1456:
1443:
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894:, the vampire Herrick quotes the play shortly before the werewolf George kills him: "The world was almost won by such an ape! The nations put him where his kind belong. But don't rejoice too soon at your escape – The womb he crawled from is still going strong." This mocks the heroes' hopes of stopping his plans for world domination and asserts the villains' rise to power is inevitable.
834:, written with the aim of destroying the dangerous respect commonly felt for great killers. The circle described has been deliberately restricted; it is confined to the plane of state, industrialists, Junkers and petty bourgeois. This is enough to achieve the desired objective. The play does not pretend to give a complete account of the historical situation in the 1930s.
298:. It opens with a prologue in the form of a direct address to the audience by an otherwise unidentified "Actor", who outlines all the major characters and explains the basis of the upcoming plot. This allows the audience to better focus on the message rather being concerned about what might happen next in the plot.
301:
Brecht describes in the play's stage directions the use of signs or projections, which are seen first on the stage curtain, and later appear after certain scenes, presenting the audience with relevant information about Hitler's rise to power, in order to clarify the parallels between the play and
822:
At the time of the first stage production, in
Stuttgart, Siegfried Melchinger, a West German critic, called it a "brilliant miscarriage", and complained that the play omitted the German people, echoing the complaint of the East German critic Lothar Kusche, who had read the play in manuscript.
506:, and had produced there his major works. He showed the play around to a larger circle of people than had seen it previously, and this eventually led to the Berliner Ensemble's production – except that Brecht insisted that scenes from his
447:
There are fewer alternative copies of the script than is usual with Brecht's works, since "most of the revisions, such as they were, been made directly on the first typescript", but he did refer to the play by a number of alternative names, among them
545:
as Arturo Ui. This production, "staged in fairground style, with ruthless verve and brassy vulgarity" was presented also in Berlin, London and at the Paris
International Theatre Festival. A later production by the Berliner Ensemble, directed by
510:, a series of realistic short pieces about life in Nazi Germany that was written around 1935 – needed to be produced first. His fear was that the German audience was still too close to their previous psychic connection to Hitler.
198:
to enter the United States. The play was not produced on the stage until 1958, and not until 1961 in
English. In spite of this, Brecht did not originally envision a version of the play in Germany, intending it all along for the American stage.
317:, Ui experiences a visitation from the ghost of one of his victims. Finally, Hitler's practiced prowess at public speaking is referenced when Ui receives lessons from an actor in walking, sitting and orating, which includes his reciting
1171:
194:
Brecht left
Denmark in 1939, moving first to Stockholm, and then, the next year, to Helsinki, Finland. He wrote the current play there in only three weeks in 1941, during the time he was waiting for a
525: – but Brecht had prepared it for publication, which came out in 1957. That same year, scenes from the work were staged by five young directors of the Ensemble. One of them,
171:. After moving around – Prague, Zürich, Paris – Brecht ended up in Denmark for six years. While there, c. 1934, he worked on the antecedent to
475:
was intended by Brecht to be first performed in the United States, but he was unable to get a production mounted. Brecht brought the play to the attention of director
854:, writing: "he true nature of is trivialized and obscured rather than illuminated by the antics of Charles Chaplin and the deeply unfunny comedy of Bertolt Brecht."
803:
263:; and so on. In addition, every scene in the play is based, albeit sometimes very loosely, on a real event, for example the warehouse fire which represents the
1126:
2154:
2149:
2139:
1172:"Simon Evans on BBC lockdown drama Staged and Oxford Playhouse fundraiser starring Stephen Fry, Marcus Brigstocke, Lucy Porter & Rachel Parris"
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2144:
885:: "Do not rejoice in his defeat, you men. For though the world has stood up and stopped the bastard, the bitch that bore him is in heat again".
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487:, got H. R. Hay to translate the work, which was completed by September 1941, and submitted to Louis Shaffer, the director of
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Fearing persecution and blacklisted from publication and production, Brecht – who in his poetry referred to
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and ran for five previews and eight performances. The second
Broadway production of the play took place in 1968–69 by the
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241:, a World War I flying ace who was Hitler's second in command; Giuseppe Givola representing the master propagandist
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213:. All the characters and groups in the play had direct counterparts in real life, with Ui representing Hitler, his
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159:("the housepainter") – left Germany in February 1933, shortly after the appointment of Hitler as
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This scene was dropped from the
Berliner Ensemble production, in which a number of changes were made (
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491:, who turned it down as "not advisable to produce", presumably because the United States was still,
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An
Introduction to the Social and Political Philosophy of Bertolt Brecht: Revolution and Aesthetics
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309:. To highlight Ui's evil and villainous rise to power, he is explicitly compared to Shakespeare's
225:; Dogsborough representing General von Hindenburg, a hero of World War I and the President of the
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as Ui, and was directed by Edward Payson Call. It ran for ten performances.
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Photos and production details for 1960s
Leonard Rossiter theatre adaptation
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The play lingered in the drawer until 1953, after Brecht had founded the
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in the supporting cast. In 1986, the play was produced in Canada at the
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When Brecht died in 1956, the
Berliner Ensemble still had not produced
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1323:, Berkeley, California: University of California Press, 1992. p. 2.
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702:. The Classic Stage Company tackled it again in 2018, directed by
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674:(who also produced) as the actor, with an ensemble that included
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to play Ui. Piscator and Brecht's frequent musical collaborator,
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2010:
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discussed his interpretation of the role in his autobiography,
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The role of Ui has been played by such other notable actors as
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953:/ Bloomington, Indiana: Indiana University Press (1985) p. 87
2003:
1158:"Past Productions | Stratford Festival Official Website"
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277:) scandal. The play is similar in some respects to the film
103:), subtitled "A parable play", is a 1941 play by the German
209:
of Hitler's rise to power in
Germany and the advent of the
517: – which at various times was also called
408:
Equivalents for places and things cited in the text are:
124:
by ruthlessly disposing of the opposition. The play is a
110:. It chronicles the rise of Arturo Ui, a fictional 1930s
183:
historian. The result was a story about "Giacomo Ui", a
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The Gangster Show: The Resistible Rise of Arturo Ui
733:' adapted version of the play was performed at the
846:, a professor of German literature, rejects both
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267:, and the Dock Aid Scandal which represents the
1434:The Resistible Rise of Arturo Ui
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1127:"The Disturbing Resonance of Bertolt Brecht's
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875:Lines from the play are quoted at the end of
888:In the final episode of the first season of
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550:has run in repertory since June 1995, with
2155:Cultural depictions of Paul von Hindenburg
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857:The play was listed in 1999 as No. 54 on
564:. The first production was in 1963, with
245:; the Cauliflower Trust representing the
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1125:Schwartz, Alexandra (19 November 2018).
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607:The play has been presented three times
167:on the instigation of former Chancellor
2140:Cultural depictions of Heinrich Himmler
1862:The Trial of Joan of Arc at Rouen, 1431
1105:The Resistible Rise of Arturo Ui
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745:starring as Arturo Ui, and directed by
2160:Cultural depictions of Franz von Papen
2145:Cultural depictions of Joseph Goebbels
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2052:The Modern Theatre Is the Epic Theatre
1639:Rise and Fall of the City of Mahagonny
100:Der aufhaltsame Aufstieg des Arturo Ui
2150:Cultural depictions of Hermann Göring
1590:Downfall of the Egotist Johann Fatzer
1489:
1414:. New York: Arcade Publishing, 1981.
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442:
390:Vegetable dealers → Petty bourgeoisie
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881:, a 1977 drama war film directed by
817:
460:. At one point he referred to it as
305:The play has frequent references to
2135:Cultural depictions of Adolf Hitler
1265:"ABC announces a big line up in 72"
1263:Marshall, Valda (16 January 1972).
722:, running for 46 performances with
523:The Private Life of the Master Race
13:
1715:Fear and Misery of the Third Reich
1515:
1026:. Amsterdam: Rodopi. p. 191.
515:Fear and Misery in the Third Reich
508:Fear and Misery of the Third Reich
400:(the Dutch Communist convicted of
117:, and his attempts to control the
14:
2171:
1625:The Baden-Baden Lesson on Consent
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1321:Hitler: The Führer and the People
1273:. Sydney. p. 95 – via
985:, "Notes and Variants", 121–122).
840:Hitler: The Führer and the People
611:. In 1991 it was produced by the
529:, directed the world premiere of
229:(his name is a pun on the German
202:The play is consciously a highly
2074:
2073:
1778:The Resistible Rise of Arturo Ui
1708:The Horatians and the Curiatians
1450:The Resistible Rise of Arturo Ui
1412:The Resistible Rise of Arturo Ui
1289:The Resistible Rise of Arturo Ui
1235:The Resistible Rise of Arturo Ui
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1066:The Resistible Rise of Arturo Ui
1048:The Resistible Rise of Arturo Ui
972:, "Notes and Variants", 119–120.
592:in the cast. It was directed by
558:The Resistible Rise of Arturo Ui
531:The Resistible Rise of Arturo Ui
473:The Resistible Rise of Arturo Ui
287:, Brecht's favorite film actor.
173:The Resistible Rise of Arturo Ui
94:The Resistible Rise of Arturo Ui
45:, Germany, 10 November 1958
24:The Resistible Rise of Arturo Ui
2058:A Short Organum for the Theatre
1806:Schweyk in the Second World War
1750:Mother Courage and Her Children
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1114:Internet Off-Broadway Database
1093:Internet Off-Broadway Database
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381:(subsidized German landowners)
259:, when Austria was annexed by
237:); Emanuele Giri representing
1:
1841:Die Verurteilung des Lukullus
1792:The Visions of Simone Machard
1701:Round Heads and Pointed Heads
897:
823:Brecht's answer was, in part
804:Australian television in 1972
1764:Mr Puntila and His Man Matti
1666:Saint Joan of the Stockyards
1308:, "Notes and Variants", 109.
1012:, "Notes and Variants", 120.
294:is in keeping with Brecht's
179:, written in the style of a
175:, a satire on Hitler called
7:
2110:Plays about organized crime
1771:The Good Person of Szechwan
1618:The Flight Across the Ocean
1376:. Springfield! Springfield!
1374:(UK) s01e06 episode script"
1000:, "Notes and Variants", 122
798:A production by the Sydney
18:1941 play by Bertolt Brecht
10:
2176:
2037:Separation of the elements
1813:The Caucasian Chalk Circle
1673:The Exception and the Rule
1439:Internet Broadway Database
1306:Willett & Manheim 1981
1072:Internet Broadway Database
1054:Internet Broadway Database
1010:Willett & Manheim 1981
998:Willett & Manheim 1981
983:Willett & Manheim 1981
970:Willett & Manheim 1981
935:Willett & Manheim 1981
626:In 2002, it played at the
619:as Arturo Ui, directed by
402:burning down the Reichstag
249:; the fate of the town of
217:Ernesto Roma representing
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1959:
1922:What Keeps Mankind Alive?
1892:
1562:Mysteries of a Barbershop
1523:
1022:Squiers, Anthony (2014).
454:The Gangster Play We Know
82:
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57:
49:
38:
28:
23:
2130:Plays about Nazi Germany
2125:Plays about World War II
1901:Reminiscence of Marie A.
1470:, BBC 1972 version with
937:, "Introduction", vii–xx
865:100 Books of the Century
800:Old Tote Theatre Company
479:in New York, suggesting
211:National Socialist state
2105:Plays by Bertolt Brecht
1827:The Days of the Commune
1569:In the Jungle of Cities
729:Most recently in 2017,
670:as Betty Dullfeet, and
628:National Actors Theatre
560:was presented twice on
384:Clark (of the Trust) →
331:Characters and settings
296:"epic" style of theatre
147:History and description
1981:Non-Aristotelian drama
1736:How Much Is Your Iron?
1722:Señora Carrar's Rifles
1242:Sydney Theatre Company
836:
810:in the title role and
710:in the title role and
458:That Well-Known Racket
321:'s famous speech from
269:
98:
2045:Messingkauf Dialogues
1848:Report from Herrnburg
1757:The Trial of Lucullus
1694:The Seven Deadly Sins
825:
698:. It was directed by
613:Classic Stage Company
568:in the lead role and
450:The Rise of Arturo Ui
398:Marinus van der Lubbe
372:Chancellor of Austria
1799:The Duchess of Malfi
1611:The Threepenny Opera
1453:at Theatricalia.com
1410:(trans. & ed.).
630:, with Ui played by
600:Company. It starred
430:the Warehouse → the
393:Gangsters → Fascists
139:in Germany prior to
1555:Driving Out a Devil
1198:Billington, Michael
838:In his 1992 study,
664:Jacqueline McKenzie
570:Michael Constantine
566:Christopher Plummer
554:in the title role.
426:Eastern Aid scandal
424:Dock Aid scandal →
377:Caulifower Trust →
338:Paul von Hindenburg
165:Paul von Hindenburg
2100:Anti-fascist plays
1883:Trumpets and Drums
1541:Drums in the Night
1349:Barnes & Noble
871:In popular culture
852:The Great Dictator
726:in the lead role.
720:Stratford Festival
716:Elizabeth A. Davis
541:co-directing, and
468:Production history
443:Alternative titles
280:The Great Dictator
221:, the head of the
185:machine politician
2087:
2086:
1993:Defamiliarization
1936:Einheitsfrontlied
1785:Hangmen Also Die!
1597:The Elephant Calf
1420:978-1-55970-543-1
1033:978-90-420-3899-8
818:Critical response
676:Sterling K. Brown
504:Berliner Ensemble
368:Engelbert Dollfuß
253:standing for the
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50:Original language
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1929:Solidaritätslied
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758:Griff Rhys Jones
735:Donmar Warehouse
692:John Ventimiglia
684:Dominic Chianese
660:Lothaire Bluteau
656:Chazz Palminteri
646:as Dogsborough,
539:Manfred Wekwerth
379:Prussian Junkers
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247:Prussian Junkers
223:Nazi brownshirts
64:'s rise to power
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527:Peter Palitzsch
497:neutral country
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386:Franz von Papen
362:Joseph Goebbels
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302:actual events.
285:Charlie Chaplin
270:Osthilfeskandal
243:Joseph Goebbels
227:Weimar Republic
169:Franz von Papen
157:der Anstreicher
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1408:Manheim, Ralph
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1275:newspapers.com
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1136:The New Yorker
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850:and Chaplin's
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816:
814:as Dockdaisy.
793:In Spite of Me
789:Being an Actor
700:Simon McBurney
696:William Sadler
688:Robert Stanton
666:as Dockdaisy,
634:, co-starring
578:Lionel Stander
477:Erwin Piscator
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350:Hermann Göring
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1343:Cross of Iron
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1178:. 6 July 2020
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771:
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650:as Dullfeet,
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27:
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16:
2078:
2063:Street scene
2050:
2043:
2009:
2002:
1973:
1969:Epic theatre
1960:Theories and
1915:Pirate Jenny
1908:Alabama Song
1893:Poems, songs
1881:
1874:
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1659:The Decision
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1393:Bibliography
1392:
1391:
1378:. Retrieved
1371:
1364:
1352:. Retrieved
1348:
1342:
1335:
1320:
1318:Stern, J. P.
1313:
1301:
1288:
1283:
1268:
1258:
1246:. Retrieved
1240:
1234:
1227:
1215:. Retrieved
1211:The Guardian
1209:
1203:
1192:
1180:. Retrieved
1175:
1166:
1152:
1140:. Retrieved
1134:
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839:
837:
832:parable play
831:
827:
826:
821:
797:
792:
788:
785:Simon Callow
777:Hugo Weaving
751:
731:Bruce Norris
728:
712:Eddie Cooper
708:Raúl Esparza
672:Tony Randall
652:John Goodman
640:Billy Crudup
625:
609:Off-Broadway
606:
586:Oliver Clark
557:
556:
530:
522:
518:
514:
512:
507:
501:
485:Hanns Eisler
472:
471:
461:
457:
453:
449:
446:
437:
436:
407:
344:Adolf Hitler
342:Arturo Ui →
322:
304:
300:
291:
289:
278:
261:Nazi Germany
254:
234:
230:
201:
193:
176:
172:
156:
153:Adolf Hitler
150:
141:World War II
133:Adolf Hitler
99:
93:
92:
91:
62:Adolf Hitler
15:
1943:Kinderhymne
1687:Kuhle Wampe
1646:Der Jasager
1380:18 November
1372:Being Human
1176:Ox In A Box
891:Being Human
844:J. P. Stern
812:Helen Morse
766:Antony Sher
747:Simon Evans
743:Lenny Henry
668:Linda Emond
638:as Givola,
582:Sandy Baron
574:Elisha Cook
493:at the time
489:Labor Stage
366:Dullfeet →
319:Mark Antony
311:Richard III
307:Shakespeare
275:Eastern Aid
181:Renaissance
119:cauliflower
2115:1941 plays
2094:Categories
1975:Lehrstücke
1962:techniques
1950:Die Lösung
1855:Coriolanus
1680:The Mother
1406:(ed.) and
1142:2 December
898:References
781:Jean Vilar
754:Peter Falk
704:John Doyle
680:Ajay Naidu
642:as Flake,
590:James Coco
412:Chicago →
356:Ernst Röhm
219:Ernst Röhm
161:Chancellor
137:Nazi Party
105:playwright
29:Written by
2027:Not / But
1834:The Tutor
1632:Happy End
1576:Edward II
1548:A Wedding
1206:– review"
848:Arturo Ui
808:John Bell
662:as Fish,
658:as Roma,
654:as Giri,
632:Al Pacino
535:Stuttgart
462:Arturo Ui
432:Reichstag
418:Cicero →
360:Givola →
292:Arturo Ui
256:Anschluss
204:satirical
126:satirical
97:(German:
43:Stuttgart
2080:Category
1876:Don Juan
1869:Turandot
1820:Antigone
1524:Dramatic
1248:27 March
1182:7 August
860:Le Monde
562:Broadway
215:henchman
207:allegory
135:and the
129:allegory
73:Allegory
1437:at the
1354:20 June
1217:8 April
1112:at the
1109:
1091:at the
1088:
1070:on the
1052:on the
741:, with
615:, with
438:Source:
420:Austria
414:Germany
396:Fish →
354:Roma →
348:Giri →
315:Macbeth
313:. Like
115:mobster
112:Chicago
83:Setting
58:Subject
2011:Gestus
1743:Dansen
1418:
1327:
1107:(2002)
1086:(1991)
1068:(1968)
1050:(1963)
1030:
957:
863:'s
779:, and
739:London
694:, and
251:Cicero
122:racket
77:satire
53:German
2004:Fabel
1526:works
903:Notes
830:is a
806:with
706:with
189:Padua
69:Genre
1534:Baal
1474:and
1468:IMDb
1416:ISBN
1382:2017
1356:2017
1325:ISBN
1295:IMDb
1250:2018
1219:2020
1184:2020
1144:2018
1028:ISBN
955:ISBN
749:.
714:and
588:and
521:and
495:, a
456:and
235:Burg
233:and
231:Hund
196:visa
1466:at
1293:at
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533:in
519:99%
187:in
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177:Ui
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1948:"
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1938:"
1934:"
1931:"
1927:"
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1920:"
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1252:.
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1221:.
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1146:.
1131:"
1036:.
404:)
374:)
273:(
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