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The Life of Man

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151:'s "static" plays, it is recognized now as a dramatic summary of several important short stories and novellas by Andreyev of the 1903–1906 period ("The Wall", "The Thought", "The Life of Vasily Fiveysky"), focusing, through a set of abstract and schematic characters and scenes, upon the meaning of human life, or rather the tragic lack of it, epitomized by the mysterious Someone in Grey, the symbol of both disinterested God and desperate human mind. 160:
affluence, and finally hits the bottom again. Cursing the anonymous witness to his tribulations, he imagines himself as a hapless warrior who loses everything in his strife against the unfathomable, evil forces. "I am armless now", he exclaims, before the candle (a symbol of life) dies and darkness falls.
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who, while praising his rebellious, anti-establishment attitude, still considered Andreyev's outlook be utterly pessimistic, the author himself insisted that his play was life-affirming. "Everybody tells me I am a pessimist. But I think you should play Man as somebody who is very strong, powerful and
227:
in his 1925 essay wrote: "In his symbolic dramas Andreyev is keen to avoid even remote similarities with the real life... They are totally abstract and rhetorical, the distant relatives of the Byron mysteries, seeped in through their Teutonic interpretations, written in tense, lofty, didactic
159:
Surveyed by Someone in Grey (as well as another, anonymous character who is never leaving the stage), Man passes through life (in the grey world where all things are of colour grey) from birth to death as a blind man, unable to see what comes to him next. First he is destitute, then rises to
232:; at least the other-worldliness of these howling, spectral characters creates a certain atmosphere. Its success was to some extent justified but to re-read it now is unbearable. is driven by one single motif, that of death, and void and the futility of all human effort." 333:
by D.S. Mirsky. The History of Russian Literature from the Old Times Till 1925 // История русской литературы с древнейших времен до 1925 года / Пер. с англ. Р. Зерновой. - London: Overseas Publications Interchange Ltd, 1992. - С.
269:. Summary // Источник: Все шедевры мировой литературы в кратком изложении. Сюжеты и характеры. Русская литература XX века / Ред. и сост. В. И. Новиков. — М. : Олимп : ACT, 1997. — 896 с. 190:(writing under the moniker Anton Krainy) attacked the author personally, describing him as 'uncultured', 'poorly educated', 'pretentious' and thus unequal to the task he'd burdened himself with. 168:
The original critical response to the play was mixed, even if the Moscow Art Theatre production was met with unanimous acclaim. Especially harsh were the
257:. Leonid Andreyev, the Summary. Obshchestvennaya Polza Publishers. Saint Petersburg, 1910 // Типографія т-ва "Общественная Польза", В. Подъяч., 39. 1910. 321:
Alexander Blok. The Works of... in 8 volumes. Vol. 5, p. 193 // Блок А. А. Собр. соч.: В 8-ми т. М.; Л., 1962, т. 5, с. 193.
197:'s 1907 review, Someone in Grey should be seen as an amalgam of the world's forces of evil, including the power of the state. 360: 303:
Vikenty Veresayev. The Works of... in 5 Volumes // Вересаев В. В. Собр. соч.: В 5-ти т. М., 1961, т. 5, с.415.
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manner... daubed with crude palette of black and red, no overtones allowed. The best of them is, still,
201:
saw this figure as the embodiment of the impersonal, absolute Law, outside the realm of good and evil.
125: 52: 254: 266: 137: 106: 355: 141: 193:
Critics differed in their interpretations of the play's ideas and symbolism. According to
8: 350: 198: 194: 148: 129: 169: 133: 210: 186:) labeled it "the most reactionary piece of work in the Russian literature to date." 117: 80: 330: 218: 209:
unwilling to succumb to his destiny," he told (an unspecified) actor, according to
179: 97: 62: 278: 187: 121: 27: 172:
critics who chose to pan it for its allegedly 'reactionary' politics. Avrely in
214: 344: 217:(who saw Man as "a wonderful sphynx, rather than a mere puppet"), as well as 178:
called the play "the unique, in its own right, collection of banalities."
224: 205: 124:. Written in the September 1906, it premiered on 22 February 1907 in the 312:
V. Verigina. memoirs // Веригина В. П. Воспоминания. Л., 1974, с. 117
255:Леонидъ Андреевъ. Итоги творчества. Литературно-критическій этюдъ 132:. On 12 December 1907 it was performed for the first time in the 83: 174: 294:
Vestnik Zhizni // Вестн. жизни, 1907, No 3, с. 103-104).
281:. Someone in Grey by Maximilian Voloshin. Originally in 221:, who praised Blok for his critical review of the play. 111: 147:An allegorical play, stylized to some extent after 342: 249: 247: 245: 242: 285:newspaper, 19 June 1907, No.157, p. 2). 272: 343: 213:. This interpretation was endorsed by 163: 13: 14: 372: 154: 324: 315: 306: 297: 288: 260: 1: 235: 7: 112: 10: 377: 182:(in the May 1907 issue of 37:22 February 1907 279:М. Волошин. Некто в сером 126:Komissarzhevskaya Theatre 101: 76: 68: 58: 53:Komissarzhevskaya Theatre 48: 33: 23: 18: 361:Works by Leonid Andreyev 138:Konstantin Stanislavski 142:Leopold Sulerzhitsky 199:Anatoly Lunacharsky 195:Maximilian Voloshin 130:Vsevolod Meyerkhold 204:Unlike his friend 134:Moscow Art Theatre 211:Vikenty Veresayev 164:Critical response 110: 89: 88: 59:Original language 368: 335: 328: 322: 319: 313: 310: 304: 301: 295: 292: 286: 276: 270: 264: 258: 253:Arabazhin, K.A. 251: 219:Korney Chukovsky 180:Dmitry Filosofov 116:) is a five-act 115: 105: 103: 72:Futility of life 44: 42: 16: 15: 376: 375: 371: 370: 369: 367: 366: 365: 341: 340: 339: 338: 331:Леонид Андреев 329: 325: 320: 316: 311: 307: 302: 298: 293: 289: 277: 273: 267:The Life of Man 265: 261: 252: 243: 238: 230:The Life of Man 188:Zinaida Gippius 166: 157: 122:Leonid Andreyev 113:Zhizn cheloveka 93:The Life of Man 49:Place premiered 40: 38: 28:Leonid Andreyev 19:The Life of Man 12: 11: 5: 374: 364: 363: 358: 353: 337: 336: 323: 314: 305: 296: 287: 271: 259: 240: 239: 237: 234: 215:Alexander Blok 165: 162: 156: 153: 136:, directed by 128:, directed by 102:Жизнь человека 87: 86: 78: 74: 73: 70: 66: 65: 60: 56: 55: 50: 46: 45: 35: 34:Date premiered 31: 30: 25: 21: 20: 9: 6: 4: 3: 2: 373: 362: 359: 357: 356:Russian plays 354: 352: 349: 348: 346: 332: 327: 318: 309: 300: 291: 284: 280: 275: 268: 263: 256: 250: 248: 246: 241: 233: 231: 226: 222: 220: 216: 212: 207: 202: 200: 196: 191: 189: 185: 181: 177: 176: 171: 161: 152: 150: 145: 143: 139: 135: 131: 127: 123: 119: 114: 108: 99: 95: 94: 85: 82: 79: 75: 71: 67: 64: 61: 57: 54: 51: 47: 36: 32: 29: 26: 22: 17: 326: 317: 308: 299: 290: 282: 274: 262: 229: 223: 203: 192: 183: 173: 167: 158: 155:Plot summary 146: 92: 91: 90: 225:D.S. Mirsky 206:Maxim Gorky 149:Maeterlinck 351:1906 plays 345:Categories 236:References 184:Tovarishch 41:1907-02-22 24:Written by 170:modernist 120:drama by 118:symbolist 107:romanized 81:Symbolist 334:609-619. 109::  98:Russian 69:Subject 63:Russian 39: ( 84:drama 77:Genre 175:Vesy 140:and 283:Rus 347:: 244:^ 144:. 104:, 100:: 96:( 43:)

Index

Leonid Andreyev
Komissarzhevskaya Theatre
Russian
Symbolist
drama
Russian
romanized
symbolist
Leonid Andreyev
Komissarzhevskaya Theatre
Vsevolod Meyerkhold
Moscow Art Theatre
Konstantin Stanislavski
Leopold Sulerzhitsky
Maeterlinck
modernist
Vesy
Dmitry Filosofov
Zinaida Gippius
Maximilian Voloshin
Anatoly Lunacharsky
Maxim Gorky
Vikenty Veresayev
Alexander Blok
Korney Chukovsky
D.S. Mirsky



Леонидъ Андреевъ. Итоги творчества. Литературно-критическій этюдъ

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