431:, in which certain groups of authors collectively attempted to move beyond tired old stories of haunted castles, graveyard ghosts, and suave vampires. It tends to be concerned with the subtly uncanny, and is expressed in macabre and serious tones. The atmospheres of a certain place may be evoked, and the narrator may discover certain weird details of that place which arouse a sense of unexplainable dread. Some weird poetry will describe timeless geological forces or the night sky, trying to harness the feeling of dread to a wider and sublime 'cosmic awe' about mankind's insignificance in the universe. Yet the narrators of such poetry tend to be unreliable, and may perhaps be on the edge of madness. They may describe or hint at unreal nature-defying events which occur in otherwise normal places - although without the overt technical explanation found in science fiction, and without the violence and sadism common to modern post-1970 horror.
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Mythic poetry deals with myth and folklore, with a particular focus on reinterpreting and retelling traditional stories. Some of the content in this genre sparks a lot of conversation and thinking. They rose to popularity for their styles revolving around folktales and storytelling aspects.
381:
Scientifically-informed verse, sometimes termed poetry of science, is a branch that has either scientists and their work or scientific phenomena as its primary focus; it may also use scientific jargon as metaphor. Important collections in this area include the 1985 anthology of predominantly
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Horror poetry is a subset which, in the same way as horror fiction, concentrates on ghostly, macabre, spectral, supernatural themes. Modern horror poetry may also introduce themes of sadism, violence, gore, and the like. One of the most memorable poets that specializes in this genre is
55:
218:, both to show alternative angles in the stories and to explore social issues. Many distinguished poets were women and many of them used folktales as an acceptable social camouflage with which to explore feminist concerns. One of the most celebrated of these poems,
439:(2008) examines a number of key weird poets and highlights them while doing so. While weird poetry has appeared in a vast array of anthologies and journals (both professional and small-press), perhaps the first journal devoted exclusively to this form is
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for short- and long-form SF and fantasy poetry awards annually; most winners have been either science fiction or science-themed rather than fantasy or horror. Most
Rhysling nominees have been from the small-press poetry journals
69:, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Knowledge.
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Weird poetry is a subset. It differs in several important ways from straightforward modern horror poetry. It originally arises from the early 20th century literary tradition of 'the weird' also known as
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markets had developed, many lasting several decades, and many choosing purely electronic publication post-2000. This is in common with mainstream written poetry in the US over this time.
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In common with the gradual recognition of science fiction and fantasy as distinct literary genres in the 1930s, science-fictional poetry began publication as a distinct genre in the
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wrote in 1981 that over the past decade in the United States, "it was possible to create a tradition, that established and defined the genre" of science fiction poetry.
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Much of the
Romantic poetry of the 19th century used techniques that are seen in modern fantasy literature such as retellings of
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No 1 (new series) (April 2010), pp. 15–16. Pioneering checklist of weird and fantastic poems by
Australian writers.
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712:"A new discipline of vision": The synthesis of poetic and scientific epistemologies in contemporary speculative verse
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Content in this edit is translated from the existing
Russian Knowledge article at ]; see its history for attribution.
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769:. Sauk City, WI: Arkham House, 1947. Crucial anthology of 65 poets ranging from border balladeers to moderns.
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Science fiction poetry's main sources are the sciences and the literary movement of science fiction prose.
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Johnston, Nancy (2003), "'I would have swallowed the kiss'; Reflections on
Feminist Speculative Poetry",
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846:. Comprehensive anthology of weird poetry from Homer through to moderns such as Gary William Crawford,
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the following year. In the 1970s, Elgin's colleague
Frederick J. Mayer for some time awarded an annual
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Contemporary
Science Fiction, Fantasy and Horror Poetry: A Resource Guide and Biographical Directory
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Due to the similarity of subject matter, it is often published by the same markets that publish
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defined the genre as "about a reality that is in some way different from the existing reality."
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It was founded in 2013 by the editor S.T. Joshi and published by
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remained the major news-stand market, but a diverse array of predominantly US-based
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In the 1960s, anthologies of original speculative material began to be published.
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Lovecraft, Charles. "Echoes in the
Wilderness: Weird Poetry in Australia".
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to the source of your translation. A model attribution edit summary is
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and speculative poetry. The field has one major award, the
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Burning with a Vision: Poetry of
Science and the Fantastic
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Fire and Sleet and Candlelight: New Poems of the Macabre
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to this template: there are already 926 articles in the
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Dreams of fear: Poetry of Terror and the Supernatural
714:(PhD dissertation), University of Oregon, p. 241
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a machine-translated version of the Russian article.
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933:"Alchemical Post-Its A Primer on Fantastic Poetry"
767:Dark of the Moon: Poems of Fantasy and the Macabre
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196:Science Fiction & Fantasy Poetry Association
200:Science Fiction and Fantasy Writers Association
922:Three Approaches to Writing Speculative Poetry
869:Emperors of Dreams: Some Notes on Weird Poetry
437:Emperors of Dreams: Some Notes on Weird Poetry
334:Science Fiction and Fantasy Poetry Association
104:accompanying your translation by providing an
49:Click for important translation instructions.
36:expand this article with text translated from
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254:The Magazine of Fantasy & Science Fiction
899:Speculative Poetry: A Symposium, Part 2 of 2
889:Speculative Poetry: A Symposium, Part 1 of 2
734:Women in science fiction and fantasy, vol. 1
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535:"The SFPA Rhysling Awards and Anthology"
261:) (1949–), the UK-based flagship of the
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239:of the United States. Fantasy-specific
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275:between 1964 and 1970, and the annual
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935:. Yesterday's Island. Archived from
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787:The Science Fiction Poetry Handbook
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308:Science Fiction Poetry Association
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318:Award for best fantastic poetry.
186:, and many authors write both in
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182:of science fiction, fantasy and
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749:The Year's Best Science Fiction
353:. Winners are reprinted in the
286:The Year's Best Science Fiction
842:and Steven J. Mariconda, eds.
732:Reid, Robin Anne, ed. (2009),
514:"About Science Fiction Poetry"
446:
349:, and the SFPA's own journal,
114:You may also add the template
1:
953:"SFPA Rhysling Award Archive"
789:, 2005. Sam's Dot Publishing
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710:Morse, Andrew David (2003),
159:themes. It is also known as
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909:The Failure of Genre Poetry
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86:will aid in categorization.
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359:Horror Writers Association
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61:Machine translation, like
453:List of speculative poets
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390:Songs from Distant Worlds
38:the corresponding article
931:Frazier, Robert (2005).
822:(Greenwood Press, 1989)
435:'s short book of essays
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343:Dreams & Nightmares
125:For more guidance, see
1081:Science fiction genres
1011:Journal of Mythic Arts
854:, G. Sutton Brieding,
727:(1), San Francisco: 38
512:Elgin, Suzette Haden.
310:(SFPA) was founded by
161:science fiction poetry
871:. P'rea Press, 2008.
801:Frazier, Robert, ed.
332:SFPA (now called the
127:Knowledge:Translation
98:copyright attribution
983:Eye To The Telescope
783:Elgin, Suzette Haden
369:Subgenres and themes
939:on 15 November 2006
484:Speculative fiction
312:Suzette Haden Elgin
212:classical mythology
188:speculative fiction
169:Suzette Haden Elgin
474:Slipstream (genre)
316:Clark Ashton Smith
220:Christina Rossetti
141:Speculative poetry
106:interlanguage link
877:978-0-9804625-3-1
810:Futurian Observer
736:, Greenwood Press
388:-published poems
363:Bram Stoker Award
216:European folklore
153:science fictional
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447:Noted poets
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327:small press
242:Weird Tales
1070:Categories
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943:12 January
866:S.T. Joshi
840:S.T. Joshi
665:Moore 2003
490:References
289:edited by
268:New Worlds
40:in Russian
1039:Star*Line
1018:Niteblade
1004:inkscrawl
959:April 10,
687:Reid 2009
646:Reid 2009
627:Reid 2009
608:Reid 2009
589:Reid 2009
570:Reid 2009
541:March 19,
519:March 19,
500:Citations
464:New Weird
351:Star*Line
321:By 1990,
265:movement
222:'s 1862 "
149:fantastic
120:talk page
72:Consider
469:Scifaiku
458:See also
338:Rhysling
323:Asimov's
303:Asimov's
298:F&SF
281:F&SF
263:New Wave
259:F&SF
180:novellas
96:provide
915:at the
721:Femspec
385:Science
277:reprint
248:Unknown
206:History
118:to the
100:in the
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955:. SFPA
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409:Horror
400:Mythic
306:. The
184:horror
145:poetry
495:Notes
422:Weird
63:DeepL
961:2012
945:2012
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858:and
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775:ed.
765:ed.
755:and
693:help
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543:2012
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283:and
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