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2073:, and although he radically reinterprets Christian morality in a way that embraces sensual pleasure, there is little of the emphasis on sexual libertarianism found in several of his early poems, and there is advocacy of "self-denial", though such abnegation must be inspired by love rather than through authoritarian compulsion. Berger (more so than Swinburne) is especially sensitive to a shift in sensibility between the early Blake and the later Blake. Berger believes the young Blake placed too much emphasis on following impulses, and that the older Blake had a better formed ideal of a true love that sacrifices self. Some celebration of mystical sensuality remains in the late poems (most notably in Blake's denial of the virginity of Jesus's mother). However, the late poems also place a greater emphasis on forgiveness, redemption, and emotional authenticity as a foundation for relationships.
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873:(1796). It depicts three women embracing one another. Black Africa and White Europe hold hands in a gesture of equality, as the barren earth blooms beneath their feet. Europe wears a string of pearls, while her sisters Africa and America are depicted wearing slave bracelets. Some scholars have speculated that the bracelets represent the "historical fact" of slavery in Africa and the Americas while the handclasp refer to Stedman's "ardent wish": "we only differ in color, but are certainly all created by the same Hand." Others have said it "expresses the climate of opinion in which the questions of color and slavery were, at that time, being considered, and which Blake's writings reflect."
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2156:, London, Blake claimed to have seen "a tree filled with angels, bright angelic wings bespangling every bough like stars." According to Blake's Victorian biographer Gilchrist, he returned home and reported the vision and only escaped being thrashed by his father for telling a lie through the intervention of his mother. Though all evidence suggests that his parents were largely supportive, his mother seems to have been especially so, and several of Blake's early drawings and poems decorated the walls of her chamber. On another occasion, Blake watched haymakers at work, and thought he saw angelic figures walking among them.
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617:. Illiterate, Catherine signed her wedding contract with an X. The original wedding certificate may be viewed at the church, where a commemorative stained-glass window was installed between 1976 and 1982. The marriage was successful and Catherine became William's "partner in both life and work", undertaking important roles as an engraver and colourist. According to the Tate Gallery, Catherine mixed and applied his paint colors. One of Catherine Blake's most noted works is the coloring of the cover of the book
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portrait â for you have ever been an angel to me." Having completed this portrait (now lost), Blake laid down his tools and began to sing hymns and verses. At six that evening, after promising his wife that he would be with her always, Blake died. Gilchrist reports that a female lodger in the house, present at his expiration, said, "I have been at the death, not of a man, but of a blessed angel."
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781:, a method he used to produce most of his books, paintings, pamphlets and poems. The process is also referred to as illuminated printing, and the finished products as illuminated books or prints. Illuminated printing involved writing the text of the poems on copper plates with pens and brushes, using an acid-resistant medium. Illustrations could appear alongside words in the manner of earlier
2252:, whose entry on Blake comments that "the question whether Blake was or was not mad seems likely to remain in dispute, but there can be no doubt whatever that he was at different periods of his life under the influence of illusions for which there are no outward facts to account, and that much of what he wrote is so far wanting in the quality of sanity as to be without a logical coherence".
2221:
the Dirt upon my feet No part of Me. What it will be
Questiond When the Sun rises do you not see a round Disk of fire somewhat like a Guinea O no no I see an Innumerable company of the Heavenly host crying Holy Holy Holy is the Lord God Almighty I question not my Corporeal or Vegetative Eye any more than I would Question a Window concerning a Sight I look thro it & not with it. (E565-6)
330:, was instrumental in the creation of many of his books. Boucher worked as a printmaker and colorist for his works. "For almost forty-five years she was the person who lived and worked most closely with Blake, enabling him to realize numerous projects, impossible without her assistance. Catherine was an artist and printer in her own right", writes literary scholar Angus Whitehead.
1456:. Much of his poetry recounts in symbolic allegory the effects of the French and American revolutions. Erdman claims Blake was disillusioned with the political outcomes of the conflicts, believing they had simply replaced monarchy with irresponsible mercantilism. Erdman also notes Blake was deeply opposed to slavery and believes some of his poems, read primarily as championing "
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Shadow of their houses. My Wife & Sister are both well, courting
Neptune for an embrace... I am more famed in Heaven for my works than I could well conceive. In my Brain are studies & Chambers filled with books & pictures of old, which I wrote & painted in ages of Eternity before my mortal life; & those works are the delight & Study of Archangels. (E710)
408:. The number of prints and bound books that James and Catherine were able to purchase for young William suggests that the Blakes enjoyed, at least for a time, a comfortable wealth. When William was ten years old, his parents knew enough of his headstrong temperament that he was not sent to school but instead enrolled in drawing classes at Henry Pars' drawing school in
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house. His poetry suggests that external demands for marital fidelity reduce love to mere duty rather than authentic affection, and decries jealousy and egotism as a motive for marriage laws. Poems such as "Why should I be bound to thee, O my lovely Myrtle-tree?" and "Earth's Answer" seem to advocate multiple sexual partners. In his poem "
2387:. In Jung's own words: "Blake a tantalizing study, since he compiled a lot of half or undigested knowledge in his fantasies. According to my ideas they are an artistic production rather than an authentic representation of unconscious processes." Similarly, Diana Hume George claimed that Blake can be seen as a precursor to the ideas of
1543:, Blake carves a distinctive vision of a humanity redeemed by self-sacrifice and forgiveness, while retaining his earlier negative attitude towards what he felt was the rigid and morbid authoritarianism of traditional religion. Not all readers of Blake agree upon how much continuity exists between Blake's earlier and later works.
890:", a means of obliterating mistakes by hammering them out by hitting the back of the plate. Such techniques, typical of engraving work of the time, are very different from the much faster and fluid way of drawing on a plate that Blake employed for his relief etching, and indicates why the engravings took so long to complete.
503:, who were allowed in the Abbey. They teased him and one tormented him so much that Blake knocked the boy off a scaffold to the ground, "upon which he fell with terrific Violence". After Blake complained to the Dean, the schoolboys' privilege was withdrawn. Blake claimed that he experienced visions in the Abbey. He
1040:, with a view to marketing an engraving. Knowing Blake was too eccentric to produce a popular work, Cromek promptly commissioned Blake's friend Thomas Stothard to execute the concept. When Blake learned he had been cheated, he broke off contact with Stothard. He set up an independent exhibition in his brother's
800:) was intended as a means for producing his illuminated books more quickly than via intaglio. Stereotype, a process invented in 1725, consisted of making a metal cast from a wood engraving, but Blake's innovation was, as described above, very different. The pages printed from these plates were hand-coloured in
1378:", none of which survive. Another acquaintance, William Michael Rossetti, also burned works by Blake that he considered lacking in quality, and John Linnell erased sexual imagery from a number of Blake's drawings. At the same time, some works not intended for publication were preserved by friends, such as
592:. The mob attacked the prison gates with shovels and pickaxes, set the building ablaze, and released the prisoners inside. Blake was reportedly in the front rank of the mob during the attack. The riots, in response to a parliamentary bill revoking sanctions against Roman Catholicism, became known as the
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Error is
Created Truth is Eternal Error or Creation will be Burned Up & then & not till then Truth or Eternity will appear It is Burnt up the Moment Men cease to behold it I assert for My self that I do not behold the Outward Creation & that to me it is hindrance & not Action it is as
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I know that our deceased friends are more really with us than when they were apparent to our mortal part. Thirteen years ago I lost a brother, and with his spirit I converse daily and hourly in the spirit, and see him in my remembrance, in the region of my imagination. I hear his advice, and even now
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Blake was critical of the marriage laws of his day, and generally railed against traditional
Christian notions of chastity as a virtue. At a time of tremendous strain in his marriage, in part due to Catherine's apparent inability to bear children, he directly advocated bringing a second wife into the
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that Blake was "a truly pious and loving soul, neglected and misunderstood by the world, but appreciated by an elect few", who "led a cheerful and contented life of poverty illumined by visions and celestial inspirations". Blake's sanity was called into question as recently as the publication of the
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In the early 20th century, Pierre Berger described how Blake's views echo Mary
Wollstonecraft's celebration of joyful authentic love rather than love born of duty, the former being the true measure of purity. Irene Langridge notes that "in Blake's mysterious and unorthodox creed the doctrine of free
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Blake retained an active interest in social and political events throughout his life, and social and political statements are often present in his mystical symbolism. His views on what he saw as oppression and restriction of rightful freedom extended to the Church. His spiritual beliefs are evident
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who moderately challenges this interpretation. The 19th-century "free love" movement was not particularly focused on the idea of multiple partners, but did agree with
Wollstonecraft that state-sanctioned marriage was "legal prostitution" and monopolistic in character. It has somewhat more in common
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Blake did not subscribe to the notion of a body distinct from the soul that must submit to the rule of the soul, but sees the body as an extension of the soul, derived from the "discernment" of the senses. Thus, the emphasis orthodoxy places upon the denial of bodily urges is a dualistic error born
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was built). On the day of his death (12 August 1827), Blake worked relentlessly on his Dante series. Eventually, it is reported, he ceased working and turned to his wife, who was in tears by his bedside. Beholding her, Blake is said to have cried, "Stay Kate! Keep just as you are â I will draw your
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At the same time, Blake shared Dante's distrust of materialism and the corruptive nature of power, and clearly relished the opportunity to represent the atmosphere and imagery of Dante's work pictorially. Even as he seemed to be near death, Blake's central preoccupation was his feverish work on the
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he Dante watercolours are among Blake's richest achievements, engaging fully with the problem of illustrating a poem of this complexity. The mastery of watercolour has reached an even higher level than before, and is used to extraordinary effect in differentiating the atmosphere of the three states
1896:, prints produced by a process that created an image from thousands of tiny dots upon the page. Blake saw an analogy between this and Newton's particle theory of light. Accordingly, Blake never used the technique, opting rather to develop a method of engraving purely in fluid line, insisting that:
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in 2011. A Portuguese couple, Carol and LuĂs
Garrido, rediscovered the exact burial location after 14 years of investigatory work, and the Blake Society organised a permanent memorial slab, which was unveiled at a public ceremony at the site on 12 August 2018. The new stone is inscribed "Here lies
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Blake's grave is commemorated by two stones. The first was a stone that reads "Near by lie the remains of the poet-painter
William Blake 1757â1827 and his wife Catherine Sophia 1762â1831". The memorial stone is situated approximately 20 metres (66 ft) away from the actual grave, which was not
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and John
Linnell. Following Blake's death, Catherine moved into Tatham's house as a housekeeper. She believed she was regularly visited by Blake's spirit. She continued selling his illuminated works and paintings, but entertained no business transaction without first "consulting Mr. Blake". On the
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Blake's trouble with authority came to a head in August 1803, when he was involved in a physical altercation with a soldier, John
Schofield. Blake was charged not only with assault, but with uttering seditious and treasonable expressions against the king. Schofield claimed that Blake had exclaimed
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A note of caution, however: Peter Ackroyd recounts that on one occasion "his mother beat him for declaring that he had seen visions", suggesting that, though "he was beaten only once... it became a source of perpetual discontent". Ackroyd, Peter (1995). Blake. London: Sinclair-Stevenson. p. 21-2,
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Now I may say to you, what perhaps I should not dare to say to anyone else: That I can alone carry on my visionary studies in London unannoy'd, & that I may converse with my friends in Eternity, See Visions, Dream Dreams & prophecy & speak Parables unobserv'd & at liberty from the
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himself says that his notes on Reynolds, written at fifty, are 'exactly Similar' to those on Locke and Bacon, written when he was 'very Young'. Even phrases and lines of verse will reappear as much as forty years later. Consistency in maintaining what he believed to be true was itself one of his
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when he was recovering from a relationship that had culminated in a refusal of his marriage proposal. He recounted the story of his heartbreak for Catherine and her parents, after which he asked Catherine: "Do you pity me?" When she responded affirmatively, he declared: "Then I love you". William
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that the "disposition to abstractions, to generalising and classification, is the great glory of the human mind"; Blake responded, in marginalia to his personal copy, that "To Generalize is to be an Idiot; To Particularize is the Alone Distinction of Merit". Blake also disliked Reynolds' apparent
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is a strong advocate of free love, by the end of the poem she has become more circumspect as her awareness of the dark side of sexuality has grown, crying "Can this be love which drinks another as a sponge drinks water?" Ankarsjö also notes that a major inspiration to Blake, Mary Wollstonecraft,
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engravings of John Flaxman than to the works of the Romantics, with whom he is often classified. However, Blake's relationship with Flaxman seems to have grown more distant after Blake's return from Felpham, and there are surviving letters between Flaxman and Hayley wherein Flaxman speaks ill of
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Felpham is a sweet place for Study, because it is more spiritual than London. Heaven opens here on all sides her golden Gates; her windows are not obstructed by vapours; voices of Celestial inhabitants are more distinctly heard, & their forms more distinctly seen; & my Cottage is also a
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Blake claimed to experience visions throughout his life. They were often associated with beautiful religious themes and imagery, and may have inspired him further with spiritual works and pursuits. Certainly, religious concepts and imagery figure centrally in Blake's works. God and Christianity
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Blake abhorred slavery, and believed in racial and sexual equality. Several of his poems and paintings express a notion of universal humanity: "As all men are alike (tho' infinitely various)". In one poem, narrated by a black child, white and black bodies alike are described as shaded groves or
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helped form his artistic style and ideas. The Abbey of his day was decorated with suits of armour, painted funeral effigies and varicoloured waxworks. Ackroyd notes that "...the most immediate would have been of faded brightness and colour". This close study of the Gothic (which he saw as the
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views, he came to be highly regarded by later critics and readers for his expressiveness and creativity, and for the philosophical and mystical undercurrents within his work. His paintings and poetry have been characterised as part of the Romantic movement and as "Pre-Romantic". A theist who
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From a young age, William Blake claimed to have seen visions. The first may have occurred as early as the age of four when, according to one anecdote, the young artist "saw God" when God "put his head to the window", causing Blake to break into screaming. At the age of eight or ten in
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fully approve of sensual indulgence merely in defiance of law as exemplified by the female character of Leutha, since in the fallen world of experience all love is enchained. Ankarsjö records Blake as having supported a commune with some sharing of partners, though David Worrall read
1892:, which depict the naturalistic fall of light upon objects, were products entirely of the "vegetative eye", and he saw Locke and Newton as "the true progenitors of Sir Joshua Reynolds' aesthetic". The popular taste in the England of that time for such paintings was satisfied with
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Psychoanalyst June Singer has written that Blake's late work displayed a development of the ideas first introduced in his earlier works, namely, the humanitarian goal of achieving personal wholeness of body and spirit. The final section of the expanded edition of her Blake study
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came to Blake in 1826 through Linnell, with the aim of producing a series of engravings. Blake's death in 1827 cut short the enterprise, and only a handful of watercolours were completed, with only seven of the engravings arriving at proof form. Even so, they have earned praise:
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Blake's marriage to Catherine was close and devoted until his death. Blake taught Catherine to write, and she helped him colour his printed poems. Gilchrist refers to "stormy times" in the early years of the marriage. Some biographers have suggested that Blake tried to bring a
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called a "brilliant analysis" of Chaucer and is regularly anthologised as a classic of Chaucer criticism. It also contained detailed explanations of his other paintings. The exhibition was very poorly attended, selling none of the temperas or watercolours. Its only review, in
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and the late works, in that while the early Blake focused on a "sheer negative opposition between Energy and Reason", the later Blake emphasised the notions of self-sacrifice and forgiveness as the road to interior wholeness. This renunciation of the sharper dualism of
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in Old Somerset House, near the Strand. While the terms of his study required no payment, he was expected to supply his own materials throughout the six-year period. There, he rebelled against what he regarded as the unfinished style of fashionable painters such as
2031:". S. Foster Damon noted that for Blake the major impediments to a free love society were corrupt human nature, not merely the intolerance of society and the jealousy of men, but the inauthentic hypocritical nature of human communication. Thomas Wright's 1928 book
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church and under the influence of conservative members of that church burned manuscripts that he deemed heretical. The exact number of destroyed manuscripts is unknown, but shortly before his death Blake told a friend he had written "twenty tragedies as long as
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to be of greater value than landscape and portraiture), but rather "against his hypocrisy in not putting his ideals into practice." Certainly Blake was not averse to exhibiting at the Royal Academy, submitting works on six occasions between 1780 and 1808.
882:, completed just before his death. Most critical work has concentrated on Blake's relief etching as a technique because it is the most innovative aspect of his art, but a 2009 study drew attention to Blake's surviving plates, including those for the
2327:, who edited an edition of Blake's collected works in 1893, drew on him for poetic and philosophical ideas, while British surrealist art in particular drew on Blake's conceptions of non-mimetic, visionary practice in the painting of artists such as
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is widely (though not universally) read as a tribute to free love since the relationship between Bromion and Oothoon is held together only by laws and not by love. For Blake, law and love are opposed, and he castigates the "frozen marriage-bed". In
1230:, Blake notes, "Every thing in Dantes Comedia shews That for Tyrannical Purposes he has made This World the Foundation of All & the Goddess Nature & not the Holy Ghost." Blake seems to dissent from Dante's admiration of the poetic works of
2007:
wrote a book on Blake drawing attention to the above motifs in which Blake praises "sacred natural love" that is not bound by another's possessive jealousy, the latter characterised by Blake as a "creeping skeleton". Swinburne notes how Blake's
965:". Over time, Blake began to resent his new patron, believing that Hayley was uninterested in true artistry, and preoccupied with "the meer drudgery of business" (E724). Blake's disenchantment with Hayley has been speculated to have influenced
475:, at the sum of ÂŁ52.10, for a term of seven years. At the end of the term, aged 21, he became a professional engraver. No record survives of any serious disagreement or conflict between the two during the period of Blake's apprenticeship, but
2548:, coincided with the two hundred and fiftieth anniversary of William Blake's birth and included Blake works from the Gallery's permanent collection, but also private loans of recently discovered works which had never before been exhibited.
479:'s biography notes that Blake later added Basire's name to a list of artistic adversaries; and then crossed it out. This aside, Basire's style of line-engraving was of a kind held at the time to be old-fashioned compared to the flashier
2570:, displayed the full range of William Blake's art and poetry, together with contextual materials, arranged in four sections: One of the Gothic Artists; The Furnace of Lambeth's Vale; Chambers of the Imagination; Many Formidable Works.
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Since his death, Blake has been claimed by those of various movements who apply his complex and often elusive use of symbolism and allegory to the issues that concern them. In particular, Blake is sometimes considered (along with
851:, the standard process of engraving in the 18th century in which the artist incised an image into the copper plate, a complex and laborious process, with plates taking months or years to complete, but as Blake's contemporary,
2304:. In the 20th century, however, Blake's work was fully appreciated and his influence increased. Important early and mid-20th-century scholars involved in enhancing Blake's standing in literary and artistic circles included
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of the charges. According to a report in the Sussex county paper, "he invented character of was ... so obvious that an acquittal resulted". Schofield was later depicted wearing "mind forged manacles" in an illustration to
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Blake imitated Flaxman's austere, simple mode of pure outline engraving. Blake's engravings for Cumberland's _Thoughts on Outline_ clearly demonstrate Blake's competency in and preference for this purely linear engraving
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Because the project was never completed, Blake's intent may be obscured. Some indicators bolster the impression that Blake's illustrations in their totality would take issue with the text they accompany: in the margin of
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Some scholars have noted that Blake's views on "free love" are both qualified and may have undergone shifts and modifications in his late years. Some poems from this period warn of dangers of predatory sexuality such as
628:, wrote, "The poet and his wife did everything in making the book - writing, designing, printing, engraving - everything except manufacturing the paper: the very ink, or colour rather, they did make." In 2019
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Subsequent references follow the convention of providing plate and line numbers where appropriate, followed by "E" and the page number from Erdman, and correspond to Blake's often unconventional spelling and
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is the first work to mention them. In particular, Blake's God/Man union is broken down into the bodily components of Urizen (head), Urthona (loins), Luvah (heart), and Tharmas (unity of the body) with paired
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afford the joy of love, but notes that in reality it often does not, as a couple's knowledge of being chained often diminishes their joy. Pierre Berger also analyses Blake's early mythological poems such as
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is one of many contemporary musicians that have set Blake's poems to music. After World War II, Blake's role in popular culture came to the fore in a variety of areas such as popular music, film, and the
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Catherine paid for Blake's funeral with money lent to her by Linnell. Blake's body was buried in a plot shared with others, five days after his death â on the eve of his 45th wedding anniversary â at the
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day of her death, in October 1831, she was as calm and cheerful as her husband, and called out to him "as if he were only in the next room, to say she was coming to him, and it would not be long now."
732:(2nd edition, 1791) by Mary Wollstonecraft. Although they seem to have shared some views on sexual equality and the institution of marriage, no evidence is known that would prove that they had met. In
2515:, open from December 2014 until March 2015, examined William Blake's formation as an artist, as well as his influence on young artist-printmakers who gathered around him in the last years of his life.
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Blake was not active in any well-established political party. His poetry consistently embodies an attitude of rebellion against the abuse of class power as documented in David Erdman's major study
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of God as Lord, an entity separate from and superior to mankind; this is shown clearly in his words about Jesus Christ: "He is the only God ... and so am I, and so are you." A telling phrase in
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While Blake had a significant role in the art and poetry of figures such as Rossetti, it was during the Modernist period that this work began to influence a wider set of writers and artists.
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a Line or Lineament is not formed by Chance a Line is a Line in its Minutest Subdivision Strait or Crooked It is Itself & Not Intermeasurable with or by any Thing Else Such is Job. (E784)
855:, realised, such engraving offered a "missing link with commerce", enabling artists to connect with a mass audience and became an immensely important activity by the end of the 18th century.
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characterised him as a "glorious luminary", and "a man not forestalled by predecessors, nor to be classed with contemporaries, nor to be replaced by known or readily surmisable successors".
362:, who had lived in London. He attended school only long enough to learn reading and writing, leaving at the age of 10, and was otherwise educated at home by his mother Catherine Blake (
1909:
Blake's theories of art. Blake further criticized Flaxman's styles and theories of art in his responses to criticism made against his print of Chaucer's Caunterbury Pilgrims in 1810.
374:, Piccadilly, London. The Bible was an early and profound influence on Blake, and remained a source of inspiration throughout his life. Blake's childhood, according to him, included
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leading principles ... Consistency, then, foolish or otherwise, is one of Blake's chief preoccupations, just as 'self-contradiction' is always one of his most contemptuous comments.
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Blake's illustrations of the poem are not merely accompanying works, but rather seem to critically revise, or furnish commentary on, certain spiritual or moral aspects of the text.
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1727:, Blake added Christian and Hebrew images and describes how Los experiences a vision of the Lamb of God that regenerates Los's spirit. In opposition to Christ is Urizen and the
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who was originally of the divine substance (Urizen, reason) and their Emanations represent Sexual Urges (Enion), Nature (Vala), Inspiration (Enitharmon), and Pleasure (Ahania).
263:(28 November 1757 â 12 August 1827) was an English poet, painter, and printmaker. Largely unrecognised during his life, Blake has become a seminal figure in the history of the
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1951:" movement, a broad reform tradition starting in the 1820s that held that marriage is slavery, and advocated the removal of all state restrictions on sexual activity such as
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purchased for him by his father, a practice that was preferred to actual drawing. Within these drawings Blake found his first exposure to classical forms through the work of
923:, but other scholars have dismissed these theories as conjecture. In his Dictionary, Samuel Foster Damon suggests that Catherine may have had a stillborn daughter for which
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of his visions of apparitions, Blake was subsequently persuaded to paint one of them. Varley's anecdote of Blake and his vision of the flea's ghost became well-known.
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movement of the early 20th century. Blake scholarship was more focused on this theme in the earlier 20th century, although it is still mentioned by the Blake scholar
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similarly developed more circumspect views of sexual freedom late in life. In light of Blake's aforementioned sense of human 'fallenness' Ankarsjö thinks Blake does
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Because Blake's later poetry contains a private mythology with complex symbolism, his late work has been less published than his earlier more accessible work. The
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religious experiences such as "beholding God's face pressed against his window, seeing angels among the haystacks, and being visited by the Old Testament prophet
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2143:(1794), in which he distinguishes between the Old Testament God, whose restrictions he rejected, and the New Testament God whom he saw as a positive influence.
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styles. It has been speculated that Blake's instruction in this outmoded form may have been detrimental to his acquiring of work or recognition in later life.
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It has been supposed that, despite his opposition to Enlightenment principles, Blake arrived at a linear aesthetic that was in many ways more similar to the
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thought that excuses pain, admits evil and apologises for injustice. He abhorred self-denial, which he associated with religious repression and particularly
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marked until 12 August 2018. For years since 1965, the exact location of William Blake's grave had been lost and forgotten. The area had been damaged in the
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1968:
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in summer 2014 showcased the Gallery's collection of works by William Blake which includes spectacular watercolours, single prints and illustrated books.
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On her death, longtime acquaintance Frederick Tatham took possession of Blake's works and continued selling them. Tatham later joined the fundamentalist
1158:, a patron who saw Blake more as a friend than a man whose work held artistic merit; this was typical of the opinions held of Blake throughout his life.
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commented, "There was no doubt that this poor man was mad, but there is something in the madness of this man which interests me more than the sanity of
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as the character Los (imagination) is connected to the image of Christ, and he added a Christian element to his mythic world. In the revised version of
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was established in his honour in Australia in 1949. In 1957 a memorial to Blake and his wife was erected in Westminster Abbey. Another memorial lies in
749:. The property was demolished in 1918, but the site is marked with a plaque. A series of 70 mosaics commemorates Blake in the nearby railway tunnels of
738:(1793), Blake condemned the cruel absurdity of enforced chastity and marriage without love and defended the right of women to complete self-fulfilment.
532:. Over time, Blake came to detest Reynolds' attitude towards art, especially his pursuit of "general truth" and "general beauty". Reynolds wrote in his
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499:"living form") left clear traces in his style. In the long afternoons Blake spent sketching in the Abbey, he was occasionally interrupted by boys from
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1719:, Blake felt that he was able to overcome his inner battle but he was concerned about losing his artistic abilities. These thoughts carried over into
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Emma Mason, "Elihu's Spiritual Sensation: William Blake's Illustrations to the Book of Job", in Michael Lieb, Emma Mason and Jonathan Roberts (eds),
287:, he produced a diverse and symbolically rich collection of works, which embraced the imagination as "the body of God", or "human existence itself".
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constituted the intellectual centre of his writings, from which he drew inspiration. Blake believed he was personally instructed and encouraged by
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In 1784, after his father's death, Blake and former fellow apprentice James Parker opened a print shop. They began working with radical publisher
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1535:, in which the figure represented by the "Devil" is virtually a hero rebelling against an imposter authoritarian deity. In later works, such as
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412:. He read avidly on subjects of his own choosing. During this period, Blake made explorations into poetry; his early work displays knowledge of
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coincided with the two hundred and fiftieth anniversary of William Blake's birth and featured all of the Gallery's works associated with Blake.
588:, records that in June 1780 Blake was walking towards Basire's shop in Great Queen Street when he was swept up by a rampaging mob that stormed
2976:(1825â1827). Blake died in 1827 with work on these illustrations still unfinished. Of the 102 watercolours, 7 had been selected for engraving.
2476:, leading Edward Larrissy to assert that "Blake is the Romantic writer who has exerted the most powerful influence on the twentieth century."
1750:
of misapprehension of the relationship between body and soul. Elsewhere, he describes Satan as the "state of error", and as beyond salvation.
1092:
Also around this time (circa 1808), Blake gave vigorous expression of his views on art in an extensive series of polemical annotations to the
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David Bindman suggests that Blake's antagonism towards Reynolds arose not so much from the president's opinions (like Blake, Reynolds held
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Doubts of other Mortals; perhaps Doubts proceeding from Kindness, but Doubts are always pernicious, Especially when we Doubt our Friends.
1980:" he speaks of "the Marriage-Hearse" plagued by "the youthful Harlot's curse", the result alternately of false Prudence and/or Harlotry.
1838:
1022:
997:
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206:
1824:
philosophy. His championing of the imagination as the most important element of human existence ran contrary to Enlightenment ideals of
1396:; gravestones were removed and a garden was created. The memorial stone, indicating that the burial sites are "nearby", was listed as a
8982:
7922:
6827:. A. Constable, London 1907. Reprint: Cooper Square, New York 1970. {Includes documents of contemporaries about Wm. Blake, at 249â433.}
1123:. The group shared Blake's rejection of modern trends and his belief in a spiritual and artistic New Age. Aged 65, Blake began work on
788:
This is a reversal of the usual method of etching, where the lines of the design are exposed to the acid, and the plate printed by the
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to music, with different poems set to different styles of music, "from modern techniques to Broadway to Country/Western" and reggae.
2225:
Despite seeing angels and God, Blake has also claimed to have seen Satan on the staircase of his South Molton Street home in London.
1615:
Regarding conventional religion, Blake was a satirist and ironist in his viewpoints which are illustrated and summarized in his poem
1590:
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2012:
condemns the hypocrisy of the "pale religious letchery" of advocates of traditional norms. Another 19th-century free love advocate,
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to create his artistic works, which he claimed were actively read and enjoyed by the same Archangels. In a letter of condolence to
1531:
The earlier work is primarily rebellious in character and can be seen as a protest against dogmatic religion especially notable in
957:(the title page is dated 1804, but Blake continued to work on it until 1808). The preface to this work includes a poem beginning "
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311:. Although later he rejected many of these political beliefs, he maintained an amicable relationship with the political activist
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1647:. It consists of nine books, referred to as "nights". These outline the interactions of the Zoas, their fallen forms and their
1334:â Just before he died His Countenance became fair. His eyes Brighten'd and he burst out Singing of the things he saw in Heaven.
785:. He then etched the plates in acid to dissolve the untreated copper and leave the design standing in relief (hence the name).
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669:. Johnson's house was a meeting-place for some leading English intellectual dissidents of the time: theologian and scientist
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2537:, open from September 2009 until January 2010, included more than 100 watercolours, prints, and illuminated books of poetry.
319:. Despite these known influences, the singularity of Blake's work makes him difficult to classify. The 19th-century scholar
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A Comparative Study of Three Anti-Slavery Poems Written by William Blake, Hannah More and Marcus Garvey: Black Stereotyping
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churches in London (perhaps to settle a quarrel between Blake and James Parker, his fellow apprentice). His experiences in
188:
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Prov 8:27 (NRSV trans.), "When he established the heavens, I was there, when he drew a circle on the face of the deep ..."
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as declaring marriage laws to be a consequence of the fallenness of humanity, as these are born from pride and jealousy.
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in the later works. Murry characterises the later Blake as having found "mutual understanding" and "mutual forgiveness".
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His poetry came into use by a number of British classical composers, who set his works. The earliest such work known is
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to form "what is in proportion to its merits the least read body of poetry in the English language". While he lived in
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1972:
with early feminist movements (particularly with regard to the writings of Mary Wollstonecraft, whom Blake admired).
1788:), and believed that restraint in obedience to a moral code imposed from the outside was against the spirit of life:
9056:
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have argued that Blake's thoughts on human nature greatly anticipate and parallel the thinking of the psychoanalyst
1684:(earth mother, from the separation of unity). As connected to Blake's understanding of the divine, the Zoas are the
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and stitched together to form a volume. Blake used illuminated printing for most of his well-known works, including
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346:) in an illustration of 1912. Blake was born here and lived here until he was 25. The house was demolished in 1965.
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1234:, and from the apparent glee with which Dante allots punishments in Hell (as evidenced by the grim humour of the
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during his first year at the Royal Academy. They shared radical views, with Stothard and Cumberland joining the
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Parker, Lisa Karee, "A World of Our Own: William Blake and Abolition." Thesis, Georgia State University, 2006.
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David Worrall, "Thel in Africa: William Blake and the Post-colonial, Post-Swedenborgian Female Subject", in
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suggests that Blake thought jealousy separates man from the divine unity, condemning him to a frozen death.
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303:(indeed, to almost all forms of organised religion), and was influenced by the ideals and ambitions of the
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6563:, to overcome the flaws inherent in each sex, emerges as the central challenge for all Blake's characters.
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G.E. Bentley, The Stranger in Paradise, "Drunk on Intellectual Vision" pp500, Yale University Press, 2001
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1977:
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as a rejection of the proposal to take concubines espoused by some members of the Swedenborgian church.
1154:
In later life Blake began to sell a great number of his works, particularly his Bible illustrations, to
847:
Although Blake has become better known for his relief etching, his commercial work largely consisted of
358:, London. He was the third of seven children, two of whom died in infancy. Blake's father, James, was a
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Blake believed that each person had a twofold identity with one half being good and the other evil. In
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begun in 1797. The demi-mythological and demi-religious main characters of the book are the Four Zoas (
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is an elegy. That is how he rationalizes the Book's unusual ending, but notes that he is speculating.
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2016:(1844â1929), was influenced by Blake's mystical emphasis on energy free from external restrictions.
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1351:. His parents' bodies were buried in the same graveyard. Present at the ceremonies were Catherine,
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6941:, edited by G. E. Bentley, Jr., 1984. Facsimile ed., Scholars' : Facsimiles & Reprints,
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1048:. The exhibition was designed to market his own version of the Canterbury illustration (titled
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632:'s Blake exhibition gave particular focus to Catherine Boucher's role in William Blake's work.
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The Longman Anthology of British Literature: Volume 2A: The Romantics and Their Contemporaries
2274:. This larger version was painted to be engraved as the frontispiece of Alexander Gilchrist's
1115:
commemorates Blake and Linnell at Old Wyldes' at North End, Hampstead. Through Linnell he met
1026:(1804â20), his most ambitious work. Having conceived the idea of portraying the characters in
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Longsmans, Hurst, Rees, and Orme, Paternoster Row, London. {See : : Arthur Symons,
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Blake's work was neglected for a generation after his death and almost forgotten by the time
2169:
2020:
love was something Blake wanted for the edification of 'the soul'." Michael Davis' 1977 book
1833:
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719:
159:
9143:
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2035:(entirely devoted to Blake's doctrine of free love) notes that Blake thinks marriage should
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8383:
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7388:
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6127:
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2324:
2107:
1821:
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1120:
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2467:, where his visions of angelic beings are figured into the story. Canadian music composer
1715:
discuss their selves as divided. By the time he was working on his later works, including
8:
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Visions of paradise to words of wisdom... an homage to the written work of William Blake.
4791:"Europe a Prophecy, copy D, object 1 (Bentley 1, Erdman i, Keynes i) "Europe a Prophecy""
2901:
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into the marriage bed in accordance with the beliefs of the more radical branches of the
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7045:â A Comprehensive Academic Archive of Blake's works with scans from multiple collections
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William Blake and the Digital Humanities: Collaboration, Participation, and Social Media
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1284:, London, erected on Blake's grave in 1927 and moved to its present location in 1964â65
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316:
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1611:. This image depicts Copy D of the illustration currently held at the British Museum.
1449:
Blake: Prophet Against Empire: A Poet's Interpretation of the History of His Own Times
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Peterfreund, Stuart (Spring 1997). "The Din of the City in Blake's Prophetic Books".
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In 2016 the world's first William Blake antique bookstore and art gallery opened in
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2013:
1858:
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969:, in which Blake wrote that "Corporeal Friends are Spiritual Enemies". (4:26, E98)
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1452:(1954). Blake was concerned about senseless wars and the blighting effects of the
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7104:. General Collection, Beinecke Rare Book and Manuscript Library, Yale University.
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4941:. Vol. 25, no. 3. National Endowment for the Humanities. Archived from
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humility, which he held to be a form of hypocrisy. Against Reynolds' fashionable
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225:
88:
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Thorpe, Vanessa; Arts, Vanessa Thorpe; correspondent, media (7 September 2019).
1776:
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rooted in the thinking of the most radical opponents of the monarchy during the
871:
The Narrative of a Five Years Expedition against the Revolted Negroes of Surinam
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Why Mrs Blake Cried: Swedenborg, Blake and the Sexual Basis of Spiritual Vision
4363:
Neoclassicism and Romanticism, 1750â1850: An Anthology of Sources and Documents
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2884:
2446:
2431:
2403:
2182:
2111:
Narrative, of a Five Years' Expedition, against the Revolted Negroes of Surinam
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Wheel within Wheel in freedom revolve in harmony & peace. (15.14â20, E159)
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Digital Collections | Victoria University Library in the University of Toronto
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Special Collections | Victoria University Library in the University of Toronto
1107:
In 1818, he was introduced by George Cumberland's son to a young artist named
753:. The mosaics largely reproduce illustrations from Blake's illuminated books,
709:
in solidarity with the French revolutionaries, but despaired with the rise of
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7408:
7330:
7325:
7310:
7305:
7116:
6968:
6910:
6907:(London and Dublin: A. H. Bullen). {Two essays on Blake at 168â175, 176â225}.
6820:
6659:
6593:
6460:
6057:
5382:
4578:"Monument to William and Catherine Sophia Blake, Central Broadwalk (1396493)"
4358:
4303:
3781:
3523:
3223:
2972:
2918:
2807:
2574:
2473:
2460:
2427:
2388:
2313:
2089:, commenting on Blake's consistency in strongly held views, notes that Blake
2086:
1964:
1952:
1905:
1740:
1517:
1368:
1315:
1183:
1116:
1101:
1059:
1037:
746:
674:
520:
476:
291:
276:
126:
9689:
4660:
Iron Maiden frontman joins hundreds at unveiling of William Blake gravestone
4608:"How amateur sleuths finally tracked down the burial place of William Blake"
2292:
rapidly transformed Blake's reputation, in particular as he was taken up by
2185:, dated 6 May 1800, four days after the death of Hayley's son, Blake wrote:
1326:
he had all His life wished to see & expressed Himself Happy, hoping for
436:
The archetype of the Creator is a familiar image in Blake's work. Here, the
11622:
11521:
11372:
11283:
11278:
11176:
11097:
11013:
10932:
10836:
10809:
10774:
10707:
10467:
10442:
10417:
10384:
10354:
10274:
10234:
10136:
10081:
9991:
9959:
9949:
9934:
9674:
9537:
9527:
9501:
9346:
9301:
9025:
8957:
8947:
8887:
8837:
8782:
8593:
8511:
8482:
8333:
7829:
7019:
6739:
6446:
6340:
6194:
5745:
4635:"William Blake's final stop on the road to Jerusalem is recognised at last"
4264:
3828:
3678:
3630:
3267:
2879:
2581:
2563:
2541:
2419:
2415:
2359:
2237:
2070:
1956:
1836:
view of the universe. This mindset is reflected in an excerpt from Blake's
1784:
He saw the concept of "sin" as a trap to bind men's desires (the briars of
1677:
1665:
1648:
1460:", had their anti-slavery implications short-changed. A more recent study,
1331:
1292:
1276:
1155:
1041:
1014:
852:
706:
686:
629:
593:
561:
542:
538:
468:
397:
312:
9832:
5355:, eds. Steve Clark and Masashi Suzuki. London: Continuum, 2006, pp. 17â29.
4295:
251:
11671:
11444:
11382:
11293:
11288:
10888:
10851:
10482:
10349:
10199:
9796:
9699:
9643:
9450:
9316:
9020:
8952:
8686:
8547:
8506:
8455:
8328:
8240:
7784:
7774:
7764:
7285:
6900:
6761:
6560:
6518:
William Blake. Poet and Painter. An introduction to the illuminated verse
6238:. Secker and Warburg, London. Reprints: Penguin 1954; Haskell House 1967.
6075:
4260:
3058:
2955:
2913:
2891:
2380:
2153:
2028:
1862:
1825:
1708:
1693:
1524:
focuses heavily on the earlier work, as do many critical studies such as
1521:
1401:
William Blake 1757â1827 Poet Artist Prophet" above a verse from his poem
1304:
1134:
1129:
1112:
944:
883:
389:
268:
177:
7932:
The Four and Twenty Elders Casting their Crowns before the Divine Throne
7001:
6505:, (2d ed., London, 1880). Reissued by Cambridge University Press, 2009.
4311:
3100:"Historiographic Sophistications: Marcionism as a Genealogical Category"
338:
11492:
11397:
11347:
10927:
10722:
9603:
8922:
8902:
8892:
8541:
8378:
7789:
7754:
7744:
7340:
6523:
6309:
6263:. Duckworth, London, n.d. . Reprint: House of Stratus, Cornwall, 2008.
6044:
5956:"Evil Renderings of a Distempered Mind â November 10, 2016 â SF Weekly"
2339:
2233:
2118:
clouds, which exist only until one learns "to bear the beams of love":
1829:
1689:
1673:
1161:
988:
987:"Damn the king. The soldiers are all slaves." Blake was cleared in the
887:
613:
married Catherine, who was five years his junior, on 18 August 1782 in
413:
296:
146:
10647:
4788:
4548:
A Blake Bibliography: Annotated Lists of Works, Studies, and Blakeana.
3921:
3531:
3499:
1845:
886:: they demonstrate that he made frequent use of a technique known as "
11456:
11043:
11023:
10692:
10264:
9593:
9475:
8807:
8526:
7483:
7423:
3234:(3): 76â90 – via Blake: An illustrated quarterly issue archive.
2754:* (written 1804â1820 additions even later, edited 1820â1827 and 1832)
2592:
2407:
2384:
2372:
2178:
1948:
1893:
1502:
1457:
1288:
1197:
1138:
916:
484:
375:
5570:
Blake 2.0: William Blake in Twentieth-Century Art, Music and Culture
4345:
Peter Ackroyd, "Genius spurned: Blake's doomed exhibition is back",
2159:
1072:
717:
in France. That same year, Blake composed his unfinished manuscript
603:
511:
and a great procession of monks and priests, and heard their chant.
490:
After two years, Basire sent his apprentice to copy images from the
11269:
10871:
10769:
10697:
10404:
7134:
7092:
6047:(July 2014). "William Blake and the forging of the creative self".
3515:
2855:
2194:
In a letter to John Flaxman, dated 21 September 1800, Blake wrote:
1960:
1770:
1758:
1578:
is evidenced in particular by the humanisation of the character of
1249:
1166:
1020:
Blake returned to London in 1804 and began to write and illustrate
876:
Blake employed intaglio engraving in his own work, such as for his
541:, Blake preferred the Classical precision of his early influences,
465:
437:
350:
William Blake was born on 28 November 1757 at 28 Broad Street (now
7130:
6289:
6245:. Basingstoke: Macmillan Press, and New York: St. Martin's Press.
5970:"The Bay Area Reporter Online â William Blake, artist in Paradise"
3364:
3362:
1731:, who later crucifies Christ. It is from them that Deism is born.
1430:
At the time of Blake's death, he had sold fewer than 30 copies of
11171:
10910:
10824:
10702:
10076:
8827:
8418:
7819:
7804:
7799:
7734:
6536:"Blake's Erotic Apocalypse: The Androgynous Ideal in "Jerusalem""
6345:
The Counter-Arts Conspiracy: Art and Industry in the Age of Blake
6278:. Basingstoke: Macmillan Press, and New York: St. Martin's Press.
4890:
The New Apocalypse: The Radical Christian Vision of William Blake
4476:"Burial ground of Bunyan, Defoe and Blake earns protected status"
4032:
The Counter Arts Conspiracy: Art and Industry in the Age of Blake
2442:
2286:
began work on his biography in the 1860s. The publication of the
2266:
1865:) to write upon a scroll that seems to project from his own head.
1754:
1636:
1624:
1473:
1374:
940:
903:
742:
546:
480:
393:
379:
284:
11768:
Viewpoints: Mathematical Perspective and Fractal Geometry in Art
7151:
6962:
4017:. Princeton, NJ: Princeton University Press, 1993; Phillips, M.
3824:"How William Blake's wife brought colour to his works of genius"
3770:"How William Blake's wife brought colour to his works of genius"
1996:
In spells of law to one she loathes? and must she drag the chain
1464:
by Peter Marshall (1988), classified Blake and his contemporary
10876:
8521:
7814:
7769:
7719:
7052:
7042:
6990:
6664:
Twentieth-Century Blake Criticism: Northrop Frye to the Present
3567:(3rd ed.). London: Granada Publishing Limited. p. 5.
3439:(3rd ed.). London: Granada Publishing Limited. p. 3.
3386:(3rd ed.). London: Granada Publishing Limited. p. 2.
3359:
2508:
2459:. Blake also features as a relatively significant character in
2203:
In a letter to Thomas Butts, dated 25 April 1803, Blake wrote:
1994:
Till she who burns with youth, and knows no fixed lot, is bound
1669:
1628:
1594:
1579:
1322:
He died ... in a most glorious manner. He said He was going to
1119:, who belonged to a group of artists who called themselves the
1104:
as a fraud and proclaiming, "To Generalize is to be an Idiot".
991:
441:
421:
359:
280:
8209:
6867:
Brahma in the West: William Blake and the Oriental Renaissance
4034:. Ithaca and London: Cornell University Press, 1992. pp. 68â9.
3224:""an excellent saleswoman": The last Years of catherine Blake"
3206:
The Poetical Works of William Blake: Lyrical and Miscellaneous
3191:
The Poetical Works of William Blake: Lyrical and Miscellaneous
2402:, frequently being cited by such seminal figures as beat poet
1879:
Of many Wheels I view, wheel without wheel, with cogs tyrannic
10861:
8045:
7779:
7739:
6766:
The Unholy Bible: Blake, Jung, and the Collective Unconscious
6099:
Narrative Unbound: Re-Visioning William Blake's The Four Zoas
5467:
Memoirs of the Life and Writings of William Haley, ESQ Vol II
2240:." In a more deferential vein, John William Cousins wrote in
1853:(1795) demonstrates his opposition to the "single-vision" of
1812:
is "men forgot that All deities reside in the human breast".
1734:
1681:
1632:
1551:
suggests the later works are the "Bible of Hell" promised in
1235:
1225:
7998:
The Wood of the Self-Murderers: The Harpies and the Suicides
4389:"BLAKE, WILLIAM (1757â1827) & LINNELL, JOHN (1792â1882)"
3722:"William Blake - Marriage to Catherine Boucher | Britannica"
3558:
3556:
3554:
2499:
Major recent exhibitions focusing on William Blake include:
1881:
Moving by compulsion each other: not as those in Eden: which
1314:
gives the following account of Blake's death in a letter to
596:
and provoked a flurry of legislation from the government of
290:
Although Blake was considered mad by contemporaries for his
10883:
10866:
8477:
8142:
Themes from William Blake's The Marriage of Heaven and Hell
7824:
6777:
Wonders Divine: the Development of Blake's Kabbalistic Myth
5598:"Letter to Nanavutty, 11 Nov 1948, quoted by Hiles, David.
2489:
1045:
355:
109:
1871:
I turn my eyes to the Schools & Universities of Europe
1483:
Witness Against the Beast: William Blake and the Moral Law
8071:
The Works of William Blake: Poetic, Symbolic and Critical
6636:
The Oxford Handbook of the Reception History of the Bible
6366:: A Poet's Interpretation of the History of His Own Times
5470:. London: S. and R. Bentley, Dorset-Street. p. 506.
5064:. Berkeley, CA: University of California Press. pp.
4855:(Revised ed.). Brown University Press. p. 358.
4365:(New York: Harper & Row/Icon Editions, 1989), p. 121.
4282:
3551:
1832:. Due to his visionary religious beliefs, he opposed the
1655:. Blake's Four Zoas, which represent four aspects of the
1559:, she writes: "The promise of the divine in man, made in
865:. The engraving was for a book written by Blake's friend
454:
painted by Blake and his wife, collectively known as the
6817:. John Camden Hotten, Piccadilly, London, 2d. ed., 1868.
6646:
Blake's Composite Art: A Study of the Illuminated Poetry
6308:, London: J. M. Dent & Sons, p. 13 – via
6132:
The Stranger From Paradise: A Biography of William Blake
3370:
The Stranger From Paradise: A Biography of William Blake
3128:
Blake's "America, a Prophecy"; And, "Europe, a Prophecy"
1873:
And there behold the Loom of Locke whose Woof rages dire
1299:
Blake's last years were spent at Fountain Court off the
951:, a minor poet. It was in this cottage that Blake began
4987:
Creational Theology and the History of Physical Science
4974:
Between Dream and Nature: Essays on Utopia and Dystopia
4789:
Morris Eaves; Robert N. Essick; Joseph Viscomi (eds.).
3849:
Reproduction of 1783 edition: Tate Publishing, London,
3767:
861:
is an engraving by Blake held in the collection of the
5906:"National Galleries Scotland William Blake Exhibition"
1877:
In heavy wreathes folds over every Nation; cruel Works
6598:
William Blake and the Impossible History of the 1790s
6305:
A Short Biographical Dictionary of English Literature
5520:
A Short Biographical Dictionary of English literature
5033:. Princeton, NJ: Princeton University Press. p.
4877:
William Blake and the Impossible History of the 1790s
4698:"The Radical Sex and Spiritual Life of William Blake"
2769:(written 1769â1777, edited 1783 and 1868 as a volume)
2242:
A Short Biographical Dictionary of English Literature
2133:
And be like him and he will then love me. (23-8, E9)
2027:
As a theological writer, Blake has a sense of human "
1268:. Life mask taken in plaster cast in September 1823,
1052:), along with other works. As a result, he wrote his
6958:
6719:
Blake's Prophetic Workshop: A Study of The Four Zoas
5114:
Tom Hayes, "William Blake's AndrogYnous EGO-Ideal",
3643:
E691. All quotations from Blake's writings are from
1875:
Washd by the Water-wheels of Newton. black the cloth
1676:(what can't be attained in nature, from the loins),
1303:(the property was demolished in the 1880s, when the
792:
method. Relief etching (which Blake referred to as "
5746:"William Bolcom, Songs of Innocence and Experience"
4572:
3297:Bentley, Gerald Eades, and Bentley Jr., G. (1995),
1651:. Blake intended the book to be a summation of his
1078:
The Great Red Dragon and the Woman Clothed with Sun
11665:The Drawing of Geometric Patterns in Saracenic Art
5682:How much did Jim Morrison know about William Blake
5245:Berger sees Blake's views as most embodied in the
5026:
3590:The Letters of William Blake: Together with a Life
3008:. The Blake Society. 28 March 2008. Archived from
2069:Blake's later writings show a renewed interest in
1486:(1993), claims to show how far he was inspired by
11800:Goudreau Museum of Mathematics in Art and Science
7008:William Blake Poems Arts & Experience Library
4290:(1). The Johns Hopkins University Press: 99â130.
2003:In the 19th century, poet and free love advocate
604:Marriage and collaboration with Catherine Boucher
519:On 8 October 1779, Blake became a student at the
283:his entire life, except for three years spent in
11878:
6939:William Blake's Works in Conventional Typography
6385:The Complete Poetry & Prose of William Blake
5557:Radical Blake: Influence and Afterlife from 1827
5376:
2168:, 1819â1820. Having informed painter-astrologer
1252:he possessed on a pencil to continue sketching.
741:From 1790 to 1800, William Blake lived in North
656:Around 1783, Blake's first collection of poems,
7117:Project Gutenberg â works by Blake downloadable
5452:William Blake: A Study of His Life and Art Work
5263:William Blake: a study of his life and art work
4602:
4600:
4269:. United States: Macmillan. ASIN B-0008-5GBS-C.
4207:Damon, Samuel Foster (1988). A Blake Dictionary
3644:
3087:The New York Times Guide to Essential Knowledge
2131:And then I'll stand and stroke his silver hair,
2123:When I from black and he from white cloud free,
2052:. Magnus Ankarsjö notes that while the hero of
1857:: Newton fixes his eye on a compass (recalling
6443:. Princeton University Press, Princeton, 1985.
6322:. Revised edition. University of New England.
6236:William Blake, 1757â1827. A man without a mask
5769:"BOLCOM: Songs of Innocence and of Experience"
5103:The Complete Poetry and Prose of William Blake
4692:
4690:
4550:University of Minnesota Press, 1964. pp.41-42.
3648:The Complete Poetry and Prose of William Blake
3587:Blake, William, and Tatham, Frederick (1996).
3203:Blake, William and Rossetti, William Michael.
3188:Blake, William and Rossetti, William Michael.
1773:is a rich ugly old maid courted by Incapacity.
947:), to take up a job illustrating the works of
600:, and the creation of the first police force.
528:, championed by the school's first president,
385:Blake started engraving copies of drawings of
11795:European Society for Mathematics and the Arts
10969:Mathematica: A World of Numbers... and Beyond
10663:
8225:
7167:
6080:Visionary Physics: Blake's Response to Newton
4413:, Morris Eaves (ed.), Cambridge, 2003, p. 106
4231:"The Gothic Life of William Blake: 1757â1827"
3879:Biographies of William Blake and Henry Fuseli
3161:
2350:, published in 1876. Notable settings are by
2127:Ill shade him from the heat till he can bear,
650:Oberon, Titania and Puck with Fairies Dancing
315:; he was also influenced by thinkers such as
10949:List of works designed with the golden ratio
7639:Jerusalem: The Emanation of the Giant Albion
5984:"William Blake â Exhibition at Tate Britain"
5225:Edward Carpenter: A Life of Liberty and Love
4597:
3673:Bindman, D. (2003), "Blake as a Painter" in
3651:(2nd ed.). Knopf Doubleday Publishing.
3500:"Metaphor in William Blake: A Negative View"
3139:
2861:Fables by John Gay with a Life of the Author
2751:Jerusalem: The Emanation of the Giant Albion
2535:William Blake's World: A New Heaven Is Begun
2125:And round the tent of God like lambs we joy:
979:Jerusalem: The Emanation of the Giant Albion
976:'Skofeld' wearing "mind forged manacles" in
7068:The G. E. Bentley: William Blake Collection
7062:The G. E. Bentley: William Blake Collection
6770:Blake, Jung, and the Collective Unconscious
6432:R. N. Essick & D. Pearce, eds. (1978).
6274:Steve Clark and David Worrall, eds (2006).
5706:, October 2000, Retrieved 16 September 2011
5568:Steve Clark, T. Connolly, Jason Whittaker,
5004:. London: Sinclair-Stevenson. p. 285.
4908:. London: Routledge & K. Paul. p.
4687:
4279:
4259:
4088:. Princeton University Press. p. 241.
3504:The Journal of Aesthetics and Art Criticism
2104:A Negro Hung Alive by the Ribs to a Gallows
1815:
1248:; he is said to have spent one of the last
998:Jerusalem The Emanation of the Giant Albion
464:On 4 August 1772, Blake was apprenticed to
23:
10670:
10656:
8232:
8218:
7174:
7160:
7093:Rare Book and Special Collections Division
6879:Roger Whitson and Jason Whittaker (2012).
6043:
5656:"Richard Ashcroft - Mean Magazine feature"
5490:
5416:Bentley, Gerald Eades and Bentley Jr., G.
5412:
5410:
5408:
5387:Fearful Symmetry: A Study of William Blake
4378:, Yale University Press, 2001, pp. 366â367
4050:. Princeton University Press. p. 48.
3609:Jerusalem!: The Real Life of William Blake
2599:, ran between 23 February and 19 May 2024.
961:", which became the words for the anthem "
777:In 1788, aged 31, Blake experimented with
444:prays before the world he has forged. The
81:
62:For other people named William Blake, see
24:
12052:Writers who illustrated their own writing
11009:Cathedral of Saint Mary of the Assumption
8046:Scholarship, in popular culture, and more
6243:William Blake and the Daughters of Albion
6153:. Second edition. Yale University Press.
6029:, 1948, London: Rupert Hart-Davis, p. 77.
5855:"Morgan Library William Blake Exhibition"
5644:. Ithaca: Cornell University Press, 1980.
5600:Jung, William Blake and our answer to Job
5546:, Ithaca: Cornell University Press, 1955.
5446:
5444:
5285:William Blake: His Philosophy and Symbols
5195:. E. P. Dutton & Company. p. 45.
4077:
4075:
3962:"Putting Blake back on Lambeth's streets"
3274:. Academy of American Poets. 3 April 1999
3221:
2706:(written 1788, possible edited 1794â1795)
1799:Plants fruits & beauty there. (E474)
370:, William was baptised on 11 December at
299:style of theology, he was hostile to the
7020:Profile at the Academy of American Poets
6734:The 'Heaven' and 'Hell' of William Blake
6533:
5743:
5186:On the Minor Prophecies of William Blake
4739:
4733:
4411:The Cambridge Companion to William Blake
4409:Bindman, David. "Blake as a Painter" in
4019:William Blake: The Creation of the Songs
3675:The Cambridge Companion to William Blake
3497:
2483:
2362:set several of Blake's poems, including
2270:William Blake's portrait in profile, by
2265:
2158:
2097:
1933:
1916:
1844:
1733:
1589:
1501:
1418:
1287:
1275:
1259:
1196:
1160:
1071:
1008:
971:
910:, where Blake lived from 1800 until 1803
897:
835:
756:The Songs of Innocence and of Experience
644:
431:
337:
32:This is an accepted version of this page
11555:Vier BĂŒcher von Menschlicher Proportion
10677:
6768:(New York: Putnam 1970). Reprinted as:
6549:(1). Western Illinois University: 29â41
6209:William Blake and the Age of Revolution
5766:
5653:
5463:
5405:
5183:
4999:
4632:
4546:Gerald Eades Bentley, Martin K. Nurmi.
4473:
4043:
3974:Putting Blake back on Lambeth's streets
3602:
3293:
3291:
3289:
3142:"William Blake as a Revolutionary Poet"
3000:
2998:
2837:
2642:* (written 1788â1790, edited 1789â1793)
2584:in London opened in the autumn of 2019.
2488:Memorial marking Blake's birthplace in
2394:Blake had an enormous influence on the
1497:
14:
11879:
7888:Europe Supported by Africa and America
6895:William Blake and the Myths of Britain
6839:Cambridge: Cambridge University Press
6486:Blake. A collection of critical essays
6419:William Blake and the Language of Adam
6294:
5931:"Tate William Blake Exhibition Themes"
5881:"Tate William Blake Exhibition Themes"
5715:
5517:
5441:
5190:
5057:
5024:
4932:
4381:
4144:William Blake and the Art of Engraving
4081:
4072:
3997:"A Mosaic Marvel on Lambeth's Streets"
3994:
3821:
3562:
3434:
3381:
3114:"The Artful Religion of William Blake"
2296:and associated figures, in particular
1820:Blake had a complex relationship with
859:Europe Supported by Africa and America
841:Europe Supported by Africa and America
574:Society for Constitutional Information
10651:
10579:Romanticism and the French Revolution
8213:
8044:
7846:
7706:
7193:
7155:
7049:47 artworks by or after William Blake
6789:
6744:William Blake: The Politics of Vision
6736:. New York: International Publishers.
6337:. University of California, Berkeley.
4901:
4850:
4728:William Blake: Prophet Against Empire
4146:. London: Pickering and Chatto, 2009.
4108:
3990:
3988:
3986:
3984:
3982:
3763:
3761:
3759:
3335:
3329:
3310:
3217:
3215:
3030:Frye, Northrop and Denham, Robert D.
2255:
2129:To lean in joy upon our fathers knee.
1998:Of life in weary lust? (5.21-3, E49)
1432:Songs of Innocence and of Experience.
1151:on a selection of the illustrations.
1013:Sketch of Blake from, circa 1804, by
685:; and English-American revolutionary
366:Wright). Even though the Blakes were
8110:Serenade for Tenor, Horn and Strings
6451:Bernard Shaw's Debt to William Blake
5544:Blake and Yeats: The Contrary Vision
5418:William Blake: The Critical Heritage
5364:See intro to Chapter 4 of Jerusalem.
5353:The Reception of Blake in the Orient
4905:William Blake: The Critical Heritage
4902:Blake, Gerald Eades Bentley (1975).
4021:, London: The British Library, 2000.
3822:Thorpe, Vanessa (7 September 2019).
3315:. London: Routledge. p. xviii.
3299:William Blake: The Critical Heritage
3286:
2995:
2722:(written 1788, possible edited 1795)
2621:Songs of Innocence and of Experience
2613:
2608:
2513:William Blake: Apprentice and Master
2436:Songs of Innocence and of Experience
2348:Songs of Innocence and of Experience
1947:) a forerunner of the 19th-century "
1228:Bearing the Sword and His Companions
1173:, Canto XII, 12â28, The Minotaur XII
807:Songs of Innocence and of Experience
745:, London, at 13 Hercules Buildings,
189:Songs of Innocence and of Experience
11740:Journal of Mathematics and the Arts
8126:Songs and Proverbs of William Blake
7991:On the Morning of Christ's Nativity
7148:in the Choral Public Domain Library
6996:Making facsimiles of Blake's prints
6796:. Swan Sonnenschein & Company.
6493:Blake and the assimilation of chaos
5948:
5789:. Houndmills: Palgrave, 2006. p. 1.
5188:. Kessinger Publishing. p. 10.
4935:"William Blake: Visions and Verses"
4744:(Revised ed.). Freedom Press.
4671:
3077:. The Nonesuch Press, 1927. p. 167.
1775:He who desires but acts not breeds
1639:), who were created by the fall of
1607:" is described in Chapter 7 of the
1137:, who compared Blake favourably to
1004:
863:University of Arizona Museum of Art
275:" were said by 20th-century critic
59:English poet and artist (1757â1827)
56:
11754:Making Mathematics with Needlework
7597:Visions of the Daughters of Albion
7194:
7146:Settings of William Blake's poetry
6793:William Blake: His Life, Character
6732:Gholam Reza Sabri-Tabrizi (1973).
6622:William Blake: Visionary Anarchist
6441:The Social Vision of William Blake
6036:
5555:Shirley Dent and Jason Whittaker.
5389:, 1947, Princeton University Press
5333:(2006) by Magnus Ankarsjö, p. 129.
5265:, by Irene Langridge, pp. 11, 131.
4814:Bentley 2003 pp. 198â199, 247, 310
4742:William Blake: Visionary Anarchist
4740:Marshall, Peter (1 January 1994).
4704:. 29 November 2015. Archived from
4583:National Heritage List for England
4474:Kennedy, Maev (22 February 2011).
3979:
3756:
3747:"St. Mary's Church Parish website"
3212:
3164:"An Introduction to William Blake"
3062:The Collected Works of W. B. Yeats
2864:, John Stockdale, Picadilly (1793)
2758:
2661:Visions of the Daughters of Albion
2455:is rooted in the world of Blake's
2054:Visions of the Daughters of Albion
1982:Visions of the Daughters of Albion
1795:The ruddy limbs & flaming hair
1585:
1462:William Blake: Visionary Anarchist
1295:on Blake's grave, unveiled in 2018
959:And did those feet in ancient time
735:Visions of the Daughters of Albion
57:
12063:
11580:I quattro libri dell'architettura
7181:
6954:
6721:. Associated University Presses.
6717:George Anthony Rosso Jr. (1993).
5522:. Plain Label Books. p. 81.
5251:Songs of Innocence and Experience
4832:Damon pp. 124, 255, 399, 419, 428
4633:Kennedy, Dominic (23 July 2018).
4198:, Sinclair-Stevenson, 1995, p. 82
3869:, Sinclair-Stevenson, 1995, p. 96
2803:* (written 1797â1807, unfinished)
772:
624:William Blake's 1863 biographer,
427:
11859:
11858:
11104:Self-portrait in a Convex Mirror
10788:
10632:
10631:
8160:William Blake in popular culture
8005:Illustrations of the Book of Job
7138:
6975:
6961:
6917:for GRAAT On-Line, January 2010.
6335:William Blake. A new kind of man
6288:
6019:
5994:
5976:
5962:
5923:
5898:
5873:
5847:
5817:
5792:
5779:
5760:
5744:Di Salvo, Jackie (Spring 1988).
5737:
5716:Palmer, Robert (20 March 1985).
5709:
5688:
5673:
5647:
5634:
5590:
5578:
5562:
5549:
5536:
5511:
5484:
5457:
5423:
5392:
5367:
5358:
5345:
5336:
5324:
5308:
5299:
5290:
5277:
5268:
5256:
5239:
5230:
5217:
5208:
5199:
5177:
5151:
5121:
5108:
5095:
5086:
5051:
5018:
4992:
4979:
4966:
4047:Slavery and the Culture of Taste
3032:Collected Works of Northrop Frye
2430:. The Pulitzer-winning composer
2262:William Blake in popular culture
1888:Blake believed the paintings of
1555:. Regarding Blake's final poem,
1082:one of a series of illustrations
879:Illustrations of the Book of Job
697:, Blake had great hopes for the
514:
250:
8239:
7874:Original Stories from Real Life
7583:The Marriage of Heaven and Hell
7122:Works by or about William Blake
6925:Poetical Works of William Blake
6815:William Blake: A Critical Essay
6681:. New York: Twayne Publishers.
6608:A Father's Memoirs of his Child
6503:Life and Works of William Blake
6285:. New York: Palgrave Macmillan.
5314:Quoted by Ankarsjö on p. 68 of
4957:
4926:
4895:
4882:
4869:
4844:
4835:
4826:
4817:
4808:
4782:
4770:
4758:
4720:
4665:
4652:
4626:
4566:
4553:
4540:
4531:
4518:
4506:
4493:
4467:
4454:
4441:
4428:
4416:
4403:
4368:
4352:
4339:
4326:
4273:
4253:
4223:
4210:
4201:
4188:
4175:
4162:
4149:
4136:
4102:
4037:
4024:
4007:
3995:Davies, Peter (December 2018).
3954:
3932:
3914:
3884:
3872:
3859:
3843:
3815:
3739:
3714:
3701:
3688:
3667:
3637:
3596:
3581:
3538:
3491:
3478:
3453:
3428:
3400:
3375:
3304:
3260:
3238:
3228:Blake: An Illustrated Quarterly
3197:
3182:
3155:
3133:
2849:Original Stories from Real Life
2793:The Marriage of Heaven and Hell
2647:The Marriage of Heaven and Hell
2603:
2580:A major exhibition on Blake at
2457:The Marriage of Heaven and Hell
2022:William Blake a New Kind of Man
1861:8:27, an important passage for
1810:The Marriage of Heaven and Hell
1745:, c. 1825. Watercolour on wood.
1561:The Marriage of Heaven and Hell
1553:The Marriage of Heaven and Hell
1533:The Marriage of Heaven and Hell
1470:forerunners of modern anarchism
1423:A memorial to William Blake in
1205:illustrates Hell in Canto V of
819:The Marriage of Heaven and Hell
762:The Marriage of Heaven and Hell
729:Original Stories from Real Life
579:
234:
195:The Marriage of Heaven and Hell
11922:Artists of the Moravian Church
11907:19th-century Christian mystics
11902:18th-century Christian mystics
11815:National Museum of Mathematics
11567:Regole generali d'architettura
7947:A Vision of the Last Judgement
7088:William Blake Digital Material
6854:(Princeton University Press).
6852:Blake and the Idea of the Book
6694:William Blake on Self and Soul
6600:. University of Chicago Press.
6520:, University of Chicago, 1964.
6469:. Princeton University Press.
6402:. Princeton University Press.
6368:. Princeton University Press.
6281:Tristanne J. Connolly (2002).
5825:"NGV William Blake Exhibition"
5767:Hoffman, Gary (January 2005).
5750:Blake/An Illustrated Quarterly
5193:William Blake: Poet and Mystic
4015:Blake and the Idea of the Book
3751:St Mary's Modern Stained Glass
3313:William Blake, Collected Poems
3120:
3106:
3092:
3080:
3067:
3052:
3037:
3024:
2479:
2214:A Vision of the Last Judgement
1680:(nature, from the heart), and
1255:
1036:, Blake approached the dealer
64:William Blake (disambiguation)
13:
1:
11987:English Christian theologians
10602:Wanderer above the Sea of Fog
8085:Blake: Prophet Against Empire
7895:The Night of Enitharmon's Joy
7707:
7494:The Voice of the Ancient Bard
7111:Digital editions and research
7082:University of Texas at Austin
7058:Single Institution Holdings:
6790:Story, Alfred Thomas (1893).
6638:(Oxford, OUP, 2011), 460â475.
6534:Hoeveler, Diane Long (1979).
6364:Blake: Prophet Against Empire
5559:. Houndmills: Palgrave, 2002.
5518:Cousin, John William (1933).
4851:Damon, Samuel Foster (1988).
4841:Bentley 2003 pp. 271â272, 301
4266:Highways and byways in Sussex
4085:Blake: Prophet Against Empire
3046:A Literary Pilgrim in England
2988:
2812:
2081:
1793:Abstinence sows sand all over
1520:anthology of Blake edited by
1425:St James's Church, Piccadilly
1414:St James's Church, Piccadilly
1410:Blake Prize for Religious Art
1165:William Blake's image of the
893:
831:
640:
333:
326:Collaboration with his wife,
11942:British critics of religions
11340:Garden of Cosmic Speculation
7234:There is No Natural Religion
6876:(London: The Nonesuch Press)
6758:. London: Duckworth and co..
6714:. London: Thames and Hudson.
6696:. Harvard University Press.
6495:, Princeton University 1978.
6347:. Cornell University Press.
6112:Stephen C. Behrendt (1992).
5654:Babcock, Jay (17 May 2000).
5316:Bring Me My Arrows of Desire
5249:to the collected version of
2876:(not engraved by him) (1796)
2703:There is No Natural Religion
2520:National Gallery of Victoria
1912:
1696:(Urthona, imagination), and
1569:notes discontinuity between
1507:God blessing the seventh day
1058:(1809), which contains what
450:is the third in a series of
7:
7687:Never pain to tell thy love
7137:(public domain audiobooks)
7036:
7013:
6932:Engravings of William Blake
6746:. New York: H. Holt and Co.
6677:Victor N. Paananen (1996).
6436:. Indiana University Press.
6211:. Routledge & K. Paul.
6116:. London: Macmillan Press.
5787:Blake and Modern Literature
5685:Retrieved 16 September 2011
3881:, retrieved on 31 May 2007.
3342:World of Art: William Blake
2791:(edited 1792, published in
2656:(written 1793, edited 1818)
2531:Morgan Library & Museum
2400:counterculture of the 1960s
2010:Marriage of Heaven and Hell
1576:Marriage of Heaven and Hell
1441:
1436:
1349:London Borough of Islington
1264:"Head of William Blake" by
1044:shop at 27 Broad Street in
615:St Mary's Church, Battersea
10:
12068:
10857:Islamic geometric patterns
10519:Coleridge's theory of life
6811:Algernon Charles Swinburne
6775:Sheila A. Spector (2001).
6575:. Oxford University Press.
6528:William Blake vs the World
6283:William Blake and the Body
6002:"William Blake's Universe"
5491:John Ezard (6 July 2004).
5078:– via Google Books.
5025:Essick, Robert N. (1980).
4376:The Stranger from Paradise
3683:Cambridge University Press
3498:Corrigan, Matthew (1969).
3486:The Poems of William Blake
2777:(written 1784, unfinished)
2302:Algernon Charles Swinburne
2259:
2228:Aware of Blake's visions,
2146:
2005:Algernon Charles Swinburne
935:In 1800, Blake moved to a
930:
843:engraving by William Blake
584:Blake's first biographer,
61:
11972:English romantic painters
11927:Burials at Bunhill Fields
11854:
11823:
11777:
11731:
11678:A Mathematician's Apology
11638:
11591:
11474:
11437:
11430:
11262:
11115:
11061:
11052:
10999:
10941:
10797:
10786:
10685:
10611:
10574:Romanticism and economics
10511:
10403:
10150:
9972:
9917:
9886:
9810:
9759:
9708:
9667:
9576:
9520:
9484:
9438:
9429:
9274:
9218:
9167:
9126:
9085:
9039:
8981:
8851:
8730:
8652:
8589:Manuel AntĂŽnio de Almeida
8571:
8562:
8448:
8316:
8247:
8152:
8101:
8092:Witness Against the Beast
8055:
8051:
8040:
8014:
7857:
7853:
7842:
7715:
7702:
7677:
7652:
7560:
7523:
7512:
7359:
7256:
7243:
7204:
7200:
7189:
7043:The William Blake Archive
6930:A. G. B. Russell (1912).
6874:The Life of William Blake
6836:Witness Against the Beast
6648:. Yale University Press.
6614:(1907, 1970) at 307â329.}
6400:William Blake: Printmaker
6134:. Yale University Press.
6082:. University of Chicago.
6027:The Life of William Blake
5587:. Retrieved 6 March 2015.
5061:Blake's Human Form Divine
5029:William Blake, Printmaker
4449:The Life of William Blake
4347:The Times Saturday Review
4115:. Routledge. p. 29.
4109:Raine, Kathleen (2002) .
4082:Erdman, David V. (2013).
3944:South Bank Mosaic Project
3709:The Life of William Blake
3565:The Life of William Blake
3437:The Life of William Blake
3384:The Life of William Blake
3222:Whitehead, Angus (2011).
3075:The Life of William Blake
2553:Scottish National Gallery
2076:
1804:He did not hold with the
1672:(wisdom, from the head),
1619:, one of his uncompleted
1563:, is at last fulfilled."
1488:dissident religious ideas
1416:, where he was baptised.
1398:Grade II listed structure
1242:illustrations to Dante's
1148:Job: A Masque for Dancing
635:
560:Blake became a friend of
249:
244:
219:
183:
173:
165:
155:
133:
116:
96:
80:
73:
11957:English feminist writers
11947:Death of God theologians
11790:The Bridges Organization
8354:German historical school
7653:The Pickering Manuscript
7102:William Blake Collection
7074:William Blake collection
7027:at the Poetry Foundation
6998:(archived 29 April 2014)
6893:Jason Whittaker (1999).
6666:. New York: Routledge.
6571:, editor 2nd ed. (1969)
6276:Blake, Nation and Empire
6241:Helen P. Bruder (1997).
5584:Jung and William Blake.
5493:"Blake's vision on show"
5331:William Blake and gender
5320:William Blake and Gender
5118:, 71(1), 141â165 (2004).
4674:"William Blake's London"
4559:Marsha Keith Schuchard,
4334:The Art of William Blake
3645:Erdman, David V (1982).
2711:The First Book of Urizen
2597:William Blake's Universe
1816:Enlightenment philosophy
321:William Michael Rossetti
39:latest accepted revision
11977:English watercolourists
11652:The Grammar of Ornament
11604:Nature's Harmonic Unity
11514:De prospectiva pingendi
9001:JĂłzef Ignacy Kraszewski
7847:
7501:(found only in Copy BB)
7379:The Clod and the Pebble
6850:Joseph Viscomi (1993).
6580:William Blake: His Life
6573:Blake Complete Writings
5191:Berger, Pierre (1915).
5184:Hamblen, Emily (1995).
5000:Ackroyd, Peter (1995).
4985:Kaiser, Christopher B.
4933:Galvin, Rachel (2004).
4044:Gikandi, Simon (2011).
3484:Blake, William (1893).
3459:Ackroyd, Peter (1995),
3412:Pearson Education, Inc.
3345:. Thames & Hudson.
2964:(1824â1827, unfinished)
2868:Gottfried August BĂŒrger
2344:Can I see another's woe
2342:'s setting of the poem
2249:EncyclopĂŠdia Britannica
2190:write from his dictate.
1480:'s last finished work,
1145:, who based his ballet
1050:The Canterbury Pilgrims
783:illuminated manuscripts
705:revolutions and wore a
11997:English Swedenborgians
11805:Institute For Figuring
11717:The 'Life' of a Carpet
11542:A Treatise on Painting
10584:Romanticism in science
10539:Middle Ages in history
10534:List of Romantic poets
9246:Josiah Gilbert Holland
8186:Catherine Blake (wife)
7131:Works by William Blake
7004:at the British Library
6915:Jérémie Kroubo Dagnini
6905:Ideas of Good and Evil
6692:Laura Quinney (2010).
6582:. St. Martin's Press.
6530:, Pegasus Books, 2021.
6189:Blake Books Supplement
6101:. Station Hill Press.
6064:. Sinclair-Stevenson.
6006:The Fitzwilliam Museum
5859:Morgan Library website
5613:De Montfort University
5464:Johnson, John (1823).
4972:Baker-Smith, Dominic.
4888:Altizer, Thomas J. J.
4767:, June Singer, p. 229.
3707:Gilchrist, A. (1842),
3162:Kazin, Alfred (1997).
2961:The Pilgrim's Progress
2800:Vala, or The Four Zoas
2669:Continental prophecies
2496:
2356:Ralph Vaughan Williams
2298:Dante Gabriel Rossetti
2279:
2223:
2210:
2201:
2192:
2173:
2136:
2114:
2096:
2001:
1930:
1902:
1886:
1866:
1855:scientific materialism
1802:
1782:
1746:
1688:(Tharmas, sense), the
1617:Vala, or The Four Zoas
1612:
1513:
1427:
1336:
1296:
1285:
1273:
1216:
1195:
1174:
1089:
1017:
983:
911:
844:
653:
461:
457:Continental Prophecies
402:Maarten van Heemskerck
347:
271:. What he called his "
267:and visual art of the
11952:English abolitionists
11686:George David Birkhoff
11660:Ernest Hanbury Hankin
11528:De divina proportione
11508:Piero della Francesca
11487:Leon Battista Alberti
11074:Piero della Francesca
10713:Hyperboloid structure
10554:Romantic epistemology
10544:Opium and Romanticism
9113:StojadinoviÄ-Srpkinja
8339:Counter-Enlightenment
8165:William Blake Archive
8064:Life of William Blake
7954:Descriptive Catalogue
7661:Auguries of Innocence
7590:The French Revolution
7394:The Little Girl Found
7227:All Religions are One
7220:An Island in the Moon
6779:. Bucknell Univ. Pr.
6604:Benjamin Heath Malkin
6398:R. N. Essick (1980).
6333:Michael Davis (1977)
6114:Reading William Blake
5058:Mellor, Anne (1974).
4795:William Blake Archive
4296:10.1353/elh.1997.0007
4218:Life of William Blake
4185:, Century, 2006, p. 3
4170:Life of William Blake
3922:"Blake Hercules Road"
3896:William Blake Society
3892:"Blake's Residencies"
3563:Wilson, Mona (1978).
3435:Wilson, Mona (1978).
3382:Wilson, Mona (1978).
3140:Wilson, Andy (2021).
2782:The French Revolution
2774:An Island in the Moon
2746:* (written 1804â1810)
2719:All Religions are One
2654:The Gates of Paradise
2587:An exhibition at the
2487:
2426:, and English writer
2398:of the 1950s and the
2289:Life of William Blake
2269:
2218:
2205:
2196:
2187:
2162:
2120:
2106:, an illustration to
2101:
2091:
2033:Life of William Blake
1991:
1963:, culminating in the
1923:Lot and His Daughters
1920:
1898:
1868:
1848:
1790:
1767:
1743:Found by Adam and Eve
1737:
1707:, both the character
1593:
1505:
1454:Industrial Revolution
1422:
1385:An Island in the Moon
1320:
1291:
1279:
1263:
1203:The Lovers' Whirlwind
1200:
1193:of being in the poem.
1190:
1164:
1075:
1055:Descriptive Catalogue
1012:
975:
921:Swedenborgian Society
901:
839:
720:An Island in the Moon
648:
435:
342:28 Broad Street (now
341:
160:Royal Academy of Arts
11611:Frederik Macody Lund
11482:Filippo Brunelleschi
11363:Hamid Naderi Yeganeh
11225:La condition humaine
10618:Age of Enlightenment
8260:England (literature)
7961:The Great Red Dragon
7668:The Mental Traveller
7389:The Little Girl Lost
7301:The Little Boy Found
7281:The Little Black Boy
6897:(London: Macmillan).
6883:(London: Routledge)
6872:Mona Wilson (1927).
6772:(Nicolas-Hays 1986).
6543:Essays in Literature
6296:Cousin, John William
5373:Berger, pp. 112, 284
4576:(21 February 2011).
4235:www.lilith-ezine.com
3902:on 15 September 2015
3311:Yeats, W.B. (2002).
3246:"Blake & London"
3170:on 26 September 2006
3012:on 15 September 2015
3006:"Blake & London"
2938:Robert John Thornton
2838:Illustrated by Blake
2714:* (edited 1794â1818)
2441:Much of the central
2325:William Butler Yeats
1797:But Desire Gratified
1567:John Middleton Murry
1498:Development of views
1343:'s burial ground in
867:John Gabriel Stedman
608:In 1781 William met
309:American Revolutions
12037:People from Felpham
12012:Free love advocates
11982:English printmakers
11967:English republicans
11912:Angelic visionaries
11836:Mathematical beauty
11761:Rhythm of Structure
11704:Gödel, Escher, Bach
11500:De re aedificatoria
11131:The Ancient of Days
10750:Projective geometry
10679:Mathematics and art
10569:Romantic psychology
8364:Hudson River School
8308:Sweden (literature)
8293:Russia (literature)
7983:Agony in the Garden
7976:The Ghost of a Flea
7881:The Ancient of Days
7680:Rossetti Manuscript
7449:The Little Vagabond
7429:My Pretty Rose Tree
7399:The Chimney Sweeper
7361:Songs of Experience
7351:On Another's Sorrow
7296:The Little Boy Lost
7291:The Chimney Sweeper
7097:Library of Congress
7078:Harry Ransom Center
7031:BBC etching gallery
6865:David Weir (2003).
6750:Basil de SĂ©lincourt
6578:James King (1991).
6499:Alexander Gilchrist
6491:Christine Gallant,
6484: ed. (1966).
6421:. Clarendon Press.
6172:. Clarendon Press.
6050:The London Magazine
5958:. 10 November 2016.
5640:Diana Hume George.
5223:Sheila Rowbotham's
5105:, Yale Anchor Press
4451:, London, 1863, 405
4183:Why Mrs Blake Cried
4112:Blake and Tradition
4001:The London Magazine
3414:2006. p. 150.
3248:. The Blake Society
3102:. 29 December 2020.
2844:Mary Wollstonecraft
2650:(written 1790â1793)
2494:City of Westminster
2449:'s fantasy trilogy
2366:(as the 1982 work "
2284:Alexander Gilchrist
2165:The Ghost of a Flea
2141:Songs of Experience
1941:Mary Wollstonecraft
1890:Sir Joshua Reynolds
1692:(Luvah, love), the
1177:The commission for
1133:, later admired by
1098:Sir Joshua Reynolds
683:Mary Wollstonecraft
626:Alexander Gilchrist
586:Alexander Gilchrist
29:Page version status
12032:Protestant mystics
12022:Mythopoeic writers
11992:English Dissenters
11962:English male poets
11937:Christian radicals
11841:Patterns in nature
11698:Douglas Hofstadter
11324:Desmond Paul Henry
11314:Bathsheba Grossman
11246:The Swallow's Tail
11167:Giorgio de Chirico
11039:Sydney Opera House
10894:Croatian interlace
8554:White Mountain art
8495:Historical fiction
8303:Spain (literature)
7915:Illustrations for
7611:The Book of Ahania
7604:The Book of Urizen
7537:America a Prophecy
7479:A Little Girl Lost
7459:The Human Abstract
7444:The Garden of Love
7271:The Ecchoing Green
7258:Songs of Innocence
7246:Songs of Innocence
6516:Jean H. Hagstrom,
6320:A Blake Dictionary
6199:Blake's Apocalypse
6191:. Clarendon Press.
5835:on 29 October 2014
5800:"Ashmolean Museum"
5723:The New York Times
5680:zoamorphosis.com,
5572:(Springer, 2012),
5450:Langridge, Irene.
5236:Berger pp. 188â190
5214:Swinburne, p. 249.
5165:. 17 November 2017
5133:www2.h-net.msu.edu
5101:Erdman, David ed.
4879:. 2003, pp. 226â7.
4853:A Blake Dictionary
4391:. English Heritage
4241:on 12 October 2007
3950:on 21 August 2014.
3807:has generic name (
3726:www.britannica.com
3465:Sinclair-Stevenson
3116:. 2 November 2016.
2735:The Book of Ahania
2688:(edited 1794â1821)
2677:America a Prophecy
2629:Songs of Innocence
2589:Fitzwilliam Museum
2497:
2452:His Dark Materials
2280:
2256:Cultural influence
2230:William Wordsworth
2174:
2115:
1931:
1927:Huntington Library
1867:
1753:Blake opposed the
1747:
1729:Synagogue of Satan
1613:
1528:by D. G. Gillham.
1514:
1428:
1347:, that became the
1297:
1286:
1274:
1270:Fitzwilliam Museum
1217:
1175:
1090:
1018:
984:
912:
849:intaglio engraving
845:
726:Blake illustrated
691:William Wordsworth
654:
620:Europe: A Prophecy
501:Westminster School
473:Great Queen Street
462:
368:English Dissenters
348:
317:Emanuel Swedenborg
295:preferred his own
35:
12002:English engravers
11874:
11873:
11727:
11726:
11691:Aesthetic Measure
11562:Sebastiano Serlio
11536:Leonardo da Vinci
11426:
11425:
11418:Margaret Wertheim
11079:Leonardo da Vinci
10645:
10644:
10559:Romantic medicine
10529:List of romantics
9968:
9967:
9619:Felix Mendelssohn
9614:Fanny Mendelssohn
9425:
9424:
9139:RosalĂa de Castro
9077:Soares dos Passos
8425:Transcendentalism
8389:Nazarene movement
8349:DĂŒsseldorf School
8207:
8206:
8203:
8202:
8199:
8198:
8036:
8035:
8032:
8031:
7989:Illustrations of
7938:Illustrations of
7923:Illustrations of
7838:
7837:
7698:
7697:
7694:
7693:
7648:
7647:
7544:Europe a Prophecy
7508:
7507:
7474:A Little Boy Lost
7248:and of Experience
7213:Poetical Sketches
6947:978-0-8201-1388-3
6702:978-0-674-03524-9
6672:978-1-1389-3914-1
6642:W. J. T. Mitchell
6624:. Freedom Press.
6511:978-1-108-01369-7
6434:Blake in his time
5804:Ashmolean website
5785:Edward Larrissy.
5529:978-1-60303-696-2
5454:. 1904, pp. 48â9.
5420:. 1995, pp. 36â7.
5402:(pdf, 11 MB)
5318:and again in his
5163:Poetry Foundation
5129:"H-Women â H-Net"
4122:978-0-415-29087-6
3855:978-1-85437-768-5
3612:. Watkins Media.
3606:(16 April 2015).
3410:. United States:
3034:. 2006, pp 11â12.
2985:
2984:
2789:A Song of Liberty
2766:Poetical Sketches
2685:Europe a Prophecy
2614:Illuminated books
2562:An exhibition at
2540:An exhibition at
2469:Kathleen Yearwood
2463:'s fantasy novel
2333:Graham Sutherland
1763:sexual repression
1645:Blake's mythology
1492:English Civil War
1121:Shoreham Ancients
1100:, denouncing the
943:, in Sussex (now
798:The Ghost of Abel
681:; early feminist
679:John Henry Fuseli
659:Poetical Sketches
610:Catherine Boucher
570:George Cumberland
496:Westminster Abbey
452:illuminated books
372:St James's Church
328:Catherine Boucher
301:Church of England
258:
257:
226:Catherine Boucher
174:Literary movement
129:, London, England
112:, London, England
26:
16:(Redirected from
12059:
12047:Proto-anarchists
12042:People from Soho
11862:
11861:
11712:Nikos Salingaros
11435:
11434:
11403:Hiroshi Sugimoto
11353:Robert Longhurst
11299:Helaman Ferguson
11254:Crockett Johnson
11183:Circle Limit III
11152:Danseuse au café
11059:
11058:
11029:Pyramid of Khufu
10792:
10672:
10665:
10658:
10649:
10648:
10635:
10634:
10594:Evolution theory
9436:
9435:
8569:
8568:
8430:Ukrainian school
8234:
8227:
8220:
8211:
8210:
8174:(1983 monologue)
8078:Fearful Symmetry
8053:
8052:
8042:
8041:
7855:
7854:
7844:
7843:
7704:
7703:
7576:The Book of Thel
7521:
7520:
7316:The Divine Image
7254:
7253:
7202:
7201:
7191:
7190:
7176:
7169:
7162:
7153:
7152:
7142:
7141:
7126:Internet Archive
6985:
6983:Biography portal
6980:
6979:
6978:
6971:
6966:
6965:
6937:Blake, William,
6927:, (London, 1874)
6889:978-0415-6561-84
6807:
6565:
6556:
6554:
6540:
6488:. Prentice-Hall.
6483:
6466:Fearful Symmetry
6439:Michael Ferber,
6416:
6382:
6312:
6292:
6257:G. K. Chesterton
6233:
6186:
6167:
6148:
6096:
6054:
6030:
6023:
6017:
6016:
6014:
6012:
5998:
5992:
5991:
5980:
5974:
5973:
5966:
5960:
5959:
5952:
5946:
5945:
5943:
5941:
5927:
5921:
5920:
5918:
5916:
5902:
5896:
5895:
5893:
5891:
5877:
5871:
5870:
5868:
5866:
5861:. 19 August 2013
5851:
5845:
5844:
5842:
5840:
5831:. Archived from
5821:
5815:
5814:
5812:
5810:
5796:
5790:
5783:
5777:
5776:
5764:
5758:
5757:
5741:
5735:
5734:
5732:
5730:
5713:
5707:
5697:Into the Mystic,
5692:
5686:
5677:
5671:
5670:
5668:
5666:
5651:
5645:
5638:
5632:
5631:
5629:
5627:
5621:
5615:. Archived from
5606:
5594:
5588:
5582:
5576:
5566:
5560:
5553:
5547:
5540:
5534:
5533:
5515:
5509:
5508:
5506:
5504:
5488:
5482:
5481:
5461:
5455:
5448:
5439:
5427:
5421:
5414:
5403:
5396:
5390:
5380:
5374:
5371:
5365:
5362:
5356:
5349:
5343:
5340:
5334:
5328:
5322:
5312:
5306:
5303:
5297:
5294:
5288:
5283:S. Foster Damon
5281:
5275:
5272:
5266:
5260:
5254:
5243:
5237:
5234:
5228:
5221:
5215:
5212:
5206:
5205:Swinburne p. 260
5203:
5197:
5196:
5189:
5181:
5175:
5174:
5172:
5170:
5155:
5149:
5148:
5146:
5144:
5139:on 27 April 2014
5135:. Archived from
5125:
5119:
5112:
5106:
5099:
5093:
5090:
5084:
5083:
5055:
5049:
5048:
5032:
5022:
5016:
5015:
4996:
4990:
4983:
4977:
4970:
4964:
4961:
4955:
4954:
4952:
4950:
4930:
4924:
4923:
4899:
4893:
4886:
4880:
4875:Makdisi, Saree.
4873:
4867:
4866:
4848:
4842:
4839:
4833:
4830:
4824:
4823:Bloom 1993 p. 32
4821:
4815:
4812:
4806:
4805:
4803:
4801:
4786:
4780:
4779:, Murry, p. 168.
4774:
4768:
4765:The Unholy Bible
4762:
4756:
4755:
4737:
4731:
4724:
4718:
4717:
4715:
4713:
4694:
4685:
4684:
4682:
4680:
4669:
4663:
4656:
4650:
4649:
4647:
4645:
4630:
4624:
4623:
4621:
4619:
4614:. 11 August 2018
4604:
4595:
4594:
4592:
4590:
4574:Historic England
4570:
4564:
4557:
4551:
4544:
4538:
4535:
4529:
4522:
4516:
4510:
4504:
4497:
4491:
4490:
4488:
4486:
4471:
4465:
4458:
4452:
4445:
4439:
4432:
4426:
4420:
4414:
4407:
4401:
4400:
4398:
4396:
4385:
4379:
4372:
4366:
4356:
4350:
4343:
4337:
4332:Blunt, Anthony,
4330:
4324:
4323:
4277:
4271:
4270:
4257:
4251:
4250:
4248:
4246:
4237:. Archived from
4227:
4221:
4216:Wright, Thomas.
4214:
4208:
4205:
4199:
4194:Ackroyd, Peter,
4192:
4186:
4179:
4173:
4166:
4160:
4153:
4147:
4142:Sung, Mei-Ying.
4140:
4134:
4133:
4131:
4129:
4106:
4100:
4099:
4079:
4070:
4068:
4066:
4064:
4041:
4035:
4028:
4022:
4011:
4005:
4004:
3992:
3977:
3976:
3971:
3969:
3958:
3952:
3951:
3946:. Archived from
3936:
3930:
3929:
3918:
3912:
3911:
3909:
3907:
3898:. Archived from
3888:
3882:
3876:
3870:
3865:Ackroyd, Peter,
3863:
3857:
3847:
3841:
3840:
3838:
3836:
3819:
3813:
3812:
3806:
3802:
3800:
3792:
3790:
3788:
3765:
3754:
3753:
3743:
3737:
3736:
3734:
3732:
3718:
3712:
3711:, London, p. 30.
3705:
3699:
3694:Ackroyd (1995),
3692:
3686:
3671:
3665:
3662:
3641:
3635:
3634:
3628:
3626:
3600:
3594:
3585:
3579:
3578:
3560:
3549:
3544:Ackroyd (1995),
3542:
3536:
3535:
3495:
3489:
3482:
3476:
3457:
3451:
3450:
3432:
3426:
3425:
3404:
3398:
3397:
3379:
3373:
3368:Bentley (2001),
3366:
3357:
3356:
3333:
3327:
3326:
3308:
3302:
3295:
3284:
3283:
3281:
3279:
3264:
3258:
3257:
3255:
3253:
3242:
3236:
3235:
3219:
3210:
3209:. 1890, p. xiii.
3201:
3195:
3186:
3180:
3179:
3177:
3175:
3166:. Archived from
3159:
3153:
3152:
3150:
3148:
3137:
3131:
3126:Blake, William.
3124:
3118:
3117:
3110:
3104:
3103:
3096:
3090:
3084:
3078:
3071:
3065:
3056:
3050:
3043:Thomas, Edward.
3041:
3035:
3028:
3022:
3021:
3019:
3017:
3002:
2817:
2814:
2639:The Book of Thel
2609:
2555:2007 exhibition
2505:Ashmolean Museum
2412:Richard Ashcroft
2352:Benjamin Britten
2064:The Book of Thel
2014:Edward Carpenter
1989:, Blake writes:
1943:and her husband
1549:The Unholy Bible
1394:Second World War
1361:Frederick Tatham
1143:Vaughan Williams
1033:Canterbury Tales
1005:Return to London
925:The Book of Thel
813:The Book of Thel
751:Waterloo Station
671:Joseph Priestley
554:history painting
352:Broadwick Street
344:Broadwick Street
254:
238:
236:
123:
107:28 November 1757
106:
104:
85:
71:
70:
47:9 September 2024
21:
12067:
12066:
12062:
12061:
12060:
12058:
12057:
12056:
11932:Christian poets
11877:
11876:
11875:
11870:
11850:
11846:Sacred geometry
11819:
11785:Ars Mathematica
11773:
11723:
11634:
11587:
11574:Andrea Palladio
11470:
11463:De architectura
11422:
11378:Antoine Pevsner
11358:Jeanette McLeod
11309:Susan Goldstine
11258:
11117:
11111:
11048:
11034:Sagrada FamĂlia
10995:
10937:
10805:Algorithmic art
10793:
10784:
10780:Wallpaper group
10718:Minimal surface
10681:
10676:
10646:
10641:
10640:
10629:
10621:
10607:
10564:Romantic poetry
10549:Romantic ballet
10524:German idealism
10507:
10473:Lacoue-Labarthe
10399:
10146:
9964:
9913:
9882:
9863:Rimsky-Korsakov
9806:
9755:
9704:
9663:
9572:
9516:
9480:
9421:
9270:
9214:
9163:
9122:
9081:
9035:
8977:
8918:Maria Edgeworth
8854:
8847:
8726:
8648:
8558:
8537:Romantic genius
8467:Gesamtkunstwerk
8444:
8405:Sturm und Drang
8312:
8243:
8238:
8208:
8195:
8148:
8118:Ten Blake Songs
8097:
8056:Scholarly works
8047:
8028:
8023:Visionary Heads
8010:
7872:Engravings for
7859:
7849:
7834:
7711:
7690:
7673:
7644:
7618:The Book of Los
7556:
7551:The Song of Los
7527:
7515:
7504:
7355:
7247:
7239:
7196:
7185:
7180:
7139:
7039:
7016:
6981:
6976:
6974:
6967:
6960:
6957:
6952:
6804:
6569:Geoffrey Keynes
6552:
6550:
6538:
6481:
6417: (1989).
6414:
6383: (1988).
6380:
6359:David V. Erdman
6316:S. Foster Damon
6300:Arnold, Matthew
6234: (1944).
6231:
6205:Jacob Bronowski
6187: (1995).
6184:
6168: (1977).
6165:
6149: (2006).
6146:
6097: (1987).
6094:
6039:
6037:Further reading
6034:
6033:
6024:
6020:
6010:
6008:
6000:
5999:
5995:
5982:
5981:
5977:
5968:
5967:
5963:
5954:
5953:
5949:
5939:
5937:
5929:
5928:
5924:
5914:
5912:
5904:
5903:
5899:
5889:
5887:
5879:
5878:
5874:
5864:
5862:
5853:
5852:
5848:
5838:
5836:
5823:
5822:
5818:
5808:
5806:
5798:
5797:
5793:
5784:
5780:
5765:
5761:
5742:
5738:
5728:
5726:
5714:
5710:
5693:
5689:
5678:
5674:
5664:
5662:
5652:
5648:
5642:Blake and Freud
5639:
5635:
5625:
5623:
5619:
5604:
5596:
5595:
5591:
5583:
5579:
5567:
5563:
5554:
5550:
5541:
5537:
5530:
5516:
5512:
5502:
5500:
5489:
5485:
5478:
5462:
5458:
5449:
5442:
5428:
5424:
5415:
5406:
5397:
5393:
5381:
5377:
5372:
5368:
5363:
5359:
5350:
5346:
5342:Ankarsjö, p. 64
5341:
5337:
5329:
5325:
5313:
5309:
5305:Berger, p. 142.
5304:
5300:
5295:
5291:
5287:(1924), p. 105.
5282:
5278:
5273:
5269:
5261:
5257:
5244:
5240:
5235:
5231:
5222:
5218:
5213:
5209:
5204:
5200:
5182:
5178:
5168:
5166:
5159:"William Blake"
5157:
5156:
5152:
5142:
5140:
5127:
5126:
5122:
5113:
5109:
5100:
5096:
5091:
5087:
5076:
5056:
5052:
5045:
5023:
5019:
5012:
4997:
4993:
4989:. 1997, p. 328.
4984:
4980:
4976:. 1987, p. 163.
4971:
4967:
4962:
4958:
4948:
4946:
4945:on 3 March 2017
4931:
4927:
4920:
4900:
4896:
4887:
4883:
4874:
4870:
4863:
4849:
4845:
4840:
4836:
4831:
4827:
4822:
4818:
4813:
4809:
4799:
4797:
4787:
4783:
4775:
4771:
4763:
4759:
4752:
4738:
4734:
4725:
4721:
4711:
4709:
4696:
4695:
4688:
4678:
4676:
4670:
4666:
4658:(12 Aug 2018).
4657:
4653:
4643:
4641:
4631:
4627:
4617:
4615:
4606:
4605:
4598:
4588:
4586:
4571:
4567:
4558:
4554:
4545:
4541:
4536:
4532:
4523:
4519:
4511:
4507:
4498:
4494:
4484:
4482:
4472:
4468:
4459:
4455:
4446:
4442:
4433:
4429:
4421:
4417:
4408:
4404:
4394:
4392:
4387:
4386:
4382:
4374:Bentley, G.E.,
4373:
4369:
4357:
4353:
4344:
4340:
4331:
4327:
4278:
4274:
4258:
4254:
4244:
4242:
4229:
4228:
4224:
4220:. 2003, p. 131.
4215:
4211:
4206:
4202:
4193:
4189:
4181:Schuchard, MK,
4180:
4176:
4167:
4163:
4155:Bentley, G. E,
4154:
4150:
4141:
4137:
4127:
4125:
4123:
4107:
4103:
4096:
4080:
4073:
4062:
4060:
4058:
4042:
4038:
4030:Eaves, Morris.
4029:
4025:
4012:
4008:
3993:
3980:
3967:
3965:
3960:
3959:
3955:
3940:"William Blake"
3938:
3937:
3933:
3920:
3919:
3915:
3905:
3903:
3890:
3889:
3885:
3877:
3873:
3864:
3860:
3848:
3844:
3834:
3832:
3820:
3816:
3804:
3803:
3794:
3793:
3786:
3784:
3766:
3757:
3745:
3744:
3740:
3730:
3728:
3720:
3719:
3715:
3706:
3702:
3693:
3689:
3672:
3668:
3659:
3642:
3638:
3624:
3622:
3620:
3604:Churton, Tobias
3601:
3597:
3586:
3582:
3575:
3561:
3552:
3543:
3539:
3496:
3492:
3483:
3479:
3458:
3454:
3447:
3433:
3429:
3422:
3406:
3405:
3401:
3394:
3380:
3376:
3367:
3360:
3353:
3337:Raine, Kathleen
3334:
3330:
3323:
3309:
3305:
3296:
3287:
3277:
3275:
3268:"William Blake"
3266:
3265:
3261:
3251:
3249:
3244:
3243:
3239:
3220:
3213:
3202:
3198:
3187:
3183:
3173:
3171:
3160:
3156:
3146:
3144:
3138:
3134:
3125:
3121:
3112:
3111:
3107:
3098:
3097:
3093:
3089:. 2004, p. 351.
3085:
3081:
3072:
3068:
3057:
3053:
3042:
3038:
3029:
3025:
3015:
3013:
3004:
3003:
2996:
2991:
2986:
2949:The Book of Job
2931:Visionary Heads
2840:
2829:prophetic books
2827:constitute the
2815:
2761:
2759:Non-illuminated
2738:* (edited 1795)
2730:* (edited 1795)
2727:The Book of Los
2693:The Song of Los
2664:* (edited 1793)
2616:
2606:
2482:
2424:Bruce Dickinson
2318:David V. Erdman
2310:Geoffrey Keynes
2306:S. Foster Damon
2294:Pre-Raphaelites
2264:
2258:
2149:
2135:
2132:
2130:
2128:
2126:
2124:
2108:J. G. Stedman's
2084:
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1995:
1969:Magnus Ankarsjö
1936:
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1872:
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1801:
1798:
1796:
1794:
1781:
1779:. (7.4â5, E35)
1774:
1713:The Eternal Man
1653:mythic universe
1621:prophetic books
1605:Ancient of Days
1600:Ancient of Days
1597:â from Blake's
1588:
1586:Religious views
1500:
1444:
1439:
1357:George Richmond
1312:George Richmond
1258:
1069:, was hostile.
1007:
933:
908:Blakeâs Cottage
902:The cottage in
896:
834:
775:
767:prophetic books
715:Reign of Terror
662:, was printed.
643:
638:
606:
582:
566:Thomas Stothard
530:Joshua Reynolds
517:
430:
336:
273:prophetic works
240:
237: 1782)
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89:Thomas Phillips
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11:
5:
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12017:Male feminists
12014:
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11999:
11994:
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11917:Artist authors
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11628:The Greek Vase
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11550:Albrecht DĂŒrer
11547:
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11413:Roman Verostko
11410:
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11388:Alba Rojo Cama
11385:
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11350:
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11334:Charles Jencks
11331:
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11319:George W. Hart
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11146:Jean Metzinger
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11093:Albrecht DĂŒrer
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10513:
10512:Related topics
10509:
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10240:Gallen-Kallela
10237:
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10215:David d'Angers
10212:
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10152:Visual artists
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9377:OehlenschlÀger
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9064:
9059:
9054:
9049:
9047:Castelo Branco
9043:
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8773:Brothers Grimm
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8509:
8504:
8497:
8492:
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8490:
8485:
8475:
8473:Gothic fiction
8470:
8463:
8461:British Marine
8458:
8452:
8450:
8446:
8445:
8443:
8442:
8437:
8432:
8427:
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8410:
8409:
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8396:
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8371:
8366:
8361:
8359:Gothic revival
8356:
8351:
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7917:Night-Thoughts
7912:
7909:Nebuchadnezzar
7905:
7898:
7891:
7884:
7877:
7869:
7867:Relief etching
7863:
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7509:
7506:
7505:
7503:
7502:
7499:A Divine Image
7496:
7491:
7489:The School Boy
7486:
7481:
7476:
7471:
7466:
7461:
7456:
7451:
7446:
7441:
7436:
7434:Ah! Sun-flower
7431:
7426:
7421:
7416:
7411:
7406:
7401:
7396:
7391:
7386:
7381:
7376:
7374:Earth's Answer
7371:
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7363:
7357:
7356:
7354:
7353:
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7230:
7223:
7216:
7208:
7206:
7205:Early writings
7198:
7197:
7195:Literary works
7187:
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7179:
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7015:
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7010:
7005:
6999:
6993:
6987:
6986:
6972:
6956:
6955:External links
6953:
6951:
6950:
6935:
6928:
6921:W. M. Rossetti
6918:
6908:
6898:
6891:
6877:
6870:
6863:
6848:
6831:E. P. Thompson
6828:
6818:
6808:
6802:
6787:
6785:978-0838754689
6773:
6759:
6747:
6737:
6730:
6715:
6708:Kathleen Raine
6705:
6690:
6675:
6657:
6639:
6632:
6618:Peter Marshall
6615:
6601:
6591:
6576:
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6521:
6514:
6496:
6489:
6478:
6458:
6453:. London: The
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6073:
6055:
6040:
6038:
6035:
6032:
6031:
6025:Wilson, Mona.
6018:
5993:
5975:
5961:
5947:
5922:
5897:
5872:
5846:
5816:
5791:
5778:
5759:
5736:
5718:"The Pop Life"
5708:
5694:Neil Spencer,
5687:
5672:
5646:
5633:
5589:
5577:
5561:
5548:
5542:Hazard Adams.
5535:
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5510:
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5440:
5422:
5404:
5391:
5375:
5366:
5357:
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5307:
5298:
5296:Wright, p. 57.
5289:
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5198:
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4894:
4892:. 2000, p. 18.
4881:
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4807:
4781:
4769:
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4750:
4732:
4719:
4708:on 2 July 2019
4686:
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4349:, 4 April 2009
4338:
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4209:
4200:
4187:
4174:
4172:, 1863, p. 316
4161:
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4135:
4121:
4101:
4095:978-0486143903
4094:
4071:
4057:978-0691160979
4056:
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3510:(2): 187â199.
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3196:
3194:. 1890, p. xi.
3181:
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3132:
3119:
3105:
3091:
3079:
3073:Wilson, Mona.
3066:
3064:. 2007, p. 85.
3051:
3036:
3023:
2993:
2992:
2990:
2987:
2983:
2982:
2978:
2977:
2965:
2953:
2945:
2935:
2923:
2911:
2899:
2889:
2885:Night-Thoughts
2877:
2865:
2853:
2839:
2836:
2834:
2823:The works with
2820:
2819:
2818:, edited 1874)
2804:
2796:
2786:
2778:
2770:
2760:
2757:
2756:
2755:
2747:
2739:
2731:
2723:
2715:
2707:
2699:
2698:
2697:
2689:
2681:
2665:
2657:
2651:
2643:
2635:
2634:
2633:
2624:(edited 1794)
2615:
2612:
2607:
2605:
2602:
2601:
2600:
2585:
2578:
2571:
2566:in 2000â2001,
2560:
2549:
2544:in 2007â2008,
2538:
2527:
2522:'s exhibition
2516:
2481:
2478:
2447:Philip Pullman
2432:William Bolcom
2406:, songwriters
2404:Allen Ginsberg
2260:Main article:
2257:
2254:
2183:William Hayley
2148:
2145:
2121:
2083:
2080:
2078:
2075:
1992:
1945:William Godwin
1935:
1932:
1914:
1911:
1869:
1817:
1814:
1791:
1786:Garden of Love
1768:
1686:God the Father
1609:Book of Daniel
1587:
1584:
1499:
1496:
1478:E. P. Thompson
1466:William Godwin
1443:
1440:
1438:
1435:
1353:Edward Calvert
1345:Bunhill Fields
1282:Bunhill Fields
1266:James De Ville
1257:
1254:
1232:ancient Greece
1169:to illustrate
1006:
1003:
967:Milton: a Poem
949:William Hayley
932:
929:
895:
892:
833:
830:
779:relief etching
774:
773:Relief etching
771:
695:William Godwin
673:; philosopher
667:Joseph Johnson
642:
639:
637:
634:
605:
602:
590:Newgate Prison
581:
578:
516:
513:
429:
428:Apprenticeship
426:
418:Edmund Spenser
406:Albrecht DĂŒrer
335:
332:
256:
255:
247:
246:
242:
241:
230:
224:
223:
221:
217:
216:
185:
181:
180:
175:
171:
170:
167:
163:
162:
157:
153:
152:
150:
149:
144:
141:
137:
135:
131:
130:
124:(aged 69)
120:12 August 1827
118:
114:
113:
98:
94:
93:
86:
78:
77:
74:
58:
36:
30:
27:
25:
9:
6:
4:
3:
2:
12064:
12053:
12050:
12048:
12045:
12043:
12040:
12038:
12035:
12033:
12030:
12028:
12025:
12023:
12020:
12018:
12015:
12013:
12010:
12008:
12005:
12003:
12000:
11998:
11995:
11993:
11990:
11988:
11985:
11983:
11980:
11978:
11975:
11973:
11970:
11968:
11965:
11963:
11960:
11958:
11955:
11953:
11950:
11948:
11945:
11943:
11940:
11938:
11935:
11933:
11930:
11928:
11925:
11923:
11920:
11918:
11915:
11913:
11910:
11908:
11905:
11903:
11900:
11898:
11895:
11893:
11890:
11888:
11887:William Blake
11885:
11884:
11882:
11867:
11866:
11857:
11856:
11853:
11847:
11844:
11842:
11839:
11837:
11834:
11832:
11831:Droste effect
11829:
11828:
11826:
11822:
11816:
11813:
11811:
11810:Mathemalchemy
11808:
11806:
11803:
11801:
11798:
11796:
11793:
11791:
11788:
11786:
11783:
11782:
11780:
11778:Organizations
11776:
11770:
11769:
11765:
11763:
11762:
11758:
11756:
11755:
11751:
11749:
11748:
11747:Lumen Naturae
11744:
11742:
11741:
11737:
11736:
11734:
11730:
11718:
11715:
11714:
11713:
11710:
11706:
11705:
11701:
11700:
11699:
11696:
11692:
11689:
11688:
11687:
11684:
11680:
11679:
11675:
11674:
11673:
11670:
11666:
11663:
11662:
11661:
11658:
11654:
11653:
11649:
11648:
11647:
11644:
11643:
11641:
11637:
11629:
11626:
11625:
11624:
11621:
11617:
11614:
11613:
11612:
11609:
11605:
11602:
11601:
11600:
11599:Samuel Colman
11597:
11596:
11594:
11590:
11582:
11581:
11577:
11576:
11575:
11572:
11568:
11565:
11564:
11563:
11560:
11556:
11553:
11552:
11551:
11548:
11544:
11543:
11539:
11538:
11537:
11534:
11530:
11529:
11525:
11524:
11523:
11520:
11516:
11515:
11511:
11510:
11509:
11506:
11502:
11501:
11497:
11495:
11494:
11490:
11489:
11488:
11485:
11483:
11480:
11479:
11477:
11473:
11465:
11464:
11460:
11459:
11458:
11455:
11451:
11448:
11447:
11446:
11443:
11442:
11440:
11436:
11433:
11429:
11419:
11416:
11414:
11411:
11409:
11408:Daina TaimiĆa
11406:
11404:
11401:
11399:
11396:
11394:
11393:Reza Sarhangi
11391:
11389:
11386:
11384:
11381:
11379:
11376:
11374:
11371:
11369:
11366:
11364:
11361:
11359:
11356:
11354:
11351:
11349:
11346:
11342:
11341:
11337:
11336:
11335:
11332:
11330:
11327:
11325:
11322:
11320:
11317:
11315:
11312:
11310:
11307:
11305:
11304:Peter Forakis
11302:
11300:
11297:
11295:
11292:
11290:
11287:
11285:
11282:
11280:
11276:
11273:
11271:
11268:
11267:
11265:
11261:
11255:
11252:
11248:
11247:
11243:
11241:
11240:
11236:
11235:
11234:
11233:Salvador DalĂ
11231:
11227:
11226:
11222:
11221:
11220:
11219:René Magritte
11217:
11213:
11212:
11208:
11206:
11205:
11201:
11199:
11198:
11194:
11192:
11191:
11190:Print Gallery
11187:
11185:
11184:
11180:
11179:
11178:
11175:
11173:
11170:
11168:
11165:
11161:
11160:
11159:L'Oiseau bleu
11156:
11154:
11153:
11149:
11148:
11147:
11144:
11140:
11139:
11135:
11133:
11132:
11128:
11127:
11126:
11125:William Blake
11123:
11122:
11120:
11114:
11106:
11105:
11101:
11100:
11099:
11096:
11094:
11091:
11087:
11086:
11085:Vitruvian Man
11082:
11081:
11080:
11077:
11075:
11072:
11070:
11069:Paolo Uccello
11067:
11066:
11064:
11060:
11057:
11055:
11051:
11045:
11042:
11040:
11037:
11035:
11032:
11030:
11027:
11025:
11022:
11020:
11017:
11015:
11012:
11010:
11007:
11006:
11004:
11002:
10998:
10992:
10991:
10990:Pi in the Sky
10987:
10985:
10984:
10980:
10978:
10977:
10973:
10971:
10970:
10966:
10964:
10963:
10962:Mathemalchemy
10959:
10957:
10956:
10952:
10950:
10947:
10946:
10944:
10940:
10934:
10931:
10929:
10926:
10924:
10921:
10917:
10914:
10913:
10912:
10909:
10907:
10904:
10900:
10897:
10895:
10892:
10890:
10887:
10886:
10885:
10882:
10878:
10875:
10873:
10870:
10868:
10865:
10863:
10860:
10859:
10858:
10855:
10853:
10850:
10848:
10845:
10843:
10840:
10838:
10835:
10831:
10830:Vastu shastra
10828:
10826:
10823:
10821:
10820:Geodesic dome
10818:
10817:
10816:
10813:
10811:
10808:
10806:
10803:
10802:
10800:
10796:
10791:
10781:
10778:
10776:
10773:
10771:
10768:
10764:
10761:
10759:
10756:
10755:
10753:
10751:
10748:
10746:
10745:Plastic ratio
10743:
10739:
10736:
10734:
10733:Camera lucida
10731:
10730:
10729:
10726:
10724:
10721:
10719:
10716:
10714:
10711:
10709:
10706:
10704:
10701:
10699:
10696:
10694:
10691:
10690:
10688:
10684:
10680:
10673:
10668:
10666:
10661:
10659:
10654:
10653:
10650:
10639:
10638:
10627:
10626:
10620:
10619:
10610:
10604:
10603:
10599:
10595:
10592:
10590:
10587:
10586:
10585:
10582:
10580:
10577:
10575:
10572:
10570:
10567:
10565:
10562:
10560:
10557:
10555:
10552:
10550:
10547:
10545:
10542:
10540:
10537:
10535:
10532:
10530:
10527:
10525:
10522:
10520:
10517:
10516:
10514:
10510:
10504:
10501:
10499:
10496:
10494:
10491:
10489:
10486:
10484:
10481:
10479:
10476:
10474:
10471:
10469:
10466:
10464:
10461:
10459:
10456:
10454:
10451:
10449:
10446:
10444:
10441:
10439:
10436:
10434:
10431:
10429:
10426:
10424:
10421:
10419:
10416:
10414:
10411:
10410:
10408:
10406:
10402:
10396:
10393:
10391:
10388:
10386:
10383:
10381:
10378:
10376:
10373:
10371:
10368:
10366:
10363:
10361:
10358:
10356:
10353:
10351:
10348:
10346:
10343:
10341:
10338:
10336:
10333:
10331:
10328:
10326:
10323:
10321:
10318:
10316:
10313:
10311:
10308:
10306:
10303:
10301:
10298:
10296:
10293:
10291:
10288:
10286:
10283:
10281:
10278:
10276:
10273:
10271:
10268:
10266:
10263:
10261:
10258:
10256:
10253:
10251:
10248:
10246:
10243:
10241:
10238:
10236:
10233:
10231:
10228:
10226:
10223:
10221:
10218:
10216:
10213:
10211:
10208:
10206:
10203:
10201:
10198:
10196:
10193:
10191:
10188:
10186:
10183:
10181:
10178:
10176:
10173:
10171:
10168:
10166:
10163:
10161:
10158:
10157:
10155:
10153:
10149:
10143:
10140:
10138:
10135:
10133:
10130:
10128:
10125:
10123:
10120:
10118:
10115:
10113:
10110:
10108:
10105:
10103:
10100:
10098:
10095:
10093:
10090:
10088:
10085:
10083:
10080:
10078:
10075:
10073:
10070:
10068:
10065:
10063:
10060:
10058:
10055:
10053:
10050:
10048:
10045:
10043:
10040:
10038:
10035:
10033:
10030:
10028:
10025:
10023:
10020:
10018:
10015:
10013:
10010:
10008:
10005:
10003:
10000:
9998:
9995:
9993:
9990:
9988:
9985:
9983:
9980:
9979:
9977:
9975:
9971:
9961:
9958:
9956:
9953:
9951:
9948:
9946:
9943:
9941:
9938:
9936:
9933:
9931:
9928:
9926:
9923:
9922:
9920:
9916:
9910:
9907:
9905:
9902:
9900:
9897:
9895:
9892:
9891:
9889:
9885:
9879:
9876:
9874:
9871:
9869:
9866:
9864:
9861:
9859:
9856:
9854:
9851:
9849:
9846:
9844:
9841:
9839:
9836:
9834:
9831:
9829:
9826:
9824:
9821:
9819:
9816:
9815:
9813:
9809:
9803:
9800:
9798:
9795:
9793:
9790:
9788:
9785:
9783:
9780:
9778:
9775:
9773:
9770:
9768:
9765:
9764:
9762:
9758:
9752:
9749:
9747:
9744:
9742:
9739:
9737:
9734:
9732:
9729:
9727:
9724:
9722:
9719:
9717:
9714:
9713:
9711:
9707:
9701:
9698:
9696:
9693:
9691:
9688:
9686:
9683:
9681:
9678:
9676:
9673:
9672:
9670:
9666:
9660:
9657:
9655:
9652:
9650:
9647:
9645:
9642:
9640:
9637:
9635:
9632:
9630:
9627:
9625:
9622:
9620:
9617:
9615:
9612:
9610:
9607:
9605:
9602:
9600:
9597:
9595:
9592:
9590:
9587:
9585:
9582:
9581:
9579:
9575:
9569:
9566:
9564:
9561:
9559:
9556:
9554:
9551:
9549:
9546:
9544:
9541:
9539:
9536:
9534:
9531:
9529:
9526:
9525:
9523:
9519:
9513:
9510:
9508:
9505:
9503:
9500:
9498:
9495:
9493:
9490:
9489:
9487:
9483:
9477:
9474:
9472:
9469:
9467:
9464:
9462:
9459:
9457:
9454:
9452:
9449:
9447:
9444:
9443:
9441:
9437:
9434:
9432:
9428:
9418:
9415:
9413:
9410:
9408:
9405:
9403:
9400:
9398:
9395:
9393:
9390:
9388:
9385:
9383:
9380:
9378:
9375:
9373:
9370:
9368:
9365:
9363:
9360:
9358:
9355:
9353:
9350:
9348:
9345:
9343:
9340:
9338:
9335:
9333:
9332:Nikolai Gogol
9330:
9328:
9325:
9323:
9320:
9318:
9315:
9313:
9310:
9308:
9305:
9303:
9300:
9298:
9295:
9293:
9290:
9288:
9285:
9283:
9280:
9279:
9277:
9273:
9267:
9264:
9262:
9259:
9257:
9254:
9252:
9249:
9247:
9244:
9242:
9239:
9237:
9234:
9232:
9229:
9227:
9224:
9223:
9221:
9217:
9211:
9208:
9206:
9203:
9201:
9198:
9196:
9193:
9191:
9188:
9186:
9183:
9181:
9178:
9176:
9173:
9172:
9170:
9166:
9160:
9157:
9155:
9152:
9150:
9147:
9145:
9142:
9140:
9137:
9135:
9132:
9131:
9129:
9125:
9119:
9116:
9114:
9111:
9109:
9106:
9104:
9101:
9099:
9096:
9094:
9091:
9090:
9088:
9084:
9078:
9075:
9073:
9070:
9068:
9065:
9063:
9060:
9058:
9055:
9053:
9050:
9048:
9045:
9044:
9042:
9038:
9032:
9029:
9027:
9024:
9022:
9019:
9017:
9014:
9012:
9009:
9007:
9004:
9002:
8999:
8997:
8994:
8992:
8989:
8988:
8986:
8984:
8980:
8974:
8971:
8969:
8966:
8964:
8963:P. B. Shelley
8961:
8959:
8956:
8954:
8951:
8949:
8946:
8944:
8943:Mary Robinson
8941:
8939:
8936:
8934:
8931:
8929:
8926:
8924:
8921:
8919:
8916:
8914:
8911:
8909:
8906:
8904:
8901:
8899:
8896:
8894:
8891:
8889:
8886:
8884:
8881:
8879:
8876:
8874:
8871:
8869:
8866:
8864:
8861:
8860:
8858:
8856:
8850:
8844:
8841:
8839:
8836:
8834:
8831:
8829:
8826:
8824:
8821:
8819:
8816:
8814:
8811:
8809:
8806:
8804:
8801:
8799:
8796:
8794:
8791:
8789:
8786:
8784:
8781:
8779:
8776:
8774:
8771:
8769:
8766:
8764:
8761:
8759:
8756:
8754:
8751:
8749:
8746:
8744:
8741:
8739:
8736:
8735:
8733:
8729:
8723:
8720:
8718:
8715:
8713:
8710:
8708:
8705:
8703:
8700:
8698:
8695:
8693:
8690:
8688:
8685:
8683:
8680:
8678:
8675:
8673:
8672:Chateaubriand
8670:
8668:
8665:
8663:
8660:
8659:
8657:
8655:
8651:
8645:
8642:
8640:
8637:
8635:
8632:
8630:
8627:
8625:
8622:
8620:
8617:
8615:
8612:
8610:
8607:
8605:
8602:
8600:
8597:
8595:
8592:
8590:
8587:
8585:
8582:
8580:
8577:
8576:
8574:
8570:
8567:
8565:
8561:
8555:
8552:
8550:
8549:
8545:
8543:
8540:
8538:
8535:
8533:
8530:
8528:
8525:
8523:
8520:
8518:
8515:
8513:
8510:
8508:
8505:
8503:
8502:
8501:Mal du siĂšcle
8498:
8496:
8493:
8489:
8486:
8484:
8481:
8480:
8479:
8476:
8474:
8471:
8469:
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7964:
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7958:
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7942:
7941:
7940:Paradise Lost
7936:
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7926:
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7657:
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7626:
7625:The Four Zoas
7622:
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7612:
7608:
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7605:
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7497:
7495:
7492:
7490:
7487:
7485:
7482:
7480:
7477:
7475:
7472:
7470:
7469:A Poison Tree
7467:
7465:
7464:Infant Sorrow
7462:
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7457:
7455:
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7447:
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7442:
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7410:
7409:The Sick Rose
7407:
7405:
7402:
7400:
7397:
7395:
7392:
7390:
7387:
7385:
7384:Holy Thursday
7382:
7380:
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7364:
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7349:
7347:
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7334:
7332:
7329:
7327:
7324:
7322:
7321:Holy Thursday
7319:
7317:
7314:
7312:
7311:A Cradle Song
7309:
7307:
7306:Laughing Song
7304:
7302:
7299:
7297:
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7217:
7215:
7214:
7210:
7209:
7207:
7203:
7199:
7192:
7188:
7184:
7183:William Blake
7177:
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7165:
7163:
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7021:
7018:
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7009:
7006:
7003:
7002:William Blake
7000:
6997:
6994:
6992:
6991:Blake Society
6989:
6988:
6984:
6973:
6970:
6969:Poetry portal
6964:
6959:
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6906:
6902:
6899:
6896:
6892:
6890:
6886:
6882:
6878:
6875:
6871:
6869:(SUNY Press).
6868:
6864:
6861:
6860:0-691-06962-X
6857:
6853:
6849:
6846:
6845:0-521-22515-9
6842:
6838:
6837:
6832:
6829:
6826:
6825:William Blake
6822:
6821:Arthur Symons
6819:
6816:
6812:
6809:
6805:
6803:9780841475373
6799:
6795:
6794:
6788:
6786:
6782:
6778:
6774:
6771:
6767:
6763:
6760:
6757:
6756:
6755:William Blake
6751:
6748:
6745:
6741:
6738:
6735:
6731:
6728:
6727:0-8387-5240-3
6724:
6720:
6716:
6713:
6712:William Blake
6709:
6706:
6703:
6699:
6695:
6691:
6688:
6687:0-8057-7053-4
6684:
6680:
6679:William Blake
6676:
6673:
6669:
6665:
6662:(1982, 2016)
6661:
6660:Joseph Natoli
6658:
6655:
6654:0-691-01402-7
6651:
6647:
6643:
6640:
6637:
6633:
6631:
6630:0-900384-77-8
6627:
6623:
6619:
6616:
6613:
6612:William Blake
6609:
6605:
6602:
6599:
6595:
6594:Saree Makdisi
6592:
6589:
6588:0-312-07572-3
6585:
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6577:
6574:
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6508:
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6497:
6494:
6490:
6487:
6479:
6476:
6475:0-691-06165-3
6472:
6468:
6467:
6462:
6461:Northrop Frye
6459:
6456:
6452:
6448:
6445:
6442:
6438:
6435:
6431:
6428:
6427:0-19-812985-8
6424:
6420:
6412:
6409:
6408:0-691-03954-2
6405:
6401:
6397:
6394:
6393:0-385-15213-2
6390:
6386:
6378:
6375:
6374:0-486-26719-9
6371:
6367:
6365:
6360:
6357:
6354:
6353:0-8014-2489-5
6350:
6346:
6342:
6339:
6336:
6332:
6329:
6328:0-87451-436-3
6325:
6321:
6317:
6314:
6311:
6307:
6306:
6301:
6297:
6291:
6287:
6284:
6280:
6277:
6273:
6270:
6269:0-7551-0032-8
6266:
6262:
6261:William Blake
6258:
6255:
6252:
6251:0-333-64036-5
6248:
6244:
6240:
6237:
6229:
6226:
6225:0-7100-7278-3
6222:
6218:
6217:0-7100-7277-5
6214:
6210:
6206:
6203:
6200:
6196:
6193:
6190:
6182:
6179:
6178:0-19-818151-5
6175:
6171:
6163:
6160:
6159:0-300-09685-2
6156:
6152:
6151:Blake Records
6144:
6141:
6140:0-300-08939-2
6137:
6133:
6129:
6126:
6123:
6122:0-312-06835-2
6119:
6115:
6111:
6108:
6107:1-886449-75-9
6104:
6100:
6092:
6089:
6088:0-226-03225-6
6085:
6081:
6077:
6074:
6071:
6070:1-85619-278-4
6067:
6063:
6059:
6058:Peter Ackroyd
6056:
6052:
6051:
6046:
6042:
6041:
6028:
6022:
6007:
6003:
5997:
5989:
5985:
5979:
5971:
5965:
5957:
5951:
5936:
5932:
5926:
5911:
5907:
5901:
5886:
5882:
5876:
5860:
5856:
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5834:
5830:
5826:
5820:
5805:
5801:
5795:
5788:
5782:
5774:
5770:
5763:
5755:
5751:
5747:
5740:
5725:
5724:
5719:
5712:
5705:
5702:
5701:
5698:
5691:
5684:
5683:
5676:
5661:
5660:Mean Magazine
5657:
5650:
5643:
5637:
5622:on 9 May 2010
5618:
5614:
5610:
5609:psy.dmu.ac.uk
5603:
5601:
5593:
5586:
5581:
5575:
5571:
5565:
5558:
5552:
5545:
5539:
5531:
5525:
5521:
5514:
5498:
5494:
5487:
5479:
5477:9780576029568
5473:
5469:
5468:
5460:
5453:
5447:
5445:
5437:
5436:1-85619-278-4
5433:
5426:
5419:
5413:
5411:
5409:
5401:
5395:
5388:
5384:
5383:Northrop Frye
5379:
5370:
5361:
5354:
5348:
5339:
5332:
5327:
5321:
5317:
5311:
5302:
5293:
5286:
5280:
5274:Davis, p. 55.
5271:
5264:
5259:
5252:
5248:
5242:
5233:
5226:
5220:
5211:
5202:
5194:
5187:
5180:
5164:
5160:
5154:
5138:
5134:
5130:
5124:
5117:
5111:
5104:
5098:
5089:
5082:
5077:
5075:0-520-02065-0
5071:
5067:
5063:
5062:
5054:
5046:
5044:9780691039541
5040:
5036:
5031:
5030:
5021:
5013:
5011:1-85619-278-4
5007:
5003:
4995:
4988:
4982:
4975:
4969:
4960:
4944:
4940:
4936:
4929:
4921:
4919:0-7100-8234-7
4915:
4911:
4907:
4906:
4898:
4891:
4885:
4878:
4872:
4864:
4862:0-87451-436-3
4858:
4854:
4847:
4838:
4829:
4820:
4811:
4796:
4792:
4785:
4778:
4777:William Blake
4773:
4766:
4761:
4753:
4751:0-900384-77-8
4747:
4743:
4736:
4729:
4723:
4707:
4703:
4699:
4693:
4691:
4675:
4668:
4661:
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4636:
4629:
4613:
4609:
4603:
4601:
4585:
4584:
4579:
4575:
4569:
4562:
4556:
4549:
4543:
4537:Davis, p. 164
4534:
4527:
4521:
4514:
4513:Blake Records
4509:
4502:
4496:
4481:
4477:
4470:
4463:
4462:Samuel Palmer
4457:
4450:
4444:
4437:
4431:
4424:
4423:Blake Records
4419:
4412:
4406:
4390:
4384:
4377:
4371:
4364:
4360:
4359:Lorenz Eitner
4355:
4348:
4342:
4335:
4329:
4321:
4317:
4313:
4309:
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4301:
4297:
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4232:
4226:
4219:
4213:
4204:
4197:
4191:
4184:
4178:
4171:
4165:
4158:
4157:Blake Records
4152:
4145:
4139:
4124:
4118:
4114:
4113:
4105:
4097:
4091:
4087:
4086:
4078:
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4059:
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4027:
4020:
4016:
4010:
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3998:
3991:
3989:
3987:
3985:
3983:
3975:
3964:. 9 June 2009
3963:
3957:
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3901:
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3798:
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3779:
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3760:
3752:
3748:
3742:
3727:
3723:
3717:
3710:
3704:
3697:
3691:
3684:
3681:. Cambridge:
3680:
3676:
3670:
3660:
3658:0-385-15213-2
3654:
3650:
3649:
3640:
3632:
3621:
3619:9781780287881
3615:
3611:
3610:
3605:
3599:
3592:
3591:
3584:
3576:
3574:0-586-08297-2
3570:
3566:
3559:
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3525:
3521:
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3509:
3505:
3501:
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3481:
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3473:1-85619-278-4
3470:
3466:
3462:
3456:
3448:
3446:0-586-08297-2
3442:
3438:
3431:
3423:
3421:0-321-33394-2
3417:
3413:
3409:
3403:
3395:
3393:0-586-08297-2
3389:
3385:
3378:
3371:
3365:
3363:
3354:
3352:0-500-20107-2
3348:
3344:
3343:
3338:
3332:
3324:
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3307:
3300:
3294:
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3269:
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3218:
3216:
3208:
3207:
3200:
3193:
3192:
3185:
3169:
3165:
3158:
3143:
3136:
3130:. 1984, p. 2.
3129:
3123:
3115:
3109:
3101:
3095:
3088:
3083:
3076:
3070:
3063:
3060:
3055:
3049:. 1917, p. 3.
3048:
3047:
3040:
3033:
3027:
3011:
3007:
3001:
2999:
2994:
2981:
2975:
2974:
2973:Divine Comedy
2969:
2966:
2963:
2962:
2957:
2954:
2951:
2950:
2946:
2943:
2939:
2936:
2933:
2932:
2927:
2924:
2921:
2920:
2919:Paradise Lost
2915:
2912:
2909:
2908:
2903:
2900:
2897:
2893:
2890:
2887:
2886:
2881:
2878:
2875:
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2869:
2866:
2863:
2862:
2857:
2854:
2851:
2850:
2845:
2842:
2841:
2835:
2833:
2832:
2830:
2824:
2810:
2809:
2805:
2802:
2801:
2797:
2794:
2790:
2787:
2785:(edited 1791)
2784:
2783:
2779:
2776:
2775:
2771:
2768:
2767:
2763:
2762:
2753:
2752:
2748:
2745:
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2740:
2737:
2736:
2732:
2729:
2728:
2724:
2721:
2720:
2716:
2713:
2712:
2708:
2705:
2704:
2700:
2696:(edited 1795)
2695:
2694:
2690:
2687:
2686:
2682:
2680:(edited 1793)
2679:
2678:
2674:
2673:
2671:
2670:
2666:
2663:
2662:
2658:
2655:
2652:
2649:
2648:
2644:
2641:
2640:
2636:
2632:(edited 1789)
2631:
2630:
2626:
2625:
2623:
2622:
2618:
2617:
2611:
2610:
2598:
2594:
2590:
2586:
2583:
2579:
2576:
2575:San Francisco
2572:
2569:
2568:William Blake
2565:
2561:
2558:
2557:William Blake
2554:
2550:
2547:
2546:William Blake
2543:
2539:
2536:
2532:
2528:
2525:
2524:William Blake
2521:
2517:
2514:
2511:) exhibition
2510:
2506:
2502:
2501:
2500:
2495:
2491:
2486:
2477:
2475:
2474:graphic novel
2470:
2466:
2465:The Erstwhile
2462:
2461:Brian Catling
2458:
2454:
2453:
2448:
2444:
2439:
2437:
2433:
2429:
2428:Aldous Huxley
2425:
2421:
2417:
2413:
2409:
2405:
2401:
2397:
2392:
2390:
2389:Sigmund Freud
2386:
2382:
2379:Many such as
2377:
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2357:
2353:
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2314:Northrop Frye
2311:
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2277:
2276:Life of Blake
2273:
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2250:
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2239:
2235:
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2222:
2217:
2216:Blake wrote:
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2209:
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2109:
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2100:
2095:
2090:
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2087:Northrop Frye
2074:
2072:
2067:
2065:
2060:
2055:
2051:
2050:The Sick Rose
2045:
2043:
2038:
2034:
2030:
2025:
2023:
2017:
2015:
2011:
2006:
1999:
1990:
1988:
1983:
1979:
1973:
1970:
1966:
1965:birth control
1962:
1958:
1954:
1953:homosexuality
1950:
1946:
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1928:
1924:
1919:
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1907:
1901:
1897:
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1843:
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1822:Enlightenment
1813:
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1603:, 1794. The "
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1526:William Blake
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1316:Samuel Palmer
1313:
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1280:Headstone in
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1199:
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1184:Divine Comedy
1180:
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1159:
1157:
1152:
1150:
1149:
1144:
1140:
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1132:
1131:
1126:
1125:illustrations
1122:
1118:
1117:Samuel Palmer
1114:
1110:
1105:
1103:
1102:Royal Academy
1099:
1095:
1087:
1083:
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1070:
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1067:
1061:
1060:Anthony Blunt
1057:
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1038:Robert Cromek
1035:
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764:
763:
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748:
747:Hercules Road
744:
739:
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736:
731:
730:
724:
722:
721:
716:
712:
708:
704:
700:
696:
692:
689:. Along with
688:
684:
680:
676:
675:Richard Price
672:
668:
663:
661:
660:
651:
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633:
631:
627:
623:
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558:
555:
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531:
527:
522:
521:Royal Academy
515:Royal Academy
512:
510:
506:
502:
497:
493:
488:
486:
482:
478:
477:Peter Ackroyd
474:
470:
467:
459:
458:
453:
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340:
331:
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324:
322:
318:
314:
310:
306:
302:
298:
293:
292:idiosyncratic
288:
286:
282:
278:
277:Northrop Frye
274:
270:
266:
262:
261:William Blake
253:
248:
243:
227:
222:
218:
215:
214:
209:
208:
203:
202:
201:The Four Zoas
197:
196:
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190:
186:
184:Notable works
182:
179:
176:
172:
168:
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161:
158:
154:
148:
145:
142:
139:
138:
136:
132:
128:
127:Charing Cross
119:
115:
111:
99:
95:
90:
84:
79:
75:William Blake
72:
69:
65:
48:
44:
40:
33:
28:
19:
11863:
11766:
11759:
11752:
11745:
11738:
11732:Publications
11716:
11702:
11690:
11676:
11664:
11650:
11627:
11623:Jay Hambidge
11616:Ad Quadratum
11615:
11603:
11578:
11566:
11554:
11540:
11526:
11522:Luca Pacioli
11512:
11498:
11491:
11461:
11449:
11373:Hinke Osinga
11368:IstvĂĄn Orosz
11338:
11329:Anthony Hill
11284:Scott Draves
11279:Erik Demaine
11263:Contemporary
11244:
11237:
11223:
11209:
11202:
11195:
11188:
11181:
11177:M. C. Escher
11157:
11150:
11136:
11129:
11124:
11102:
11098:Parmigianino
11083:
11014:Hagia Sophia
10988:
10981:
10974:
10967:
10960:
10953:
10837:Computer art
10815:Architecture
10775:Tessellation
10758:Architecture
10708:Golden ratio
10630:
10623:
10616:
10600:
10320:Porto-Alegre
10169:
9974:Philosophers
9858:Rachmaninoff
9307:Chavchavadze
9297:Baratashvili
9057:JoĂŁo de Deus
9026:Wincenty Pol
8867:
8818:KĂŒchelbecker
8546:
8512:Noble savage
8499:
8465:
8440:Wallenrodism
8417:
8403:
8334:Coppet group
8268:(literature)
8177:
8169:
8140:
8132:
8124:
8116:
8108:
8090:
8083:
8076:
8069:
8062:
8021:
8004:
7996:
7990:
7981:
7974:
7967:
7960:
7952:
7945:
7939:
7930:
7924:
7916:
7907:
7900:
7893:
7886:
7879:
7873:
7637:
7630:
7623:
7616:
7609:
7602:
7595:
7588:
7581:
7574:
7567:
7549:
7542:
7535:
7404:Nurse's Song
7369:Introduction
7360:
7336:Nurse's Song
7266:The Shepherd
7257:
7244:
7232:
7225:
7218:
7211:
7182:
7110:
7109:
7087:
7051: at the
6938:
6931:
6924:
6904:
6894:
6880:
6873:
6866:
6851:
6834:
6824:
6814:
6792:
6776:
6769:
6765:
6753:
6743:
6740:Mark Schorer
6733:
6718:
6711:
6693:
6678:
6663:
6645:
6635:
6621:
6611:
6607:
6597:
6579:
6572:
6558:
6551:. Retrieved
6546:
6542:
6527:
6517:
6502:
6492:
6485:
6465:
6450:
6447:Irving Fiske
6440:
6433:
6418:
6399:
6384:
6362:
6344:
6341:Morris Eaves
6334:
6319:
6303:
6282:
6275:
6260:
6242:
6235:
6219:(hardback),
6208:
6201:. Doubleday.
6198:
6195:Harold Bloom
6188:
6169:
6150:
6131:
6128:G.E. Bentley
6113:
6098:
6079:
6061:
6048:
6026:
6021:
6009:. Retrieved
6005:
5996:
5987:
5978:
5964:
5950:
5938:. Retrieved
5935:Tate website
5934:
5925:
5913:. Retrieved
5909:
5900:
5888:. Retrieved
5885:Tate website
5884:
5875:
5863:. Retrieved
5858:
5849:
5837:. Retrieved
5833:the original
5828:
5819:
5807:. Retrieved
5803:
5794:
5786:
5781:
5772:
5762:
5753:
5749:
5739:
5727:. Retrieved
5721:
5711:
5704:The Guardian
5703:
5699:
5696:
5690:
5681:
5675:
5663:. Retrieved
5659:
5649:
5641:
5636:
5624:. Retrieved
5617:the original
5608:
5599:
5592:
5580:
5569:
5564:
5556:
5551:
5543:
5538:
5519:
5513:
5501:. Retrieved
5497:The Guardian
5496:
5486:
5466:
5459:
5451:
5425:
5417:
5394:
5386:
5378:
5369:
5360:
5352:
5347:
5338:
5330:
5326:
5319:
5315:
5310:
5301:
5292:
5284:
5279:
5270:
5262:
5258:
5250:
5247:Introduction
5246:
5241:
5232:
5224:
5219:
5210:
5201:
5192:
5185:
5179:
5167:. Retrieved
5162:
5153:
5141:. Retrieved
5137:the original
5132:
5123:
5115:
5110:
5102:
5097:
5088:
5079:
5060:
5053:
5028:
5020:
5001:
4994:
4986:
4981:
4973:
4968:
4959:
4947:. Retrieved
4943:the original
4938:
4928:
4904:
4897:
4889:
4884:
4876:
4871:
4852:
4846:
4837:
4828:
4819:
4810:
4800:25 September
4798:. Retrieved
4784:
4776:
4772:
4764:
4760:
4741:
4735:
4727:
4722:
4710:. Retrieved
4706:the original
4701:
4677:. Retrieved
4667:
4654:
4642:. Retrieved
4638:
4628:
4616:. Retrieved
4612:The Guardian
4611:
4587:. Retrieved
4581:
4568:
4560:
4555:
4547:
4542:
4533:
4525:
4520:
4512:
4508:
4500:
4495:
4483:. Retrieved
4480:The Guardian
4479:
4469:
4461:
4456:
4448:
4443:
4435:
4430:
4422:
4418:
4410:
4405:
4393:. Retrieved
4383:
4375:
4370:
4362:
4354:
4346:
4341:
4333:
4328:
4287:
4281:
4275:
4265:
4255:
4243:. Retrieved
4239:the original
4234:
4225:
4217:
4212:
4203:
4195:
4190:
4182:
4177:
4169:
4164:
4156:
4151:
4143:
4138:
4126:. Retrieved
4111:
4104:
4084:
4061:. Retrieved
4046:
4039:
4031:
4026:
4018:
4014:
4013:Viscomi, J.
4009:
4000:
3973:
3966:. Retrieved
3956:
3948:the original
3943:
3934:
3926:Open Plaques
3925:
3916:
3904:. Retrieved
3900:the original
3895:
3886:
3874:
3866:
3861:
3845:
3833:. Retrieved
3829:The Guardian
3827:
3817:
3805:|last3=
3785:. Retrieved
3774:The Observer
3773:
3750:
3741:
3729:. Retrieved
3725:
3716:
3708:
3703:
3698:, pp. 69â76.
3695:
3690:
3679:Morris Eaves
3674:
3669:
3664:punctuation.
3647:
3639:
3631:Google Books
3629:– via
3623:. Retrieved
3608:
3598:
3589:
3583:
3564:
3545:
3540:
3507:
3503:
3493:
3485:
3480:
3460:
3455:
3436:
3430:
3407:
3402:
3383:
3377:
3369:
3341:
3331:
3312:
3306:
3298:
3276:. Retrieved
3271:
3262:
3250:. Retrieved
3240:
3231:
3227:
3204:
3199:
3189:
3184:
3174:23 September
3172:. Retrieved
3168:the original
3157:
3145:. Retrieved
3135:
3127:
3122:
3108:
3094:
3086:
3082:
3074:
3069:
3061:
3059:Yeats, W. B.
3054:
3044:
3039:
3031:
3026:
3014:. Retrieved
3010:the original
2979:
2971:
2959:
2947:
2941:
2929:
2917:
2905:
2902:Robert Blair
2895:
2883:
2880:Edward Young
2871:
2859:
2847:
2826:
2822:
2821:
2806:
2798:
2792:
2788:
2780:
2772:
2764:
2749:
2741:
2733:
2725:
2717:
2709:
2701:
2691:
2683:
2675:
2667:
2659:
2653:
2645:
2637:
2627:
2619:
2604:Bibliography
2596:
2582:Tate Britain
2567:
2564:Tate Britain
2556:
2545:
2542:Tate Britain
2534:
2523:
2512:
2498:
2464:
2456:
2450:
2440:
2435:
2420:Van Morrison
2416:Jim Morrison
2393:
2378:
2371:
2363:
2360:John Tavener
2347:
2343:
2337:
2322:
2287:
2281:
2275:
2272:John Linnell
2248:
2241:
2238:Walter Scott
2227:
2224:
2219:
2213:
2211:
2206:
2202:
2197:
2193:
2188:
2175:
2163:
2150:
2140:
2137:
2122:
2116:
2110:
2103:
2092:
2085:
2071:Christianity
2068:
2063:
2058:
2053:
2049:
2046:
2041:
2036:
2032:
2026:
2021:
2018:
2009:
2002:
1993:
1986:
1981:
1974:
1957:prostitution
1937:
1922:
1906:Neoclassical
1903:
1899:
1887:
1870:
1837:
1819:
1809:
1803:
1792:
1785:
1783:
1769:
1752:
1748:
1739:The Body of
1738:
1724:
1720:
1716:
1704:
1702:
1660:
1657:Almighty God
1614:
1598:
1575:
1570:
1565:
1560:
1556:
1552:
1548:
1545:
1540:
1536:
1532:
1530:
1525:
1515:
1506:
1481:
1461:
1447:
1445:
1431:
1429:
1407:
1402:
1390:
1383:
1380:his notebook
1373:
1366:
1337:
1332:Jesus Christ
1324:that Country
1321:
1310:
1298:
1293:Ledger stone
1243:
1240:
1224:
1221:
1218:
1210:
1202:
1191:
1182:
1176:
1170:
1156:Thomas Butts
1153:
1146:
1128:
1109:John Linnell
1106:
1093:
1091:
1077:
1066:The Examiner
1064:
1053:
1049:
1042:haberdashery
1031:
1021:
1019:
1015:John Flaxman
996:
985:
977:
966:
952:
934:
924:
913:
878:
875:
870:
858:
857:
853:John Boydell
846:
840:
823:
817:
811:
805:
802:watercolours
797:
787:
776:
760:
754:
740:
733:
727:
725:
718:
707:Phrygian cap
687:Thomas Paine
664:
657:
655:
649:
630:Tate Britain
618:
607:
594:Gordon Riots
583:
580:Gordon Riots
562:John Flaxman
559:
551:
543:Michelangelo
539:oil painting
533:
518:
489:
469:James Basire
463:
455:
445:
398:Michelangelo
384:
363:
349:
325:
313:Thomas Paine
289:
269:Romantic Age
260:
259:
211:
205:
199:
193:
187:
122:(1827-08-12)
87:Portrait by
68:
46:
37:This is the
31:
11897:1827 deaths
11892:1757 births
11672:G. H. Hardy
11475:Renaissance
11445:Polykleitos
11383:Tony Robbin
11294:John Ernest
11289:Jan Dibbets
11239:Crucifixion
11062:Renaissance
10916:Mathematics
10889:Celtic knot
10852:Fractal art
10754:Proportion
10728:Perspective
10310:MichaĆowski
10142:Wackenroder
10107:F. Schlegel
10102:A. Schlegel
9878:Tchaikovsky
9767:Bortkiewicz
9639:R. Schumann
9634:C. Schumann
9599:Kalkbrenner
9568:Saint-Saëns
8873:Anne Brontë
8758:Eichendorff
8743:B. v. Arnim
8738:A. v. Arnim
8548:Weltschmerz
8507:Medievalism
8456:Blue flower
8384:Nationalist
8329:Bohemianism
8241:Romanticism
8182:(1989 play)
7526:continental
7286:The Blossom
6901:W. B. Yeats
6762:June Singer
6561:androgynous
6170:Blake Books
6076:Donald Ault
5910:NGS website
5829:NGV website
5773:Opera Today
5729:8 September
5626:13 December
5169:18 November
5143:18 November
4447:Gilchrist,
4261:Lucas, E.V.
4245:18 November
4168:Gilchrist,
3968:25 November
3625:18 November
3301:, pp. 34â5.
3278:18 November
2956:John Bunyan
2952:(1823â1826)
2934:(1819â1820)
2926:John Varley
2914:John Milton
2910:(1805â1808)
2892:Thomas Gray
2816: 1789
2811:* (written
2533:exhibition
2480:Exhibitions
2381:June Singer
2170:John Varley
2154:Peckham Rye
2037:in practice
1934:"Free Love"
1826:rationalism
1759:theological
1522:Patti Smith
1511:watercolour
1305:Savoy Hotel
1256:Final years
1130:Book of Job
1113:blue plaque
945:West Sussex
884:Book of Job
711:Robespierre
447:Song of Los
390:antiquities
178:Romanticism
12007:Epic poets
11881:Categories
11646:Owen Jones
11493:De pictura
11398:Oliver Sin
11348:Andy Lomas
11197:Relativity
10928:String art
10842:Fiber arts
10723:Paraboloid
10185:Chassériau
10160:Aivazovsky
9868:Rubinstein
9853:Mussorgsky
9802:Wieniawski
9787:Paderewski
9629:Moszkowski
9412:Vörösmarty
9402:Shevchenko
9256:Longfellow
9180:Batyushkov
9175:Baratynsky
9144:Espronceda
9011:Mickiewicz
9006:Malczewski
8973:Wordsworth
8958:M. Shelley
8913:de Quincey
8778:GĂŒnderrode
8662:Baudelaire
8542:Wanderlust
8379:Lake Poets
8179:In Lambeth
7860:and prints
7790:Palamabron
7755:Golgonooza
7745:Enitharmon
7528:prophecies
7341:Infant Joy
6559:To become
6553:31 January
6524:John Higgs
6387:. Anchor.
6310:Wikisource
6045:Peter Abbs
5940:29 October
5915:29 October
5890:29 October
5865:29 October
5839:29 October
5809:29 October
4939:Humanities
4712:7 December
4702:Flavorwire
4563:, pp. 1â20
4485:21 January
3906:18 January
3835:12 January
3731:28 October
3463:, London:
3322:0415289858
3252:18 January
3147:29 January
2989:References
2396:beat poets
2340:Doyne Bell
2234:Lord Byron
2179:Archangels
2082:Creativity
2029:fallenness
1894:mezzotints
1830:empiricism
1777:pestilence
1694:Holy Ghost
1690:Son of God
1674:Enitharmon
1666:Emanations
1649:Emanations
1476:historian
1472:. British
1094:Discourses
1086:Revelation
1080:(1805) is
989:Chichester
982:, Plate 51
894:Later life
888:repoussage
832:Engravings
794:stereotype
765:, and the
641:Early work
598:George III
534:Discourses
505:saw Christ
420:, and the
414:Ben Jonson
410:the Strand
334:Early life
297:Marcionite
147:printmaker
134:Occupation
103:1757-11-28
11457:Vitruvius
11431:Theorists
11211:Waterfall
11116:19thâ20th
11044:Taj Mahal
11024:Parthenon
11001:Buildings
10955:Continuum
10923:Sculpture
10899:Interlace
10693:Algorithm
10625:Modernism
10285:Kiprensky
10245:GĂ©ricault
10230:Friedrich
10220:Delacroix
10195:Constable
10175:Bonington
10165:Bierstadt
10117:Senancour
10092:Schelling
10047:Lamennais
10042:Khomyakov
10007:Coleridge
10002:Chaadayev
9909:StankoviÄ
9904:Mokranjac
9823:Balakirev
9782:Moniuszko
9731:Donizetti
9726:Cherubini
9624:Meyerbeer
9609:Marschner
9584:Beethoven
9497:Moscheles
9431:Musicians
9417:Wergeland
9382:Orbeliani
9337:Grundtvig
9241:Hawthorne
9210:Zhukovsky
9205:Vyazemsky
9190:Lermontov
9149:Gutiérrez
9108:RadiÄeviÄ
9072:Herculano
8996:KrasiĆski
8938:Radcliffe
8908:Coleridge
8883:E. Brontë
8878:C. Brontë
8808:Jean Paul
8803:Hölderlin
8692:Lamartine
8629:MagalhĂŁes
8619:GuimarĂŁes
8527:Pantheism
8517:Nostalgia
8369:Indianism
8317:Movements
8248:Countries
7963:paintings
7925:The Grave
7858:Paintings
7709:Mythology
7514:Prophetic
7484:To Tirzah
7439:The Lilly
7424:The Tyger
7419:The Angel
7091:From the
6457:Society .
6298:(1910), "
5756:(4): 152.
5227:, p. 135.
4679:26 August
4672:Tate UK.
4662:. ITV.com
4644:11 August
4639:The Times
4618:11 August
4589:11 August
4524:Ackroyd,
4499:Ackroyd,
4460:Grigson,
4434:Ackroyd,
4320:162326554
4304:0013-8304
3797:cite news
3782:0029-7712
3524:0021-8529
3488:, p. xix.
3272:poets.org
3016:15 August
2907:The Grave
2595:, titled
2593:Cambridge
2408:Bob Dylan
2385:Carl Jung
2373:The Tyger
2329:Paul Nash
1949:free love
1929:, c. 1800
1913:Sexuality
1839:Jerusalem
1834:Newtonian
1755:sophistry
1557:Jerusalem
1541:Jerusalem
1458:free love
1403:Jerusalem
1369:Irvingite
1341:Dissenter
1328:Salvation
1250:shillings
1141:, and by
1139:Rembrandt
1023:Jerusalem
963:Jerusalem
917:concubine
825:Jerusalem
677:; artist
507:with his
485:mezzotint
438:demiurgic
245:Signature
207:Jerusalem
156:Education
12027:Prophets
11865:Category
11592:Romantic
11270:Max Bill
11204:Reptiles
11019:Pantheon
10976:Octacube
10942:Artworks
10884:Knotting
10872:Muqarnas
10770:Symmetry
10698:Catenary
10686:Concepts
10637:Category
10453:Dahlhaus
10438:Blanning
10405:Scholars
10375:Tropinin
10370:Tidemand
10360:Stattler
10355:Scheffer
10255:GĆowacki
10225:Edelfelt
10180:Bryullov
10122:Snellman
10097:Schiller
10087:Rousseau
10067:Michelet
10012:Constant
9982:Belinsky
9955:Sibelius
9899:KonjoviÄ
9873:Scriabin
9843:Lyapunov
9777:LipiĆski
9746:Spontini
9736:Paganini
9680:Goldmark
9471:Thalberg
9466:Schubert
9446:Bruckner
9407:Topelius
9397:Runeberg
9387:PreĆĄeren
9357:Leopardi
9322:Frashëri
9312:Eminescu
9292:Andersen
9200:Tyutchev
9185:Karamzin
9159:Zorrilla
9154:Saavedra
9052:Castilho
9040:Portugal
9031:SĆowacki
8933:Polidori
8863:Barbauld
8798:Hoffmann
8753:Brentano
8667:Bertrand
8488:Romantic
8324:Ancients
8298:Scotland
8191:Ancients
8134:The Lamb
8015:Sketches
7276:The Lamb
7135:LibriVox
7037:Archives
7014:Profiles
6903:(1903).
6833:(1993).
6752:(1909).
6742:(1946).
6710:(1970).
6644:(1978).
6620:(1988).
6606:(1806).
6596:(2003).
6463:(1947).
6449:(1951).
6361:(1977).
6343:(1992).
6318:(1979).
6207:(1972).
6197:(1963).
6130:(2001).
6078:(1974).
6060:(1995).
6053:: 49â62.
5503:24 March
4528:, p. 391
4515:, p. 410
4425:, p. 341
4395:5 August
4312:30030248
4263:(1904).
4128:4 August
4063:4 August
4003:: 43â47.
3685:, p. 86.
3548:, p. 44.
3475:, p. 48.
3339:(1970).
2856:John Gay
2368:The Lamb
2364:The Lamb
2102:Blake's
1961:adultery
1921:Blake's
1859:Proverbs
1849:Blake's
1806:doctrine
1771:Prudence
1571:Marriage
1442:Politics
1437:Opinions
1330:through
1201:Blake's
1167:Minotaur
1127:for the
1076:Blake's
790:intaglio
723:(1784).
713:and the
703:American
509:Apostles
466:engraver
376:mystical
43:reviewed
11824:Related
11438:Ancient
11172:Man Ray
11118:Century
11054:Artists
10911:Origami
10825:Pyramid
10703:Fractal
10478:Lovejoy
10413:Abraham
10335:Richard
10325:Préault
10250:Girodet
10132:Thoreau
10077:Novalis
10062:Mazzini
10057:Maistre
10032:Hazlitt
10017:Emerson
9997:Carlyle
9987:Berchet
9930:Berwald
9925:Bennett
9894:HristiÄ
9848:Medtner
9828:Borodin
9818:Arensky
9741:Rossini
9716:Bellini
9695:Joachim
9668:Hungary
9649:Strauss
9577:Germany
9543:Berlioz
9512:VoĆĂĆĄek
9507:Smetana
9485:Czechia
9439:Austria
9372:Maturin
9367:Manzoni
9342:Heliade
9317:Foscolo
9287:Alfieri
9282:Abovian
9236:Emerson
9195:Pushkin
9134:BĂ©cquer
9067:Garrett
9021:Potocki
8968:Southey
8928:Maturin
8898:Carlyle
8855:Britain
8828:Novalis
8783:Gutzkow
8731:Germany
8697:Mérimée
8682:Gautier
8609:Barreto
8604:Azevedo
8584:Alencar
8564:Writers
8483:Byronic
8419:Purismo
8273:Germany
8255:Denmark
8153:Related
8102:Musical
7820:Urthona
7805:Thiriel
7800:Tharmas
7795:Spectre
7735:Bromion
7414:The Fly
7346:A Dream
7124:at the
7095:at the
7080:at the
7076:at the
7025:Profile
6923:, ed.,
5066:119â120
4949:2 March
4726:Erdman
4464:, p. 38
4361:, ed.,
4159:, p 341
3787:25 June
3593:, p. 7.
2873:Leonora
2443:conceit
2370:") and
2346:, from
2278:(1863).
2147:Visions
1987:Visions
1637:Tharmas
1625:Urthona
1518:Vintage
1509:, 1805
1474:Marxist
1375:Macbeth
1245:Inferno
1212:Inferno
1171:Inferno
1028:Chaucer
992:assizes
941:Felpham
937:cottage
931:Felpham
904:Felpham
869:called
743:Lambeth
547:Raphael
481:stipple
440:figure
394:Raphael
380:Ezekiel
285:Felpham
239:
231:
143:painter
18:Blakean
11639:Modern
11275:Martin
11138:Newton
10933:Tiling
10877:Zellij
10847:4D art
10503:Wellek
10483:de Man
10468:Janion
10458:Ferber
10433:Berlin
10428:Beiser
10423:Barzun
10418:Abrams
10395:Wiertz
10380:Turner
10330:RĂ©voil
10315:Palmer
10305:Martin
10300:Leutze
10275:Janmot
10235:Fuseli
10190:Church
10082:Quinet
10072:MĂŒller
10027:Goethe
10022:Fichte
9945:Franck
9887:Serbia
9838:Glinka
9811:Russia
9797:Tausig
9792:Stolpe
9772:Chopin
9760:Poland
9721:Busoni
9685:Heller
9654:Wagner
9589:Brahms
9563:Onslow
9553:Halévy
9521:France
9502:Reicha
9492:DvoĆĂĄk
9461:Mahler
9456:Hummel
9451:Czerny
9347:Isaacs
9327:Geijer
9261:Lowell
9251:Irving
9231:Cooper
9226:Bryant
9168:Russia
9103:NjegoĆĄ
9098:KostiÄ
9093:JakĆĄiÄ
9086:Serbia
9016:Norwid
8991:Fredro
8983:Poland
8953:Seward
8843:Uhland
8833:Schwab
8823:Mörike
8813:Kleist
8768:Goethe
8763:Fouqué
8712:Nodier
8707:Nerval
8702:Musset
8654:France
8644:Varela
8639:Taunay
8624:Macedo
8572:Brazil
8522:Ossian
8449:Themes
8288:Poland
8283:Norway
8265:France
8145:(1998)
8137:(1982)
8129:(1965)
8121:(1958)
8113:(1943)
7902:Newton
7815:Urizen
7810:Tiriel
7770:Leutha
7760:Grodna
7730:Beulah
7725:Albion
7720:Ahania
7632:Milton
7569:Tiriel
7454:London
7331:Spring
7053:Art UK
6945:
6887:
6858:
6843:
6800:
6783:
6725:
6700:
6685:
6670:
6652:
6628:
6586:
6509:
6480:
6473:
6425:
6413:
6406:
6391:
6379:
6372:
6351:
6326:
6293:
6267:
6249:
6230:
6227:(pbk.)
6223:
6215:
6183:
6176:
6164:
6157:
6145:
6138:
6120:
6105:
6093:
6086:
6068:
6011:8 June
5665:30 May
5574:p. 146
5526:
5474:
5434:
5400:online
5081:style.
5072:
5041:
5008:
4916:
4859:
4748:
4730:p. 228
4336:, p 77
4318:
4310:
4302:
4119:
4092:
4054:
3853:
3780:
3677:, ed.
3655:
3616:
3571:
3532:428568
3530:
3522:
3471:
3443:
3418:
3390:
3349:
3319:
2980:
2944:(1821)
2942:Virgil
2922:(1808)
2898:(1798)
2888:(1797)
2852:(1791)
2808:Tiriel
2743:Milton
2509:Oxford
2358:, and
2113:(1796)
2077:Legacy
2042:Ahania
1978:London
1959:, and
1863:Milton
1851:Newton
1670:Ahania
1668:being
1641:Albion
1629:Urizen
1595:Urizen
1580:Urizen
1537:Milton
1301:Strand
1236:cantos
1135:Ruskin
954:Milton
699:French
652:(1786)
636:Career
526:Rubens
492:Gothic
442:Urizen
422:Psalms
360:hosier
305:French
281:London
265:poetry
220:Spouse
213:Milton
169:Poetry
91:(1807)
11450:Canon
10906:Music
10862:Girih
10798:Forms
10763:Human
10589:Bacon
10498:Rosen
10493:Ricks
10488:Nancy
10448:Blume
10443:Bloom
10365:Stroy
10350:Saleh
10345:Runge
10295:Lampi
10280:Jones
10270:Hayez
10205:Corot
10170:Blake
10137:Tieck
10127:Staël
10052:Larra
10037:Hegel
9992:Burke
9950:Grieg
9940:Field
9935:Elgar
9918:Other
9751:Verdi
9709:Italy
9700:Liszt
9690:Hubay
9675:Erkel
9659:Weber
9644:Spohr
9604:Loewe
9594:Bruch
9558:MĂ©hul
9548:Fauré
9538:Auber
9533:Alkan
9392:Raffi
9362:MĂĄcha
9352:Lenau
9302:Botev
9275:Other
9127:Spain
9062:Dinis
8948:Scott
8923:Keats
8903:Clare
8893:Byron
8888:Burns
8868:Blake
8853:Great
8838:Tieck
8793:Heine
8788:Hauff
8722:Vigny
8717:Staël
8677:Dumas
8599:Assis
8594:Alves
8579:Abreu
8532:Rhine
8435:Ultra
8278:Japan
8171:Blake
7780:Luvah
7750:Fuzon
7740:Enion
7561:Other
7516:books
7326:Night
6539:(PDF)
6062:Blake
5620:(PDF)
5605:(PDF)
5602:2001"
5002:Blake
4526:Blake
4503:, 390
4501:Blake
4438:, 389
4436:Blake
4316:S2CID
4308:JSTOR
4196:Blake
3867:Blake
3696:Blake
3546:Blake
3528:JSTOR
3461:Blake
2968:Dante
2896:Poems
2577:, US.
2247:1911
1698:Satan
1682:Enion
1633:Luvah
1226:Homer
1207:Dante
1179:Dante
796:" in
387:Greek
354:) in
233:(
229:
166:Genre
11277:and
10867:Jali
10463:Frye
10390:Ward
10385:Veit
10340:Rude
10290:Koch
10265:Gude
10260:Goya
10210:Dahl
10200:Cole
9528:Adam
9476:Wolf
9219:U.S.
9118:Zmaj
8748:Beer
8687:Hugo
8634:Reis
8614:Dias
8478:Hero
8413:Post
8374:Jena
8344:Dark
7969:Pity
7830:Vala
7825:Utha
7678:The
7524:The
7055:site
6943:ISBN
6885:ISBN
6856:ISBN
6841:ISBN
6798:ISBN
6781:ISBN
6723:ISBN
6698:ISBN
6683:ISBN
6668:ISBN
6650:ISBN
6626:ISBN
6584:ISBN
6555:2013
6507:ISBN
6471:ISBN
6455:Shaw
6423:ISBN
6404:ISBN
6389:ISBN
6370:ISBN
6349:ISBN
6324:ISBN
6265:ISBN
6247:ISBN
6221:ISBN
6213:ISBN
6174:ISBN
6155:ISBN
6136:ISBN
6118:ISBN
6103:ISBN
6084:ISBN
6066:ISBN
6013:2024
5988:Tate
5942:2014
5917:2014
5892:2014
5867:2014
5841:2014
5811:2014
5731:2024
5667:2024
5628:2009
5524:ISBN
5505:2008
5499:. UK
5472:ISBN
5432:ISBN
5171:2017
5145:2017
5070:ISBN
5039:ISBN
5006:ISBN
4951:2017
4914:ISBN
4857:ISBN
4802:2013
4746:ISBN
4714:2017
4681:2006
4646:2018
4620:2018
4591:2018
4487:2015
4397:2012
4300:ISSN
4247:2017
4130:2019
4117:ISBN
4090:ISBN
4065:2019
4052:ISBN
3970:2014
3908:2013
3851:ISBN
3837:2024
3809:help
3789:2024
3778:ISSN
3733:2022
3653:ISBN
3627:2017
3614:ISBN
3569:ISBN
3520:ISSN
3469:ISBN
3441:ISBN
3416:ISBN
3388:ISBN
3347:ISBN
3317:ISBN
3280:2017
3254:2013
3176:2006
3149:2021
3018:2014
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2434:set
2354:and
2331:and
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2236:and
1828:and
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1721:Vala
1717:Vala
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1678:Vala
1661:Vala
1659:and
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693:and
568:and
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307:and
140:Poet
117:Died
110:Soho
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9960:Sor
9833:Cui
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