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543:" and "Haïta the Shepherd". There is no strong indication that Chambers was influenced beyond liking the names. For example, Hastur is a god of shepherds in "Haïta the Shepherd", but is implicitly a location in "The Repairer of Reputations", listed alongside the Hyades and Aldebaran. The Mask that the Stranger is instructed to remove but turns out not to exist at all in the excerpt from
493:
All of the excerpts come from Act I. The stories describe Act I as quite ordinary, but reading Act II drives the reader mad with the "irresistible" revealed truths: "The very banality and innocence of the first act only allowed the blow to fall afterward with more awful effect". Even seeing the first
501:
He mentioned the establishment of the
Dynasty in Carcosa, the lakes which connected Hastur, Aldebaran and the mystery of the Hyades. He spoke of Cassilda and Camilla, and sounded the cloudy depths of Demhe, and the Lake of Hali. "The scolloped tatters of the King in Yellow must hide Yhtill forever",
514:
Night fell and the hours dragged on, but still we murmured to each other of the King and the Pallid Mask, and midnight sounded from the misty spires in the fog-wrapped city. We spoke of Hastur and of
Cassilda, while outside the fog rolled against the blank window-panes as the cloud waves roll and
307:
The first and fourth stories, "The
Repairer of Reputations" and "The Yellow Sign", are set in an imagined future 1920s America, whereas the second and third stories, "The Mask" and "In the Court of the Dragon", are set in Paris. These stories are haunted by the theme: "Have you found the Yellow
502:
he muttered, but I do not believe Vance heard him. Then by degrees he led Vance along the ramifications of the
Imperial family, to Uoht and Thale, from Naotalba and Phantom of Truth, to Aldones, and then tossing aside his manuscript and notes, he began the wonderful story of the Last King.
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311:
The macabre character gradually fades away during the remaining stories, and the last three are written in the romantic fiction style common to
Chambers' later work. They are all linked to the preceding stories by their Parisian setting and their artistic protagonists.
551:
where Prince
Prospero demands that the stranger dressed as the Red Death should remove his mask and robes, only to find nothing underneath. Given the recognition of that short story, this might be an inspiration or even a tribute from Chambers to Poe.
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stories. Lovecraft borrowed
Chambers' method of only vaguely referring to supernatural events, entities, and places, thereby allowing his readers to imagine the horror for themselves. The play
494:
page of the second act is enough to draw the reader in: "If I had not caught a glimpse of the opening words in the second act I should never have finished it" ("The
Repairer of Reputations").
394:
Chambers' story collection excerpts some sections from the play to introduce the book as a whole, or individual stories. For example, "Cassilda's Song" comes from Act 1, Scene 2 of the play:
1057:
1084:
490:", that the final moment of the first act involves the character Camilla's "agonized scream and awful words echoing through the dim streets of Carcosa".
362:"The Street of the Four Winds" – an atmospheric tale of an artist in Paris who is drawn to a neighbor's room by a cat; the story ends with a tragic touch.
1343:
596:. The Yellow Sign adorning the back of the throne was designed by Kevin A. Ross for the scenario "Tell Me, Have You Seen the Yellow Sign?"
375:"Rue Barrée" – romantic American bohemians in Paris, with a discordant ending that playfully reflects some of the tone of the first story.
391:
has at least two acts and at least three characters: Cassilda, Camilla and "the
Stranger", who may or may not be the titular character.
230:
stories devoid of horror or supernatural elements. The horror stories are highly esteemed, and it has been described by critics such as
1524:
497:
Chambers usually gives only scattered hints of the contents of the full play, as in this extract from "The
Repairer of Reputations":
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called it "an absolute masterpiece, probably the single greatest book of weird fantasy written in this country between the death of
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355:"The Prophets' Paradise" – a sequence of eerie prose poems that develop the style and theme of a quotation from the fictional play
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562:, such as "Arria Marcella" (1852); both Gautier and Chambers' stories feature a love affair enabled by a supernatural
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These stories are macabre in tone, centering, in keeping with the other tales, on characters who are often artists or
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throughout the series, and its symbolic use of yellow as a thematic signature that signifies insanity and decadence.
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349:"The Yellow Sign" – an artist is troubled by a sinister churchyard watchman who resembles a coffin worm.
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can be observed in the show's dark philosophy, its recurring use of "Carcosa" and "The Yellow King" as
20:
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in early 1927 and included passing references to various things and places from the book—such as the
583:"The King in Yellow", illustration by Earl Geier in Richard Watts' scenario "Tatterdemalion" for the
346:"In the Court of the Dragon" – a man is pursued by a sinister church organist who is after his soul.
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The book contains nine short stories and a sequence of poems; while the first stories belong to the
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through the first four stories, a forbidden play which induces madness in those who read it.
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has pointed out that the story "The Demoiselle d'Ys" was influenced by the stories of
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A mysterious and malevolent supernatural and gothic entity known as the King in Yellow
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A similar passage occurs in "The Yellow Sign", in which two protagonists have read
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372:"The Street of Our Lady of the Fields" – romantic American bohemians in Paris.
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The short story "The Mask" is introduced by an excerpt from Act 1, Scene 2d:
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Illustration of Tessie in "The Yellow Sign", from a 1902 edition of the book.
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Cassilda's Song: Tales Inspired by Robert W. Chambers' King in Yellow Mythos
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progressively transitions towards a more light-hearted tone, ending with
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988:, Vol 2. Englewood Cliffs, NJ: Salem Press, Inc., 1983. (pp. 844-847).
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The first four stories are loosely connected by three main devices:
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Brian Stableford, "The King in Yellow" in Frank N. Magill, ed.
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play (in Chambers' short story "The Mask") evokes the scene in
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Joshi, S. T.; Schultz, David E. (2001). "Chambers, Robert W".
661:, references a figure called "the Yellow King". Allusions to
365:"The Street of the First Shell" – a war story set during the
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Rehearsals for Oblivion: Act 1 - Tales of The King in Yellow
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Indeed it's time. We have all laid aside disguise but you.
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1247:"The King in Yellow": An Introduction by Christophe Thill
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1073:"The One Literary Reference You Must Know to Appreciate
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China Miéville, "Weird Fiction", in Bould, Mark et al.,
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The Penguin Encyclopedia of Horror and the Supernatural
1050:"The Most Shocking Thing About HBO's 'True Detective'"
519:
379:
1183:, edited by Rick Tillman and K.L. Young, Autumn 2010
1027:(1st ed.). Tempe, AZ: New Falcon. p. 436.
343:" – a dream story of art, love, and uncanny science.
823:
481:(Terrified, aside to Cassilda) No mask? No mask!
352:"The Demoiselle d'Ys" – a time travel love story.
258:", and it was an influence on Lovecraft himself.
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960:Chambers, Robert W. (2000). Joshi, S. T. (ed.).
16:1895 book of short stories by Robert W. Chambers
687:"The King In Yellow: First Edition Controversy"
549:Edgar Allan Poe's "The Masque of the Red Death"
862:Great Short Novels of Adult Fantasy, Volume II
574:
527:Chambers borrowed the names Carcosa, Hali and
1337:
1002:. Westport, CT: Greenwood Press. p. 38.
1207:Lovecraft eZine King in Yellow Tribute Issue
1023:Pearsall, Anthony B. (2001). "Yellow Sign".
997:
414:Strange is the night where black stars rise,
416:And strange moons circle through the skies,
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1330:
917:. New York: F. Tennyson Neely. p. 57.
836:. New York City: Penguin/Viking. pp.
772:The Routledge Companion to Science Fiction
38:
1117:
864:, New York: Ballantine Books, 1973, p.26.
774:. New York: Routledge, 2009, p. 510–516.
1071:Hughes, Michael M. (February 14, 2014).
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959:
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319:
1118:Watts, Richard; Love, Penelope (1990).
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625:occult literature in the Cthulhu Mythos
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1087:from the original on November 5, 2015.
1070:
1060:from the original on November 5, 2015.
964:. Oakland, CA: Chaosium. p. xiv.
399:Along the shore the cloud waves break,
290:An eerie symbol called the Yellow Sign
1325:
1301:Internet Speculative Fiction Database
1107:The Checklist of Fantastic Literature
1047:
821:
751:Internet Speculative Fiction Database
23:. For the Cthulhu Mythos entity, see
1041:
623:effectively became another piece of
261:The book is named for the eponymous
1048:Calia, Michael (January 30, 2014).
986:Survey of Modern Fantasy Literature
900:
657:drama television series created by
431:Where flap the tatters of the King,
401:The twin suns sink behind the lake,
13:
1231:The King in Yellow Tales: Volume 1
1095:
440:Song of my soul, my voice is dead,
315:
14:
1561:
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1153:The Yellow Sign and Other Stories
962:The Yellow Sign and Other Stories
933:The Yellow Sign and Other Stories
880:The Yellow Sign and Other Stories
764:
636:
442:Die thou, unsung, as tears unshed
242:as a classic in the field of the
1525:American short story collections
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19:For The Dead Milkmen album, see
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1016:
1000:An H. P. Lovecraft Encyclopedia
991:
978:
953:
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1540:Horror short story collections
1193:, Miskatonic River Press, 2012
854:
815:
739:
679:
1:
1237:, Lovecraft eZine Press, 2015
1213:, Lovecraft eZine Press, 2014
1203:, Atomic Overmind Press, 2012
1169:, edited by Peter A. Worthy,
873:"The King in Yellow" in e.g.
672:
328:The stories in the book are:
281:A play in book form entitled
1520:1895 short story collections
1197:New Tales of the Yellow Sign
825:"Chambers, Robert W(illiam)"
653:, a 2014 American anthology
515:break on the shores of Hali.
7:
1368:The Repairer of Reputations
1315:public domain audiobook at
882:. Call of Cthulhu Fiction.
795:American Supernatural Tales
734:... F. Tennyson Neely, 1895
708:American Supernatural Tales
575:Influence on Cthulhu Mythos
488:The Repairer of Reputations
359:that introduces "The Mask".
334:The Repairer of Reputations
10:
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615:" (1931), one of his main
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21:The King in Yellow (album)
18:
1530:Chatto & Windus books
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1124:. Oakland, CA: Chaosium.
613:The Whisperer in Darkness
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1550:Books adapted into films
822:Klein, T. E. D. (1986).
611:and the Yellow Sign—in "
541:An Inhabitant of Carcosa
461:You, sir, should unmask.
367:Siege of Paris (1870–71)
44:Cover of an 1895 edition
1179:(an issue dedicated to
1054:The Wall Street Journal
935:. Hayward, California:
486:It is also stated, in "
263:play within the stories
1441:A Young Man in a Hurry
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1425:The Mystery of Choice
1299:title listing at the
1025:The Lovecraft Lexicon
860:Carter, Lin, editor.
714:. 2007. p. 474.
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512:
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418:But stranger still is
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298:, inhabitants of the
207:in 1895 (316 pages).
1545:Gothic short stories
1243:by Hildred Rex, 2017
801:. 2007. p. 79.
747:"The King in Yellow"
535:: specifically, his
444:Shall dry and die in
403:The shadows lengthen
1187:A Season in Carcosa
929:Chambers, Robert W.
909:Chambers, Robert W.
876:Chambers, Robert W.
726:First publication:
433:Must die unheard in
387:The fictional play
216:supernatural horror
205:Chatto & Windus
199:by American writer
72:Decadent literature
34:
33:The King in Yellow
1449:The Tree of Heaven
1417:The Maker of Moons
1409:The King in Yellow
1389:The Maker of Moons
1353:Robert W. Chambers
1312:The King in Yellow
1296:The King in Yellow
1284:The King in Yellow
1272:The King in Yellow
1265:The King in Yellow
1181:The King in Yellow
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732:The King in Yellow
728:Robert W. Chambers
663:The King in Yellow
621:The King in Yellow
605:The King in Yellow
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545:The King in Yellow
522:The King in Yellow
508:The King in Yellow
389:The King in Yellow
382:The King in Yellow
357:The King in Yellow
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283:The King in Yellow
265:which recurs as a
224:The King in Yellow
201:Robert W. Chambers
192:The King in Yellow
178:The King in Yellow
165:The Maker of Moons
54:Robert W. Chambers
32:
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1433:The Haunts of Men
1289:Project Gutenberg
1263:The full text of
1171:Elder Signs Press
1121:Fatal Experiments
1111:Shasta Publishers
1009:978-0-313-31578-7
971:978-1-56882-126-9
808:978-0-14-310504-6
797:. New York City:
721:978-0-14-310504-6
710:. New York City:
590:role-playing game
560:Théophile Gautier
520:Inspirations for
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429:shall sing,
236:S. T. Joshi
1514:Categories
1157:S.T. Joshi
673:References
301:demi-monde
248:Lin Carter
183:Wikisource
756:April 28,
692:March 21,
564:time slip
474:Stranger:
469:Cassilda:
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296:decadents
256:Lovecraft
155:PZ3. C355
94:Publisher
1487:See also
1468:Cardigan
1391:" (1896)
1384:" (1895)
1377:" (1895)
1375:The Mask
1370:" (1895)
1317:LibriVox
1225:Chaosium
1161:Chaosium
1147:Chaosium
1105:(1948).
1085:Archived
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459:Camilla:
341:The Mask
228:romantic
60:Language
1494:Carcosa
1476:America
1241:The Egg
832:(ed.).
466:Indeed?
408:Carcosa
308:Sign?"
273:Stories
88:romance
63:English
1499:Hastur
1479:(1924)
1471:(1922)
1452:(1907)
1444:(1904)
1436:(1898)
1428:(1897)
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1163:, 2004
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529:Hastur
427:Hyades
238:, and
212:genres
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76:horror
50:Author
25:Hastur
828:. In
655:crime
603:read
531:from
267:motif
143:813.4
128:Pages
123:Print
84:weird
68:Genre
1126:ISBN
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838:74–6
803:ISBN
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643:The
218:and
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