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442:, p. 114, reversed, seven pages and about twenty poems before "The Human Image" (that is the draft of "The Human Abstract"). "Blake's intention in 'The Human Abstract' then was to analyze the perversion while making it clear at the same time that imaginatively (to the poet) it was a perversion, rationally (to fallen man) it was not. In 'A Divine Image' he had simply done the former. 'I heard an Angel singing...' was his first attempt to do both, the angel speaking for 'The Divine Image', the devil for 'A Divine Image'":
654:: 'Compare the passage . . . where the growth of it is defined; rooted in the rock of separation, watered with the tears of a jealous God, shot up from sparks and fallen germs of material seed; being after all a growth of mere error, and vegetable (not spiritual) life; the topmost stem of it made into a cross whereon to nail the dead redeemer and friend of men.'".
1284:
494:
In a draft version of "The Human
Abstract" (under the title "The human Image") the word "Pity" of the first line is written instead of the word "Mercy". The second line "If we did not make somebody poor" in the first version was written above the struck-through line "If there was nobody poor".
250:
The illustration shows a gowned old man with a long beard who kneels with his legs outspread. He raises his arms to grip the ropes as if he tries to free himself. There is a tree trunk with a broad base on the right and the edge of another on the left. The colour of the sky suggests sunrise or
319:
However, as Robert F. Gleckner pointed out, “in the world of experience such a human-divine imaginative unity is shattered, for the
Blakean fall, as is well known, is a fall into division, fragmentation, each fragment assuming for itself the importance (and hence the benefits) of the whole.
1215:
87:
The hand painted bottom illustration from Copy Y of the Songs of
Innocence and of Experience, printed in 1825. The contrast in colouration with the above copy L demonstrates the uniqueness and variation between Blake's different printings. This copy is in the
781:
Gleckner concluded his analysis with the statement that the poem "The Human
Abstract", as a whole, is “a remarkably ambitious experiment in progressive enrichment, and a revealing document for the study of Blake's two contrary states of the human soul.”
413:(mercy, pity, peace, and love) that incorporated the human heart, face, form, and dress were abstracted here from the corpus of the divine, become selfish and hypocritically disguise their true natures, and perverted into
259:), struggling with his own nets of religion, under the Tree of Mystery, which symbolically "represents the resulting growth of religion and the priesthood (the Catterpillar and the Fly), feeding on its leaves".
404:. "The poem's discursiveness, its rather mechanical, almost mathematical simplicity make it unlike other songs of experience; the obviousness of the contrast suggests a hasty, impulsive composition..."
2159:
251:
sunset. A muddy river runs along the lower edge of the design in front of the man. The picture portrays the supreme God of Blake's mythology and the creator of the material world, whom Blake named "
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320:
Experience, then, is fundamentally hypocritical and acquisitive, rational and non-imaginative. In such a world virtue cannot exist except as a rationally conceived opposite to vice.”
1309:
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83:
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59:
272:. There is a great difference between two worlds: of Innocence and of Experience. In "The Divine Image" of Innocence Blake establishes four great virtues:
71:
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47:
28:
2108:
1296:
343:
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As was observed by the scholars, the ideas of the poem correspond with some other works of Blake which show deeper insight. For example:
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20:
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288:, where the last one is the greatest and embraces the other three. These four virtues represent God as well as a Man:
2085:
2330:
2065:
571:
Third, fourth and fifth stanzas arranged exactly as in the last etched version, however with no punctuation marks:
1753:
1589:
914:"Songs of Innocence and of Experience, copy Y, object 47 (Bentley 47, Erdman 47, Keynes 47) "The Human Abstract""
745:
Sampson noticed that "the 'Tree of
Mystery' signifies 'Moral Law'", and cited the relevant passage from Blake's
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2117:
1270:
1189:
1168:
2255:
1664:
842:
2037:
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1879:
1760:
1404:
2153:
1857:
1802:
1624:
1337:
1004:
433:
64:
40:
1539:
1293:
89:
1184:. Berkeley, Los Angeles and Oxford: Berkeley, Los Angeles and Oxford: University of California Press.
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1850:
1614:
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518:
512:
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498:
438:
209:
111:
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247:
described this poem as one of "very perfect and noble examples of Blake's metaphysical poetry".
2079:
1795:
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1181:
Blake set to music - a bibliography of musical settings of the poems and prose of
William Blake
76:
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1831:
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The previous title of the poem "The Human Image" shows clearly that it is a counterpart to "
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815:, for tenor and bass soli, flute (piccolo), clarinet (and bass clarinet) and violin, 1977
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553:
In the second stanza the word "baits" is a replacement of the deleted word "nets":
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1965:
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339:, and was even etched, but not included into the main corpus of the collection:
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52:
1225:
Gleckner, Robert F. (September 1961). "William Blake and the Human
Abstract".
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19:
This article is about Poem by
William Blake. For the different meanings, see
2000:
607:
The last quatrain of the poem is the replacement of the following passage:
1955:
1945:
1935:
1456:
2103:
The Four and Twenty Elders
Casting their Crowns before the Divine Throne
1960:
1925:
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436:..." exists only in draft version and appeared as the eighth entry of
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1313:
651:
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644:"A very similar description of the growth of the Tree is found in
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and its emphasis on the tension between the human and the divine.
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1975:
1970:
1905:
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426:
414:
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118:. Critics of the poem have noted it as demonstrative of Blake's
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1940:
1890:
527:
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252:
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1950:
1910:
323:
Blake made two more attempts to create a counterpart poem to
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273:
2169:
The Wood of the Self-Murderers: The
Harpies and the Suicides
853:, for women's voices (SSA), strings and piano, Op. 46 (1950)
2313:
Themes from William Blake's The Marriage of Heaven and Hell
1995:
756:
He sat by Tyburns brook, and underneath his heel, shot up!
422:
285:
277:
763:
The Tree spread over him its cold shadows, (Albion groand)
2242:
The Works of William Blake: Poetic, Symbolic and Critical
1220:. Vol. 2 (2nd ed.). London: MacMillan & Co.
829:, for soprano and tenor soli, and SATB a capella, 1977/78
193:
The poem was engraved on a single plate as a part of the
1297:
William Blake, a critical essay (Chapter: Lyrical poems)
912:
Morris Eaves; Robert N. Essick; Joseph Viscomi (eds.).
765:
They bent down, they felt the earth and again enrooting
760:
Of God who dwells in Chaos hidden from the human sight.
207:
in the second volume 1863/1880 from the draft in the
804:, for orchestra. Rec. Capitol stereo SKAO-338 (1969)
767:
Shot into many a Tree! an endless labyrinth of woe!
758:
A deadly Tree, he nam'd it Moral Virtue, and the Law
114:
and was later revised for as part of publication in
1310:
A comparison of extant copies of The Human Abstract
1036:
1034:
392:There are the explicit antitheses in this poem and
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1075:
1073:
888:The poem only appeared in copy BB of the combined
658:Here is the mentioned fragment from Chap: III of
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1253:
1043:
1031:
1155:Blake, William (1988). Erdman, David V. (ed.).
1070:
988:
625:The priest promotes war and the soldier piece
237:. In the commentary to his publication of the
104:. It was published as part of his collection
1338:
215:p. 107 reversed, see the example on the right
188:
1810:Jerusalem: The Emanation of the Giant Albion
997:
432:Another poem dealing with the same subject "
110:in 1794. The poem was originally drafted in
1289:. Clarendon Press Oxford 1905. p. 134.
940:, ed. Ostriker, Penguin Books, 1977, p.128.
748:Jerusalem The Emanation of the Giant Albion
650:(engr. 1795), chap, iii, thus condensed by
179: Sought thro' Nature to find this Tree
1345:
1331:
1261:Blake Songs of Innocence and of Experience
847:Pity would be no more (The human abstract)
839:, for jazz ensemble and singing, Rec. 1983
2217:Scholarship, in popular culture, and more
1279:
183: There grows one in the Human Brain
1224:
1163:(Newly revised ed.). Anchor Books.
692:Till the horrid plant bending its boughs
623:They said this mistery never shall cease
511:
342:
100:" is a poem written by the English poet
82:
70:
58:
46:
27:
181: But their search was all in vain:
168: And it bears the fruit of Deceit,
152: And waters the ground with tears:
134: If we did not make somebody Poor:
2383:
2059:Europe Supported by Africa and America
1005:"Songs of Innocence and of Experience"
628:There souls of men a bought & sold
147: And spreads his baits with care.
143: Till the selfish loves increase.
2215:
2017:
1877:
1364:
1326:
1177:
1154:
714:5: The Tree still grows over the Void
705:He arose but the stems stood so thick
678:From redounding fancies had petrified
217:), where the first title of the poem
172: And the Raven his nest has made
2396:Songs of Innocence and of Experience
2281:Serenade for Tenor, Horn and Strings
890:Songs of Innocence and of Experience
813:Songs of Innocence and of Experience
694:Grew to roots when it felt the earth
615:Sought thro nature to find this tree
240:Songs of Innocence and of Experience
234:Songs of Innocence and of Experience
177: The Gods of the earth and sea,
37:Songs of Innocence and of Experience
2297:Songs and Proverbs of William Blake
2162:On the Morning of Christ's Nativity
1286:The poetical works of William Blake
785:
709:Brought his Books, all but the Book
381:The Human Heart, its hungry Gorge.
356:, copy G, object 27 c.1818, in the
159: Soon spreads the dismal shade
150: He sits down with holy fears,
141: And mutual fear brings peace;
21:The Human Abstract (disambiguation)
13:
1768:Visions of the Daughters of Albion
1365:
721:6: The corse of his first begotten
620:There grows one in the human brain
504:
497:
163: And the Caterpillar and Fly,
154: Then Humility takes its root
14:
2407:
1352:
1303:
938:William Blake. The Complete Poems
707:He with difficulty and great pain
701:He beheld himself compassed round
632:And youth to slaughter houses led
565:And spreads his baits with care
379:The Human Face, a Furnace seal'd
145: Then Cruelty knits a snare,
138: If all were as happy as we;
136: And Mercy no more could be,
2331:William Blake in popular culture
2176:Illustrations of the Book of Job
729:On the topmost stem of this Tree
696:And again sprung to many a tree.
617:But their search was all in vain
595:And it bears the fruit of deceit
579:And waters the ground with tears
543:If we did not make somebody poor
375:The Human Dress, is forged Iron
306:And Love, the human form divine,
2045:Original Stories from Real Life
1754:The Marriage of Heaven and Hell
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1127:
1118:
1109:
1100:
1091:
1082:
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703:And high roofed over with trees
674:From Eternals, he sat on a rock
634:And beauty for a bit of bread
630:And milk fed infancy for gold
613:The Gods of the Earth & Sea
599:And the raven his nest has made
561:Till the selfish Loves increase
478:At his curse the sun went down
467:Over the heath & the furze
161: Of Mystery over his head;
2118:A Vision of the Last Judgement
1148:
979:
970:
961:
952:
943:
931:
905:
882:
711:Of iron, from the dismal shade
699:4: Amaz'd started Urizen! when
688:It grew a thick tree; he wrote
672:3: For when Urizen shrunk away
669:A Tree hung over the Immensity
590:And the catterpillar & fly
377:The Human Form, a fiery Forge.
370:Terror, the Human Form Divine
314:"The Divine Image", lines 5-12
297:And Mercy Pity Peace and Love,
293:For Mercy Pity Peace and Love,
1:
2256:Blake: Prophet Against Empire
2066:The Night of Enitharmon's Joy
1878:
1665:The Voice of the Ancient Bard
1159:The Complete Poetry and Prose
899:
843:William Brocklesby Wordsworth
807:Timothy Lenk (b. 1952), USA:
586:Soon spreads the dismal shade
170: Ruddy and sweet to eat;
79:) The Human Abstract - detail
67:) The Human Abstract - detail
55:) The Human Abstract - detail
1405:There is No Natural Religion
731:Urizen nail'd Fuzons corse.
718:An endless labyrinth of woe!
690:In silence his book of iron:
680:Many tears fell on the rock,
676:Barren; a rock which himself
581:Then humility takes its root
577:He sits down with holy fears
559:And mutual fear brings Peace
480:And the heavens gave a frown
372:And Secrecy, the Human Dress
308:And Peace, the human dress.
174: In its thickest shade.
132: Pity would be no more,
7:
1858:Never pain to tell thy love
1265:. Oxford University Press.
857:
716:Enrooting itself all around
686:Of Mystery, under his heel:
476:If all were as happy as we
449:When the day was springing
333:, was clearly intended for
327:of Innocence. One of them,
302:For Mercy has a human heart
65:Yale Center for British Art
41:Yale Center for British Art
10:
2412:
682:Many sparks of vegetation;
563:Then Cruelty knits a snare
547:If all were as happy as we
545:And Mercy no more could be
474:And pity no more could be
368:And Jealousy a Human Face
366:Cruelty has a Human Heart
299:Is Man His child and care.
189:Context and interpretation
165: Feed on the Mystery.
156: Underneath his foot.
90:Metropolitan Museum of Art
18:
16:1794 poem by William Blake
2323:
2272:
2263:Witness Against the Beast
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2013:
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1823:
1731:
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1427:
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869:The Human Abstract (band)
864:The Human Abstract (song)
827:Seven Songs of Experience
684:Soon shot the pained root
519:Notebook of William Blake
516:"The Human Image" in the
483:Down pourd the heavy rain
462:And haycocks looked brown
447:I heard an Angel singing
210:Notebook of William Blake
1824:The Pickering Manuscript
875:
723:On the accursed Tree of
597:Ruddy & sweet to eat
588:Of Mystery over his head
485:Over the new reapd grain
471:If there was nobody poor
434:I heard an Angel singing
199:(1794) and reprinted in
2018:
1672:(found only in Copy BB)
1550:The Clod and the Pebble
1058:Blake 1988, pp. 470-471
821:(1921 –1995), Ireland:
469:Mercy could be no more
460:Till the sun went down
295:Is God our Father dear:
227:substituted. The title
125:
2357:Catherine Blake (wife)
1178:Fitch, Donald (1990).
779:
743:
656:
638:
605:
569:
551:
534:
509:
502:
492:
487:And Miseries increase
465:I heard a Devil curse
458:Over the new mown hay
390:
361:
317:
231:appeared first in the
186:
93:
80:
77:The Fitzwilliam Museum
68:
56:
44:
2336:William Blake Archive
2235:Life of William Blake
2125:Descriptive Catalogue
1832:Auguries of Innocence
1761:The French Revolution
1565:The Little Girl Found
1398:All Religions are One
1391:An Island in the Moon
1314:William Blake Archive
1217:Life of William Blake
1088:Blake 1988, pp. 86-87
1009:William Blake Archive
985:Blake 1988, pp. 12-13
967:Gilchrist, II, p. 27.
918:William Blake Archive
753:
666:
642:
609:
601:In its thickest shade
573:
555:
540:Pity could be no more
536:
515:
508:
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456:Thus he sung all day
453:Is the worlds release
444:
363:
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129:
86:
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31:
2132:The Great Red Dragon
1839:The Mental Traveller
1560:The Little Girl Lost
1472:The Little Boy Found
1452:The Little Black Boy
1200:Gilchrist, Alexander
489:Is Mercy Pity Peace
407:The four virtues of
63:Copy F, 1789, 1794 (
51:Copy B, 1789, 1794 (
2154:Agony in the Garden
2147:The Ghost of a Flea
2052:The Ancient of Days
1851:Rossetti Manuscript
1620:The Little Vagabond
1600:My Pretty Rose Tree
1570:The Chimney Sweeper
1532:Songs of Experience
1522:On Another's Sorrow
1467:The Little Boy Lost
1462:The Chimney Sweeper
801:Songs of Experience
592:Feed on the Mystery
583:Underneath his foot
358:Library of Congress
336:Songs of Experience
304:Pity, a human face:
196:Songs of Experience
120:metaphysical poetry
116:Songs of Experience
107:Songs of Experience
2086:Illustrations for
1782:The Book of Ahania
1775:The Book of Urizen
1708:America a Prophecy
1650:A Little Girl Lost
1630:The Human Abstract
1615:The Garden of Love
1442:The Ecchoing Green
1429:Songs of Innocence
1417:Songs of Innocence
1097:Blake 1988, p. 174
845:(1908 –1988), UK:
837:The human abstract
823:The human abstract
809:The human abstract
796:The human abstract
738:The Book of Ahania
661:The Book of Ahania
535:
510:
503:
401:Songs of Innocence
362:
353:The Book of Urizen
269:Songs of Innocence
229:The Human Abstract
98:The Human Abstract
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33:The Human Abstract
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2109:Illustrations of
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1818:
1715:Europe a Prophecy
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1645:A Little Boy Lost
1419:and of Experience
1384:Poetical Sketches
1067:Swinburne, p. 121
1049:Gleckner, p. 376.
1040:Gleckner, p. 379.
1028:Blake 1988, p. 32
994:Gleckner, p. 374.
976:G. Keynes, p. 47.
949:Blake 1988, p. 27
635:
602:
566:
548:
451:Mercy Pity Peace
255:" (probably from
2403:
2345:(1983 monologue)
2249:Fearful Symmetry
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2015:
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1747:The Book of Thel
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792:David A. Axelrod
786:Musical settings
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439:Blake's Notebook
410:The Divine Image
395:The Divine Image
388:
387:"A Divine Image"
325:The Divine Image
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264:The Divine Image
112:Blake's notebook
39:, copy L, 1795 (
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2289:Ten Blake Songs
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2227:Scholarly works
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2194:Visionary Heads
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2043:Engravings for
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2005:
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1722:The Song of Los
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1257:, ed. (1967).
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1239:10.2307/460620
1233:(4): 373–379.
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1208:Anne Gilchrist
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1575:Nurse's Song
1540:Introduction
1531:
1507:Nurse's Song
1437:The Shepherd
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1012:. Retrieved
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921:. Retrieved
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871:(metal band)
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2353:(1989 play)
1697:continental
1457:The Blossom
1312:: from the
1149:Works cited
1106:Fitch, p. 9
257:your reason
2391:1794 poems
2385:Categories
2350:In Lambeth
2031:and prints
1961:Palamabron
1926:Golgonooza
1916:Enitharmon
1699:prophecies
1512:Infant Joy
1272:0192810898
1191:0520097343
1170:0385152132
900:References
2134:paintings
2096:The Grave
2029:Paintings
1880:Mythology
1685:Prophetic
1655:To Tirzah
1610:The Lilly
1595:The Tyger
1590:The Angel
923:9 October
774:Jerusalem
652:Swinburne
266:" in the
219:The Earth
201:Gilchrist
2362:Ancients
2305:The Lamb
2186:Sketches
1447:The Lamb
858:See also
851:A Vision
771:—
735:—
419:jealousy
385:—
360:(detail)
312:—
2324:Related
2273:Musical
1991:Urthona
1976:Thiriel
1971:Tharmas
1966:Spectre
1906:Bromion
1585:The Fly
1517:A Dream
1299:, 1868.
1283:(ed.).
776:2:14-19
725:Mystery
532:England
427:secrecy
415:cruelty
398:of the
2316:(1998)
2308:(1982)
2300:(1965)
2292:(1958)
2284:(1943)
2073:Newton
1986:Urizen
1981:Tiriel
1941:Leutha
1931:Grodna
1901:Beulah
1896:Albion
1891:Ahania
1803:Milton
1740:Tiriel
1625:London
1502:Spring
1269:
1247:460620
1245:
1188:
1167:
1014:16 May
740:3:8-35
647:Ahania
528:London
425:, and
423:terror
348:Urizen
284:, and
253:Urizen
2342:Blake
1951:Luvah
1921:Fuzon
1911:Enion
1732:Other
1687:books
1497:Night
1243:JSTOR
876:Notes
282:peace
274:mercy
2140:Pity
2001:Vala
1996:Utha
1849:The
1695:The
1267:ISBN
1227:PMLA
1186:ISBN
1165:ISBN
1016:2013
925:2013
286:love
278:pity
126:Poem
2019:Art
1956:Orc
1946:Los
1936:Har
1235:doi
203:'s
2387::
1241:.
1231:76
1229:.
1210:;
1206:;
1202:;
1072:^
1033:^
1007:.
916:.
751::
664::
530:,
526:,
522:,
429:.
421:,
417:,
280:,
276:,
243:,
35:,
1860:"
1856:"
1841:"
1837:"
1834:"
1830:"
1346:e
1339:t
1332:v
1316:.
1275:.
1249:.
1237::
1194:.
1173:.
1018:.
927:.
892:.
727::
213:(
96:"
92:.
43:)
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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