169:, though Temple is formally known as "Mrs. Gowan Stevens", she still calls herself by her maiden name. Phillips stated that internally she still perceives herself to be "an irresponsible adolescent" and undeserving of a reputation of being a responsible wife. In regards to the sequel novel Degenfelder stated that the author formed, in Temple, "an essentially different woman from the same base, without sensing any contradiction." Degenfelder argued that the 1961 film does not have a consistent Temple as it tried but failed to reconcile the two different Temples from the novels, and that the resulting character was "weak". In addition, while that film was, according to the reviewer, trying to have a dual nature like with the first film, she felt that Temple was "unconvincing" in the "vamp" role.
17:
112:, a criminal. Corrupted by her experience in a house of prostitution, she lies in a court, resulting in an innocent man being lynched for a murder. In the second novel, she plans on leaving her family and going back to a criminal lifestyle until her maid kills her child to return her mind to clarity. In the first film, Temple tells the truth on the witness stand and reveals her sordid past. The second film uses elements of both novels, but in that film she does not attend a court hearing.
35:
178:
century perceived Temple as a "victim of the various social pressures" inflicted on young women while earlier ones blamed her for the sexual assault she undergoes. Muhlenfeld argued that the earlier characterizations of Temple needed re-evaluation. Philip G. Cohen, David Krause, and Karl F. Zender, who wrote an article about
Faulkner's works for
151:
of Loyola
University of Chicago wrote that she is "better" morally than the novel character. Miriam Hopkins stated : "That Temple Drake, now, there was a thing. Just give me a nice un-standardized wretch like Temple three times a year! Give me the complex ladies, and I'll interpret the daylights
177:
Joseph R. Urgo, author of an encyclopedia article on Temple Drake, wrote that the character is an "intersection" of "female agency", "pornographic representation", "the social construction of feminity" and other 20th century "major feminist issues". According to Urgo, audiences in the late 20th
190:, Philip M. Weinstein, and Judith Bryant Wittenberg as writers who view Temple in a positive light, while she categorized Calvin S. Brown, Robert L. Mason, Sally R. Page, and Olga Vickery as critics who regard the character as "a symbol of moral decay or evil".
144:" characterization to Temple in the novel. The reviewer added that "Faulkner sees woman as the instrument who instigates and perpetuates this pattern of evil" and that the use of Temple was "attacking the chivalric code of the South".
186:" by Diane Luce Cox, Muhlenfeld's article "persuades more", and that Muhlenfeld's stance on needing a different viewpoint on Temple agrees with that of Urgo; Muhlenfeld counted Urgo,
147:
Degenfelder wrote that her characterization in the first film differs from that of the novel version, and that the film gives her a "dual nature" of a dark and light aspects.
193:
Urgo also argued that Temple's actions differ wildly based on varying "social (and antisocial) situations" that the character lacks a unified "integral being".
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argued that Temple, Popeye, and lawyer Horace Benbow were all main characters even though the work presented itself as mainly being about Temple.
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Urgo, Joseph R. "Drake, Temple." In: Hamblin, Robert W. and
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88:(1961) also feature the character. In the two films she is played, respectively, by
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Degenfelder, E. Pauline (Winter 1976). "The Four Faces of Temple Drake: Faulkner's
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Cohen, Philip G., David Krause, and Karl F. Zender. "William
Faulkner." In:
272:(Summer 1973). "Faulkner And The Film: The Two Versions Of "Sanctuary"".
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Muhlenfeld, Elisabeth (1986). "Bewildered
Witness: Temple Drake in
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Miriam
Hopkins: Life and Films of a Hollywood Rebel
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Miriam
Hopkins: Life and Films of a Hollywood Rebel
419:Fiction, Film, and Faulkner: The Art of Adaptation
499:Volume 2. Duke University Press, 1990. Start: p.
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152:out of them." Allan R. Ellenberger, author of
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108:student who is kidnapped and raped by
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482:, 9780313298516. Start and CITED: p.
120:According to Elisabeth Muhlenfeld of
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282:(2). Salisbury University: 263–273.
54:is a fictional character created by
384:Ellenberger, Alan R. (2017-10-20).
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654:(adapted to Trigger and Candy Man)
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211:, and the Two Film Adaptations".
472:A William Faulkner Encyclopedia
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20:Temple Drake, as portrayed by
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104:In the first novel, she is a
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58:. She appears in the novels
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106:University of Mississippi
79:The Story of Temple Drake
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130:Worcester Public Schools
122:Florida State University
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70:(1951). The 1962 play
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705:Drama film characters
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456:Degenfelder, p. 555.
447:Degenfelder, p. 554.
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350:Degenfelder, p. 548.
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311:Muhlenfeld, p. 43.
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630:Requiem for a Nun
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560:Requiem for a Nun
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480:0313298513
432:1572331666
197:References
94:Lee Remick
39:Lee Remick
683:Cargo 200
611:Sanctuary
576:Sanctuary
554:Sanctuary
371:, p. 267.
244:Sanctuary
205:Sanctuary
184:Sanctuary
167:Sanctuary
126:Sanctuary
85:Sanctuary
61:Sanctuary
44:Sanctuary
426:, 2001.
369:Phillips
288:43795435
262:24907753
173:Analysis
622:Theater
235:2712288
652:Popeye
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606:(1933)
587:(1951)
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568:Novels
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110:Popeye
47:(1961)
30:(1933)
296:Notes
284:JSTOR
258:JSTOR
231:JSTOR
595:Film
557:and
476:ISBN
428:ISBN
396:ISBN
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100:Plot
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