499:– An eccentric, ursine in aspect. He questions the efficiency of the Herb-Doctor's remedies, proclaiming nature brings about many ills, and is not to be trusted: eye problems, destroyed $ 10,000 of property, threw hail, and shattered windows, He is skeptical of the goodness of humanity and doesn't have confidence in man: "All rascals", most are "knaves or fools". He makes fun of the Old Miser after he is tricked by the Herb-Doctor, argues with the Herb-Doctor about whether nature is good and trustable, then talks about the dishonesty of teenagers with the Agent of the Philosophical Intelligence Office. The latter, however, convinces the Missourian to try hiring a boy at their agency. After the transaction, The Cosmopolitan accosts him, and as he tries to get rid of him, defends his right to be a solitary misanthrope. Throughout the conversation, he shows broad knowledge of "philosophy and books" equal to his obsession with "woodcraft and rifles".
505:– A labor-contractor for teenagers. He tries to convince the Missourian bachelor he should try the services of the Philosophical Intelligence Office. After the latter objects he had enough of teenagers, the agent makes an analogy between a child not having a beard but a beard will grow later, and a child who hasn't "evinced any noble quality" will yet "sprout" these qualities, "for, have confidence, it, like the beard, is in him". He also likens baby teeth to "corrupt qualities" in "the man-child", and "the sound, even, beautiful permanent" adult teeth to "sound, even, beautiful and permanent virtues". The baby teeth, like the corrupt qualities are "thrust from their place by the independent undergrowth of the succeeding set" of teeth or virtues. He also likens a teenager to a caterpillar, and an adult to "the natural advance of all creatures" - the butterfly. a teenager is like good wine in maturation.
541:– The protagonist of the integrated fable told by the Cosmopolitan Frank. He is a young merchant of French descent with many friends. One day, he became morose and unfriendly to everyone, vanishes, and isn't heard from for many years. It appears he was bankrupt, but his strange behavior started several months ago. One day, he comes back, friendly and dressed in expensive clothes. Everybody wondered about events, then one friend asks about them several years later. Charlemont knew his ruin was coming, and didn't want to embarrass his friends into helping him, so he shunned them, and moved to Marseilles (France) so he made his fortune again, then returned, confident he wouldn't embarrass his friends. (The Cosmopolitan Frank stresses there is no moral to this story, it is merely an amusement.)
523:), first by arguing with the Missourian one should be warm and confiding with all members of humanity, then by testing the strength of Charlie Nobel's commitment to friendship by asking to borrow money, then by doing the same to the disciple of Mark Winsome, Egbert. The latter test leads to a long debate about whether helping friends leads to an end of their friendship, and if so, how. Finally, the Cosmopolitan convinces the barber momentarily to trust him to pay all the financial losses the barber will accrue for removing the sign "no trust", then does not pay for the shave. In the final chapters, he has a discussion with the Old Man about a warning in the Bible about "an enemy" who "speaketh sweetly in with his lips" but his intention is to tempt, use, and profit from you.
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529:– Charlie tells the Cosmopolitan Frank he thinks the Missourian is worse than Colonel John Moredock. Then he tells the story of John Moredock. Then he invites Cosmopolitan Frank to drink together as they discuss the story. Frank clearly tries to get Charlie to drink too much. He agrees to be "best friends" with Frank, but turns cold after Frank reveals he would like to borrow money from him. Frank brings him back to his normal self by performing a ritual.
493:– A beggar dressed in grimy old regimental coat. He passes off as a veteran of the Mexican wars, but claims his true story is he was crippled in prison while waiting to testify against a rich murderer. The said murderer got off easily because he had friends, whereas Thomas Fry had no friends and was crippled. After he discovers his brother in Indiana died, he took to begging. Confident his story wouldn't arouse any pity, he fakes a different story.
565:– The protagonist of an integrated fable. He accepts a loan from his friend Orchis with the aim of investing in his business to create more profit. But he doesn't have any business skills, so the money serves to bring about his ruin through unpaid interest on the loan. The devastation is so great, his wife loses her inheritance, his son misses school, and he dies of despair. (The moral of the story -- never accept a loan from a friend.)
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315:– Catches coins with his mouth. Says he sleeps on the streets. After his honesty is questioned, he gives a list of people who can vouch for him: The man with the weed in his hat, the man in a grey suit, the transfer agent, the herb-doctor, the Cosmopolitan, The Agent of the Philosophical Intelligence Office and Thomas Fry, all of these are main characters potentially attempting to deceive each other.
357:– He tries to convince the country merchant, Mr. Roberts, they are acquainted, but Robert's memory faltered. He asks for money, then recommends buying stock at the Black Rapids Coal Company. He is said to be looking for money to be able to go join his daughter after a disastrous divorce left him penniless. He tries to convince the sophomore to throw
559:– Mark Winsome's disciple. He agrees to do a theoretical exercise with the Cosmopolitan Frank: he pretends to be Frank's "best friend" Charlie Noble, and plays the scene of Frank asking for money. Egbert, following his master's philosophy, gives several reasons for not lending or giving money, and tells the story of China Aster as an illustration.
333:– A man of generous acts. He is the first to be pushed into believing he used to know Mr. John Ringman, but a memory lapse made him forget. He gives him money, then follows the advice to buy stock at the Black Rapids Coal Company. He later discusses pity with its president, drinks too much, then confesses 'charity and hope' are mere dreams.
547:– cold, restrained. He accosts the Cosmopolitan Frank to warn him Charlie Noble is "an operator". He encourages Frank to think about what it must be like to be a rattlesnake. Then he scares an artist-beggar away with a cold stare. His disciple, Egbert, is the example of following his philosophy.
597:– A boy dressed in rags sells items for protecting one's money from thieves on a steamer: a traveler's lock, a money belt. His sales technique involves showing the uselessness of the object just purchased to sell the next object. All his customers receive a bonus of a "Counterfeit Detector".
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439:– The wife of John Ringman, the man with the weed. She is said to be cold-hearted, to touch other men in a sly way, to take revenge for jealousy on her daughter. During the divorce procedures, she dragged her husband to court then was awarded his money. Shortly after, she dies.
403:– An elegantly-dressed man with white kid gloves and white hands. Melville explains he is "a good man" but not a righteous man. His hands are kept clean by having a black servant do the dirty work for him. He has a disagreement with the man in a gray suit about poverty.
587:– A man sleeping in a berth in the Gentlemen's cabin while the Old Man and Cosmopolitan Frank have a discussion. His interjections in his sleep coincide with the subject of the discussion, attributing the quote from The Wisdom of Jesus, Son of
451:– Tries to sell "Omni-Balsamic-Reinvigorator" and "Samaritan Pain Dissuader". He tries to set the bones of Tom Fry. He gives part of his earnings to 'charity'. He helps the Old Miser to stand during a conversation with the Missourian.
445:– The man is sick and tired of doctors offering ineffective remedies. The herb-doctor tries to convince him, with confidence, his herbs will work. After a philosophical debate about whether nature can be trusted, he agrees to try.
577:– He sits in the middle of the Gentlemen's cabin, awake while others try to sleep, reading the Bible. He discusses the trustworthiness of the Apocrypha with Cosmopolitan Frank. He buys objects from the peddler-boy. He gets a "
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193:. This stranger attempts to test the confidence of the passengers. Their varied reactions constitute the bulk of the text. Each person, including the reader, is forced to confront the placement of his
433:– sickly, he is afraid of losing his last savings, yet gambles in the Merchant's scheme of tripling returns, and ends up buying boxes from the Herb-doctor, paying in Mexican pistols and not dollars.
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169:. Scholar Robert Milder notes: "Long mistaken for a flawed novel, the book is now admired as a masterpiece of irony and control, although it continues to resist interpretive consensus."
385:– dressed in ruby colored velvet, has a ruby colored cheek. After he is accosted by the man in the gray suit, expresses annoyance at all the beggars allowed on the ferry.
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553:– A haggard seller of a rhapsodical tract. The Cosmopolitan Frank buys his tract and promises to read it. Mark Winsome, the Mystic Master regards him as a scoundrel.
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to read the gossip. Later, he wants to buy stock from the Black Rapids Coal
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309:– Puts up a sign "No Trust". The Cosmopolitan convinces him to remove the sign, and trust that for one week, he will pay for all unpaid services.
299:– A man in cream colors, a tossed look, a linty fair cheek, downy chin, flaxen hair. Looks like a stranger. He writes on a slate an allusion to
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are given as examples of virtuous men, rascals in their youth. He succeeds in convincing the
Missourian Bachelor to try a fifteen-year-old boy.
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632:, borrows some of the plot and makes numerous references to the book: One of the characters is named Melville, the steamer ship is named
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Confidence Men and
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The work includes satires of 19th-century literary figures: Mark
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141:. The book was published on the exact day of the novel's setting.
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from the
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728:. Gen. Ed. Emory Elliott. New York: Columbia University Press.
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in 1982, but was not held to be a success. The 2008 movie
397:– A bulky man accuses the man in a gray suit of hypocrisy.
287:, a con artist active in New York City in the late 1840s.
487:– Thinks the Herb-Doctor is a 'prowling Jesuit emissary'.
351:– Asks Guinea to go find anybody to vouch for (Guinea).
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1857, is the ninth and final novel by
American writer
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The
Paradise of Bachelors and the Tartarus of Maids
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503:The agent of the Philosophical Intelligence Office
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409:– asked to give $ 20 to the man in the gray suit.
361:away because it is too depressive. He is reading
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748:, online edition edited by Elizabeth S. Foster
726:Columbia Literary History of the United States
463:– The daughter of the Dusk Giant is bi-racial.
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327:– Casts doubt on whether Guinea is a cripple.
321:– Gets the initial information about Guinea.
273:; and a beggar in the story was inspired by
160:. The narrative structure is reminiscent of
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724:Milder, Robert. (1988). "Herman Melville."
313:Guinea, an African-American crippled beggar
265:, while his "practical disciple" Egbert is
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485:A third person with a gossiping expression
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517:The cosmopolitan, Francis "Frank" Goodman
491:Thomas Fry, aka, Happy Tom, the "soldier"
469:– Thinks the Herb-Doctor needs unmasking.
419:A somewhat elderly person in Quaker dress
200:The novel is written as cultural satire,
1013:Poor Man's Pudding and Rich Man's Crumbs
665:. New York: Alfred A. Knopf, 2005: 248.
176:
591:to a description of the confidence man.
415:– lives on Jones street in Saint Louis.
181:Manuscript fragment from Chapter 14 of
16:1857 satirical novel by Herman Melville
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1202:Herman Melville Memorial Room archives
1192:Herman Melville House (Troy, New York)
606:The novel was turned into an opera by
1137:Weeds and Wildings, and a Rose or Two
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790:The Life and Works of Herman Melville
331:A country merchant, Mr. Henry Roberts
283:was probably inspired by the case of
1105:Battle-Pieces and Aspects of the War
119:Battle-Pieces and Aspects of the War
746:1954 Hendricks House Confidence-Man
355:John Ringman, the Man with the Weed
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785:The Confidence-Man: His Masquerade
690:. Yale University Press. pp.
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663:Melville, His World and Work
585:The man talking in his sleep
269:; Charlie Noble is based on
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898:Pierre; or, The Ambiguities
776:public domain audiobook at
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425:A little dried-up man
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232:. Many readers place
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1238:1857 American novels
1062:The Apple-Tree Table
705:"Lost in the Desert"
579:Counterfeit Detector
551:Crazy Italian beggar
343:A Methodist minister
222:economic materialism
166:The Canterbury Tales
148:portrays a group of
271:Nathaniel Hawthorne
267:Henry David Thoreau
263:Ralph Waldo Emerson
63:philosophical novel
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20:The Confidence-Man
1140:(1924, posthumous)
1006:Cock-A-Doodle-Doo!
925:(1924, posthumous)
914:The Confidence-Man
773:The Confidence-Man
756:The Confidence-Man
661:Delbanco, Andrew.
652:Milder (1988), 440
617:The Brothers Bloom
511:Ignatius of Loyola
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1027:The Fiddler
998:Uncollected
620:, starring
602:Adaptations
575:The old man
563:China Aster
218:religiosity
158:New Orleans
1232:Categories
1041:Jimmy Rose
953:The Piazza
922:Billy Budd
640:References
539:Charlemont
307:The barber
1177:(ca 1853)
1048:The 'Gees
890:Moby-Dick
461:His child
256:absurdism
239:Moby-Dick
206:sincerity
162:Chaucer's
150:steamboat
77:Publisher
69:Published
1166:Possible
1158:" (1850)
1129:Timoleon
1064:" (1856)
1057:" (1856)
1050:" (1856)
1043:" (1855)
1036:" (1855)
1029:" (1854)
1022:" (1854)
1015:" (1854)
1008:" (1853)
778:LibriVox
297:The mute
248:nihilism
230:cynicism
214:morality
210:identity
202:allegory
173:Analysis
47:Language
1185:Related
874:Redburn
835:(works)
719:Sources
437:Goneril
377:Tacitus
359:Tacitus
156:toward
50:English
1148:Essays
1132:(1891)
1124:(1888)
1116:(1876)
1113:Clarel
1108:(1866)
1097:Poetry
945:(1856)
917:(1857)
909:(1855)
901:(1852)
893:(1851)
885:(1850)
877:(1849)
869:(1849)
861:(1847)
853:(1846)
842:Novels
732:
669:
634:Fidèle
589:Sirach
569:Orchis
557:Egbert
254:, and
228:, and
121:
108:
37:Author
866:Mardi
850:Typee
788:from
242:and "
226:irony
195:trust
96:Print
55:Genre
858:Omoo
730:ISBN
667:ISBN
628:and
509:and
365:'s "
72:1857
759:at
692:6–7
1234::
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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