250:, reverend Adam Abramowicz, in April 1926 a competition was announced for a new church on St. Roch in Białystok. It contained an unequivocal postulate about the symbolic idea of the building, which was to have the dimension of a monument as "a monument to the revival of the independence of the Fatherland". The competition became an important event in the artistic life of the interwar Polish Republic and played an important role in the development of modern Polish architectural thought. Among 70 complex works, formally and stylistically diverse, there are several bold design concepts, operating in an avant-garde form and innovative spatial solutions. The commission, composed of Karol Jankowski, Marian Lalewicz and Czesław Przybylski, as well as priest Adam Abramowicz and district architect J. Kummant, at the meeting on July 7, 1926 awarded the first prize to the team: Władysław Schwarzenberg-Czerny, Jan Karżewski and Jerzy Woyzbun. Moreover, three other projects were awarded prizes, among which the most radical avant-garde proposals were presented by the winners of the fourth prize: Bohdan Lachert, Józef Szanajca and Lech Niemojewski. None of the four awarded works received the final approval of the Construction Committee. The concept of Oskar Sosnowski, selected in a second, closed competition, was sent for implementation. Sosnowski's project was part of the original intention of the so-called Stone Litany: mystical Marian fortresses, architectural equivalents of the invocations of the Loreto litany. The vision of the temple as a monument-votive offering for regained independence was combined in Sosnowski's project with a hymn in honor of Our Lady, Queen of the Polish Crown, and the call from the litany became at the same time a clear symbol of the new reality. The works began in 1927 and despite the huge financial difficulties, the construction progressed quickly, which was a real phenomenon, considering the extremely difficult economic realities and the complex social reality of Białystok at that time.
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The postulate to build a church on a hill dominating the city center has been submitted by the faithful for many decades. However, such an exposed location could not be approved by the tsarist governorate authorities, which consistently refused to consent to subsequent petitions on this matter. The
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A.Dolistowski, ‘Kościół św. Rocha w Białymstoku …’ in: Kwartalnik
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765:and defense
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486:Starosielce
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