her friend, the playwright
Jonathan Brockett, himself an invert, urges her to travel to Paris to improve her writing through a fuller experience of life. There she makes her first, brief contact
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s ideas and attitudes now strike many readers as dated, and few critics praise its literary quality. Nevertheless, it continues to compel critical attention, to provoke strong identification and intense emotional reactions in some readers, and to elicit a high level of personal engagement from its
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articles cropped the photo so tightly that it became difficult to tell she was not wearing trousers. Hall's style of dress was not scandalous in the 1920s; short hairstyles were common, and the combination of tailored jackets and short skirts was a recognised fashion, discussed in magazines as the
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was sincerely meant, but she also knew that such bars did not represent the only homosexual communities in Paris. It is a commonplace of criticism that her own experience of lesbian life was not as miserable as
Stephen's. By focusing on misery and describing its cause as "ceaseless persecution" by
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has been in print continuously ever since and has been translated into at least fourteen languages. In the 1960s it was still selling 100,000 copies a year in the United States alone. Looking back on the controversy in 1972, Flanner remarked on how unlikely it seemed that a "rather innocent" book
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as a thinly veiled autobiography. Angela
Crossby may be a composite of various women with whom Hall had affairs in her youth, but Mary, whose lack of outside interests leaves her idle when Stephen is working, does not resemble Hall's partner Una Troubridge, an accomplished sculptor who translated
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at the time. During the interwar period the definition was most often understood as a scientific term describing a psychological gender duality, rather than referencing a sexual preference. In other words, the term was used as a scientific neologism for androgyny, and related to understandings of
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The understanding of sexuality represented in the novel is considered strictly in binary terms and exists within misogynistic stereotypes that were prevalent when the novel was published. This contributes to the undertones of biphobia that are present in the treatment of the femme characters that
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women who experience attraction towards
Stephen but eventually end up in heterosexual relationships. Mary's femininity, in particular, is belittled by Hall's presentation of her: She is not Stephen's equal in age, education, family, or wealth, and so is constantly infantilised by her lover. This,
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with great interest because—apart from its fine qualities as a novel by a writer of accomplished art—it possesses a notable psychological and sociological significance. So far as I know, it is the first English novel which presents, in a completely faithful and uncompromising form, one particular
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from the publisher's offices, and Friede was charged with selling an obscene publication. But Covici and Friede had already moved the printing plates out of New York in order to continue publishing the book. By the time the case came to trial, it had already been reprinted six times. Despite its
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Covici-Friede then imported a copy of the Pegasus Press edition from France as a further test case and to solidify the book's US copyright. Customs barred the book from entering the country, which might also have prevented it from being shipped from state to state. Two months later in July, the
554:, who saw homosexuality as a form of arrested psychological development, and some of whom believed it could be changed. Indeed, Havelock Ellis' commentary for the novel, which, although edited and censored to some extent, aligns the novel directly with theories of sexual inversion: "I have read
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A novelist may not wish to treat any of the subjects mentioned above but the sense that they are prohibited or prohibitable, that there is a taboo-list, will work on him and will make him alert and cautious instead of surrendering himself to his creative impulses. And he will tend to cling to
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he adroitness and cleverness of the book intensifies its moral danger. It is a seductive and insidious piece of special pleading designed to display perverted decadence as a martyrdom inflicted upon these outcasts by a cruel society. It flings a veil of sentiment over their depravity. It even
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in its historical and social context. Newton argues that "Hall and many other feminists like her embraced the image of the mannish lesbian primarily because they desperately wanted to break out of the asexual model of romantic friendship" prevalent in the nineteenth century. Sex was seen as
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from Stephen to her husband, who sends a copy to Stephen's mother. Lady Anna denounces Stephen for "presum to use the word love in connection with...these unnatural cravings of your unbalanced mind and undisciplined body." Stephen replies, "As my father loved you, I loved...It was good, good,
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of obscenity: a work was obscene if it tended to "deprave and corrupt those whose minds are open to such immoral influences". He held that the book's literary merit was irrelevant because a well-written obscene book was even more harmful than a poorly written one. The topic in itself was not
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identity. As a child, Stephen insists that she is male – "Yes, of course I'm a boy … I must be a boy 'cause I feel exactly like one", – and, when talking to their mother, Stephen says that "All my life I've never felt like a woman, and you know it." Through Stephen's final rejection of Mary,
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Papers from the author's archive, which are set to be digitised by the Harry Ransom Center at the University of Texas alongside those of her partner, the artist Una Vincenzo, Lady Troubridge, show that the novel was supported by thousands of readers, who wrote to Hall in outrage at the ban.
542:(1886), the first book Stephen finds in her father's study, inversion is described as a degenerative disorder common in families with histories of mental illness. Exposure to these ideas leads Stephen to describe herself and other inverts as "hideously maimed and ugly". Later texts such as
209:. She had long thought of writing a novel about sexual inversion; now, she believed, her literary reputation would allow such a work to be given a hearing. Since she knew she was risking scandal and "the shipwreck of her whole career", she sought and received the blessing of her partner,
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Other criticism focuses on the potential confusion of sexuality with gender in the novel. Jay Prosser argues that in "rightly tracing Hall's debt to nineteenth-century sexologists, critics have wrongly reduced sexual inversion to homosexuality." What many refer to as Stephen's
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in British and American culture. For decades it was the best-known lesbian novel in English, and often the first source of information about lesbianism that young people could find. Some readers have valued it, while others have criticised it for Stephen's expressions of
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coupled with Mary's dependence on Stephen, seems to emphasise the supposed inferiority of the feminine to the masculine. As Clare Hemmings argues, Mary is merely used as "a means for Stephen to reach her own understanding of the true nature of the deviant's plight".
1400:, appearing for Leopold Hill, took a similar line: the book was "written in a reverend spirit", not to inspire libidinous thoughts but to examine a social question. The theme itself should not be forbidden, and the book's treatment of its theme was unexceptionable.
883:, thought it was poorly structured, or complained of sloppiness in style. There was praise for its sincerity and artistry, and some expressed sympathy with Hall's moral argument. In the three weeks after the book appeared in bookstores, no reviewer called for its
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reversal. Female inverts were, to a greater or lesser degree, inclined to traditionally male pursuits and dress; according to Krafft-Ebing, they had a "masculine soul". Krafft-Ebing believed that the most extreme inverts also exhibited reversal of
654:, who read it in 1938, remembered laughing at its "earnest humourlessness" and "impermissible allowance of self-pity". Yet it has also produced powerful emotional responses, both positive and negative. One woman was so angry at the thought of how
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to a Boston police officer to create a censorship test case, which he had lost; he was awaiting an appeal, which he would also lose. He took out a $ 10,000 bank loan to outbid another publisher which had offered a $ 7,500 advance, and enlisted
895:: "One cannot say what effect this book will have on the public attitude of silence or derision, but every reader will agree with Mr. Havelock Ellis in the preface, that 'the poignant situations are set forth with a complete absence of offence.
1021:; instead, he argued, homosexuals were damned by their own choice – which meant that others could be corrupted by "their propaganda". Above all, children must be protected: "I would rather give a healthy boy or a healthy girl a phial of
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newspaper, called Douglas a "stunt journalist"; he said no one would give the book to a child, no child would want to read it, and any who did would find nothing harmful. Dawson also printed a scathing condemnation of the Home Office by
858: – about twice the cost of an average novel – to make it less attractive to sensation-seekers. Publication, originally scheduled for late 1928, was brought forward when he discovered that another novel with a lesbian theme,
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itself endorsed the view that lesbianism was innate. It portrayed Hall as a humourless moralist who had a great deal in common with the opponents of her novel. One illustration, picking up on the theme of religious martyrdom in
3392:: "o many , especially some younger lesbian students for whom the coming out process has been relatively painless, The Well is an affront, an out-dated, unbelievable, ugly insult to their self-image and to their self-esteem."
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and would not inspire readers to adopt "the practices referred to". Mackenzie was disappointed; he had hoped a censorship case would increase his book's sales. Despite advertising that tried to cash in on the controversy over
317:, co-commander of the only women's unit to serve on the front in France. Lowther, like Stephen, came from an aristocratic family, adopted a masculine style of dress, and was an accomplished fencer, tennis player, motorist and
254:'s novels continued in their influence upon 1920s Parisian society depicting lesbian and gay subculture. When Stephen first travels to Paris, at the urging of her friend Jonathan Brockett – who may be based on
1352:, who was the star witness after Havelock Ellis bowed out, declared that homosexuality ran in families and a person could no more become it by reading books than if he could become syphilitic by reading about
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ostensibly so that Mary can participate in a heterosexual relationship with Martin and therefore have a more secure life, Prosser surmises that "Stephen affirms her identification with the heterosexual man".
499:. She falls in love with a younger fellow driver, Mary Llewellyn, who comes to live with her after the war ends. They are happy at first, but Mary becomes lonely when Stephen returns to writing. Rejected by
182:, and viewed it as inspiring shame. The novel was subject to great criticism in its time (some of which may have been motivated by prejudice) but has come to be recognised as a classic of queer literature.
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Esther Newton, writing in 1989, provides a different perspective of Hall's seemingly confusing depiction of Stephen's lesbianism and its conflation with her gender, hinging her discussion on understanding
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Stephen begins to dress in masculine clothes made by a tailor rather than a dressmaker. At twenty-one she falls in love with Angela Crossby, the American wife of a new neighbour. Angela uses Stephen as an
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in Stephen's unusual proportions at birth and in the scene set at Valerie Seymour's salon, where "the timbre of a voice, the build of an ankle, the texture of a hand" reveals the inversion of the guests.
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kind has ever been attempted before in fiction." One of the reasons Hall cited for making the book, was that she wanted to be the first person to "smash the conspiracy of silence" about sexual inversion.
679:"severely masculine" look. Some lesbians, like Hall, adopted variations of the style as a way of signalling their sexuality, but it was a code that only a few knew how to read. With the controversy over
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theme – a "delicate social problem" – did not violate the law unless written in such a way as to make it obscene. After "a careful reading of the entire book", they cleared it of all charges.
473: – I'd have laid down my life a thousand times over for Angela Crossby." After the argument Stephen goes to her father's study and for the first time opens his locked bookcase. She finds a book by
3397:, p. 125: "very few critics have ever given the novel itself high praise. On the contrary, they often point out that stylistically, the work is marred by inflated language and stilted dialogue."
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something that "could only occur in the presence of an imperial and imperious penis", such that sex between women was simply not recognised to exist. Newton shows how sexologists of the time, like
1672:. Besides, freedom of expression was protected by the First Amendment of the United States Constitution. To make sure these supporters did not go unheard, he incorporated their opinions into his
1892:. Little of Hall's novel can be discerned in its story of a butch lesbian who is blinded with acid and run over by a truck, freeing the naïve young roommate she seduced to find love with a
1486:, showed Hall nailed to a cross. The image horrified Hall; her guilt at being depicted in a drawing that she saw as blasphemous led to her choice of a religious subject for her next novel,
5000:
Dunn, Sara; Warland, Betsy; Munt, Sally (1994). "Inversions: Writings by Dykes, Queers and Lesbians by Betsy Warland; New Lesbian Criticism: Literary and Cultural Readings by Sally Munt".
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In Hall's time, Paris was known for having a relatively large and visible gay and lesbian community – in part because France, unlike England, had no laws against male homosexuality.
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503:, Mary throws herself into Parisian nightlife. Stephen believes Mary is becoming hardened and embittered and feels powerless to provide her with "a more normal and complete existence".
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Although Hall's childhood bore little resemblance to Stephen's life, in the 1970s and 1980s, some writers such as Hall's early biographers Lovat Dickson and Richard Ormrod had treated
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and considered it a fine book, not at all obscene; he wanted no part of suppressing it. On 19 October he released the seized copies for delivery to Leopold Hill's premises, where the
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soldier to depict inverts as psychologically damaged by their outcast status: "for bombs do not trouble the nerves of the invert, but rather that terrible silent bombardment from the
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of your Choosing ... Am I not doing after your very Desire, and is it not the more commendable, seeing that I do it without the Tools for the Trade, and yet nothing complain?"
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called her "a digger-up of worms with the pretension of a distinguished archaeologist". Hall's correspondence shows that the negative view of bars like Alec's that she expressed in
1636:, Ernst argued that because lesbianism itself was not an obscene subject, the book did not have any sexual explicitness. Ernst obtained statements from authors including Dreiser,
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appeared on 27 July, in a black cover with a plain jacket. Cape sent review copies only to newspapers and magazines he thought would handle the subject matter non-sensationally.
1617:, hoping both to further challenge censorship of literature and to generate more publicity; he was disappointed when they told him they saw nothing wrong with the book.
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with a photograph of Radclyffe Hall in a silk smoking jacket and bow tie, holding a cigarette and monocle. She was also wearing a straight knee-length skirt, but later
1906: – a self-identified "doctor" appeared after the screening to sell pamphlets purporting to explain homosexuality. He was arrested for selling obscene literature.
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3422:, p. 2: "The novel continues to unsettle and provoke. Generations of feminists...may have dismissed or celebrated the novel...but they have never ignored it."
806:, pointing out that the novel did raise awareness of homosexuality among the British public and cleared the way for later work that tackled gay and lesbian issues.
550: – described inversion simply as a difference, not as a defect. By 1901 Krafft-Ebing had adopted a similar view. Hall championed their ideas over those of the
2399:'s comments on the subject are particularly sharp; she says Hall "might have acknowledged the privilege, seductions, freedom, and fun that graced her daily life" (
621:
was the only work of lesbian literature anyone had read or heard of. For many young lesbians in the 1950s, it was the only source of information about lesbianism.
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ran a review that, without commenting on Douglas's action, said the novel "present as a martyr a woman in the grip of a vice". Most of the British press defended
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Although Hall's author's note disclaims any real-world basis for the ambulance unit that Stephen joins, she drew heavily on the wartime experiences of her friend
5856:
Stevens, Lillian L. (14 July 1990). "Texas Lesbians, in Particular; The Third Annual Texas Lesbian Conference Builds on the Past with a Promise for the Future".
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258: – she has not yet spoken about her inversion to anyone. Brockett, acting as tour guide, hints at a secret history of inversion in the city by referring to
217:
and bring about "a more tolerant understanding" – as well as to "spur all classes of inverts to make good through hard work...and sober and useful living".
1711:; he could only remand the case to the New York Court of Special Sessions for judgement. On 19 April, that court issued a three-paragraph decision stating that
5035:
Elliott, Bridget (1998). "Performing the Picture or Painting the Other: Romaine Brooks, Gluck and the Question of Decadence in 1923". In Deepwell, Katy (ed.).
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use of religious imagery outraged the book's opponents, but Hall's vision of inversion as a God-given state was an influential contribution to the language of
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479:
3403:(1990s): "the persistent implication is that if Hall had only been a better writer, she might have been a better modernist and certainly a better lesbian".
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would affect an "isolated emerging lesbian" that she "wrote a note in the library book, to tell other readers that women loving women can be beautiful". A
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exhibit female-female sexual attraction, especially so in the treatment of Mary. These choices could be partly explained by the understanding of the term
6375:
Zaragoza, Gora (2018). "Gender, Translation, and Censorship: The Well of Loneliness (1928) in Spain as an Example of Translation in Cultural Evolution".
3409:, p. 398: "Their authors are all in varying degree...quick to acknowledge their own frustrations with Hall's often monstrously overwrought parable."
3234:
Helt, Brenda (Spring 2010). "Passionate Debates on "Odious Subjects": Bisexuality and Woolf's Opposition to Theories of Androgyny and Sexual Identity".
571:; Ellis's research had not demonstrated any such physical differences, but he devoted a great deal of study to the search for them. The idea appears in
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on bookshop shelves soon came to the attention of the Home Office. On 3 October Joynson-Hicks issued a warrant for shipments of the book to be seized.
2995:, p. 719: "ost of us lesbians in the 1950s grew up knowing nothing about lesbianism except Stephen Gordon's swagger Stephen Gordon's breeches".
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to buy a copy directly from him, to ensure that he, not a bookseller, would be the one prosecuted. He also travelled to Boston to give a copy to the
1540:
told Troubridge that any publisher reprinting the book would risk prosecution. In 1949, Falcon Press brought out an edition with no legal challenge.
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had established that books should be judged by their effects on adults rather than on children and that literary merit was relevant. When defending
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399:
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ruled that the book did not contain "one word, phrase, sentence or paragraph which could be truthfully pointed out as offensive to modesty".
683:, Hall became the public face of sexual inversion, and all women who favoured masculine fashions came under new scrutiny. Lesbian journalist
1498:
The Pegasus Press edition of the book remained available in France, and some copies made their way into the UK. In a "Letter from Paris" in
1266:, the plan broke down when Hall objected to the wording of the letter, insisting it mention her book's "artistic merit – even genius".
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who, though cautious about publishing a controversial book, saw the potential for a commercial success. Cape tested the waters with a small
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subjects that are officially acceptable, such as murder and adultery, and to shun anything original lest it bring him into forbidden areas.
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398:, a sign of shame and exile, throughout the novel as a metaphor for the situation of inverts. Her defence of inversion took the form of a
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In an opinion issued on 19 February 1929, Magistrate Hyman Bushel declined to take the book's literary qualities into account and said
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6399:
5532:
Marshik, Celia (2003). "History's "Abrupt Revenges": Censoring War's Perversions in The Well of Loneliness and Sleeveless Errand".
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than this novel. Poison kills the body, but moral poison kills the soul." He called on the publishers to withdraw the book and the
920:'s novels into English. Hall said she drew on herself only for the "fundamental emotions that are characteristic of the inverted".
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1074:
was "gravely detrimental to the public interest"; if Cape did not withdraw it voluntarily, criminal proceedings would be brought.
2646:
In his decision condemning the book, Sir Chartres Biron called the references to God "singularly inappropriate and disgusting".
687: – who considered Hall's style of dress "rather effeminate" compared to her own – said that after the publication of
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371:, dreams as a child that "in some queer way she Jesus". When she discovers that Collins, object of her childhood crush, has
1529:
would allow the book to be republished. Unknown to Troubridge, he added a postscript saying "I am not really anxious to do
1458:, an anonymous lampoon in verse by "several hands", appeared in late 1928. It satirised both sides of the controversy over
6626:
6606:
6284:
590:
495:
hostess Valérie Seymour. During World War I she joins an ambulance unit, eventually serving at the front and earning the
288:
Many of those familiar with the subculture she described, including her own friends, disagreed with her portrayal of it;
4950:
Prosser, Jay (2001). "'Some Primitive Thing Conceived in a Turbulent Age of Transition': The Transsexual Emerging from
1700:
had greater social value because it was more serious in tone and made a case against misunderstanding and intolerance.
151:
because it defended "unnatural practices between women"; not until 1949, twenty years later, was it again published in
4460:
1773:, like earlier English novels in which critics have identified lesbian themes, is marked by complete reticence, while
5578:
1213:
1034:
1064:
known for his crackdowns on alcohol, nightclubs and gambling, as well as for his opposition to a revised version of
6561:
1707:
was "calculated to deprave and corrupt minds open to its immoral influences". Under New York law, Bushel was not a
1379:
Birkett arrived in court two hours late. In his defence, he tried to claim that the relationships between women in
1117:
386:
After Stephen reads Krafft-Ebing in her father's library, she opens the Bible at random, seeking a sign, and reads
1625:
price of $ 5 – twice the cost of an average novel – it sold more than 100,000 copies in its first year.
6434:
4941:
Newton, Esther (1984). "The Mythic Mannish Lesbian: Radclyffe Hall and The New Woman". In Doan; Prosser (eds.).
824:
beliefs, while others argue that the book's tragedy and its depiction of shame are its most compelling aspects.
321:
enthusiast. In later years she said the character of Stephen was based on her, which may have been partly true.
1602:
1559:. In May 1999, a dramatized version was broadcast on BBC Radio 4 and has since been repeated on Radio 4 Extra.
628:
s name recognition made it possible to find when bookstores and libraries did not yet have sections devoted to
6591:
6586:
6007:
Whitlock, Gillian (1987). "'Everything is Out of Place': Radclyffe Hall and the Lesbian Literary Tradition".
3549:"'It has made me want to live': public support for lesbian novelist Radclyffe Hall over banned book revealed"
1038:
965:
with gossip, murderers' confessions, and features about the love affairs of great men and women of the past.
650:
says that "like many bookish lesbians I seem to have spent much of my adult life making jokes about it", and
5807:
5240:
1508:
reported that it sold most heavily at the news vendor's cart that served passengers travelling to London on
868:, was to be published in September. Though the two books proved to have little in common, Hall and Cape saw
6621:
6596:
6571:
6541:
6536:
1893:
1209:
997:
promising to expose "A Book That Should Be Suppressed". In his editorial the next day, Douglas wrote that "
568:
383:
her. It is with their collective voice that she demands of God, "Give us also the right to our existence".
6418:
5069:
Surpassing the Love of Men: Romantic Friendship and Love between Women from the Renaissance to the Present
4782:
Doan, Laura (2004). "Sappho's Apotheosis? Radclyffe Hall's Queer Kinship with the Watchdogs of the Lord".
820:
lesbian novel ever written" persists and is still controversial. Some critics see the book as reinforcing
201:, about the spiritual awakening of an Italian headwaiter, had become a best-seller; it would soon win the
6459:
5858:
5044:
4722:
Cook, Blanche Wiesen (1979). "'Women Alone Stir My Imagination': Lesbianism and the Cultural Tradition".
1764:
1724:
1397:
1321:
1191:
998:
863:
457:
160:
119:
5953:
Taylor, Melanie A. (1998). "'The Masculine Soul Heaving in the Female Bosom': Theories of inversion and
1803:, not only contains a character based on Radclyffe Hall but includes passages that may be a response to
1093:, who acted as distributor. With publicity increasing demand, sales were brisk, but the reappearance of
126:) is apparent from an early age. She finds love with Mary Llewellyn, whom she meets while serving as an
6531:
6477:
5808:"Radclyffe Hall's 'The Well of Loneliness' as an Early Example of Transsexual Autobiographical Writing"
1148:
1005:
brought home the need for society to "cleans itself from the leprosy of these lepers". For Douglas the
945:
by promoting physical health and manliness. His colourfully worded editorials on subjects such as "the
134:
6352:
Watkins, Susan (2007). "'The aristocracy of intellect': Inversion and Inheritance in Radclyffe Hall's
4876:
A Writer of Misfits': 'John' Radclyffe Hall and the Discourse of Inversion". In Doan; Prosser (eds.).
1790:
by announcing that Radclyffe Hall was the model for one of the characters, it sold only 2,000 copies.
1533:
and am rather relieved than otherwise by any lack of enthusiasm I may encounter in official circles."
723:
for defining lesbianism in terms of masculinity, as well as for presenting lesbian life as "joyless".
6406:
5959:
5215:
4657:
4586:
4507:
1430:
1066:
957:
family of papers prosper in the cutthroat circulation wars of the late 1920s. These leader articles (
213:, before she began work. Her goals were social and political; she wanted to end public silence about
6124:
Busl, Gretchen (2017). "Drag's Double Inversion: Insufficient Language and Gender Performativity in
519:
as "The first long and very serious novel entirely upon the subject of sexual inversion". She wrote
6576:
6566:
6161:
Hill, Emily S. (2016). "God's Miserable Army: Love, Suffering, and Queer Faith in Radclyffe Hall's
1357:
1295:
1164:
764:
gender and sex, but not to sexual preferences. Some women in this period ascribed to the theory of
528:
4413:
2101:
was banned in England and not published there again until 1959", but the latter date is incorrect.
1387:
in nature. Biron replied, "I have read the book." Hall had urged Birkett before the trial not to "
610:
resulted in infinitely greater publicity about lesbianism than if there had been no prosecution."
6551:
2047:, which also reprints the full text of several contemporary reviews and reactions, including the
1645:
1521:
in a Collected Memorial Edition of Hall's works. Peter Davies of the Windmill Press wrote to the
1179:
1061:
278:
5157:
Franks, Claudia Stillman (1982). "Stephen Gordon, Novelist: A Re-Evaluation of Radclyffe Hall's
4605:
Bullough, Vern; Bullough, Bonnie (1977). "Lesbianism in the 1920s and 1930s: A Newfound Study".
3453:
For more on the practice of setting a high price for books with "dangerous" subject matter, see
452:
Stephen's father, Sir Phillip, dotes on her; he seeks to understand her through the writings of
5458:
1614:
1300:
1089:
to Paris, and by 28 September, Pegasus Press was shipping its edition to the London bookseller
395:
357:
269:
206:
4540:
4524:
3192:
809:
In more recent criticism, critics have tended to focus on the novel's historical context, but
535:, who regarded homosexuality as an inborn and unalterable trait: congenital sexual inversion.
6390:
5838:
5431:
5241:"Hall of Mirrors: Radclyffe Hall's The Well of Loneliness and Modernist Fictions of Identity"
1898:
1777:
may have been protected by its Modernist playfulness. The Home Office considered prosecuting
1567:
1057:
1018:
971:
suggests that their self-made debasement is unavoidable, because they cannot save themselves.
938:
453:
353:
345:
263:
5867:
Stimpson, Catharine R. (Winter 1981). "Zero Degree Deviancy: The Lesbian Novel in English".
5632:
5495:
Love, Heather (2000). "Hard Times and Heartaches: Radclyffe Hall's The Well of Loneliness".
5452:
Langer, Cassandra; Chadwick, Whitney; Lucchesi, Joe (Autumn 2001 – Winter 2002). "Review of
662:
survivor said, "Remembering that book, I wanted to live long enough to kiss another woman."
3480:
1902:
reported that during the film's run in Los Angeles in 1937 – as a double feature with
1872:
1755:
1590:'s house and immediately decided to acquire it. He had previously sold a copy of Dreiser's
1510:
1337:
1325:
1052:
to the Home Secretary for his opinion, offering to withdraw the book if it would be in the
1029:
to take action if they did not. (The comparison between pornography and poison was made by
118:. It follows the life of Stephen Gordon, an Englishwoman from an upper-class family whose "
5368:
1818:
1681:
8:
5067:
1845:, an American actress who was staging banned plays in Paris, proposed a dramatisation of
1641:
1592:
1205:
1154:
1113:
716:
372:
6187:
1862:
A 1951 French film set in a girls' boarding school was released in the United States as
1293:
were equally willing to praise its artistry. The petition dwindled to a short letter in
500:
297:"the so-called just and righteous", she intensified the urgency of her plea for change.
6411:
6340:
6307:
6271:
6215:
6149:
6085:
6044:
5941:
5933:
5892:
5832:
5700:
5613:
5605:
5588:
Newton, Esther (1984). "The Mythic Mannish Lesbian: Radclyffe Hall and the New Woman".
5557:
5520:
5483:
5393:
5281:
5227:
5186:
5109:
5037:
5023:
4807:
4747:
4684:
4640:
4560:
4176:
1736:
1030:
1014:
107:
4703:
3074:
2191:
2019:, p. 313. For accounts of the British trial and the events leading up to it, see
1208:
and started a counter-campaign that helped Hall obtain statements of support from the
879:
Early reviews were mixed. Some critics found the novel too preachy; others, including
6449:
6361:
6344:
6311:
6263:
6236:
6219:
6207:
6153:
6110:
6036:
6031:
5993:
5976:
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5925:
5896:
5884:
5842:
5792:
5781:
5765:
5742:
5717:
5692:
5657:
5651:
5636:
5617:
5574:
5561:
5549:
5524:
5512:
5475:
5436:
5416:
5410:
5345:
5319:
5298:
5273:
5219:
5178:
5142:
5126:
5074:
5048:
5015:
4827:
4811:
4799:
4768:
4761:
4751:
4739:
4688:
4677:
4661:
4644:
4632:
4624:
4590:
4567:
4544:
4487:
3310:
3215:
3196:
1881:
1760:
1653:
1290:
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s sentimental romanticism, traditional form, and lofty style – using words like
1196:
1143:
1082:
1077:
Cape announced that he had stopped publication, but he secretly leased the rights to
942:
859:
614:
492:
429:
380:
333:
282:
243:
143:. Douglas wrote that "I would rather give a healthy boy or a healthy girl a phial of
6089:
2620:
1910:
277:
Brockett next introduces Stephen to Valérie Seymour, who – like her prototype,
148:
6332:
6299:
6199:
6174:
6141:
6077:
6026:
6018:
6009:
5968:
5917:
5876:
5684:
5597:
5541:
5504:
5467:
5315:
5263:
5255:
5170:
5101:
5062:
5007:
4791:
4731:
4616:
3243:
1842:
1637:
1587:
1537:
1467:
1434:
1361:
1333:
1137:
1105:
704:
259:
156:
6455:
6428:
6303:
6145:
5972:
4863:
Douglas, James (1928). "A Book That Must Be Suppressed". In Doan; Prosser (eds.).
4704:"Judging a Book by Its... Price, Distribution, and Lesbian Representation in 1928"
2593:, pp. 49–52 discusses this scene in light of Hall's interest in spiritualism.
1135:
s campaign drew the attention of other papers. Some backed Douglas, including the
6491:
6465:
6423:
6097:
Blackford, Holly (2020). "Seeing Red: The Inside Nature of the Queer Outsider in
5788:
5002:
4607:
4408:
3090:
2173:
For an overview of critical responses and controversies, see the introduction to
1795:
1742:
1669:
1555:
1549:
could have created such a scandal. In 1974, it was read to the British public on
1526:
1442:
1053:
884:
803:
778:
708:
634:
629:
594:
496:
387:
35:
5904:
Taylor, Leslie A. (2001). "'I Made Up My Mind to Get It': The American Trial of
5390:
glbtq: An Encyclopedia of Gay, Lesbian, Bisexual, Transgender, and Queer Culture
4915:
Medd, Jodie (2001). "War Wounds: The Nation, Shell Shock, and Psychoanalysis in
1813:
646:
stories – and not just those of older lesbians". It has often been mocked:
6285:"An 'ordinary novel': genre trouble in Radclyffe Hall's The Well of Loneliness"
5758:
Wild Heart: A Life: Natalie Clifford Barney and the Decadence of Literary Paris
5738:
5626:
4889:
All My Life I've Been Waiting for Something...': Theorizing Femme Narrative in
3247:
2052:
1855:
1822:
1750:
1661:
1649:
1606:
1534:
1500:
1466:
Men – never mind their intellect". Though the introduction, by journalist
1393:
1373:
1365:
1263:
1251:
1044:
In what Hall described as an act of "imbecility coupled with momentary panic",
1026:
979:
933:
796:
765:
750:'traitorous femme' who remains untrustworthy as she may leave you for a man".
551:
532:
441:
425:
356: – a fact that brought her into conflict with the church, which condemned
314:
289:
210:
139:
111:
49:
20:
6203:
6081:
5105:
4795:
1441:, solicited testimony from biological and medical experts and from the writer
993:
began on 18 August, with poster and billboard advertising and a teaser in the
255:
6525:
6515:
6336:
6267:
6211:
6040:
5980:
5929:
5888:
5761:
5696:
5553:
5516:
5479:
5277:
5223:
5182:
5149:
5019:
4803:
4743:
4628:
3732:
3620:
2396:
1950:
1922:
1877:
1850:
1708:
1665:
1657:
1628:
In the US, as in the UK, the Hicklin test of obscenity applied, but New York
1579:
1505:
1477:
s moral argument as "feeble" and dismissed Havelock Ellis as a "psychopath",
1384:
1317:
1255:
1239:
1235:
1116:
were waiting with a search warrant. Hill and Cape were summoned to appear at
1045:
1010:
880:
847:
437:
421:
368:
305:
251:
239:
214:
186:
123:
115:
85:
6178:
2866:, p. 7, "The Mythic Moral Panic: Radclyffe Hall and the New Genealogy".
2794:, p. 2, "The Mythic Moral Panic: Radclyffe Hall and the New Genealogy".
2097:, p. 603, writes that "in 1928, Radclyffe Hall's lesbian bildungsroman
133:
Shortly after the book's publication, it became the target of a campaign by
6503:
6470:
6319:
Spišiaková, Eva (2020). "'We've called her Stephen': Czech translations of
6064:
Armstrong, Mary A. (2008). "Stable Identity: Horses, Inversion Theory, and
5341:
5302:
4636:
4365:, p. 71. Kershaw's wardrobe change for the curtain speech is noted in
4340:
3704:
3553:
1918:
1817:
of a lesbian literary and artistic circle in Paris, written in an archaic,
1800:
1598:
1417:
1349:
1174:
1022:
1001:
and perversion" had already become too visible and that the publication of
684:
651:
647:
474:
376:
144:
6414:
including correspondence, document facsimiles, and text of legal judgments
5921:
5545:
5508:
5268:
1741:
Three other novels with lesbian themes were published in England in 1928:
4305:, p. 8. Susan Sniader Lanser notes the resemblance of this scene to
1914:
1673:
1550:
1522:
1259:
1247:
1201:
1086:
782:
606:, a Home Office memo noted: "It is notorious that the prosecution of the
563:
484:
410:
329:
202:
179:
6275:
6188:"Banned Books and Publishers' Ploys: The Well of Loneliness as Exemplar"
3842:
3363:
1081:, an English-language publisher in France. His partner Wren Howard took
802:
The novel has had its defenders among feminists in the academy, such as
6048:
5937:
5609:
5487:
5285:
5231:
5113:
5027:
4989:: Radclyffe Hall and the Lesbian Modernists". In Doan; Prosser (eds.).
3652:
3511:
1620:
In New York, Sumner and several police detectives seized 865 copies of
821:
643:
349:
234:
5704:
5412:
Boots of Leather, Slippers of Gold: The History of a Lesbian Community
5190:
2910:
1517:
In 1946, three years after Hall's death, Troubridge wanted to include
1173:
had only started its campaign because it was August, the journalistic
6444:
6358:
Scandalous Fictions: The Twentieth-Century Novel in the Public Sphere
6233:
Secrecy and Sapphic Modernism: Reading Romans à Clef between the Wars
5144:
Sex Variant Women in Literature: A Historical and Quantitative Survey
4536:
3799:
3229:
3227:
2027:, pp. 225–267. For a detailed examination of controversies over
1969:
autobiographical aspects date back to the book's initial publication.
1370:
1312:
1286:
958:
937:, did not agree. Douglas was a dedicated moralist and an exponent of
851:
746:
Moreover, Hemmings continues that both Mary and Angela represent the
712:
659:
6022:
5471:
5259:
5011:
4763:
Fashioning Sapphism: The Origins of a Modern English Lesbian Culture
3568:
1993:
5990:
Looking Like What You Are: Sexual Style, Race, and Lesbian Identity
5880:
5688:
5601:
5198:
Gilmore, Leigh (1994). "Obscenity, Modernity, Identity: Legalizing
5174:
4735:
4620:
3022:
1629:
1578:
Cape sold the US rights to the recently formed publishing house of
1353:
1006:
977:
Douglas, James (19 August 1928). "A Book That Must Be Suppressed".
855:
735:
731:
524:
197:
In 1926, Radclyffe Hall was at the height of her career. Her novel
6510:
3224:
273:
The Temple of Friendship at Natalie Barney's home at 20, Rue Jacob
5815:
5571:
Out of the Past: Gay and Lesbian History from 1869 to the Present
4841:
Biron, Sir Chartres (1928). "Judgment". In Doan; Prosser (eds.).
4654:
The Apparitional Lesbian: Female Homosexuality and Modern Culture
4229:
4047:
3335:
2907:, p. 218, connects these aspects of the novel with sexology.
1406:
so strongly. "Natural" and "Sacred"! "Good" repeated three times.
1356:. None were allowed to offer their views of the novel. Under the
946:
917:
887:
or suggested that it should not have been published. A review in
465:
446:
318:
174:
152:
3933:
3584:
711:
identities that Hall's novel had helped to define, writers like
445:
named Collins and is devastated when she sees Collins kissing a
6377:
Redefining Translation and Interpretation in Cultural Evolution
4562:
Screened Out: Playing Gay in Hollywood from Edison to Stonewall
3142:
2297:
1462:, but its primary targets were Douglas and Joynson-Hicks, "Two
4976:
Rule, Jane (1975). "Radclyffe Hall". In Doan; Prosser (eds.).
3010:
1605:, to defend the book against legal challenges. Friede invited
546:(1896) by Havelock Ellis – who contributed a foreword to
155:. In the United States, the book survived legal challenges in
4219:
4217:
3765:
3763:
2496:
2192:"Public Domain Day 2024 | Duke University School of Law"
1692:
described a lesbian relationship in more explicit terms than
1341:
1289:
aesthetics; not all those willing to defend it on grounds of
1101:
846:
but turned it down. Hall's agent then sent the manuscript to
739:
698:
67:
6250:
Pająk, Paulina (2018). "'Echo Texts': Woolf, Krzywicka, and
4102:
3899:
3897:
2134:
1299:, signed by Forster and Virginia Woolf, that focused on the
436:
The book's protagonist, Stephen Gordon, is born in the late
348:
in 1912, was devoutly religious. She was also a believer in
5675:
and the Suppressed Randiness of Virginia Woolf's Orlando".
5671:
Parkes, Adam (1994). "Lesbianism, History, and Censorship:
4440:
4328:
4316:
4078:
4008:
3945:
3720:
3692:
3504:, pp. 50–73, "A Selection of Early Reviews"; see also
3038:
2998:
2845:
2230:
2202:
1913:
produced a play based on the novel. The play was staged in
1416:
In his judgement, issued on 16 November, Biron applied the
771:
402:: God had created inverts, so humanity should accept them.
391:
4262:
4260:
4214:
3820:
3818:
3760:
3748:
3668:
2974:
1493:
4372:
4272:
4090:
4068:
4066:
3894:
3858:
3830:
3680:
3596:
3460:
3435:
2881:
2439:
2427:
2378:
2287:
2285:
2270:
6391:
Facsimiles of correspondence relating to the seizure of
6227:
Nair, Sashi (2014). "'Moral poison': Radclyffe Hall and
5409:
Kennedy, Elizabeth Lapovsky; Davis, Madeline D. (1994).
4428:
3118:
2749:
2665:
2560:
2545:, p. 156, notes the significance of Stephen's name.
2366:
2354:
2342:
2260:
2258:
837:
584:
5088:
Fitzgerald, William (February 1978). "Radclyffe Hall's
4967:
and the Spaces of Inversion". In Doan; Prosser (eds.).
4284:
4257:
3981:
3909:
3882:
3870:
3815:
3640:
3130:
3106:
3062:
2950:
2926:
2833:
2725:
2451:
2110:
A detailed discussion of the US trials can be found in
1684:, which had been cleared of obscenity in the 1922 case
1242:
drafted a letter of protest against the suppression of
487: – and, reading it, learns that she is an invert.
309:
Women of the Hackett Lowther Unit working on ambulances
5454:
Amazons in the Drawing Room: The Art of Romaine Brooks
5451:
4202:
4152:
4063:
4035:
4025:
4023:
3969:
3266:
3254:
3096:
2282:
2063:
2061:
1246:, assembling a list of supporters that included Shaw,
6475:
6109:. Springer International Publishing. pp. 75–91.
5361:"Is She or Isn't She? Using Academic Controversy and
4963:
Rosner, Victoria (2001). "Once More unto the Breach:
4850:
Castle, Terry (2001). "Afterword: It Was Good, Good,
4384:
4140:
3998:
3996:
3921:
3775:
2548:
2512:
2313:
2255:
1981:
1311:
The obscenity trial began on 9 November 1928. Cape's
6325:
Target. International Journal of Translation Studies
4245:
3957:
3608:
3351:
3323:
2677:
2524:
1781:, but concluded that it lacked the "earnestness" of
1120:
to show cause why the book should not be destroyed.
730:
arguably embodies what modern readers may regard as
5714:
Second Skins: The Body Narratives of Transsexuality
5365:
to Introduce the Social Construction of Lesbianism"
4020:
3787:
3050:
2821:
2797:
2773:
2761:
2737:
2701:
2653:
2608:
2596:
2572:
2463:
2058:
1837:
613:In a study of a working-class lesbian community in
367:Stephen, born on Christmas Eve and named after the
229:
6107:Literary Cultures and Twentieth-Century Childhoods
5780:
5141:
5066:
5036:
4760:
4676:
4559:
3993:
3478:For example, the anonymous reviewers in Glasgow's
2938:
2869:
2809:
2713:
2689:
2078:
2076:
2039:. An overview can be found in the introduction to
1962:According to William Fitzgerald, speculation over
5783:The Celluloid Closet: Homosexuality in the Movies
4985:Winning, Joanne (2001). "Writing by the Light of
4601:Includes an introduction by Susan Sniader Lanser.
2962:
1582:and Donald Friede. Friede had heard gossip about
872:as a competitor and wanted to beat it to market.
695:because it had drawn unwanted attention to them.
6523:
5432:"The Times Book Club and The Well of Loneliness"
4604:
3309:. Great Britain: Penguin Classics. p. 461.
3148:
1909:In 1985, the Mexican writer and social activist
1376:had persuaded her not to give evidence herself.
1189:both ran positive reviews. Arnold Dawson of the
339:
4999:
3016:
2167:
2073:
1316:Forster, and such diverse figures as biologist
491:with urban invert culture, meeting the lesbian
6400:Letter by Radclyffe Hall about the writing of
5812:Third International Congress on Sex and Gender
2160:) contains a reader response survey. See also
941:, a movement which sought to reinvigorate the
670:James Douglas illustrated his denunciation of
224:
3171:, p. 146. The word "joyless" is Cook's.
1525:'s legal adviser to ask whether the post-war
1100:One consignment of 250 copies was stopped at
5649:
5408:
3590:
3044:
3004:
2980:
2157:
1730:
1611:New York Society for the Suppression of Vice
1227:E. M. Forster and Virginia Woolf, letter to
428:, an American who lived in Paris and held a
173:s legal battles increased the visibility of
147:than this novel." A British court judged it
4821:Palatable Poison: Critical Perspectives on
4818:
4172:"Customs Seeks to Bar 'Well of Loneliness'"
3848:
3769:
3754:
3742:
3674:
3658:
3534:
3517:
3505:
3501:
3489:
3419:
3400:
3341:
3164:
2174:
2040:
2003:
1676:. His argument relied on a comparison with
1562:
604:The Single Woman and Her Emotional Problems
579:
238:Marie Antoinette's Temple of Love near the
128:ambulance driver during the First World War
6318:
5087:
4871:
4533:Inside/Out: Lesbian Theories, Gay Theories
4484:Our Three Selves: A Life of Radclyffe Hall
4127:
4125:
4123:
4121:
4119:
4117:
3602:
3168:
2542:
1870:, but was actually adapted from the novel
923:
699:Negative portrayal of the feminine lesbian
34:
6582:LGBTQ-related controversies in literature
6360:. Palgrave Macmillan UK. pp. 48–69.
6235:. Palgrave Macmillan UK. pp. 36–68.
6096:
6063:
6030:
5755:
5267:
4708:2000 MLA Convention: Economies of Writing
4434:
4192:"'Well of Loneliness' Held Not Offensive"
2671:
2336:
906:
665:
432:there, was the model for Valérie Seymour.
360:. Both these beliefs made their way into
6374:
6185:
6006:
5866:
5332:
5061:
4906:as War Novel". In Doan; Prosser (eds.).
4884:
4819:Doan, Laura; Prosser, Jay, eds. (2001).
4503:"How Censors Held Line against Lesbians"
3329:
3211:
3188:
2956:
2916:
2851:
2634:
2420:, pp. 388–389. Interpretation from
1917:'s Fru Fru Theatre and was performed by
1853:, who reported on the opening night for
1392:tasteful and possessed a high degree of
953:) and "modern sex novelists" helped the
772:Conflations between sexuality and gender
420:
304:
268:
233:
6351:
5992:. New York: New York University Press.
5855:
5830:
5730:
5716:. New York: Columbia University Press.
5711:
5587:
5531:
5383:
5358:
5197:
5120:
5034:
4984:
4949:
4940:
4862:
4826:. New York: Columbia University Press.
4767:. New York: Columbia University Press.
4557:
4446:
4362:
4350:
4266:
4251:
4235:
4114:
4096:
4084:
4072:
4014:
3951:
3939:
3915:
3888:
3876:
3852:
3824:
3726:
3714:
3698:
3686:
3646:
3634:
3521:
3389:
3373:
3293:
3272:
3260:
3100:
3056:
3032:
2920:
2707:
2626:
2518:
2291:
2249:
2236:
2208:
2094:
2020:
1987:
1494:Subsequent publication and availability
1448:
951:extension of suffrage to women under 30
6524:
5987:
5952:
5903:
5805:
5670:
5568:
5156:
5139:
4962:
4849:
4701:
4651:
4580:
4522:
4458:
4334:
4322:
4310:
4302:
4290:
4239:
4223:
4208:
4158:
4131:
3975:
3864:
3805:
3626:
3574:
3454:
3424:
3406:
3394:
3357:
3172:
3028:
2887:
2590:
2433:
2319:
2307:
2303:
2276:
2264:
2111:
1070:. He took only two days to reply that
6612:Obscenity controversies in literature
6282:
6249:
6070:Lit: Literature Interpretation Theory
5778:
5429:
5238:
4840:
4674:
4500:
4481:
4390:
4378:
4366:
4346:
4278:
4146:
4108:
4057:
4053:
4002:
3987:
3963:
3927:
3903:
3836:
3809:
3781:
3738:
3710:
3630:
3578:
3546:
3466:
3441:
3289:
3287:
3285:
3283:
3281:
3175:, p. 21, notes the influence of
2968:
2904:
2755:
2683:
2647:
2530:
2502:
2445:
2421:
2384:
2372:
2360:
2220:
2154:Reflections on the Well of Loneliness
2067:
2024:
1429:Hill and Cape appealed to the London
838:Publication and contemporary response
595:Lord High Chancellor of Great Britain
585:Awareness of homosexuality in society
507:us also the right to our existence!"
6226:
6160:
6123:
5653:Reflecting on The Well of Loneliness
5494:
5456:by Whitney Chadwick; Joe Lucchesi".
5309:
5292:
4975:
4932:of Shame". In Doan; Prosser (eds.).
4927:
4914:
4901:
4781:
4758:
4721:
4041:
4029:
3793:
3662:
3614:
3488:, 11 August 1928; both reprinted in
3377:
3369:
3345:
3304:
3233:
3160:
3136:
3124:
3112:
3097:Langer, Chadwick & Lucchesi 2001
3080:
3068:
2992:
2944:
2932:
2900:
2875:
2863:
2839:
2827:
2815:
2803:
2791:
2779:
2767:
2743:
2731:
2719:
2695:
2659:
2630:
2614:
2602:
2578:
2566:
2554:
2506:
2490:
2486:
2482:
2469:
2457:
2417:
2404:
2400:
2348:
2332:
2161:
2140:
2124:
2082:
2032:
2016:
1999:
1876:, now known to have been written by
460:but dies without managing to do so.
114:that was first published in 1928 by
6557:Controversies in the United Kingdom
5910:Journal of the History of Sexuality
5631:. New York: Harcourt, Inc. p.
5624:
5430:Kitch, Tasmin (11 September 2003).
5208:Journal of the History of Sexuality
5163:Tulsa Studies in Women's Literature
4679:Radclyffe Hall: A Woman Called John
2485:, p. 271. Interpretation from
2335:, p. 352; interpretation from
2051:editorial and Chief Magistrate Sir
781:', Prosser suggests, is actually a
523:in part to popularise the ideas of
13:
6057:
5100:(1). Taylor & Francis: 50–53.
3486:North Mail and Newcastle Chronicle
3278:
1866:to capitalise on the notoriety of
1156:Daily News and Westminster Gazette
703:In the 1970s and early '80s, when
562:The term sexual inversion implied
262:'s rumoured relationship with the
246:, where Stephen and Brockett visit
14:
6638:
6617:Works published under a pseudonym
6547:British novels adapted into plays
6384:
6323:and their transgender readings".
5335:Introduction to Radclyffe Hall's
3547:Flood, Alison (10 January 2019).
1056:to do so. The Home Secretary was
738:ideas in its presentation of the
632:. As late as 1994, an article in
483:, a text about homosexuality and
477: – assumed by critics to be
19:For the experimental device, see
6509:
6497:
6485:
5656:. London / New York: Routledge.
5573:. New York City: Vintage Books.
4459:Rabell, Malkah (18 March 1985).
4452:
4396:
4356:
4296:
4184:
4164:
3540:
3533:Con O'Leary, 11 August 1928, in
3527:
3495:
3472:
3447:
3413:
1956:
1838:Adaptations and derivative works
1830:is far more overtly sexual than
390:, "And the Lord set a mark upon
230:Paris lesbian and gay subculture
4501:Baker, Simon (4 October 2005).
3508:, pp. 4–5, "Introduction".
3383:
3298:
3205:
3182:
3154:
2986:
2893:
2857:
2785:
2640:
2584:
2536:
2475:
2410:
2390:
2325:
2242:
2214:
2184:
2146:
2031:in the 1920s, see chapter 1 of
416:
352:and had once hoped to become a
344:Hall, who had converted to the
6412:Radclyffe Hall at Times Online
5123:Paris was Yesterday: 1925–1939
4902:Kent, Susan Kingsley (2001). "
4525:"Below the Belt: (Un)Covering
4486:. London: GMP Publishers Ltd.
2164:, "Hard Times and Heartaches".
2117:
2104:
2088:
2009:
1939:
1888:, stated it was "inspired by"
1603:American Civil Liberties Union
1575:being treated as pornography.
1344:Joseph Frederick Stern of the
1214:South Wales Miners' Federation
1177:when good stories are scarce.
753:
379:with God for them and finally
300:
189:in the United States in 2024.
1:
6304:10.1080/0950236X.2016.1238001
6146:10.1080/0013838X.2017.1283120
5973:10.1080/09589236.1998.9960722
5908:, New York City, 1928–1929".
4523:Barale, Michèle Aina (1991).
3017:Dunn, Warland & Munt 1994
1928:
1411:Sir Chartres Biron's judgment
1118:Bow Street Magistrates' Court
1039:Obscene Publications Act 1857
931:James Douglas, editor of the
889:T.P.'s & Cassell's Weekly
854:of 1500 copies, priced at 15
569:secondary sex characteristics
340:Christianity and spiritualism
192:
6602:Novels set in Worcestershire
6192:Journal of Modern Literature
5834:The Trials of Radclyffe Hall
5677:Twentieth Century Literature
5534:Journal of Modern Literature
5297:. London: The Falcon Press.
5248:Twentieth Century Literature
5140:Foster, Jeanette H. (1956).
5092:: Sources and Inspiration".
4954:". In Doan; Prosser (eds.).
4919:". In Doan; Prosser (eds.).
4893:". In Doan; Prosser (eds.).
4872:Halberstam, Judith (2001). "
4854:". In Doan; Prosser (eds.).
4683:. Woodstock & New York:
4412:. 3 May 1954. Archived from
3236:Twentieth Century Literature
3149:Bullough & Bullough 1977
1975:
1210:National Union of Railwaymen
891:foresaw no difficulties for
369:first martyr of Christianity
281: – is the hostess of a
16:1928 novel by Radclyffe Hall
7:
6460:Project Gutenberg Australia
6186:McCleery, Alistair (2019).
5756:Rodriguez, Suzanne (2002).
5094:The Journal of Sex Research
5045:Manchester University Press
5043:. Manchester and New York:
5039:Women Artists and Modernism
4198:. 27 July 1929. p. 11.
1725:United States Customs Court
1322:British Sexological Society
1306:
1123:
1104:. Then the Chairman of the
989:Douglas's campaign against
510:
350:communication with the dead
225:Social and cultural context
10:
6643:
6627:Works subject to a lawsuit
6607:Novels with lesbian themes
5650:O'Rourke, Rebecca (1989).
5497:Journal of Lesbian Studies
5359:Hopkins, Annis H. (1998).
4474:
4180:. 16 May 1929. p. 18.
3248:10.1215/0041462X-2010-3002
1734:
1320:, Laurence Housman of the
1303:of censorship on writers.
1285: – did not appeal to
1009:view of homosexuality was
961:) shared the pages of the
617:, in the 1940s and 1950s,
440:to upper-class parents in
40:Cover of the first edition
18:
6407:Lesbian Herstory Archives
6204:10.2979/jmodelite.43.1.03
6082:10.1080/10436920701884712
6032:2027/spo.0499697.0013.306
5960:Journal of Gender Studies
5734:The Friendly Young Ladies
5333:Hennegan, Alison (1982).
5216:University of Texas Press
5106:10.1080/00224497809550992
4885:Hemmings, Clare (2001). "
4796:10.1007/s12119-004-1013-2
4658:Columbia University Press
4587:New York University Press
4558:Barrios, Richard (2003).
4508:The Sydney Morning Herald
4467:(in Spanish). p. 19.
3484:, 9 August 1928, and the
1731:Other 1928 lesbian novels
1696:did. According to Ernst,
1431:Court of Quarter Sessions
1424:
1067:The Book of Common Prayer
842:Three publishers praised
394: ..." Hall uses the
91:
81:
73:
63:
55:
45:
33:
6396:at The National Archives
6337:10.1075/target.19107.spi
5806:Schaff, Barbara (1998).
5386:"Ulrichs, Karl Heinrich"
5384:Kennedy, Hubert (2004).
5310:Hall, Radclyffe (1981).
5293:Hall, Radclyffe (1949).
4928:Munt, Sally R. (2001). "
4702:Cohler, Deborah (2000).
4531:. In Fuss, Diana (ed.).
3942:, pp. 216, 225–226.
3305:Hall, Radclyffe (2015).
2981:Kennedy & Davis 1994
2489:, pp. 241–245, and
2143:, pp. 718–719, 731.
2023:, pp. 192–241, and
1933:
1563:US publication and trial
1358:Obscene Publications Act
1296:The Nation and Athenaeum
1229:The Nation and Athenaeum
1128:From its beginning, the
1013:, incompatible with the
580:Social impact and legacy
529:Richard von Krafft-Ebing
6562:English-language novels
6167:Literature and Theology
5831:Souhami, Diana (1999).
5121:Flanner, Janet (1979).
4784:Sexuality & Culture
4566:. New York: Routledge.
4482:Baker, Michael (1985).
4461:"El pozo de la soledad"
3849:Doan & Prosser 2001
3770:Doan & Prosser 2001
3755:Doan & Prosser 2001
3743:Doan & Prosser 2001
3675:Doan & Prosser 2001
3659:Doan & Prosser 2001
3535:Doan & Prosser 2001
3518:Doan & Prosser 2001
3506:Doan & Prosser 2001
3502:Doan & Prosser 2001
3490:Doan & Prosser 2001
3420:Doan & Prosser 2001
3401:Doan & Prosser 2001
3342:Doan & Prosser 2001
3165:Doan & Prosser 2001
3083:, pp. 114–117 and
2175:Doan & Prosser 2001
2041:Doan & Prosser 2001
2004:Doan & Prosser 2001
1799:by the American writer
1646:Edna St. Vincent Millay
1570:had planned to publish
1488:The Master of the House
1330:London Morality Council
602:a health book entitled
336:of God's good people".
279:Natalie Clifford Barney
29:The Well of Loneliness
6466:The Well of Loneliness
6456:The Well of Loneliness
6445:The Well of Loneliness
6430:The Well of Loneliness
6419:The Well of Loneliness
6393:The Well of Loneliness
6354:The Well of Loneliness
6321:The Well of Loneliness
6283:Roche, Hannah (2018).
6252:The Well of Loneliness
6229:The Well of Loneliness
6163:The Well of Loneliness
6126:The Well of Loneliness
6103:The Well of Loneliness
6066:The Well of Loneliness
5955:The Well of Loneliness
5906:The Well of Loneliness
5731:Renault, Mary (1984).
5673:The Well of Loneliness
5363:The Well of Loneliness
5342:Virago Modern Classics
5312:The Well of Loneliness
5295:The Well of Loneliness
5200:The Well of Loneliness
5159:The Well of Loneliness
5090:The Well of Loneliness
4965:The Well of Loneliness
4917:The Well of Loneliness
4904:The Well of Loneliness
4891:The Well of Loneliness
4823:The Well of Loneliness
4652:Castle, Terry (1993).
4581:Barnes, Djuna (1992).
4527:The Well of Loneliness
4111:, pp. 353, 374n1.
3307:The Well of Loneliness
2114:, "I Made Up My Mind".
2099:The Well of Loneliness
2029:The Well of Loneliness
1964:The Well of Loneliness
1947:The Well of Loneliness
1945:In the United States,
1904:Love Life of a Gorilla
1886:Children of Loneliness
1847:The Well of Loneliness
1690:Mademoiselle de Maupin
1678:Mademoiselle de Maupin
1615:Watch and Ward Society
1572:The Well of Loneliness
1531:The Well of Loneliness
1460:The Well of Loneliness
1408:
1381:The Well of Loneliness
1224:
991:The Well of Loneliness
973:
913:The Well of Loneliness
907:Possible autobiography
681:The Well of Loneliness
666:Clothing and sexuality
642:"regularly appears in
619:The Well of Loneliness
599:The Well of Loneliness
556:The Well of Loneliness
521:The Well of Loneliness
517:The Well of Loneliness
433:
362:The Well of Loneliness
326:The Well of Loneliness
310:
274:
247:
207:James Tait Black Prize
168:The Well of Loneliness
103:The Well of Loneliness
6179:10.1093/litthe/frv013
5988:Walker, Lisa (2001).
5922:10.1353/sex.2001.0042
5712:Prosser, Jay (1998).
5569:Miller, Neil (1995).
5546:10.1353/jml.2004.0019
5509:10.1300/J155v04n02_08
5415:. New York: Penguin.
5239:Green, Laura (2003).
5125:. New York: Penguin.
4675:Cline, Sally (1998).
3492:, pp. 57 and 61.
1899:Motion Picture Herald
1864:The Pit of Loneliness
1793:A fourth 1928 novel,
1568:Alfred A. Knopf, Inc.
1527:Labour administration
1403:
1346:East London Synagogue
1219:
1058:William Joynson-Hicks
1037:, on introducing the
968:
939:muscular Christianity
540:Psychopathia Sexualis
480:Psychopathia Sexualis
454:Karl Heinrich Ulrichs
424:
346:Roman Catholic Church
308:
272:
264:Princesse de Lamballe
237:
185:The book entered the
6592:Novels set in London
6587:Novels about writers
6256:Woolf Studies Annual
6099:Anne of Green Gables
5779:Russo, Vito (1987).
5371:on 10 September 2004
4759:Doan, Laura (2001).
4349:, pp. 277–279;
4337:, pp. xv–xviii.
4325:, pp. xli–xlii.
3741:, pp. 245–246;
3713:, pp. 247–248;
3127:, pp. 113, 123.
2919:, pp. 189–194;
2629:, pp. 167–168;
2569:, pp. 202, 207.
2448:, pp. 216, 247.
2387:, pp. 227, 273.
2239:, pp. 164, 171.
2211:, pp. 159, 172.
1769:. None were banned.
1601:, co-founder of the
1456:The Sink of Solitude
1450:The Sink of Solitude
1338:Royal Academy of Art
1108:balked. He had read
949:vote" (that is, the
6622:Covici-Friede books
6597:Novels set in Paris
6572:Jonathan Cape books
6542:British LGBT novels
6537:1928 British novels
5625:Nin, Anaïs (1986).
5459:Woman's Art Journal
5073:. New York: Quill.
4993:. pp. 372–393.
4971:. pp. 316–335.
4958:. pp. 129–144.
4936:. pp. 199–215.
4923:. pp. 232–254.
4910:. pp. 216–231.
4897:. pp. 179–196.
4880:. pp. 145–161.
4858:. pp. 394–402.
4449:, pp. 158–160.
4381:, pp. 277–278.
4353:, pp. 250–259.
4281:, pp. 254–255.
4226:, pp. 281–287.
4087:, pp. 405–406.
4017:, pp. 233–235.
3954:, pp. 226–227.
3906:, pp. 256–258.
3839:, pp. 248–249.
3812:, pp. 252–258.
3729:, pp. 207–210.
3717:, pp. 204–206.
3701:, pp. 194–196.
3593:, pp. 101–103.
3469:, pp. 208–209.
3444:, pp. 235–238.
3179:on butch and femme.
3139:, pp. 124–125.
3115:, pp. 27, 193.
3071:, pp. 185–191.
2935:, pp. 132–136.
2890:, pp. 288–289.
2854:, pp. 317–325.
2842:, pp. 141–150.
2758:, pp. 284–285.
2734:, pp. 147–149.
2493:, pp. 223–224.
2460:, pp. 271–272.
2436:, pp. 327–330.
2375:, pp. 253–254.
2363:, pp. 273–274.
2351:, p. 356, 387.
2279:, pp. 323–324.
2129:Fashioning Sapphism
2055:'s legal judgement.
2037:Fashioning Sapphism
1896:. A critic for the
1821:style and starring
1779:Extraordinary Women
1766:Extraordinary Women
1763:'s satirical novel
1642:F. Scott Fitzgerald
1593:An American Tragedy
1206:George Bernard Shaw
1169:suggested that the
1114:Metropolitan Police
870:Extraordinary Women
865:Extraordinary Women
818:the most depressing
717:Blanche Wiesen Cook
30:
5859:Gay Community News
5396:on 19 October 2006
5337:Well of Loneliness
4945:. pp. 89–109.
4685:The Overlook Press
4196:The New York Times
4177:The New York Times
3867:, pp. 187–88.
3661:, pp. 10–11;
3167:, pp. 15–16;
2407:, pp. 181–82)
1737:Lesbian literature
1686:Halsey v. New York
1607:John Saxton Sumner
1433:. The prosecutor,
1031:Lord Chief Justice
1015:Christian doctrine
608:Well of Loneliness
538:In Krafft-Ebing's
434:
400:religious argument
311:
275:
248:
110:by British author
28:
6532:1920s LGBT novels
6450:Project Gutenberg
6367:978-0-230-28784-6
6242:978-0-230-35618-4
6116:978-3-030-35392-6
5999:978-0-8147-9372-5
5848:978-0-385-48941-6
5798:978-0-06-096132-9
5771:978-0-06-093780-5
5748:978-0-394-73369-2
5723:978-0-231-10934-5
5663:978-0-415-01841-8
5642:978-0-15-640057-2
5422:978-0-14-023550-0
5351:978-0-86068-254-7
5325:978-0-380-54247-5
5214:(4). Austin, TX:
5132:978-0-14-005068-4
5080:978-0-688-00396-8
5063:Faderman, Lillian
5054:978-0-7190-5082-4
4980:. pp. 77–88.
4867:. pp. 36–38.
4845:. pp. 39–49.
4833:978-0-231-11875-0
4774:978-0-231-11007-5
4694:978-0-87951-708-3
4667:978-0-231-07652-4
4596:978-0-8147-1180-4
4573:978-0-415-92328-6
4550:978-0-415-90237-3
4493:978-0-85449-042-4
4416:on 4 January 2008
4044:, pp. 95–96.
3990:, pp. 39–49.
3745:, pp. 69–70.
3689:, pp. 36–38.
3581:, pp. 16–20.
3316:978-0-141-19183-6
3220:978-0-231-11874-3
3201:978-0-231-11874-3
2557:, pp. 21–22.
1949:was published by
1882:exploitation film
1761:Compton Mackenzie
1682:Théophile Gautier
1654:Sherwood Anderson
943:Church of England
860:Compton Mackenzie
705:lesbian feminists
615:Buffalo, New York
99:
98:
92:Publication place
6634:
6514:
6513:
6502:
6501:
6500:
6490:
6489:
6488:
6481:
6452:
6380:
6371:
6348:
6315:
6292:Textual Practice
6289:
6279:
6246:
6223:
6182:
6157:
6120:
6093:
6052:
6034:
6010:Feminist Studies
6003:
5984:
5949:
5900:
5869:Critical Inquiry
5863:
5852:
5827:
5825:
5823:
5818:on 11 March 2007
5814:. Archived from
5802:
5789:Harper & Row
5786:
5775:
5752:
5727:
5708:
5667:
5646:
5621:
5584:
5565:
5528:
5491:
5448:
5446:
5444:
5426:
5405:
5403:
5401:
5392:. Archived from
5380:
5378:
5376:
5367:. Archived from
5355:
5329:
5306:
5289:
5271:
5245:
5235:
5194:
5153:
5147:
5136:
5117:
5084:
5072:
5058:
5042:
5031:
4994:
4991:Palatable Poison
4981:
4978:Palatable Poison
4972:
4969:Palatable Poison
4959:
4956:Palatable Poison
4946:
4943:Palatable Poison
4937:
4934:Palatable Poison
4924:
4921:Palatable Poison
4911:
4908:Palatable Poison
4898:
4895:Palatable Poison
4888:
4881:
4878:Palatable Poison
4875:
4868:
4865:Palatable Poison
4859:
4856:Palatable Poison
4846:
4843:Palatable Poison
4837:
4815:
4778:
4766:
4755:
4718:
4716:
4714:
4698:
4682:
4671:
4648:
4600:
4577:
4565:
4554:
4519:
4517:
4515:
4497:
4469:
4468:
4456:
4450:
4444:
4438:
4432:
4426:
4425:
4423:
4421:
4400:
4394:
4388:
4382:
4376:
4370:
4360:
4354:
4344:
4338:
4332:
4326:
4320:
4314:
4300:
4294:
4288:
4282:
4276:
4270:
4264:
4255:
4249:
4243:
4233:
4227:
4221:
4212:
4206:
4200:
4199:
4188:
4182:
4181:
4168:
4162:
4156:
4150:
4144:
4138:
4129:
4112:
4106:
4100:
4099:, p. 103n6.
4094:
4088:
4082:
4076:
4070:
4061:
4051:
4045:
4039:
4033:
4027:
4018:
4012:
4006:
4000:
3991:
3985:
3979:
3973:
3967:
3961:
3955:
3949:
3943:
3937:
3931:
3925:
3919:
3913:
3907:
3901:
3892:
3886:
3880:
3874:
3868:
3862:
3856:
3846:
3840:
3834:
3828:
3822:
3813:
3803:
3797:
3791:
3785:
3779:
3773:
3767:
3758:
3752:
3746:
3736:
3730:
3724:
3718:
3708:
3702:
3696:
3690:
3684:
3678:
3672:
3666:
3656:
3650:
3644:
3638:
3624:
3618:
3612:
3606:
3600:
3594:
3588:
3582:
3572:
3566:
3565:
3563:
3561:
3544:
3538:
3531:
3525:
3515:
3509:
3499:
3493:
3476:
3470:
3464:
3458:
3451:
3445:
3439:
3433:
3417:
3411:
3387:
3381:
3367:
3361:
3355:
3349:
3339:
3333:
3327:
3321:
3320:
3302:
3296:
3291:
3276:
3270:
3264:
3258:
3252:
3251:
3231:
3222:
3209:
3203:
3186:
3180:
3158:
3152:
3146:
3140:
3134:
3128:
3122:
3116:
3110:
3104:
3094:
3088:
3078:
3072:
3066:
3060:
3054:
3048:
3042:
3036:
3026:
3020:
3014:
3008:
3002:
2996:
2990:
2984:
2978:
2972:
2966:
2960:
2954:
2948:
2942:
2936:
2930:
2924:
2914:
2908:
2897:
2891:
2885:
2879:
2873:
2867:
2861:
2855:
2849:
2843:
2837:
2831:
2825:
2819:
2813:
2807:
2801:
2795:
2789:
2783:
2777:
2771:
2765:
2759:
2753:
2747:
2741:
2735:
2729:
2723:
2717:
2711:
2705:
2699:
2693:
2687:
2681:
2675:
2669:
2663:
2657:
2651:
2644:
2638:
2624:
2618:
2612:
2606:
2600:
2594:
2588:
2582:
2576:
2570:
2564:
2558:
2552:
2546:
2540:
2534:
2528:
2522:
2516:
2510:
2500:
2494:
2479:
2473:
2467:
2461:
2455:
2449:
2443:
2437:
2431:
2425:
2414:
2408:
2394:
2388:
2382:
2376:
2370:
2364:
2358:
2352:
2346:
2340:
2329:
2323:
2317:
2311:
2301:
2295:
2289:
2280:
2274:
2268:
2262:
2253:
2246:
2240:
2234:
2228:
2225:Our Three Selves
2218:
2212:
2206:
2200:
2199:
2196:web.law.duke.edu
2188:
2182:
2179:Palatable Poison
2171:
2165:
2150:
2144:
2138:
2132:
2121:
2115:
2108:
2102:
2092:
2086:
2080:
2071:
2065:
2056:
2045:Palatable Poison
2013:
2007:
1997:
1991:
1985:
1970:
1968:
1960:
1954:
1943:
1843:Willette Kershaw
1717:
1638:Ernest Hemingway
1588:Theodore Dreiser
1538:James Chuter Ede
1476:
1468:P. R. Stephensen
1435:Attorney General
1412:
1362:Chief Magistrate
1334:Charles Ricketts
1301:chilling effects
1291:literary freedom
1272:
1231:
1186:Lady's Pictorial
1138:Sunday Chronicle
1134:
1106:Board of Customs
999:sexual inversion
985:
984:
898:
832:
815:
779:butch lesbianism
749:
627:
544:Sexual Inversion
408:
373:housemaid's knee
260:Marie Antoinette
172:
137:, editor of the
120:sexual inversion
38:
31:
27:
6642:
6641:
6637:
6636:
6635:
6633:
6632:
6631:
6577:Lesbian fiction
6567:Feminist novels
6522:
6521:
6520:
6508:
6498:
6496:
6486:
6484:
6476:
6442:
6424:Standard Ebooks
6387:
6368:
6287:
6243:
6134:English Studies
6117:
6060:
6058:Further reading
6055:
6023:10.2307/3177881
6000:
5849:
5821:
5819:
5799:
5772:
5749:
5724:
5664:
5643:
5581:
5472:10.2307/1358903
5442:
5440:
5423:
5399:
5397:
5374:
5372:
5352:
5326:
5260:10.2307/3175982
5243:
5133:
5081:
5055:
5012:10.2307/1395428
5006:(46): 106–108.
5003:Feminist Review
4886:
4873:
4834:
4775:
4712:
4710:
4695:
4668:
4597:
4583:Ladies Almanack
4574:
4551:
4513:
4511:
4494:
4477:
4472:
4457:
4453:
4445:
4441:
4433:
4429:
4419:
4417:
4402:
4401:
4397:
4389:
4385:
4377:
4373:
4361:
4357:
4345:
4341:
4333:
4329:
4321:
4317:
4301:
4297:
4293:, p. xxxi.
4289:
4285:
4277:
4273:
4265:
4258:
4250:
4246:
4238:, p. 375;
4234:
4230:
4222:
4215:
4207:
4203:
4190:
4189:
4185:
4170:
4169:
4165:
4157:
4153:
4145:
4141:
4130:
4115:
4107:
4103:
4095:
4091:
4083:
4079:
4071:
4064:
4056:, p. 257;
4052:
4048:
4040:
4036:
4028:
4021:
4013:
4009:
4001:
3994:
3986:
3982:
3974:
3970:
3962:
3958:
3950:
3946:
3938:
3934:
3926:
3922:
3914:
3910:
3902:
3895:
3887:
3883:
3875:
3871:
3863:
3859:
3847:
3843:
3835:
3831:
3823:
3816:
3804:
3800:
3792:
3788:
3780:
3776:
3768:
3761:
3753:
3749:
3737:
3733:
3725:
3721:
3709:
3705:
3697:
3693:
3685:
3681:
3673:
3669:
3657:
3653:
3645:
3641:
3633:, p. 214;
3625:
3621:
3613:
3609:
3603:Fitzgerald 1978
3601:
3597:
3589:
3585:
3577:, p. 137;
3573:
3569:
3559:
3557:
3545:
3541:
3532:
3528:
3516:
3512:
3500:
3496:
3477:
3473:
3465:
3461:
3452:
3448:
3440:
3436:
3418:
3414:
3388:
3384:
3368:
3364:
3356:
3352:
3340:
3336:
3328:
3324:
3317:
3303:
3299:
3292:
3279:
3271:
3267:
3259:
3255:
3232:
3225:
3214:, p. 180,
3210:
3206:
3187:
3183:
3169:Halberstam 2001
3163:, p. 731;
3159:
3155:
3147:
3143:
3135:
3131:
3123:
3119:
3111:
3107:
3095:
3091:
3079:
3075:
3067:
3063:
3055:
3051:
3043:
3039:
3031:, p. 394;
3027:
3023:
3015:
3011:
3003:
2999:
2991:
2987:
2979:
2975:
2967:
2963:
2955:
2951:
2943:
2939:
2931:
2927:
2915:
2911:
2903:, p. 352.
2899:Quotation from
2898:
2894:
2886:
2882:
2874:
2870:
2862:
2858:
2850:
2846:
2838:
2834:
2826:
2822:
2814:
2810:
2802:
2798:
2790:
2786:
2778:
2774:
2766:
2762:
2754:
2750:
2742:
2738:
2730:
2726:
2718:
2714:
2706:
2702:
2694:
2690:
2682:
2678:
2670:
2666:
2658:
2654:
2645:
2641:
2633:, p. 213;
2625:
2621:
2613:
2609:
2601:
2597:
2589:
2585:
2577:
2573:
2565:
2561:
2553:
2549:
2543:Halberstam 2001
2541:
2537:
2529:
2525:
2517:
2513:
2501:
2497:
2481:Quotation from
2480:
2476:
2468:
2464:
2456:
2452:
2444:
2440:
2432:
2428:
2416:Quotation from
2415:
2411:
2395:
2391:
2383:
2379:
2371:
2367:
2359:
2355:
2347:
2343:
2331:Quotation from
2330:
2326:
2318:
2314:
2306:, p. 323;
2302:
2298:
2290:
2283:
2275:
2271:
2263:
2256:
2247:
2243:
2235:
2231:
2223:, p. 188,
2219:
2215:
2207:
2203:
2190:
2189:
2185:
2172:
2168:
2151:
2147:
2139:
2135:
2122:
2118:
2109:
2105:
2093:
2089:
2081:
2074:
2066:
2059:
2015:Quotation from
2014:
2010:
2002:, p. 437;
1998:
1994:
1986:
1982:
1978:
1973:
1966:
1961:
1957:
1944:
1940:
1936:
1931:
1840:
1828:Ladies Almanack
1809:Ladies Almanack
1796:Ladies Almanack
1743:Elizabeth Bowen
1739:
1733:
1715:
1670:John Dos Passos
1565:
1556:Book at Bedtime
1496:
1474:
1453:
1443:Rudyard Kipling
1427:
1414:
1410:
1407:
1309:
1270:
1262:. According to
1233:
1226:
1223:
1132:
1126:
1054:public interest
1048:sent a copy of
987:
976:
975:
972:
929:
909:
896:
840:
830:
816:reputation as "
813:
804:Alison Hennegan
774:
756:
747:
709:butch and femme
701:
668:
635:Feminist Review
630:LGBT literature
625:
591:Lord Birkenhead
587:
582:
515:Hall describes
513:
497:Croix de Guerre
419:
406:
342:
303:
232:
227:
195:
170:
166:Publicity over
41:
24:
17:
12:
11:
5:
6640:
6630:
6629:
6624:
6619:
6614:
6609:
6604:
6599:
6594:
6589:
6584:
6579:
6574:
6569:
6564:
6559:
6554:
6552:Censored books
6549:
6544:
6539:
6534:
6519:
6518:
6506:
6494:
6474:
6473:
6462:
6453:
6440:
6438:
6426:
6415:
6409:
6397:
6386:
6385:External links
6383:
6382:
6381:
6372:
6366:
6349:
6331:(1): 144–162.
6316:
6298:(1): 101–117.
6280:
6247:
6241:
6224:
6183:
6173:(3): 359–374.
6158:
6140:(3): 310–323.
6121:
6115:
6094:
6059:
6056:
6054:
6053:
6017:(3): 554–582.
6004:
5998:
5985:
5967:(3): 287–296.
5950:
5916:(2): 250–286.
5901:
5881:10.1086/448159
5875:(2): 363–379.
5864:
5853:
5847:
5828:
5803:
5797:
5776:
5770:
5753:
5747:
5739:Pantheon Books
5728:
5722:
5709:
5689:10.2307/441599
5683:(4): 434–460.
5668:
5662:
5647:
5641:
5628:Henry and June
5622:
5602:10.1086/494087
5596:(4): 557–575.
5585:
5579:
5566:
5540:(2): 145–159.
5529:
5503:(2): 115–128.
5492:
5449:
5427:
5421:
5406:
5381:
5356:
5350:
5330:
5324:
5307:
5290:
5269:2047/d20003276
5254:(3): 277–297.
5236:
5195:
5175:10.2307/464075
5169:(2): 125–139.
5154:
5137:
5131:
5118:
5085:
5079:
5059:
5053:
5032:
4997:
4996:
4995:
4982:
4973:
4960:
4947:
4938:
4925:
4912:
4899:
4882:
4869:
4860:
4847:
4832:
4816:
4779:
4773:
4756:
4736:10.1086/493659
4730:(4): 718–739.
4719:
4699:
4693:
4672:
4666:
4649:
4621:10.1086/493419
4615:(4): 895–904.
4602:
4595:
4578:
4572:
4555:
4549:
4520:
4498:
4492:
4478:
4476:
4473:
4471:
4470:
4451:
4439:
4435:Rodriguez 2002
4427:
4395:
4393:, p. 102.
4383:
4371:
4369:, p. 265.
4355:
4339:
4327:
4315:
4313:, p. xxxv
4295:
4283:
4271:
4269:, p. 237.
4256:
4244:
4228:
4213:
4211:, p. 283.
4201:
4183:
4163:
4161:, p. 284.
4151:
4149:, p. 271.
4139:
4113:
4101:
4089:
4077:
4062:
4060:, p. 280.
4046:
4034:
4019:
4007:
3992:
3980:
3978:, p. 189.
3968:
3956:
3944:
3932:
3930:, p. 260.
3920:
3918:, p. 225.
3908:
3893:
3891:, p. 197.
3881:
3879:, p. 211.
3869:
3857:
3855:, p. 173.
3851:, p. 14;
3841:
3829:
3827:, p. 376.
3814:
3808:, p. 94;
3798:
3786:
3784:, p. 246.
3774:
3759:
3747:
3731:
3719:
3703:
3691:
3679:
3667:
3651:
3649:, p. 166.
3639:
3637:, p. 174.
3619:
3617:, p. 340.
3607:
3595:
3583:
3567:
3539:
3526:
3524:, p. 213.
3510:
3494:
3471:
3459:
3446:
3434:
3412:
3382:
3380:, p. 213.
3376:, p. 90;
3362:
3350:
3344:, p. 17;
3334:
3322:
3315:
3297:
3277:
3275:, p. 169.
3265:
3263:, p. 137.
3253:
3242:(2): 131–167.
3223:
3204:
3181:
3153:
3151:, p. 897.
3141:
3129:
3117:
3105:
3099:, p. 45;
3089:
3073:
3061:
3049:
3047:, p. 128.
3037:
3035:, p. 281.
3021:
3019:, p. 107.
3009:
3007:, p. 115.
2997:
2985:
2973:
2961:
2959:, p. 559.
2949:
2937:
2925:
2909:
2892:
2880:
2868:
2856:
2844:
2832:
2830:, p. 204.
2820:
2808:
2806:, p. 126.
2796:
2784:
2782:, p. 437.
2772:
2770:, p. 379.
2760:
2748:
2746:, p. 201.
2736:
2724:
2712:
2700:
2688:
2686:, p. 210.
2676:
2674:, p. 274.
2672:Rodriguez 2002
2664:
2662:, p. 213.
2652:
2639:
2637:, p. 368.
2619:
2617:, p. 242.
2607:
2605:, p. 205.
2595:
2583:
2581:, p. 434.
2571:
2559:
2547:
2535:
2533:, p. 143.
2523:
2511:
2505:, p. 81;
2495:
2474:
2472:, p. 387.
2462:
2450:
2438:
2426:
2424:, p. 227.
2409:
2389:
2377:
2365:
2353:
2341:
2339:, p. 275.
2337:Rodriguez 2002
2324:
2322:, p. 324.
2312:
2296:
2294:, p. 173.
2281:
2269:
2267:, p. 251.
2254:
2252:, p. 181.
2241:
2229:
2213:
2201:
2183:
2166:
2145:
2133:
2116:
2103:
2087:
2072:
2070:, p. 353.
2057:
2053:Chartres Biron
2049:Sunday Express
2008:
2006:, p. 213.
1992:
1990:, p. 603.
1979:
1977:
1974:
1972:
1971:
1955:
1937:
1935:
1932:
1930:
1927:
1911:Nancy Cárdenas
1880:. A mid-1930s
1856:The New Yorker
1839:
1836:
1823:Natalie Barney
1751:Virginia Woolf
1732:
1729:
1662:Upton Sinclair
1650:Sinclair Lewis
1586:at a party at
1564:
1561:
1535:Home Secretary
1511:La Fleche D'Or
1501:The New Yorker
1495:
1492:
1452:
1447:
1426:
1423:
1404:
1402:
1398:James Melville
1394:literary merit
1374:Norman Birkett
1366:Chartres Biron
1324:, Robert Cust
1308:
1305:
1264:Virginia Woolf
1252:Arnold Bennett
1220:
1218:
1171:Sunday Express
1130:Sunday Express
1125:
1122:
1085:moulds of the
1027:Home Secretary
980:Sunday Express
969:
967:
963:Sunday Express
934:Sunday Express
928:
925:Sunday Express
922:
908:
905:
839:
836:
773:
770:
766:Otto Weininger
755:
752:
700:
697:
676:Sunday Express
667:
664:
586:
583:
581:
578:
552:psychoanalysts
533:Havelock Ellis
512:
509:
501:polite society
442:Worcestershire
430:literary salon
426:Natalie Barney
418:
415:
341:
338:
315:Toupie Lowther
302:
299:
290:Romaine Brooks
283:literary salon
231:
228:
226:
223:
211:Una Troubridge
194:
191:
157:New York state
140:Sunday Express
112:Radclyffe Hall
97:
96:
95:United Kingdom
93:
89:
88:
83:
79:
78:
75:
71:
70:
65:
61:
60:
57:
53:
52:
50:Radclyffe Hall
47:
43:
42:
39:
21:Pit of despair
15:
9:
6:
4:
3:
2:
6639:
6628:
6625:
6623:
6620:
6618:
6615:
6613:
6610:
6608:
6605:
6603:
6600:
6598:
6595:
6593:
6590:
6588:
6585:
6583:
6580:
6578:
6575:
6573:
6570:
6568:
6565:
6563:
6560:
6558:
6555:
6553:
6550:
6548:
6545:
6543:
6540:
6538:
6535:
6533:
6530:
6529:
6527:
6517:
6512:
6507:
6505:
6495:
6493:
6483:
6482:
6479:
6472:
6468:
6467:
6463:
6461:
6457:
6454:
6451:
6447:
6446:
6441:
6439:
6436:
6432:
6431:
6427:
6425:
6421:
6420:
6416:
6413:
6410:
6408:
6404:
6403:
6398:
6395:
6394:
6389:
6388:
6378:
6373:
6369:
6363:
6359:
6355:
6350:
6346:
6342:
6338:
6334:
6330:
6326:
6322:
6317:
6313:
6309:
6305:
6301:
6297:
6293:
6286:
6281:
6277:
6273:
6269:
6265:
6261:
6257:
6253:
6248:
6244:
6238:
6234:
6230:
6225:
6221:
6217:
6213:
6209:
6205:
6201:
6197:
6193:
6189:
6184:
6180:
6176:
6172:
6168:
6164:
6159:
6155:
6151:
6147:
6143:
6139:
6135:
6131:
6127:
6122:
6118:
6112:
6108:
6104:
6100:
6095:
6091:
6087:
6083:
6079:
6075:
6071:
6067:
6062:
6061:
6050:
6046:
6042:
6038:
6033:
6028:
6024:
6020:
6016:
6012:
6011:
6005:
6001:
5995:
5991:
5986:
5982:
5978:
5974:
5970:
5966:
5962:
5961:
5956:
5951:
5947:
5943:
5939:
5935:
5931:
5927:
5923:
5919:
5915:
5911:
5907:
5902:
5898:
5894:
5890:
5886:
5882:
5878:
5874:
5870:
5865:
5862:. p. 16.
5861:
5860:
5854:
5850:
5844:
5840:
5836:
5835:
5829:
5817:
5813:
5809:
5804:
5800:
5794:
5790:
5785:
5784:
5777:
5773:
5767:
5763:
5762:HarperCollins
5759:
5754:
5750:
5744:
5740:
5736:
5733:
5729:
5725:
5719:
5715:
5710:
5706:
5702:
5698:
5694:
5690:
5686:
5682:
5678:
5674:
5669:
5665:
5659:
5655:
5654:
5648:
5644:
5638:
5634:
5630:
5629:
5623:
5619:
5615:
5611:
5607:
5603:
5599:
5595:
5591:
5586:
5582:
5580:0-09-957691-0
5576:
5572:
5567:
5563:
5559:
5555:
5551:
5547:
5543:
5539:
5535:
5530:
5526:
5522:
5518:
5514:
5510:
5506:
5502:
5498:
5493:
5489:
5485:
5481:
5477:
5473:
5469:
5465:
5461:
5460:
5455:
5450:
5439:
5438:
5433:
5428:
5424:
5418:
5414:
5413:
5407:
5395:
5391:
5387:
5382:
5370:
5366:
5364:
5357:
5353:
5347:
5343:
5339:
5336:
5331:
5327:
5321:
5317:
5313:
5308:
5304:
5300:
5296:
5291:
5287:
5283:
5279:
5275:
5270:
5265:
5261:
5257:
5253:
5249:
5242:
5237:
5233:
5229:
5225:
5221:
5217:
5213:
5209:
5205:
5201:
5196:
5192:
5188:
5184:
5180:
5176:
5172:
5168:
5164:
5160:
5155:
5151:
5150:Vantage Press
5146:
5145:
5138:
5134:
5128:
5124:
5119:
5115:
5111:
5107:
5103:
5099:
5095:
5091:
5086:
5082:
5076:
5071:
5070:
5064:
5060:
5056:
5050:
5046:
5041:
5040:
5033:
5029:
5025:
5021:
5017:
5013:
5009:
5005:
5004:
4998:
4992:
4988:
4983:
4979:
4974:
4970:
4966:
4961:
4957:
4953:
4948:
4944:
4939:
4935:
4931:
4926:
4922:
4918:
4913:
4909:
4905:
4900:
4896:
4892:
4883:
4879:
4870:
4866:
4861:
4857:
4853:
4848:
4844:
4839:
4838:
4835:
4829:
4825:
4822:
4817:
4813:
4809:
4805:
4801:
4797:
4793:
4790:(2): 80–106.
4789:
4785:
4780:
4776:
4770:
4765:
4764:
4757:
4753:
4749:
4745:
4741:
4737:
4733:
4729:
4725:
4720:
4709:
4705:
4700:
4696:
4690:
4686:
4681:
4680:
4673:
4669:
4663:
4659:
4655:
4650:
4646:
4642:
4638:
4634:
4630:
4626:
4622:
4618:
4614:
4610:
4609:
4603:
4598:
4592:
4588:
4584:
4579:
4575:
4569:
4564:
4563:
4556:
4552:
4546:
4542:
4538:
4534:
4530:
4528:
4521:
4510:
4509:
4504:
4499:
4495:
4489:
4485:
4480:
4479:
4466:
4462:
4455:
4448:
4443:
4437:, p. 40.
4436:
4431:
4415:
4411:
4410:
4405:
4404:"New Picture"
4399:
4392:
4387:
4380:
4375:
4368:
4364:
4359:
4352:
4348:
4343:
4336:
4331:
4324:
4319:
4312:
4308:
4304:
4299:
4292:
4287:
4280:
4275:
4268:
4263:
4261:
4253:
4248:
4241:
4237:
4232:
4225:
4220:
4218:
4210:
4205:
4197:
4193:
4187:
4179:
4178:
4173:
4167:
4160:
4155:
4148:
4143:
4137:
4133:
4128:
4126:
4124:
4122:
4120:
4118:
4110:
4105:
4098:
4093:
4086:
4081:
4075:, p. 48.
4074:
4069:
4067:
4059:
4055:
4050:
4043:
4038:
4032:, p. 88.
4031:
4026:
4024:
4016:
4011:
4004:
3999:
3997:
3989:
3984:
3977:
3972:
3966:, p. 44.
3965:
3960:
3953:
3948:
3941:
3936:
3929:
3924:
3917:
3912:
3905:
3900:
3898:
3890:
3885:
3878:
3873:
3866:
3861:
3854:
3850:
3845:
3838:
3833:
3826:
3821:
3819:
3811:
3807:
3802:
3796:, p. 19.
3795:
3790:
3783:
3778:
3772:, p. 13.
3771:
3766:
3764:
3757:, p. 67.
3756:
3751:
3744:
3740:
3735:
3728:
3723:
3716:
3712:
3707:
3700:
3695:
3688:
3683:
3677:, p. 11.
3676:
3671:
3665:, p. 15.
3664:
3660:
3655:
3648:
3643:
3636:
3632:
3628:
3623:
3616:
3611:
3605:, p. 50.
3604:
3599:
3592:
3591:O'Rourke 1989
3587:
3580:
3576:
3571:
3556:
3555:
3550:
3543:
3537:, p. 61.
3536:
3530:
3523:
3520:, p. 5;
3519:
3514:
3507:
3503:
3498:
3491:
3487:
3483:
3482:
3475:
3468:
3463:
3456:
3450:
3443:
3438:
3432:
3430:
3426:
3421:
3416:
3410:
3408:
3404:
3402:
3398:
3396:
3391:
3386:
3379:
3375:
3371:
3366:
3360:, p. 21.
3359:
3354:
3347:
3343:
3338:
3331:
3330:Hennegan 1982
3326:
3318:
3312:
3308:
3301:
3295:
3290:
3288:
3286:
3284:
3282:
3274:
3269:
3262:
3257:
3249:
3245:
3241:
3237:
3230:
3228:
3221:
3217:
3213:
3212:Hemmings 2001
3208:
3202:
3198:
3194:
3190:
3189:Hemmings 2001
3185:
3178:
3174:
3170:
3166:
3162:
3157:
3150:
3145:
3138:
3133:
3126:
3121:
3114:
3109:
3103:, p. 74.
3102:
3098:
3093:
3086:
3082:
3077:
3070:
3065:
3058:
3053:
3046:
3045:O'Rourke 1989
3041:
3034:
3030:
3025:
3018:
3013:
3006:
3005:O'Rourke 1989
3001:
2994:
2989:
2983:, p. 34.
2982:
2977:
2970:
2965:
2958:
2957:Whitlock 1987
2953:
2947:, p. 25.
2946:
2941:
2934:
2929:
2922:
2918:
2917:Hemmings 2001
2913:
2906:
2902:
2896:
2889:
2884:
2878:, p. 26.
2877:
2872:
2865:
2860:
2853:
2852:Faderman 1981
2848:
2841:
2836:
2829:
2824:
2818:, p. 82.
2817:
2812:
2805:
2800:
2793:
2788:
2781:
2776:
2769:
2764:
2757:
2752:
2745:
2740:
2733:
2728:
2722:, p. 15.
2721:
2716:
2709:
2704:
2698:, p. 13.
2697:
2692:
2685:
2680:
2673:
2668:
2661:
2656:
2650:, p. 48.
2649:
2643:
2636:
2635:Stimpson 1981
2632:
2628:
2623:
2616:
2611:
2604:
2599:
2592:
2587:
2580:
2575:
2568:
2563:
2556:
2551:
2544:
2539:
2532:
2527:
2521:, p. 99.
2520:
2515:
2509:, p. 88.
2508:
2504:
2499:
2492:
2488:
2484:
2478:
2471:
2466:
2459:
2454:
2447:
2442:
2435:
2430:
2423:
2419:
2413:
2406:
2402:
2398:
2397:Diana Souhami
2393:
2386:
2381:
2374:
2369:
2362:
2357:
2350:
2345:
2338:
2334:
2328:
2321:
2316:
2309:
2305:
2300:
2293:
2288:
2286:
2278:
2273:
2266:
2261:
2259:
2251:
2245:
2238:
2233:
2226:
2222:
2217:
2210:
2205:
2197:
2193:
2187:
2180:
2176:
2170:
2163:
2159:
2158:O'Rourke 1989
2155:
2149:
2142:
2137:
2130:
2126:
2120:
2113:
2107:
2100:
2096:
2091:
2084:
2079:
2077:
2069:
2064:
2062:
2054:
2050:
2046:
2042:
2038:
2034:
2030:
2026:
2022:
2018:
2012:
2005:
2001:
1996:
1989:
1984:
1980:
1965:
1959:
1952:
1951:Covici-Friede
1948:
1942:
1938:
1926:
1924:
1923:Sonia Infante
1920:
1916:
1912:
1907:
1905:
1901:
1900:
1895:
1891:
1887:
1883:
1879:
1878:Dorothy Bussy
1875:
1874:
1869:
1865:
1860:
1858:
1857:
1852:
1851:Janet Flanner
1848:
1844:
1835:
1833:
1829:
1824:
1820:
1816:
1815:
1810:
1806:
1802:
1798:
1797:
1791:
1789:
1784:
1780:
1776:
1772:
1768:
1767:
1762:
1758:
1757:
1752:
1748:
1744:
1738:
1728:
1726:
1720:
1714:
1710:
1709:trier of fact
1706:
1701:
1699:
1695:
1691:
1687:
1683:
1679:
1675:
1671:
1667:
1666:Ellen Glasgow
1663:
1659:
1658:H. L. Mencken
1655:
1651:
1647:
1643:
1639:
1635:
1631:
1626:
1623:
1618:
1616:
1612:
1608:
1604:
1600:
1595:
1594:
1589:
1585:
1581:
1580:Pascal Covici
1576:
1573:
1569:
1560:
1558:
1557:
1552:
1548:
1543:
1539:
1536:
1532:
1528:
1524:
1520:
1515:
1513:
1512:
1507:
1506:Janet Flanner
1503:
1502:
1491:
1489:
1485:
1480:
1473:
1469:
1465:
1461:
1457:
1451:
1446:
1444:
1440:
1439:Thomas Inskip
1436:
1432:
1422:
1419:
1413:
1401:
1399:
1395:
1390:
1386:
1382:
1377:
1375:
1372:
1367:
1363:
1359:
1355:
1351:
1347:
1343:
1339:
1335:
1331:
1327:
1323:
1319:
1318:Julian Huxley
1314:
1304:
1302:
1298:
1297:
1292:
1288:
1284:
1280:
1276:
1269:
1265:
1261:
1257:
1256:Vera Brittain
1253:
1249:
1245:
1241:
1240:E. M. Forster
1237:
1236:Leonard Woolf
1232:
1230:
1217:
1215:
1211:
1207:
1203:
1198:
1194:
1193:
1188:
1187:
1182:
1181:
1176:
1172:
1168:
1167:
1162:
1158:
1157:
1152:
1151:
1146:
1145:
1140:
1139:
1131:
1121:
1119:
1115:
1111:
1107:
1103:
1098:
1096:
1092:
1088:
1084:
1080:
1079:Pegasus Press
1075:
1073:
1069:
1068:
1063:
1059:
1055:
1051:
1047:
1046:Jonathan Cape
1042:
1040:
1036:
1035:Lord Campbell
1032:
1028:
1024:
1020:
1016:
1012:
1011:pseudoscience
1008:
1004:
1000:
996:
995:Daily Express
992:
986:
982:
981:
966:
964:
960:
956:
952:
948:
944:
940:
936:
935:
926:
921:
919:
914:
904:
900:
894:
890:
886:
882:
881:Leonard Woolf
877:
875:
871:
867:
866:
861:
857:
853:
849:
848:Jonathan Cape
845:
835:
829:
825:
823:
819:
812:
807:
805:
800:
798:
793:
787:
784:
780:
769:
767:
762:
751:
744:
741:
737:
733:
729:
726:Furthermore,
724:
722:
718:
714:
710:
707:rejected the
706:
696:
694:
690:
686:
682:
677:
673:
663:
661:
657:
653:
649:
645:
641:
637:
636:
631:
624:
620:
616:
611:
609:
605:
600:
596:
592:
577:
574:
570:
565:
560:
557:
553:
549:
545:
541:
536:
534:
530:
526:
522:
518:
508:
504:
502:
498:
494:
488:
486:
482:
481:
476:
472:
467:
461:
459:
455:
450:
448:
443:
439:
438:Victorian era
431:
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330:shell-shocked
327:
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267:
265:
261:
257:
253:
252:Marcel Proust
245:
241:
240:Petit Trianon
236:
222:
218:
216:
215:homosexuality
212:
208:
204:
200:
190:
188:
187:public domain
183:
181:
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161:Customs Court
158:
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146:
142:
141:
136:
135:James Douglas
131:
129:
125:
124:homosexuality
121:
117:
116:Jonathan Cape
113:
109:
108:lesbian novel
105:
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94:
90:
87:
86:Jonathan Cape
84:
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69:
66:
62:
58:
54:
51:
48:
44:
37:
32:
26:
22:
6471:Google Books
6464:
6458:courtesy of
6443:
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6198:(1): 34–52.
6195:
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6133:
6129:
6125:
6106:
6102:
6098:
6076:(1): 47–78.
6073:
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6014:
6008:
5989:
5964:
5958:
5954:
5913:
5909:
5905:
5872:
5868:
5857:
5837:. New York:
5833:
5820:. Retrieved
5816:the original
5811:
5787:. New York:
5782:
5760:. New York:
5757:
5737:. New York:
5735:
5732:
5713:
5680:
5676:
5672:
5652:
5627:
5593:
5589:
5570:
5537:
5533:
5500:
5496:
5466:(2): 44–47.
5463:
5457:
5453:
5441:. Retrieved
5437:Times Online
5435:
5411:
5398:. Retrieved
5394:the original
5389:
5373:. Retrieved
5369:the original
5362:
5338:
5334:
5314:. New York:
5311:
5294:
5251:
5247:
5211:
5207:
5203:
5199:
5166:
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5148:. New York:
5143:
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5097:
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5038:
5001:
4990:
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4864:
4855:
4851:
4842:
4824:
4820:
4787:
4783:
4762:
4727:
4723:
4711:. Retrieved
4707:
4678:
4656:. New York:
4653:
4612:
4606:
4585:. New York:
4582:
4561:
4535:. New York:
4532:
4526:
4512:. Retrieved
4506:
4483:
4464:
4454:
4447:Barrios 2003
4442:
4430:
4418:. Retrieved
4414:the original
4407:
4398:
4386:
4374:
4363:Flanner 1979
4358:
4351:Souhami 1999
4342:
4330:
4318:
4306:
4298:
4286:
4274:
4267:Souhami 1999
4252:Marshik 2003
4247:
4236:Winning 2001
4231:
4204:
4195:
4186:
4175:
4166:
4154:
4142:
4135:
4104:
4097:Newton 1984a
4092:
4085:Souhami 1999
4080:
4073:Flanner 1979
4049:
4037:
4015:Souhami 1999
4010:
3983:
3971:
3959:
3952:Souhami 1999
3947:
3940:Souhami 1999
3935:
3923:
3916:Souhami 1999
3911:
3889:Souhami 1999
3884:
3877:Souhami 1999
3872:
3860:
3853:Souhami 1999
3844:
3832:
3825:Winning 2001
3801:
3789:
3777:
3750:
3734:
3727:Souhami 1999
3722:
3715:Souhami 1999
3706:
3699:Souhami 1999
3694:
3687:Douglas 1928
3682:
3670:
3654:
3647:Souhami 1999
3642:
3635:Souhami 1999
3622:
3610:
3598:
3586:
3570:
3558:. Retrieved
3554:The Guardian
3552:
3542:
3529:
3522:Souhami 1999
3513:
3497:
3485:
3479:
3474:
3462:
3449:
3437:
3428:
3423:
3415:
3405:
3399:
3393:
3390:Hopkins 1998
3385:
3374:Newton 1984a
3365:
3353:
3337:
3325:
3306:
3300:
3294:Newton 1984b
3273:Prosser 1998
3268:
3261:Prosser 1998
3256:
3239:
3235:
3207:
3184:
3176:
3156:
3144:
3132:
3120:
3108:
3101:Elliott 1998
3092:
3084:
3076:
3064:
3057:Stevens 1990
3052:
3040:
3033:Renault 1984
3024:
3012:
3000:
2988:
2976:
2964:
2952:
2940:
2928:
2921:Marshik 2003
2912:
2895:
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2847:
2835:
2823:
2811:
2799:
2787:
2775:
2763:
2751:
2739:
2727:
2715:
2708:Kennedy 2004
2703:
2691:
2679:
2667:
2655:
2642:
2627:Souhami 1999
2622:
2610:
2598:
2586:
2574:
2562:
2550:
2538:
2526:
2519:Souhami 1999
2514:
2498:
2477:
2465:
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2441:
2429:
2412:
2392:
2380:
2368:
2356:
2344:
2327:
2315:
2299:
2292:Souhami 1999
2272:
2250:Souhami 1999
2244:
2237:Souhami 1999
2232:
2224:
2216:
2209:Souhami 1999
2204:
2195:
2186:
2178:
2169:
2153:
2148:
2136:
2131:, chapter 5.
2128:
2119:
2106:
2098:
2095:Gilmore 1994
2090:
2048:
2044:
2036:
2028:
2021:Souhami 1999
2011:
1995:
1988:Gilmore 1994
1983:
1963:
1958:
1946:
1941:
1919:Irma Serrano
1908:
1903:
1897:
1889:
1885:
1871:
1867:
1863:
1861:
1854:
1846:
1841:
1831:
1827:
1814:roman à clef
1812:
1808:
1804:
1801:Djuna Barnes
1794:
1792:
1787:
1782:
1778:
1774:
1770:
1765:
1754:
1746:
1740:
1721:
1712:
1704:
1702:
1697:
1693:
1689:
1685:
1677:
1633:
1627:
1621:
1619:
1599:Morris Ernst
1591:
1583:
1577:
1571:
1566:
1554:
1546:
1541:
1530:
1518:
1516:
1509:
1499:
1497:
1487:
1483:
1478:
1471:
1470:, described
1463:
1459:
1455:
1454:
1449:
1428:
1418:Hicklin test
1415:
1409:
1388:
1383:were purely
1380:
1378:
1350:Norman Haire
1310:
1294:
1282:
1278:
1274:
1267:
1243:
1234:
1228:
1225:
1192:Daily Herald
1190:
1184:
1180:Country Life
1178:
1175:silly season
1170:
1165:
1160:
1155:
1149:
1142:
1136:
1129:
1127:
1109:
1099:
1094:
1091:Leopold Hill
1083:papier-mâché
1076:
1071:
1065:
1062:Conservative
1049:
1043:
1023:prussic acid
1002:
994:
990:
988:
978:
974:
962:
954:
932:
930:
924:
912:
910:
901:
892:
888:
878:
873:
869:
864:
843:
841:
827:
826:
817:
810:
808:
801:
791:
788:
775:
760:
757:
745:
732:misogynistic
727:
725:
720:
702:
692:
688:
685:Evelyn Irons
680:
675:
671:
669:
655:
652:Mary Renault
648:Terry Castle
639:
633:
622:
618:
612:
607:
603:
598:
588:
572:
561:
555:
547:
543:
539:
537:
520:
516:
514:
505:
489:
478:
475:Krafft-Ebing
470:
462:
451:
435:
417:Plot summary
403:
396:mark of Cain
388:Genesis 4:15
385:
366:
361:
358:spiritualism
343:
325:
323:
312:
293:
287:
276:
249:
219:
199:Adam's Breed
198:
196:
184:
167:
165:
145:prussic acid
138:
132:
102:
101:
100:
25:
5375:27 December
4713:28 November
4539:. pp.
4335:Barnes 1992
4323:Barnes 1992
4311:Barnes 1992
4303:Barnes 1992
4291:Barnes 1992
4240:Parkes 1994
4224:Foster 1956
4209:Taylor 2001
4159:Taylor 2001
4132:Taylor 2001
3976:Miller 1995
3865:Miller 1995
3806:Franks 1982
3627:Franks 1982
3575:Franks 1982
3455:Cohler 2000
3425:Castle 2001
3407:Castle 2001
3395:Franks 1982
3358:Walker 2001
3173:Walker 2001
3029:Castle 2001
2888:Taylor 1998
2591:Castle 1993
2434:Rosner 2001
2320:Rosner 2001
2308:Castle 1993
2304:Rosner 2001
2277:Rosner 2001
2265:Taylor 2001
2152:O'Rourke's
2112:Taylor 2001
1915:Mexico City
1819:Rabelaisian
1551:BBC Radio 4
1523:Home Office
1260:Ethel Smyth
1248:T. S. Eliot
1202:H. G. Wells
1007:sexological
885:suppression
783:transgender
761:bisexuality
754:Bisexuality
719:criticised
638:noted that
564:gender role
525:sexologists
485:paraphilias
411:LGBT rights
301:World War I
256:Noël Coward
203:Prix Femina
180:self-hatred
6526:Categories
6435:Faded Page
5822:18 January
5443:3 December
5400:5 December
5340:. London:
4514:19 January
4420:18 January
4391:Russo 1987
4379:Cline 1998
4367:Baker 1985
4347:Cline 1998
4279:Baker 1985
4147:Cline 1998
4109:Baker 1985
4058:Cline 1998
4054:Baker 1985
4003:Kitch 2003
3988:Biron 1928
3964:Biron 1928
3928:Cline 1998
3904:Cline 1998
3837:Cline 1998
3810:Cline 1998
3782:Cline 1998
3739:Cline 1998
3711:Cline 1998
3631:Baker 1985
3579:Cline 1998
3560:1 February
3467:Baker 1985
3442:Cline 1998
3191:, p.
2969:Baker 2005
2905:Baker 1985
2756:Green 2003
2684:Baker 1985
2648:Biron 1928
2531:Cline 1998
2503:Cline 1998
2446:Baker 1985
2422:Cline 1998
2385:Cline 1998
2373:Baker 1985
2361:Cline 1998
2248:Quoted in
2221:Baker 1985
2068:Baker 1985
2025:Cline 1998
1929:References
1735:See also:
1166:The Nation
1144:The People
959:editorials
822:homophobic
644:coming-out
244:Versailles
193:Background
6345:213383610
6312:156538545
6268:1080-9317
6262:: 11–34.
6220:214024619
6212:0022-281X
6154:151475634
6130:Nightwood
6041:0046-3663
5981:0958-9236
5946:142799942
5930:1043-4070
5897:162249181
5889:0093-1896
5839:Doubleday
5697:0041-462X
5618:144754535
5562:162222203
5554:0022-281X
5525:147760713
5517:1089-4160
5480:0270-7993
5278:0041-462X
5224:1043-4070
5204:Nightwood
5183:0732-7730
5020:0141-7789
4812:145762089
4804:1095-5143
4752:144924349
4744:0097-9740
4645:145652567
4629:0097-9740
4537:Routledge
4042:Doan 2004
4030:Doan 2004
3794:Doan 2001
3663:Doan 2001
3615:Hall 1981
3378:Munt 2001
3370:Love 2000
3346:Love 2000
3161:Cook 1979
3137:Doan 2001
3125:Doan 2001
3113:Doan 2001
3081:Doan 2001
3069:Doan 2001
2993:Cook 1979
2945:Doan 2001
2933:Doan 2001
2901:Hall 1981
2876:Doan 2001
2864:Doan 2001
2840:Doan 2001
2828:Hall 1981
2816:Rule 1975
2804:Doan 2001
2792:Doan 2001
2780:Hall 1981
2768:Hall 1981
2744:Hall 1981
2732:Hall 1981
2720:Hall 1981
2696:Hall 1981
2660:Munt 2001
2631:Munt 2001
2615:Medd 2001
2603:Hall 1981
2579:Hall 1981
2567:Munt 2001
2555:Hall 1981
2507:Doan 2004
2491:Kent 2001
2487:Medd 2001
2483:Hall 1981
2470:Hall 1981
2458:Hall 1981
2418:Hall 1981
2405:Love 2000
2401:Love 2000
2349:Hall 1981
2333:Hall 1981
2162:Love 2000
2141:Cook 1979
2125:Doan 2001
2083:Hall 1949
2033:Doan 2001
2017:Hall 1981
2000:Hall 1981
1976:Citations
1771:The Hotel
1747:The Hotel
1371:barrister
1360:of 1857,
1313:solicitor
1287:Modernist
1019:free will
856:shillings
852:print run
834:critics.
713:Jane Rule
660:Holocaust
589:In 1921,
377:intercede
334:batteries
82:Publisher
74:Published
6492:Feminism
6437:(Canada)
6402:The Well
6276:26475572
6090:13118656
5065:(1981).
4987:The Well
4952:The Well
4930:The Well
4637:21213641
4307:The Well
3429:The Well
3177:The Well
1894:fullback
1890:The Well
1868:The Well
1832:The Well
1805:The Well
1788:The Well
1783:The Well
1713:The Well
1705:The Well
1698:The Well
1694:The Well
1634:The Well
1630:case law
1622:The Well
1584:The Well
1547:The Well
1542:The Well
1519:The Well
1484:The Well
1479:The Sink
1472:The Well
1385:platonic
1354:syphilis
1307:UK trial
1268:The Well
1244:The Well
1212:and the
1161:The Well
1124:Response
1110:The Well
1095:The Well
1072:The Well
1050:The Well
1003:The Well
927:campaign
893:The Well
874:The Well
844:The Well
828:The Well
811:The Well
792:The Well
736:biphobic
728:The Well
721:The Well
693:The Well
689:The Well
672:The Well
656:The Well
640:The Well
623:The Well
573:The Well
548:The Well
527:such as
511:Sexology
404:The Well
294:The Well
205:and the
175:lesbians
56:Language
6478:Portals
6405:at the
6049:3177881
5938:3704816
5610:3173611
5488:1358903
5303:4944993
5286:3175982
5232:4617155
5114:3812156
5028:1395428
4541:235–258
4475:Sources
1775:Orlando
1756:Orlando
1609:of the
1336:of the
1328:of the
1279:betoken
955:Express
947:flapper
918:Colette
466:anodyne
447:footman
381:possess
319:jujitsu
159:and in
153:England
149:obscene
59:English
6516:Novels
6364:
6343:
6310:
6274:
6266:
6239:
6218:
6210:
6152:
6113:
6088:
6047:
6039:
5996:
5979:
5944:
5936:
5928:
5895:
5887:
5845:
5795:
5768:
5745:
5720:
5705:441599
5703:
5695:
5660:
5639:
5616:
5608:
5577:
5560:
5552:
5523:
5515:
5486:
5478:
5419:
5348:
5322:
5301:
5284:
5276:
5230:
5222:
5191:464075
5189:
5181:
5129:
5112:
5077:
5051:
5026:
5018:
4830:
4810:
4802:
4771:
4750:
4742:
4691:
4664:
4643:
4635:
4627:
4593:
4570:
4547:
4490:
4465:El Día
4136:passim
3481:Herald
3313:
3218:
3199:
3085:passim
1873:Olivia
1716:'s
1425:Appeal
1275:withal
1197:Labour
1153:. The
814:'s
593:, the
458:invert
407:'s
354:medium
46:Author
6504:LGBTQ
6341:S2CID
6308:S2CID
6288:(PDF)
6272:JSTOR
6216:S2CID
6150:S2CID
6086:S2CID
6045:JSTOR
5942:S2CID
5934:JSTOR
5893:S2CID
5701:JSTOR
5614:S2CID
5606:JSTOR
5590:Signs
5558:S2CID
5521:S2CID
5484:JSTOR
5282:JSTOR
5244:(PDF)
5228:JSTOR
5187:JSTOR
5110:JSTOR
5024:JSTOR
4887:'
4874:'
4808:S2CID
4748:S2CID
4724:Signs
4641:S2CID
4608:Signs
1967:'
1934:Notes
1811:is a
1674:brief
1545:like
1475:'
1342:Rabbi
1271:'
1150:Truth
1133:'
1102:Dover
831:'
797:Ellis
740:femme
626:'
493:salon
171:'
106:is a
68:Novel
64:Genre
6362:ISBN
6264:ISSN
6237:ISBN
6208:ISSN
6128:and
6111:ISBN
6101:and
6037:ISSN
5994:ISBN
5977:ISSN
5926:ISSN
5885:ISSN
5843:ISBN
5824:2007
5793:ISBN
5766:ISBN
5743:ISBN
5718:ISBN
5693:ISSN
5658:ISBN
5637:ISBN
5575:ISBN
5550:ISSN
5513:ISSN
5476:ISSN
5445:2006
5417:ISBN
5402:2006
5377:2006
5346:ISBN
5320:ISBN
5316:Avon
5299:OCLC
5274:ISSN
5220:ISSN
5202:and
5179:ISSN
5127:ISBN
5075:ISBN
5049:ISBN
5016:ISSN
4852:Good
4828:ISBN
4800:ISSN
4769:ISBN
4740:ISSN
4715:2006
4689:ISBN
4662:ISBN
4633:PMID
4625:ISSN
4591:ISBN
4568:ISBN
4545:ISBN
4516:2007
4488:ISBN
4422:2007
4409:Time
3562:2022
3311:ISBN
3216:ISBN
3197:ISBN
2123:See
1921:and
1759:and
1668:and
1464:Good
1437:Sir
1389:sell
1364:Sir
1340:and
1283:hath
1281:and
1258:and
1238:and
1204:and
1195:, a
1183:and
1147:and
1087:type
1060:, a
734:and
715:and
531:and
471:good
392:Cain
77:1928
6469:at
6448:at
6433:at
6422:at
6356:".
6333:doi
6300:doi
6254:".
6231:".
6200:doi
6175:doi
6165:".
6142:doi
6132:".
6105:".
6078:doi
6068:".
6027:hdl
6019:doi
5969:doi
5957:".
5918:doi
5877:doi
5685:doi
5633:133
5598:doi
5542:doi
5505:doi
5468:doi
5264:hdl
5256:doi
5206:".
5171:doi
5161:".
5102:doi
5008:doi
4792:doi
4732:doi
4617:doi
3244:doi
3193:181
1753:'s
1745:'s
1680:by
1553:'s
1041:.)
1017:of
862:'s
324:In
122:" (
6528::
6339:.
6329:32
6327:.
6306:.
6296:32
6294:.
6290:.
6270:.
6260:24
6258:.
6214:.
6206:.
6196:43
6194:.
6190:.
6171:30
6169:.
6148:.
6138:98
6136:.
6084:.
6074:19
6072:.
6043:.
6035:.
6025:.
6015:13
6013:.
5975:.
5963:.
5940:.
5932:.
5924:.
5914:10
5912:.
5891:.
5883:.
5871:.
5841:.
5810:.
5791:.
5764:.
5741:.
5699:.
5691:.
5681:40
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