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A typical band of Huang
Chunming characters, all in their 70s—Uncle Cow's Eye, Uncle Earthworm, Uncle Yuzai, and Uncle Ah-zhuan, led by Uncle Ah-sheng—venture forth from their usual hangout (the neighborhood temple, in the shade of the banyan tree) to challenge the coming of a modern swimming pool to
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A related theme is change and the impact of modernity. Huang
Chunming wrote in the introduction to the English translation, "In the sixties and seventies, when the modern world began making inroads into the out-of-the-way town of Lanyang, where I was born, the conflicts between the new and the old
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The story provides an example of quintessential Huang
Chunming narrative: unadorned observation of the fundamental human condition ("They seemed to shed a heavy emotional burden simultaneously -- he having seen his wife walk through the door, she having seen her husband drink some tea") juxtaposed
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This brief story describes a few hours in the life of a low-class husband and wife in Taiwan, together with their gaggle of children. Their concerns range from day-to-day subsistence, how to snatch some brief moments of intimacy, and how to broach touchy subjects like birth control.
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Two rural men have migrated to the city and now find themselves working on towering buildings. Their suddenly heightened visual perspective is complicated further when they become the center of official and media attention and get a taste of "all news, all the time" culture . . . .
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In a tour-de-force of imaginative dialog writing, Huang
Chunming describes how the Taiwanese man avails himself of artiful use of language to simultaneously humble the group of visiting Japanese businessmen and to upbraid a misguided Chinese literature student.
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vagrants—is a classic collection of down-on-their-luck locals: Scabby Head, Turtle, Know-It-All, Fire Baby, Blockhead, One-Eye, Gold Clock. They hang out under a tree across from the coffinmaker's shop, waiting to be called upon to assist at funerals.
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the family eats in the hospital symbolize the instantaneous change in circumstances: a heretofore unaffordable luxury in the
Taiwanese context will now be a commonplace as their lives are touched by the American presence.
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This story provides a glimpse into the nuanced interactions between a grandfather from a Taiwan mountain village and his teenage grandson, who is coming of age and gaining experience of the larger world.
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This story probes the roiling thoughts and emotions of an impoverished man as he juggles the challenges of his humiliating job as a "sandwich man" with the desire to support his young wife and child.
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This story is an empathetic account of an old, derelict, and hungry man. The two main threads of the story are the man's loss of employment as a town crier (complete with attention-getting
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created a rich source of powerful and dramatic material. Whenever my antennae detected the new dramas being played out in my hometown, the desire to write about them raged inside me."
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The story addresses wide-ranging feelings of ambivalence and confusion in a society that has a complicated history of relations with Japan, and is experiencing rapidly changing mores.
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This story concerns a
Taiwanese trading company employee who must act as a "pimp" in the course of entertaining visiting businessmen from Japan who want to visit a
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Huang
Chunming's characters are native Taiwanese fishermen and villagers, and often have Taiwan's trademark "Ah" prefix on their names. His stories are full of
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For a native Taiwan man who has migrated with his family to the urban north of Taiwan, everything changes when he hits an
American military officer.
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of the topic and provide significant coverage of it beyond a mere trivial mention. If notability cannot be shown, the article is likely to be
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458:- shouldering billboards for a movie theater and dressed in the costume of a nineteenth-century European military officer").
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with wry examples of the incongruity and provocativeness of modernizing Taiwan (the protagonist's occupation is
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their rural town. They represent barriers to translational activities that are ongoing in China by this period.
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640:"Dialectical Narrative Strategy and the "Angel of History" in Two Early Stories by Huang Chun-ming"
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and was published in 2001 by
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Rollins, J. B.; Chiang, Paochai (1 September 2012).
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593:"The Taste of Apples"
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