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653:. This is the painting's only overt reference to the ethnicity of Jesus and his disciples. Most previous depictions excluded Judas by placing him alone on the opposite side of the table from the other eleven disciples and Jesus, or placing halos around all the disciples except Judas. Leonardo instead has Judas lean back into shadow. Jesus is predicting that his betrayer will take the bread at the same time he does to Thomas and James the Greater to his left, who react in horror as Jesus points with his left hand to a piece of bread before them. Distracted by the conversation between John and Peter, Judas reaches for a different piece of bread not noticing Jesus too stretching out with his right hand towards it (Matthew 26: 23). The angles and lighting draw attention to Jesus, whose
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1582:: one table, one central figure, two side walls, three windows and figures grouped in threes, five groups of figures, eight panels on the walls and eight table legs, and thirteen individual figures. Debates among art historians still surround the use of the Fibonacci series as some argue that its purposeful use did not fully begin to be applied to architecture until the early 19th century.
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treasurer. He is also tipping over the salt cellar, which may be related to the near-Eastern expression to "betray the salt" meaning to betray one's master. He is the only person to have his elbow on the table and his head is also vertically the lowest of anyone in the painting. Peter wears an expression of anger and appears to be holding a knife, foreshadowing his violent reaction in
825:-shaped structure near the center base of the painting. It is believed, through early copies, that Jesus' feet were in a position symbolizing the forthcoming crucifixion. In 1768, a curtain was hung over the painting intended for its protection; the curtain instead trapped moisture on the surface, and whenever it was pulled back, it scratched the flaking paint.
270:. Its handling of space, mastery of perspective, treatment of motion and complex display of human emotion has made it one of the Western world's most recognizable paintings and among Leonardo's most celebrated works. Some commentators consider it pivotal in inaugurating the transition into what is now termed the High Renaissance.
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First we visited the fading inimitable fresco of
Leonardo da Vinci. How vain are copies! not in one, nor in any print, did i ever see the slightest approach to the expression in our Savior's face, such as it is in the original. Majesty and love – these are the words that would describe it – joined to
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wrote that in 1800, the room was flooded with two feet of water after a heavy rainstorm. The refectory was used as a prison; it is not known if any of the prisoners may have damaged the painting. In 1821, Stefano
Barezzi, an expert in removing whole frescoes from their walls intact, was called in to
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described the painting as reduced to a "muddle of blots" so deteriorated that the figures were unrecognizable. By the second half of the 16th century, Gian Paolo
Lomazzo stated that "the painting is all ruined". In 1652, a doorway was cut through the (then unrecognisable) painting, and later bricked
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Leonardo reportedly used the likenesses of people in and around Milan as inspiration for the painting's figures. The convent's prior complained to Sforza of
Leonardo's "laziness" as he wandered the streets to find a criminal to base Judas on. Leonardo responded that if he could find no one else, the
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portrays the reaction given by each apostle when Jesus said one of them would betray him. All twelve apostles have different reactions to the news, with various degrees of anger and shock. The apostles were identified by their names, using an unsigned, mid-sixteenth-century fresco copy of
Leonardo's
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for all perspective lines. In addition, the painting demonstrated
Leonardo's masterful use of perspective as it "draws our attention to the face of Christ at the center of the composition, and Christ's face, through his down-turned gaze, directs our focus along the diagonal of his left arm to his
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from about 1495 to 1498, but he did not work continuously. The beginning date is not certain, as the archives of the convent for the period have been destroyed. A document dated 1497 indicates that the painting was nearly completed at that date. A prior from the monastery reportedly complained to
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the whole mural. This repair did not last well and another restoration was attempted in 1770 by an otherwise unknown artist named
Giuseppe Mazza. Mazza stripped off Bellotti's work then largely repainted the painting; he had redone all but three faces when he was halted due to public outrage. In
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form another group of three. Judas is wearing red, blue, and green and is in shadow, looking withdrawn and taken aback by the sudden revelation of his plan. He is clutching a small bag, perhaps signifying the silver given to him as payment to betray Jesus, or perhaps a reference to his role as a
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The painting's appearance by the late 1970s had badly deteriorated. From 1978 to 1999, Pinin
Brambilla Barcilon guided a major restoration project to stabilize the painting and reverse the damage caused by dirt and pollution. The eighteenth- and nineteenth-century restoration attempts were also
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and Alice Von Kannon comment, "If he looks effeminate and needs a haircut, so does James, the second figure on the left." According to Ross King, an expert on
Italian art, Mary Magdalene's appearance at the last supper would not have been controversial and Leonardo would have had no motive to
1156:. As well, other women artists have their image shown in the border of the piece; in all eighty-two women artists are part of the whole image. This image, addressing the role of religious and art historical iconography in the subordination of women, became "one of the most iconic images of the
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This restoration took 21 years and, on 28 May 1999, the painting was returned to display. Intending visitors were required to book ahead and could only stay for 15 minutes. When it was unveiled, considerable controversy was aroused by the dramatic changes in colors, tones, and even some facial
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Leonardo about its delay. Leonardo wrote to the head of the monastery, explaining he had been struggling to find the perfect villainous face for Judas, and that if he could not find a face corresponding with what he had in mind, he would use the features of the prior who had complained.
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758:, London. This full-scale copy was the main source for the 1978–1998 restoration of the original. It includes several lost details such as Christ's feet and the salt cellar spilled by Judas. Giampietrino is thought to have worked closely with Leonardo when he was in
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In common with other depictions of the Last Supper from this period, Leonardo seats the diners on one side of the table, so that none of them has his back to the viewer. The tablecloth is white with blue stripes, which are colours commonly associated with the
1079:, with Jesus portrayed as blond and clean shaven, pointing upward to a spectral torso while the apostles are gathered around the table heads bowed so that none may be identified. It is reputed to be one of the most viewed paintings in the collection of the
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The painting contains several possible numerical references, including to the number three. The
Apostles are seated in groups of three, there are three windows behind Jesus, and the shape of Jesus' figure resembles a triangle. His hands are located at the
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1277:, where Peter preaches in front of a large Christian crowd. As he tells the story of the Last Supper, the film shifts into a brief scene where the background, clothing, and positions of Jesus and the 12 Disciples is alike to the painting itself. In
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567:. Peter is leaning towards John and touching him on the shoulder, in reference to John's Gospel where he signals the "beloved disciple" to ask Jesus who is to betray him. The youngest apostle, John, appears to swoon and lean towards Peter.
1543:(1982). Art historians hold that the figure is the Apostle John, who appears feminine in line with Leonardo's characteristic fascination with blurring the lines between the sexes, a quality which is found in his other paintings, such as
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1461:. This claim was later debunked when the Olympic World Library published the media guide (written before the ceremony) which mentioned it being a homage to cultural festivities as the segment is actually called
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297:. Due to the methods used, a variety of environmental factors, and intentional damage, little of the original painting remains today despite numerous restoration attempts, the last being completed in 1999.
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from Leonardo's notebooks shows twelve apostles, nine of which are identified by names written above their heads. Judas sits on the opposite side of the table, as in earlier depictions of the scene.
339:. These plans were not fully carried out, and a smaller mortuary chapel was constructed, adjacent to the cloister. The painting was commissioned by Sforza to decorate the wall of the mausoleum. The
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stages a "last supper" for Walt (Painless) Waldowski before his planned suicide. The various doctors, all in surgical scrubs, pose in imitation of the painting. In Norman Jewison's film version of
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in the 14th century. However, Cennini described the technique as being more risky than fresco painting, and recommended the use of painting in a more superficial medium for the final touches only.
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331:, although the room was not a refectory at the time that Leonardo painted it. The main church building was still under construction while Leonardo was composing the painting. Leonardo's patron,
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remove the painting to a safer location; he badly damaged the center section before realizing that Leonardo's work was not a fresco. Barezzi then attempted to reattach damaged sections with
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are known to exist, presumed to be work by Leonardo's assistants. The copies are almost the size of the original, and have survived with a wealth of original detail still intact. One, by
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Because Sforza had ordered the church to be rebuilt hastily, the masons filled the walls with moisture-retaining rubble. The painting was done on a thin exterior wall, so the effects of
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were felt keenly, and the paint failed to properly adhere to it. Because of the method used, soon after the painting was completed on 9 February 1498 it began to deteriorate. In 1499,
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1515:. It also states that there was a letter 'glaring in the center of the painting' (M) standing for Matrimonio or Mary Magdalene. This speculation originated in earlier books
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916:. However, as of 1972, the repainting done in various restorations had made the heads of saints Peter, Andrew, and James differ significantly from the original design.
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1317:(1973), in the Last Supper sequence, Jesus and the 12 apostles briefly mimic the posture of each character in Leonardo's painting. The painting is also parodied in
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environment, which meant bricking up the windows. Then, detailed study was undertaken to determine the painting's original form, using scientific tests (especially
2668:"OPENING CEREMONY OF THE PARIS 2024 OLYMPIC GAMES : MEDIA GUIDE : 26-07-24, 19:30 / PARIS 2024 ORGANISING COMMITTEE FOR THE OLYMPIC AND PARALYMPIC GAMES"
1100:, with the heads of notable women artists collaged over the heads of Christ and his apostles. The artists collaged over the heads of Christ and his apostles in
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described it as "blurred and colorless compared with what I remember of it when I saw it as a boy". By 1556 – fewer than sixty years after it was finished –
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was involved in. Pellicioli reattached paint to the wall using a clear shellac, making it relatively darker and more colorful, and removed some of the
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are the final group of three. Both Thaddeus and Matthew are turned toward Simon, perhaps to find out if he has any answer to their initial questions.
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281:. In order to permit his inconsistent painting schedule and frequent revisions, it is painted with materials that allowed for regular alterations:
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disguise her as one of the other disciples, since she was widely venerated in her role as the "Apostle to the Apostles" and was the patron of the
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reversed. Since it had proved impractical to move the painting to a more controlled environment, the refectory was instead converted to a sealed,
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1469:). According to Georgian fact checking website, Myth Detector, many experts had pointed out the differences between the fresco and the segment.
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1361:" (and Mulder's last episode as a series regular) features a scene in Skinner's office with the characters lined up in homage to the painting;
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as a life-sized, three-dimensional, sculptural assemblage using painted and drawn wood, plywood, brownstone, plaster, and aluminum. This work,
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Cenacolo. Before this, only Judas, Peter, John and Jesus had been positively identified. From left to right, according to the apostles' heads:
2621:"What does La Cene Sur La Scene Sur La Seine mean? Netizens refute Dutch historian's claim that Paris Olympics did not mock 'The Last Supper'"
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contemplated removing the painting from the wall and taking it to France. As early as 1517, the painting was starting to flake, and in 1532
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of the Resurrection. James the Greater looks stunned, with his arms in the air. Meanwhile, Philip appears to be requesting some explanation.
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1511:(2003), in which one of the characters suggests that the person to Jesus' right (left of Jesus from the viewer's perspective) is actually
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advised him to leave Christ's face unfinished, arguing that "it would be impossible to imagine faces lovelier or gentler than those of
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measures 460 cm × 880 cm (180 in × 350 in) and covers an end wall of the dining hall at the monastery of
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Detail of the "beloved disciple" to Jesus's right, identified by art historians as the apostle John, but speculated in the 2003 book
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painting does not facilitate either of these objectives. Leonardo also sought a greater luminosity and intensity of light and shade (
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2396:. Public Diplomacy Service of the Federal Public Service Foreign Affairs, Foreign Trade and Development Cooperation. 10 May 2019
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2682:"The Last Supper or Greek Mythology – What Does the Scene at the Paris Olympics Depict and Why Did the Organizers Apologize?"
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alike, usually centered on purported hidden messages or hints found within the painting, especially since the publication of
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to enhance the brightness of the tempera that was applied on top. This was a method that had been described previously by
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335:, planned that the church should be remodeled as a family mausoleum. To this end, changes were made, perhaps to plans by
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The work was commissioned as part of a plan of renovations to the church and its convent buildings by Leonardo's patron
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A protective structure (right) was built in front of Leonardo's fresco. This photo shows the bombing damage in 1943.
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has frequently been referenced, reproduced, or parodied in Western culture. Some of the more notable examples are:
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focuses on Christ's betrayer, repeatedly asks "Is it I?" and closes with the prayer that our feet be so guided:
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prior would make a suitable model. While the painting was being executed, Leonardo's friend, the mathematician
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an absence of all guile that expresses the divine nature more visibly than I ever saw it in any other picture.
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2828:, exhibition catalog fully online as PDF from The Metropolitan Museum of Art, which contains material on
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was painted. There would have even been precedent for it, since the earlier Italian Renaissance painter
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in subdued colors intended to indicate they were not original work, while not being too distracting.
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1197:, first exhibited in Milan in January 1987. The series would be the artist's last before his death.
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Heroes of History: A Brief History of Civilization from Ancient Times to the Dawn of the Modern Age
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first completed a careful study of the structure of the painting, then began cleaning it. In 1924,
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Rethinking the High Renaissance: The Culture of the Visual Arts in Early Sixteenth-Century Rome
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prevented the painting from being struck by bomb splinters, but it may have been damaged by the
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above the main painting, formed by the triple arched ceiling of the refectory, are painted with
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are the next group of three. Thomas is clearly upset; the raised index finger foreshadows his
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wondering why everyone is sitting on the same side of the table); The season seven finale of
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of half the height of the composition. The painting can also be interpreted using the
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2642:"Paris Olympics organizers say they meant no disrespect with 'Last Supper' tableau"
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Christoph Luitpold Frommel, "Bramante and the Origins of the High Renaissance" in
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and his friends eating at a pizza parlor. In one 2015 episode of the CBC drama
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who called it "blasphemous". The painting is parodied in the motion picture of
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Leonardo da Vinci: anatomical drawings from the Royal Library, Windsor Castle
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460 cm × 880 cm (181 in × 346 in)
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1038:. It reveals many details that are no longer visible on the original. The
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1671:"The Last Supper by Leonardo da Vinci – Santa Maria delle Grazie – Milan"
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1796, French revolutionary anti-clerical troops used the refectory as an
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Bertelli, Carlo (November 1983). "Restoration Reveals the Last Supper".
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Detailed review of Steinberg's 'Incessant Last Supper' at 3 Pipe Problem
2521:. Washington, D.C.: National Museum of Women in the Arts. Archived from
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Many parodies of the painting appear on the small screen, including
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Aleteia – Catholic Spirituality, Lifestyle, World News, and Culture
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describes her impression of the painting in her travel narrative,
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2265:"How 'The Last Supper' miraculously survived World War II bombs"
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The lower-right section continues the upper composition at left.
473:. The painting is on a stone wall sealed with a double layer of
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The Virgin and Child with Saint Anne and Saint John the Baptist
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2416:"Where you can see Napoleon's copy of Da Vinci's 'Last Supper'"
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Conservation-restoration of Leonardo da Vinci's The Last Supper
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Museo Nazionale Scienza e Tecnologia Leonardo da Vinci (Milan)
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2466:"Mary Beth Edelson. Some Living American Women Artists. 1972"
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1840:. Series 2. Episode 2. The Open University. 7 October 2003.
1696:"Leonardo Da Vinci's 'The Last Supper' reveals more secrets"
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depicts a fictional story of how the painting was created.
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Museo della Scienza e della Tecnologia "Leonardo da Vinci"
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made another life-sized copy (1809–1814), commissioned by
941:
reflectoscopy and microscopic core-samples), and original
703:, Switzerland. A third copy (oil on canvas) is painted by
358:, to which Leonardo added figures of the Sforza family in
1841:
1648:
A pun as Cène, scène and Seine have similar pronunciation
3076:
Madonna and Child with the Infant Saint John the Baptist
2030:
2028:
2026:
1946:
1944:
1942:
1940:
1938:
1936:
268:
Jesus announces that one of his apostles will betray him
1497:
has been the target of much speculation by writers and
1457:
and religious leaders, who alleged that it was mocking
350:. The opposite wall of the refectory is covered by the
2199:
1720:; Harry N. Abrams Incorporated, New York, 1985, p. 601
1026:
A 16th-century oil on canvas copy is conserved in the
5187:
2282:
2244:
2124:
2112:
2098:. New York and London: Bloomsbury. pp. 187–189.
2023:
1933:
1570:
had included her in his painting of the Last Supper.
866:
did further cleaning, and stabilised some parts with
327:
in Milan, Italy. The theme was a traditional one for
2711:
2709:
2707:
2705:
2703:
2701:
2699:
2435:
2433:
2361:"Have art restorers ruined Leonardo's masterpiece?"
1718:
A History of Art: Painting, Sculpture, Architecture
897:undertook a clean-and-stabilise restoration, which
477:, pitch, and mastic. Then he added an undercoat of
2359:
2302:
949:. Some areas were deemed unrestorable. These were
250:, Italy. The painting represents the scene of the
2236:Da Vinci, Leonardo (1971). Taylor, Pamela (ed.).
1327:(1981), making Leonardo a contemporary of Jesus.
5223:
2696:
2490:Becoming Judy Chicago: A Biography of the Artist
2430:
1744:"Santa Maria delle Grazie & The Last Supper"
1102:Some Living American Women Artists / Last Supper
1094:Some Living American Women Artists / Last Supper
699:, is installed at the Church of St. Ambrogio in
427:The painting as it appears on the refectory wall
266: – specifically the moment after
4643:Antique Furniture & Wooden Sculpture Museum
2768:. Vol. 164, no. 5. pp. 664–684.
2507:
2329:
2087:
2085:
2083:
2081:
2079:
2077:
2075:
2073:
2071:
2069:
1876:. New York: Simon & Schuster. p. 206.
496:
2189:"Chapel with return Renaissance painrefting".
1433:, a segment that some have claimed was called
1271:The painting is closely resembled in the film
4279:
3940:
3682:
3060:
2851:
2394:"Tongerlo Abbey Houses A Remarkable Treasure"
2167:The Notebooks of Leonardo Da Vinci – Complete
828:A first restoration was attempted in 1726 by
209:
3215:Designs for an Adoration of the Christ Child
2066:
1382:and his other patrons as the disciples; and
992:Non-modern painting, mosaic, and photography
821:up; this can still be seen as the irregular
2565:
2493:. Univ of California Press. pp. 209–.
2231:
2229:
1915:Smart history presented by the Khan Academy
1439:"The Last Supper on the stage on the Seine"
519:(Clickable image – use cursor to identify.)
301:is Leonardo's largest work, aside from the
4286:
4272:
3947:
3933:
3689:
3675:
2858:
2844:
2545:"Self-Portrait Looking at The Last Supper"
2486:
1860:
793:
754:, oil on canvas, in the collection of the
469:in tempera, the medium generally used for
315:
41:
16:Mural painting by Leonardo da Vinci, 1490s
4712:Museo Civico di Storia Naturale di Milano
3229:Head of the Infant Saint John the Baptist
2480:
2158:
1987:
1668:
544:form a group of three; all are surprised.
4815:Palazzo della Banca Commerciale Italiana
4311:History of architecture and art in Milan
2761:
2719:, p. 257 (Wiley Publishing, Inc., 2007.
2323:
2262:
2235:
2226:
1905:
1903:
1901:
1826:
1476:
1173:Self-Portrait Looking at The Last Supper
1022:(Israel) was sold for $ 264,000 in 2007.
1010:
995:
923:
872:
492:
393:." Leonardo apparently took the advice.
2740:
2599:. London: Pickering. pp. 131–132.
2594:
2588:
2537:
2357:
2351:
2288:
2250:
2220:Doctor Cardano, physician extraordinary
2205:
2130:
2118:
2055:. London: Cassell Illustrated, p. 132.
2047:
2045:
2043:
2034:
1950:
1766:
1424:
5224:
3696:
2715:Christopher Hodapp, Alice Von Kannon,
2559:
2006:
1866:
1736:
1293:of Leonardo's painting is staged with
1266:
928:The painting as it looked in the 1970s
832:, who filled in missing sections with
4267:
3928:
3670:
2865:
2839:
2240:. New American Library. p. xvii.
2217:
1898:
1777:. New York: Bloomsbury. p. 271.
1669:Bianchini, Riccardo (24 March 2021).
1445:that was variously claimed to parody
1431:2024 Summer Olympics opening ceremony
214:
203:
4695:Art collection of Fondazione Cariplo
4293:
3954:
3030:The Virgin and Child with Saint Anne
2445:The Frost Art Museum Drawing Project
2332:"The Last Supper or a dog's dinner?"
2300:
2091:
2040:
1992:. New York: Zone Books. p. 75.
1772:
1472:
919:
2144:"Last Supper (copy after Leonardo)"
1804:
1801:, Penguin Books 1939, 1993, p. 144.
1635:The painting hung in the chapel of
707:(c. 1520) and is on display in the
13:
5032:Giardini Pubblici Indro Montanelli
4700:Palazzo Anguissola Antona Traversi
2795:. New York: The Viking Press, Inc.
2750:
2238:The Notebooks of Leonardo da Vinci
2136:
1990:Leonardo's Incessant 'Last Supper'
1592:List of works by Leonardo da Vinci
1228:That immortal banquet by thy side,
945:preserved in the Royal Library at
14:
5283:
4550:S. Maurizio al Monastero Maggiore
3301:Drapery of the Virgin's Right Arm
2799:
2519:Clara – Database of Women Artists
2374:from the original on 18 June 2022
1528:The Holy Blood and the Holy Grail
1435:La Cène sur la scène sur la Seine
638:study of an apostle, most likely
449:Leonardo, as a painter, favoured
5209:
5197:
4340:
3651:
3650:
3187:Studies of the Fetus in the Womb
3166:The Martyrdom of Saint Sebastian
3152:Study for the Madonna of the Cat
2743:The World of Leonardo: 1452–1519
2358:Alberge, Dayla (14 March 2012).
2195:. 14 September 2017. p. 19.
2146:. University of the Arts, London
1206:
1076:The Sacrament of the Last Supper
767:
740:
724:
662:hand and therefore, the bread."
628:
612:
432:
420:
398:
4086:Antonio da Sangallo the Younger
2734:
2674:
2660:
2634:
2613:
2458:
2408:
2386:
2330:Phillip William (24 May 1999).
2294:
2263:Traverso, V. M. (5 June 2019).
2256:
2211:
2182:
2170:. Gutenberg.org. 1 January 2004
1981:
1956:
1642:
1629:
1620:
1609:
1192:a series of paintings based on
678:
5252:Paintings by Leonardo da Vinci
3605:replicas and reinterpretations
3551:Museo Ideale Leonardo da Vinci
3194:Portrait of a Man in Red Chalk
2948:Saint Jerome in the Wilderness
2670:. Olympic World Library. 2024.
1791:
1723:
1710:
1688:
1662:
1453:was widely criticised by some
691:, is in the collection of the
1:
5047:Orto Botanico di Cascina Rosa
4948:Galleria Vittorio Emanuele II
4855:Palazzo delle Scuole Palatine
4663:Museum of Musical Instruments
4169:
4132:
2684:. Myth Detector. 29 July 2024
1655:
1550:
1200:
1175:, (1982–84) is in New York's
1064:
980:
410:Giovanni Donato da Montorfano
381:wrote that Leonardo's friend
356:Giovanni Donato da Montorfano
232:
63:
5272:Tourist attractions in Milan
5267:Paintings of the Last Supper
4785:Casa di Riposo per Musicisti
3594:Conservation-restoration of
3361:Codex on the Flight of Birds
3294:Drapery of the Virgin's Legs
2920:The Madonna of the Carnation
2745:. New York: Time-Life Books.
2717:The Templar Code For Dummies
2547:. Metropolitan Museum of Art
2305:Leonardo and the Last Supper
2095:Leonardo and the Last Supper
1775:Leonardo and the Last Supper
1347:flanked by his friends (and
1324:History of the World, Part I
1241:Rambles in Germany and Italy
1230:Where there is no betrayer.
1205:In her 1834 ekphrasic poem,
695:, London, and the other, by
412:, 1495, opposite Leonardo's
7:
5257:Paintings of Judas Iscariot
3520:Giovanni Ambrogio de Predis
3475:Giovanni Antonio Boltraffio
3180:Portrait of Isabella d'Este
1585:
1307:(1970), in the scene where
310:
10:
5288:
5149:Milan International (1906)
4875:Villa Belgiojoso Bonaparte
4545:S. Maria presso San Satiro
4500:S. Cristoforo sul Naviglio
4338:
4234:Johann Joachim Winckelmann
4224:Art patronage of Julius II
3546:Museo leonardiano di Vinci
3083:The Holy Infants Embracing
1391:s 2009 Season 13 episode "
1343:episode "Streaking", with
1177:Metropolitan Museum of Art
797:
673:
488:
5242:Fresco paintings in Milan
5167:
5116:
5103:Stadio del Ghiaccio Agorà
5065:
5019:
4981:
4941:Squares and public spaces
4940:
4904:
4883:
4840:Palazzo dei Giureconsulti
4765:
4747:Contemporary Art Pavilion
4742:Museo Teatrale alla Scala
4613:
4583:
4540:S. Maria presso San Celso
4472:
4379:
4356:
4349:
4319:
4301:
4216:
4119:
4003:
3962:
3900:
3880:Other media (by location)
3879:
3863:
3847:
3704:
3645:✻✻ Possible collaboration
3638:
3571:
3538:
3495:Giovanni Agostino da Lodi
3465:
3381:
3328:
3259:
3238:
3203:
3143:
3110:
2941:The Adoration of the Magi
2896:
2873:
2793:Leonardo: The Last Supper
2741:Wallace, Robert (1972) .
1414:The fifth episode of the
1226:in this world may lead to
893:. Between 1946 and 1954,
444:
216:[ˈlultimaˈtʃeːna]
170:
129:
114:
106:
94:
72:
59:
49:
40:
28:
23:
5262:Paintings of Saint Peter
4690:Gallerie di Piazza Scala
4633:Bagatti Valsecchi Museum
3864:Sculptures (by sculptor)
3809:Signorelli (Lamentation)
3772:conservation-restoration
2309:. New York: Bloomsbury.
2051:White, Susan D. (2006).
1911:"Leonardo's Last Supper"
1637:Magdalen College, Oxford
1602:
1487:and similar works to be
1372:Thank God, It's Doomsday
1370:2005 Season 16 episode "
783:Leonardo da Vinci Museum
781:, oil on canvas, in the
709:Leonardo da Vinci Museum
325:Santa Maria delle Grazie
244:Santa Maria delle Grazie
223:painting by the Italian
119:Santa Maria delle Grazie
4999:Quadrilatero della moda
4922:Teatro degli Arcimboldi
4864:State Archives of Milan
4685:Galleria d'Arte Moderna
4648:Applied Arts Collection
4570:Oratorio di San Protaso
4495:S. Bernardino alle Ossa
4439:S. Maria della Passione
4369:Basilica di Santa Tecla
3848:Paintings (by location)
1988:Steinberg, Leo (2001).
1838:The Mark Steel Lectures
1499:historical revisionists
1467:"Festivity/Celebration"
1455:Christian conservatives
1081:National Gallery of Art
794:Damage and restorations
316:Commission and creation
262:, as it is told in the
205:[iltʃeˈnaːkolo]
5083:Hippodrome of San Siro
5042:Orto Botanico di Brera
4810:Palazzo dell'Arengario
4722:Museo del Risorgimento
4596:Garegnano Charterhouse
4327:Colonne di San Lorenzo
4185:Sistine Chapel ceiling
4150:San Pietro in Montorio
4056:Bernardino delle Croci
3804:Signorelli (Communion)
3372:A Treatise on Painting
3090:The Battle of Anghiari
3051:Saint John the Baptist
2970:Portrait of a Musician
2883:Science and inventions
2789:Heydenreich, Ludwig H.
2595:Shelley, Mary (1996).
2571:"Warhol's Last Supper"
1597:Twelve Apostles in art
1518:The Templar Revelation
1491:
1314:Jesus Christ Superstar
1264:
1053:, that resides in the
1023:
1008:
975:ArtWatch International
929:
878:
538:James, son of Alphaeus
522:
210:
200:
5117:Events and traditions
5057:Villa Litta Modignani
4891:Biblioteca Ambrosiana
4870:Royal Palace of Milan
4850:Palazzo della Ragione
4653:Archaeological Museum
4615:Museums and galleries
4510:S. Giorgio al Palazzo
4424:S. Maria delle Grazie
4081:Sebastiano del Piombo
4011:Mariotto Albertinelli
3705:Paintings (by artist)
3589:Portraits of Leonardo
3264:Child with Saint Anne
2912:The Baptism of Christ
1555:Christopher L. Hodapp
1480:
1281:'s 1961 Spanish film
1246:
1158:feminist art movement
1014:
999:
927:
876:
858:. From 1901 to 1908,
830:Michelangelo Bellotti
756:Royal Academy of Arts
693:Royal Academy of Arts
516:by Leonardo da Vinci
512:
5144:Milan Furniture Fair
4575:Rotonda della Besana
4555:S. Pietro in Gessate
4525:S. Maria del Carmine
4515:S. Giovanni in Conca
4459:S. Vincenzo in Prato
4429:Leonardo da Vinci's
4320:Archaeological sites
4179:St. Peter's Basilica
4046:Antonio da Correggio
3963:Principal proponents
3485:Bernardino de' Conti
2985:La Belle Ferronnière
2819:and the three layers
2567:Haden-Guest, Anthony
2218:Wykes, Alan (1969).
1848:on 17 September 2018
1546:St. John the Baptist
1425:2024 Summer Olympics
1096:(1972) appropriated
683:Two early copies of
155:45.46667°N 9.17083°E
5108:Velodromo Vigorelli
5073:Allianz Cloud Arena
5009:Via Monte Napoleone
4896:Biblioteca di Brera
4835:Palazzo Castiglioni
4757:Triennale di Milano
4752:Pinacoteca di Brera
4737:Museo Poldi Pezzoli
4717:Museo del Novecento
4668:Museo d'Arte Antica
4530:S. Maria della Pace
4464:S. Vittore al Corpo
4454:S. Stefano Maggiore
4111:Antonio Vassilacchi
3913:Christianity portal
3630:(Galleria Borghese)
3615:Mathematics and art
3579:Cultural references
3442:Rapid fire crossbow
3432:Self-propelled cart
3206:Virgin of the Rocks
2978:Lady with an Ermine
2963:Virgin of the Rocks
2765:National Geographic
2515:"Mary Beth Adelson"
2487:Gail Levin (2018).
2441:"Mary Beth Edelson"
2301:King, Ross (2012).
2092:King, Ross (2012).
1921:on 15 February 2014
1773:King, Ross (2012).
1267:Film and television
1261:(1996), pp. 131–132
1118:Helen Frankenthaler
1005:Wieliczka Salt Mine
971:Columbia University
369:Leonardo worked on
151: /
5237:Catholic paintings
5139:Milan Fashion Week
5066:Sporting sceneries
4989:Corso Buenos Aires
4982:Streets and canals
4973:Piazza Gae Aulenti
4963:Piazza della Scala
4860:Palazzo del Senato
4845:Palazzo Mezzanotte
4820:Palazzo Belgioioso
4780:Casa degli Omenoni
4767:Villas and palaces
4638:Castello Sforzesco
4535:S Maria Incoronata
4444:S. Nazaro in Brolo
4332:Milan amphitheatre
4076:Baldassare Peruzzi
4031:Moretto da Brescia
4016:Pellegrino Aretusi
3906:Visual arts portal
3698:Last Supper in art
3395:Divina proportione
3351:Codex Trivulzianus
3315:Head of the Virgin
3308:Head of Saint Anne
2525:on 10 January 2014
2053:Draw Like Da Vinci
1698:. sciencedaily.com
1492:
1244:, published 1844:
1051:Napoleon Bonaparte
1024:
1009:
935:climate-controlled
930:
879:
657:is located at the
655:turned right cheek
523:
379:Gian Paolo Lomazzo
242:of the Convent of
5185:
5184:
5020:Gardens and parks
4830:Palazzo Carminati
4805:Palazzina Appiani
4623:Alfa Romeo Museum
4609:
4608:
4591:Chiaravalle Abbey
4397:S. Carlo al Corso
4261:
4260:
4206:The Last Judgment
3995:Leonardo da Vinci
3922:
3921:
3664:
3663:
3628:Leda and the Swan
3621:The Lost Leonardo
3437:Octant projection
3407:Harpsichord-viola
3324:
3323:
3222:Head of the Angel
3106:
3105:
3097:Leda and the Swan
3022:Lansdowne Madonna
3006:Buccleuch Madonna
2927:Ginevra de' Benci
2867:Leonardo da Vinci
2725:978-0-470-12765-0
2569:(3 August 1999).
2500:978-0-520-30006-4
2418:. TripAdvisor LLC
2316:978-0-8027-1705-4
2105:978-0-7475-9947-0
1999:978-1-890951-18-4
1964:"The Last Supper"
1883:978-0-7432-2612-7
1812:"The Last Supper"
1799:Leonardo da Vinci
1784:978-1-62040-308-2
1716:Frederick Hartt,
1508:The Da Vinci Code
1484:The Da Vinci Code
1473:Other speculation
1402:Murdoch Mysteries
1114:Elaine de Kooning
1090:Mary Beth Edelson
1047:Giacomo Raffaelli
1028:abbey of Tongerlo
920:Major restoration
903:Fernanda Wittgens
580:James the Greater
521:
387:James the Greater
229:Leonardo da Vinci
188:
187:
160:45.46667; 9.17083
54:Leonardo da Vinci
5279:
5214:
5213:
5202:
5201:
5200:
5193:
5177:Outline of Milan
5172:Tourism in Italy
5093:Mediolanum Forum
4958:Piazza del Duomo
4927:Teatro Dal Verme
4825:Palazzo Borromeo
4705:Palazzo Brentani
4485:S. Antonio Abate
4407:Portinari Chapel
4354:
4353:
4344:
4306:History of Milan
4295:Tourism in Milan
4288:
4281:
4274:
4265:
4264:
4229:Jacob Burckhardt
4174:
4173: 1502–1516
4171:
4137:
4136: 1492–1498
4134:
4091:Andrea del Sarto
4026:Ludovico Beretta
3956:High Renaissance
3949:
3942:
3935:
3926:
3925:
3691:
3684:
3677:
3668:
3667:
3654:
3653:
3610:High Renaissance
3558:Leonardo3 Museum
3500:Bernardino Luini
3422:Fighting vehicle
3336:Codex Atlanticus
3276:(London cartoon)
3260:Relating to the
3239:Studies for the
3204:Studies for the
3201:
3200:
3058:
3057:
2905:The Annunciation
2860:
2853:
2846:
2837:
2836:
2811:
2810:
2808:Official website
2785:
2746:
2728:
2713:
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2110:
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2032:
2021:
2018:John 12:6; 13:29
2010:
2004:
2003:
1985:
1979:
1978:
1976:
1974:
1960:
1954:
1948:
1931:
1930:
1928:
1926:
1917:. Archived from
1907:
1896:
1895:
1864:
1858:
1857:
1855:
1853:
1844:. Archived from
1830:
1824:
1823:
1821:
1819:
1814:. lairweb.org.nz
1808:
1802:
1795:
1789:
1788:
1770:
1764:
1763:
1761:
1759:
1754:on 29 March 2013
1750:. Archived from
1740:
1734:
1727:
1721:
1714:
1708:
1707:
1705:
1703:
1692:
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1685:
1683:
1681:
1666:
1649:
1646:
1640:
1633:
1627:
1624:
1618:
1613:
1580:Fibonacci series
1552:
1449:or a feast with
1408:Barenaked Ladies
1390:
1369:
1338:
1262:
1210:
1134:Georgia O'Keeffe
1110:Louise Bourgeois
1085:Washington, D.C.
1003:made in salt in
952:
911:
895:Mauro Pellicioli
864:Oreste Silvestri
814:Gerolamo Cardano
771:
744:
728:
632:
616:
602:Simon the Zealot
517:
495:
436:
424:
402:
238:, housed in the
237:
236: 1495–1498
234:
225:High Renaissance
218:
213:
207:
184:
181:
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176:cenacolovinciano
166:
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101:High Renaissance
68:
67: 1495–1498
65:
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20:
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5163:
5159:Oh bej! Oh bej!
5154:Milan Triennial
5112:
5061:
5015:
5004:Via della Spiga
4977:
4968:Piazza Mercanti
4953:Piazza Cordusio
4936:
4900:
4879:
4795:Casa Panigarola
4761:
4732:Museo Diocesano
4658:Egyptian Museum
4605:
4579:
4468:
4375:
4364:Milan Cathedral
4350:Religious sites
4345:
4336:
4315:
4297:
4292:
4262:
4257:
4212:
4198:Transfiguration
4172:
4135:
4128:The Last Supper
4115:
4071:Maffeo Olivieri
4051:Piero di Cosimo
4036:Gasparo Cairano
3999:
3970:Donato Bramante
3958:
3953:
3923:
3918:
3896:
3875:
3859:
3843:
3700:
3695:
3665:
3660:
3642:✻ Collaboration
3634:
3596:The Last Supper
3567:
3534:
3515:Francesco Melzi
3510:Marco d'Oggiono
3480:Cesare da Sesto
3461:
3452:Viola organista
3398:(illustrations)
3377:
3366:Codex Leicester
3320:
3263:
3255:
3234:
3199:
3139:
3126:Horse and Rider
3102:
3056:
2999:Sala delle Asse
2992:The Last Supper
2892:
2869:
2864:
2830:The Last Supper
2806:
2805:
2802:
2753:
2751:Further reading
2737:
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2697:
2687:
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2367:The Independent
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2090:
2067:
2050:
2041:
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2024:
2011:
2007:
2000:
1986:
1982:
1972:
1970:
1968:The Last Supper
1962:
1961:
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1934:
1924:
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1797:Kenneth Clark.
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1564:The Last Supper
1560:Dominican Order
1533:Michael Baigent
1495:The Last Supper
1475:
1447:The Last Supper
1427:
1416:2021 TV series
1388:
1367:
1336:
1269:
1263:
1253:
1232:
1229:
1227:
1216:Lydia Sigourney
1212:The Last Supper
1203:
1194:The Last Supper
1184:Alexander Iolas
1169:The Last Supper
1165:Marisol Escobar
1138:Louise Nevelson
1098:The Last Supper
1067:
1055:Minoritenkirche
1016:The Last Supper
1001:The Last Supper
994:
986:The Last Supper
983:
973:and founder of
965:, professor of
950:
922:
905:
860:Luigi Cavenaghi
802:
796:
789:
775:The Last Supper
772:
763:
748:The Last Supper
745:
736:
733:The Last Supper
729:
701:Ponte Capriasca
697:Cesare da Sesto
685:The Last Supper
681:
676:
659:vanishing point
646:
645:
644:
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633:
625:
624:
619:A study of the
617:
565:arrest of Jesus
526:The Last Supper
514:The Last Supper
511:
493:
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483:Cennino Cennini
467:The Last Supper
447:
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428:
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383:Bernardo Zenale
371:The Last Supper
364:The Last Supper
337:Donato Bramante
333:Ludovico Sforza
321:The Last Supper
318:
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304:Sala delle Asse
299:The Last Supper
275:Ludovico Sforza
260:Twelve Apostles
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24:The Last Supper
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4061:Girolamo Genga
4058:
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4018:
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3404:
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3391:
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3382:Other projects
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3304:
3297:
3290:
3283:
3280:Second cartoon
3277:
3268:
3266:
3257:
3256:
3254:
3253:
3250:Head of Christ
3245:
3243:
3236:
3235:
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3225:
3218:
3210:
3208:
3198:
3197:
3190:
3183:
3176:
3169:
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3159:Head of a Bear
3155:
3147:
3145:
3144:Works on paper
3141:
3140:
3138:
3137:
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3122:
3119:Budapest Horse
3114:
3112:
3108:
3107:
3104:
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3086:
3079:
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3061:Lost paintings
3055:
3054:
3047:
3044:La Scapigliata
3040:
3033:
3026:
3018:
3014:Salvator Mundi
3010:
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2934:Benois Madonna
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2800:External links
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2648:. 28 July 2024
2633:
2612:
2605:
2597:Travel Writing
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2429:
2407:
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2315:
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2225:
2210:
2208:, p. 127.
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2061:978-1844034444
2039:
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1513:Mary Magdalene
1489:Mary Magdalene
1474:
1471:
1426:
1423:
1393:Margaritaville
1333:That '70s Show
1309:Hawkeye Pierce
1290:tableau vivant
1268:
1265:
1259:Travel Writing
1251:
1220:
1202:
1199:
1146:M. C. Richards
1066:
1063:
993:
990:
982:
979:
947:Windsor Castle
921:
918:
818:Giorgio Vasari
798:Main article:
795:
792:
791:
790:
787:Tongerlo Abbey
773:
766:
764:
750:, c. 1520, by
746:
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713:Tongerlo Abbey
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621:head of Christ
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264:Gospel of John
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4189:
4186:
4183:
4180:
4177:
4167:
4166:
4162:
4159:
4158:
4154:
4151:
4148:
4145:
4144:
4140:
4130:
4129:
4125:
4124:
4122:
4118:
4112:
4109:
4107:
4106:Palma Vecchio
4104:
4102:
4099:
4097:
4094:
4092:
4089:
4087:
4084:
4082:
4079:
4077:
4074:
4072:
4069:
4067:
4066:Lorenzo Lotto
4064:
4062:
4059:
4057:
4054:
4052:
4049:
4047:
4044:
4042:
4041:Giulio Clovio
4039:
4037:
4034:
4032:
4029:
4027:
4024:
4022:
4019:
4017:
4014:
4012:
4009:
4008:
4006:
4004:Other artists
4002:
3996:
3993:
3991:
3988:
3986:
3983:
3981:
3978:
3976:
3973:
3971:
3968:
3967:
3965:
3961:
3957:
3950:
3945:
3943:
3938:
3936:
3931:
3930:
3927:
3915:
3914:
3910:
3908:
3907:
3903:
3902:
3899:
3893:
3890:
3888:
3885:
3884:
3882:
3878:
3872:
3869:
3868:
3866:
3862:
3856:
3853:
3852:
3850:
3846:
3840:
3837:
3835:
3832:
3830:
3827:
3825:
3822:
3820:
3817:
3815:
3812:
3810:
3807:
3805:
3802:
3800:
3797:
3795:
3792:
3790:
3787:
3785:
3782:
3780:
3777:
3773:
3770:
3769:
3768:
3765:
3763:
3760:
3758:
3755:
3753:
3750:
3748:
3745:
3743:
3740:
3738:
3735:
3733:
3730:
3728:
3725:
3723:
3720:
3718:
3715:
3713:
3710:
3709:
3707:
3703:
3699:
3692:
3687:
3685:
3680:
3678:
3673:
3672:
3669:
3657:
3649:
3648:
3644:
3641:
3640:
3637:
3631:
3629:
3625:
3623:
3622:
3618:
3616:
3613:
3611:
3608:
3606:
3604:
3600:
3598:
3597:
3592:
3590:
3587:
3585:
3582:
3580:
3577:
3576:
3574:
3570:
3564:
3561:
3559:
3556:
3552:
3549:
3548:
3547:
3544:
3543:
3541:
3537:
3531:
3530:Andrea Solari
3528:
3526:
3523:
3521:
3518:
3516:
3513:
3511:
3508:
3506:
3503:
3501:
3498:
3496:
3493:
3491:
3488:
3486:
3483:
3481:
3478:
3476:
3473:
3472:
3470:
3468:
3464:
3458:
3455:
3453:
3450:
3448:
3445:
3443:
3440:
3438:
3435:
3433:
3430:
3428:
3425:
3423:
3420:
3418:
3415:
3413:
3410:
3408:
3405:
3403:
3400:
3397:
3396:
3392:
3390:
3389:Architonnerre
3387:
3386:
3384:
3380:
3374:
3373:
3369:
3367:
3364:
3362:
3359:
3357:
3354:
3352:
3349:
3347:
3346:Codex Arundel
3344:
3342:
3341:Codex Windsor
3339:
3337:
3334:
3333:
3331:
3327:
3317:
3316:
3312:
3310:
3309:
3305:
3303:
3302:
3298:
3296:
3295:
3291:
3289:
3288:
3284:
3281:
3278:
3275:
3274:
3270:
3269:
3267:
3265:
3258:
3252:
3251:
3247:
3246:
3244:
3242:
3237:
3231:
3230:
3226:
3224:
3223:
3219:
3217:
3216:
3212:
3211:
3209:
3207:
3202:
3196:
3195:
3191:
3189:
3188:
3184:
3182:
3181:
3177:
3175:
3174:
3173:Vitruvian Man
3170:
3168:
3167:
3163:
3161:
3160:
3156:
3154:
3153:
3149:
3148:
3146:
3142:
3135:
3134:
3130:
3128:
3127:
3123:
3121:
3120:
3116:
3115:
3113:
3109:
3099:
3098:
3094:
3092:
3091:
3087:
3085:
3084:
3080:
3078:
3077:
3073:
3071:
3070:
3066:
3065:
3063:
3059:
3053:
3052:
3048:
3046:
3045:
3041:
3039:
3038:
3034:
3032:
3031:
3027:
3024:
3023:
3019:
3016:
3015:
3011:
3008:
3007:
3003:
3001:
3000:
2996:
2994:
2993:
2989:
2987:
2986:
2982:
2980:
2979:
2975:
2972:
2971:
2967:
2965:
2964:
2960:
2957:
2956:
2955:Madonna Litta
2952:
2950:
2949:
2945:
2943:
2942:
2938:
2936:
2935:
2931:
2929:
2928:
2924:
2922:
2921:
2917:
2914:
2913:
2909:
2907:
2906:
2902:
2901:
2899:
2895:
2889:
2888:Personal life
2886:
2884:
2881:
2879:
2878:List of works
2876:
2875:
2872:
2868:
2861:
2856:
2854:
2849:
2847:
2842:
2841:
2838:
2831:
2827:
2826:
2822:
2820:
2818:
2813:
2809:
2804:
2803:
2794:
2790:
2787:
2783:
2779:
2775:
2771:
2767:
2766:
2760:
2758:
2755:
2754:
2744:
2739:
2738:
2726:
2722:
2718:
2712:
2710:
2708:
2706:
2704:
2702:
2700:
2683:
2677:
2669:
2663:
2647:
2643:
2637:
2622:
2616:
2608:
2606:1-85196-084-8
2602:
2598:
2591:
2576:
2572:
2568:
2562:
2546:
2540:
2524:
2520:
2516:
2510:
2502:
2496:
2492:
2491:
2483:
2467:
2461:
2446:
2442:
2436:
2434:
2417:
2411:
2395:
2389:
2373:
2369:
2368:
2362:
2354:
2339:
2338:
2333:
2326:
2318:
2312:
2307:
2306:
2297:
2291:, p. 93.
2290:
2285:
2270:
2266:
2259:
2253:, p. 74.
2252:
2247:
2239:
2232:
2230:
2222:. p. 26.
2221:
2214:
2207:
2202:
2194:
2193:
2185:
2169:
2168:
2161:
2145:
2139:
2133:, p. 82.
2132:
2127:
2121:, p. 81.
2120:
2115:
2107:
2101:
2097:
2096:
2088:
2086:
2084:
2082:
2080:
2078:
2076:
2074:
2072:
2070:
2062:
2058:
2054:
2048:
2046:
2044:
2037:, p. 86.
2036:
2031:
2029:
2027:
2019:
2015:
2014:Matthew 26:15
2009:
2001:
1995:
1991:
1984:
1969:
1965:
1959:
1953:, p. 83.
1952:
1947:
1945:
1943:
1941:
1939:
1937:
1920:
1916:
1912:
1906:
1904:
1902:
1893:
1889:
1885:
1879:
1875:
1874:
1869:
1863:
1847:
1843:
1839:
1835:
1829:
1813:
1807:
1800:
1794:
1786:
1780:
1776:
1769:
1753:
1749:
1745:
1739:
1732:
1726:
1719:
1713:
1697:
1691:
1676:
1672:
1665:
1661:
1645:
1638:
1632:
1623:
1617:
1616:John 13:23–24
1612:
1608:
1598:
1595:
1593:
1590:
1589:
1583:
1581:
1577:
1571:
1569:
1565:
1561:
1556:
1548:
1547:
1542:
1541:Richard Leigh
1538:
1537:Henry Lincoln
1534:
1530:
1529:
1524:
1523:Lynn Picknett
1520:
1519:
1514:
1510:
1509:
1504:
1500:
1496:
1490:
1486:
1485:
1479:
1470:
1468:
1464:
1460:
1456:
1452:
1448:
1444:
1440:
1436:
1432:
1422:
1420:
1419:
1412:
1410:
1409:
1404:
1403:
1398:
1394:
1387:
1386:
1381:
1378:as Jesus and
1377:
1373:
1366:
1365:
1360:
1356:
1355:
1350:
1346:
1342:
1335:
1334:
1328:
1326:
1325:
1320:
1316:
1315:
1310:
1306:
1305:
1300:
1296:
1292:
1291:
1286:
1285:
1280:
1276:
1275:
1260:
1256:
1250:
1245:
1243:
1242:
1237:
1231:
1225:
1219:
1217:
1213:
1209:
1198:
1196:
1195:
1189:
1186:commissioned
1185:
1180:
1178:
1174:
1170:
1166:
1161:
1159:
1155:
1151:
1147:
1143:
1139:
1135:
1131:
1127:
1123:
1119:
1115:
1111:
1107:
1106:Lynda Benglis
1103:
1099:
1095:
1091:
1087:
1086:
1082:
1078:
1077:
1072:
1071:Salvador Dalí
1062:
1060:
1056:
1052:
1048:
1044:
1041:
1037:
1033:
1029:
1021:
1017:
1013:
1006:
1002:
998:
989:
987:
978:
976:
972:
968:
964:
958:
956:
948:
944:
940:
936:
926:
917:
915:
909:
904:
900:
896:
892:
888:
884:
875:
871:
869:
865:
861:
857:
852:
848:
844:
839:
835:
831:
826:
824:
819:
815:
811:
807:
801:
788:
784:
780:
779:Andrea Solari
776:
770:
765:
761:
757:
753:
749:
743:
738:
734:
727:
722:
721:
720:
718:
714:
710:
706:
705:Andrea Solari
702:
698:
694:
690:
686:
671:
669:
663:
660:
656:
652:
651:Jewish people
641:
637:
631:
622:
615:
603:
599:
598:Jude Thaddeus
595:
592:
589:
585:
581:
577:
574:
572:
569:
566:
562:
557:
553:
549:
546:
543:
539:
535:
532:
531:
530:
527:
520:
515:
486:
484:
480:
476:
472:
468:
464:
460:
456:
452:
439:The refectory
435:
430:
423:
418:
415:
411:
407:
401:
396:
395:
394:
392:
388:
384:
380:
375:
372:
367:
365:
361:
357:
353:
349:
348:coats-of-arms
346:
342:
338:
334:
330:
326:
322:
308:
306:
305:
300:
296:
292:
288:
284:
280:
279:Duke of Milan
276:
271:
269:
265:
261:
257:
253:
249:
245:
241:
230:
226:
222:
217:
212:
211:L'Ultima Cena
206:
202:
198:
194:
193:
183:
173:
169:
164:
136:
133:
128:
124:
120:
117:
113:
109:
105:
102:
99:
97:
93:
90:
86:
82:
78:
75:
71:
62:
58:
55:
52:
48:
44:
39:
36:
35:L'Ultima Cena
32:
27:
22:
19:
5134:Fiera Milano
5078:Arena Civica
5037:Monte Stella
4790:Casa Manzoni
4628:Armani/Silos
4430:
4428:
4402:S. Eustorgio
4248:
4239:Leonardeschi
4204:
4196:
4163:
4155:
4141:
4127:
4126:
3980:Michelangelo
3911:
3904:
3766:
3627:
3619:
3602:
3595:
3505:Cesare Magni
3490:Giampietrino
3467:Leonardeschi
3412:Aerial screw
3393:
3370:
3356:Codex Madrid
3313:
3306:
3299:
3292:
3287:Christ Child
3285:
3271:
3261:
3248:
3240:
3227:
3220:
3213:
3205:
3192:
3185:
3178:
3171:
3164:
3157:
3150:
3136:(unexecuted)
3133:Sforza Horse
3131:
3124:
3117:
3095:
3088:
3081:
3074:
3067:
3049:
3042:
3035:
3028:
3020:
3012:
3004:
2997:
2991:
2990:
2983:
2976:
2968:
2961:
2953:
2946:
2939:
2932:
2925:
2918:
2910:
2903:
2829:
2824:
2816:
2792:
2763:
2742:
2735:Bibliography
2716:
2686:. Retrieved
2676:
2662:
2650:. Retrieved
2645:
2636:
2624:. Retrieved
2615:
2596:
2590:
2578:. Retrieved
2561:
2549:. Retrieved
2539:
2527:. Retrieved
2523:the original
2518:
2509:
2489:
2482:
2470:. Retrieved
2460:
2448:. Retrieved
2444:
2420:. Retrieved
2410:
2398:. Retrieved
2388:
2376:. Retrieved
2365:
2353:
2341:. Retrieved
2337:The Guardian
2335:
2325:
2304:
2296:
2289:Wallace 1972
2284:
2272:. Retrieved
2268:
2258:
2251:Wallace 1972
2246:
2237:
2219:
2213:
2206:Wallace 1972
2201:
2192:Oxford Times
2190:
2184:
2172:. Retrieved
2166:
2160:
2148:. Retrieved
2138:
2131:Wallace 1972
2126:
2119:Wallace 1972
2114:
2094:
2052:
2035:Wallace 1972
2008:
1989:
1983:
1971:. Retrieved
1967:
1958:
1951:Wallace 1972
1923:. Retrieved
1919:the original
1914:
1872:
1868:Durant, Will
1862:
1850:. Retrieved
1846:the original
1837:
1828:
1816:. Retrieved
1806:
1798:
1793:
1774:
1768:
1756:. Retrieved
1752:the original
1747:
1738:
1730:
1725:
1717:
1712:
1700:. Retrieved
1690:
1678:. Retrieved
1674:
1664:
1644:
1639:, from 1992.
1631:
1622:
1611:
1576:golden ratio
1572:
1568:Fra Angelico
1563:
1553:1513–1516).
1544:
1526:
1516:
1506:
1494:
1493:
1482:
1466:
1462:
1459:Christianity
1446:
1441:) involving
1438:
1434:
1428:
1417:
1413:
1406:
1400:
1383:
1364:The Simpsons
1362:
1352:
1341:first-season
1331:
1329:
1322:
1312:
1302:
1288:
1282:
1272:
1270:
1258:
1255:Mary Shelley
1247:
1239:
1236:Mary Shelley
1233:
1223:
1221:
1204:
1193:
1181:
1172:
1168:
1162:
1122:Nancy Graves
1101:
1097:
1093:
1088:
1074:
1068:
1025:
1015:
1000:
985:
984:
959:
931:
914:overpainting
883:World War II
880:
827:
803:
774:
752:Giampietrino
747:
732:
731:A study for
689:Giampietrino
684:
682:
679:Early copies
668:Luca Pacioli
664:
647:
525:
524:
518:
513:
466:
451:oil painting
448:
413:
405:
376:
370:
368:
363:
351:
320:
319:
302:
298:
272:
191:
190:
189:
34:
30:
18:
5216:Visual arts
4565:S. Sepolcro
4520:S. Gottardo
4480:Sant'Angelo
4431:Last Supper
4392:S. Calimero
4387:S. Ambrogio
4209:(1536–1541)
4201:(1516–1520)
4193:(1509–1524)
4187:(1508–1512)
4181:(1506–1513)
4160:(1501–1504)
4146:(1498–1499)
4120:Major works
3762:Ghirlandaio
3329:Manuscripts
3241:Last Supper
2832:(see index)
2817:Last Supper
2815:Leonardo's
2378:21 December
2343:21 December
2174:14 February
1973:25 February
1925:25 February
1852:21 December
1818:21 December
1562:, for whom
1443:drag queens
1354:The X-Files
1279:Luis Buñuel
1224:Last Supper
1190:to produce
1188:Andy Warhol
1182:Art dealer
1150:Alma Thomas
1130:Lee Krasner
1126:Lila Katzen
967:art history
906: [
887:sandbagging
777:, c. 1520,
640:Saint Peter
636:Silverpoint
623:by Leonardo
588:incredulity
563:during the
534:Bartholomew
459:chiaroscuro
414:Last Supper
406:Crucifixion
352:Crucifixion
329:refectories
252:Last Supper
231:, dated to
201:Il Cenacolo
158: /
132:Coordinates
31:Il Cenacolo
5226:Categories
4673:Pinacoteca
4490:S. Barnaba
4414:S. Lorenzo
3855:Strasbourg
3814:Tintoretto
3402:Great Kite
3262:Virgin and
3111:Sculptures
2529:10 January
2472:4 December
2450:11 January
1680:19 October
1656:References
1521:(1997) by
1385:South Park
1319:Mel Brooks
1201:Literature
1154:June Wayne
1065:Modern art
981:In culture
963:James Beck
955:watercolor
951:re-painted
561:Gethsemane
479:white lead
354:fresco by
143:45°28′00″N
107:Dimensions
5129:Expo 2015
5088:Idroscalo
4884:Libraries
4505:S. Fedele
4380:Basilicas
4357:Cathedral
4250:The Lives
4165:Mona Lisa
4101:Tamagnino
4096:Il Sodoma
3975:Giorgione
3892:Jerusalem
3757:Fernandes
3603:Mona Lisa
3584:Namesakes
3457:World Map
3037:Mona Lisa
2897:Paintings
2782:643483454
2774:0027-9358
2551:15 August
2150:11 August
1892:869434122
1834:"DaVinci"
1675:Inexhibit
1549:(painted
1505:'s novel
1503:Dan Brown
1463:Festivité
1321:'s movie
1284:Viridiana
1274:Quo Vadis
1222:That our
1167:rendered
1163:Sculptor
1069:In 1955,
901:director
891:vibration
838:varnished
834:oil paint
810:Louis XII
377:In 1557,
258:with the
240:refectory
146:9°10′15″E
29:Italian:
5204:Painting
5098:San Siro
4912:La Scala
4905:Theatres
4473:Churches
4419:S. Marco
3824:van Gent
3819:Veronese
3794:Rosselli
3784:Perugino
3767:Leonardo
3752:El Greco
3722:Castagno
3656:Category
3417:Crossbow
2791:(1974).
2626:9 August
2580:12 March
2422:20 March
2400:20 March
2372:Archived
1870:(2001).
1748:Time Out
1586:See also
1451:Dionysus
1418:Leonardo
1395:", with
1374:", with
1252:—
1142:Yoko Ono
1104:include
1073:painted
1007:(Poland)
961:shapes.
943:cartoons
939:infrared
806:humidity
341:lunettes
311:Painting
115:Location
96:Movement
5190:Portals
4994:Navigli
4217:Related
3985:Raphael
3871:Dircksz
3732:Cranach
3712:Barocci
3572:Related
3539:Museums
2688:29 July
2652:30 July
2646:AP News
1758:7 March
1702:3 March
1429:At the
1405:called
1359:Requiem
1339:s 1998
1304:M*A*S*H
1299:Vatican
1295:beggars
1234:Author
1045:artist
1036:Belgium
1032:Antwerp
1020:Adi Nes
881:During
717:Belgium
711:of the
674:History
594:Matthew
489:Subject
463:plaster
360:tempera
283:tempera
227:artist
219:) is a
197:Italian
171:Website
125:, Italy
77:Tempera
4152:(1500)
3990:Titian
3887:Dublin
3834:Warhol
3799:Rubens
3789:Pisani
3737:Crespi
3282:(lost)
3069:Medusa
2780:
2772:
2723:
2603:
2575:Artnet
2497:
2468:. MoMA
2313:
2274:7 June
2102:
2059:
1996:
1890:
1880:
1781:
1349:Jackie
1152:, and
1059:Vienna
1043:mosaic
953:using
868:stucco
851:Goethe
847:stable
843:armory
600:, and
584:Philip
582:, and
576:Thomas
554:, and
542:Andrew
540:, and
455:Fresco
445:Medium
345:Sforza
295:mastic
293:, and
89:mastic
87:, and
50:Artist
5124:EICMA
4584:Other
4157:David
4143:Pietà
3839:White
3829:Vouet
3779:Nolde
3717:Bouts
3525:Salaì
3447:Sonar
3427:Robot
2012:Cfr.
1603:Notes
1389:'
1376:Homer
1368:'
1337:'
1040:Roman
910:]
899:Brera
836:then
760:Milan
571:Jesus
552:Peter
475:gesso
291:pitch
287:gesso
256:Jesus
248:Milan
221:mural
123:Milan
85:pitch
81:gesso
3742:Dalí
2778:OCLC
2770:ISSN
2721:ISBN
2690:2024
2654:2024
2628:2024
2601:ISBN
2582:2010
2553:2019
2531:2014
2495:ISBN
2474:2019
2452:2014
2424:2020
2402:2020
2380:2012
2345:2012
2311:ISBN
2276:2019
2176:2012
2152:2008
2100:ISBN
2057:ISBN
2016:and
1994:ISBN
1975:2014
1927:2014
1888:OCLC
1878:ISBN
1854:2012
1820:2012
1779:ISBN
1760:2024
1704:2014
1682:2021
1539:and
1525:and
1397:Kyle
1345:Eric
1287:, a
856:glue
845:and
823:arch
556:John
178:.org
73:Type
60:Year
3727:Cox
1842:BBC
1531:by
1380:Moe
1357:, "
1214:.,
1160:."
1092:'s
1083:in
1057:in
1018:by
969:at
408:by
389:or
285:on
254:of
246:in
208:or
180:/en
79:on
5228::
4170:c.
4133:c.
3747:Ge
3017:✻✻
2973:✻✻
2776:.
2727:).
2698:^
2644:.
2573:.
2517:.
2443:.
2432:^
2370:.
2364:.
2334:.
2267:.
2228:^
2068:^
2042:^
2025:^
1966:.
1935:^
1913:.
1900:^
1886:.
1836:.
1746:.
1673:.
1551:c.
1535:,
1257:,
1179:.
1148:,
1144:,
1140:,
1136:,
1132:,
1128:,
1124:,
1120:,
1116:,
1112:,
1108:,
1061:.
1034:,
1030:,
908:it
870:.
785:,
719:.
715:,
596:,
578:,
550:,
536:,
366:.
307:.
289:,
277:,
233:c.
199::
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83:,
64:c.
33:,
5192::
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4862:(
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4168:(
4138:)
4131:(
3948:e
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3009:✻
2958:✻
2915:✻
2859:e
2852:t
2845:v
2784:.
2692:.
2656:.
2630:.
2609:.
2584:.
2555:.
2533:.
2503:.
2476:.
2454:.
2426:.
2404:.
2382:.
2347:.
2319:.
2278:.
2178:.
2154:.
2108:.
2063:.
2020:.
2002:.
1977:.
1929:.
1894:.
1856:.
1822:.
1787:.
1762:.
1706:.
1684:.
1465:(
1437:(
762:.
195:(
182:/
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