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was "a very personal piece of work" for him and that the album was about establishing his own distinct identity as a vocalist: "these were the songs that I always thought I'd do someday, and when I was approached by the Indian record label Music Today, I thought I'd sing those songs." He further
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was designed to cater to Indian musical sensibilities and was also released first in India, Ali asserted in an interview that he was determined to record and produce the album in
Pakistan "because Pakistani musicians and recordings their own distinct sound," which he wanted to highlight in the
29:
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amassed significant critical acclaim in both India and
Pakistan and received praise for mixing "the earthy with the refined." Ali garnered praise for his "powerful vocals," his "command over the classical idiom and modern music, and for blending catchy pop melodies with folk vocals.
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dialect from a remote region of
Pakistan, which led Ali to alter some of the lyrics to make the song easier to understand. He also modified the composition of the original song to render it in a more contemporary style while retaining the traditional folk sounds of the
401:. Ali received significant critical acclaim for "Khaireyan De Naal" and has mentioned that it is his favorite track in the album. He also composed and sang a version of this song for the soundtrack of the 2015 Hindi movie,
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and imagery and symbolizes union and oneness between the seeker and God (as the
Beloved). Ali incorporated guitar- and accordion-led jazz improvisations into his arrangement of this track to lend it softer, romantic
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because that is my base and my foundation." Referring to his songwriting process for the album, he noted: "the music I make doesn't have rock tones anymore. I like sounds that relate to humanity, like
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333:, we had to use a fixed set of instruments even when they were not needed for a song. On this album, I had the freedom to incorporate only those instruments that are needed."
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magazine characterized the album as a modern reworking of "traditional Sufi poetry." Ali described the album as having "soulful music with some Sufi elements." He stated that
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album, while also trying to avoid the
Bollywood music mold. Ali has mentioned that he ended up excluding some of the songs he originally wrote and composed for
591:. "Kartar" is particularly noted for its rock riffs and high-octane orchestration, and it was featured again as a bonus track in Ali's second solo album,
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and was used heavily to promote the album across music channels in both India and
Pakistan. Ali borrowed the primary chorus line of the song from
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folk music and plays with the familiar Sufi theme of seeking a path to God and enlightenment while also acknowledging that God is within oneself.
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was to experiment "with the contemporary way of music, a mix of earthy and traditional tones, to give music lovers something fresh."
430:— beseeching him to dye Khusrau in the colors of divine love. The theme of immersive colors, dyes, and hues is a prominent motif in
1980:
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was commissioned and released in India in
September 2008 by the Music Today label. The album was also released in Pakistan by the
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386:'s folk song of the same name and wrote and composed the song around it. The song tells the story of the tragic romance of
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Ali composed and wrote additional lyrics for the track "Dum Ali Ali Dum" which is a variation of the popular 600-year-old
459:. Ali chose to name the song eponymously in honor of its writer. He also performed a version of this song for Season 2 of
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titled "Jindri Luti Te Yaar Sajan" (also known as "Dilri Luti Te Yaar Sajan") written by the 19th-Century Sufi poet
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315:. Ali remarked that he enjoyed having a greater degree of creative control and artistic freedom while working on
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overtones and features five Sufi tracks – "Rang Le," "Bulleh Shah," "Dum Ali Ali Dum," "Rohi," and "Pagalpan":
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962:"Shafqat Amanat Ali - 'With Tabeer, my dream of making my own album with some soulful music comes true!'"
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because they were thematically "very dark" and he did not deem them commercially viable at the time.
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Shafqat Amanat Ali Faced A Lot Of
Hurdles Before Making It Big |Part 1 | Rewind With Samina Peerzada
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565:. Ali described the track as an "old traditional family song" and has shared that he extended the
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as having "compellingly softer tones," which was a marked departure from Ali's previous work with
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193:) is the debut solo studio album by Pakistani classical and pop singer, songwriter, and composer
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375:." Accordingly, several songs in the album have noticeably spiritual and devotional overtones.
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in 2006, Ali chose to focus on his solo career as a vocalist. Based on traditional folk and
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was recorded, mixed, and mastered by Shani (Zeeshan) Haider at Couple of Good
Studios in
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1640:"Shafqat Amanat Ali Khan: I don't worry if my song doesn't catch on - Times of India"
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to develop it into a song. In 2009, Ali delivered a live performance of "Ajab Khail"
482:. The song is a much-celebrated and widely-sung tribute to the Sufi mystic and saint
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for a period of about ten months and mentioned: "I like to compose using
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1306:"Pak singer Shafqat launches new album in India | news.outlookindia.com"
928:"Pak singer Shafqat launches new album in India | news.outlookindia.com"
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609:. "Naina" is composed by Shani (Zeeshan) Haider. "Rohi" is written by
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1064:. Vol. 122, no. 26. Nielsen Business Media, Inc. p. 31
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197:, released in India on September 9, 2008 by the Music Today label.
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among others. The original verses are written in the little-known
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613:. The track "Tu Hi Tu Hai" was initially released as part of
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378:"Khaireyan De Naal" was the lead single and opening track on
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and is part of the Indian subcontinent's cultural zeitgeist.
1738:"The myriad interpretations of Sufi anthem 'Mast Qalandar'"
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418:"Rang Le" is based on the well-known Sufi devotional song,
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986:"I didn't get my due: Shafqat Amanat Ali - Times of India"
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as a supplication to his spiritual guide — the Sufi saint
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The song "Bulleh Shah" is based on the Sufi devotional
449:, in which he celebrates the ecstasy of finding his
605:Most tracks are written, composed, and arranged by
1867:"Shafqat Amanat Ali's 'Kyon Dooriyan' finally out"
1359:"Hotstepper of the week - Shafqat Amanat Ali Khan"
445:written by the 18th-century poet and philosopher,
1967:
191: Interpretation or manifestation of dreams
623:, in 2007 but was later re-released as part of
597:(2010), with a slightly different arrangement.
356:
1513:"Shafqat Amanat Ali disappoints with Raaz 3"
1713:"Pakistan's Sufis Preach Faith and Ecstasy"
1664:"Sufism - Symbolism in Sufism | Britannica"
1218:"Tabeer – Shafqat Amanat Ali (Music Today)"
281:
233:but was not ultimately able to work on it.
16:2008 studio album by Shafqat Amanat Ali
319:as a solo artiste, compared to working on
251:(India) described Ali’s vocal stylings in
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1816:"Poet Of The Desert: Khwaja Ghulam Farid"
1056:Borthakur, Ahir Bhairab (July 31, 2010).
1055:
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1185:Ranjit, S. Sahaya (September 22, 2008).
1030:"First Person: Creating his own legacy?"
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579:a modified rendition of "Kartar" — for
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1616:"Music Review: Tevar - Times of India"
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397:folktale written in 1766 by the poet
1814:Mahmood, Parvez (October 15, 2021).
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1689:"'Singing in India has its charm'"
1687:Thombare, Suparna (Nov 19, 2013).
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1538:"The Love Story of Hir and Ranjha"
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1095:"ALBUM REVIEW: On the right track"
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877:Lobo, Kevin (September 23, 2008).
551:, originally sung by Ali's father
497:. The Kafi was originally sung by
255:as "cull from Pakistan’s inherent
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1789:Abbas, Nazar (December 2, 2017).
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221:label as their mega Eid release.
1892:"Coke Studio Sessions: Season 2"
1736:Sharjeel, Shahzad (2019-12-06).
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1416:"Country music - Indian Express"
1385:Sabeeh, Maheen (July 20, 2008).
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1441:"Kyun Dooriyan: A musical tale"
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1216:Ferreira, Verus (Sep 9, 2013).
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1765:"Kaafi of Khwaja Ghulam Farid"
1250:Siddiqui, Nadir (2008-11-08).
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904:"The Second Coming of Shafqat"
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817:"Tabeer by Shafqat Amanat Ali"
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617:'s debut (compilation) album,
1:
1160:. Nov 1, 2008. Archived from
843:"Tabeer | Shafqat Amanat Ali"
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627:with a modified arrangement.
542:, is based on a time-honored
489:"Rohi" is an adaptation of a
341:and flute work by Sajid Ali.
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1918:"Zindagi by Various Artists"
1840:"The Paths to God in Sufism"
1308:. 2012-06-14. Archived from
1028:Syed, Madeeha (2008-10-11).
930:. 2012-06-14. Archived from
213:works, his first solo album
7:
1844:Muhyiddin Ibn Arabi Society
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484:Hazrat Lal Shahbaz Qalandar
443:Aao Saiyo Ral Deo Ni Wadhai
357:Composition and songwriting
78:Pop, Sufi, Devotional, Folk
10:
2002:
1187:"Music — Notes of Ecstasy"
533:The song "Kartar," set in
525:"Pagalpan" is inspired by
274:shared that his goal with
1771:. Rekhta Foundation. 2022
1420:archive.indianexpress.com
1281:"Looking for Attention -"
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1126:"Tabeer: Shafqat Excels"
478:and modified further by
337:features guitar work by
282:Recording and production
1944:"Zindagi | Zubeen Garg"
205:After leaving the band
472:Dama Dam Mast Qalandar
339:Imran Muhammad Akhoond
301:(India) characterized
114:Shani (Zeeshan) Haider
68:Couple of Good Studios
1571:www.radioandmusic.com
966:www.radioandmusic.com
422:written by Sufi poet
410:The album has strong
1717:Smithsonian Magazine
1465:"Celebrity playlist"
1334:"Restoring Dreams -"
1256:newslinemagazine.com
585:Coke Studio Pakistan
503:Bade Ghulam Ali Khan
225:, the co-creator of
1517:The Express Tribune
1338:Rolling Stone India
1285:Rolling Stone India
749:"Manqabat (Ya Ali)"
650:"Khaireyan De Naal"
611:Khwaja Ghulam Farid
563:Bade Fateh Ali Khan
495:Khwaja Ghulam Farid
1668:www.britannica.com
1644:The Times of India
1620:The Times of India
1542:unesdoc.unesco.org
1252:"Tried and Tested"
1164:on 23 January 2012
1154:"Chords and notes"
1062:Billboard Magazine
990:The Times of India
727:"Kartar (Darbari)"
607:Shafqat Amanat Ali
457:Shah Inayat Qadiri
195:Shafqat Amanat Ali
120:Shafqat Amanat Ali
42:Shafqat Amanat Ali
1986:Sufi music albums
1871:radioandmusic.com
1222:musicunplugged.in
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672:"Dum Ali Ali Dum"
428:Nizamuddin Auliya
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