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The Love of Jeanne Ney

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in the opening sequence played by actual White Russian expatriates. Ehrenburg, initially excited about the opportunity to work with Pabst, whose films he held in esteem, was soon disappointed to find that the director was more concerned with set details than the "absurdity" (Ehrenburg) of the script.
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When Jeanne learns of Andreas' arrest, she looks for Khalibiev to help clear Andreas of the charges brought against him, as they ran into one another on the night of the murder. She boards the train Khalibiev took to flee the city, trying to convince him to testify on Andreas' behalf. Khalibiev makes
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Khalibiev sneaks into Raymond's office, murders him and steals a diamond which had been declared missing and found by one of Raymond's employees. He frames Andreas by leaving behind Andreas' coat and photo. Andreas is arrested by the police, appearing all the more suspicious due to the money he has
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In Paris, Jeanne takes up a job as a secretary at her uncle Raymond's detective agency. Khalibiev, who followed her to Paris, sets about seducing Raymond's blind daughter Gabrielle, planning to murder her after their marriage and run away with her money. Margot, a young woman working at a bar whom
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Protesting in vain against Pabst's changes to his original work (including a happy ending not in the book), he tried to have his name removed from the titles, condemning the resulting film for its philistine morals, such as having communist Andreas kneel in front of the holy virgin. After
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agents. Jeanne's lover, Andreas Labov, and one of his Bolshevik comrades show up in her father's office, demanding that Ney hands over the list. Ney shoots at the intruders and is shot dead in return. Soon after, the revolutionary army storms the city. Jeanne flees to
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for being "more complete" and "dynamic" and calling Édith Jéhanne's performance "admirable". MacPherson had been shown Pabst's original cut in Berlin before the film's release and gave the director the opportunity to explain his technique of
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not only in scope of vision, but in the determination with which it records reality". Kracauer nonetheless commented negatively on the production company's deletion of all provoking political and moral content of the source material.
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sexual advances to her and attempts to silence her with his handkerchief, exposing the stolen diamond. Jeanne cries for help, and Khalibiev is arrested. Inside the diamond, Jeanne sees an image of Andreas being released from prison.
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had acquired the producing company UFA, more changes were demanded against Pabst's will, including the almost complete deletion of the scene with Jeanne and Andreas spending the night at the hotel.
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Khalibiev told of his plan, warns Gabrielle and Raymond. Andreas, who has been sent to Paris as a political agitator, reunites with Jeanne and spends the night with her at a hotel.
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restorations were made based on negative duplicates and prints. The German version was restored in 2016 from a duplicate made by the
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in which he called the film's changes to the novel, apart from moments of unintentional humour, "not funny but profoundly sad".
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in the 1930s, the US version from a German archive copy. The restored German version was first screened with live music at the
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the following month. It was released on home media in Germany, the US and the UK between 2018 and 2021.
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as one of "the culminating works of silent cinema", being "an ambitious attempt to synthesize Soviet
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The Pool Group and the Quest for Anthropological Universality: The Humane Images of Modernism
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Darstellungen von Film in literarischen Fiktionen der zwanziger und dreißiger Jahre
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Jeanne is the daughter of André Ney, a French diplomat and political observer in
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Running times taken from the German and US versions on the Blu-ray releases by
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and on location in Paris. For reasons of authenticity, Pabst had the partying
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with the help of a Bolshevik officer, who secretly gives Andreas her address.
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From Caligari to Hitler: A Psychological History of the German Film
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The Tenth Muse: Writing about Cinema in the Modernist Period
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coverage in several issues, rating it superior to Pabst's
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It was released by 1483: 1017: 964: 958: 930: 785: 783: 781: 779: 759: 757: 755: 1095: 861:"7. UFA Filmnächte im Herzen Berlins" 808: 772:(Blu-ray). Eureka! Masters of Cinema. 733: 789: 763: 835:"Die Liebe der Jeanne Ney (D 1927)" 776: 752: 13: 1022:. New York: Perigee. p. 411. 14: 1572: 1063: 1043:Hoberman, J. (27 November 2006). 1551:Films shot at Babelsberg Studios 16:1927 film by Georg Wilhelm Pabst 1036: 1011: 853: 827: 794:. Lit Verlag. pp. 95–96. 727: 639: 1: 1541:Films directed by G. W. Pabst 660: 547:, co-editor of film magazine 1511:German black-and-white films 1506:Films of the Weimar Republic 993:Kracauer, Siegfried (2019). 533:, composer of the scores of 423:Mammey Terja-Basa as servant 7: 1501:German silent feature films 1227:The White Hell of Pitz Palu 1177:One Does Not Play with Love 10: 1577: 1427:The Confession of Ina Kahr 1047:. The Criterion Collection 940:van Schlun, Betsy (2016). 887:"Die Liebe der Jeanne Ney" 682:"Die Liebe der Jeanne Ney" 1516:Silent German drama films 1130: 790:Rutz, Gerd-Peter (2000). 734:Goble, Alan, ed. (1999). 242: 234: 215: 200:6 December 1927 191: 181: 165: 154: 135: 114: 83: 73: 47: 37: 28: 23: 1561:Films scored by Hans May 1521:Russian Revolution films 1020:The Encyclopedia of Film 710:"The Love of Jeanne Ney" 651:Eureka Masters of Cinema 632: 273:Die Liebe der Jeanne Ney 1045:"Opening Pandora's Box" 582:From Caligari to Hitler 351: 300: 1187:The Love of Jeanne Ney 1082:The Love of Jeanne Ney 1071:The Love of Jeanne Ney 1018:Monaco, James (1991). 965:Marcus, Laura (2010). 821:The Love of Jeanne Ney 770:The Love of Jeanne Ney 619:The Love of Jeanne Ney 603:The Love of Jeanne Ney 587:The Love of Jeanne Ney 568:on actors' movements. 555:The Love of Jeanne Ney 527:The Love of Jeanne Ney 476:The Love of Jeanne Ney 453:The Love of Jeanne Ney 448:Production and release 316: 313:The Love of Jeanne Ney 271: 263:The Love of Jeanne Ney 24:The Love of Jeanne Ney 764:Kemp, Philip (2021). 525:Initial recations to 311: 1257:The Threepenny Opera 1217:Diary of a Lost Girl 611:Criterion Collection 521:Reception and legacy 507:Museum of Modern Art 293:based on a novel by 1531:Films set in Crimea 1526:Films set in Russia 601:(writing in 1991), 536:Battleship Potemkin 492:Metro-Goldwyn-Mayer 291:Georg Wilhelm Pabst 224:107 mins. 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Retrieved 641: 618: 602: 599:James Monaco 596: 590: 586: 580: 573:World War II 570: 558: 554: 548: 534: 526: 524: 510: 497:Because the 496: 475: 474: 452: 451: 390:as André Ney 388:Eugen Jensen 378:as Gabrielle 372:as Khalibiev 346: 342: 338: 318: 312: 289:directed by 278: 277: 272: 262: 261: 260: 217:Running time 193:Release date 18: 1287:Don Quixote 1277:L'Atlantide 1124:G. W. Pabst 1051:14 December 922:19 December 897:19 December 893:(in German) 871:20 December 867:(in German) 845:20 December 841:(in German) 719:15 December 649:(2020) and 615:J. 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Index


Georg Wilhelm Pabst
Ilya Ehrenburg
Ladislaus Vajda
Rudolf Leonhard
Édith Jéhanne
Brigitte Helm
Hertha von Walther
Uno Henning
Fritz Arno Wagner
Walter Robert Lach
Mark Sorkin
Hans May
UFA
Parufamet
German
silent
drama film
Georg Wilhelm Pabst
Ilya Ehrenburg
Crimea
Russian Revolution
Bolshevik
Paris
Édith Jéhanne
Uno Henning
Fritz Rasp
Brigitte Helm
Adolf E. Licho
Eugen Jensen

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