482:
477:
472:
467:
462:
355:
350:
345:
340:
335:
416:
411:
406:
401:
396:
391:
386:
381:
376:
371:
516:
without wearing out its welcome." Sputnikmusic described the album as an experience of atmosphere: "At times you will be frightened by the sense that you are alone, wandering through desolate, snowy woodlands like the elk on the front cover…while other times, you will be rendered speechless by the waves and waves of stunningly gorgeous soundscapes that grace your ears." They compared the album to
298:
The
Thompson Elk is a very well known statue/fountain in downtown Portland which is a city we adore and live in. Agalloch embraces nature because we are siding with what is essentially the victim in a relationship where humankind is a disease. Humanity is inherently self-destructive. The best way to
515:
and held it as one of 2002's most accomplished metal-related albums. York praised the production, the mature detailed arrangements of each song, and "how smoothly they are woven together, creating an album that flows from beginning to end, using its entire 68-minute running time to make its point
31:
222:
Cinema "really emerged as a reference point for how we arranged our music ," said guitarist Don
Anderson. He suggested that the band was "thinking in images and how sound might express those images". Taking a more mellow tone than Agalloch's first full-length,
256:
sequences, such as on the track "I Am the Wooden Doors". Anderson was critical of the 'over-saturated' metal scene at the time, garnering influences from post-rock, contemporary classical and singer-songwriters such as
536:
into its Hall of Fame. They praised the album as moving with timeless relevancy and claimed its legacy helped inform "generations of frustrated shoe-starers, sky-gazers and nature votaries a half-decade later."
277:. The guitar was no longer a purely riff-based instrument, but provided an ambiguous atmosphere through tremolo-picking either large chords or single melodic lines.
1112:
845:
299:
separate myself from what I see as a biologically flawed being is to embrace the very thing these individuals seem bent on destroying
526:, in its dreary and "tremendously addictive" acoustic passages, whilst also treading the line of post-rock and indie-folk. In 2012,
1416:
252:, as the impetus for using a strummed acoustic guitar in a darker musical context. Present as well are long and melancholic
1379:
1144:
899:
580:
folk tale "Earth Making". The song "The
Hawthorne Passage" contains a fragment of dialogue from the Swedish movie
1411:
903:
363:
1106:
784:
Aaron Sholes – sample on track 4, hand-made grim cymbal bell used on track 2, art direction, pre-production
241:
1240:
266:
161:
1323:
1258:
556:
In response to the album's feedback, Anderson stated: "We are all very happy with the reception for
1406:
1265:
273:
Godspeed, in particular, was the major influence. Their approach to the guitar seemed aligned with
179:
991:
960:
1284:
1226:
978:
831:
1330:
1272:
1137:
1044:
946:
492:
434:
287:
1069:
1401:
1233:
1018:
445:
882:
8:
942:
916:
810:
Dick, Chris (November 2012). "Hall of Fame: Northwest
Passage - The Making of Agalloch's
505:
was released to a very positive reception from critics and fans alike. William York from
564:
is the most precious to me since it is most representative of our current songwriting."
499:
on grey-colored vinyl. Limited to 500 copies, it also featured exclusive cover artwork.
528:
869:
1130:
846:""AGALLOCH Is The Closest Thing I Have To Religion" - An Interview With Don Anderson"
522:
509:
regarded the album as a "leaps-and-bounds improvement" over their first full-length
816:
581:
291:
1291:
1278:
1098:
234:
211:
135:
128:
775:
Ronn Chick – synths, samples, bells on track 8, mandolin on track 9, production
1395:
1212:
511:
249:
225:
200:
1182:
123:
1165:
755:
585:
573:
274:
253:
141:
82:
74:
763:
560:. We were surprised by how successful it was. I would have to say that
203:
97:
92:
87:
262:
258:
1153:
886:
577:
541:
506:
327:
207:
148:
43:
778:
Ty
Brubaker – contrabass on track 5, 8 and 9, accordion on track 9
245:
834:. Sputnikmusic. December 30, 2010. Retrieved January 13, 2012.
769:
Don
Anderson – acoustic, classical and electric guitars, piano
265:. A major influence upon Agalloch during this time period was
517:
38:
30:
758:– vocals, acoustic and electric guitars, drums, percussion,
1122:
759:
237:
772:
Jason
William Walton – bass guitar, noisescape on track 3
917:"The Metal Crypt - Review : Agalloch - The Mantle"
614:"A Celebration for the Death of Man..." (Instrumental)
549:
the 13th best black metal album of all time. In 2021,
872:. Metal-rules.com. 2004. Retrieved December 10, 2020.
832:"Agalloch - The Mantle (staff review) | Sputnikmusic"
766:, samples, production, booklet photography and layout
906:. September 1, 2002. Retrieved November 28, 2011.
576:, except track 8 which contained an excerpt from
1393:
210:. The album was released on August 13, 2002, by
1111:: CS1 maint: others in cite AV media (notes) (
368:
244:portions. Anderson pointed to the influence of
1045:"The Best Metal Album of Each Year Since 1970"
459:
332:
1138:
981:. Sputnikmusic. Retrieved December 18, 2014.
781:Danielle Norton – trombone on track 7 and 8
1145:
1131:
870:"Metal-Rules.com: Interview With Agalloch"
863:
712:"...And the Great Cold Death of the Earth"
29:
286:The artwork features a photograph of the
303:
1019:"Top 30 Black Metal Albums of All Time"
553:named it the best metal album of 2002.
1394:
1016:
824:
698:"The Hawthorne Passage" (Instrumental)
659:Haughm, Anderson, Jason William Walton
1324:The Demonstration Archive 1996 - 1998
1126:
843:
805:
803:
801:
736:
722:
708:
694:
680:
666:
652:
638:
628:"In the Shadow of Our Pale Companion"
624:
610:
313:
809:
370:
281:
1380:The Silence of Forgotten Landscapes
461:
334:
13:
1331:The Compendium Archive 1996 - 2006
1042:
798:
14:
1428:
844:Bacon, Matt (September 6, 2016).
684:"You Were But a Ghost in My Arms"
18:2002 studio album by Agalloch
787:Neta Smolack – sample on track 4
567:
495:released a double LP version of
480:
475:
470:
465:
460:
414:
409:
404:
399:
394:
389:
384:
379:
374:
369:
353:
348:
343:
338:
333:
1087:
1062:
1036:
1010:
984:
971:
701:Haughm, Anderson, J. William W.
687:Haughm, Anderson, J. William W.
1070:"Agalloch interview (01/2005)"
1017:DiVita, Joe (August 9, 2017).
953:
943:"Agalloch - The Mantle review"
935:
909:
892:
889:. Retrieved November 28, 2011.
875:
837:
595:
199:is the second studio album by
1:
1308:"Alpha Serpentis (Unukalhai)"
791:
217:
1417:Profound Lore Records albums
1241:The Serpent & the Sphere
1152:
749:
7:
269:, with Anderson remarking:
267:Godspeed You! Black Emperor
10:
1433:
670:"The Lodge" (Instrumental)
162:Of Stone, Wind, and Pillor
1371:
1350:
1315:
1301:
1259:Of Stone, Wind and Pillor
1250:
1204:
1160:
992:"Agalloch - "The Mantle""
605:
602:
599:
594:
321:
318:
155:
147:
134:
122:
106:
73:
65:
54:August 13, 2002
50:
37:
28:
23:
1266:Tomorrow Will Never Come
900:"CoC: The Mantle review"
180:Tomorrow Will Never Come
69:November 2001–April 2002
1227:Ashes Against the Grain
656:"I Am the Wooden Doors"
1412:The End Records albums
1358:From Which of This Oak
584:and the Mexican movie
572:All lyrics written by
301:
279:
1097:(booklet). Agalloch.
642:"Odal" (Instrumental)
493:Profound Lore Records
304:Release and reception
296:
294:. Anderson remarked:
290:in Agalloch's native
288:Thompson Elk Fountain
271:
233:still contains heavy
1234:Marrow of the Spirit
1177:Jason William Walton
998:. September 28, 2012
631:Haughm, Don Anderson
309:Professional ratings
248:music, particularly
1107:cite AV media notes
1101:. 2002. p. 11.
996:Decibelmagazine.com
979:"The Mantle review"
904:Chronicles of Chaos
883:"The Mantle review"
726:"A Desolation Song"
491:On March 28, 2005,
364:Chronicles of Chaos
310:
1316:Compilation albums
961:"Rock Hard review"
850:Metalinjection.net
308:
1389:
1388:
1342:Whitedivisiongrey
1197:
1192:
923:. August 20, 2004
746:
745:
489:
488:
282:Artwork and theme
192:
191:
188:
187:
1424:
1195:
1190:
1147:
1140:
1133:
1124:
1123:
1117:
1116:
1110:
1102:
1091:
1085:
1084:
1082:
1080:
1066:
1060:
1059:
1057:
1055:
1040:
1034:
1033:
1031:
1029:
1014:
1008:
1007:
1005:
1003:
988:
982:
975:
969:
968:
957:
951:
950:
939:
933:
932:
930:
928:
913:
907:
896:
890:
879:
873:
867:
861:
860:
858:
856:
841:
835:
828:
822:
821:
817:Decibel Magazine
807:
739:
715:Haughm, Anderson
597:
592:
591:
582:The Seventh Seal
485:
484:
483:
479:
478:
474:
473:
469:
468:
464:
463:
419:
418:
417:
413:
412:
408:
407:
403:
402:
398:
397:
393:
392:
388:
387:
383:
382:
378:
377:
373:
372:
358:
357:
356:
352:
351:
347:
346:
342:
341:
337:
336:
311:
307:
157:
156:
118:
117:
113:
61:
59:
33:
21:
20:
1432:
1431:
1427:
1426:
1425:
1423:
1422:
1421:
1407:Agalloch albums
1392:
1391:
1390:
1385:
1367:
1346:
1311:
1297:
1292:Faustian Echoes
1279:Agalloch / Nest
1246:
1200:
1156:
1151:
1121:
1120:
1104:
1103:
1099:The End Records
1093:
1092:
1088:
1078:
1076:
1068:
1067:
1063:
1053:
1051:
1041:
1037:
1027:
1025:
1015:
1011:
1001:
999:
990:
989:
985:
976:
972:
959:
958:
954:
949:. June 3, 2004.
941:
940:
936:
926:
924:
915:
914:
910:
897:
893:
881:York, William.
880:
876:
868:
864:
854:
852:
842:
838:
829:
825:
808:
799:
794:
752:
747:
737:
570:
481:
476:
471:
466:
415:
410:
405:
400:
395:
390:
385:
380:
375:
354:
349:
344:
339:
306:
284:
242:acoustic guitar
235:electric guitar
220:
212:The End Records
183:
174:
165:
115:
111:
110:
102:
57:
55:
46:
19:
12:
11:
5:
1430:
1420:
1419:
1414:
1409:
1404:
1387:
1386:
1384:
1383:
1375:
1373:
1369:
1368:
1366:
1365:
1360:
1354:
1352:
1348:
1347:
1345:
1344:
1339:
1334:
1327:
1319:
1317:
1313:
1312:
1310:
1309:
1305:
1303:
1299:
1298:
1296:
1295:
1288:
1281:
1276:
1269:
1262:
1254:
1252:
1248:
1247:
1245:
1244:
1237:
1230:
1223:
1216:
1208:
1206:
1202:
1201:
1199:
1198:
1193:
1187:
1186:
1179:
1174:
1169:
1161:
1158:
1157:
1150:
1149:
1142:
1135:
1127:
1119:
1118:
1086:
1074:Metalstorm.net
1061:
1035:
1009:
983:
977:SowingSeason.
970:
952:
934:
921:Metalcrypt.com
908:
898:McKay, Aaron.
891:
874:
862:
836:
823:
796:
795:
793:
790:
789:
788:
785:
782:
779:
776:
773:
770:
767:
751:
748:
744:
743:
740:
734:
733:
730:
727:
724:
720:
719:
716:
713:
710:
706:
705:
702:
699:
696:
692:
691:
688:
685:
682:
678:
677:
674:
671:
668:
664:
663:
660:
657:
654:
650:
649:
646:
643:
640:
636:
635:
632:
629:
626:
622:
621:
618:
615:
612:
608:
607:
604:
601:
598:
590:
569:
566:
487:
486:
457:
453:
452:
449:
441:
440:
437:
431:
430:
427:
421:
420:
366:
360:
359:
330:
324:
323:
320:
316:
315:
305:
302:
283:
280:
219:
216:
190:
189:
186:
185:
176:
167:
153:
152:
145:
144:
138:
132:
131:
126:
120:
119:
108:
104:
103:
101:
100:
95:
90:
85:
79:
77:
71:
70:
67:
63:
62:
52:
48:
47:
42:
35:
34:
26:
25:
17:
9:
6:
4:
3:
2:
1429:
1418:
1415:
1413:
1410:
1408:
1405:
1403:
1400:
1399:
1397:
1382:
1381:
1377:
1376:
1374:
1370:
1364:
1361:
1359:
1356:
1355:
1353:
1349:
1343:
1340:
1338:
1335:
1333:
1332:
1328:
1326:
1325:
1321:
1320:
1318:
1314:
1307:
1306:
1304:
1300:
1294:
1293:
1289:
1287:
1286:
1282:
1280:
1277:
1275:
1274:
1270:
1268:
1267:
1263:
1261:
1260:
1256:
1255:
1253:
1249:
1243:
1242:
1238:
1236:
1235:
1231:
1229:
1228:
1224:
1222:
1221:
1217:
1215:
1214:
1213:Pale Folklore
1210:
1209:
1207:
1205:Studio albums
1203:
1194:
1189:
1188:
1185:
1184:
1180:
1178:
1175:
1173:
1170:
1168:
1167:
1163:
1162:
1159:
1155:
1148:
1143:
1141:
1136:
1134:
1129:
1128:
1125:
1114:
1108:
1100:
1096:
1090:
1075:
1071:
1065:
1050:
1046:
1043:DiVita, Joe.
1039:
1024:
1020:
1013:
997:
993:
987:
980:
974:
966:
962:
956:
948:
944:
938:
922:
918:
912:
905:
901:
895:
888:
884:
878:
871:
866:
851:
847:
840:
833:
827:
819:
818:
813:
806:
804:
802:
797:
786:
783:
780:
777:
774:
771:
768:
765:
761:
757:
754:
753:
741:
738:Total length:
735:
731:
728:
725:
721:
717:
714:
711:
707:
703:
700:
697:
693:
689:
686:
683:
679:
675:
672:
669:
665:
661:
658:
655:
651:
647:
644:
641:
637:
633:
630:
627:
623:
619:
616:
613:
609:
593:
589:
587:
583:
579:
575:
568:Track listing
565:
563:
559:
554:
552:
548:
544:
543:
538:
535:
531:
530:
525:
524:
519:
514:
513:
512:Pale Folklore
508:
504:
500:
498:
494:
458:
455:
454:
450:
448:
447:
443:
442:
438:
436:
433:
432:
428:
426:
423:
422:
367:
365:
362:
361:
331:
329:
326:
325:
317:
314:Review scores
312:
300:
295:
293:
289:
278:
276:
270:
268:
264:
260:
255:
251:
250:Death in June
247:
243:
239:
236:
232:
228:
227:
226:Pale Folklore
215:
213:
209:
205:
202:
198:
197:
182:
181:
177:
173:
172:
168:
164:
163:
159:
158:
154:
150:
146:
143:
139:
137:
133:
130:
127:
125:
121:
109:
105:
99:
96:
94:
91:
89:
86:
84:
81:
80:
78:
76:
72:
68:
64:
53:
49:
45:
40:
36:
32:
27:
22:
16:
1378:
1362:
1357:
1341:
1336:
1329:
1322:
1290:
1283:
1271:
1264:
1257:
1239:
1232:
1225:
1219:
1218:
1211:
1196:Chris Greene
1191:Shane Breyer
1183:Aesop Dekker
1181:
1176:
1172:Don Anderson
1171:
1164:
1094:
1089:
1077:. Retrieved
1073:
1064:
1052:. Retrieved
1049:Loudwire.com
1048:
1038:
1026:. Retrieved
1023:Loudwire.com
1022:
1012:
1000:. Retrieved
995:
986:
973:
964:
955:
937:
927:February 14,
925:. Retrieved
920:
911:
894:
877:
865:
853:. Retrieved
849:
839:
826:
820:(97): 58–66.
815:
811:
571:
561:
557:
555:
550:
546:
540:
539:
533:
527:
521:
510:
502:
501:
496:
490:
456:Sputnikmusic
444:
424:
297:
285:
272:
230:
224:
221:
195:
194:
193:
178:
170:
169:
160:
140:Ronn Chick,
39:Studio album
15:
1402:2002 albums
1166:John Haughm
965:Rockhard.de
947:Metal Storm
756:John Haughm
617:John Haughm
586:Fando y Lis
574:John Haughm
435:Metal Storm
425:Metal Crypt
275:black metal
254:double bass
240:as well as
142:John Haughm
83:Black metal
1396:Categories
1363:Promo 1998
1337:Wooden Box
1220:The Mantle
1095:The Mantle
1079:January 4,
1054:January 4,
1028:January 4,
1002:January 4,
855:January 4,
830:M, Steve.
812:The Mantle
792:References
764:woodchimes
562:The Mantle
558:The Mantle
547:The Mantle
534:The Mantle
503:The Mantle
497:The Mantle
231:The Mantle
218:Production
204:folk metal
196:The Mantle
171:The Mantle
151:chronology
98:doom metal
93:post-metal
88:folk metal
58:2002-08-13
24:The Mantle
1285:The White
750:Personnel
532:inducted
523:Damnation
446:Rock Hard
263:Nick Cave
259:Tom Waits
1273:The Grey
1154:Agalloch
887:AllMusic
729:Anderson
578:Cherokee
551:Loudwire
542:Loudwire
507:AllMusic
328:AllMusic
292:Portland
208:Agalloch
201:American
149:Agalloch
136:Producer
66:Recorded
51:Released
44:Agalloch
41: by
1302:Singles
545:called
529:Decibel
246:neofolk
184:(2003)
175:(2002)
166:(2001)
129:The End
56: (
673:Haughm
645:Haughm
606:Length
451:8.0/10
439:9.5/10
322:Rating
319:Source
107:Length
1351:Demos
742:68:25
704:11:19
634:14:45
603:Music
600:Title
518:Opeth
238:riffs
206:band
124:Label
75:Genre
1372:DVDs
1113:link
1081:2022
1056:2022
1030:2022
1004:2022
929:2021
857:2022
760:EBow
732:5:08
718:7:14
690:9:15
676:4:40
662:6:11
648:7:39
620:2:24
261:and
1251:EPs
814:".
596:No.
520:'s
429:5/5
1398::
1109:}}
1105:{{
1072:.
1047:.
1021:.
994:.
963:.
945:.
919:.
902:.
885:.
848:.
800:^
762:,
723:9.
709:8.
695:7.
681:6.
667:5.
653:4.
639:3.
625:2.
611:1.
588:.
229:,
214:.
116:25
112:68
1146:e
1139:t
1132:v
1115:)
1083:.
1058:.
1032:.
1006:.
967:.
931:.
859:.
114::
60:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
