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My Pretty Rose Tree

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her every need, seems to get nothing but contempt and jealousy from her. Not only is the rose tree trapped underneath the possessiveness of the man, but another "trap" could be implied according to Antal with "The rose-tree, as a rose bush, hints at the possibility of childbearing." Durant furthers the point of possessiveness when he says, "The keyword is 'I've'. What he affirms is not that he is hers, but that she is his. He is not thinking of his responsibility to her, but of his rights over her, and of her obligations towards him." This interpretation makes it sound as if the man is expecting the woman to bear him children. In a time where women were considered men's property anyway, not only would the woman be possessed by her husband, but her children as well. If the rose tree, or rather the woman, fears that her husband is unfaithful to her, she wouldn't want to trap her children within that environment.
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rose tree like royalty. This echoes the idea of "Human Love" as we often want things we can't have, and become infatuated with things, or idealizing them instead of actually loving them. The rose tree showing her thorns of jealousy only entices the man more, much like it would any other human. The jealousy is also an acknowledgement (of sorts) of the tree's love for the man. Jealousy is perhaps the last remaining obvious proof of the tree's reciprocal desire for him; proof which simultaneously bestows upon him the power to provoke her and to 'delight' in the pain he causes by so doing.
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lover; but his devotion is a sickness nourished by his perverse or ironic 'delight' in the thorns of jealousy. His love object...both attracts and repels..." In this, the man in the poem is trying to show his love to his rose tree, but only seems to have the love unrequited, even though he treats the
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According to Antal, Blake's Flower Plate is composed of three flower poems on the same plate for a reason: to illustrate three types of love; Poetic Love, Earthly Love, and Human Love. In the "threefold vision of love" idea, this poem represents "Human Love". This is considered to be "Human Love" due
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Antal states that "The man actually imprisons his partner who reacts accordingly - to ownership with distrust." Antal also goes further to mention the frequent use of the word "my" in the poem, especially when in reference to rose tree. The man lays claim over the rose tree, and though he tends to
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This poem seems to echo that of a story of a married couple. The man is surrounded by beauty, and at least one beautiful woman, but he declines them all to return to his wife. He is very possessive with his constant use of the word "my", and thus "imprisons" his Rose Tree. She, however, turns away
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A man is offered a flower far surpassing the beauty of an ordinary flower, but he turns it down because he already has a pretty rose tree. He then returns to his tree and tends to her every need both day and night, but she only turns away from him in jealousy and shows him the thorns of her own.
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Johnson describes "My Pretty Rose Tree" as "...an ironic reconsideration of the emblem convention. Blake's speaker, having rejected the lovely flower offered him, tries to tend his pretty rose tree with all the single-minded ardor of a
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Durant, G. H. "Blake's 'My Pretty Rose Tree'--An Interpretation." Theoria: A Journal of Social and Political Theory (1965): 33–37. Web.
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Antal, Eva. ""Labour of Love"β€”Ovidian Flower-Figures in William Blake's Songs." Eger Journal of English Studies (2008): 23-40. Web.
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Durrant, G. H. "Blake's 'My Pretty Rose-Tree'." Theoria: A Journal of Social and Political Theory (1968): 1–5. Web.
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Johnson, Mary Lynn. "Emblem and Symbol in Blake." Huntington Library Quarterly (1974): 151–170. Web.
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A Full Comparison of Extant Copies of Blake's hand colored original prints are available
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One theme continuously echoes through the minds of critics: possessiveness.
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The Four and Twenty Elders Casting their Crowns before the Divine Throne
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to the possessiveness and temptation echoed throughout the poem.
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The Wood of the Self-Murderers: The Harpies and the Suicides
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Themes from William Blake's The Marriage of Heaven and Hell
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with jealousy and in turn only reveals her thorns to him.
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The Works of William Blake: Poetic, Symbolic and Critical
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Anchor Books. 162: 160: 158: 42:" is a poem written by the English poet 20: 1314: 990:Europe Supported by Africa and America 1146: 948: 808: 295: 257: 200: 77:And her thorns were my only delight. 75:But my Rose turnd away with jealousy: 1327:Songs of Innocence and of Experience 1212:Serenade for Tenor, Horn and Strings 1228:Songs and Proverbs of William Blake 1093:On the Morning of Christ's Nativity 71:Then I went to my Pretty Rose-tree; 68:And I passed the sweet flower o'er. 66:But I said I've a Pretty Rose-tree: 13: 699:Visions of the Daughters of Albion 296: 14: 1338: 283: 238: 121: 91: 1262:William Blake in popular culture 1107:Illustrations of the Book of Job 73:To tend her by day and by night. 64:Such a flower as May never bore. 976:Original Stories from Real Life 685:The Marriage of Heaven and Hell 1049:A Vision of the Last Judgement 137: 1: 1187:Blake: Prophet Against Empire 997:The Night of Enitharmon's Joy 809: 596:The Voice of the Ancient Bard 211:The Complete Poetry and Prose 130: 336:There is No Natural Religion 7: 789:Never pain to tell thy love 62:A flower was offered to me; 10: 1343: 191: 101:Themes and interpretations 82: 1254: 1203: 1194:Witness Against the Beast 1157: 1153: 1142: 1116: 959: 955: 944: 817: 804: 779: 754: 662: 625: 614: 461: 358: 345: 306: 302: 291: 755:The Pickering Manuscript 949: 603:(found only in Copy BB) 481:The Clod and the Pebble 55: 1288:Catherine Blake (wife) 80: 35: 1267:William Blake Archive 1166:Life of William Blake 1056:Descriptive Catalogue 763:Auguries of Innocence 692:The French Revolution 496:The Little Girl Found 329:All Religions are One 322:An Island in the Moon 249:William Blake Archive 59: 24: 16:Poem by William Blake 1063:The Great Red Dragon 770:The Mental Traveller 491:The Little Girl Lost 403:The Little Boy Found 383:The Little Black Boy 1085:Agony in the Garden 1078:The Ghost of a Flea 983:The Ancient of Days 782:Rossetti Manuscript 551:The Little Vagabond 531:My Pretty Rose Tree 501:The Chimney Sweeper 463:Songs of Experience 453:On Another's Sorrow 398:The Little Boy Lost 393:The Chimney Sweeper 49:Songs of Experience 40:My Pretty Rose Tree 28:Songs of Experience 1017:Illustrations for 713:The Book of Ahania 706:The Book of Urizen 639:America a Prophecy 581:A Little Girl Lost 561:The Human Abstract 546:The Garden of Love 373:The Ecchoing Green 360:Songs of Innocence 348:Songs of Innocence 36: 33:Fitzwilliam Museum 1309: 1308: 1305: 1304: 1301: 1300: 1138: 1137: 1134: 1133: 1091:Illustrations of 1040:Illustrations of 1025:Illustrations of 940: 939: 800: 799: 796: 795: 750: 749: 646:Europe a Prophecy 610: 609: 576:A Little Boy Lost 350:and of Experience 315:Poetical Sketches 1334: 1276:(1983 monologue) 1180:Fearful Symmetry 1155: 1154: 1144: 1143: 957: 956: 946: 945: 806: 805: 678:The Book of Thel 623: 622: 418:The Divine Image 356: 355: 304: 303: 293: 292: 278: 271: 264: 255: 254: 225: 206:Erdman, David V. 185: 182: 176: 173: 167: 164: 153: 150: 144: 141: 1342: 1341: 1337: 1336: 1335: 1333: 1332: 1331: 1312: 1311: 1310: 1297: 1250: 1220:Ten Blake Songs 1199: 1158:Scholarly works 1149: 1130: 1125:Visionary Heads 1112: 974:Engravings for 961: 951: 936: 813: 792: 775: 746: 720:The Book of Los 658: 653:The Song of Los 629: 617: 606: 457: 349: 341: 298: 287: 282: 241: 222: 194: 189: 188: 183: 179: 174: 170: 165: 156: 151: 147: 142: 138: 133: 124: 103: 94: 85: 79: 76: 74: 72: 70: 69: 67: 65: 63: 58: 17: 12: 11: 5: 1340: 1330: 1329: 1324: 1307: 1306: 1303: 1302: 1299: 1298: 1296: 1295: 1290: 1285: 1277: 1269: 1264: 1258: 1256: 1252: 1251: 1249: 1248: 1240: 1232: 1224: 1216: 1207: 1205: 1201: 1200: 1198: 1197: 1190: 1183: 1176: 1169: 1161: 1159: 1151: 1150: 1140: 1139: 1136: 1135: 1132: 1131: 1129: 1128: 1120: 1118: 1114: 1113: 1111: 1110: 1103: 1096: 1088: 1081: 1074: 1067: 1059: 1052: 1045: 1037: 1030: 1022: 1019:Night-Thoughts 1014: 1011:Nebuchadnezzar 1007: 1000: 993: 986: 979: 971: 969:Relief etching 965: 963: 953: 952: 942: 941: 938: 937: 935: 934: 929: 924: 919: 914: 909: 904: 899: 894: 889: 884: 879: 874: 869: 864: 859: 854: 849: 844: 839: 834: 829: 824: 818: 815: 814: 802: 801: 798: 797: 794: 793: 786: 784: 777: 776: 774: 773: 766: 758: 756: 752: 751: 748: 747: 745: 744: 737: 730: 723: 716: 709: 702: 695: 688: 681: 674: 666: 664: 660: 659: 657: 656: 649: 642: 634: 632: 620: 612: 611: 608: 607: 605: 604: 601:A Divine Image 598: 593: 591:The School Boy 588: 583: 578: 573: 568: 563: 558: 553: 548: 543: 538: 536:Ah! 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Index


Songs of Experience
Fitzwilliam Museum
William Blake
Songs of Experience
Petrarchan



Blake, William
Erdman, David V.
The Complete Poetry and Prose
ISBN
0385152132
A Full Comparison of Extant Copies of Blake's hand colored original prints are available
William Blake Archive
v
t
e
William Blake
Poetical Sketches
An Island in the Moon
All Religions are One
There is No Natural Religion
Songs of Innocence
and of Experience

The Shepherd
The Ecchoing Green
The Lamb
The Little Black Boy
The Blossom

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