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269:, which involved its residents as well as the environs of the location. The residents' furniture, for instance, was moved onto the streets for the exhibition. From then on, the group developed a form of structured performance art that included architecture, choreography, and poetry.
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The performance group was formed in the early 1970s in London. It emerged from a series of workshops, which were oriented towards games-based exercises. One of the earliest outcomes that shaped the direction of the
Theater of Mistakes was a performance at Ascham Street in
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The concept of the performance often included several elements. For example, it might open with a "Free
Session" and continue with performance workshops on weekdays. Each Friday and Saturday evenings, the group performed one of its works such as
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While it received some attention in the United
Kingdom, the Theater of Mistakes reached a higher level of acclaim abroad. One account stated that in Italy, a theatre manager doubled their fee due to the popularity of the performance.
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Tour of
Belgium -'Homage to Morandi'. Kunstlerhaus Bethanien, Berlin -'Homage to Morandi' and 'Table Move 1'
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Jeanetta
Cochrane Theatre, London - 'Homage to Morandi' 'Going'; 'Table Move 1'; and 'The Ninth Method'.
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Paula Cooper
Gallery, New York -'Waterfall 6' State Penitentiary and University, Pittsburgh, - 'Going'
277:(1977), which involved a cast of five playing out mannerisms of departure in five choreographed acts.
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Biennale de Paris, Musee d'Art
Moderne, Paris -'Going' FIAC, Grand Palais, Paris - ‘Going’.
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Towards a
Purposeful Accident: Elements of Performance Art via The Theatre of Mistakes
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The references used may be made clearer with a different or consistent style of
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Hayward
Gallery, London. 'A Waterfall' 48 performances for the Hayward Annual.
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Theatre Festival, Brescia, and Salle Polyvalente, Ferrara -
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Student Cultural Centre, Belgrade -'Two Freedoms' and 'Going'
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Mistakes Made Mutually: Researching The Theatre of Mistakes
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Stedelijk Museum; Amsterdam. 'The Ascent of the Stedelijk'
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Forum fur Actuelle Kunst, Innsbruck -'Orpheus and Hermes'
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The book of the performance by The Theatre of Mistakes.
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The book of the performance by The Theatre of Mistakes
326:'Duet for Orpheus and Hermes' and 'Homage to Morandi'
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Serpentine Gallery, London, 'Homage to Pietro Longhi'
479:"In Case There is a Reason: The Theatre of Mistakes"
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Arnolfini Gallery, Bristol -'Going', 'Waterfall 3'.
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604:"Mistakes Made Mutually: The Theatre of Mistakes"
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322:Brighton Theatre Festival -'Orpheus and Hermes',
365:Sally Banes, The Village Voice, 7 December 1982
350:The Drama Review (Structure Theatre Issue) 1979
347:Cordelia Oliver, The Guardian, 23 February 1977
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388:Performance texts by The Theatre of Mistakes
312:Theatre for the New City, New York -'Going'
52:Learn how and when to remove these messages
359:Anthony Masters, The Times, 19 March 1980
344:Denis Thomas, The Listener, 27 April 1977
225:Learn how and when to remove this message
207:Learn how and when to remove this message
149:Learn how and when to remove this message
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447:An A-Z of The Ting: Theatre of Mistakes
370:An A-Z of The Ting: Theatre of Mistakes
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356:Stuart Morgan, Art Forum, Autumn 1980
362:John Roberts, Artscribe, no 28, 1981
328:Tour of Holland -'Homage to Morandi'
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374:Jason E Bowman with Anthony Howell
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353:Nick Wood, Artscribe no 10, 1979
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608:hotel alphabet art writings
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339:Selected reviews and essays
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439:'s The Art of Performance
409:– Grey Suit Editions 2007.
554:"The Theatre of Mistakes"
98:"The Theatre of Mistakes"
238:The Theatre of Mistakes
558:www.fionatempleton.org
285:Selected performances
83:improve this article
445:Marie-Anne Mancio
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504:"Raven Row"
629:Categories
422:References
260:Background
254:conceptual
246:minimalist
197:March 2019
189:footnoting
109:newspapers
38:improve it
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466:Specific
185:citation
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