1928:
2118:
2392:
1526:
943:
979:
966:
703:
1956:
804:
1909:
1676:
2214:
1466:
1436:
2412:
1556:
1421:
1978:
1496:
1646:
1661:
1721:
2238:
1706:
1766:
1751:
1586:
2501:
2434:
1481:
1451:
2570:
1616:
1631:
2280:
1541:
1874:
2597:
2369:
2312:
2164:
2058:
1842:
2003:
715:
1691:
1571:
2528:
2459:
2183:
2098:
244:
2260:
1601:
2548:
2639:
1736:
2030:
1511:
954:
2333:
2682:
22:
2479:
98:
1810:
866:
2659:
2353:
2617:
183:
210:“The shorter poems, and even the fragments, afford many instances of that exquisite metrical gift and rightness in point of form which constitute Blake's special glory among his contemporaries, even more eminently perhaps than the grander command of mental resources which is also his. Such qualities of pure perfection in
93:
consists of 58 leaves and contains autograph drafts by Blake of poems and prose with numerous sketches and designs, mostly in pencil. Containing two pages of preface, alongside 94 pages of sketches, each page is approximately 159 x 197mm. The original leaves were later bound with a partial copy (ff.
116:
belonged to Blake's favourite younger brother and pupil Robert who made a few pencil sketches and ink-and-wash drawings in it. After death of Robert in
February 1787, Blake inherited the volume beginning it with the series of sketches for many emblematic designs on a theme of life of a man from his
2944:
218:, and possessed them in clear completeness. Colour and metre, these are the true patents of nobility in painting and poetry, taking precedence of all intellectual claims; and it is by virtue of these, first of all, that Blake holds, in both arts, a rank which cannot be taken from him."
214:, as he perpetually, without effort, displayed, are to be met with among those elder poets whom he loved, and such again are now looked upon as the peculiar trophies of a school which has arisen since his time; but he alone (let it be repeated and remembered) possessed them
938:
The most of 92 texts of this section are epigrams, gnomic verses or fragments addressed to Blake's friends and enemies, to painters and poets as well as some different historical or mythological characters and even to God. Here are typical examples:
1435:
3882:
3825:
1093:
2908:
2822:
817:
808:
4035:
3891:
1525:
1293:. Traveller (central emblem). The urinating man. Flying monster with a man in his mouth (3 times) — Lucifer discovering Judas? (Inferno, Canto xxxiv.). A man with a dog.
1927:
3964:
796:
161:
and a picture above showing of a man and woman rising from bed in a sparsely furnished room that could be Blake's own. The line of text obscured by the picture
2117:
457:
3897:
3022:"The Rossettis transcription of Blake's notebook", and "William Michael Rossetti's transcription and William Bell Scott's tracings from Blake's notebook"
3831:
1782:
These sketches often serve as the sources for Blake's later works, illustrations of his books, engravings, watercolors, etc. Here are some examples:
2925:
4128:
1555:
1465:
1304:(pencil). Flying monster with a man in his mouth (twice) — Lucifer discovering Judas? (Inferno, Canto xxxiv.). A man. A figure with children.
2135:, 1825, object 9 Inscribed in graphite lower center: "7. One dies! Alas! the living and dead! One is slain! and one is fled! Blake's 'Key'."
1675:
3532:
991:
946:
1705:
1944:
1645:
1089:
1057:
1585:
1495:
3816:
2391:
1765:
1720:
1510:
727:
707:
165:
served probably as a title to 64 following picture emblems, 17 of which were used for the book "For
Children: The Gates of Paradise".
1480:
1450:
94:
62–94) of 'All that is of any value in the foregoing pages' that is
Rossettis' transcription of Blake's notebook (added after 1847).
1615:
1630:
1420:
1065:
983:
1750:
942:
3067:
2709:
1771:
1660:
1540:
1038:
970:
894:
870:
978:
3781:
3765:
1275:
30:
965:
4003:
3139:
853:
702:
314:
148:
4019:
3277:
1955:
1690:
1570:
610:
2358:
Count
Ugolino and his sons in prison (Ill. to Dante. Inferno Canto XXXIII 13–93) c.1826. pen, tempera and gold on panel
803:
3490:
3407:
3214:
2949:; With variorum readings and bibliographical notes and prefaces, edited by Sampson, John, Clarendon Press Oxford, 1905.
2724:(at Rossetti's sale, T. G. Wharton, Martin & Co., 5 July 1882, lot 487) and by Ellis and Scruton (at Ellis's sale,
2223:
2192:
1908:
1600:
2213:
1735:
578:
558:
293:
3808:
2411:
4118:
4053:
3788:
2946:
The poetical works of
William Blake; a new and verbatim text from the manuscript engraved and letterpress originals
177:
in their publications of Blake's poetry used this as a title for the series of poems from the manuscripts. In 1905
156:
3476:
3312:
2292:
1977:
630:
417:
335:
3853:
3840:
2237:
38:
2687:
Satan
Exulting over Eve. Medium Colour print, ink and watercolour on paper mounted on canvas, illustration of
4113:
3978:
3387:
2500:
2433:
3760:
2569:
3847:
3602:
3483:
3127:
1889:
1857:
1825:
538:
2279:
1034:
In the following short fragment Blake speaks of himself and his own spiritual experience in his babyhood:
3876:
3580:
3525:
3347:
3060:
2753:
2596:
2405:
2137:
661:
599:
448:
397:
356:
34:
2368:
2311:
2163:
2057:
1315:(pencil) Monster's Head with a man in his mouth (twice). Old man encounters his death (central emblem).
3262:
2921:
2721:
1968:
1144:
is full of Blake's sketches and designs almost on every page. Here is the index of the first 25 pages (
170:
2002:
1841:
1197:(pen and ink) Tiger. Tiger's head. A man hiding in a house. For the Designs to a Series of Ballads of
714:
3985:
3352:
3337:
2630:
2561:
2527:
2492:
2458:
2425:
2346:
2182:
2097:
2049:
1899:
1873:
529:
368:
347:
243:
2918:, D. G. Rossetti, W. M. Rossetti, Anne Gilchrist (Chapter: Ideas of good and evil), 1863 & 1880.
206:
In the introduction of his publication D. G. Rossetti gave to these poems a following presentation:
2737:
2206:
1341:. Object 9: What are these? Alas! the Female Martyr Is She also the Divine Image (central emblem).
687:
683:
498:
478:
377:
248:
43:
3039:
2980:
2638:
2547:
1278:
Reclining on a Poppy (ill. to
Shakespeare's A Midsummer Night's Dream?), Monochrome wash drawing,
3971:
3272:
3034:
2775:
2772:
756:
719:
619:
326:
178:
2259:
2029:
1386:(pencil). A figure inside of the cage hanged on the bow of a tree and anEagle (central emblem).
4123:
3802:
3518:
3419:
3244:
3053:
2717:
1948:
953:
64:
2332:
4058:
3957:
3554:
3287:
3120:
3113:
2681:
1375:(pencil). A composition with a few figures (heavily obscured with the text, central emblem).
668:
is much more expanded and composed of nine quatrains instead of two that were chosen for the
181:
issued the first annotated publication of all these poems and created a detailed descriptive
21:
2478:
4084:
3862:
3561:
3282:
3239:
3194:
3174:
3159:
695:
437:
2123:
7 What are these? Alas! the Female Martyr Is She also the Divine Image
Publishd [
97:
8:
3869:
3774:
3342:
3322:
3292:
3189:
3184:
2915:
2610:
2541:
2472:
2111:
2022:
1809:
865:
670:
590:
569:
305:
275:
236:
117:
birth to death. Then, reversing the book he wrote on its last pages a series of poems of
660:
Some of these drafts are significantly different from their last versions, for example "
4027:
3703:
3504:
3497:
3430:
3372:
2729:
2360:
2298:
2202:
518:
4072:
4064:
3437:
3367:
3267:
3164:
3106:
932:
428:
234:
contains 63 poems that include drafts versions of 16 poems entered the collection of
200:
146:(1810). The latest work in the Notebook is a long and elaborated but unfinished poem
3469:
3332:
3209:
2736:, 26 Jan 1887. Inherited by his daughter, Mrs Frances Hillard Emerson (d. 1957) of
2674:
2198:
72:
3024:, The Library, 6th ser., iv, 1982, pp. 249–72, and vi, 1984, pp. 254–76.
1364:— 'The Sick Rose.' (central emblem, pencil). Man's head in profile (pen and ink).
4079:
4011:
3916:
3688:
3511:
3444:
3297:
3229:
3169:
3014:
3004:
2976:
2966:
2956:
2741:
2141:
1834:
469:
196:
192:
188:
124:. He continued the book in 1800s returning to the first pages. All together the
3795:
3653:
3623:
3618:
3392:
3382:
3327:
3307:
2285:
2265:
2243:
2229:
1938:
1897:, copy C, Relief etching with color printing and hand colouring. 1795 object 5
1867:
1865:, copy A, Relief etching with color printing and hand colouring. 1795 object 5
1198:
851:
This motto, which was never engraved by Blake, is not found in any copy of the
651:
166:
2666:
Graphite, pen and black ink, and watercolor over color print, illustration of
129:
4107:
3643:
3462:
3362:
3357:
3302:
3224:
3219:
3204:
3199:
3076:
2713:
2689:
2668:
639:
549:
408:
388:
68:
48:
3723:
2725:
2695:
2272:
1441:
attrib. to Robert Blake: "Lady
Macduff fleeing one of Macbeth's henchmen",
2658:
3678:
3668:
3658:
3179:
2938:
2154:
2149:
1884:
1852:
1820:
887:
259:
174:
3826:
The Four and Twenty Elders
Casting their Crowns before the Divine Throne
2352:
3683:
3648:
3638:
3234:
2616:
1408:(pencil). A composition with 5 figures – Pestilence? (central emblem).
699:. Some of them reflect the political and social climate of that time:
136:
Draft for Prospectus of the Engraving of Chaucer's Canterbury Pilgrims
3377:
3317:
2712:(Blake's widow) in 1827 to William Palmer, brother of Blake's pupil,
2302:
2145:
1019:
958:
675:
509:
489:
1259:(pencil). Head of a King? (obscured with the text, central emblem).
2733:
890:. Here is the one of his most characteristic poems of that period:
674:. Also it is interesting to compare the most famous Blake's poem "
3713:
3698:
3693:
3628:
1234:
883:
693:
The genre of most of the poems of this section can be defined as
3045:
286:
Written about 1793 (numbering from ed. Jeoffrey Keynes, 1957/66)
3708:
3663:
3613:
1271:
1233:(sepia). attrib. to Robert Blake: "Lady Macduff fleeing one of
1096:") it is given in a combination with other 4 mysterious lines:
3040:
The Notebook of William Blake on the British Library's website
3939:
3673:
3633:
3042:
showing 112 pages, with related articles and collection items
2644:
1326:(pencil). A horseman with a lady following (central emblem).
3892:
The Wood of the Self-Murderers: The Harpies and the Suicides
1055:
There is also a draft of famous Blake's motto from his poem
187:. It follows by some other scholarly publications edited by
4036:
Themes from William Blake's The Marriage of Heaven and Hell
3718:
2740:. Presented by Mrs F. H. Emerson. Now in the possession of
2732:
of New York (f. ib) to William Augustus White (d. 1928) of
2035:
The Traveller hasteth in the Evening 14 Publishd [
2008:
The Traveller hasteth in the Evening 14 Publishd [
1829:?), Monochrome wash drawing, c. 1786–87. Butlin 201.5(13),
3965:
The Works of William Blake: Poetic, Symbolic and Critical
2125:
2037:
2010:
1397:(pencil). A composition with 3 figures (central emblem).
2270:
Colour print, ink and watercolour on paper, 1795/c.1805
794:
Some other of these poems rather belong to the genre of
240:, which have been placed here in the following order:
1175:(pencil). — A young woman dressing (central emblem).
195:(1965/82/88) & together with D. K. Moore (1977),
2338:Does thy God O Priest take such vengeance as this?
458:When the voices of children are heard on the green
128:contains about 170 poems plus fragments of prose:
818:Motto to the Songs of Innocence and of Experience
809:Motto to the Songs of Innocence and of Experience
4105:
2988:Errors in the 1973 edition of The Notebook . . .
2979:, Anchor Books, 1965/1982/1988 (see also at the
2973:The Complete Poetry & Prose of William Blake
844:And all his good Friends shew their private ends
1029:Go into it yourself & see how you would do
1005:Or poor Schiavonetti whom they to death botherd
947:"Was I angry with Hayley who us'd me so ill..."
1050:Go love without the help of any King on Earth
155:On the page 4 is placed a short humorous poem
3061:
2990:, Blake Newsletter, ix, 1975, pp. 39, 40
1048:Said Little creature formd of Joy & Mirth
1009:Because they did not say O what a Beau ye are
3533:Jerusalem: The Emanation of the Giant Albion
1248:(pencil). A composition with a few figures
1222:(pencil). A composition with 2 or 3 figures
2997:, Oxford, 1977, pp. 321–34 and passim.
1945:Henry E. Huntington Library and Art Gallery
1058:Jerusalem The Emanation of the Giant Albion
1003:Or angry with Flaxman or Cromek or Stothard
107:
63:from its association with its former owner
3068:
3054:
984:"I give you the end of a golden string..."
971:"The Angel that presided o'er my birth..."
825:The Good are attracted by Mens perceptions
3940:Scholarship, in popular culture, and more
2823:D. G. Rossetti (in Gilchrist, 1863/1880).
2786:D. G. Rossetti (in Gilchrist, 1863/1880).
2720:30 April 1847. Later it was purchased by
2221:Relief etching with monotyped color from
2190:Relief etching with monotyped color from
2075:Full little weenest thou what sorrows are
1007:Or angry with Macklin or Boydel or Bowyer
999:Was I angry with Hayley who usd me so ill
737:Or the cheating waves of charterd streams
2677:, in Brentwood, Los Angeles, California
1817:Oberon and Titania Reclining on a Poppy
1001:Or can I be angry with Felphams old Mill
977:
964:
952:
941:
864:
802:
744:Tho born on the cheating banks of Thames
713:
701:
242:
96:
20:
1105:I give you the end of a golden string,
926:Where Israels tents do shine so bright
750:I was born a slave but I go to be free
735:Why should I care for the men of thames
708:Why should I care for the men of Thames
4129:British Library additional manuscripts
4106:
3782:Europe Supported by Africa and America
2079:Left thee for portion of thy livelihed
2071:And in dead parents baleful ashes bred
2067:Ah luckless babe born under cruel star
1160:(pencil). — Daphne? (central emblem).
1092:" at the beginning of the chapter 4 ("
1073:I give you the end of a golden string,
748:The Ohio shall wash his stains from me
739:Or shrink at the little blasts of fear
260:Poems and fragments from the Note-book
31:"I asked a thief to steal me a peach…"
3938:
3740:
3600:
3087:
3049:
2647:with a shield and spear, sketch from
2585:Two sketches (pencil and sepia) from
2319:Count Ugolino and his sons in prison
1121:It will lead you in at Heavens gate,
1027:If you have formd a Circle to go into
931:
917:But still in Israels paths they shine
915:Blown back they blind the mocking Eye
860:
832:Till Experience teaches them to catch
746:Tho his waters bathed my infant limbs
4004:Serenade for Tenor, Horn and Strings
2626:For the Sexes. The Gates of Paradise
2557:For the Sexes. The Gates of Paradise
2488:For the Sexes. The Gates of Paradise
2421:For the Sexes. The Gates of Paradise
2342:For the Sexes. The Gates of Paradise
2133:For the Sexes. The Gates of Paradise
2129:] 17 May 1793 by WBlake Lambeth
2045:For the Sexes. The Gates of Paradise
2041:] 17 May 1793 by WBlake Lambeth
2014:] 17 May 1793 by WBlake Lambeth
1964:Songs of Innocence and of Experience
1352:(pencil). Dispute (central emblem).
1186:(pen and ink) A man in a Roman toga
1079:It will lead you in at Heavens gate,
1046:The Angel that presided oer my birth
871:Mock on, Mock on, Voltaire, Rousseau
854:Songs of Innocence and of Experience
846:And the Eagle is known from the Owl
4020:Songs and Proverbs of William Blake
3885:On the Morning of Christ's Nativity
2606:For Children. The Gates of Paradise
2537:For Children. The Gates of Paradise
2468:For Children. The Gates of Paradise
2401:For Children. The Gates of Paradise
2107:For Children. The Gates of Paradise
2018:For Children. The Gates of Paradise
1531:Traveller and Woman with children,
906:You throw the sand against the wind
741:That the hireling blows into my ear
13:
3491:Visions of the Daughters of Albion
3088:
2969:, Nonesuch press 1957, OUP 1966/85
2290:Etching and watercolour on paper,
2224:Visions of the Daughters of Albion
2219:Oothoon & the Nymph-Marigold.
2193:Visions of the Daughters of Albion
2188:Oothoon & the Nymph-Marigold.
2169:Oothoon & the Nymph-Marigold.
1937:Designs to a Series of Ballads of
1270:(sepia). attrib. to Robert Blake:
840:And then the Knave begins to snarl
158:"When a Man has Married a Wife..."
14:
4140:
3075:
3028:
2771:See: Rossetti Manuscript online:
2728:, 18 Nov 1885, lot 608). Sold by
1516:Flying Monsters & Traveller,
904:Mock on Mock on! tis all in vain!
902:Mock on Mock on Voltaire Rousseau
836:And to cage the Fairies and Elves
315:Love seeketh not itself to please
4054:William Blake in popular culture
3899:Illustrations of the Book of Job
3001:William Blake The Complete Poems
2680:
2657:
2637:
2615:
2595:
2568:
2546:
2526:
2499:
2477:
2457:
2432:
2410:
2390:
2367:
2351:
2331:
2310:
2278:
2258:
2236:
2212:
2181:
2162:
2116:
2096:
2056:
2028:
2001:
1976:
1954:
1926:
1907:
1872:
1840:
1808:
1764:
1749:
1734:
1719:
1704:
1689:
1674:
1659:
1644:
1629:
1614:
1599:
1584:
1569:
1554:
1539:
1524:
1509:
1494:
1479:
1464:
1449:
1434:
1419:
924:Are sands upon the Red sea shore
908:And the wind blows it back again
222:
3768:Original Stories from Real Life
3477:The Marriage of Heaven and Hell
3017:and D. K. Moore, New York, 1977
2927:William Blake, a critical essay
2902:
2890:
2881:
2872:
2863:
2854:
2293:The Marriage of Heaven and Hell
882:written during Blake's life in
3841:A Vision of the Last Judgement
2953:The Note-book of William Blake
2845:
2836:
2827:
2816:
2807:
2798:
2789:
2780:
2765:
2578:Thou hast set thy heart as the
2417:Fear & hope are – Vision.
2397:Fear & hope are – Vision.
1011:At a Friends Errors Anger shew
922:And Newtons Particles of light
85:
1:
3979:Blake: Prophet Against Empire
3789:The Night of Enitharmon's Joy
3601:
3388:The Voice of the Ancient Bard
3011:The Notebook of William Blake
1986:Thus the traveller hasteth in
1013:Mirth at the Errors of a Foe
913:Reflected in the beams divine
228:
144:A Vision of the Last Judgment
118:
102:Ideas of Good & Evil, p.4
76:
3128:There is No Natural Religion
2716:. It was bought from him by
2708:The volume was presented by
2628:, copy D, object 6, c. 1825
2559:, copy D, object 7, c. 1825
2490:, copy D, object 3, c. 1825
2227:, copy O, object 3, c. 1818
1171:— Ideas of Good & Evil.
911:And every sand becomes a Gem
828:And Think not for themselves
336:I went to the garden of love
7:
3581:Never pain to tell thy love
2754:Never pain to tell thy love
2747:
2484:I found him beneath a Tree
2464:I found him beneath a Tree
2406:Yale Center for British Art
2138:Yale Center for British Art
797:Satiric verses and epigrams
184:Index to 'The Rossettt MS.'
39:A Cradle Song (Blake, 1794)
35:"I heard an Angel singing…"
10:
4145:
2935:The Poems of William Blake
2608:, copy D, object 6, 1793,
2539:, copy D, object 7, 1793,
2509:he rears from off the pool
2470:, copy D, object 3, 1793,
2109:, copy D, object 9, 1793,
1969:Metropolitan Museum of Art
1135:
1129:Built in Jerusalems wall.
1126:"Why persecutest thou me."
1113:Only wind it into a ball:
878:There are 10 poems in the
294:A flower was offer'd to me
163:"Ideas of Good & Evil"
4046:
3995:
3986:Witness Against the Beast
3949:
3945:
3934:
3908:
3751:
3747:
3736:
3609:
3596:
3571:
3546:
3454:
3417:
3406:
3253:
3150:
3137:
3098:
3094:
3083:
2860:Erdman 1988, pp. 477-478.
2703:
2664:Satan Exulting over Eve.
2631:Morgan Library and Museum
2562:Morgan Library and Museum
2493:Morgan Library and Museum
2426:Morgan Library and Museum
2347:Morgan Library and Museum
2196:, copy G, object 3, 1795
2050:Morgan Library and Museum
1900:Morgan Library and Museum
1890:A Midsummer Night's Dream
1858:A Midsummer Night's Dream
1826:A Midsummer Night's Dream
1815:attrib. to Robert Blake:
1082:Built in Jerusalems wall.
1076:Only wind it into a ball:
842:And the Hypocrite to howl
274:See related texts in the
57:Notebook of William Blake
3547:The Pickering Manuscript
2929:(Chapter: Lyrical poems)
2759:
2738:Cambridge, Massachusetts
2025:, Washington, D.C., USA
1211:(pencil). Three figures
778:Why should joys be sweet
357:I heard an Angel singing
108:Ideas of Good & Evil
4119:Poetry by William Blake
3741:
3395:(found only in Copy BB)
3273:The Clod and the Pebble
2963:Blake Complete Writings
1146:see illustrations below
920:The Atoms of Democritus
678:" with its two earlier
327:The Clod and the Pebble
4080:Catherine Blake (wife)
2718:Dante Gabriel Rossetti
2317:(Without inscription)
1561:Encounter with Death,
1086:
1053:
1032:
1016:
987:
975:
962:
950:
929:
875:
849:
813:
800:, like the following:
792:
775:That sweet joys betray
773:Thousand spirits stray
753:
723:
711:
684:"The Tyger", 1st draft
252:
220:
191:(1935 & 1957/66),
149:The Everlasting Gospel
104:
65:Dante Gabriel Rossetti
52:
4059:William Blake Archive
3958:Life of William Blake
3848:Descriptive Catalogue
3555:Auguries of Innocence
3484:The French Revolution
3288:The Little Girl Found
3121:All Religions are One
3114:An Island in the Moon
2911:Life of William Blake
2209:, Massachusetts, USA
1070:
1043:
1024:
996:
981:
968:
956:
945:
899:
868:
822:
806:
782:Nor with sorrows meet
768:Of thy torches bright
766:Quench the holy light
761:
732:
717:
705:
499:The Tyger (2nd draft)
479:The Tyger (1st draft)
378:Christian Forbearance
249:The Tyger (1st draft)
246:
208:
100:
44:Christian Forbearance
24:
4114:Art by William Blake
3855:The Great Red Dragon
3562:The Mental Traveller
3283:The Little Girl Lost
3195:The Little Boy Found
3175:The Little Black Boy
3007:, Penguin Books 1977
2896:Erdman 1988, p. 231.
2887:Erdman 1988, p. 502.
2878:Erdman 1988, p. 516.
2869:Erdman 1988, p. 504.
2851:Erdman 1988, p. 499.
2842:Erdman 1988, p. 471.
2833:Erdman 1988, p. 473.
2444:a tree in the Garden
720:Silent, Silent Night
584:pp.105 & 103 rev
3877:Agony in the Garden
3870:The Ghost of a Flea
3775:The Ancient of Days
3574:Rossetti Manuscript
3343:The Little Vagabond
3323:My Pretty Rose Tree
3293:The Chimney Sweeper
3255:Songs of Experience
3245:On Another's Sorrow
3190:The Little Boy Lost
3185:The Chimney Sweeper
2993:G. E. Bentley Jr.,
2916:Alexander Gilchrist
2611:Library of Congress
2542:Library of Congress
2516:Pencil sketch from
2473:Library of Congress
2447:Pencil sketch from
2442:I found him beneath
2380:Pencil sketch from
2377:What we hope we see
2321:Pencil sketch from
2248:Pencil sketch from
2171:Pencil sketch from
2112:Library of Congress
2085:Pencil sketch from
2023:Library of Congress
1991:Pencil sketch from
1881:Oberon and Titania
1849:Oberon and Titania
1362:Songs of Experience
787:Does itself destroy
771:For possessd of Day
764:Silent Silent Night
671:Songs of Experience
591:The Chimney Sweeper
579:The Chimney Sweeper
570:The Little Vagabond
559:The little Vagabond
306:My Pretty Rose Tree
276:Songs of Experience
237:Songs of Experience
82:(or 1793) to 1818.
61:Rossetti Manuscript
59:(also known as the
3809:Illustrations for
3505:The Book of Ahania
3498:The Book of Urizen
3431:America a Prophecy
3373:A Little Girl Lost
3353:The Human Abstract
3338:The Garden of Love
3165:The Ecchoing Green
3152:Songs of Innocence
3140:Songs of Innocence
2941:, 1893, rev. 1905.
2730:Dodd, Mead and Co.
2511:His mighty stature
2423:, copy D, c. 1825
2361:Fitzwilliam Museum
2344:, copy D, c. 1825
2299:Fitzwilliam Museum
2275:, London, England
2203:Harvard University
2047:, copy D, c. 1825
1951:, California, USA
1837:, London, England
988:
976:
963:
951:
933:Poems of 1808–1811
876:
861:Poems of 1800–1803
814:
724:
712:
586:
530:The Human Abstract
369:The Human Abstract
348:The Garden of Love
253:
105:
53:
4101:
4100:
4097:
4096:
4093:
4092:
3930:
3929:
3926:
3925:
3883:Illustrations of
3832:Illustrations of
3817:Illustrations of
3732:
3731:
3592:
3591:
3588:
3587:
3542:
3541:
3438:Europe a Prophecy
3402:
3401:
3368:A Little Boy Lost
3142:and of Experience
3107:Poetical Sketches
3020:M. L. Greenberg,
2804:Yeats, 1893/1905.
2701:
2700:
2575:The inscription:
2506:The inscription:
2439:The inscription:
2374:The inscription:
1412:
1411:
1402:p. 25.
1391:p. 24.
1380:p. 23.
1339:Gates of Paradise
1291:Gates of Paradise
1264:p. 13.
1253:p. 12.
1242:p. 11.
1133:
1132:
1094:To the Christians
789:For a harlot coy
785:But an honest joy
696:Songs and Ballads
658:
657:
280:
269:
203:Jr. (1977), etc.
201:Gerald E. Bentley
92:
4136:
4068:(1983 monologue)
3972:Fearful Symmetry
3947:
3946:
3936:
3935:
3749:
3748:
3738:
3737:
3598:
3597:
3470:The Book of Thel
3415:
3414:
3210:The Divine Image
3148:
3147:
3096:
3095:
3085:
3084:
3070:
3063:
3056:
3047:
3046:
2897:
2894:
2888:
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2876:
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2843:
2840:
2834:
2831:
2825:
2820:
2814:
2811:
2805:
2802:
2796:
2795:Swinburne, 1868.
2793:
2787:
2784:
2778:
2769:
2744:: Add MS 49460.
2684:
2675:The Getty Center
2661:
2641:
2619:
2599:
2572:
2550:
2530:
2503:
2481:
2461:
2436:
2414:
2394:
2371:
2355:
2335:
2314:
2282:
2262:
2240:
2216:
2199:Houghton Library
2185:
2166:
2120:
2100:
2063:The inscription:
2060:
2032:
2005:
1983:The inscription:
1980:
1971:, New York, USA
1966:, copy Y, 1825,
1958:
1942:, copy 1, 1802,
1930:
1916:Ink sketch from
1911:
1902:, New York, USA
1876:
1844:
1812:
1785:
1784:
1768:
1753:
1738:
1723:
1708:
1693:
1678:
1663:
1651:Cage on a tree,
1648:
1633:
1618:
1603:
1588:
1573:
1558:
1543:
1528:
1513:
1498:
1486:Flying Monster,
1483:
1468:
1456:Head of a King?
1453:
1438:
1423:
1337:(pencil). — For
1154:p. 2.
1151:
1150:
1099:
1098:
1083:
1077:
837:
833:
829:
780:Used with deceit
272:
265:
255:
254:
233:
230:
123:
120:
91:
81:
78:
73:commonplace book
4144:
4143:
4139:
4138:
4137:
4135:
4134:
4133:
4104:
4103:
4102:
4089:
4042:
4012:Ten Blake Songs
3991:
3950:Scholarly works
3941:
3922:
3917:Visionary Heads
3904:
3766:Engravings for
3753:
3743:
3728:
3605:
3584:
3567:
3538:
3512:The Book of Los
3450:
3445:The Song of Los
3421:
3409:
3398:
3249:
3141:
3133:
3090:
3079:
3074:
3031:
3005:Alicia Ostriker
2977:David V. Erdman
2922:A. C. Swinburne
2905:
2900:
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2891:
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2808:
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2799:
2794:
2790:
2785:
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2770:
2766:
2762:
2750:
2742:British Library
2710:Catherine Blake
2706:
2694:
2673:
2665:
2629:
2624:Engraving from
2623:
2609:
2604:Engraving from
2603:
2584:
2581:
2579:
2576:
2560:
2555:Engraving from
2554:
2540:
2535:Engraving from
2534:
2515:
2512:
2510:
2507:
2491:
2486:Engraving from
2485:
2471:
2466:Engraving from
2465:
2446:
2443:
2440:
2424:
2419:Engraving from
2418:
2404:
2399:Engraving from
2398:
2379:
2375:
2359:
2345:
2340:Engraving from
2339:
2320:
2318:
2297:
2296:, copy I, 1827
2289:
2271:
2269:
2247:
2228:
2220:
2197:
2189:
2170:
2153:
2142:Yale University
2136:
2131:Engraving from
2130:
2110:
2105:Engraving from
2104:
2084:
2083:
2080:
2077:
2073:
2069:
2064:
2048:
2043:Engraving from
2042:
2021:
2016:Engraving from
2015:
1990:
1987:
1984:
1967:
1962:
1943:
1935:Engraving from
1934:
1915:
1898:
1895:The Song of Los
1882:
1880:
1879:William Blake:
1866:
1863:The Song of Los
1850:
1848:
1847:William Blake:
1835:British Library
1833:
1818:
1816:
1778:
1772:Catherine Blake
1769:
1760:
1754:
1745:
1739:
1730:
1724:
1715:
1711:Man's Profile,
1709:
1700:
1694:
1685:
1679:
1670:
1664:
1655:
1649:
1640:
1636:The Sick Rose,
1634:
1625:
1619:
1610:
1604:
1595:
1589:
1580:
1574:
1565:
1559:
1550:
1544:
1535:
1529:
1520:
1514:
1505:
1501:Man & Dog,
1499:
1490:
1484:
1475:
1471:Urinating man,
1469:
1460:
1454:
1445:
1439:
1430:
1424:
1414:... and so on.
1138:
1110:False Religions
1085:
1081:
1080:
1078:
1075:
1074:
1052:
1049:
1047:
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886:, a village in
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769:
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749:
747:
745:
743:
742:
740:
738:
736:
722:...", p.113 rev
710:...", p.113 rev
682:versions (see:
646:p. 101 rev
625:p. 103 rev
605:p. 103 rev
519:The human Image
231:
227:The section of
225:
197:Alicia Ostriker
193:David V. Erdman
189:Geoffrey Keynes
171:A. C. Swinburne
152:dated c. 1818.
121:
110:
88:
79:
47:(the draft of "
17:
12:
11:
5:
4142:
4132:
4131:
4126:
4121:
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3990:
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3982:
3975:
3968:
3961:
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3888:
3880:
3873:
3866:
3859:
3851:
3844:
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3829:
3822:
3814:
3811:Night-Thoughts
3806:
3803:Nebuchadnezzar
3799:
3792:
3785:
3778:
3771:
3763:
3761:Relief etching
3757:
3755:
3745:
3744:
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3441:
3434:
3426:
3424:
3412:
3404:
3403:
3400:
3399:
3397:
3396:
3393:A Divine Image
3390:
3385:
3383:The School Boy
3380:
3375:
3370:
3365:
3360:
3355:
3350:
3345:
3340:
3335:
3330:
3328:Ah! Sun-flower
3325:
3320:
3315:
3310:
3305:
3300:
3295:
3290:
3285:
3280:
3275:
3270:
3268:Earth's Answer
3265:
3259:
3257:
3251:
3250:
3248:
3247:
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3124:
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3110:
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3100:
3099:Early writings
3092:
3091:
3089:Literary works
3081:
3080:
3073:
3072:
3065:
3058:
3050:
3044:
3043:
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3030:
3029:External links
3027:
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2813:Sampson, 1905.
2806:
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2761:
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2678:
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2286:Nebuchadnezzar
2283:
2276:
2266:Nebuchadnezzar
2263:
2256:
2244:Nebuchadnezzar
2241:
2233:
2232:
2230:British Museum
2217:
2210:
2186:
2179:
2167:
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2158:
2121:
2114:
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2094:
2061:
2053:
2052:
2033:
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2006:
1999:
1981:
1973:
1972:
1959:
1952:
1939:William Hayley
1931:
1924:
1912:
1904:
1903:
1877:
1870:
1868:British Museum
1845:
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1805:
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1801:
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1780:
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1770:
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1761:
1755:
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1726:Selfportrait,
1725:
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1710:
1703:
1701:
1695:
1688:
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1680:
1673:
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1591:Woman's Head,
1590:
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1568:
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1546:Two Monsters,
1545:
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1523:
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1328:
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1321:
1317:
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1310:
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1299:
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1294:
1289:(pencil). For
1284:
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1265:
1261:
1260:
1254:
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1249:
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1239:
1238:
1228:
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1217:
1213:
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1199:William Hayley
1192:
1188:
1187:
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1177:
1176:
1166:
1162:
1161:
1155:
1137:
1134:
1131:
1130:
1127:
1123:
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1119:
1115:
1114:
1111:
1107:
1106:
1103:
1088:But there in "
1071:
1044:
1025:
997:
935:
930:
900:
862:
859:
823:
762:
733:
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655:
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486:
484:pp.109–108 rev
481:
474:
473:
466:
461:
453:
452:
445:
440:
433:
432:
429:Earth's Answer
425:
420:
418:Earth's Answer
413:
412:
405:
400:
393:
392:
385:
380:
373:
372:
365:
360:
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344:
339:
331:
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310:
309:
302:
300:p.115 reversed
297:
289:
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270:
263:
224:
221:
167:D. G. Rossetti
140:Public Address
109:
106:
87:
84:
67:) was used by
15:
9:
6:
4:
3:
2:
4141:
4130:
4127:
4125:
4124:William Blake
4122:
4120:
4117:
4115:
4112:
4111:
4109:
4086:
4083:
4081:
4078:
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4000:
3998:
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3834:Paradise Lost
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3035:Add MS 49460.
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2981:Blake archive
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1237:'s henchmen"
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662:Infant Sorrow
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611:Holy Thursday
608:
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600:Holy Thursday
597:
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550:The Sick Rose
547:
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539:The sick rose
536:
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409:Infant Sorrow
406:
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398:Infant Sorrow
395:
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389:A Poison Tree
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223:Poems of 1793
219:
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212:writing verse
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112:At first the
103:
99:
95:
90:The Notebook
83:
74:
70:
69:William Blake
66:
62:
58:
50:
49:A Poison Tree
46:
45:
40:
36:
32:
28:
23:
19:
4071:
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3503:
3496:
3489:
3482:
3475:
3468:
3461:
3443:
3436:
3429:
3298:Nurse's Song
3263:Introduction
3254:
3230:Nurse's Song
3160:The Shepherd
3151:
3138:
3126:
3119:
3112:
3105:
3021:
3015:D. V. Erdman
3010:
3000:
2994:
2987:
2972:
2962:
2952:
2945:
2934:
2926:
2910:
2909:2nd vol. of
2903:Bibliography
2892:
2883:
2874:
2865:
2856:
2847:
2838:
2829:
2818:
2809:
2800:
2791:
2782:
2767:
2707:
2696:Tate Britain
2688:
2667:
2652:
2648:
2625:
2605:
2590:
2586:
2577:
2556:
2536:
2521:
2517:
2508:
2487:
2467:
2452:
2448:
2441:
2420:
2400:
2385:
2381:
2376:
2341:
2326:
2322:
2291:
2273:Tate Britain
2253:
2249:
2222:
2191:
2176:
2172:
2144:in downtown
2132:
2124:
2106:
2090:
2086:
2078:
2074:
2070:
2066:
2065:
2044:
2036:
2017:
2009:
1996:
1992:
1985:
1963:
1936:
1921:
1917:
1894:
1888:
1862:
1856:
1830:
1824:
1803:Description
1781:
1775:
1757:
1742:
1727:
1712:
1697:
1682:
1681:Pestilence?
1667:
1652:
1637:
1622:
1621:Man's Head,
1607:
1592:
1577:
1562:
1547:
1532:
1517:
1502:
1487:
1472:
1457:
1442:
1427:
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1405:
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1372:
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1338:
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1312:
1301:
1290:
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1267:
1256:
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1219:
1208:
1194:
1183:
1172:
1168:
1157:
1145:
1141:
1139:
1087:
1072:
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1063:
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1045:
1037:
1036:
1033:
1026:
1018:
1017:
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969:
937:
901:
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892:
879:
877:
869:
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850:
824:
816:
815:
807:
795:
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763:
755:
754:
734:
726:
725:
694:
692:
679:
669:
665:
659:
645:
624:
604:
583:
563:
543:
523:
503:
483:
470:Nurse's Song
463:
442:
422:
402:
382:
362:
341:
320:
299:
285:
273:
266:
258:
235:
226:
215:
211:
209:
205:
182:
179:John Sampson
162:
157:
154:
147:
143:
139:
135:
130:
125:
113:
111:
101:
89:
60:
56:
54:
42:
29:, contains "
26:
18:
4076:(1989 play)
3420:continental
3180:The Blossom
2995:Blake Books
2939:W. B. Yeats
2722:F. S. Ellis
2305:, England.
2157:Collection
2155:Paul Mellon
2150:Connecticut
1988:the Evening
1961:The Tyger.
1885:Shakespeare
1853:Shakespeare
1821:Shakespeare
1797:Description
1791:Description
1756:Tom Paine,
1369:p. 22.
1357:p. 21.
1346:p. 20.
1331:p. 19.
1320:p. 18.
1309:p. 17.
1298:p. 16.
1283:p. 15.
1169:Title-page.
1118:"Saul Saul"
888:West Sussex
811:, p.101 rev
232: 1793
175:W. B. Yeats
122: 1793
86:Description
80: 1787
4108:Categories
4073:In Lambeth
3754:and prints
3684:Palamabron
3649:Golgonooza
3639:Enitharmon
3422:prophecies
3235:Infant Joy
1949:San Marino
1741:Sad Face,
1696:Portrait,
1576:Horseman,
1227:p. 9.
1216:p. 8.
1205:p. 7.
1191:p. 6.
1180:p. 5.
1165:p. 4.
1102:Devils are
640:Little fly
25:Notebook,
16:Manuscript
3857:paintings
3819:The Grave
3752:Paintings
3603:Mythology
3408:Prophetic
3378:To Tirzah
3333:The Lilly
3318:The Tyger
3313:The Angel
2975:, ed. by
2967:G. Keynes
2957:G. Keynes
2937:, ed. by
2726:Sotheby's
2303:Cambridge
2207:Cambridge
2146:New Haven
1893:?), from
1883:(ill. to
1861:?), from
1851:(ill. to
1819:(ill. to
1606:Dispute,
1090:Jerusalem
688:2nd draft
676:The Tyger
664:" of the
631:The Angel
620:The Angel
564:p.105 rev
544:p.107 rev
524:p.107 rev
510:The Tyger
504:p.108 rev
490:The Tyger
464:p.109 rev
443:p.109 rev
423:p.111 rev
403:p.113 rev
383:p.114 rev
363:p.114 rev
342:p.115 rev
321:p.115 rev
251:", p.109
131:Memoranda
27:p 114 rev
4085:Ancients
4028:The Lamb
3909:Sketches
3170:The Lamb
2986:Erdman,
2748:See also
2734:Brooklyn
2693:, 1795.
2649:Notebook
2587:Notebook
2518:Notebook
2449:Notebook
2403:, 1793,
2382:Notebook
2323:Notebook
2250:Notebook
2173:Notebook
2087:Notebook
2020:, 1793,
1993:Notebook
1918:Notebook
1426:Daphna?
1142:Notebook
880:Notebook
680:Notebook
666:Notebook
199:(1977),
142:(1810),
138:(1809),
134:(1807),
126:Notebook
114:Notebook
4047:Related
3996:Musical
3714:Urthona
3699:Thiriel
3694:Tharmas
3689:Spectre
3629:Bromion
3308:The Fly
3240:A Dream
2931:, 1868.
2582:Ezekiel
2081:Spenser
1933:Tiger.
1914:Tiger.
1666:Scene,
1276:Titania
1235:Macbeth
1184:Sketch.
1136:Designs
961:", p.73
884:Felpham
652:The Fly
4039:(1998)
4031:(1982)
4023:(1965)
4015:(1958)
4007:(1943)
3796:Newton
3709:Urizen
3704:Tiriel
3664:Leutha
3654:Grodna
3624:Beulah
3619:Albion
3614:Ahania
3526:Milton
3463:Tiriel
3348:London
3225:Spring
3013:, ed.
3003:, ed.
2965:, ed.
2959:, 1935
2955:, ed.
2704:Owners
2513:Milton
2152:, USA
2103:Alas!
1406:Sketch
1395:Sketch
1384:Sketch
1373:Sketch
1350:Sketch
1335:Sketch
1324:Sketch
1313:Sketch
1302:Sketch
1287:Sketch
1272:Oberon
1268:Sketch
1257:Sketch
1246:Sketch
1231:Sketch
1220:Sketch
1209:Sketch
1195:Sketch
1173:Sketch
1158:Sketch
1020:To God
986:, p.46
973:, p.32
959:To God
949:, p.23
449:London
438:London
267:Pages:
173:, and
4065:Blake
3674:Luvah
3644:Fuzon
3634:Enion
3455:Other
3410:books
3220:Night
2914:, by
2760:Notes
2653:p.112
2645:Satan
2553:Fire
2533:Fire
1800:Image
1794:Image
1788:Image
873:, p.7
638:55. "
456:23. "
75:from
71:as a
3863:Pity
3724:Vala
3719:Utha
3572:The
3418:The
2622:Air
2602:Air
2591:p.94
2522:p.91
2453:p.63
2386:p.61
2327:p.59
2254:p.44
2177:p.28
2091:p.19
1997:p.15
1831:p.13
1776:p.82
1758:p.74
1743:p.70
1728:p.67
1713:p.54
1698:p.47
1683:p.25
1668:p.24
1653:p.23
1638:p.21
1623:p.21
1608:p.20
1593:p.19
1578:p.18
1563:p.17
1548:p.17
1533:p.16
1518:p.16
1503:p.15
1488:p.15
1473:p.15
1458:p.12
1274:and
1140:The
686:and
618:52.
598:51.
577:47.
557:45.
537:31.
517:28.
497:26.
477:25.
436:19.
416:17.
396:13.
376:10.
355:8. "
334:5. "
313:3. "
292:1. "
216:then
55:The
41:and
3742:Art
3679:Orc
3669:Los
3659:Har
2140:at
2126:sic
2038:sic
2011:sic
1922:p.6
1887:'s
1855:'s
1823:'s
1443:p.9
1428:p.2
1148:):
1066:✶✶✶
1039:✶✶✶
992:✶✶✶
895:✶✶✶
757:✶✶✶
728:✶✶✶
690:).
4110::
2924:.
2651:,
2589:,
2520:,
2451:,
2384:,
2325:,
2301:,
2288:.
2268:.
2252:,
2246:.
2205:,
2201:,
2175:,
2148:,
2089:,
1995:,
1947:,
1920:,
1774:?
1061::
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654:"
642:…"
633:"
613:"
593:"
572:"
552:"
532:"
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460:…"
451:"
431:"
411:"
391:"
371:"
359:…"
350:"
338:…"
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317:…"
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296:…"
229:c.
169:,
119:c.
77:c.
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3553:"
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3062:t
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2776:2
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718:"
706:"
650:"
629:"
609:"
589:"
568:"
548:"
528:"
508:"
488:"
468:"
447:"
427:"
407:"
387:"
367:"
346:"
325:"
304:"
278::
247:"
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