1056:""Tomb Raider King" ANIME ADAPTATION OFFICIALLY ANNOUNCED! Air Date: 2026 Based on the Supernatural Action Novel and Webtoon by SAN.G, 3B2S, Yuns set in a world where mysterious tombs suddenly appear over the world, each containing powerful relics that grant supernatural abilities. One of these tomb raiders exploring these mysterious places is betrayed by his boss and dies only to find himself thrown 15 years into the past where none of these tombs have existed yet. Determined to take revenge, he uses the knowledge of the future to become the Tomb Raider King. Eng Release @izepress German Release @altraverse_de"
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faith". Users could only sell rights to a third party if Tapas declined to buy the rights or if 30 days passed without agreement. Tapas released a statement in May 2017, saying that the Right of First
Refusal was "not to take any rights away or steal your content. The purpose is to help you." Tapas stated that the change of terms was to prevent creators accepting bad deals and instead to allow them to use Tapas' connections to "get the best deal possible." However, Tapas removed its right of first refusal requirement on May 18, 2017, due to the poor community reception.
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because people are quick to decide if a story is for them or not." Tapas provides assistance for creators to optimize their work for the audience, including formatting stories to ensure they work best when read on phones. The website has formed an interactive community, with fans discussing the comics and some creators asking for fan feedback.
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called "Ink", which users can purchase with money or earn through certain actions such as watching video ads. Ink can be used to unlock episodes of a series, and can also be directly given to creators. Tapas earns money through the purchase of Ink, the sale of advertising slots, and merchandise, and
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Tapas published comics was over 6,000 creators as of 2015, and from over 16,000 creators as of 2016. As of
February 2021, Tapas reports that it hosts work from over 61,000 creators. Most of its works are in the romance and fantasy genres. Of the works on the system, 80 percent is in comic form while
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Creators may earn money through a number of means. Creators with a work that has at least 100 subscribers earn about 70 percent of ad revenue. When users pay to access an episode or series, creators receive 50 percent of that payment. Creators can also ask for one-off donations from readers if they
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In an interview, Chang Kim said that their revenue model of providing a few free chapters then requiring payment to continue means that works that grab readers immediately are preferred, saying, "In print, stories can have a slow buildup, but our series need to hook readers from the first chapter,
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in April 2016, Tapas had over a million active readers, most of which were from North
America and 90% of which were under the age of 34. In 2021, Tapas said that the majority of Tapas readers are women aged 18–24. CEO Chang Kim said that reaching this demographic, "wasn't our intention" but that
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the same day: the addition of a "Right of First
Refusal" clause spurred controversy among the service' users. According to this clause, users who wanted to sell the rights to works that had been hosted on Tapas had to offer them to Tapas Media first, and then negotiate with the company "in good
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Tapas was founded by San
Francisco-based Korean entrepreneur Chang Kim and Young-Jun Jang in 2012, initially under the name Comic Panda. The Wall Street Journal described Kim as a "serial entrepreneur"; he was once in charge of Samsung's mobile content strategy, and he sold his Korean blogging
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business model; many series have the first few episodes available for free but further episodes must be purchased. Tapas reported that in 2020, users in total typically spent US$ 50,000–$ 70,000 each day on the service, and over that year Tapas paid US$ 14 million to creators.
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207:"We discovered a lot of people still use print publishing, and paid their own money to print comics ... Or people start their own website, in which case you have to build your audience, think about mobile, pay for hosting. It just doesn't really work out."
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business model; according to Tapas Media, around 10–20% of the works were offered for free – either directly free, or unlockable as rewards for engagement with the app – with the rest of the works requiring payment. CEO Chang Kim specifically cited
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Kim became a fan of webtoons during his college years, and came up with the idea of an open-publishing platform after wondering if there was a single online location to read all the webcomics he was a fan of. Kim drew parallels to
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as a model for the app, for its freemium model and for providing three to five minutes of engagement, which he said they were trying to mimic with the amount of content in each "bite-sized micro chapter".
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genres. Tapas reports that around 63% of creators on its service are women and that the majority of its users are women aged 18–24. Around 80% of its works are comics, while the rest are prose.
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20 percent is prose. Tapas also includes a "Mature" section on its website (but not on its app), dedicated to explicit content. According to Tapas, 63 percent of its creators are female.
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reported that some artists on Tapas were making around US$ 800 per month on the service; after 2020, the company announced that in that year it had paid US$ 14 million to creators.
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All works on Tapas are in
English. Some of the comics on the site are translated from other languages. Tapastic has offered a translation service for Korean and French creators.
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On April 17, 2017, the company announced that it had changed its website name to Tapas, redesigning parts of their website in the process. Tapas Media changed its
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said that " mobile app... is absolutely the future for most comic content, but has a steep but fast learning curve if you read comics on the website instead."
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have at least 250 subscribers. Creators retain ownership of their works and may also profit from selling licenses of their media for movie and TV adaptations.
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model; some series on Tapas are free to read, while some provide the first few issues for free then require payment to continue reading. The Tapas app has an
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While Tapas does not make its financial data public, it reported that in 2020 users typically spent $ 50,000–$ 70,000 USD in total each day on the service.
265:. Through this partnership, Tapastic hoped to bring over successful Korean titles to see if they could find success in the United States market, such as
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may also earn money through deals that license Tapas comics for TV or movies. For example, Tapas announced a deal in
December 2020 to publish the comic
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By 2015 the company had received $ 3.4 million USD in backing from both
American and Korean investors, including from South Korean internet company
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As of
February 2021 the website reports that it hosts English-language works by over 61,000 creators. Most of the works on Tapas are in
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announced that it had acquired Tapas Media for $ 510 million. The acquisition is now subject to government approval.
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company. It was created in 2012 by entrepreneurs Young-Jun Jang and Chang Kim, who is currently Tapas Media's
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Comic Panda should not be confused with Big Panda, a webcomics portal which was operating in the late 1990s.
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In April 2016, Tapas Media released a new mobile app, titled "Tapas". The app was announced on a
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785:"Tapastic Raises $ 2M To Build Out Its YouTube Of Webcomics And Visual Storytelling"
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called
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Hennum, Shea; O'Neil, Tim; Rosberg, Caitlin; Sava, Oliver (February 23, 2016).
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fantasy and romance perform the best and is popular with this demographic.
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Chief Technology Officer Adam D'Angelo. This included $ 2 million USD of
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by The Kao (also called Vincent Kao) as a graphic novel through
809:"Tapastic's CEO talks new partnership, launch of 'Like a Wolf'"
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733:"E-book App Applies Gaming E-Commerce Model To Mobile Reading"
1027:"Yen Press Announces New Imprint: IZE Press | Yen Press"
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500:"The Impact of Digital Technologies on Education Businesses"
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Archive of the website from 2012 under the Comic Panda name
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which Tapastic received in 2014 through a partnership with
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905:. Archived from the original on February 13, 2021
537:"YJ (Young-Jun) Jang, Founder & CEO at Riiid"
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568:"Biggie Panda: Old Skool Webcomics"
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759:Burszan, David (May 12, 2013).
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1153:"What is the Premium Program?"
1010:"Villains Are Destined to die"
828:Tapas Media (April 17, 2017).
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222:and also worked for Google on
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1:
1659:Webcomic publishing companies
1649:2021 mergers and acquisitions
939:"What is the Mature section?"
870:Terror, Jude (May 18, 2017).
849:Terror, Jude (May 18, 2017).
701:Terror, Jude (May 18, 2017).
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1664:Webtoon publishing companies
333:Villains Are Destined to Die
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1289:Navillera: Like a Butterfly
475:Lee, Joyce (May 11, 2021).
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923:: CS1 maint: unfit URL (
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1103:"Tapas Ink and Support"
615:The Wall Street Journal
1530:A Girl Who Sees Smells
1511:The Enchantment Agency
1244:A Girl Who Sees Smells
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1444:The Power of Stardust
1086:"A Business Proposal"
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44:Icon of the Tapas app
1332:No Girlfriend Comics
814:Comic Book Resources
547:on December 24, 2023
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355:Tapas operates on a
192:The site works on a
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150:, formerly known as
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1654:Kakao Entertainment
505:Stanford University
345:A Business Proposal
295:Kakao Entertainment
263:Daum Communications
172:Kakao Entertainment
138:Current status
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1669:American webcomics
1570:The Goodbye Family
1468:The Goodbye Family
1041:"Tomb Raider King"
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1546:Cheshire Crossing
1420:Cheshire Crossing
1404:Maddie in America
1324:Sarah's Scribbles
1029:. April 15, 2022.
830:"Hello, tapas.io"
738:Publishers Weekly
653:Publishers Weekly
411:Publishers Weekly
397:Publishers Weekly
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