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Music of The Lord of the Rings film series

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1608:, along with all their music; and Galadriel's singing, too, is dropped. Jackson acknowledged his musical limitations, relying on Shore to represent Tolkien's music. Shore stated that he wanted to "re-insert" Tolkien's verse into his score with choral versions of songs in Tolkien's invented languages. Jorgensen comments that be that as it may, songs such as "May it Be" and "AnĂ­ron" are set to words not by Tolkien, while most of Tolkien's "rich" provision of Hobbit songs is absent from the score. She notes that the score is "pervasively orchestral and tonal" in keeping with Shore's intention to create "a feeling of antiquity", almost as if the music had been "discovered" rather than newly written. She comments that the actual result is rather different: "What happens, however, is that while the music lends another dimension to sight, it is swallowed up by sight...; the audience's focus is primarily upon the screen." 1372: 944:, as Shore had invited him to "organize and present a cohesive view of the score". The book is based on unique long-term access to Shore throughout the four-year composition period. It is illustrated with drawings by the films' concept artists, the illustrators John Howe and Alan Lee. Shore describes the book as "a wonderfully readable version of what I created in music". He states that Adams became a friend, and "from all of his detailed study, much more an expert in this music than I am!" The films' writer/producer Fran Walsh writes in the foreword that "Howard's music ... gave the cultures of the Elves and the Dwarves and the kingdoms of Men a powerful authenticity", and that "I feel enormously proud that beautiful work, beloved by so many around the world, has been so eloquently celebrated by Doug Adams in this fine book." 1124: 341: 1612: 1449: 739: 4556: 7118: 537:
composers. For the recording process, which extended over four weeks per film, he arranged the music in long suite-like pieces for the orchestra to go through during a day of playing, rather than short cues, making the score more cohesive. Only a few minutes of finalized music were recorded each day, to allow for input from director Peter Jackson and revisions to the music and performance. Shore began his work on the music early in the production of
1548: 705:, scenes of a long and violent history unfurl on screen, overlaid with several of Shore's themes, including "LothlĂłrien" for the Elves, "Threat of Mordor", "Sauron", "Evil of the Ring", "Ringwraith", and "Footsteps of Doom" for the forces of the Dark Lord; "Fall of Men", "Gondor in Decline", and "Minas Tirith" for the human allies of the Elves; and throughout the Prologue, the "History of the Ring" theme as the 1047: 921: 1262:), and the orchestra plays in turn the "Isengard" theme (for Saruman), the "Fellowship" theme (for Legolas and Gimli), and the "Gandalf the White" theme (for the wizard, returned from the dead). The account is illustrated with a drawing of the King on the throne, Wormtongue's head visible by his right arm; with the music of the "Wormtongue" theme modified by the "Rohan" theme's beat and 1539:'s words, "that untranslated elvish would do a job that English could not". Further, Velten argues that Tolkien's motifs of environmentalism, destiny, and keeping up one's courage "have all been incorporated in the soundtrack lyrics". She comments that "this is a feat", and concludes that "the textual legacy of Tolkien has been incorporated into the lyrics in an exemplary way." 957:
in the same section. Thus, the first section on themes is "The One Ring", with the main theme "The History of the Ring", followed by "The Evil of the Ring (Mordor/Sauron)", "The Seduction of the Ring", and "The Fate of the Ring/The Destruction of the Ring". The account is illustrated both with pencil drawings by the artists and by stills from the films.
1563:, especially his predilection for Wagnerian leitmotifs", the score is "far more nuanced" than that, identifying each people – Hobbits, Men, Elves – with their own system of harmony. In Rone's view, Hobbits are placed harmonically as familiar, using major-minor diatonic scales. Men are placed as at once familiar and unfamiliar, by means of 1140: 1074:"The Shire" was soon followed by the Fellowship, Moria, and Dwarrowdelf themes. The Fellowship theme first appears when the Fellowship of the Ring is created in Rivendell; it is often played on the orchestra's horns. The Ring theme has a Middle-eastern sound, unfamiliar to a Western audience, helping to convey the 1104:"regardless of instrument type"; Adams cites Shore's remark that "Orchestration is, in essence, about range. People think it's color, but it actually is range." The themes meanwhile evolved into "an interconnected network of dozens of leitmotifs", becoming not as Shore had anticipated in the style of 3639:
Howard Shore's music for the Peter Jackson films – despite its pseudo-Celtic hobbit music, its use of cheap sequencing instead of harmonic growth to build tension, and its general pedestrian quality – is honest hackwork, imaginatively orchestrated and with some quality to the melodies, and unlike so
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Donnelly, noting that Shore treated the music as a whole, unlike in most films, quotes Shore's account of his intention: "The concept is opera and it's the reverse of writing an opera and then having it staged. What I'm trying to do is have the same feeling so that when you watch the film, it feels
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can be grouped by the Middle-earth cultures to which they relate. Adams names each theme, with the film scene where it is first heard; it is shown in musical notation, and then described in a few paragraphs of text. When Adams has identified other themes on related subjects, they immediately follow
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and Erik Eino Ochsner and was performed around the world, including Switzerland, Australia and the United States. The concerts, which consist of multiple movements, restore unused or alternate sections of the soundtrack (where other concerts of this kind for other films repeat the final film music)
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at Rivendell; the theme splinters when the Fellowship breaks apart, and gradually reassembles as the Fellowship makes progress with its task. The symphony is edited to concert length from over 11 hours of film music. The symphony has a 19th century structure to give the audience a sense of history,
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Adams describes the score for the three films of the trilogy in turn, scene by scene. He names the musical themes as they appear in each scene: the themes often recur. When a scene is accompanied by choral music, the lyrics are provided; when these are in one of Tolkien's constructed languages, an
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The linguist and Egyptologist Alexandra Velten considers the lyrics in Tolkien's constructed languages – Adûnaic, Black Speech, Khuzdul, Rohirric, Quenya, and Sindarin – that are used for the songs. She notes the serious "thought and detail" that went into making the lyrics, accurately translated
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and Celtic design". Fimi notes that both Tolkien and the historian Malcolm Chapman wrote "mocking" about the romantic stereotyping of Celts in this way, Tolkien speaking of "the wild incalculable poetic Celt, full of vague and misty imaginations", and Chapman of "high-flown metaphysical and moral
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There are over 50 leitmotifs in the music; the symphony begins with the rising and falling "The History of the Ring" theme with a "breathlike pattern to give the Ring a sense of consciousness and purpose". Shore comments that this could be taken as the central theme of the score. The "Fellowship"
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In keeping with his operatic vision, Shore used the three scripts and the book itself to write themes even before having film reels to compose to. As a result, Shore spent nearly four years on the composition, compared to the 6–8 weeks per film, and a week or two of recording, typical for film
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The number of themes multiplied, but Shore took care to keep the orchestration to a limited "menu", so as to maintain a vision of "sturdy musical textures with orchestral color and detail coursing under the surface." Shore divided the orchestra to provide high, middle, and low sound degrees
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as an analogue for Rohirric, while English is used as an analogue for the Common Tongue. Some of these languages had been developed extensively by Tolkien, while others were extrapolated by the linguist David Salo based on the limited samples of vocabulary and linguistic style available.
1250:. The music is the "GrĂ­ma Wormtongue" theme, in which "contrabassoon, tuba, celli, and contrabasses wallow in a sepulchral, debauched chromatic line... colored by resonant bass drum strokes and a film of high string clusters." The music shifts as the wizard Gandalf and his companions 550:
Shore's orchestration called for an immense ensemble: a core 96-piece orchestra and 100-piece choir, as well as additional instruments for select sections of the score, onstage instrumental "bands" and additional choirs: overall, over 330 players. Among the less-usual instruments are
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diatonic scales. Finally, Elves are placed as unfamiliar, through the use of nondiatonic scales ("chromatic mediants"). Rone suggests that in this way the film score both echoes 19th century tradition and helps the viewer to understand the different peoples in the fantasy.
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the score himself, to maintain clarity in the presentation of the music's themes. The central theme, shown here, is "The History of the Ring", first heard at the start of the first film in "Prologue: One Ring to Rule Them All" and repeated at each major event in
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Estelle Jorgensen considers how Tolkien's text translates to film, and in particular how the implicit music of Tolkien's poetry is realized, both visually and aurally. She cites Jackson's remark that Tolkien's "music" is "imaginary", objecting only that his
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The libretto was derived from several sources, including songs and poems written by Tolkien, phrases from the screenplay (often sung against the corresponding dialogue or recitation) as well as original and adapted material from Shore and from screenwriters
1728:, that closely followed the cinematic releases of the films, or presented earlier versions recorded during the film's editing. The music on the disc was arranged as a concert-piece while also keeping reasonably with the plot progression of the film. 1293: 754:
sees the hobbits celebrating and dancing vigorously to music by Plan 9, a group who had long worked with Peter Jackson and Fran Walsh. Shore commented that their music had "the right feel" for the scene, and liked the difference from his own music.
821:, over 200 musicians and singers are required on stage. To suit the complex narrative, with its contrasting cultures, Shore wrote music in different styles for each of the peoples of Middle-earth. For the Elves, the music is mainly women's voices, 400:
he stayed for twelve. Shore composed a main theme for the Fellowship rather than many different character themes, and the Fellowship's highs and lows are depicted during the series. Individual themes were composed to represent different cultures.
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in speech. Young further suggests that the way the themes change during the film series conveys to the audience an "emotional understanding of the evolution of the characters". For example, Young analyses the Shire Fiddle theme in
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called "justified and sharp" criticisms of the film score. Bratman describes the score as "uninspired hackwork" and states that Shore's Celtic music representing the Shire (played on a "Celtic assortment of instruments", namely
3956: 969:, occurs in pensive, rural, and hymn settings. The pensive setting is played classically, with the melody on whistle or clarinet according to the mood of the moment. The rural setting changes the theme into "a sprightly, 735:, some not. A selection of them, with the associated underscore, were released as single CD releases and music videos featuring footage from the film and the production, prior to the release of the entire soundtracks. 4038: 8952: 7044: 6294: 1014:. Adams comments that "Like all Shore's music for the hobbits, this song is designed to feel as if it could be both about the Shire and from it—as if it were some sweetly nostalgic song sung at the closing of the 960:
Adams states that Shore instinctively started with themes to ensure musical clarity. The first theme, "The Shire", may serve as an example. It features both in the films, many times, and in Shore's concert suite
1511:", she writes, in the music for the Elves in Rivendell; Shore had approached the Irish "folk-cum-New Age" singer Enya, whose music represents "Celticity as melancholy over a lost tradition." In Fimi's view, the 981: 367:
for the role. Shore visited the set in 1999, and composed a version of the Shire theme and Frodo's Theme before Jackson began shooting. In August 2000 he visited the set again, and watched the assembly cuts of
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English translation is given alongside, line for line, and the source of the text (often Tolkien or the screenwriter/producer Philippa Boyens) and the translator (usually Salo) is stated.
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Matthew Young sets out to show that Shore's music is rooted both in Jackson's visual narrative and in Tolkien's text, and that Shore's leitmotifs give the audience a precise "musical
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based on the book. The three films were shot simultaneously and released between 2001 and 2003, to popular acclaim. Together the three films grossed over $ 2.9 billion worldwide.
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Shore worked from research into Western, African, and Middle-eastern music, from storyboards of the films; and sometimes straight from Tolkien's story. For example, he used the
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Shore wrote many hours of music for the trilogy, effectively scoring the film for its entire length. Over 13 hours of the music (including various alternate takes) have been
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in musical form." Adams notes that Shore commented that he wanted to give the impression that "the hobbits were playing the music", while Jackson said "Make it hobbity."
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Some of the diegetic songs were not composed by Shore, but he orchestrated and conducted the orchestral accompaniment and even reprised some of them in his symphony. Thus,
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and the Orcs", commenting that the parallel makes Shore's use of Wagner-style leitmotifs "apt". He is less certain of the appropriateness of the use of sounds from the
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For example, the "Footsteps of Doom" song, in Sindarin, is heard in the "Prologue: One Ring to Rule Them All" introductory chapter of the film trilogy, at the start of
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Bernanke, Judith (2008). "Howard Shore's Ring Cycle: The Film Score and Operatic Strategy". In Harriet Elaine Margolis; Sean Cubitt; Barry King; Thierry Jutel (eds.).
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of Middle-earth. Shore, with Jackson and Walsh, wanted it to feel like opera. To represent the evolution of characters, the themes change; thus, the Hobbits'
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Shore states there are "over 50" themes; he notes that the themes change, so the exact number depends on whether a variant is counted as a new theme or not.
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films (their soundtrack limited to dialogue and sound effects) are projected while the music is performed live in sync with the films. It is conducted by
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incorporates extensive vocal music blended with the orchestral arrangements. The great majority of the lyrics used in the libretto are in the invented
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The scores and soundtrack albums of the film trilogy have won three Academy Awards, three Golden Globe awards, and four Grammy Awards, including:
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Shore has been described as favouring "Wagnerian leitmotifs", but Vincent E. Rone calls the score "far more nuanced" than that. 1871 portrait of
1131: 2447: 1132: 239:), multiple instrumental "bands", various choirs, and vocal and instrumental soloists, requiring an ensemble ranging from 230 to 400 musicians. 9621: 9196: 8827: 6722: 6437: 6395: 5942: 4315: 901: 4303: 3914:(2009). " Projecting Tolkien's Musical Worlds: A Study of Musical Affect in Howard Shore's Soundtrack to Lord of the Rings by Matthew Young". 2676: 2662: 1679:(which like the equally evil Ring theme uses the rhaita), something that Donnelly calls "a fairly problematic use of musical representation". 312:. It was published in 1954–1955, and became one of the most popular books of the 20th century, with over 150 million copies sold. It has been 6703: 6402: 5985: 4491: 1842: 1626: 3253: 1128: 9876: 9788: 8869: 8702: 6409: 6381: 4974: 4969: 4506: 2844: 1535:
into these languages, and that they convey "certain important ideas". She comments that this successfully follows Tolkien in believing, in
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to represent the different characters, cultures and places. There are for instance multiple leitmotifs just for the hobbits and the
9184: 8813: 2165: 1266:; by a film still of the head of the aged and despondent king; and by the lyrics of "The King" in Old English and in translation. 9307: 8806: 7074: 7067: 6564: 6324: 6317: 2508: 2469: 2328: 2305: 1661:, whether depicted by Tolkien or Jackson. Donnelly cites Mark Brownrigg as stating that Shore's score "marks a homology between 751: 3224: 2203: 1127: 9990: 9514: 9041: 8307: 8051: 7156: 7122: 6476: 6359: 6252: 4814: 4664: 4591: 2100: 2050: 1880: 17: 2072: 359:
composed, orchestrated, conducted and produced the film trilogy's music. The filmmakers had considered the American composer
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were accompanied by a 5-beat rhythm on steel plates, Japanese drums, and metal chains, giving a harsh industrial effect. For
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Reasons of the Heart: Myth, Meaning and Education, an International Conference University of Edinburgh, September 9-12, 2004
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and the Arab world more generally for themes representing evil. These include the evil wizard Saruman's Isengard and the
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Projecting Tolkien's Musical Worlds: A Study of Musical Affect in Howard Shore's Soundtrack to Lord of the Rings
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enjoyed unique long-term access to Shore during the composition period to document and analyse the film scores.
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Vincent E. Rone writes that while many commentators noticed that Shore had borrowed techniques from "Romantic
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released one multi-disc set for each part of the trilogy. These annually published collections, titled
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organisation and orchestral effect that would be the envy of many a composer for the concert hall."
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Moniz, Emily A. (2010). " Middle-earth Minstrel: Essays on Music in Tolkien by Bradford Lee Eden".
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seamless, it's almost like the film was created to music." Donnelly adds that at moments like the
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Howard Shore - Creating The Lord Of The Rings Symphony: A Composer's Journey Through Middle-earth
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and even required Shore to edit several bars of the music, including a feature entr'acte suite.
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much recent music for epic films it is not an imitation of the brittle style of John Williams.
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in London. Jackson planned to advise the score for six weeks each year in London, though for
300: 294: 221: 4260: 224:. It is notable in terms of length of the score, the size of the staged forces, the unusual 9941: 9916: 9828: 9423: 9260: 8676: 8669: 8656: 8490: 8217: 8120: 8046: 8012: 7578: 7375: 7348: 6830: 6013: 5638: 5582: 5326: 5294: 5091: 5086: 5017: 4749: 4581: 3035: 1620: 1317: 1255: 738: 544: 526: 381: 7772: 7429: 7367: 5631: 3036:"Plan 9 Interview | The Music of the Lord of the Rings Films | Doug Adams' Blog" 2735: 746:
by Plan 9, ostensibly being played by the musicians visible at the top right of the image.
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Eric Rawlins, in his 2006 analysis of the score, notes the similarity of the melody to a
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sound in the second film) also contributed. Fran Walsh and Philippa Boyens wrote the
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to observe the composition process and to document it in what became the 2010 book
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scale for the Elvish LothlĂłrien/Galadriel theme, to create a sense of antiquity.
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is an Elf-lady of high birth; she is effectively a Queen, as she is the ruler of
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published what is effectively the official book of Shore's scores for the films,
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Picturing Tolkien: Essays on Peter Jackson's The Lord of the Rings Film Trilogy
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Two short documentary films have been made of the score's production process:
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Donnelly, Kevin J. (2006). "Musical Middle-earth". In Mathijs, Ernest (ed.).
3862:"Scoring the Familiar and Unfamiliar in Howard Shore's The Lord of the Rings" 3612: 3580: 2147: 1846: 1456: 1411: 1338: 1105: 781:
Some of the non-diegetic songs, too, were by other composers; for instance, "
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The music for the film series was voted the best soundtrack of all time by a
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The series music became the most successful of Shore's career, earning three
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Recordings of the score were originally issued on single-disc albums, named
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The Lord of the Rings: The Fellowship of the Ring: The Complete Recordings
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writes that the Celtic music for the film scene "Arwen's vision" supports
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films, from Tolkien's work to Howard Shore's score, with clickable links.
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Shore combined all three variations of "The Shire" in the end credits of
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DVD as containing "a bizarre sonic occurrence", a quotation of Wagner's
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was composed by Plan 9 and performed by the actor Miranda Otto, playing
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opera cycle. He calls this ambiguous, as it might be referring to the
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The scholar of film music Kevin Donnelly describes the end credits of
1422: 1239: 890:, is a central theme of the story, accompanied by the Hobbits' theme. 797:) were composed and sung by the Irish singer and songwriter of modern 608: 9344: 9177: 8007: 7955: 7945: 7875: 7832: 7817: 7802: 7757: 7747: 6809: 6020: 5816: 5401: 5396: 5347: 5147: 5135: 5103: 5001: 2359: 2139: 1950: 1755: 1750:, contain the entire score for the extended versions of the films on 1672: 1605: 1380: 1354: 953: 883: 871: 822: 782: 702: 502: 255: 7742: 5289: 388:, New Zealand, virtually all of the trilogy's score was recorded in 8480: 8086: 8000: 7930: 7915: 7900: 7652: 5557: 5514: 5450: 5430: 5224: 5113: 5054: 4621: 4526: 3916: 3695: 3197: 2300: 2241: 1809: 1663: 1434: 1416: 974: 842: 834: 706: 649: 612: 604: 514: 418: 414: 101: 7762: 5247: 5242: 2146:", with the first seven notes identical. The hymn can be heard at 1242:
King of Rohan sits slumped in his throne, being whispered lies by
1120:. Judith Bernanke similarly analyses Shore's "operatic" approach. 806: 9638: 9456: 8135: 8103: 8098: 8093: 7980: 7960: 7885: 7842: 7822: 7787: 7782: 7767: 7737: 7468: 6953: 6218: 6100: 5494: 5406: 5229: 5219: 5206: 5130: 5059: 5049: 4628: 1668: 1580: 1388: 1383:
has been criticised, as Tolkien's rural setting with comfortable
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was by intention "mystical and exotic". In contrast, the Orcs of
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The scene of Bilbo's farewell party, with the hobbits dancing to
616: 570: 305: 117: 109: 3225:"The Lord of the Rings: The Fellowship of the Ring – In Concert" 1547: 1206: 384:. Although part of the score for the first film was recorded in 8130: 8081: 7935: 7905: 7847: 7837: 7812: 7674: 7657: 7601: 7134: 6862: 5440: 5415: 5311: 5284: 5214: 5154: 5123: 5039: 5034: 4616: 3979:"The Lord Of The Rings – OST / Complete Recordings Differences" 1676: 1576: 1483:, comments that "ethereal music" accompanies the procession of 1438: 1079: 838: 600: 438: 251: 243: 105: 4334: 4329: 4185:
The Lord of the Rings : popular culture in global context
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conclusions drawn from 'Celtic' art by its admiring critics".
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90 movements (in three parts) for the live-to-projection cycle
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Velten, Alexandra. "The Soundtrack Lyrics of Peter Jackson's
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Recordings of the music for The Lord of the Rings film series
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arriving in Hobbiton in his farm cart, to a melody by Walsh.
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The Ring of Words: Tolkien and the Oxford English Dictionary
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The Lord of the Rings: The Fellowship of the Ring Appendices
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won a Grammy Award for Best Score Soundtrack Album in 2002.
543:, in late 2000. He recorded the first pieces of music, the 474: 3825:. "Tolkien, our Judge of Peter Jackson", pages 159–173 in 2570:
The Lord of the Rings: The Return of the King "Appendices"
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For the soundtrack, the score was primarily played by the
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The bonus DVD, "Howard Shore: An Introspective" includes
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The Lord of the Rings: Popular Culture in Global Context
2845:"The Recordings – An accounting of the various editions" 2706:"Musical Space: Unique Instruments for Remarkable Films" 2580: 8962:
Grammy Award for Best Score Soundtrack for Visual Media
4009:"Reconstructing the movies from the Soundtrack OST CDs" 3472: 3470: 3468: 3466: 3464: 3462: 3460: 3458: 3321: 3309: 2868: 2866: 1738:
Starting in 2005, a year after the extended release of
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enter: the chorus sing "The King" (in Old English, the
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its bearers; it uses a wind instrument the double-reed
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Schola boy choir, and artists such as Ben Del Maestro,
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Howard Shore - Creating The Lord Of The Rings Symphony
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For example, for the scene "The Court of Meduseld" in
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Scores that won the Best Original Score Academy Award
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for the Dwarves. The score follows Tolkien's use of
3936: 3750:. In Bogstad, Janice M.; Kaveny, Philip E. (eds.). 3659:. In Bogstad, Janice M.; Kaveny, Philip E. (eds.). 3386: 3278: 2655:"An Early Look at Howard Shore's Lord of the Rings" 2597: 1890: 1507:. Shore deliberately creates the "same 'Celtic feel 4291:New Line's promotional website for the soundtracks 2549:The Lord of the Rings: The Two Towers "Appendices" 2276: 9646:The Lord of the Rings: The Fellowship of the Ring 3621:Middle-earth Minstrel: Essays on Music in Tolkien 3506: 2770: 2296:"Lord of the Rings voted 'best movie soundtrack'" 1312:won an Academy Award for Best Original Score, an 1112:. Adams describes the final bars of the score of 666:That which has stood so long against the darkness 254:, among other nominations. Some of his themes or 9972: 2878: 1766:by Doug Adams. They were re-released in 2018 by 1579:, individual elements of the music analogous to 1505:very unlike the "playful tone" in Tolkien's text 586: 6642: 4106: 4100:Use Well The Days: A Behind The Scenes Portrait 3607: 3605: 3547: 3259:. Cinema Musica. pp. 48–50. Archived from 3028: 1126: 817:For the music to be played as the six-movement 9197:The Way We Were: Original Soundtrack Recording 4335:Doug Adams's blog on the scores and his book, 4162:Studying the Event Film: The Lord of the Rings 3948: 3836: 3834: 2470:"Polish composer Wojciech Kilar dies, aged 81" 2218: 2216: 1926:for a humorous rendition of Gollum's theme in 675: 634:Heard in "Prologue: One Ring to Rule Them All" 9674:The Lord of the Rings: The Return of the King 8946: 7150: 6628: 4373: 4094:The Lord Of The Rings: The Return Of The King 4062:"New book explores 'Lord of the Rings' music" 3688: 3686: 1967: 1965: 1963: 1873: 1871: 1057:to give an Elvish theme a sense of antiquity. 973:-influenced peasant melody—the simple joy of 870:hinting at the great lapse of time since the 9653:& John Kurlander (engineer/mixer) (2002) 8870:Tolkien: A Look Behind The Lord of the Rings 3855: 3853: 3738: 3736: 3734: 3732: 3730: 3602: 3573: 2943: 2372: 2065: 2063: 1920:Shore calls for one contrabass clarinet in B 1294:Grammy Award for Best Score Soundtrack Album 758:A few of the diegetic songs are settings of 308:novel by the English philologist and author 8828:The Lord of the Rings: A Reader's Companion 3904: 3831: 3816: 2998: 2564: 2562: 2410: 2408: 2213: 857:were projected while the music was played. 731:The score includes a series of songs, some 726: 8953: 8939: 7157: 7143: 6635: 6621: 4380: 4366: 4059: 3683: 3553: 2158: 2156: 2010:The Servants of Sauron" theme (the NazgĂ»l) 1960: 1868: 1731: 1326:Golden Globe Award for Best Original Score 1045: 9981:The Lord of the Rings (film series) music 4387: 4343:List of CD releases for Lord of the Rings 4213: 3954: 3850: 3845: 3826: 3727: 2060: 1353:exhibit a mastery of harmonic sequences, 1108:, but rather in the manner of Wagner and 9681:, John Kurlander (engineer/mixer) & 9665:, John Kurlander (engineer/mixer) & 8863:Tolkien's Art: 'A Mythology for England' 8814:The J. R. R. Tolkien Companion and Guide 8740:Things named after Tolkien and his works 4337:The Music of the Lord of the Rings Films 4182: 4159: 4132:The Music of The Lord of the Rings Films 3651: 3500: 3476: 2910: 2559: 2523: 2498: 2405: 2378: 2115: 2113: 1782:The Music of the Lord of the Rings Films 1773: 1691:theme battles the Orcs' Isengard theme. 1610: 1546: 1447: 1370: 1122: 979: 942:The Music of the Lord of the Rings Films 919: 861:theme appears when the nine heroes, the 737: 403: 339: 276:The Music of the Lord of the Rings Films 8807:J. R. R. Tolkien: Author of the Century 6565:The Lord of the Rings Trading Card Game 3955:Jorgensen, Estelle R. (December 2004). 3611: 3579: 3358:Musical Themes in The Lord of the Rings 2949: 2153: 1705: 376:. In the music, Shore included over 50 14: 9973: 9415:, Sue Sheridan, Richard Theisen & 6796:They're Taking the Hobbits to Isengard 6477:The Lord of the Rings Roleplaying Game 4665:The Man in the Moon Stayed Up Too Late 3910: 3190: 3046:from the original on 30 September 2017 2501:"Lord of the Rings Composer Confirmed" 2480:from the original on 10 September 2021 2326: 2320: 2175: 1843:Symphony No. 1 "The Lord of the Rings" 1360: 285:listener poll for six years in a row. 9658:The Lord of the Rings: The Two Towers 8934: 7138: 6616: 5659: 4361: 4258: 4239: 4126: 4112: 3942: 3898: 3780: 3721: 3692: 3554:Wassenberg, Anya (17 December 2021). 3541: 3529: 3512: 3488: 3449: 3419: 3407: 3392: 3380: 3339: 3327: 3315: 3303: 3291: 3251: 3178: 3166: 3151: 3139: 3127: 3115: 3100: 3088: 3076: 3064: 2992: 2980: 2940:book 1, ch. 1 "A Long-expected Party" 2872: 2831: 2819: 2807: 2764: 2746:from the original on 17 November 2018 2703: 2649: 2615: 2603: 2591: 2308:from the original on 20 November 2015 2282: 2110: 1845:, a 1988 concert band composition by 1624:is quoted briefly and "ambiguous" in 1290:Academy Award for Best Original Score 314:translated into at least 58 languages 7479:The History of The Lord of the Rings 6572:The Lord of the Rings: The Card Game 4037:. TheOneRing.net. 14 February 2018. 3976: 3859: 3742: 3205:from the original on 10 October 2010 3193:"Middle Earth Returns to Radio City" 2776: 2329:"Tolkien proves he's still the king" 2240:"The Elvish Lament", with Tolkien's 1791: 1758:disc that offers 2.0 stereo and 5.1 1657:, or "obliquely" to the question of 1314:Academy Award for Best Original Song 664:Who brings to us this token of Doom? 355:The Canadian composer and conductor 9351:, Ronald Magness, Dennis Matkosky, 5795:Music Inspired by Lord of the Rings 3924:(1/2 (Fall/Winter 2000)): 175–179. 3351: 2511:from the original on 31 August 2011 2426:from the original on 18 March 2020. 2379:Shepherd, Jack (15 November 2017). 1542: 801:Enya. "The Funeral of ThĂ©odred" in 679:Man ammen toltha i dann hen Amarth? 167:male choir (Fellowship of the Ring) 24: 9249:Close Encounters of the Third Kind 9110:Butch Cassidy and the Sundance Kid 8891:Tolkien, Race and Cultural History 8765:The Complete Guide to Middle-earth 6558:Middle-earth Collectible Card Game 4219:Translating Tolkien: Text and Film 4096:. Reprise Records. 2003. 48565-2. 4060:Burlingame, Jon (7 October 2010). 4041:from the original on 16 April 2018 4011:. Amagpiesnest.com. Archived from 3786: 2888:. Amagpiesnest.com. Archived from 2847:. Amagpiesnest.com. Archived from 1503:, giving an "otherworldly" effect 1151: 709:passes from one owner to another. 25: 10017: 8856:Tolkien and the Invention of Myth 6590:Middle-earth Strategy Battle Game 6520:Gondor: The Siege of Minas Tirith 4284: 2499:Davidson, Paul (15 August 2000). 1238:, Adams describes the picture as 1086:theme makes use of the Norwegian 437:, is scored for first and second 208:between 2000 and 2004 to support 7455:The Lost Road and Other Writings 7164: 7117: 7116: 4554: 4330:Official website of Howard Shore 4086: 4053: 4027: 4001: 3989:from the original on 27 May 2021 3970: 3804:from the original on 27 May 2021 3191:Morgan, David (6 October 2010). 2716:from the original on 27 May 2021 2450:from the original on 24 May 2021 2393:from the original on 10 May 2021 2252: 1991:The Threat of Mordor (the chase) 1443:inspired by the English Midlands 1163:Heard in "The Court of Meduseld" 1065:Problems playing this file? See 1035: 1021: 845:, an instrument like a medieval 9789:The Girl with the Dragon Tattoo 8772:A Companion to J. R. R. Tolkien 8649:Poems and Songs of Middle Earth 8371:Finnish language and literature 7341:The Letters of J. R. R. Tolkien 6653:Middle-earth in motion pictures 5604:The Letters of J. R. R. Tolkien 4221:. CormarĂ« series. Vol. 6. 3645: 3413: 3345: 3245: 3234:. December 2016. Archived from 3217: 3184: 2904: 2837: 2728: 2704:Foley, Mark (6 December 2016). 2697: 2669: 2643: 2621: 2541: 2420:Soundtracking with Edith Bowman 2234: 2194: 2132: 2091: 2082: 2041: 2022: 2003: 1984: 1944: 1914: 1800:, released as a bonus DVD with 1260:language Tolkien uses for Rohan 809:; the words are not Tolkien's. 523:Tolkien's constructed languages 233:released across various formats 9634:Crouching Tiger, Hidden Dragon 9082:Music from Mission: Impossible 8912:The Worlds of J. R. R. Tolkien 8884:Tolkien: Maker of Middle-earth 8161:Ancestry as guide to character 7297:The Adventures of Tom Bombadil 7096:Middle-earth: Shadow of Mordor 7038:The Battle for Middle-earth II 6854:Peter Jackson's interpretation 6289:The Battle for Middle-earth II 6050:Peter Jackson's interpretation 5552:The Adventures of Tom Bombadil 4705:Ancestry as guide to character 3977:Ware, Jim (28 December 2005). 3878:10.5406/musimoviimag.11.2.0037 2492: 2462: 2430: 2353: 2288: 1808:, the latter recorded live in 1798:Howard Shore: An Introspective 1143:Construction of the music for 819:The Lord of the Rings Symphony 762:, interspersed in the text of 533:, who died of cancer in 2003. 525:. The third film's end song, " 335: 319:The New Zealand film director 222:fantasy novel of the same name 13: 1: 9991:Film music by media franchise 8821:J. R. R. Tolkien Encyclopedia 7285:The Tale of Aragorn and Arwen 6931:The Battle of the Five Armies 6484:The One Ring Roleplaying Game 4479:The Tale of Aragorn and Arwen 4259:Young, Matthew David (2007). 3794:"Film Score – Vol. 7. No. 10" 3012:. Aigle Music. Archived from 2327:Wagner, Vit (16 April 2007). 2270: 2048:Minas Tirith/White Tree theme 1780:The 2010 book by Doug Adams, 1762:mixes of the soundtrack, and 1694: 1332: 947: 587:Use of Middle-earth languages 459:London Philharmonic Orchestra 237:London Philharmonic Orchestra 9996:Films scored by Howard Shore 9841:Star Wars: The Force Awakens 6373:The Lord of the Rings Online 2686:. p. 15. Archived from 1347:used pejoratively by critics 1269: 1012:London Oratory School Schola 7: 9986:Classical music soundtracks 9185:Jonathan Livingston Seagull 8344:Tolkien's impact on fantasy 7512:The Peoples of Middle-earth 7447:The Shaping of Middle-earth 7103:Middle-earth: Shadow of War 7024:The Battle for Middle-earth 6643:Middle-earth film franchise 6275:The Battle for Middle-earth 6182:Game Two: Shadows of Mordor 5611:The History of Middle-earth 4544:Tolkien's impact on fantasy 4166:Manchester University Press 1819: 1784:, contains a companion CD, 1754:, along with an additional 1487:in the extended version of 1337:The philosopher and author 915: 812: 697:. To a spoken narration by 417:'s progress. The theme, in 330: 10: 10022: 9407:, Bunny Hull, Howie Rice, 9308:E.T. the Extra-Terrestrial 8018:List of weapons and armour 7551:The Nature of Middle-earth 7241:The Fellowship of the Ring 7075:Lego The Lord of the Rings 7045:The Rise of the Witch-king 6757:The Fellowship of the Ring 6688:The Fellowship of the Ring 6597:Lego The Lord of the Rings 6491:Adventures in Middle-earth 6326:Lego The Lord of the Rings 6296:The Rise of the Witch-king 6233:The Fellowship of the Ring 5970:The Fellowship of the Ring 5646:The Nature of Middle-earth 5522:List of weapons and armour 4432:The Fellowship of the Ring 4298:The Fellowship of the Ring 4136:Éditions Didier Carpentier 4120: 3872:(2 (Summer 2018)): 37–66. 3866:Music and the Moving Image 2917:The Fellowship of the Ring 2163:The Shire, Pensive setting 1972:LothlĂłrien/Galadriel theme 1713:The Fellowship of the Ring 1698: 1586:The Fellowship of the Ring 1489:The Fellowship of the Ring 1364: 1285:The Fellowship of the Ring 1161: 1000:The Fellowship of the Ring 991:The Fellowship of the Ring 695:The Fellowship of the Ring 632: 540:The Fellowship of the Ring 370:The Fellowship of the Ring 292: 288: 9891: 9756: 9613: 9482: 9275: 9124: 8994: 8968: 8905:Tolkien and the Great War 8752: 8713:Works inspired by Tolkien 8695: 8628: 8617:Nightfall in Middle-Earth 8549: 8466: 8457: 8432:The Atlas of Middle-earth 8423: 8336: 8146: 8037: 8030: 7973: 7863: 7715: 7577: 7566: 7536:The History of The Hobbit 7521: 7408: 7399: 7306: 7278:The Scouring of the Shire 7214: 7207: 7172: 7112: 7082:Guardians of Middle-earth 6987: 6941: 6906: 6895: 6844: 6783: 6746: 6737: 6714: 6679: 6672: 6661: 6648: 6581: 6549: 6500: 6470:Middle-earth Role Playing 6459: 6333:Guardians of Middle-earth 6157: 6126: 6076: 6030: 5996: 5964: 5953: 5910: 5901: 5842: 5784: 5757: 5707: 5672: 5655: 5625:The History of The Hobbit 5534: 5487: 5461: 5374: 5365: 5335: 5270: 5070: 5025: 5016: 4933: 4858: 4690: 4572: 4563: 4552: 4472:The Scouring of the Shire 4420: 4397: 3657:"Gollum Talks to himself" 3589:Future Symphony Institute 2228:28 September 2017 at the 2206:29 September 2017 at the 2144:This Is My Father's World 2098:The Seduction of the Ring 2053:29 September 2017 at the 2034:29 September 2017 at the 2015:29 September 2017 at the 1902:History of the Ring Theme 1387:(the Green Dragon Inn at 1343:Future Symphony Institute 1274: 1187:Strong-limbed he was born 1076:Ring's ability to corrupt 865:, first come together at 681:I anann darthant dam morn 597:languages of Middle-earth 547:sequence, early in 2001. 148: 140: 124: 92: 70: 58: 41: 34: 27:Operatic film score cycle 10001:Howard Shore soundtracks 9817:The Grand Budapest Hotel 9202:Alan and Marilyn Bergman 8842:The Road to Middle-Earth 8708:Middle-earth Enterprises 7354:The three "Great Tales" 6882:The Long and Short of It 2950:Mathijs, Ernest (2006). 2187:18 December 2022 at the 2182:The Shire, Rural setting 2125:18 December 2022 at the 1883:18 December 2022 at the 1861: 1831:, the score of the 1978 1402:, in the scholarly book 1157:The start of "The King" 984:Shore's first theme was 727:Songs and diegetic music 363:and the Polish composer 9685:(engineer/mixer) (2004) 9669:(engineer/mixer) (2003) 9468:The Fabulous Baker Boys 9296:Raiders of the Lost Ark 9284:The Empire Strikes Back 8663:An Evening in Rivendell 8536:Margrethe II of Denmark 8415:A mythology for England 6923:The Desolation of Smaug 6723:The War of the Rohirrim 6226:Vol. II: The Two Towers 5943:The War of the Rohirrim 5744:Margrethe II of Denmark 4915:A mythology for England 4223:Walking Tree Publishers 2259:Siegfried's horn call, 2120:The Shire, Hymn setting 2029:Gondor in Decline theme 1814:Salle Wilfrid-Pelletier 1748:The Complete Recordings 1733:The Complete Recordings 1651:evident resemblance of 1618:'s theme from Wagner's 1207: 952:The scores's themes or 676: 100:, fictional languages ( 9015:Breakfast at Tiffany's 8786:Master of Middle-Earth 8308:Psychological journeys 7872:First and Second Ages 7724:First and Second Ages 7486:The Notion Club Papers 7424:The Book of Lost Tales 7271:The Return of the King 7248:The Shadow of the Past 7003:The Return of the King 6773:The Return of the King 6704:The Return of the King 6247:The Return of the King 5986:The Return of the King 5931:The Return of the King 5831:The Battle of Evermore 4815:Psychological journeys 4458:The Shadow of the Past 4446:The Return of the King 4345:on Soundtrackguide.net 4318:The Return of the King 3860:Rone, Vincent (2018). 3585:"Redeeming Film Music" 1802:The Return Of The King 1740:The Return of the King 1725:The Return of the King 1647:Ring of the Nibelungen 1639:The Return of the King 1634: 1627:The Return of the King 1556: 1529:Morton Grady Zimmerman 1472: 1396: 1367:Tolkien and the Celtic 1309:The Return of the King 1208:Lim-strang wæs geboren 1148: 1114:The Return of the King 995: 929: 863:Fellowship of the Ring 825:designed to appear as 752:Bilbo's farewell party 747: 454: 374:The Return of the King 352: 18:The Shire (soundtrack) 9403:, John Gilutin Hawk, 8898:Tolkien's Legendarium 8642:The Road Goes Ever On 8584:The Lord of the Rings 8569:The Lord of the Rings 8445:A Map of Middle-earth 8188:Death and immortality 7991:Red Book of Westmarch 7504:The War of the Jewels 7439:The Lays of Beleriand 7360:The Children of HĂşrin 7255:The Council of Elrond 7234:The Lord of the Rings 6915:An Unexpected Journey 6664:The Lord of the Rings 5919:The Lord of the Rings 5883:The Lord of the Rings 5863:The Lord of the Rings 5851:The Lord of the Rings 5804:The Lord of the Rings 5717:A Map of Middle-earth 5618:The Children of HĂşrin 5576:The Road Goes Ever On 4720:Death and immortality 4670:The Road Goes Ever On 4647:A Elbereth Gilthoniel 4465:The Council of Elrond 4410:The Lord of the Rings 4390:The Lord of the Rings 4351:The Lord of the Rings 4267:VDM Verlag Dr. MĂĽller 3842:The Lord of the Rings 3252:Böhni, Basil (2009). 2923:The Lord of the Rings 2247:A Elbereth Gilthoniel 2168:11 March 2007 at the 2103:11 March 2007 at the 1977:11 March 2007 at the 1937:11 March 2007 at the 1907:11 March 2007 at the 1827:The Lord of the Rings 1786:The Rarities Archives 1775:The Rarities Archives 1685:Battle of Helm's Deep 1653:The Lord of the Rings 1614: 1550: 1451: 1445:where Tolkien lived. 1374: 1365:Further information: 1351:The Lord of the Rings 1191:The warrior of Rohan. 1145:The Lord of the Rings 1142: 983: 936:and music journalist 923: 898:The Lord of the Rings 867:the Council of Elrond 768:The Road Goes Ever On 764:The Lord of the Rings 741: 593:The Lord of the Rings 467:London Oratory School 407: 349:The Lord of the Rings 343: 301:The Lord of the Rings 295:Music of Middle-earth 293:Further information: 192:The Lord of the Rings 36:The Lord of the Rings 9917:Carlos Rafael Rivera 9515:Beauty and the Beast 8677:At Dawn in Rivendell 8670:A Night in Rivendell 8657:The Tolkien Ensemble 8491:Brothers Hildebrandt 8013:Two Trees of Valinor 7376:The Fall of Gondolin 6168:Journey to Rivendell 5875:Hordes of the Things 5639:The Fall of Gondolin 5327:Watcher in the Water 5295:Witch-king of Angmar 4492:List of translations 4316:Annotated Score for 4304:Annotated Score for 4296:Annotated Score for 4191:. pp. 301–313. 4168:. pp. 176–184. 3844:", pages 209–238 in 3798:filmscoremonthly.com 3423:(13 December 2005). 3241:on 14 November 2017. 2960:. pp. 306–307. 2822:, pp. 136, 139. 2693:on 24 February 2007. 2665:on 13 February 2002. 2659:filmscoremonthly.com 2653:(14 November 2001). 2476:. 30 December 2013. 2075:30 July 2017 at the 1996:30 July 2017 at the 1706:Original soundtracks 1659:race in Middle-earth 1459:'s treatment of the 1246:'s spy, the traitor 1002:to create the song " 882:when they return to 628:"Footsteps of Doom" 561:for Gollum's theme, 9735:James Newton Howard 9702:Memoirs of a Geisha 9587:Saving Private Ryan 9575:The English Patient 9347:, Duane Hitchings, 9343:, Richard Gilbert, 8980:Anatomy of a Murder 8181:Round World dilemma 7733:Eärendil and Elwing 7386:The Fall of NĂşmenor 6949:Original characters 6859:Original characters 6817:Requiem for a Tower 6189:War in Middle Earth 6135:The Hunt for Gollum 5689:The Last Ringbearer 4975:Narrative structure 4970:Impression of depth 4587:Company of the Ring 3544:, pp. 135–360. 3532:, pp. 224–226. 3040:www.musicoflotr.com 3016:on 16 December 2010 2892:on 14 November 2011 2594:, pp. 2, 4, 7. 2304:. 7 November 2015. 2019:(listening sample) 1981:(listening sample) 1941:(listening sample) 1932:The Pity of Smeagol 1768:Rhino Entertainment 1501:Riders of the Sidhe 1469:Riders of the Sidhe 1393:inspired by England 1361:By Tolkien scholars 1210:Bearn lĂ©od-cyninga 1158: 1010:Edward Ross of the 829:of learning, while 629: 591:The film score for 553:contrabass clarinet 521:translated it into 9912:The Queen's Gambit 9905:Hildur GuĂ°nadĂłttir 9882:Hildur GuĂ°nadĂłttir 9503:Dances with Wolves 9393:Harold Faltermeyer 9047:Richard M. Sherman 8800:A Question of Time 8602:The Rings of Power 8521:Alexander Korotich 8318:Sound and language 8198:Dreams and visions 6792:Concerning Hobbits 6432:War of Three Peaks 6109:The Rings of Power 6043:Hobbiton Movie Set 6007:Concerning Hobbits 5891:Der Herr der Ringe 5824:Misty Mountain Hop 5681:Bored of the Rings 5505:Phial of Galadriel 4835:Sound and language 4730:Dreams and visions 4700:Addiction to power 4349:Musical Themes in 4074:on 10 October 2010 3760:. pp. 88–91. 3748:"Filming Folklore" 3617:Eden, Bradford Lee 3583:(13 August 2019). 3330:, pp. 11–133. 2777:Wilonsky, Robert. 2740:www.moviemusic.com 2677:"Annotated Score, 2365:2007-05-30 at the 2210:(listening sample) 2191:(listening sample) 2172:(listening sample) 2129:(listening Sample) 2107:(listening sample) 2057:(listening sample) 2038:(listening sample) 2000:(listening sample) 1911:(listening sample) 1887:(listening sample) 1655:to Wagner's operas 1635: 1594:Gregorian chanting 1557: 1473: 1397: 1375:Shore's choice of 1156: 1149: 1082:from Morocco. The 996: 963:Concerning Hobbits 930: 896:is a series where 894:Live to Projection 770:", sung softly by 766:. Among these is " 748: 627: 455: 394:Abbey Road Studios 353: 179:symphony orchestra 9968: 9967: 9822:Alexandre Desplat 9782:Alexandre Desplat 9777:The King's Speech 9747:Michael Giacchino 9719:Michael Giacchino 9388:Beverly Hills Cop 9325:Michael Boddicker 9051:Robert B. Sherman 8928: 8927: 8877:A Tolkien Compass 8793:Picturing Tolkien 8779:Interrupted Music 8748: 8747: 8684:Leaving Rivendell 8453: 8452: 8439:Journeys of Frodo 8293:Old Straight Road 8283:Naming of weapons 8026: 8025: 7773:LĂşthien and Beren 7562: 7561: 7544:Carl F. Hostetter 7395: 7394: 7368:Beren and LĂşthien 7349:Bilbo's Last Song 7132: 7131: 6983: 6982: 6891: 6890: 6840: 6839: 6733: 6732: 6610: 6609: 6606: 6605: 6533:Lord of the Rings 6455: 6454: 6446:Before the Shadow 6390:Siege of Mirkwood 6153: 6152: 6072: 6071: 6056:Picturing Tolkien 5774:Lord of the Rings 5727:Barbara Remington 5632:Beren and LĂşthien 5583:Bilbo's Last Song 5530: 5529: 5361: 5360: 5012: 5011: 4963:Pseudotranslation 4953:Editorial framing 4948:Character pairing 4795:Naming of weapons 4276:978-3-8364-2496-7 4232:978-3-9521424-9-3 4198:978-1-904764-82-3 4175:978-0-7190-7198-0 4152:978-0-7390-7157-1 4015:on 25 August 2013 3767:978-0-7864-8473-7 3676:978-0-7864-8473-7 3662:Picturing Tolkien 3653:Thompson, Kristin 3634:978-0-7864-4814-2 3452:, pp. 51–54. 3410:, pp. 26–27. 3383:, pp. 22–27. 3342:, pp. 14–21. 3266:on 19 August 2016 2912:Tolkien, J. R. R. 2851:on 22 August 2010 2783:Phoenix New Times 2779:"Talkin' Tolkien" 2639:on 10 March 2012. 2201:Dwarrowdelf theme 1792:Documentary films 1481:Picturing Tolkien 1405:Picturing Tolkien 1228: 1227: 1212:Magorinc Mearces. 1040: 924:The musicologist 888:to save the Shire 878:is replaced by a 847:hammered dulcimer 691: 690: 390:Watford Town Hall 186: 185: 53:Howard Shore 16:(Redirected from 10013: 9959:Ludwig Göransson 9870:Ludwig Göransson 9563:Independence Day 9539:Schindler's List 9461:Ryuichi Sakamoto 9448:The Last Emperor 9436:The Untouchables 9361:Michael Sembello 9230:Norman Whitfield 8955: 8948: 8941: 8932: 8931: 8849:Splintered Light 8464: 8463: 8288:Northern courage 8213:Environmentalism 8193:Decline and fall 8116:Tolkien's poetry 8035: 8034: 7753:FinwĂ« and MĂ­riel 7575: 7574: 7529:John D. Rateliff 7406: 7405: 7333:Unfinished Tales 7316:The Silmarillion 7212: 7211: 7177:J. R. R. 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Tolkien 32: 31: 21: 10021: 10020: 10016: 10015: 10014: 10012: 10011: 10010: 9971: 9970: 9969: 9964: 9947:Germaine Franco 9887: 9834:Antonio Sánchez 9752: 9726:The Dark Knight 9695:Craig Armstrong 9622:American Beauty 9609: 9478: 9441:Ennio Morricone 9409:Sharon Robinson 9365:Shandi Sinnamon 9353:Giorgio Moroder 9271: 9206:Marvin Hamlisch 9150:George Harrison 9120: 9025:No Award (1962) 8990: 8975:No Award (1958) 8964: 8959: 8929: 8924: 8835:Perilous Realms 8755: 8744: 8691: 8624: 8567:Symphony No. 1 8545: 8506:Donato Giancola 8459: 8449: 8419: 8366:Classical world 8332: 8223:First World War 8142: 8022: 7969: 7921:Lonely Mountain 7859: 7711: 7582: 7569: 7558: 7517: 7462:The Etymologies 7412: 7401: 7391: 7302: 7216: 7203: 7168: 7163: 7133: 7128: 7108: 7089:Lego The Hobbit 7061:Aragorn's Quest 6979: 6937: 6887: 6836: 6779: 6729: 6710: 6657: 6644: 6641: 6611: 6602: 6577: 6545: 6540:War of the Ring 6515:War of the Ring 6496: 6461: 6451: 6404:Riders of Rohan 6366: 6361:Return to Moria 6312:Aragorn's Quest 6254:War of the Ring 6212:Riders of Rohan 6149: 6122: 6085:Sagan om ringen 6068: 6063:Tolkien on Film 6026: 5992: 5956: 5949: 5897: 5838: 5802:Symphony No. 1 5780: 5753: 5703: 5668: 5651: 5536: 5526: 5483: 5474:Pelennor Fields 5457: 5357: 5331: 5266: 5073: 5066: 5008: 4929: 4890:First World War 4885:Classical world 4854: 4686: 4559: 4550: 4416: 4415: 4393: 4386: 4354:by Eric Rawlins 4287: 4277: 4265:. SaarbrĂĽcken: 4249:New Line Cinema 4233: 4199: 4176: 4153: 4138: 4123: 4118: 4111: 4107: 4092: 4091: 4087: 4077: 4075: 4058: 4054: 4044: 4042: 4033: 4032: 4028: 4018: 4016: 4007: 4006: 4002: 3992: 3990: 3975: 3971: 3959: 3953: 3949: 3941: 3937: 3909: 3905: 3901:, pp. 3–4. 3897: 3893: 3858: 3851: 3839: 3832: 3821: 3817: 3807: 3805: 3792: 3791: 3787: 3779: 3775: 3768: 3741: 3728: 3720: 3716: 3691: 3684: 3677: 3650: 3646: 3635: 3627:. p. 160. 3610: 3603: 3593: 3591: 3578: 3574: 3564: 3562: 3552: 3548: 3540: 3536: 3528: 3519: 3511: 3507: 3499: 3495: 3487: 3483: 3475: 3456: 3448: 3441: 3434:Reprise Records 3429: 3418: 3414: 3406: 3399: 3391: 3387: 3379: 3372: 3362: 3360: 3352:Rawlins, Eric. 3350: 3346: 3338: 3334: 3326: 3322: 3314: 3310: 3306:, p. xiii. 3302: 3298: 3290: 3279: 3269: 3267: 3263: 3256: 3250: 3246: 3238: 3227: 3223: 3222: 3218: 3208: 3206: 3189: 3185: 3177: 3173: 3165: 3158: 3150: 3146: 3138: 3134: 3126: 3122: 3114: 3107: 3099: 3095: 3087: 3083: 3075: 3071: 3063: 3059: 3049: 3047: 3034: 3033: 3029: 3019: 3017: 3004: 3003: 2999: 2991: 2987: 2979: 2975: 2968: 2948: 2944: 2909: 2905: 2895: 2893: 2884: 2883: 2879: 2871: 2864: 2854: 2852: 2843: 2842: 2838: 2834:, pp. 2–4. 2830: 2826: 2818: 2814: 2806: 2802: 2792: 2790: 2789:on 28 July 2012 2775: 2771: 2763: 2759: 2749: 2747: 2734: 2733: 2729: 2719: 2717: 2702: 2698: 2690: 2683: 2675: 2674: 2670: 2648: 2644: 2627: 2626: 2622: 2614: 2610: 2602: 2598: 2590: 2581: 2574:New Line Cinema 2568: 2567: 2560: 2553:New Line Cinema 2547: 2546: 2542: 2535:New Line Cinema 2529: 2528: 2524: 2514: 2512: 2497: 2493: 2483: 2481: 2468: 2467: 2463: 2453: 2451: 2436: 2435: 2431: 2414: 2413: 2406: 2396: 2394: 2386:The Independent 2377: 2373: 2367:Wayback Machine 2358: 2354: 2344: 2342: 2341:on 9 March 2011 2325: 2321: 2311: 2309: 2294: 2293: 2289: 2281: 2277: 2273: 2268: 2267: 2257: 2253: 2239: 2235: 2230:Wayback Machine 2221: 2214: 2208:Wayback Machine 2199: 2195: 2189:Wayback Machine 2180: 2176: 2170:Wayback Machine 2161: 2154: 2137: 2133: 2127:Wayback Machine 2118: 2111: 2105:Wayback Machine 2096: 2092: 2087: 2083: 2077:Wayback Machine 2070:Rivendell theme 2068: 2061: 2055:Wayback Machine 2046: 2042: 2036:Wayback Machine 2027: 2023: 2017:Wayback Machine 2008: 2004: 1998:Wayback Machine 1989: 1985: 1979:Wayback Machine 1970: 1961: 1949: 1945: 1939:Wayback Machine 1922: 1921: 1919: 1915: 1909:Wayback Machine 1900: 1891: 1885:Wayback Machine 1876: 1869: 1864: 1822: 1794: 1778: 1744:Reprise Records 1736: 1708: 1703: 1697: 1645:theme from his 1630: 1621:Götterdämmerung 1545: 1523:The translator 1512: 1508: 1475:The folklorist 1369: 1363: 1335: 1277: 1272: 1224: 1219: 1217: 1215: 1214:Bunden in byrde 1213: 1211: 1209: 1201: 1198: 1196: 1194: 1192: 1190: 1188: 1170:Philippa Boyens 1154: 1152:Annotated score 1141: 1123: 1072: 1071: 1063: 1061: 1060: 1059: 1058: 1050:Shore used the 1043: 1036: 1033: 1024: 950: 918: 904: 886:. 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9122: 9121: 9119: 9118: 9115:Burt Bacharach 9106: 9090: 9078: 9070:Doctor Zhivago 9066: 9054: 9038: 9026: 9023: 9011: 8998: 8996: 8992: 8991: 8989: 8988: 8985:Duke Ellington 8976: 8972: 8970: 8966: 8965: 8958: 8957: 8950: 8943: 8935: 8926: 8925: 8923: 8922: 8915: 8908: 8901: 8894: 8887: 8880: 8873: 8866: 8859: 8852: 8845: 8838: 8831: 8824: 8817: 8810: 8803: 8796: 8789: 8782: 8775: 8768: 8760: 8758: 8750: 8749: 8746: 8745: 8743: 8742: 8737: 8736: 8735: 8730: 8725: 8720: 8710: 8705: 8699: 8697: 8693: 8692: 8690: 8689: 8688: 8687: 8680: 8673: 8666: 8654: 8653: 8652: 8645: 8632: 8630: 8626: 8625: 8623: 8622: 8621: 8620: 8611:Blind Guardian 8608: 8607: 8606: 8597: 8588: 8574: 8573: 8572: 8559: 8553: 8551: 8547: 8546: 8544: 8543: 8538: 8533: 8528: 8523: 8518: 8513: 8508: 8503: 8498: 8493: 8488: 8483: 8478: 8476:Pauline Baynes 8472: 8470: 8461: 8455: 8454: 8451: 8450: 8448: 8447: 8442: 8435: 8427: 8425: 8421: 8420: 8418: 8417: 8412: 8411: 8410: 8400: 8399: 8398: 8393: 8388: 8383: 8378: 8373: 8368: 8363: 8358: 8346: 8340: 8338: 8334: 8333: 8331: 8330: 8325: 8320: 8315: 8310: 8305: 8300: 8295: 8290: 8285: 8280: 8275: 8270: 8265: 8263:Mental illness 8260: 8255: 8250: 8245: 8240: 8235: 8230: 8225: 8220: 8215: 8210: 8205: 8200: 8195: 8190: 8185: 8184: 8183: 8173: 8168: 8163: 8158: 8152: 8150: 8144: 8143: 8141: 8140: 8139: 8138: 8133: 8128: 8118: 8113: 8108: 8107: 8106: 8101: 8096: 8091: 8090: 8089: 8084: 8074: 8069: 8059: 8054: 8049: 8043: 8041: 8032: 8028: 8027: 8024: 8023: 8021: 8020: 8015: 8010: 8005: 8004: 8003: 7996:Rings of Power 7993: 7988: 7983: 7977: 7975: 7971: 7970: 7968: 7967: 7966: 7965: 7964: 7963: 7953: 7948: 7943: 7938: 7933: 7928: 7923: 7918: 7913: 7908: 7903: 7898: 7890: 7889: 7888: 7883: 7878: 7869: 7867: 7861: 7860: 7858: 7857: 7856: 7855: 7850: 7845: 7840: 7835: 7830: 7825: 7820: 7815: 7807: 7806: 7805: 7800: 7798:TĂşrin Turambar 7795: 7793:Tuor and Idril 7790: 7785: 7780: 7775: 7770: 7765: 7760: 7755: 7750: 7745: 7740: 7735: 7730: 7721: 7719: 7713: 7712: 7710: 7709: 7704: 7699: 7698: 7697: 7692: 7687: 7677: 7672: 7667: 7666: 7665: 7660: 7655: 7645: 7640: 7635: 7634: 7633: 7628: 7618: 7617: 7616: 7611: 7610: 7609: 7604: 7588: 7586: 7572: 7564: 7563: 7560: 7559: 7557: 7556: 7555: 7554: 7541: 7540: 7539: 7525: 7523: 7519: 7518: 7516: 7515: 7507: 7499: 7496:Morgoth's Ring 7491: 7490: 7489: 7474: 7473: 7472: 7465: 7450: 7442: 7434: 7433: 7432: 7418: 7416: 7403: 7397: 7396: 7393: 7392: 7390: 7389: 7381: 7380: 7379: 7371: 7363: 7352: 7344: 7336: 7328: 7327: 7326: 7310: 7308: 7304: 7303: 7301: 7300: 7292: 7291: 7290: 7289: 7288: 7281: 7267: 7264:The Two Towers 7260: 7259: 7258: 7251: 7229: 7220: 7218: 7209: 7205: 7204: 7202: 7201: 7196: 7191: 7186: 7185: 7184: 7173: 7170: 7169: 7162: 7161: 7154: 7147: 7139: 7130: 7129: 7127: 7126: 7113: 7110: 7109: 7107: 7106: 7099: 7092: 7085: 7078: 7071: 7064: 7057: 7050: 7049: 7048: 7034: 7027: 7020: 7019: 7018: 7006: 6999: 6996:The Two Towers 6991: 6989: 6985: 6984: 6981: 6980: 6978: 6977: 6972: 6971: 6970: 6958: 6957: 6956: 6945: 6943: 6939: 6938: 6936: 6935: 6927: 6919: 6910: 6908: 6901: 6893: 6892: 6889: 6888: 6886: 6885: 6878: 6875:The Exhibition 6871: 6866: 6856: 6850: 6848: 6842: 6841: 6838: 6837: 6835: 6834: 6827: 6824:A Walking Song 6820: 6813: 6806: 6799: 6787: 6785: 6781: 6780: 6778: 6777: 6769: 6765:The Two Towers 6761: 6752: 6750: 6741: 6735: 6734: 6731: 6730: 6728: 6727: 6718: 6716: 6712: 6711: 6709: 6708: 6700: 6696:The Two Towers 6692: 6683: 6681: 6674: 6667: 6659: 6658: 6656: 6655: 6649: 6646: 6645: 6640: 6639: 6632: 6625: 6617: 6608: 6607: 6604: 6603: 6601: 6600: 6593: 6585: 6583: 6579: 6578: 6576: 6575: 6568: 6561: 6553: 6551: 6547: 6546: 6544: 6543: 6536: 6529: 6528: 6527: 6522: 6517: 6504: 6502: 6498: 6497: 6495: 6494: 6487: 6480: 6473: 6465: 6463: 6460:Tabletop role- 6457: 6456: 6453: 6452: 6450: 6449: 6442: 6435: 6428: 6421: 6414: 6407: 6400: 6393: 6386: 6383:Mines of Moria 6378: 6376: 6365: 6364: 6357: 6350: 6343: 6336: 6329: 6322: 6315: 6308: 6301: 6300: 6299: 6285: 6278: 6271: 6270: 6269: 6257: 6250: 6243: 6240:The Two Towers 6236: 6229: 6222: 6215: 6208: 6200: 6192: 6185: 6178: 6171: 6163: 6161: 6155: 6154: 6151: 6150: 6148: 6147: 6139: 6130: 6128: 6124: 6123: 6121: 6120: 6119: 6118: 6105: 6097: 6089: 6080: 6078: 6074: 6073: 6070: 6069: 6067: 6066: 6059: 6052: 6047: 6046: 6045: 6034: 6032: 6028: 6027: 6025: 6024: 6017: 6010: 6002: 6000: 5994: 5993: 5991: 5990: 5982: 5978:The Two Towers 5974: 5965: 5959: 5951: 5950: 5948: 5947: 5939: 5927: 5914: 5912: 5905: 5899: 5898: 5896: 5895: 5887: 5879: 5871: 5859: 5846: 5844: 5840: 5839: 5837: 5836: 5835: 5834: 5827: 5820: 5808: 5799: 5790: 5788: 5782: 5781: 5779: 5778: 5770: 5761: 5759: 5755: 5754: 5752: 5751: 5746: 5741: 5736: 5731: 5730: 5729: 5724: 5722:Pauline Baynes 5713: 5711: 5705: 5704: 5702: 5701: 5693: 5685: 5676: 5674: 5670: 5669: 5653: 5652: 5650: 5649: 5642: 5635: 5628: 5621: 5614: 5607: 5600: 5593: 5586: 5579: 5572: 5571: 5570: 5565: 5560: 5548: 5540: 5538: 5532: 5531: 5528: 5527: 5525: 5524: 5519: 5518: 5517: 5510:Rings of Power 5507: 5502: 5497: 5491: 5489: 5485: 5484: 5482: 5481: 5476: 5471: 5465: 5463: 5459: 5458: 5456: 5455: 5454: 5453: 5443: 5438: 5433: 5428: 5423: 5418: 5413: 5412: 5411: 5410: 5409: 5399: 5394: 5389: 5380: 5378: 5369: 5363: 5362: 5359: 5358: 5356: 5355: 5350: 5345: 5339: 5337: 5333: 5332: 5330: 5329: 5324: 5319: 5314: 5309: 5304: 5302:Old Man Willow 5299: 5298: 5297: 5287: 5282: 5276: 5274: 5268: 5267: 5265: 5264: 5263: 5262: 5261: 5260: 5255: 5250: 5245: 5234: 5233: 5232: 5227: 5222: 5211: 5210: 5209: 5199: 5194: 5184: 5183: 5182: 5177: 5172: 5167: 5162: 5152: 5151: 5150: 5140: 5139: 5138: 5133: 5128: 5127: 5126: 5121: 5111: 5106: 5096: 5095: 5094: 5089: 5078: 5076: 5068: 5067: 5065: 5064: 5063: 5062: 5057: 5052: 5042: 5037: 5031: 5029: 5020: 5014: 5013: 5010: 5009: 5007: 5006: 5005: 5004: 4999: 4989: 4988: 4987: 4982: 4972: 4967: 4966: 4965: 4960: 4950: 4945: 4939: 4937: 4931: 4930: 4928: 4927: 4922: 4917: 4912: 4907: 4905:Modern sources 4902: 4897: 4892: 4887: 4882: 4877: 4870: 4868:Antiquarianism 4864: 4862: 4856: 4855: 4853: 4852: 4847: 4842: 4837: 4832: 4827: 4822: 4817: 4812: 4807: 4802: 4797: 4792: 4787: 4782: 4780:Mental illness 4777: 4772: 4767: 4762: 4757: 4752: 4747: 4742: 4737: 4732: 4727: 4722: 4717: 4712: 4707: 4702: 4696: 4694: 4688: 4687: 4685: 4684: 4679: 4678: 4677: 4675:A Walking Song 4672: 4667: 4662: 4657: 4650: 4638: 4633: 4632: 4631: 4626: 4625: 4624: 4619: 4609: 4599: 4594: 4589: 4584: 4578: 4576: 4567: 4561: 4560: 4553: 4551: 4549: 4548: 4547: 4546: 4541: 4539:Works inspired 4536: 4535: 4534: 4529: 4524: 4514: 4509: 4501: 4500: 4499: 4494: 4484: 4483: 4482: 4475: 4468: 4461: 4451: 4450: 4449: 4442: 4439:The Two Towers 4435: 4424: 4422: 4418: 4417: 4414: 4413: 4405: 4399: 4398: 4395: 4394: 4385: 4384: 4377: 4370: 4362: 4356: 4355: 4346: 4340: 4332: 4327: 4326: 4325: 4313: 4306:The Two Towers 4301: 4286: 4285:External links 4283: 4282: 4281: 4275: 4256: 4251:. SHORE-90-AW. 4237: 4231: 4211: 4197: 4180: 4174: 4157: 4151: 4122: 4119: 4117: 4116: 4105: 4085: 4052: 4026: 4000: 3969: 3947: 3935: 3903: 3891: 3849: 3846:Honegger 2011b 3830: 3827:Honegger 2011b 3823:FerrĂ©, Vincent 3815: 3785: 3783:, p. 151. 3773: 3766: 3726: 3724:, p. 140. 3714: 3682: 3675: 3669:. p. 31. 3644: 3633: 3613:Bratman, David 3601: 3581:Scruton, Roger 3572: 3546: 3534: 3517: 3505: 3493: 3491:, p. 354. 3481: 3454: 3439: 3412: 3397: 3385: 3370: 3344: 3332: 3320: 3308: 3296: 3277: 3244: 3216: 3183: 3171: 3156: 3144: 3132: 3120: 3105: 3093: 3081: 3069: 3057: 3027: 2997: 2995:, p. 166. 2985: 2983:, p. 141. 2973: 2967:978-1904764823 2966: 2942: 2903: 2877: 2875:, p. 142. 2862: 2836: 2824: 2812: 2810:, p. 139. 2800: 2769: 2757: 2727: 2696: 2679:The Two Towers 2668: 2642: 2620: 2608: 2596: 2579: 2558: 2540: 2522: 2491: 2474:TheOneRing.net 2461: 2429: 2404: 2371: 2352: 2319: 2287: 2274: 2272: 2269: 2266: 2265: 2251: 2233: 2212: 2193: 2174: 2152: 2131: 2109: 2090: 2081: 2059: 2040: 2021: 2002: 1983: 1959: 1943: 1928:The Two Towers 1913: 1889: 1866: 1865: 1863: 1860: 1859: 1858: 1849: 1840: 1821: 1818: 1793: 1790: 1777: 1772: 1735: 1730: 1719:The Two Towers 1707: 1704: 1699:Main article: 1696: 1693: 1633:s end credits. 1553:Richard Wagner 1544: 1541: 1497:Pre-Raphaelite 1467:1911 painting 1391:pictured) was 1362: 1359: 1334: 1331: 1330: 1329: 1305: 1301:The Two Towers 1297: 1276: 1273: 1271: 1268: 1236:The Two Towers 1226: 1225: 1220:TĂł Ăľegnunge... 1218:Bunden in lufe 1204: 1202: 1193:Bound by birth 1185: 1182: 1181: 1172: 1166: 1165: 1153: 1150: 1062: 1044: 1034: 1029: 1028: 1027: 1026: 1025: 1023: 1020: 967:all in one key 965:. The melody, 949: 946: 917: 914: 814: 811: 803:The Two Towers 744:diegetic music 728: 725: 699:Cate Blanchett 689: 688: 673: 671: 660: 657: 656: 647: 637: 636: 588: 585: 531:Cameron Duncan 471:Sheila Chandra 425: 398:The Two Towers 365:Wojciech Kilar 347:, composer of 337: 334: 332: 329: 290: 287: 196:was composed, 184: 183: 181: 180: 177: 174: 171: 168: 165: 162: 159: 156: 152: 150: 146: 145: 142: 138: 137: 126: 122: 121: 94: 90: 89: 72: 68: 67: 60: 56: 55: 39: 38: 26: 9: 6: 4: 3: 2: 10018: 10007: 10004: 10002: 9999: 9997: 9994: 9992: 9989: 9987: 9984: 9982: 9979: 9978: 9976: 9960: 9956: 9955: 9951: 9948: 9944: 9943: 9939: 9936: 9932: 9928: 9924: 9923: 9918: 9914: 9913: 9909: 9906: 9902: 9901: 9897: 9896: 9894: 9890: 9883: 9879: 9878: 9874: 9871: 9867: 9866: 9865:Black Panther 9862: 9859: 9855: 9854: 9850: 9847: 9846:John Williams 9843: 9842: 9838: 9835: 9831: 9830: 9826: 9823: 9819: 9818: 9814: 9811: 9810:Thomas Newman 9807: 9806: 9802: 9799: 9795: 9791: 9790: 9786: 9783: 9779: 9778: 9774: 9771: 9767: 9766: 9762: 9761: 9759: 9755: 9748: 9744: 9743: 9739: 9736: 9732: 9728: 9727: 9723: 9720: 9716: 9715: 9711: 9708: 9707:John Williams 9704: 9703: 9699: 9696: 9692: 9691: 9687: 9684: 9680: 9676: 9675: 9671: 9668: 9664: 9660: 9659: 9655: 9652: 9648: 9647: 9643: 9640: 9636: 9635: 9631: 9628: 9627:Thomas Newman 9624: 9623: 9619: 9618: 9616: 9612: 9605: 9601: 9600: 9596: 9593: 9592:John Williams 9589: 9588: 9584: 9581: 9580:Gabriel Yared 9577: 9576: 9572: 9569: 9565: 9564: 9560: 9557: 9553: 9552: 9548: 9545: 9544:John Williams 9541: 9540: 9536: 9533: 9529: 9528: 9524: 9521: 9517: 9516: 9512: 9509: 9505: 9504: 9500: 9497: 9493: 9492: 9488: 9487: 9485: 9481: 9474: 9470: 9469: 9465: 9462: 9458: 9454: 9450: 9449: 9445: 9442: 9438: 9437: 9433: 9430: 9426: 9425: 9424:Out of Africa 9421: 9418: 9414: 9410: 9406: 9405:Howard Hewett 9402: 9398: 9394: 9390: 9389: 9385: 9382: 9378: 9374: 9373: 9369: 9366: 9362: 9358: 9354: 9350: 9346: 9342: 9338: 9334: 9330: 9326: 9322: 9321: 9317: 9314: 9313:John Williams 9310: 9309: 9305: 9302: 9301:John Williams 9298: 9297: 9293: 9290: 9289:John Williams 9286: 9285: 9281: 9280: 9278: 9274: 9267: 9266:John Williams 9263: 9262: 9258: 9255: 9254:John Williams 9251: 9250: 9246: 9243: 9242:John Williams 9239: 9238: 9234: 9231: 9227: 9226: 9222: 9219: 9218:John Williams 9215: 9214: 9210: 9207: 9203: 9199: 9198: 9194: 9191: 9187: 9186: 9182: 9179: 9175: 9174: 9173:The Godfather 9170: 9167: 9163: 9162: 9158: 9155: 9151: 9147: 9143: 9139: 9135: 9134: 9130: 9129: 9127: 9123: 9116: 9112: 9111: 9107: 9104: 9100: 9096: 9095: 9091: 9088: 9087:Lalo Schifrin 9084: 9083: 9079: 9076: 9075:Maurice Jarre 9072: 9071: 9067: 9064: 9063:Johnny Mandel 9060: 9059: 9058:The Sandpiper 9055: 9052: 9048: 9044: 9043: 9039: 9036: 9032: 9031: 9027: 9024: 9021: 9020:Henry Mancini 9017: 9016: 9012: 9009: 9005: 9004: 9000: 8999: 8997: 8993: 8986: 8982: 8981: 8977: 8974: 8973: 8971: 8967: 8963: 8956: 8951: 8949: 8944: 8942: 8937: 8936: 8933: 8921: 8920: 8916: 8914: 8913: 8909: 8907: 8906: 8902: 8900: 8899: 8895: 8893: 8892: 8888: 8886: 8885: 8881: 8879: 8878: 8874: 8872: 8871: 8867: 8865: 8864: 8860: 8858: 8857: 8853: 8851: 8850: 8846: 8844: 8843: 8839: 8837: 8836: 8832: 8830: 8829: 8825: 8823: 8822: 8818: 8816: 8815: 8811: 8809: 8808: 8804: 8802: 8801: 8797: 8795: 8794: 8790: 8788: 8787: 8783: 8781: 8780: 8776: 8774: 8773: 8769: 8767: 8766: 8762: 8761: 8759: 8757: 8751: 8741: 8738: 8734: 8731: 8729: 8726: 8724: 8721: 8719: 8716: 8715: 8714: 8711: 8709: 8706: 8704: 8701: 8700: 8698: 8694: 8686: 8685: 8681: 8679: 8678: 8674: 8672: 8671: 8667: 8665: 8664: 8660: 8659: 8658: 8655: 8651: 8650: 8646: 8644: 8643: 8639: 8638: 8637: 8634: 8633: 8631: 8627: 8619: 8618: 8614: 8613: 8612: 8609: 8605: 8603: 8598: 8596: 8594: 8589: 8587: 8585: 8580: 8579: 8578: 8575: 8571: 8570: 8565: 8564: 8563: 8562:Johan de Meij 8560: 8558: 8555: 8554: 8552: 8548: 8542: 8539: 8537: 8534: 8532: 8529: 8527: 8524: 8522: 8519: 8517: 8514: 8512: 8509: 8507: 8504: 8502: 8501:Mary Fairburn 8499: 8497: 8494: 8492: 8489: 8487: 8484: 8482: 8479: 8477: 8474: 8473: 8471: 8469: 8465: 8462: 8456: 8446: 8443: 8441: 8440: 8436: 8434: 8433: 8429: 8428: 8426: 8422: 8416: 8413: 8409: 8406: 8405: 8404: 8401: 8397: 8394: 8392: 8389: 8387: 8384: 8382: 8379: 8377: 8374: 8372: 8369: 8367: 8364: 8362: 8359: 8357: 8356: 8352: 8351: 8350: 8347: 8345: 8342: 8341: 8339: 8335: 8329: 8326: 8324: 8321: 8319: 8316: 8314: 8311: 8309: 8306: 8304: 8301: 8299: 8296: 8294: 8291: 8289: 8286: 8284: 8281: 8279: 8276: 8274: 8273:Moral dilemma 8271: 8269: 8266: 8264: 8261: 8259: 8256: 8254: 8253:Luck and fate 8251: 8249: 8246: 8244: 8241: 8239: 8236: 8234: 8233:Frame stories 8231: 8229: 8226: 8224: 8221: 8219: 8216: 8214: 8211: 8209: 8206: 8204: 8201: 8199: 8196: 8194: 8191: 8189: 8186: 8182: 8179: 8178: 8177: 8174: 8172: 8169: 8167: 8164: 8162: 8159: 8157: 8154: 8153: 8151: 8149: 8145: 8137: 8134: 8132: 8129: 8127: 8124: 8123: 8122: 8119: 8117: 8114: 8112: 8109: 8105: 8102: 8100: 8097: 8095: 8092: 8088: 8085: 8083: 8080: 8079: 8078: 8075: 8073: 8070: 8068: 8065: 8064: 8063: 8060: 8058: 8055: 8053: 8050: 8048: 8045: 8044: 8042: 8040: 8036: 8033: 8029: 8019: 8016: 8014: 8011: 8009: 8006: 8002: 7999: 7998: 7997: 7994: 7992: 7989: 7987: 7984: 7982: 7979: 7978: 7976: 7972: 7962: 7959: 7958: 7957: 7954: 7952: 7949: 7947: 7944: 7942: 7939: 7937: 7934: 7932: 7929: 7927: 7924: 7922: 7919: 7917: 7914: 7912: 7909: 7907: 7904: 7902: 7899: 7897: 7894: 7893: 7891: 7887: 7884: 7882: 7879: 7877: 7874: 7873: 7871: 7870: 7868: 7866: 7862: 7854: 7851: 7849: 7846: 7844: 7841: 7839: 7836: 7834: 7831: 7829: 7826: 7824: 7821: 7819: 7816: 7814: 7811: 7810: 7808: 7804: 7801: 7799: 7796: 7794: 7791: 7789: 7786: 7784: 7781: 7779: 7776: 7774: 7771: 7769: 7766: 7764: 7761: 7759: 7756: 7754: 7751: 7749: 7746: 7744: 7741: 7739: 7736: 7734: 7731: 7729: 7726: 7725: 7723: 7722: 7720: 7718: 7714: 7708: 7705: 7703: 7700: 7696: 7693: 7691: 7688: 7686: 7683: 7682: 7681: 7678: 7676: 7673: 7671: 7668: 7664: 7661: 7659: 7656: 7654: 7651: 7650: 7649: 7646: 7644: 7641: 7639: 7636: 7632: 7629: 7627: 7624: 7623: 7622: 7619: 7615: 7612: 7608: 7605: 7603: 7600: 7599: 7598: 7595: 7594: 7593: 7590: 7589: 7587: 7585: 7580: 7576: 7573: 7571: 7565: 7553: 7552: 7547: 7546: 7545: 7542: 7538: 7537: 7532: 7531: 7530: 7527: 7526: 7524: 7520: 7514: 7513: 7508: 7506: 7505: 7500: 7498: 7497: 7492: 7488: 7487: 7483: 7482: 7481: 7480: 7475: 7471: 7470: 7466: 7464: 7463: 7459: 7458: 7457: 7456: 7451: 7449: 7448: 7443: 7441: 7440: 7435: 7431: 7428: 7427: 7426: 7425: 7420: 7419: 7417: 7415: 7414: 7407: 7404: 7398: 7388: 7387: 7382: 7378: 7377: 7372: 7370: 7369: 7364: 7362: 7361: 7356: 7355: 7353: 7351: 7350: 7345: 7343: 7342: 7337: 7335: 7334: 7329: 7324: 7320: 7319: 7318: 7317: 7312: 7311: 7309: 7305: 7299: 7298: 7293: 7286: 7282: 7279: 7275: 7274: 7273: 7272: 7268: 7266: 7265: 7261: 7256: 7252: 7249: 7245: 7244: 7243: 7242: 7238: 7237: 7236: 7235: 7230: 7228: 7227: 7222: 7221: 7219: 7213: 7210: 7206: 7200: 7197: 7195: 7192: 7190: 7187: 7183: 7180: 7179: 7178: 7175: 7174: 7171: 7167: 7160: 7155: 7153: 7148: 7146: 7141: 7140: 7137: 7125: 7124: 7115: 7114: 7111: 7105: 7104: 7100: 7098: 7097: 7093: 7091: 7090: 7086: 7084: 7083: 7079: 7077: 7076: 7072: 7070: 7069: 7065: 7063: 7062: 7058: 7056: 7055: 7051: 7047: 7046: 7042: 7041: 7040: 7039: 7035: 7033: 7032: 7028: 7026: 7025: 7021: 7017: 7014: 7013: 7012: 7011: 7010:The Third Age 7007: 7005: 7004: 7000: 6998: 6997: 6993: 6992: 6990: 6986: 6976: 6973: 6968: 6964: 6963: 6962: 6959: 6955: 6952: 6951: 6950: 6947: 6946: 6944: 6940: 6933: 6932: 6928: 6925: 6924: 6920: 6917: 6916: 6912: 6911: 6909: 6905: 6902: 6900: 6899: 6894: 6884: 6883: 6879: 6877: 6876: 6872: 6870: 6867: 6864: 6860: 6857: 6855: 6852: 6851: 6849: 6847: 6843: 6832: 6831:Into the West 6828: 6825: 6821: 6818: 6814: 6811: 6807: 6804: 6800: 6797: 6793: 6789: 6788: 6786: 6782: 6775: 6774: 6770: 6767: 6766: 6762: 6759: 6758: 6754: 6753: 6751: 6749: 6745: 6742: 6740: 6736: 6725: 6724: 6720: 6719: 6717: 6713: 6706: 6705: 6701: 6698: 6697: 6693: 6690: 6689: 6685: 6684: 6682: 6678: 6675: 6671: 6668: 6666: 6665: 6660: 6654: 6651: 6650: 6647: 6638: 6633: 6631: 6626: 6624: 6619: 6618: 6615: 6599: 6598: 6594: 6592: 6591: 6587: 6586: 6584: 6580: 6574: 6573: 6569: 6567: 6566: 6562: 6560: 6559: 6555: 6554: 6552: 6548: 6542: 6541: 6537: 6535: 6534: 6530: 6526: 6523: 6521: 6518: 6516: 6513: 6512: 6511: 6510: 6506: 6505: 6503: 6499: 6493: 6492: 6488: 6486: 6485: 6481: 6479: 6478: 6474: 6472: 6471: 6467: 6466: 6464: 6462:playing games 6458: 6448: 6447: 6443: 6441: 6440: 6436: 6434: 6433: 6429: 6427: 6426: 6422: 6420: 6419: 6415: 6413: 6412: 6408: 6406: 6405: 6401: 6399: 6398: 6394: 6392: 6391: 6387: 6385: 6384: 6380: 6379: 6377: 6375: 6374: 6369: 6363: 6362: 6358: 6356: 6355: 6351: 6349: 6348: 6347:Shadow of War 6344: 6342: 6341: 6337: 6335: 6334: 6330: 6328: 6327: 6323: 6321: 6320: 6316: 6314: 6313: 6309: 6307: 6306: 6302: 6298: 6297: 6293: 6292: 6291: 6290: 6286: 6284: 6283: 6279: 6277: 6276: 6272: 6268: 6265: 6264: 6263: 6262: 6261:The Third Age 6258: 6256: 6255: 6251: 6249: 6248: 6244: 6242: 6241: 6237: 6235: 6234: 6230: 6228: 6227: 6223: 6221: 6220: 6216: 6214: 6213: 6209: 6207: 6205: 6201: 6199: 6197: 6193: 6191: 6190: 6186: 6184: 6183: 6179: 6177: 6176: 6172: 6170: 6169: 6165: 6164: 6162: 6160: 6156: 6145: 6144: 6140: 6137: 6136: 6132: 6131: 6129: 6125: 6117: 6114: 6113: 6111: 6110: 6106: 6103: 6102: 6098: 6095: 6094: 6090: 6087: 6086: 6082: 6081: 6079: 6075: 6065: 6064: 6060: 6058: 6057: 6053: 6051: 6048: 6044: 6041: 6040: 6039: 6036: 6035: 6033: 6029: 6022: 6018: 6015: 6014:Into the West 6011: 6008: 6004: 6003: 6001: 5999: 5995: 5988: 5987: 5983: 5980: 5979: 5975: 5972: 5971: 5967: 5966: 5963: 5960: 5958: 5955:Peter Jackson 5952: 5945: 5944: 5940: 5937: 5933: 5932: 5928: 5925: 5921: 5920: 5916: 5915: 5913: 5909: 5906: 5904: 5900: 5893: 5892: 5888: 5885: 5884: 5880: 5877: 5876: 5872: 5869: 5865: 5864: 5860: 5857: 5853: 5852: 5848: 5847: 5845: 5841: 5832: 5828: 5825: 5821: 5818: 5814: 5813: 5812: 5809: 5806: 5805: 5800: 5797: 5796: 5792: 5791: 5789: 5787: 5783: 5776: 5775: 5771: 5768: 5767: 5763: 5762: 5760: 5756: 5750: 5747: 5745: 5742: 5740: 5737: 5735: 5732: 5728: 5725: 5723: 5720: 5719: 5718: 5715: 5714: 5712: 5710: 5709:Illustrations 5706: 5699: 5698: 5694: 5691: 5690: 5686: 5683: 5682: 5678: 5677: 5675: 5671: 5667: 5663: 5658: 5654: 5648: 5647: 5643: 5641: 5640: 5636: 5634: 5633: 5629: 5627: 5626: 5622: 5620: 5619: 5615: 5613: 5612: 5608: 5606: 5605: 5601: 5599: 5598: 5594: 5592: 5591: 5587: 5585: 5584: 5580: 5578: 5577: 5573: 5569: 5566: 5564: 5561: 5559: 5556: 5555: 5554: 5553: 5549: 5547: 5546: 5542: 5541: 5539: 5533: 5523: 5520: 5516: 5513: 5512: 5511: 5508: 5506: 5503: 5501: 5498: 5496: 5493: 5492: 5490: 5486: 5480: 5477: 5475: 5472: 5470: 5467: 5466: 5464: 5460: 5452: 5449: 5448: 5447: 5444: 5442: 5439: 5437: 5434: 5432: 5429: 5427: 5424: 5422: 5419: 5417: 5414: 5408: 5405: 5404: 5403: 5400: 5398: 5395: 5393: 5390: 5388: 5385: 5384: 5382: 5381: 5379: 5377: 5373: 5370: 5368: 5364: 5354: 5351: 5349: 5346: 5344: 5341: 5340: 5338: 5334: 5328: 5325: 5323: 5320: 5318: 5315: 5313: 5310: 5308: 5305: 5303: 5300: 5296: 5293: 5292: 5291: 5288: 5286: 5283: 5281: 5278: 5277: 5275: 5273: 5269: 5259: 5256: 5254: 5251: 5249: 5246: 5244: 5241: 5240: 5239: 5235: 5231: 5228: 5226: 5223: 5221: 5218: 5217: 5216: 5212: 5208: 5205: 5204: 5203: 5200: 5198: 5195: 5193: 5190: 5189: 5188: 5185: 5181: 5178: 5176: 5173: 5171: 5168: 5166: 5163: 5161: 5158: 5157: 5156: 5153: 5149: 5146: 5145: 5144: 5141: 5137: 5134: 5132: 5129: 5125: 5122: 5120: 5117: 5116: 5115: 5112: 5110: 5107: 5105: 5102: 5101: 5100: 5097: 5093: 5090: 5088: 5085: 5084: 5083: 5080: 5079: 5077: 5075: 5069: 5061: 5058: 5056: 5053: 5051: 5048: 5047: 5046: 5043: 5041: 5038: 5036: 5033: 5032: 5030: 5028: 5024: 5021: 5019: 5015: 5003: 5000: 4998: 4995: 4994: 4993: 4990: 4986: 4983: 4981: 4978: 4977: 4976: 4973: 4971: 4968: 4964: 4961: 4959: 4958:Frame stories 4956: 4955: 4954: 4951: 4949: 4946: 4944: 4941: 4940: 4938: 4936: 4932: 4926: 4923: 4921: 4918: 4916: 4913: 4911: 4908: 4906: 4903: 4901: 4898: 4896: 4893: 4891: 4888: 4886: 4883: 4881: 4878: 4876: 4875: 4871: 4869: 4866: 4865: 4863: 4861: 4857: 4851: 4848: 4846: 4843: 4841: 4838: 4836: 4833: 4831: 4828: 4826: 4823: 4821: 4818: 4816: 4813: 4811: 4808: 4806: 4803: 4801: 4798: 4796: 4793: 4791: 4788: 4786: 4785:Moral dilemma 4783: 4781: 4778: 4776: 4773: 4771: 4770:Luck and fate 4768: 4766: 4763: 4761: 4758: 4756: 4753: 4751: 4748: 4746: 4743: 4741: 4738: 4736: 4733: 4731: 4728: 4726: 4723: 4721: 4718: 4716: 4713: 4711: 4708: 4706: 4703: 4701: 4698: 4697: 4695: 4693: 4689: 4683: 4680: 4676: 4673: 4671: 4668: 4666: 4663: 4661: 4658: 4656: 4655: 4651: 4649: 4648: 4644: 4643: 4642: 4639: 4637: 4634: 4630: 4627: 4623: 4620: 4618: 4615: 4614: 4613: 4610: 4608: 4605: 4604: 4603: 4600: 4598: 4595: 4593: 4590: 4588: 4585: 4583: 4580: 4579: 4577: 4575: 4571: 4568: 4566: 4562: 4557: 4545: 4542: 4540: 4537: 4533: 4530: 4528: 4525: 4523: 4520: 4519: 4518: 4515: 4513: 4510: 4508: 4505: 4504: 4502: 4498: 4495: 4493: 4490: 4489: 4488: 4485: 4480: 4476: 4473: 4469: 4466: 4462: 4459: 4455: 4454: 4452: 4448: 4447: 4443: 4441: 4440: 4436: 4434: 4433: 4429: 4428: 4426: 4425: 4423: 4419: 4412: 4411: 4408:Constructing 4406: 4404: 4401: 4400: 4396: 4392: 4391: 4383: 4378: 4376: 4371: 4369: 4364: 4363: 4360: 4353: 4352: 4347: 4344: 4341: 4339: 4338: 4333: 4331: 4328: 4324: 4320: 4319: 4314: 4312: 4308: 4307: 4302: 4300: 4299: 4294: 4293: 4292: 4289: 4288: 4278: 4272: 4268: 4264: 4263: 4257: 4255: 4250: 4246: 4242: 4241:Shore, Howard 4238: 4234: 4228: 4224: 4220: 4216: 4212: 4208: 4204: 4200: 4194: 4190: 4186: 4181: 4177: 4171: 4167: 4163: 4158: 4154: 4148: 4142: 4137: 4133: 4129: 4125: 4124: 4114: 4109: 4102: 4101: 4095: 4089: 4073: 4069: 4068: 4063: 4056: 4040: 4036: 4030: 4014: 4010: 4004: 3988: 3984: 3980: 3973: 3965: 3958: 3951: 3945:, p. 27. 3944: 3939: 3931: 3927: 3923: 3919: 3918: 3913: 3912:Fisher, Jason 3907: 3900: 3895: 3887: 3883: 3879: 3875: 3871: 3867: 3863: 3856: 3854: 3847: 3843: 3837: 3835: 3828: 3824: 3819: 3803: 3799: 3795: 3789: 3782: 3777: 3769: 3763: 3759: 3755: 3754: 3749: 3745: 3744:Fimi, Dimitra 3739: 3737: 3735: 3733: 3731: 3723: 3718: 3710: 3706: 3702: 3698: 3697: 3689: 3687: 3678: 3672: 3668: 3664: 3663: 3658: 3654: 3648: 3641: 3636: 3630: 3626: 3622: 3618: 3614: 3608: 3606: 3590: 3586: 3582: 3576: 3561: 3557: 3550: 3543: 3538: 3531: 3526: 3524: 3522: 3514: 3509: 3502: 3501:Bernanke 2008 3497: 3490: 3485: 3478: 3477:Donnelly 2006 3473: 3471: 3469: 3467: 3465: 3463: 3461: 3459: 3451: 3446: 3444: 3435: 3428: 3427: 3422: 3421:Shore, Howard 3416: 3409: 3404: 3402: 3395:, p. 23. 3394: 3389: 3382: 3377: 3375: 3359: 3355: 3348: 3341: 3336: 3329: 3324: 3317: 3312: 3305: 3300: 3294:, p. xi. 3293: 3288: 3286: 3284: 3282: 3262: 3255: 3248: 3237: 3233: 3226: 3220: 3204: 3200: 3199: 3194: 3187: 3180: 3175: 3168: 3163: 3161: 3153: 3148: 3141: 3136: 3129: 3124: 3117: 3112: 3110: 3102: 3097: 3090: 3085: 3078: 3073: 3066: 3061: 3045: 3041: 3037: 3031: 3015: 3011: 3007: 3001: 2994: 2989: 2982: 2977: 2969: 2963: 2959: 2955: 2954: 2946: 2937: 2933: 2929: 2925: 2924: 2919: 2918: 2913: 2907: 2891: 2887: 2881: 2874: 2869: 2867: 2850: 2846: 2840: 2833: 2828: 2821: 2816: 2809: 2804: 2788: 2784: 2780: 2773: 2766: 2761: 2745: 2741: 2737: 2731: 2715: 2711: 2707: 2700: 2689: 2682: 2680: 2672: 2664: 2660: 2656: 2652: 2646: 2638: 2634: 2630: 2624: 2617: 2612: 2606:, p. 15. 2605: 2600: 2593: 2588: 2586: 2584: 2575: 2571: 2565: 2563: 2554: 2550: 2544: 2536: 2532: 2526: 2510: 2506: 2502: 2495: 2479: 2475: 2471: 2465: 2449: 2445: 2444: 2439: 2433: 2425: 2421: 2417: 2411: 2409: 2392: 2388: 2387: 2382: 2375: 2368: 2364: 2361: 2356: 2340: 2336: 2335: 2330: 2323: 2307: 2303: 2302: 2297: 2291: 2285:, p. 54. 2284: 2279: 2275: 2263: 2262: 2261:Waldknabenruf 2255: 2249: 2248: 2243: 2237: 2231: 2227: 2224: 2219: 2217: 2209: 2205: 2202: 2197: 2190: 2186: 2183: 2178: 2171: 2167: 2164: 2159: 2157: 2149: 2145: 2141: 2135: 2128: 2124: 2121: 2116: 2114: 2106: 2102: 2099: 2094: 2085: 2078: 2074: 2071: 2066: 2064: 2056: 2052: 2049: 2044: 2037: 2033: 2030: 2025: 2018: 2014: 2011: 2006: 1999: 1995: 1992: 1987: 1980: 1976: 1973: 1968: 1966: 1964: 1956: 1952: 1947: 1940: 1936: 1933: 1929: 1917: 1910: 1906: 1903: 1898: 1896: 1894: 1886: 1882: 1879: 1874: 1872: 1867: 1857: 1855: 1850: 1848: 1847:Johan de Meij 1844: 1841: 1838: 1834: 1830: 1828: 1824: 1823: 1817: 1815: 1811: 1807: 1804:in 2003, and 1803: 1799: 1789: 1787: 1783: 1776: 1771: 1769: 1765: 1761: 1757: 1753: 1749: 1745: 1741: 1734: 1729: 1727: 1726: 1721: 1720: 1715: 1714: 1702: 1692: 1690: 1686: 1680: 1678: 1674: 1670: 1666: 1665: 1660: 1656: 1654: 1648: 1644: 1640: 1629: 1628: 1623: 1622: 1617: 1613: 1609: 1607: 1603: 1599: 1595: 1589: 1587: 1582: 1578: 1574: 1569: 1566: 1562: 1554: 1549: 1540: 1538: 1532: 1530: 1526: 1525:Vincent FerrĂ© 1521: 1518: 1506: 1502: 1498: 1494: 1490: 1486: 1482: 1478: 1470: 1466: 1465:John Duncan's 1462: 1458: 1457:Peter Jackson 1454: 1450: 1446: 1444: 1440: 1436: 1432: 1428: 1424: 1419: 1418: 1413: 1412:David Bratman 1409: 1407: 1406: 1401: 1394: 1390: 1386: 1382: 1378: 1373: 1368: 1358: 1356: 1352: 1348: 1344: 1340: 1339:Roger Scruton 1327: 1323: 1319: 1318:Into the West 1315: 1311: 1310: 1306: 1303: 1302: 1298: 1295: 1291: 1287: 1286: 1282: 1281: 1280: 1267: 1265: 1261: 1257: 1253: 1249: 1245: 1241: 1237: 1232: 1223: 1221: 1203: 1200: 1197:Bound by love 1184: 1183: 1180: 1176: 1173: 1171: 1168: 1167: 1164: 1160: 1146: 1121: 1119: 1115: 1111: 1107: 1106:Italian opera 1101: 1099: 1096: 1091: 1089: 1085: 1081: 1077: 1070: 1068: 1056: 1053: 1048: 1032: 1022:Orchestration 1019: 1018:each night." 1017: 1013: 1009: 1005: 1001: 993: 992: 987: 982: 978: 976: 972: 968: 964: 958: 955: 945: 943: 939: 935: 932:In 2010, the 927: 922: 913: 908: 903: 899: 895: 891: 889: 885: 881: 877: 873: 868: 864: 858: 856: 852: 848: 844: 840: 836: 832: 828: 824: 820: 810: 808: 804: 800: 796: 792: 788: 784: 779: 777: 773: 769: 765: 761: 756: 753: 745: 740: 736: 734: 724: 722: 720: 716: 710: 708: 704: 700: 696: 686: 684: 677:Man sĂ­ minna? 672: 669: 659: 658: 655: 651: 648: 646: 643:, adapted by 642: 639: 638: 635: 631: 625: 622: 618: 615:for Men, and 614: 610: 606: 602: 598: 594: 584: 582: 581:rotary valves 572: 568: 564: 554: 548: 546: 542: 541: 534: 532: 528: 527:Into the West 524: 520: 516: 512: 508: 504: 500: 496: 493:. The actors 492: 488: 484: 480: 479:RenĂ©e Fleming 476: 472: 468: 464: 463:London Voices 460: 452: 448: 444: 440: 436: 428: 416: 411: 406: 402: 399: 395: 392:and mixed at 391: 387: 383: 379: 375: 371: 366: 362: 358: 350: 346: 342: 328: 326: 322: 321:Peter Jackson 317: 315: 311: 307: 303: 302: 296: 286: 284: 279: 277: 273: 269: 265: 264:musicologists 261: 257: 253: 249: 248:Golden Globes 245: 240: 238: 234: 229: 227: 223: 219: 215: 211: 210:Peter Jackson 207: 203: 199: 195: 193: 178: 176:"Hobbit Band" 175: 172: 169: 166: 163: 160: 157: 154: 153: 151: 147: 143: 139: 127: 123: 119: 115: 111: 107: 103: 99: 95: 91: 88: 84: 80: 76: 73: 69: 66: 65: 61: 57: 54: 50: 47: 44: 40: 37: 33: 30: 19: 9952: 9940: 9935:Atticus Ross 9931:Trent Reznor 9920: 9910: 9898: 9875: 9863: 9851: 9839: 9827: 9815: 9803: 9798:Atticus Ross 9794:Trent Reznor 9787: 9775: 9770:Randy Newman 9763: 9740: 9724: 9712: 9700: 9688: 9683:Peter Cobbin 9679:Howard Shore 9673: 9672: 9667:Peter Cobbin 9663:Howard Shore 9657: 9656: 9651:Howard Shore 9645: 9644: 9632: 9620: 9604:Randy Newman 9599:A Bug's Life 9597: 9585: 9573: 9568:David Arnold 9561: 9551:Crimson Tide 9549: 9537: 9525: 9513: 9501: 9496:James Horner 9489: 9466: 9446: 9434: 9422: 9417:Allee Willis 9397:Keith Forsey 9386: 9370: 9349:Craig Krampf 9341:Keith Forsey 9318: 9306: 9294: 9282: 9259: 9247: 9235: 9223: 9211: 9195: 9190:Neil Diamond 9183: 9171: 9159: 9131: 9108: 9094:The Graduate 9092: 9080: 9068: 9056: 9042:Mary Poppins 9040: 9035:John Addison 9028: 9013: 9001: 8978: 8917: 8910: 8903: 8896: 8889: 8882: 8875: 8868: 8861: 8854: 8847: 8840: 8833: 8826: 8819: 8812: 8805: 8798: 8791: 8784: 8777: 8770: 8763: 8682: 8675: 8668: 8661: 8647: 8640: 8636:Donald Swann 8615: 8601: 8592: 8583: 8581: 8577:Howard Shore 8568: 8516:Tove Jansson 8496:Jenny Dolfen 8486:Anke EiĂźmann 8458:Adaptations, 8437: 8430: 8354: 8171:Christianity 8166:Architecture 8072:Black Speech 8052:Family trees 7853:Tom Bombadil 7549: 7534: 7510: 7502: 7494: 7484: 7477: 7467: 7460: 7453: 7445: 7437: 7422: 7413:Middle-earth 7409: 7384: 7374: 7366: 7358: 7347: 7339: 7331: 7314: 7295: 7269: 7262: 7239: 7232: 7224: 7215:In Tolkien's 7182:Bibliography 7166:Middle-earth 7121: 7101: 7094: 7087: 7080: 7073: 7066: 7059: 7052: 7043: 7036: 7029: 7022: 7008: 7001: 6994: 6929: 6921: 6913: 6896: 6880: 6873: 6772: 6764: 6756: 6738: 6721: 6702: 6694: 6686: 6662: 6595: 6588: 6570: 6563: 6556: 6538: 6531: 6509:Middle Earth 6507: 6489: 6482: 6475: 6468: 6445: 6438: 6431: 6425:Minas Morgul 6424: 6417: 6410: 6403: 6396: 6389: 6382: 6371: 6360: 6353: 6346: 6339: 6331: 6325: 6318: 6311: 6304: 6295: 6288: 6281: 6274: 6260: 6253: 6246: 6239: 6232: 6225: 6217: 6210: 6203: 6195: 6187: 6180: 6173: 6166: 6143:Born of Hope 6141: 6133: 6107: 6099: 6091: 6083: 6061: 6054: 5997: 5984: 5976: 5968: 5941: 5929: 5917: 5889: 5881: 5873: 5861: 5849: 5811:Led Zeppelin 5803: 5793: 5772: 5764: 5697:Muddle Earth 5695: 5687: 5679: 5644: 5637: 5630: 5623: 5616: 5609: 5602: 5595: 5588: 5581: 5574: 5568:The Sea-Bell 5563:Fastitocalon 5550: 5543: 5353:Tom Bombadil 5280:Barrow-wight 4985:Storytelling 4873: 4715:Christianity 4710:Architecture 4652: 4645: 4607:Black Speech 4592:Family trees 4444: 4437: 4430: 4409: 4388: 4350: 4336: 4323:the original 4317: 4311:the original 4305: 4297: 4261: 4244: 4218: 4184: 4161: 4131: 4108: 4099: 4097: 4093: 4088: 4076:. 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Index

The Shire (soundtrack)
Operatic
film score
cycle
Howard Shore
The Hobbit
J. R. R. Tolkien
Philippa Boyens
Fran Walsh
Howard Shore
Old English
Sindarin
Quenya
Khuzdul
Black Speech
Adunaic
orchestrated
conducted
Howard Shore
Peter Jackson
film trilogy
J. R. R. Tolkien
fantasy novel of the same name
instrumentation
released across various formats
London Philharmonic Orchestra
Oscars
Golden Globes
Grammys
leitmotifs

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