428:. Writing about Bertolucci's portrayal of the hero and his son, and the son's attempt to find out the "truth" of his martyred father's past, Kolker said, "The truth, he discovers, is a complex web of illusions and deception, of lies, fear, and paralysis, of perceptions gone awry, and of time brought to a stop." Kolker observed the film was "about the political effects of spectacle, in the fascist penchant for rhetorical action...By alluding to the operatic spectacle without actually showing it, Bertolucci permits the viewer to comprehend participating in the spectacle." Kolker said the film was Bertolucci's "most modernist," a modernism based on identification rather than distance.
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said the film had "a beautiful cinematic grace, a way of establishing atmosphere and furthering plot without a lot of talking," and that it wasn't a mass-audience movie. He added that the film would "have most appeal to people sensitive to
Bertolucci's audacious use of camera movements and colors."
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At the request of his father's mistress, Draifa, Athos
Magnani arrives by train in the town of Tara, where his father, also named Athos Magnani, was killed before his birth. The father, remembered as a resistance hero and whom his son greatly resembles, was killed by unknown fascists in 1936—or so
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At a ceremony in front of his father's statue, Athos starts to tell this story but stops. Whether it was through betrayal or cowardice that his father had become a hero, the town, in his view, needs its myth. Resolving to leave, at the railway station he hears announcements that trains are
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says Draifa, the statue in the square, and everyone in the town. Draifa contacted Athos after seeing his picture in a newspaper and expects him to solve or avenge his father's murder. He hears that a few days before his father's death, a fortune teller had predicted his death, as in
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coming from the theatre. Entering, he is told that his father failed to carry out the bombing out of fear, and himself tipped off the police. For this, his fellow conspirators killed him, with his agreement, and ascribed the death to unknown fascists.
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His enquiries about his father's death are met with evasion or hostility. Eventually three acquaintances of his father tell him that he planned to blow up
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boasts no superstars in the cast, no odor of brimstone and no heavy hype. It should not need them. Less exotic than
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increasingly late and, looking at the tracks, sees they are rusted and overgrown. He, too, is caught in the web.
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who travels to his namesake’s father’s hometown, uncovering secrets of his father’s past in the process.
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Unsure whether to stay in this claustrophobic town where the truth is never told, he hears the sound of
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for most scenes in Tara. The theater's exterior is
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five days later. It received a limited theatrical release in
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The Body in the Mirror: Shapes of
History in Italian Cinema
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Vacche, Angela Dalle (1992). "Antifascism after May 1968".
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245:. The screenplay is based on the 1944 short story
396:'s Teatro Magnani. The square of the hotel is in
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281:on 25 October 1970, then rebroadcasting on
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348:as Athos Magnani, father and son
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634:Cocks, Jay (29 January 1973).
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459:is Bertolucci’s best movie.”
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369:Franco Giovannelli as Rasori
263:, and follows the son of an
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25:The Spider's Stratagem
937:1970 television films
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277:before premiering on
37:U.S. home video cover
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505:. pp. 219–250.
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412:Themes and response
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376:Giuseppe Bertolucci
239:Bernardo Bertolucci
229:made-for-television
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132:Giovanni Bertolucci
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600:: 251–267.
463:Roger Ebert
358:Tino Scotti
352:Alida Valli
265:antifascist
261:Alida Valli
164:100 minutes
102:Alida Valli
86:Directed by
932:1970 films
926:Categories
882:Me and You
663:"Reviews:
439:, wrote, “
398:Pomponesco
390:Sabbioneta
384:Production
203:1970-10-25
124:Production
70:Written by
433:Jay Cocks
406:Brescello
354:as Draifa
328:Rigoletto
320:Rigoletto
232:political
866:Besieged
360:as Costa
176:Red Film
129:Producer
94:Starring
53:Based on
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778:Partner
614:3526061
394:Fidenza
301:Macbeth
219:Italian
201: (
196:Release
186:Network
119:Italian
48:Mystery
912:(2002)
904:(1969)
885:(2012)
877:(2003)
869:(1998)
861:(1996)
853:(1993)
845:(1990)
837:(1987)
829:(1981)
821:(1979)
813:(1976)
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781:(1968)
773:(1964)
765:(1962)
676:11 May
642:. Time
612:
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287:Europe
268:martyr
151:Editor
901:Agony
619:7 May
610:JSTOR
596:(2).
546:7 May
516:7 May
507:JSTOR
476:Notes
452:Tango
283:Rai 2
279:Rai 1
190:Rai 1
111:Italy
43:Genre
810:1900
700:IMDb
678:2022
648:2024
621:2022
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339:Cast
293:Plot
259:and
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