The Lamb Lies Down on Broadway

1222:. Banks recalled the slides only came close to working perfectly on four or five occasions. The tour was the high point of Gabriel's use of theatrics and costumes. He changed his appearance with a short haircut and styled facial hair and dressed as Rael in a leather jacket, T-shirt and jeans. During "The Lamia", he surrounded himself with a spinning cone-like structure decorated with images of snakes. In the last verse, the cone would collapse to reveal Gabriel wearing a body suit that glowed from lights placed under the stage. "The Colony of Slippermen" featured Gabriel as one of the Slippermen, covered in lumps with inflatable genitalia that emerged onto the stage by crawling out of a penis-shaped tube. Gabriel recalled the difficulty in placing his microphone near his mouth whilst he was in the costume. For " 522:(1973). In Gabriel's absence Collins suggested having the new studio album be purely instrumental, thinking it would favour the other members as Gabriel had made some of their earlier songs too lyrically dense, but the idea was rejected by the rest of the group. Friedkin, however, was not prepared to split the band over a mere idea and Gabriel resumed work on the album. Matters were complicated further when Gabriel spent additional time in London when his first wife Jill underwent a risky and difficult birth of their first child in July 1974, leaving Gabriel often travelling back and forth. Rutherford later admitted that he and Banks were "horribly unsupportive" of Gabriel during this time, and Gabriel saw this as the beginning of his eventual departure from Genesis. 1256:

future without him. By August, the news had leaked to the media anyway, and Gabriel wrote a personal statement to the English music press to explain his reasons and his view of his career up to this point; the piece, titled "Out, Angels Out", was printed in several of the major rock music magazines. In his open letter, he explained his disillusion with the music industry and his wish to spend extended time with his family. Banks later stated, "Pete was also getting too big for the group. He was being portrayed as if he was 'the man' and it really wasn't like that. It was a very difficult thing to accommodate. So it was actually a bit of a relief."

390:, in order to write and rehearse new material for their next studio album. Upon their arrival the building had been left in a very poor state by the previous band to use it, with excrement on the floor and rat infestations. By this time the personal lives of some members had begun to affect the mood in the band, causing complications for their work. Hackett explained: "Everybody had their own agenda. Some of us were married, some of us had children, some of us were getting divorced, and we were still trying to get it together in the country". Banks later deemed this period of time as his least favourite of all his time in Genesis. 509:

band's usual method of songwriting, as lyrical contributions on previous albums had always involved the other members. This situation left Gabriel often secluded in one room writing the lyrics, and the remaining four rehearsing in another. In one instance Gabriel was unable to meet a scheduled deadline to have the lyrics finished, leaving Rutherford and Banks to write words for "The Light Dies Down on Broadway". At other times, Banks and Hackett suggested lyrics they thought would fit "The Lamia" and "Here Comes the Supernatural Anaesthetist" respectively, which Gabriel rebuffed.

1182:") as encores. Such a format was not supported by the entire band, considering most of the audience were not yet familiar with the large amount of new material. It was to begin on 29 October 1974 with an 11-date tour of the UK that sold out within four hours of going on sale, but after Hackett crushed a wine glass in his left hand which severed a tendon, and needed time to recover, these dates were rescheduled for 1975. The group lost money, for they were unable to recoup deposits they had paid to the venues. The tour began on 20 November in Chicago, and ended on 22 May 1975 in 599:

progresses Rael finds he is not as "butch" as he hoped, and his experiences eventually bring out a more romantic side to his personality. Gabriel deliberately kept the ending ambiguous but clarified that Rael does not die, although he compared the ending to the buildup of suspense and drama in a film in which "you never see what's so terrifying because they leave it up in the air without ... labelling it". Several of the story's occurrences and settings derived from Gabriel's own dreams. Collins remarked that the entire concept was about

1017:(1972) and "a culmination of past elements injected with present abilities and future directions". Charone thought it had more high points than any previous Genesis album, apart from some "few awkward instrumental moments on side three". All members received praise for their performances, including Hackett coming across as a more dominant member of the group with his "frenetic, choppy style", Collins' backup harmony vocals and Rutherford's "thick, foreboding bass chords and gentle acoustics". 659:, beautiful snake-like creatures, and has sex with them, but they die after drinking some of his blood ("The Lamia"). He leaves the pool in a boat ("Silent Sorrow in Empty Boats"), and finds himself in a group of Slippermen, distorted, grotesque men who have all had the same experience with the Lamia, and finds that he has become one of them ("The Arrival"). Rael finds John among the Slippermen, who reveals that the only way to become human again is to visit Doktor Dyper and be 5836: 644:

corridor ("The Grand Parade of Lifeless Packaging") and has an extended flashback of returning from a gang raid in New York City, ("Back in N.Y.C.") a dream where his hairy heart is removed and shaved with a razor, ("Hairless Heart") and his first sexual encounter ("Counting Out Time"). Rael's flashback ends, and he finds himself in a long, red-carpeted corridor of people crawling towards a wooden door. Rael runs past them and exits via a spiral staircase ("

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dives in to save him and the gateway to New York vanishes ("Riding the Scree"). Rael rescues John and drags his body to the bank of the river and turns him over to look at his face, only to see his own face instead ("In the Rapids"). His consciousness then drifts between both bodies, and he sees the surrounding scenery melting away into a haze. Both bodies dissolve, and Rael's spirit becomes one with everything around him ("

567:(1972). Engineering duties were carried out by David Hutchins. Burns and Gabriel experimented with different vocal effects by recording takes in a bathroom and in a cowshed two miles away. Rutherford thought the album's sound was an improvement to past Genesis albums for it was not recorded in a professional studio, which benefited the sound of Collins' drums. Collins compared the sound of the album to that of 948: 943: 938: 933: 928: 898: 893: 888: 883: 878: 631:"). As he walks along the street, he sees a dark cloud take the shape of a movie screen and slowly move towards him, finally absorbing him ("Fly on a Windshield"), seeing an explosion of images of the current day ("Broadway Melody of 1974") before he wakes up in a cave and falls asleep once again ("Cuckoo Cocoon"). Rael wakes up and finds himself trapped in a cage of 684:

into "Silent Sorrow in Empty Boats", and another known as "Evil Jam" which became "The Waiting Room". Though the album is written to a story concept, Gabriel described its format as being split into "self-contained song units". He thought the album contained some of the group's best material and songs that he was most proud of during his time in Genesis.

723:" jam while it was raining outside. When the band stopped, a rainbow had formed. Collins remembered Hackett playing "these dark chords, then Peter blows into his oboe reeds, then there was a loud clap of thunder and we really thought we were entering another world or something. It was moments like that when we were still very much a unified five-piece". 726:"The Carpet Crawlers" developed at a time when Gabriel had written some lyrics, but no music had been written for them. The band put together a chord sequence "in D, E minor and F-sharp minor with a roll from the drums flowing through it". Gabriel spent "hours and hours" on an out-of-tune piano in the house of his then-wife Jill's parents in 987:, including "In the Cage", "Hairless Heart", "Carpet Crawlers", and "Counting Out Time". Welch wrote, "It sounded superb. Beautiful songs, fascinating lyrics, and sensitive, subtle playing, mixed with humour and harmonies. What more could a Genesis fan desire?" He singled out Collins' playing as "outstanding". Welch's review for 38: 1070:" on the sleeve "the story never makes sense", though its music is "forceful, imaginative piece of work that showcases the original Genesis lineup at a peak ... it's a considerable, lasting achievement and it's little wonder that Peter Gabriel had to leave ... they had gone as far as they could go together". 590:, London, where the album was mixed over a series of shifts as they were pressured to finish the album in time for its release date. Collins recalled: "I'd be mixing and dubbing all night and then Tony and Mike would come in and remix what I'd done because I'd lost all sense of normality by that point". 1230:

that reveal Gabriel and a dummy figure dressed identically on each side of the stage, leaving the audience clueless as to which was real. The performance ended with Gabriel vanishing from the stage in a flash of light and a puff of smoke. At the final concert, roadie Geoff Banks acted as the dummy on

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During the writing sessions at Headley Grange, Gabriel found himself separated from the rest of the band, which caused some friction. He insisted that having devised the concept he should write the lyrics, leaving the majority of the music in the charge of his bandmates. This was a departure from the

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with a story devised by Gabriel about Rael, a Puerto Rican youth from New York City who is suddenly taken on a journey of self-discovery and encounters bizarre incidents and characters along the way. The album was marked by increased tensions within the band as Gabriel, who insisted on writing all of

683:

Much of the music developed through band improvisations and jams, often after setting a single idea, which Banks found particularly enjoyable. Examples of this are what he described as a "Chinese jam" which ended up as part of "The Colony of Slippermen", one named "Victory at Sea" which was worked

670:

As Rael walks alongside it, he sees a window in the bank above his head which reveals his home amidst the streets ("The Light Dies Down on Broadway"). Faced with the option of returning home, he sees John in the river below him, struggling to stay afloat. Despite being deserted twice by John, Rael

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in November 1974, Gabriel told the band he would leave at the conclusion of the tour. The decision was kept a secret from outsiders and media all through the tour, and Gabriel promised the band to stay silent about it for a while after its end in June 1975, to give them some time to prepare for a

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and identity as he encounters a series of bizarre incidents and characters. He first thought of the story while touring North America in the previous year, and pitched a synopsis to the group until they agreed to go ahead with it. It was more detailed and obscure in its initial form until Gabriel

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before they had agreed on its contents or direction, for the extended format presented the opportunity for them to put down more of their musical ideas. A single album of songs telling segments of a story did not appeal to them, and Banks thought they had gained a strong enough following by this

1238:

set. Music critics often focused their reviews on Gabriel's theatrics and took the band's musical performance as secondary, which irritated the rest of the band. Collins later said, "People would steam straight past Tony, Mike, Steve and I, go straight up to Peter and say, "You're fantastic, we

1217:

The tour featured at the time some of the biggest instruments used by the band, including Rutherford's double-neck Rickenbacker and the largest drum kit ever used by Collins. The tour's stage show involved three backdrop screens that displayed 1,450 slides, designed by Geoffrey Shaw, from eight

598:

Gabriel used New York City as a tool to make Rael "more real, more extrovert and violent", choosing to develop a character that is the least likely person to "fall into all this pansy claptrap", and aiming for a story that contrasted between fantasy and character. He explained that as the story

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and proceeded to play two chords. The rest of the group caught onto the idea, and Banks was particularly fond of the part when the drums and guitar come in, calling it one of the band's best ever moments. Hackett described his guitar parts as "Egyptian phrases", and noted that the group used a

643:

Rael now finds himself on the floor of a factory and is given a tour of the area by a woman, where he watches people being processed like packages. He spots old members of his New York City gang, and also John with the number 9 stamped on his forehead. Fearing for his life, Rael escapes into a

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The band considered releasing the album as two single albums released six months apart. Gabriel later thought this idea would have been more suitable, for a double album contained too much new material, and the extra time would have given him more time to work on the lyrics. Nevertheless,

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Several later pressings of the album lists "Fly on a Windshield" at 4:23 and "Broadway Melody of 1974" at 0:33, an error by the manufacturer as "Broadway Melody of 1974" begins at 2:47 of "Fly on a Windshield". The lyrics printed on the sleeve give the correct division between the two

1112:

is a fan favorite, it was a gruelling album to work on and had a lot of highs, but also a lot of lows. Hackett remarked how his guitar was underutilized in comparison to past albums, but thought the album had a lot of beautiful moments and has grown on him over time. In

754:(1974), to add synthesized effects on his vocals on several tracks, including "The Grand Parade of Lifeless Packaging". Eno's work is credited on the liner notes for "Enossification". As a repayment, Eno asked Collins to play drums on his track "Mother Whale Eyeless". 3434: 578:" and "The Grand Parade of Lifeless Packaging" so he could fit in words that had no designated section for them. Thinking the extra material was to be instrumental, the band later found that Gabriel had sung over their new parts, something that he also had done on 687:"The Lamb Lies Down on Broadway" was the last song that Banks and Gabriel wrote together before the latter's departure from the group, which Banks said was "a pretty good song to end on". At its conclusion, the song borrows music and lyrics from the 1963 single " 639:

which slowly close in towards him. As he tries to escape, he sees many other people in many other cages, before spotting his brother John outside. Rael calls to him, but John walks away and the cage suddenly disappears ("In the Cage").

957:

Members of the group expressed some concern about the album's critical reception, and expected to receive some negative responses over its concept and extended format. Banks hoped the album would end people's comparisons of Genesis to

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included the album in its "23 Maddest and Most Memorable Concept Albums" list for "taking in themes of split personalities, heaven and hell and truth and fantasy". It was one of two albums by Genesis included in the top ten of the

1264:

No complete performance of the album has been officially released, except for the majority of the band's performance from 24 January 1975 at the Shrine Auditorium in Los Angeles, which was released as part of the

440:(1967) which annoyed him at first, but he stuck to the choice. The band also found that "Ra" was common in male names in various nationalities. Gabriel was inspired by a variety of sources for the story including 2306:

The single worldwide and the US pressing lists the track as "The Carpet Crawlers". Was changed to "Carpet Crawlers" worldwide on the 1994 remaster. Before 1994 it was usually listed as "Carpet Crawl" outside the

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list of the 50 Greatest Prog Rock Albums of All Time. The magazine described it as "one of rock's more elaborate, beguiling and strangely rewarding concept albums". The album was also included in the book

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published a month later included his thoughts on such long concept albums–"A few golden miraculous notes and some choice pithy words are worth all the clutter and verbiage"–and he called the album a "

374:(1973). That album was a critical and commercial success for the group, earning them their highest-charting release in the United Kingdom and the United States. That June they booked three months at 326:" were released as singles in the UK in 1974 and 1975, respectively; both failed to chart. A single of "The Lamb Lies Down on Broadway" was released in the US. Genesis promoted the album with their 330:

across North America and Europe, playing the album in its entirety. The album reached Gold certification in the UK and the US. The album was remastered in 1994 and 2007, the latter as part of the

733:"Anyway" and "Lilywhite Lilith" developed from two previously unreleased songs named "Frustration" and "The Light", respectively. Hackett's guitar solo on "Counting Out Time" was played using a 651:

Rael finds a blind woman who leads him out of the chamber ("Lilywhite Lilith") and into another cave ("The Waiting Room"), where he becomes trapped by falling rocks ("Anyway"). Rael encounters

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In one concert review, the theatrics for "The Musical Box", the show's encore and once the band's stage highlight, was seen as "crude and elementary" compared to the "sublime grandeur" of

505:. Gabriel expressed some concern over the album's title shortly after its release, but clarified that the lamb itself is purely symbolic and a catalyst for the peculiar events that occur. 1032:

that it "had a compelling appeal that often transcended the hoary weightiness of the mammoth concept that held the equally mammoth four sides of vinyl together". In a special edition of

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in North America. The included booklet features the lyrics and story printed on the original LP, though some of the inner sleeve artwork was not reproduced. A remastered edition for

571:'s recordings made in his barn, "not studio, not soundproof, but a woody quality". Gabriel said one track was recorded directly onto a cassette which was used on the album. 4066: 473:, which contained strong English themes, Gabriel made a conscious effort to avoid repetition and instead portray American imagery in his lyrics. He had the story begin on 716:"Back in N.Y.C." sees Genesis adopting a more aggressive sound than in past compositions, and includes Gabriel singing an expletive in the line: "I'm not full of shit". 3535: 907: 4736: 1108:

Banks later thought the album's concept the weakest thing about it, though the lyrics to some of the individual songs are "wonderful". Rutherford said that, while

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Genesis supported the album with a 102-date concert tour across North America and Europe, playing the album in its entirety with one or two older songs (usually "

574:

The backing tracks were put down in roughly two weeks. Gabriel was still working on the lyrics a month later, and asked the band to produce additional music for "

698:"Fly on a Windshield" originally came about through a band improvisation sparked by an idea from Rutherford, who suggested the idea of pharaohs going down the 2365: 2225: 2089: 5829: 3791: 667:

and he chases after it, leaving John behind ("The Raven"). The raven drops the container in a ravine and into a rushing underground river ("Ravine").

512:

Further disagreements arose during the writing period when Gabriel left the group for a short period having accepted an invitation from film producer

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refined it and made Rael the central character. Gabriel chose the name Rael as it was one without a particular ethnic origin, but he later realised

765:

designed the album's artwork. In a departure from that company's previous album sleeves, which featured more colourful designs, the front cover of

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A personal highlight for Collins is "Silent Sorrow in Empty Boats" and "The Waiting Room", the latter of which developed as a "basic good to bad

1271:

box set. Some tracks feature re-recorded vocals from Gabriel and guitar parts from Hackett; the box set contains a remixed studio version of "

663:("A Visit to the Doktor"). Both are castrated and keep their removed penises in containers around their necks. Rael's container is taken by a 1021:

wrote a negative review of the "Counting Out Time" single, with its "weary, tepid approach" and a "woeful, dreary three and a half minutes".

812:

in December 1974 during its six-week stay on the chart, and became the band's highest-charting album yet in the US, peaking at No. 41 on the

827:, was released on 1 November 1974. The second, "The Carpet Crawlers" backed with a live performance of "The Waiting Room (Evil Jam)" at the 2771: 1123:". Also in that documentary, Collins said the band created their best music on the album. He also cites it as his favourite Genesis album. 1058:

magazine, where it was described as an "impressionistic, intense album" and "pure theatre (in a good way) and still Gabriel's best work".

615:. Gabriel felt the songs alone were not enough to detail all of the action in his story, so he wrote the full plot on the album's sleeve. 5910: 5865: 4318: 3457: 5895: 4475: 2255: 1198:, respectively, were cancelled due to low ticket sales. Gabriel marked the occasion of his final show with the group by playing the " 840: 5900: 3821: 2429: 1101: 623:

One morning in New York City, Rael is holding a can of spray paint, hating everyone around him. He witnesses a lamb lying down on

5029: 4074: 3765: 5036: 2201: 648:"). At the top, he enters a chamber with 32 doors, surrounded by people and unable to concentrate ("The Chamber of 32 Doors"). 5504: 5206: 4665: 4646: 4627: 4604: 4581: 4562: 4539: 4512: 4385: 4233: 4002: 3839: 3593: 2647: 1340: 628: 17: 2712:

Note: In the article Gabriel erroneously refers to a "character" named Rael, but "Rael" in the Who song is actually a place.

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point to put out two albums' worth of material that their fans would be willing to listen to. They had wanted to produce a

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in the album's booklet, which presents the titles of every other song in title case. On the back cover it is presented in

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ranked at No. 14 in its 40 Cosmic Rock Albums list. The album came third in a list of the ten best concept albums by

3743: 2945: 2695: 5890: 5100: 5075: 3831: 2115: 4368: 422:, but Gabriel considered it "too twee" and believed "prancing around in fairyland was rapidly becoming obsolete". 5620: 5585: 5518: 5490: 5476: 5262: 4948: 1921: 530:

After their allocated time at Headley Grange came to an end, Genesis relocated to Glaspant Manor in Capel Iwan,

5880: 4741: 3549: 1179: 791:. The left picture on the front depicts Rael in the area where "In the Rapids" and "Riding the Scree" are set. 600: 4754: 5875: 4765: 4450: 3410: 2240: 919: 832: 425:

Gabriel presented a surreal story about a Puerto Rican youth named Rael who is suddenly taken on a spiritual

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Giammetti, Mario (2020). Genesis 1967 to 1975 - The Peter Gabriel Years. Kingmaker. ISBN 978-1-913218-62-1.

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in Los Angeles, followed in April 1975. The album continued to sell, and reached Gold certification by the

516:

to collaborate on a screenplay, after he took a liking to Gabriel's surreal story printed on the sleeve of

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The album received a mixed critical reaction at first, but it gained acclaim in subsequent years and has a

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Banks, Tony; Collins, Phil; Gabriel, Peter; Hackett, Steve; Rutherford, Mike (2007). Dodd, Philipp (ed.).

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has performed the album in its entirety on several tours using the slides from the original performances.

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and caused songs to be musically dense. Gabriel recorded his remaining vocals at Island's main studio in

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and needed time to be with his family. Most of the songs were developed by the rest of the band through

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bands of the time. Gabriel knew the album's concept was ideal for critics "to get their teeth into".

963: 655:("Here Comes the Supernatural Anaesthetist") and escapes the cave. Rael ends up in a pool with three 538:

to record the album. The remote location required them to use a mobile studio, and used one owned by

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voted it the album with the fourth-greatest drumming in the history of progressive rock. In 2015,

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Banks, Tony; Collins, Phil; Gabriel, Peter; Hackett, Steve; Rutherford, Mike (10 November 2008).

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called the tour "a spectacle on par with anything attempted in the world of rock to that point".

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gave a retrospective rating of five stars out of five. He says that despite Gabriel's "lengthy

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finished their 1973–1974 tour of Europe and North America to support their fifth studio album,

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Set "Tipo" on "Album". Then, in the "Titolo" field, search " The Lamb Lies Down on Boradway".

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monitors, and two A62 Studer tape machines for mastering. The album is the band's last with

5885: 5860: 5784: 5749: 5657: 5511: 5346: 5325: 5227: 5199: 4990: 4354: 1912: 1310:. Actual songwriters listed below. All lyrics written by Peter Gabriel except where noted. 1175: 624: 474: 466: 412:

that told a story for some time, and Rutherford pitched an idea based on the fantasy novel

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in October 1974, shortly before the album's release, Gabriel played several tracks from

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on "Counting out Time", "The Supernatural Anaesthetist" and "The Colony of Slippermen"

5613: 5532: 5483: 5395: 5360: 5290: 4983: 4683: 4661: 4642: 4623: 4600: 4593: 4577: 4558: 4535: 4508: 4229: 4204: 3835: 3589: 3574: 3545: 3285: 2571: 2051: 1120: 1119:, Gabriel stated the album was one of his two high points with the band, along with " 828: 824: 608: 414: 4731: 769:

makes use of black and white and no colour. The band's logo, originally designed by

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to develop the song, and Jill spoke of Gabriel's particular fondness of the track.

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The Lamb Lies Down on Broadway – Complete Story by Peter Gabriel and Album Links

823:. Two singles were released; "Counting Out Time" with "Riding the Scree" as its 804:

was released as a double album on 22 November 1974, days after the start of its

5703: 5599: 5497: 5444: 5374: 5185: 5142: 4806: 4746: 4709: 4228:(in Finnish) (1st ed.). Helsinki: Kustannusosakeyhtiö Otava. p. 166. 3439: 3089: 2064: 2002: 1959: 1239:

really enjoyed the show." It was becoming a one-man show to the audience." The

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in February 1975. Elsewhere, the album reached No. 15 in Canada and No. 34 in

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poll to rank readers' favourite progressive rock albums of all time placed

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Sisältää hitin – levyt ja esittäjät Suomen musiikkilistoilla vuodesta 1972

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Since its release, the album has been met with critical acclaim. In 1978,

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and were put down at Glaspant Manor in Wales using a mobile studio.

3097: 2618:"Classic Pop/Rock Review – Genesis, The Lamb Lies Down on Broadway" 2330: 2316:

The US pressing lists the track as "The Supernatural Anaesthetist".

1947: 1191: 1067: 1059: 870: 784: 447: 105: 5744: 4759: 461: 431: 5135: 4962: 1187: 5167: 3275: 1876: 1195: 664: 656: 535: 85: 45: 3210: 3121: 3119: 3004: 3002: 3000: 2998: 2996: 2994: 2992: 2990: 3717:"Readers' Poll: Your Favorite Prog Rock Albums of All Time" 3607: 3605: 1203: 699: 276:. It was released as a double album on 22 November 1974 by 4775: 4680:

Turn It On Again: Peter Gabriel, Phil Collins, and Genesis

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for sales in excess of 500,000 copies on 20 April 1990.

603:. The individual songs also make satirical allusions to 542:

that was parked outside. The Island mobile featured two

348:

In May 1974, the Genesis line-up of frontman and singer

4312: 3329: 3049: 3047: 2920:"Genesis studio manor house in Capel Iwan up for £1.1m" 2843: 2841: 2839: 2796: 2794: 2792: 1879:, varied instruments, "experiments with foreign sounds" 543: 4319:"Charts.nz – Genesis – The Lamb Lies Down on Broadway" 4131:""The trip to Alsace was a major part of Moonspinner"" 3903: 3888: 3537:

Christgau's Record Guide: Rock Albums of the Seventies

2772:"GENESIS: "The Lamb Lies Down on Broadway" (Charisma)" 2744: 2333:, the same as all other songs, but is the only one in 1190:. The last two scheduled concerts on 24 and 27 May in 4403: 4378: 3766:"23 Of The Maddest And Most Memorable Concept Albums" 3506:"GOLD & PLATINUM: The Lamb Lies Down on Broadway" 3269: 3267: 2648:"Gabriel's Cosmic Juice (not to be taken internally)" 2464: 2449: 1134:

was first remastered for CD in 1994, and released on

4101: 3982: 3958: 3946: 3305: 3044: 2836: 2789: 307:

the lyrics, temporarily left to work with filmmaker

4592: 4523: 3689:Q Classic: Pink Floyd & The Story of Prog Rock 3573: 3458:"GENESIS – THE LAMB LIES DOWN ON BROADWAY (ALBUM)" 3264: 2689: 2687: 2685: 2683: 2681: 4706:Genesis 1970–1975: The Lamb Lies Down on Broadway 4464: 4439: 2200: 1009:as a combination of the "musical proficiency" on 5852: 4548: 3216: 4369:"Official Rock & Metal Albums Chart Top 40" 4154: 4152: 3572:Nathan Brackett; Christian David Hoard (2004). 3482:. British Phonographic Industry. Archived from 3430: 3428: 2983:(Media notes). Charisma Records. 1974. CGS 101. 2975: 2973: 2971: 2763: 2678: 2275:Shipments figures based on certification alone. 1005:wrote highly of the collection. She summarised 561:as co-producer, who had assumed the role since 280:and is their last to feature original frontman 4574:Genesis 1967 to 1975 - The Peter Gabriel Years 4340: 3675:Nick Kent: "Gabriel: The Image Gets a Tweak". 3375: 295:in the US. It is their longest album to date. 4791: 4595:Opening the Musical Box – A Genesis Chronicle 2560: 2558: 2556: 2554: 1646:"Here Comes the Supernatural Anaesthetist" () 1231:stage, wearing nothing but a leather jacket. 4250:"Le Détail des Albums de chaque Artiste – G" 4162:(Media notes). Atco Records. 1974. SD 2-401. 4149: 3425: 2968: 1618:Hackett, Banks, Collins, Gabriel, Rutherford 925: 875: 302:for three months, they decided to produce a 4613: 4362: 3744:"Peart named most influential prog drummer" 3508:. Recording Industry Association of America 3404: 3402: 3400: 3323: 3204: 3137: 3125: 3110: 3008: 2911: 2271:Sales figures based on certification alone. 4798: 4784: 4658:The Living Years: The First Genesis Memoir 4655: 4616:Genesis and The Lamb Lies Down on Broadway 4521: 4324: 4095: 4027: 3976: 3792:"50 Greatest Prog Rock Albums of All Time" 3611: 3347: 3228: 3084: 3082: 3080: 3078: 3076: 2890: 2877: 2875: 2873: 2871: 2672: 2641: 2639: 2637: 2635: 2551: 2421: 2415: 477:in New York City, and makes references to 446:, "a kind of punk" twist to the Christian 36: 4571: 4476:Recording Industry Association of America 4321:. Hung Medien. Retrieved March 10, 2024. 3526: 3066: 3064: 3062: 2363: 2359: 2357: 2355: 2353: 2019:"Omar" – Rael on the album's artwork 1013:(1973) with the "grandiose illusions" on 841:Recording Industry Association of America 703:similar modulation to that of the end of 298:While the band worked on new material at 268:is the sixth studio album by the English 5906:Albums produced by Tony Banks (musician) 4674: 4223: 3823:1001 Albums You Must Hear Before You Die 3714: 3408: 3397: 3335: 2720: 2718: 1416:"The Grand Parade of Lifeless Packaging" 1208: 1102:1001 Albums You Must Hear Before You Die 783:(1972), was replaced by a new one in an 5030:The Way We Walk, Volume One: The Shorts 4549:Fielder, Hugh; Sutcliffe, Phil (1984). 4498: 4128: 3914: 3897: 3626:"Genesis: lamb like a polished diamond" 3623: 3073: 2868: 2769: 2757: 2724: 2632: 2595:Genesis: The Lamb Lies Down On Broadway 2564: 2499: 2497: 2473: 2458: 2028: – graphics (George Hardie N.T.A.) 1083:fifth in the list. In 2014, readers of 1046:Pink Floyd & The Story of Prog Rock 5853: 5037:The Way We Walk, Volume Two: The Longs 4636: 4590: 4185:from the original on 12 December 2021. 4107: 3988: 3964: 3952: 3815: 3311: 3277:Peter Gabriel: An Authorized Biography 3273: 3059: 3053: 2847: 2800: 2727:"Public school boy reprimands critics" 2615: 2611: 2609: 2545: 2503: 2427: 2350: 2016:Graham Bell – choral contribution 1246: 5207:I Know What I Like (In Your Wardrobe) 4779: 4703: 4639:Genesis: Inside & Out (1967–2000) 4000: 3854: 3649: 3624:Charone, Barbara (25 November 1974). 3255: 3240: 3189: 3174: 3035: 3020: 2902: 2859: 2827: 2812: 2715: 2693: 2530: 2485: 2392:"Genesis Albums Ranked Worst to Best" 2389: 1926:RMI 368 Electra Piano and Harpsichord 1848: 1827: 1810: 1793: 1776: 1759: 1731: 1693: 1676: 1659: 1642: 1625: 1608: 1591: 1553: 1536: 1515: 1498: 1481: 1464: 1426: 1412: 1398: 1381: 1367: 1353: 1335: 1213:Genesis performing the album on stage 856: 846: 744:While mixing at Island Gabriel asked 627:which has a profound effect on him (" 322:. The songs "Counting Out Time" and " 18:The Lamb Lies Down on Broadway (song) 4217: 4195: 4064: 4003:"Impressive Genesis hit new heights" 3498: 2645: 2567:"Mickey Mouse Lies Down on Broadway" 2565:Charone, Barbara (26 October 1974). 2504:Takiff, Jonathan (4 December 1974). 2494: 1154:was released in 2008 as part of the 5643:The Lamb Lies Down on Broadway Tour 4189: 3472: 2918:Murray, Matthew (3 February 2017). 2606: 1752:Banks, Hackett, Rutherford, Collins 1601:Collins, Banks, Hackett, Rutherford 1170:The Lamb Lies Down on Broadway Tour 751:Taking Tiger Mountain (By Strategy) 13: 5911:Albums produced by Mike Rutherford 5866:Albums with cover art by Hipgnosis 4522:Bowler, Dave; Dray, Bryan (1992). 2926:. British Broadcasting Corporation 2770:Erskine, Pete (30 November 1974). 1940:string synthesizer, acoustic piano 455:, the works of Swiss psychologist 14: 5922: 5638:Selling England by the Pound Tour 4725: 4175:"Tony Banks Interview April 1978" 4172: 3650:Irwin, Colin (16 November 1974). 3576:The new Rolling Stone album guide 3409:Erlewine, Stephen Thomas (2011). 2725:Spencer, Neil (2 November 1974). 2506:"Genesis of a rock 'n' roll band" 2185: 2022:Richard Manning – retouching 1780:"The Light Dies Down on Broadway" 1275:", also with re-recorded vocals. 927: 877: 5896:Albums produced by Peter Gabriel 5835: 5834: 4641:. Collector's Guide Publishing. 3816:Easlea, Daryl (2006). "Genesis: 3561:– via robertchristgau.com. 3411:"The Lamb Lies Down on Broadway" 2917: 2694:Welch, Chris (26 October 1974). 1285: 946: 941: 936: 931: 926: 896: 891: 886: 881: 876: 757: 25:1974 studio album by Genesis 5901:Albums produced by Phil Collins 5491:Dancing with the Moonlit Knight 5477:Can-Utility and the Coastliners 4949:...And Then There Were Three... 4742:The "Ulysses" of Concept Albums 4331:"Official Albums Chart Top 100" 4283: 4242: 4201:Australian Chart Book 1970–1992 4166: 4122: 4113: 4058: 4033: 3994: 3920: 3863: 3848: 3809: 3784: 3758: 3736: 3708: 3694: 3682: 3669: 3643: 3617: 3565: 3520: 3450: 3353: 3249: 3234: 3183: 3168: 3143: 3029: 3014: 2938: 2896: 2853: 2821: 2806: 2616:Easlea, Daryl (23 April 2007). 2587: 2325:The song's title is typeset in 2319: 2310: 2300: 2290: 748:, who was working on his album 618: 459:, and the surreal Western film 222:The Lamb Lies Down on Broadway 80:at Glaspant Manor, Capel Iwan, 5505:The Lamb Lies Down on Broadway 4928:The Lamb Lies Down on Broadway 4766:The Lamb Lies Down on Broadway 4755:The Lamb Lies Down on Broadway 4160:The Lamb Lies Down on Broadway 3818:The Lamb Lies Down on Broadway 3705:magazine. May 2007. Issue 120. 2981:The Lamb Lies Down on Broadway 2524: 2479: 2383: 1713: 1680:"Silent Sorrow in Empty Boats" 1573: 1446: 1341:The Lamb Lies Down on Broadway 1320: 1132:The Lamb Lies Down on Broadway 802:The Lamb Lies Down on Broadway 767:The Lamb Lies Down on Broadway 629:The Lamb Lies Down on Broadway 403:The band decided to produce a 265:The Lamb Lies Down on Broadway 191:The Lamb Lies Down on Broadway 31:The Lamb Lies Down on Broadway 1: 4451:British Phonographic Industry 4001:Rudis, Al (7 December 1974). 3928:"Genesis tour is called off!" 3652:"Genesis: What a dreary time" 3435:"Top RPM Albums: Issue 3919a" 3260:bonus feature at 19:59–20:25. 3245:bonus feature at 19:31–19:59. 3194:bonus feature at 17:39–17:51. 3179:bonus feature at 16:34–16:52. 3040:bonus feature at 15:15–15:32. 3025:bonus feature at 14:42–15:15. 2907:bonus feature at 10:55–11:58. 2428:Clarke, Steve (1 June 1974). 2390:Allen, Jim (4 January 2017). 2344: 1259: 1226:", an explosion set off twin 920:The Rolling Stone Album Guide 833:British Phonographic Industry 808:. It peaked at No. 10 on the 393: 343: 284:. It peaked at No. 10 on the 5825:List of Genesis band members 4921:Selling England by the Pound 4375:. Retrieved March 10, 2024. 4359:. Retrieved March 10, 2024. 4337:. Retrieved March 10, 2024. 4137:. Association Genesis France 3820:". In Dimery, Robert (ed.). 3447:. Retrieved March 10, 2024. 3217:Fielder & Sutcliffe 1984 2178: 2149: 2135: 2120: 2094: 2082: 2070: 2056: 1861: 1146:and DVD with new stereo and 1011:Selling England by the Pound 584:Selling England by the Pound 525: 471:Selling England by the Pound 371:Selling England by the Pound 182:Selling England by the Pound 7: 5801:Genesis: Together and Apart 5621:Genesis Movie Box 1981–2007 5076:The Last Domino? – The Hits 4805: 4614:Holm-Hudson, Kevin (2008). 4256:(in French). Archived from 3859:bonus feature at 2:33–2:45. 3445:Library and Archives Canada 2946:"Glaspant Retreats Gallery" 2864:bonus feature at 8:36–9:20. 2832:bonus feature at 2:07–2:28. 2817:bonus feature at 5:15–5:25. 2646:Bell, Max (15 March 1975). 2535:bonus feature at 4:45–5:05. 2520:– via Newspapers.com. 2490:bonus feature at 4:22–4:45. 2078:The Official Finnish Charts 1735:"The Colony of Slippermen" 1126: 1116:Genesis: Together and Apart 10: 5927: 5673:Turn It On Again: The Tour 5101:Genesis Archive #2 1976–92 5062:Turn It On Again: The Hits 4893:From Genesis to Revelation 4501:Genesis. Chapter and Verse 4492: 4275:from the menu, then press 4045:Rock and Roll Hall of Fame 3746:. TeamRock. 3 October 2014 2170:UK Rock & Metal Albums 1741:b. "A Visit to the Doktor" 1529:Gabriel, Banks, Rutherford 1241:Rock and Roll Hall of Fame 1167: 973:In giving an interview to 964:Emerson, Lake & Palmer 794: 398: 236:Released: 15 November 1974 15: 5815: 5732: 5686: 5668:Calling All Stations Tour 5653:Wind & Wuthering Tour 5630: 5556: 5454: 5368:Tonight, Tonight, Tonight 5177: 5152: 5085: 5053: 5000: 4884: 4813: 4656:Rutherford, Mike (2015). 4572:Giammetti, Mario (2020). 4505:Weidenfeld & Nicolson 4065:Eric (13 February 2012). 2881:Genesis 2007, p. unknown. 2696:"The New Face of Gabriel" 2268: 2253: 2238: 2223: 2208: 2197: 2194: 2168: 2140: 2125: 2113: 2099: 2087: 2075: 2061: 2049: 2032: 1998:Genesis – production 1726: 1723: 1720: 1717: 1712: 1586: 1583: 1580: 1577: 1572: 1540:"The Chamber of 32 Doors" 1459: 1456: 1453: 1450: 1445: 1371:"Broadway Melody of 1974" 1330: 1327: 1324: 1319: 864: 861: 553:30-input mixing console, 427:journey of self-discovery 336:box set which contains a 257: 227: 216: 212: 175: 167: 146: 130: 114: 91: 73: 65: 57: 44: 35: 30: 16:For the title track, see 5648:A Trick of the Tail Tour 5438:The Carpet Crawlers 1999 4347:"Genesis Chart History ( 3532:"Consumer Guide '70s: G" 3274:Bright, Spencer (1999). 3070:Platts 2001, p. unknown. 2283: 1357:"Fly on a Windshield" () 908:Christgau's Record Guide 835:on 1 February 1975, and 678: 593: 420:Antoine de Saint-Exupéry 340:mix and bonus material. 5891:Charisma Records albums 5740:List of Genesis medleys 5586:Live at Wembley Stadium 5094:Genesis Archive 1967–75 4373:Official Charts Company 4335:Official Charts Company 4224:Pennanen, Timo (2006). 3857:Reissues Interview 2007 3258:Reissues Interview 2007 3243:Reissues Interview 2007 3192:Reissues Interview 2007 3177:Reissues Interview 2007 3038:Reissues Interview 2007 3023:Reissues Interview 2007 2905:Reissues Interview 2007 2862:Reissues Interview 2007 2830:Reissues Interview 2007 2815:Reissues Interview 2007 2533:Reissues Interview 2007 2510:Philadelphia Daily News 2488:Reissues Interview 2007 2430:"The Charterhouse Boys" 2062:Canada Top Albums/CDs ( 2010: – sleeve design, 1546:Gabriel, Hackett, Banks 1290:All tracks credited to 1268:Genesis Archive 1967–75 1163: 1064:Stephen Thomas Erlewine 249:Released: 18 April 1975 5755:Mike and the Mechanics 5540:Driving the Last Spike 5333:Taking It All Too Hard 5129:Genesis Live 1973–2007 4660:. Thomas Dunne Books. 4637:Platts, Robin (2001). 4599:. Firefly Publishing. 4532:Sidgwick & Jackson 4096:Bowler & Dray 1992 4028:Bowler & Dray 1992 3977:Bowler & Dray 1992 3612:Bowler & Dray 1992 3348:Bowler & Dray 1992 3282:Sidgwick & Jackson 3229:Bowler & Dray 1992 2673:Bowler & Dray 1992 2364:Mic Smith (May 2017). 2001:David Hutchins – 1901:on "Counting out Time" 1278:Canadian tribute band 1220:laser lighting display 1214: 452:The Pilgrim's Progress 434:used the same name on 5881:Genesis (band) albums 5678:The Last Domino? Tour 5470:Get 'Em Out by Friday 5044:Live over Europe 2007 4591:Hewitt, Alan (2001). 4526:Genesis – A Biography 4413:(in French). InfoDisc 2396:Ultimate Classic Rock 1875: – lead vocals, 1251:During their stop in 1212: 78:Island Studios Mobile 5876:1970s concept albums 5658:Invisible Touch Tour 5347:Throwing It All Away 5228:Follow You Follow Me 5200:Watcher of the Skies 4991:Calling All Stations 4942:Wind & Wuthering 3582:Simon & Schuster 3542:Ticknor & Fields 2114:New Zealand Albums ( 1971:Additional musicians 1176:Watcher of the Skies 966:, two other popular 852:Professional ratings 467:Alejandro Jodorowsky 5871:Atco Records albums 5820:Genesis discography 5663:We Can't Dance Tour 5445:The Silent Sun 2006 5221:A Trick of the Tail 5214:The Carpet Crawlers 5069:Platinum Collection 4935:A Trick of the Tail 4551:The Book of Genesis 4129:Herlitschka, Paul. 4041:"Genesis Biography" 3932:New Musical Express 3828:Universe Publishing 3677:New Musical Express 3460:. Recorded Music NZ 2776:New Musical Express 2731:New Musical Express 2652:New Musical Express 2603:, 23 November 1974. 2435:New Musical Express 2191: 2050:Australian Albums ( 1922:Hammond T-102 organ 1769:Rutherford, Hackett 1709: 1569: 1502:"Counting Out Time" 1442: 1316: 1247:Gabriel's departure 1030:New Musical Express 998:New Musical Express 853: 646:The Carpet Crawlers 611:, advertising, and 576:The Carpet Crawlers 324:The Carpet Crawlers 244:The Carpet Crawlers 233:"Counting Out Time" 200:A Trick of the Tail 69:August–October 1974 4682:. Backbeat Books. 4620:Ashgate Publishing 4555:St. Martin's Press 4260:on 22 October 2014 3480:"Certified Awards" 3094:Genesis: A History 3021:Rutherford, Mike. 2956:on 20 October 2016 2950:www.glaspant.co.uk 2486:Rutherford, Mike. 2190: 2040:Chart (1974–1975) 1899:guitar synthesizer 1797:"Riding the Scree" 1707: 1612:"The Waiting Room" 1595:"Lilywhite Lilith" 1567: 1440: 1314: 1215: 1148:5.1 surround sound 851: 847:Critical reception 739:guitar synthesizer 551:Helios Electronics 338:5.1 surround sound 288:and No. 41 on the 5848: 5847: 5687:Related musicians 5614:When in Rome 2007 5533:Anything She Does 5396:Jesus He Knows Me 5361:Land of Confusion 5291:Man on the Corner 5242:Go West Young Man 5122:Genesis 1970–1975 5115:Genesis 1983–1998 5108:Genesis 1976–1982 4667:978-1-250-06068-6 4648:978-1-896-52271-5 4629:978-0-754-66139-9 4606:978-0-946-71930-3 4583:978-1-913218-62-1 4564:978-0-312-08880-4 4541:978-0-283-06132-5 4514:978-0-297-84434-1 4235:978-951-1-21053-5 3934:. 26 October 1974 3841:978-0-7893-1371-3 3595:978-0-7432-0169-8 3528:Christgau, Robert 3383:"Genesis: Awards" 3363:. Official Charts 2575:. pp. 22, 27 2548:, p. 74, 75. 2281: 2280: 2276: 2272: 2183: 2182: 2154: 2153: 2052:Kent Music Report 1858: 1857: 1803:Banks, Rutherford 1783:Banks, Rutherford 1703: 1702: 1686:Rutherford, Banks 1563: 1562: 1474:Rutherford, Banks 1436: 1435: 1374:Rutherford, Banks 1360:Rutherford, Banks 1218:projectors and a 1157:Genesis 1970–1975 1044:magazines titled 955: 954: 829:Shrine Auditorium 609:sexual revolution 601:split personality 469:. In contrast to 415:The Little Prince 378:, a large former 333:Genesis 1970–1975 261: 260: 208: 207: 5918: 5838: 5837: 5775:Sound of Contact 5733:Related articles 5699:Chester Thompson 5572:Three Sides Live 5519:Behind the Lines 5389:Hold on My Heart 5263:Misunderstanding 5249:Turn It On Again 5023:Three Sides Live 4846:Anthony Phillips 4800: 4793: 4786: 4777: 4776: 4721: 4693: 4671: 4652: 4633: 4610: 4598: 4587: 4568: 4545: 4529: 4518: 4487: 4486: 4484: 4482: 4468: 4462: 4461: 4459: 4457: 4443: 4437: 4435: 4422: 4420: 4418: 4407: 4401: 4400: 4398: 4396: 4382: 4376: 4366: 4360: 4344: 4338: 4328: 4322: 4316: 4310: 4308: 4306: 4304: 4287: 4281: 4269: 4267: 4265: 4246: 4240: 4239: 4221: 4215: 4214: 4193: 4187: 4186: 4170: 4164: 4163: 4156: 4147: 4146: 4144: 4142: 4126: 4120: 4117: 4111: 4105: 4099: 4093: 4087: 4086: 4084: 4082: 4077:on 26 April 2014 4073:. Archived from 4062: 4056: 4055: 4053: 4051: 4037: 4031: 4025: 4019: 4018: 4016: 4014: 3998: 3992: 3986: 3980: 3974: 3968: 3962: 3956: 3950: 3944: 3943: 3941: 3939: 3924: 3918: 3912: 3901: 3895: 3886: 3885: 3883: 3881: 3867: 3861: 3852: 3846: 3845: 3813: 3807: 3806: 3804: 3802: 3788: 3782: 3781: 3779: 3777: 3762: 3756: 3755: 3753: 3751: 3740: 3734: 3733: 3731: 3729: 3712: 3706: 3698: 3692: 3686: 3680: 3673: 3667: 3666: 3664: 3662: 3647: 3641: 3640: 3638: 3636: 3621: 3615: 3609: 3600: 3599: 3579: 3569: 3563: 3562: 3560: 3558: 3524: 3518: 3517: 3515: 3513: 3502: 3496: 3495: 3493: 3491: 3476: 3470: 3469: 3467: 3465: 3454: 3448: 3432: 3423: 3422: 3420: 3418: 3406: 3395: 3394: 3392: 3390: 3379: 3373: 3372: 3370: 3368: 3357: 3351: 3345: 3339: 3333: 3327: 3324:Holm-Hudson 2008 3321: 3315: 3309: 3303: 3302: 3300: 3298: 3271: 3262: 3256:Gabriel, Peter. 3253: 3247: 3238: 3232: 3226: 3220: 3214: 3208: 3205:Holm-Hudson 2008 3202: 3196: 3187: 3181: 3175:Gabriel, Peter. 3172: 3166: 3165: 3163: 3161: 3147: 3141: 3138:Holm-Hudson 2008 3135: 3129: 3126:Holm-Hudson 2008 3123: 3114: 3111:Holm-Hudson 2008 3108: 3102: 3101: 3086: 3071: 3068: 3057: 3051: 3042: 3033: 3027: 3018: 3012: 3009:Holm-Hudson 2008 3006: 2985: 2984: 2977: 2966: 2965: 2963: 2961: 2952:. Archived from 2942: 2936: 2935: 2933: 2931: 2915: 2909: 2903:Gabriel, Peter. 2900: 2894: 2888: 2882: 2879: 2866: 2857: 2851: 2845: 2834: 2825: 2819: 2810: 2804: 2798: 2787: 2786: 2784: 2782: 2767: 2761: 2755: 2742: 2741: 2739: 2737: 2722: 2713: 2711: 2709: 2707: 2702:. pp. 28–29 2691: 2676: 2670: 2664: 2663: 2661: 2659: 2654:. pp. 14–15 2643: 2630: 2629: 2627: 2625: 2613: 2604: 2591: 2585: 2584: 2582: 2580: 2562: 2549: 2543: 2537: 2528: 2522: 2521: 2519: 2517: 2501: 2492: 2483: 2477: 2471: 2462: 2456: 2447: 2446: 2444: 2442: 2425: 2419: 2413: 2407: 2406: 2404: 2402: 2387: 2381: 2380: 2378: 2376: 2371:. pp. 57–61 2370: 2361: 2338: 2323: 2317: 2314: 2308: 2304: 2298: 2294: 2274: 2270: 2239:United Kingdom ( 2192: 2189: 2156: 2155: 2100:Italian Albums ( 2076:Finnish Albums ( 2037: 2036: 1913:12-string guitar 1891:electric guitars 1851: 1738:a. "The Arrival" 1715: 1710: 1706: 1696: 1575: 1570: 1566: 1556: 1485:"Hairless Heart" 1468:"Back in N.Y.C." 1448: 1443: 1439: 1429: 1322: 1317: 1313: 1140:Atlantic Records 968:progressive rock 951: 950: 949: 945: 944: 940: 939: 935: 934: 930: 929: 901: 900: 899: 895: 894: 890: 889: 885: 884: 880: 879: 854: 850: 514:William Friedkin 491:Marshall McLuhan 437:The Who Sell Out 309:William Friedkin 278:Charisma Records 270:progressive rock 250: 247: 237: 234: 177: 176: 126: 125: 121: 101:Progressive rock 61:22 November 1974 40: 28: 27: 5926: 5925: 5921: 5920: 5919: 5917: 5916: 5915: 5851: 5850: 5849: 5844: 5811: 5795:Six of the Best 5790:The Musical Box 5728: 5719:Anthony Drennan 5709:Nick D'Virgilio 5682: 5626: 5593:The Way We Walk 5552: 5463:The Musical Box 5450: 5340:Invisible Touch 5319:Home by the Sea 5277:No Reply at All 5173: 5161:Spot the Pigeon 5148: 5081: 5049: 4996: 4977:Invisible Touch 4880: 4826:Mike Rutherford 4809: 4804: 4744:by Jon Michaud 4728: 4690: 4668: 4649: 4630: 4607: 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July 2017 3478: 3477: 3473: 3463: 3461: 3456: 3455: 3451: 3433: 3426: 3416: 3414: 3407: 3398: 3388: 3386: 3381: 3380: 3376: 3366: 3364: 3359: 3358: 3354: 3346: 3342: 3334: 3330: 3322: 3318: 3310: 3306: 3296: 3294: 3292: 3272: 3265: 3254: 3250: 3239: 3235: 3227: 3223: 3215: 3211: 3203: 3199: 3188: 3184: 3173: 3169: 3159: 3157: 3155:www.bloovis.com 3149: 3148: 3144: 3136: 3132: 3124: 3117: 3109: 3105: 3088: 3087: 3074: 3069: 3060: 3052: 3045: 3036:Collins, Phil. 3034: 3030: 3019: 3015: 3007: 2988: 2979: 2978: 2969: 2959: 2957: 2944: 2943: 2939: 2929: 2927: 2916: 2912: 2901: 2897: 2891:Rutherford 2015 2889: 2885: 2880: 2869: 2860:Collins, Phil. 2858: 2854: 2846: 2837: 2828:Collins, Phil. 2826: 2822: 2811: 2807: 2799: 2790: 2780: 2778: 2768: 2764: 2756: 2745: 2735: 2733: 2723: 2716: 2705: 2703: 2692: 2679: 2671: 2667: 2657: 2655: 2644: 2633: 2623: 2621: 2614: 2607: 2592: 2588: 2578: 2576: 2563: 2552: 2544: 2540: 2529: 2525: 2515: 2513: 2502: 2495: 2484: 2480: 2472: 2465: 2457: 2450: 2440: 2438: 2426: 2422: 2416:Rutherford 2015 2414: 2410: 2400: 2398: 2388: 2384: 2374: 2372: 2368: 2362: 2351: 2347: 2342: 2341: 2324: 2320: 2315: 2311: 2305: 2301: 2295: 2291: 2286: 2273: 2254:United States ( 2202:Certified units 2188: 2163: 2103:Musica e dischi 2088:French Albums ( 2044: 2035: 1934:ARP Pro Soloist 1930:Mellotron M-400 1905:Mike Rutherford 1864: 1859: 1849: 1814:"In the Rapids" 1704: 1694: 1564: 1554: 1521:Carpet Crawlers 1437: 1427: 1385:"Cuckoo Cocoon" 1308:Mike Rutherford 1288: 1280:The Musical Box 1262: 1249: 1180:The Musical Box 1172: 1166: 1129: 1003:Barbara Charone 947: 942: 937: 932: 897: 892: 887: 882: 849: 810:UK Albums Chart 806:supporting tour 797: 760: 681: 621: 596: 532:Carmarthenshire 528: 443:West Side Story 401: 396: 358:Mike Rutherford 346: 286:UK Albums Chart 253: 248: 241: 240: 235: 232: 231: 203: 194: 185: 163: 123: 119: 118: 110: 82:Carmarthenshire 53: 26: 21: 12: 11: 5: 5924: 5914: 5913: 5908: 5903: 5898: 5893: 5888: 5883: 5878: 5873: 5868: 5863: 5846: 5845: 5843: 5842: 5832: 5830:Genesis awards 5827: 5822: 5816: 5813: 5812: 5810: 5809: 5804: 5797: 5792: 5787: 5782: 5777: 5772: 5767: 5762: 5757: 5752: 5747: 5742: 5736: 5734: 5730: 5729: 5727: 5726: 5721: 5716: 5711: 5706: 5704:Daryl Stuermer 5701: 5696: 5690: 5688: 5684: 5683: 5681: 5680: 5675: 5670: 5665: 5660: 5655: 5650: 5645: 5640: 5634: 5632: 5628: 5627: 5625: 5624: 5617: 5610: 5607:Live in London 5603: 5600:The Video Show 5596: 5589: 5582: 5575: 5568: 5560: 5558: 5554: 5553: 5551: 5550: 5543: 5536: 5529: 5522: 5515: 5508: 5501: 5498:Firth of Fifth 5494: 5487: 5484:Supper's Ready 5480: 5473: 5466: 5458: 5456: 5452: 5451: 5449: 5448: 5441: 5434: 5427: 5420: 5413: 5406: 5399: 5392: 5385: 5378: 5375:No Son of Mine 5371: 5364: 5357: 5350: 5343: 5336: 5329: 5322: 5315: 5308: 5301: 5294: 5287: 5280: 5273: 5266: 5259: 5252: 5245: 5238: 5231: 5224: 5217: 5210: 5203: 5196: 5189: 5186:The Silent Sun 5181: 5179: 5175: 5174: 5172: 5171: 5164: 5156: 5154: 5150: 5149: 5147: 5146: 5143:BBC Broadcasts 5139: 5132: 5125: 5118: 5111: 5104: 5097: 5089: 5087: 5083: 5082: 5080: 5079: 5072: 5065: 5057: 5055: 5051: 5050: 5048: 5047: 5040: 5033: 5026: 5019: 5012: 5004: 5002: 4998: 4997: 4995: 4994: 4987: 4984:We Can't Dance 4980: 4973: 4966: 4959: 4952: 4945: 4938: 4931: 4924: 4917: 4910: 4903: 4896: 4888: 4886: 4882: 4881: 4879: 4878: 4873: 4868: 4863: 4858: 4853: 4848: 4843: 4837: 4836: 4829: 4822: 4814: 4811: 4810: 4803: 4802: 4795: 4788: 4780: 4774: 4773: 4762: 4751: 4747:The New Yorker 4739: 4727: 4726:External links 4724: 4723: 4722: 4710:Virgin Records 4695: 4694: 4688: 4676:Thompson, Dave 4672: 4666: 4653: 4647: 4634: 4628: 4611: 4605: 4588: 4582: 4569: 4563: 4546: 4540: 4519: 4513: 4494: 4491: 4489: 4488: 4463: 4438: 4402: 4377: 4361: 4339: 4323: 4311: 4282: 4241: 4234: 4216: 4209: 4188: 4165: 4148: 4135:Genesis France 4121: 4112: 4100: 4098:, p. 107. 4088: 4057: 4032: 4020: 3993: 3981: 3979:, p. 100. 3969: 3957: 3945: 3919: 3917:, p. 158. 3902: 3900:, p. 349. 3887: 3871:"Phil Collins" 3862: 3847: 3840: 3808: 3783: 3757: 3735: 3715:Greene, Andy. 3707: 3693: 3681: 3679:. 10 June 1978 3668: 3642: 3616: 3601: 3594: 3564: 3550: 3519: 3497: 3471: 3449: 3424: 3396: 3374: 3352: 3350:, p. 246. 3340: 3338:, p. 117. 3328: 3316: 3304: 3290: 3263: 3248: 3233: 3221: 3209: 3197: 3182: 3167: 3142: 3130: 3115: 3103: 3098:PolyGram Video 3072: 3058: 3043: 3028: 3013: 2986: 2967: 2937: 2910: 2895: 2893:, p. 122. 2883: 2867: 2852: 2835: 2820: 2805: 2788: 2762: 2760:, p. 157. 2743: 2714: 2677: 2665: 2631: 2605: 2593:Welch, Chris. 2586: 2550: 2538: 2523: 2493: 2478: 2476:, p. 156. 2463: 2461:, p. 151. 2448: 2420: 2418:, p. 120. 2408: 2382: 2348: 2346: 2343: 2340: 2339: 2318: 2309: 2299: 2288: 2287: 2285: 2282: 2279: 2278: 2266: 2265: 2262: 2259: 2251: 2250: 2247: 2244: 2236: 2235: 2232: 2229: 2221: 2220: 2217: 2214: 2206: 2205: 2199: 2196: 2187: 2186:Certifications 2184: 2181: 2180: 2177: 2166: 2165: 2160: 2152: 2151: 2148: 2138: 2137: 2134: 2123: 2122: 2119: 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"The Raven" 1742: 1739: 1733: 1729: 1728: 1725: 1722: 1719: 1716: 1705: 1701: 1700: 1697: 1691: 1690: 1687: 1684: 1683:(instrumental) 1681: 1678: 1674: 1673: 1670: 1667: 1664: 1661: 1657: 1656: 1653: 1650: 1647: 1644: 1640: 1639: 1636: 1633: 1630: 1627: 1623: 1622: 1619: 1616: 1615:(instrumental) 1613: 1610: 1606: 1605: 1602: 1599: 1596: 1593: 1589: 1588: 1585: 1582: 1579: 1576: 1565: 1561: 1560: 1557: 1551: 1550: 1547: 1544: 1541: 1538: 1534: 1533: 1530: 1527: 1524: 1517: 1513: 1512: 1509: 1506: 1503: 1500: 1496: 1495: 1492: 1491:Hackett, Banks 1489: 1488:(instrumental) 1486: 1483: 1479: 1478: 1475: 1472: 1469: 1466: 1462: 1461: 1458: 1455: 1452: 1449: 1438: 1434: 1433: 1430: 1424: 1423: 1420: 1417: 1414: 1410: 1409: 1406: 1403: 1400: 1396: 1395: 1392: 1386: 1383: 1379: 1378: 1375: 1372: 1369: 1365: 1364: 1361: 1358: 1355: 1351: 1350: 1347: 1346:Banks, Gabriel 1344: 1337: 1333: 1332: 1329: 1326: 1323: 1312: 1287: 1284: 1261: 1258: 1248: 1245: 1168:Main article: 1165: 1162: 1144:Super Audio CD 1138:in Europe and 1136:Virgin Records 1128: 1125: 1121:Supper's Ready 993:white elephant 953: 952: 923: 915: 914: 911: 903: 902: 873: 867: 866: 863: 859: 858: 848: 845: 796: 793: 771:Paul Whitehead 759: 756: 737:Synthi Hi-Fli 680: 677: 620: 617: 595: 592: 540:Island Studios 527: 524: 479:Caryl Chessman 400: 397: 395: 392: 388:East Hampshire 376:Headley Grange 364:and guitarist 352:, keyboardist 345: 342: 320:cult following 300:Headley Grange 259: 258: 255: 254: 252: 251: 238: 228: 225: 224: 214: 213: 210: 209: 206: 205: 196: 187: 173: 172: 165: 164: 162: 161: 158: 152: 150: 144: 143: 134: 128: 127: 116: 112: 111: 109: 108: 103: 97: 95: 89: 88: 75: 71: 70: 67: 63: 62: 59: 55: 54: 49: 42: 41: 33: 32: 24: 9: 6: 4: 3: 2: 5923: 5912: 5909: 5907: 5904: 5902: 5899: 5897: 5894: 5892: 5889: 5887: 5884: 5882: 5879: 5877: 5874: 5872: 5869: 5867: 5864: 5862: 5859: 5858: 5856: 5841: 5833: 5831: 5828: 5826: 5823: 5821: 5818: 5817: 5814: 5808: 5805: 5803: 5802: 5798: 5796: 5793: 5791: 5788: 5786: 5783: 5781: 5780:Jonathan King 5778: 5776: 5773: 5771: 5770:Simon Collins 5768: 5766: 5763: 5761: 5758: 5756: 5753: 5751: 5750:Flaming Youth 5748: 5746: 5743: 5741: 5738: 5737: 5735: 5731: 5725: 5724:Daniel Pearce 5722: 5720: 5717: 5715: 5712: 5710: 5707: 5705: 5702: 5700: 5697: 5695: 5692: 5691: 5689: 5685: 5679: 5676: 5674: 5671: 5669: 5666: 5664: 5661: 5659: 5656: 5654: 5651: 5649: 5646: 5644: 5641: 5639: 5636: 5635: 5633: 5629: 5623: 5622: 5618: 5616: 5615: 5611: 5609: 5608: 5604: 5602: 5601: 5597: 5595: 5594: 5590: 5588: 5587: 5583: 5581: 5580: 5579:The Mama Tour 5576: 5574: 5573: 5569: 5567: 5566: 5562: 5561: 5559: 5555: 5548: 5547:Fading Lights 5544: 5541: 5537: 5534: 5530: 5527: 5523: 5520: 5516: 5513: 5512:The Lady Lies 5509: 5506: 5502: 5499: 5495: 5492: 5488: 5485: 5481: 5478: 5474: 5471: 5467: 5464: 5460: 5459: 5457: 5453: 5446: 5442: 5439: 5435: 5432: 5428: 5425: 5421: 5418: 5414: 5411: 5407: 5404: 5400: 5397: 5393: 5390: 5386: 5383: 5382:I Can't Dance 5379: 5376: 5372: 5369: 5365: 5362: 5358: 5355: 5351: 5348: 5344: 5341: 5337: 5334: 5330: 5327: 5326:Illegal Alien 5323: 5320: 5316: 5313: 5309: 5306: 5302: 5299: 5295: 5292: 5288: 5285: 5281: 5278: 5274: 5271: 5267: 5264: 5260: 5257: 5253: 5250: 5246: 5243: 5239: 5236: 5235:Many Too Many 5232: 5229: 5225: 5222: 5218: 5215: 5211: 5208: 5204: 5201: 5197: 5194: 5190: 5187: 5183: 5182: 5180: 5176: 5170: 5169: 5165: 5163: 5162: 5158: 5157: 5155: 5151: 5145: 5144: 5140: 5138: 5137: 5133: 5131: 5130: 5126: 5124: 5123: 5119: 5117: 5116: 5112: 5110: 5109: 5105: 5103: 5102: 5098: 5096: 5095: 5091: 5090: 5088: 5084: 5078: 5077: 5073: 5071: 5070: 5066: 5064: 5063: 5059: 5058: 5056: 5052: 5046: 5045: 5041: 5039: 5038: 5034: 5032: 5031: 5027: 5025: 5024: 5020: 5018: 5017: 5013: 5011: 5010: 5006: 5005: 5003: 4999: 4993: 4992: 4988: 4986: 4985: 4981: 4979: 4978: 4974: 4972: 4971: 4967: 4965: 4964: 4960: 4958: 4957: 4953: 4951: 4950: 4946: 4944: 4943: 4939: 4937: 4936: 4932: 4930: 4929: 4925: 4923: 4922: 4918: 4916: 4915: 4911: 4909: 4908: 4907:Nursery Cryme 4904: 4902: 4901: 4897: 4895: 4894: 4890: 4889: 4887: 4885:Studio albums 4883: 4877: 4874: 4872: 4871:Steve Hackett 4869: 4867: 4864: 4862: 4859: 4857: 4854: 4852: 4851:Chris Stewart 4849: 4847: 4844: 4842: 4841:Peter Gabriel 4839: 4838: 4835: 4834: 4830: 4828: 4827: 4823: 4821: 4820: 4816: 4815: 4812: 4808: 4801: 4796: 4794: 4789: 4787: 4782: 4781: 4778: 4772: 4768: 4767: 4763: 4761: 4757: 4756: 4752: 4749: 4748: 4743: 4740: 4738: 4735: 4734: 4730: 4729: 4719: 4718:5099951968328 4715: 4711: 4707: 4702: 4701: 4700: 4699: 4691: 4689:0-87930-810-9 4685: 4681: 4677: 4673: 4669: 4663: 4659: 4654: 4650: 4644: 4640: 4635: 4631: 4625: 4621: 4617: 4612: 4608: 4602: 4597: 4596: 4589: 4585: 4579: 4576:. Kingmaker. 4575: 4570: 4566: 4560: 4556: 4552: 4547: 4543: 4537: 4533: 4528: 4527: 4520: 4516: 4510: 4506: 4502: 4497: 4496: 4477: 4473: 4467: 4452: 4448: 4442: 4436: 4429: 4425: 4412: 4406: 4391: 4387: 4381: 4374: 4370: 4365: 4358: 4357: 4352: 4350: 4343: 4336: 4332: 4327: 4320: 4315: 4298: 4297: 4292: 4291:"Classifiche" 4286: 4280: 4276: 4272: 4259: 4255: 4251: 4245: 4237: 4231: 4227: 4220: 4212: 4210:0-646-11917-6 4206: 4202: 4198: 4192: 4184: 4180: 4176: 4173:Stone, Greg. 4169: 4161: 4155: 4153: 4136: 4132: 4125: 4116: 4110:, p. 81. 4109: 4104: 4097: 4092: 4076: 4072: 4068: 4061: 4046: 4042: 4036: 4030:, p. 93. 4029: 4024: 4008: 4004: 3997: 3991:, p. 95. 3990: 3985: 3978: 3973: 3967:, p. 82. 3966: 3961: 3955:, p. 83. 3954: 3949: 3933: 3929: 3923: 3916: 3911: 3909: 3907: 3899: 3894: 3892: 3876: 3872: 3866: 3860: 3858: 3855:Banks, Tony. 3851: 3843: 3837: 3833: 3829: 3825: 3824: 3819: 3812: 3797: 3796:Rolling Stone 3793: 3787: 3772:. 8 July 2015 3771: 3767: 3761: 3745: 3739: 3724: 3723: 3722:Rolling Stone 3718: 3711: 3704: 3703: 3697: 3690: 3685: 3678: 3672: 3657: 3653: 3646: 3631: 3627: 3620: 3614:, p. 94. 3613: 3608: 3606: 3597: 3591: 3587: 3583: 3578: 3577: 3568: 3553: 3547: 3543: 3539: 3538: 3533: 3529: 3523: 3507: 3501: 3485: 3481: 3475: 3459: 3453: 3446: 3442: 3441: 3436: 3431: 3429: 3412: 3405: 3403: 3401: 3384: 3378: 3362: 3356: 3349: 3344: 3337: 3336:Thompson 2004 3332: 3326:, p. 58. 3325: 3320: 3314:, p. 77. 3313: 3308: 3293: 3291:0-283-06187-1 3287: 3283: 3279: 3278: 3270: 3268: 3261: 3259: 3252: 3246: 3244: 3241:Banks, Tony. 3237: 3231:, p. 92. 3230: 3225: 3218: 3213: 3207:, p. 65. 3206: 3201: 3195: 3193: 3190:Banks, Tony. 3186: 3180: 3178: 3171: 3156: 3152: 3146: 3140:, p. 76. 3139: 3134: 3128:, p. 75. 3127: 3122: 3120: 3113:, p. 72. 3112: 3107: 3099: 3095: 3091: 3085: 3083: 3081: 3079: 3077: 3067: 3065: 3063: 3056:, p. 76. 3055: 3050: 3048: 3041: 3039: 3032: 3026: 3024: 3017: 3011:, p. 52. 3010: 3005: 3003: 3001: 2999: 2997: 2995: 2993: 2991: 2982: 2976: 2974: 2972: 2955: 2951: 2947: 2941: 2925: 2921: 2914: 2908: 2906: 2899: 2892: 2887: 2878: 2876: 2874: 2872: 2865: 2863: 2856: 2850:, p. 75. 2849: 2844: 2842: 2840: 2833: 2831: 2824: 2818: 2816: 2813:Banks, Tony. 2809: 2803:, p. 42. 2802: 2797: 2795: 2793: 2777: 2773: 2766: 2759: 2754: 2752: 2750: 2748: 2732: 2728: 2721: 2719: 2701: 2697: 2690: 2688: 2686: 2684: 2682: 2675:, p. 88. 2674: 2669: 2653: 2649: 2642: 2640: 2638: 2636: 2619: 2612: 2610: 2602: 2601: 2596: 2590: 2574: 2573: 2568: 2561: 2559: 2557: 2555: 2547: 2542: 2536: 2534: 2531:Banks, Tony. 2527: 2511: 2507: 2500: 2498: 2491: 2489: 2482: 2475: 2470: 2468: 2460: 2455: 2453: 2437: 2436: 2431: 2424: 2417: 2412: 2397: 2393: 2386: 2367: 2360: 2358: 2356: 2354: 2349: 2336: 2332: 2328: 2322: 2313: 2303: 2293: 2289: 2277: 2267: 2263: 2260: 2257: 2252: 2248: 2245: 2242: 2237: 2233: 2230: 2227: 2222: 2218: 2215: 2212: 2207: 2203: 2198:Certification 2193: 2175: 2171: 2167: 2161: 2159:Chart (2014) 2158: 2157: 2147: 2145: 2139: 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The Lamb Lies Down on Broadway

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