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The Red and the White

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such as the deaths of certain characters are sometimes shot with a long lens from a distance rather than in close-up, making it unclear what has happened or to whom it has happened. Supporters of the film point out that the hard-to-follow plot merely reflects the confused and meaningless nature of war itself and that Jancsó's aim is to prevent us from emotionally identifying with any one side in the battle of ideologies. For this reason, detractors (and even supporters) often find the film to be "cold" and "mechanical". However, the film's defenders contrast this approach with more conventional
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The film tells the story of the Hungarian branch of the soldiers who, during World War I ended up in Russian captivity. When the revolution breaks out and begins a civil war in Russia, the soldiers are on the side of the Bolsheviks. Some are hoping that this will make it easier to come home. Others
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on 20 September 1968). It remains one of Jancsó's most widely seen and admired films, although audiences often find it exceedingly difficult to follow. The film's difficulty stems from its lack of central characters and defiant rejection of war film conventions: for example, key moments of action,
459:, where it was first re-edited to put a more heroic spin on the war for its premiere. The film had a theatrical release in the USSR November 7, 1967, with a circulation of 112 film copies. The picture was watched by 2,6 million viewers. In 243:" as the two sides battled for control in the hills overlooking the Volga river. As well as deviating on the required setting, Jancsó also chose to use a radically different approach to the film than that expected. Rather than shooting a 493:, 1971) in which the visual language developed by dramatically increasing the shot length, using even more "balletic" camera movements and further stylizing the visual composition to the point of overt symbolism. 790: 798: 216:, can be translated as "Stars on their Caps" (literally "Stars, soldiers"), which, as with a number of Jancsó film titles, is a quote from a song. The film was listed to compete at the 235:
in Russia in which the Bolsheviks seized power. However, Jancsó chose to set the action two years later in 1919 and showed Hungarian irregulars supporting the Communist "
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feed on sympathy for the ideology of communism. Some have to fight with an army of White Guards, who tend to be very cruel.
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film that depicts the senseless brutality of the Russian Civil War specifically and all armed combat in general.
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The film, a Soviet-Hungarian co-production, was originally commissioned to celebrate the 50th anniversary of the
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and the West it was favourably received and it had a theatrical release in many countries (opening in the
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also makes an appearance as White Cossack Savva who has a task to execute one of the prisoners of war.
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More universally appreciated, however, is the film's dramatic use of black-and-white
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account of the birth of Soviet Communism, Jancsó produced a profoundly
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This article related to a Soviet film of the 1960s is a
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It was voted as "Best Foreign Film of 1969" by the 220:, but the festival was canceled due to the events of 624: 523: 866: 314:– Yelizaveta the Matron (as Tatiana Koniukova) 849: 610: 553: 483:looks forward to later Jancsó films such as 531:"Festival de Cannes: The Red and the White" 945:World War I films set on the Eastern Front 856: 842: 617: 603: 49: 791:The Last Supper at the Arabian Gray Horse 443:Learn how and when to remove this message 14: 867: 455:The film was not well received in the 598: 513:one of his all-time favourite films. 812: 503:red carpet interview with Letterboxd 381:adding citations to reliable sources 352: 290:Anatoli Yabbarov – Captain Chelpanov 200:) is a 1967 drama film directed by 24: 226:French Syndicate of Cinema Critics 25: 981: 577: 965:Russian-language war drama films 816: 357: 890:Films directed by Miklós Jancsó 885:Hungarian black-and-white films 727:Private Vices, Public Pleasures 368:needs additional citations for 910:Hungary–Soviet Union relations 900:1960s Hungarian-language films 799:Wake Up, Mate, Don't You Sleep 775:The Lord's Lantern in Budapest 547: 29:Red and White (disambiguation) 13: 1: 516: 930:Hungarian multilingual films 920:1960s Russian-language films 828:. You can help Knowledge by 496: 348: 18:The Red and the White (film) 7: 639:The Bells Have Gone to Rome 239:" in fighting the Tsarist " 10: 986: 811: 26: 955:Russian World War I films 935:Soviet multilingual films 895:Hungarian war drama films 633: 218:1968 Cannes Film Festival 173: 161: 151: 137:4 November 1967 128: 109: 101: 93: 83: 75: 67: 57: 48: 43: 950:Soviet World War I films 940:1960s multilingual films 759:Jesus Christ's Horoscope 338:– White Officer Glazunov 970:1960s Soviet film stubs 960:Russian Civil War films 560:kinanet.livejournal.com 392:"The Red and the White" 263: 254: 925:Soviet war drama films 783:Mother! 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Index

The Red and the White (film)
Red and White (disambiguation)
Soviet Union

Miklós Jancsó
József Madaras
Mafilm
Mosfilm
Soviet Union
Hungarian
Miklós Jancsó
Russian Civil War
Hungarian
1968 Cannes Film Festival
May 1968 in France
French Syndicate of Cinema Critics
October Revolution
Reds
Whites
hagiographic
anti-heroic
József Madaras
Tibor Molnár
András Kozák
Sergei Nikonenko
Mikhail Kozakov
Bolot Bejshenaliyev
Tatyana Konyukhova
Krystyna Mikołajewska
Viktor Avdyushko

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