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The Red and the White

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such as the deaths of certain characters are sometimes shot with a long lens from a distance rather than in close-up, making it unclear what has happened or to whom it has happened. Supporters of the film point out that the hard-to-follow plot merely reflects the confused and meaningless nature of war itself and that Jancsó's aim is to prevent us from emotionally identifying with any one side in the battle of ideologies. For this reason, detractors (and even supporters) often find the film to be "cold" and "mechanical". However, the film's defenders contrast this approach with more conventional
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The film tells the story of the Hungarian branch of the soldiers who, during World War I ended up in Russian captivity. When the revolution breaks out and begins a civil war in Russia, the soldiers are on the side of the Bolsheviks. Some are hoping that this will make it easier to come home. Others
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on 20 September 1968). It remains one of Jancsó's most widely seen and admired films, although audiences often find it exceedingly difficult to follow. The film's difficulty stems from its lack of central characters and defiant rejection of war film conventions: for example, key moments of action,
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in Russia in which the Bolsheviks seized power. However, Jancsó chose to set the action two years later in 1919 and showed Hungarian irregulars supporting the Communist "
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feed on sympathy for the ideology of communism. Some have to fight with an army of White Guards, who tend to be very cruel.
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film that depicts the senseless brutality of the Russian Civil War specifically and all armed combat in general.
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The film, a Soviet-Hungarian co-production, was originally commissioned to celebrate the 50th anniversary of the
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and the West it was favourably received and it had a theatrical release in many countries (opening in the
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also makes an appearance as White Cossack Savva who has a task to execute one of the prisoners of war.
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More universally appreciated, however, is the film's dramatic use of black-and-white
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account of the birth of Soviet Communism, Jancsó produced a profoundly
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This article related to a Soviet film of the 1960s is a
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It was voted as "Best Foreign Film of 1969" by the 209:, but the festival was canceled due to the events of 613: 512: 855: 303:– Yelizaveta the Matron (as Tatiana Koniukova) 838: 599: 542: 472:looks forward to later Jancsó films such as 520:"Festival de Cannes: The Red and the White" 934:World War I films set on the Eastern Front 845: 831: 606: 592: 38: 780:The Last Supper at the Arabian Gray Horse 432:Learn how and when to remove this message 856: 444:The film was not well received in the 587: 502:one of his all-time favourite films. 801: 492:red carpet interview with Letterboxd 370:adding citations to reliable sources 341: 279:Anatoli Yabbarov – Captain Chelpanov 189:) is a 1967 drama film directed by 13: 215:French Syndicate of Cinema Critics 14: 970: 566: 954:Russian-language war drama films 805: 346: 879:Films directed by Miklós Jancsó 874:Hungarian black-and-white films 716:Private Vices, Public Pleasures 357:needs additional citations for 899:Hungary–Soviet Union relations 889:1960s Hungarian-language films 788:Wake Up, Mate, Don't You Sleep 764:The Lord's Lantern in Budapest 536: 18:Red and White (disambiguation) 1: 505: 919:Hungarian multilingual films 909:1960s Russian-language films 817:. 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Index

Red and White (disambiguation)
Soviet Union

Miklós Jancsó
József Madaras
Mafilm
Mosfilm
Soviet Union
Hungarian
Miklós Jancsó
Russian Civil War
Hungarian
1968 Cannes Film Festival
May 1968 in France
French Syndicate of Cinema Critics
October Revolution
Reds
Whites
hagiographic
anti-heroic
József Madaras
Tibor Molnár
András Kozák
Sergei Nikonenko
Mikhail Kozakov
Bolot Bejshenaliyev
Tatyana Konyukhova
Krystyna Mikołajewska
Viktor Avdyushko
Gleb Strizhenov

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