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Weird Tales

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2470:, a science fiction trade journal, "Ackerman says he has had no contact with publisher Forbes, does not know what will happen to the material he put together, and is as much in the dark as everybody else. Lamont says that he is still renegotiating his contract and is not sure where he stands". The original plan was for the first issue to appear in August 1984, dated July/August, but before it appeared the decision was taken to change the contents, and a new, completely reset issue finally appeared at the end of the year, dated Fall 1984. Even with this delay a final agreement had not yet been reached with Weinberg over licensing. Only 12,500 copies were printed; these were sent to two distributors who both went into bankruptcy. As a result, few copies were sold, and Forbes was not paid by the distributors. Despite the financial setback, Forbes attempted to continue, and a second issue eventually appeared. Its cover date was Winter 1985 but it was not published until June 1986. Few copies were printed; reports vary between 1,500 and 2,300 in total. Mark Monsolo was the fiction editor, but Garb continued as editorial director; Lamont was no longer involved with the magazine. 3276:' subtitle was "The Unique Magazine", and Wright's story selections were as varied as the subtitle promised; he was willing to print strange or bizarre stories with no hint of the fantastic if they were unusual enough to fit in the magazine. Although Wright's editorial standards were broad, and although he personally disliked the restrictions that convention placed on what he could publish, he did exercise caution when presented with material that might offend his readership. E. Hoffmann Price records that his story "Stranger from Kurdistan" was held after purchase for six months before Wright printed it in the July 1925 issue; the story includes a scene in which Christ and Satan meet, and Wright was worried about the possible reader reaction. The story nevertheless proved to be very popular, and Wright reprinted it in the December 1929 issue. He also published "The Infidel's Daughter" by Price, a satire of the 4111: 5232:
in 1942, as a result of import restrictions placed on U.S. magazines. Canadian editions from 1942 up to January 1948 were not identical to the U.S. editions, but they match closely enough that the originals are easily identified. From the May 1942 to January 1945 issues, they correspond to the U.S. editions two issues earlier, that is, from January 1942 to September 1944. There was no Canadian issue corresponding to the November 1944 U.S. issue, so from that point the Canadian issues were only one behind the U.S. ones: the issues from March 1945 to January 1948 correspond to the U.S. issues from January 1945 to November 1947. There was no Canadian issue of the January 1948 U.S. issue, and from the next issue, March 1948, till the end of the Canadian run in November 1951, the issues were identical to the U.S. versions.
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1980s were published by Zebra Books. The next two issues were from Bellerophon, and then from Spring 1988 to Winter 1996 the publisher was Terminus. From Summer 1998 to July/August 2003 the publisher was DNA Publications and Terminus, listed either as DNA Publications/Terminus or just as DNA Publications. The September/October 2003 issue listed the publisher as DNA Publications/Wildside Press/Terminus, and through 2004 this remained the case, one issue dropping Terminus from the masthead. Thereafter Wildside Press was the publisher, sometimes with Terminus listed as well, until the September/October 2007 issue, after which only Wildside Press were listed. The issues published from 2012 through 2014 were from Nth Dimension Media.
3361: 1310:, and over the course of his editorship the symptoms grew gradually worse. By the end of the 1920s he was unable to sign his name, and by the late 1930s Bill Sprenger was helping him get to work and back home. The first issue with Wright as editor was dated November 1924, and the magazine immediately resumed a regular monthly schedule, the format changing back to pulp again. The pay rate was initially low, with a cap of half a cent per word until 1926, when the top rate was increased to one cent per word. Some of Popular Fiction Publishing's debts were paid off over time, and the highest pay rate eventually rose to one and a half cents per word. The magazine's cover price was high for the time. 1957:
failed to increase sales. In September 1939 the page count went down to 128, and the price was cut from 25 cents to 15 cents. From January 1940 the frequency was reduced to bimonthly, a change which stayed in effect until the end of the magazine's run fourteen years later. None of these changes had the intended effect, and sales continued to languish. In March 1940, Wright was let go because of his increasing health problems—he was by now suffering from Parkinson's so severely that he had trouble walking unassisted. and was replaced by McIlwraith as editor. Wright then had an operation to reduce the pain with which he suffered, but never fully recovered. He died in June of that year.
4120: 4102: 5284:. These were all undated; the first issue had no volume or issue number but subsequent issues were numbered sequentially. Most were priced at 1/-; issues 11 to 15 were 1/6. All were 96 pages long. The first issue corresponds to the July 1949 U.S. issue; the next 20 issues correspond to the U.S. issues from November 1949 to January 1953, and the final two issues correspond to May 1953 and March 1953, in that order. Another five bimonthly issues appeared from Thorpe & Porter dated November 1953 to July 1954, with the volume numbering restarted at volume 1 number 1. These correspond to the U.S. issues from September 1953 to May 1954. 4093: 3554:
two sides being divided about equally. For years it was the most discussed topic in the magazine's letter column. Many of the authors Wright published wrote letters too, including Lovecraft, Howard, Kuttner, Bloch, Smith, Quinn, Wellman, Price, and Wandrei. In most cases these letters praised the magazine, but occasionally a critical comment was raised, as when Bloch repeatedly expressed his dislike for Howard's stories of Conan the Barbarian, referring to him as "Conan the Cimmerian Chipmunk". Another debate that was aired in the letter column was the question of how much science fiction the magazine should include. Until
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pit of mediocrity". In Weinberg's opinion the poor cover art, frequently by R. M. Mally, was probably partly to blame for the magazine's lack of success under Baird. Weinberg also regards the interior art during the magazine's first year as very weak; most of the interior drawings were small, and with little of the atmosphere one would expect from a horror magazine. All the illustrations were by Heitman, whom Weinberg describes as "... notable for his complete lack of imagination. Heitman's specialty was taking the
3026: 3713: 3870:. In Ashley's opinion, the magazine "had the feel of a museum piece with nothing new or progressive", though Weinberg describes the magazine as having "an interesting jumble of contents". The subsequent paperback series edited by Lin Carter was criticized in similar terms: Weinberg regards it as having "too much reliance ... on the old names like Lovecraft, Howard and Smith by reprinting mediocre material ... New writers were not sufficiently encouraged", though Weinberg does add that 6544: 3041:, was not an ideal choice for the job as he disliked horror stories; his expertise was in crime fiction, and most of the material he acquired was bland and unoriginal. The writers Henneberger had been hoping to publish, such as Garland and Hough, failed to submit anything to Baird, and the magazine published mostly traditional ghost fiction, many of the stories being narrated by characters in lunatic asylums, or told in diary format. The cover story for the first issue was "Ooze", by 47: 3413:, one of the most important figures in the history of science fiction and fantasy art, made his first sale to Wright in 1935; Wright only bought one interior illustration from Finlay at that time because he was concerned that Finlay's delicate technique would not reproduce well on pulp paper. After a test print on pulp stock demonstrated that the reproduction was more than adequate, Wright began to buy regularly from Finlay, who became a regular cover artist for 10744: 4349:. The Terminus issues reverted to pulp format until the Winter 1992/1993 issue, which was large pulp. A single pulp issue appeared in Fall 1998, and then the format returned to large pulp until the Fall 2000 issue, which was quarto. The format varied between large pulp and quarto until January 2006, which was large pulp, as were all issues after that date until Fall 2009, except for a quarto-sized November 2008. From Summer 2010 the format was quarto. 3391:, was perhaps the best known artist. Many of Brundage's covers were for stories by Seabury Quinn, and Brundage later commented that once Quinn realized that Wright always commissioned covers from Brundage that included a nude, "he made sure that each de Grandin story had at least one sequence where the heroine shed all her clothes". For over three years in the early 1930s, from June 1933 to August/September 1936, Brundage was the only cover artist 10734: 1952:, a successful general fiction pulp magazine based in New York. Sprenger and Wright both received a share of the stock from Cornelius; Sprenger did not remain with the company but Wright moved to New York and stayed on as editor. Henneberger's share of Popular Fiction Publishing was converted to a small interest in the new company, Weird Tales, Inc., a subsidiary of Delaney's Short Stories, Inc. Dorothy McIlwraith, the editor of 38: 2725:, who formed Terminus Publishing, based in Philadelphia, and licensed the rights from Weinberg. Rather than focus on newsstand distribution, which was expensive and had become less effective in the 1980s, they planned to build a base of direct subscribers and distribute the magazine for sale through specialist stores. The first issue had a cover date of Spring 1988, but it was produced early enough to be available at the 1987 3076:, agrees with Ashley that the quality of Baird's issues was poor, but comments that some good stories were published: "it was just that the percentage of such stories was dismally small". Weinberg singles out "A Square of Canvas" by Rud, and "Beyond the Door" by Paul Suter as "exceptional"; both appeared in the April 1923 issue. Weinberg also regards "The Floor Above" by M. L. Humphries and "Penelope" by 2452:, edited by Lin Carter, appearing between 1981 and 1983; these were originally planned to be quarterly, but in fact the first two both appeared in December 1980 and were both dated Spring 1981. The next was dated Fall 1981; Carter's rights to the title were terminated by Weinberg in 1982 for non-payment, but the fourth issue was already in the works and finally appeared with a date of Summer 1983. 3430:
delivered her artwork in person, but it was also because Brundage's popularity was beginning to decline. When Delaney acquired the magazine in late 1938, the fee for a cover painting was cut to $ 50, and in Weinberg's opinion the quality of the artwork declined immediately. Nudes no longer appeared, though it is not known if this was a deliberate policy on Delaney's part. In 1939 a campaign by
1348:, but the magazine was not a success, though it managed to last for over three years before Cornelius gave up. Another financial blow occurred in late 1930 when a bank failure froze most of the magazine's cash. Henneberger changed the schedule to bimonthly, starting with the February/March 1931 issue; six months later, with the August 1931 issue, the monthly schedule returned. Two years later 2464:
Weinberg was only able to contact Forbes by phone, and even that was not always reliable, so negotiations were slow. Forbes' editorial director was Gordon Garb and the fiction editor was Gil Lamont; Forrest Ackerman also assisted, mainly by obtaining material to include. There was a good deal of confusion between the participants in the project: according to
1246:. This did not address the debt, $ 43,000 of which was owed to the magazine's printer, Cornelius Printing Company. Cornelius agreed to an arrangement in which they would control a new company, to be called Popular Fiction Publishing, until the debt was paid off. Not all of the magazine's debts were eliminated by this transaction, but it meant that 2365:. Five of the Winter issues were dated with two years: 1988/1989, 1992/1993; 1996/1997, 2001/2002, and 2002/2003. Editors were Moskowitz (gray), Carter (purple), Ackerman & Lamont (bright pink), Garb (green), Schweitzer, Scithers and Betancourt (orange); Schweitzer (dark pink); and Scithers and Schweitzer (yellow). 327: 404:, a pulp magazine that appeared twice a month, starting with the October 1, 1922 issue. It was initially unsuccessful, and as part of a refinancing plan, Henneberger decided to publish another magazine that would allow him to split some of his costs between the two titles. Henneberger had long been an admirer of 3721:
Wright's highpoints, they also omitted the lows". L. Sprague de Camp, toward the end of McIlwraith's time as editor, agreed that the 1930s were the magazine's heyday, citing Wright's death and the departure for other, better-paying, markets of several of its contributors as factors in the magazine's decline.
3978:. The decision was made despite the protests of VanderMeer, and prompted her to end her association with the magazine. Kaye wrote an essay titled "A Thoroughly NONRACIST Novel" defending his decision to publish the excerpt. Both the essay and Kaye's decision to publish the excerpt were heavily criticized, 3491:: the stories in the weird menace magazines appeared to be based on occult or supernatural events, but at the end of the tale the mystery was always revealed to have a logical explanation. In 1935 Wright began running weird detective stories to try to attract some of the readers of these magazines to 5307:
Prices of the magazine drop over the succeeding decades, the McIlwraith issues being worth far less than the ones edited by Wright. Ashley quotes the digest-sized issues from the end of McIlwraith's tenure as fetching ÂŁ8 to ÂŁ10 each as of 2008. The revived editions are not particularly scarce, with
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is widely collected, and many issues command very high prices. In 2008, Mike Ashley estimated the first issue to be worth ÂŁ3,000 in excellent condition, and added that the second issue is much rarer and commands higher prices. Issues with stories by Lovecraft or Howard are very highly sought-after,
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distributed in the United Kingdom. In early 1942, three issues abridged from the September 1940, November 1940, and January 1941 U.S. issues were published in the U.K. by Gerald Swan; they were undated, and had no volume numbers. The middle issue was 64 pages long; the other two were 48 pages. All
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There were numerous differences between the Canadian issues from May 1942 to January 1948 and the corresponding U.S. issues. All the covers were repainted by Canadian artists until the January 1945 issue; thereafter the artwork from the original issues was used. Initially the fiction content of the
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appeared from June 1935 to July 1936; all fourteen issues are thought to be identical to the U.S. issues of those dates, though "Printed in Canada" appeared on the cover, and in at least one case another text box was placed on the cover to conceal part of a nude figure. Another Canadian series began
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The first run of the magazine was priced at 25 cents for the first fifteen years of its life except for the oversized May/June/July 1924 issue, which was 50 cents. In September 1939 the price was reduced to 15 cents, where it stayed until the September 1947 issue, which was 20 cents. The price went
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to Marvin Kaye and John Harlacher of Nth Dimension Media. Marvin Kaye took over chief editorial duties. Issue 359, the first under the new publishers, was published in late February 2012. Some months before the release of issue 359, a special World Fantasy Convention preview issue was given away for
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finally appeared from Renown Publications, in April 1973, edited by Moskowitz. It had weak distribution and sales were too low for sustainability; according to Moskowitz the average sales were 18,000 copies per issue, well short of the 23,000 that would have been needed for the magazine to survive.
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also worked on the magazine, assisting Baird. Payment rates were low, usually between a quarter and a half cent per word; the budget went up to one cent per word for the most popular writers. Sales were initially poor, and Henneberger soon decided to change the format from the standard pulp size to
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included a letters column, titled "The Eyrie", for most of its existence, and during Wright's time as editor it was usually filled with long and detailed letters. When Brundage's nude covers appeared, a lengthy debate over whether they were suitable for the magazine was fought out in the Eyrie, the
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in 1935; he was a fan of Lovecraft's work, and asked Lovecraft's permission to include Lovecraft as a character in one of his stories, and to kill the character off. Lovecraft gave him permission, and reciprocated by killing off a thinly disguised version of Bloch in one of his own stories not long
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In the middle of the year Baird received five stories submitted by H. P. Lovecraft; Baird bought all five of them. Lovecraft, who had been persuaded by friends to submit the stories, included a cover letter that was so remarkably negative about the quality of the manuscripts that Baird published it
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became Wright's assistant, and over the next two years Delaney tried to increase profits by adjusting the page count and price. An increase from 144 pages to 160 pages starting with the February 1939 issue, along with the use of cheaper (and hence thicker) paper, made the magazine thicker, but this
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could continue to publish, and perhaps return to profitability. The business manager of the new company was William (Bill) Sprenger, who had been working for Rural Publishing. Henneberger had hopes of eventually refinancing the debt with the help of another printer, Hall Printing Company, owned by
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as the new editor. The first issue to list Wright as editor was dated November 1924. The magazine was more successful under Wright, and despite occasional financial setbacks, it prospered over the next 15 years. Under Wright's control, the magazine lived up to its subtitle, "The Unique Magazine",
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as the venue where writers, editors and an engaged readership "elevated speculated fiction to new heights" with influence that "reverberates through modern popular culture". In Ashley's words, "somewhere in the imagination reservoir of all U.S. (and many non-U.S.) genre-fantasy and horror writers
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In 1936, Howard committed suicide, and the following year Lovecraft died. There was so much unpublished work by Lovecraft that Wright was able to use that he printed more material under Lovecraft's byline after his death than before. In Howard's case, there was no such trove of stories available,
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starting with the December 1935 issue. Demand from readers for Finlay's artwork was so high that in 1938 Wright commissioned a series of illustrations from Finlay for lines taken from famous poems, such as "O sweet and far, from cliff and scar/The horns of Elfland faintly blowing", from Tennyson's
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The cover art during Baird's tenure was dull; Ashley calls it "unattractive", and Weinberg describes the color scheme of the first issue's cover as "less than inspired", though he considers the next month's cover to be an improvement. He adds that from the May 1923 issue "the covers plunged into a
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Robert Weinberg reports that he found no evidence of the magazine being banned, and the financial state of the magazine implies there was no benefit to sales either. S. T. Joshi, Lovecraft's biographer, contends that the magazine was indeed removed from newsstands in Indiana, but according to John
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from 2003 to 2008, showing volume and issue numbers. Most issues were titled with either the month or with two months (e.g. "March/April 2004"). One issue, Spring 2003, was titled with the season instead. Editors were Scithers and Schweitzer (yellow); Scithers, Schweitzer and Betancourt (orange);
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recalled that "in the late Twenties and Thirties of this century...at a time when most pulp periodicals sold for a dime, its price was a quarter". Although Popular Fiction Publishing continued to be based in Chicago, the editorial offices were in Indianapolis for a while, at two separate addresses,
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The publisher for the first year was Rural Publishing Corporation; this changed to Popular Fiction Publishing with the November 1924 issue, and to Weird Tales, Inc. with the December 1938 issue. The four issues in the early 1970s came from Renown Publications, and the four paperbacks in the early
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received in 1992 made it apparent that the magazine was successful in terms of quality, but sales were insufficient to cover costs. To save money the format was changed to a larger flat size, starting with the Winter 1992/1993 issue, but the magazine remained in financial trouble, issues becoming
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were also printed in hardcover format, in limited editions of 200 copies. These were signed by the contributors, and were available at $ 40 as part of a subscription offer. Issues produced in this format include Summer 1988, Spring/Fall 1989, Winter 1989/1990, Spring 1991, and Winter 1991/1992.
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began in Spring 1988 priced at $ 3.50; this went up to $ 4.00 with the Fall 1988 issue, and to $ 4.95 with the Summer 1990 issue. The next price increase was to $ 5.95, in Spring 2003, and then to $ 6.99 with the January 2008 issue. The first two issues from Nth Dimension Media were priced at $
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During the 1930s, Brundage's rate for a cover painting was $ 90. Finlay received $ 100 for his first cover, which appeared in 1937, over a year after his first interior illustrations were used; Weinberg suggests that the higher fee was partly to cover postage, since Brundage lived in Chicago and
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The magazine was, unusually for a pulp, included by the editors of the annual Year in Fiction anthologies, and was generally regarded with more respect than most of the pulps. This remained true long after the magazine's first run ended, as it became the main source of fantasy short stories for
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Histories of the magazine differ as to whether he was fired because of poor sales, or quit because of his health. Ashley says Wright's health made it "impossible to continue", but Weinberg says Delaney let Wright go "in a move to further cut costs". However, in a later history of the magazine,
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from John Gregory Betancourt with Kaye taking over chief editorial duties from VanderMeer. Issue 359, the first under the new publishers, was published in late February 2012. Some months before the release of issue 359, a special World Fantasy Convention preview issue was given away for free to
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In Weinberg's opinion, the magazine lost variety under McIlwraith's editorship, and "much of the uniqueness of the magazine was gone". In Ashley's view, the magazine became more consistent in quality, rather than worse; Ashley comments that though the issues edited by McIlwraith "seldom attain
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The new editor, Farnsworth Wright, was much more willing than Baird had been to publish stories that did not fit into any of the existing pulp categories. Ashley describes Wright as "erratic" in his selections, but under his guidance the magazine steadily improved in quality. His first issue,
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met with Weinberg to propose taking over as licensees, but Weinberg decided not to pursue the offer. The following year, Brian Forbes approached Weinberg with another offer. Forbes' company, the Bellerophon Network, was an imprint of a Los Angeles company named The Wizard. Ashley reports that
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ceased publication in 1954, but since then, numerous attempts have been made to relaunch the magazine, starting in 1973. The longest-lasting version began in 1988 and ran with an occasional hiatus for over 20 years under an assortment of publishers. In the mid-1990s, the title was changed to
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in the September 1923 issue, with a note appended saying that he had bought the stories "despite the foregoing, or because of it". Baird insisted that the stories be resubmitted as typed double-spaced manuscripts; Lovecraft disliked typing, and initially decided to resubmit only one story, "
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as "a brand-new magazine to cover the field of Poe-Machen shudders". Lovecraft did not wish to leave New York, where he had recently moved with his new bride; his dislike of cold weather was another deterrent. He spent several months considering the offer in mid-1924 without making a final
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Club" was started. Joining the Club simply meant writing in to receive a free membership card; the only other benefit was that the magazine listed all the members' names and addresses, so that members could contact each other. Among the names listed in the January 1943 issue was that of
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under license once again. The first issue was dated Summer 1998, and, other than the omission of the Winter 1998 issue, a regular quarterly schedule was maintained for the next four and a half years. Sales were weak, never rising above 6,000 copies, and DNA began to experience financial
1226:, Rural switched to a cheaper printer, but it meant that the magazine began at a financial disadvantage. The magazine lost a considerable amount of money under Baird's editorship: after thirteen issues, the total debt was over $ 40,000 and perhaps as much as $ 60,000. In the meantime, 5327:
Lin Carter gives the debt as $ 41,000, and adds that the original capital was "reputedly" $ 11,000, meaning that during Baird's tenure the magazine had lost $ 52,000. L. Sprague de Camp quotes Henneberger's debt as "at least $ 43,000, and perhaps as much as $ 60,000". John Locke, in
3280:, which drew an angry letter and a cancelled subscription from a Klan member. Price later recalled Wright's response: "a story that arouses controversy is good for circulation ... and anyway it would be worth a reasonable loss to rap bigots of that caliber". Wright also printed 3092:", appeared under Houdini's name in the May/June/July 1924 issue, though it was nearly lost—Lovecraft left the typed manuscript on the train he took to New York to get married, and as a result spent much of his wedding day retyping the manuscript from the longhand copy he still had. 4344:
was in pulp format for its entire first run except for the issues from May 1923 to April 1924, when it was a large pulp, and the last year, from September 1953 to September 1954, when it was a digest. The four 1970s issues were in pulp format. The two Bellerophon issues were
2411:. The latter two were ghost-edited by Moskowitz, who proposed to Margulies that when the time was right to start the magazine up again, it should include reprints from obscure sources that Moskowitz had found, rather than just stories reprinted from the first incarnation of 5308:
two exceptions. The two Bellerophon issues received such poor distribution that they fetch high prices: Ashley quotes a 2008 price of ÂŁ40 to ÂŁ50 for the first one, and twice that for the second one. The other valuable recent issues are the hardback versions of the Terminus
3145:, who became popular contributors. Over the following year, Wright established a group of writers as regulars, including Long and La Spina, and published many stories by writers who would be closely associated with the magazine for the next decade and more. In April 1925, 1359:
also hit the Hall Printing Company, which Henneberger had been hoping would take over the debt from Cornelius; Robert Eastman, the owner of Hall, at one point was unable to meet payroll. Eastman died in 1932, and with him went Henneberger's plans for recovering control of
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up again to 25 cents in May 1949; the digest-sized issues from September 1953 to September 1954 were 35 cents. The first three paperbacks edited by Lin Carter were priced at $ 2.50; the fourth was $ 2.95. The two Bellerophon issues were $ 2.50 and $ 2.95. The Terminus
3638:. After saying that the magazine would still publish "all types of weird and fantasy fiction", Lowndes reported that Delaney did not want "stories which center about sheer repulsiveness, stories which leave an impression not to be described by any other word than 'nasty 3562:' readers, but after that point letters began to appear asking Wright to exclude science fiction, and only publish weird fantasy and horror. The pro-science fiction readers were in the majority, and as Wright agreed with them, he continued to include science fiction in 1271:
in mid-1924, but by the end of the year he had been hired as its new editor. The last issue under Baird's name was a combined May/June/July issue, with 192 pages—a much thicker magazine than the earlier issues. It was assembled by Wright and Kline, rather than Baird.
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offices shortly after Wright read the manuscript for it, and recalls that Wright was so enthusiastic about the story that he closed the office, declaring it "C.L. Moore day". The story was very well received by readers, and Moore's work, including her stories about
1211:, to make the magazine more visible. This had little long-term effect on sales, though the first issue at the new size, dated May 1923, was the only one that first year to sell out completely—probably because it contained the first instalment of a popular serial, 3446:
but other writers such as Henry Kuttner provided similar material. By the end of Wright's tenure as editor, many of the writers who had become strongly associated with the magazine were gone; Kuttner, and others such as Price and Moore, were still writing, but
3284:'s "The Copper Bowl", a story about a young woman being tortured; she dies when her torturer forces a rat to eat through her body. Weinberg suggests that the story was so gruesome that it would have been difficult to place in a magazine even fifty years later. 3566:. Hugh B. Cave, who sold half-a-dozen stories to Wright in the early 1930s, commented on "The Eyrie" in a letter to a fellow writer: "No other magazine makes such a point of discussing past stories, and letting the authors know how their stuff is received". 1980:
by 1953 was one cent per word, well below the top rates of other science fiction and fantasy magazines of the day. War shortages also caused problems, and the page count was reduced, first to 112 pages in 1943, and then to 96 pages the following year.
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more popular serials, as a hardcover book, including three other stories from the magazine's first year. One of the stories, "An Adventure in the Fourth Dimension", was by Wright himself. The book sold poorly, and it remained on offer in the pages of
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The first Wildside Press edition appeared in September 2005, and starting with the following issue, dated February 2006, the magazine was able to stay on a more or less bimonthly schedule for some time. In early 2007, Wildside announced a revamp of
3291:", a story about a mutilated corpse taking revenge on the undertaker responsible, was because it was "too gruesome", but Wright changed his mind a few years later, and the story eventually appeared in April 1932. Wright also rejected Lovecraft's " 1262:, to see if he would be interested in taking the job. Henneberger offered ten weeks advance pay, but made it a condition that Lovecraft move to Chicago, where the magazine was headquartered. Lovecraft described Henneberger's plans in a letter to 3736:
began contributing in the 1940s; he was a friend of Bok's and the two occasionally collaborated, signing the result "Dolbokgov". Weinberg regards Dolgov's illustration for Robert Bloch's "Yours Truly, Jack the Ripper" as one of his best works.
3709:, and as a result McIlwraith often reprinted lesser-known stories. They were not advertised as reprints, which led in a couple of cases to letters from readers asking for more stories from H. P. Lovecraft, whom they believed to be a new author. 2433:, a science fiction magazine historian, records that Moskowitz was unwilling to continue in any case, as he was annoyed by Margulies's detailed involvement in the day-to-day editorial tasks such as editing manuscripts and writing introductions. 4070:
was the most influential, helped to form the modern fantasy genre, and that Wright, "if he was not a perfect editor ... was an extraordinary one, and one of the most influential figures in modern American fantasy fiction", adding that
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saying he was "highly disturbed that the editor ever thought this was in any way a good idea, that he was so supportive of this novel that he was going out of his way to defend and support it … up until the Internet landed on his head."
2749:, and the volume numbering was restarted at volume 1 number 1, but in every other way the magazine was unchanged, and the four issues under this title, issued between 1994 and 1996, are regarded by bibliographers as part of the overall 5264:
pending story file. Because of the reorganization of material, it often happened that one of the Canadian issues would have more than a single story by the same author. In these cases a pseudonym was invented for one of the stories.
3045:; there was also the first installment of a serial, "The Thing of A Thousand Shapes", by Otis Adelbert Kline, and 22 other stories. Ashley suggests that the better pulp writers from whom Baird did manage to acquire material, such as 4043:
that Lovecraft, Howard, and Clark Ashton Smith became widely known, and it was the first and one of the most important markets for weird and science fantasy artwork. Many of the horror stories adapted for early radio shows such as
4386:. These were considered an unofficial U.K. edition of the magazine, the stories sometimes appearing in the anthology before the magazine's U.S. version appeared. The ones which drew a substantial fraction of their contents from 3516:
appeared in February 1939 and lasted for just over two years; Weinberg describes it as "top-quality", though Ashley is less complimentary, describing it as largely unoriginal and imitative. The following month the first issue of
3084:", in the March 1924 issue, was one of Lovecraft's finest stories. Baird is also credited with discovering and encouraging Lovecraft. It was Henneberger who came up with another idea involving Lovecraft: Henneberger contacted 2912:
from 2009 to 2014, showing volume and issue numbers. The issue labelled "nn" was not numbered; it was a preview copy given away at the World Fantasy Convention. Editors were Vandermeer (gray); Segal (blue); and Kaye (mauve).
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The art editor, Lamont Buchanan, was able to establish five artists as regulars by the mid-1940s; they remained regular contributors until 1954, when the magazine's first incarnation ceased publication. The five were Dolgov,
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In a couple of instances a story appeared in the Canadian edition of the magazine before its appearance in the U.S. version, or simultaneously with it, so it is evident that whoever assembled the issues had access to the
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returned to a mostly regular schedule for a few months. A long hiatus ended with the December 2004 issue, which appeared in early 2005; this was the last issue under the arrangement with DNA. Wildside Press then bought
3013:, each of whom had said they avoided writing stories of "fantasy, the bizarre, and the outré" because of the likelihood of rejection by existing markets. He added "I must confess that the main motive in establishing 5304:, the holder of a remarkably complete early science fiction archive, has "only a few scattered issues" from the early years, and the librarian recorded in 1983 that "dealers laugh when Eastern enquires about these". 5277:. A single issue was released in late 1946 by William Merrett; it also was undated and unnumbered. It was 36 pages long, and was priced at 1/6. The three stories included came from the October 1937 U.S. issue. 189:, all of whom went on to be popular writers, but within a year, the magazine was in financial trouble. Henneberger sold his interest in the publisher, Rural Publishing Corporation, to Lansinger, and refinanced 3693:
in the early 1930s, had continued to appear under Farnsworth Wright; they all but disappeared during McIlwraith's tenure. McIlwraith also focused more on short fiction, and serials and long stories were rare.
343:
magazine was the first to switch to printing only fiction, and in December of that year, it changed to using cheap wood-pulp paper. This is now regarded by magazine historians as having been the start of the
3731:
artwork suffered when Delaney cut the rates. Bok, whose first cover had appeared in December 1939, moved to New York and joined the office art staff for a while; he eventually left because of the low pay.
3159:, which Baird had rejected as "too commonplace". It proved to be extremely popular with readers, and Weinberg comments that Baird's rejection was "just one of the many mistakes made by the earlier editor". 3200:, a fictional universe in which Lovecraft set several stories. Over time other writers began to contribute their own stories with the same shared background, including Frank Belknap Long, August Derleth, 3000:
the subtitle "The Unique Magazine" from the first issue. Henneberger had been hoping for submissions of "off-trail", or unusual, material. He later recalled talking to three well-known Chicago writers,
3295:" in mid-1933. Price had revised the story before passing it to Wright, and after Wright and Price discussed the story, Wright bought it, in November of that year. Wright turned down Lovecraft's novel 3149:'s first story, "When the Green Star Waned", appeared; although Weinberg regards it as very dated, it was highly regarded at the time, Wright listing it in 1933 as the most popular story to appear in 2733:. The size was the same as the original pulp version, though it was printed on better paper. There were also limited edition hardcover versions of each issue, signed by the contributors. A special 1960:
Wright was replaced by McIlwraith, whose first issue was dated April 1940. From 1945 through 1949, she was assisted by Lamont Buchanan, who worked for her as associate editor and art editor for both
3795:
in the 1940s. Weinberg speaks highly of both Napoli and Coye, whom Weinberg describes as "the master of the weird and grotesque illustration". Coye did a series of full-page illustrations for
3017:
was to give the writer free rein to express his innermost feelings in a manner befitting great literature", but it is unlikely any of these authors promised to submit anything to Henneberger.
3301:
in 1935, though in this case it was probably because of the story's length—running a serial required paying an author for material that would not appear until two or three issues later, and
334:
In the late 19th century, popular magazines typically did not print fiction to the exclusion of other content; they would include nonfiction articles and poetry, as well. In October 1896,
3882:
were among the newer writers who contributed good material. Ashley's opinion of the two Bellerophon issues is low: he describes them as lacking "any clear editorial direction or acumen".
4046: 5463:
Lowndes was later to discover that it was almost certainly Smith's story "The Coming of the White Worm" which Delaney was referring to; it was eventually published by Donald Wollheim in
10780: 3933:
category, along with receiving two Hugo Award nominations in subsequent years and its first World Fantasy Award nomination, for Segal and Vandermeer, in more than seventeen years.
3107:. According to Eddy, this led to the magazine being removed from the newsstands in several cities, and beneficial publicity for the magazine, helping sales, but in his history of 3376:", but soon most of the poetry was original, with contributions from Lovecraft, Howard, and Clark Ashton Smith, among many others. Lovecraft's contributions included ten of his " 2440:, a science fiction fan and editor, was one of the interested parties, but she chose instead to sell to Victor Dricks and Robert Weinberg. Weinberg in turn licensed the title to 1267:
decision; Henneberger visited him in Brooklyn more than once, but eventually either Lovecraft declined or Henneberger simply gave up. Wright briefly severed his connection with
1242:, though for a while he remained on the staff. A financial reorganization was also necessary, and Henneberger decided to sell both magazines to Lansinger and invest the money in 3057:". It appeared in the October 1923 issue, which was the most noteworthy of Baird's tenure, since it included stories by three writers who would become frequent contributors to 5364:
In the same letter to Long, the 34-year-old Lovecraft, who often affected the airs of an aged gentleman, declared "think of the tragedy of such a move for an aged antiquarian".
314:
in significance and influence", adding that "somewhere in the imagination reservoir of all U.S. (and many non-U.S.) genre-fantasy and horror writers is part of the spirit of
5437:
On a business trip to New Orleans, Quinn was taken to an upmarket brothel by his business associates, and discovered that the women who worked there were regular readers of
4035:
in significance and influence". Weinberg goes further, calling it "the most important and influential of all fantasy magazines". Weinberg argues that much of the material
3368:
As well as fiction, Wright printed a substantial amount of poetry, with at least one poem included in most issues. Originally this often included reprints of poems such as
2375:, a well-known figure in the magazine publishing world, launched a new company, Renown Publications, with plans to publish several titles. He acquired the rights to both 11348: 11313: 11277: 11049: 3582:
McIlwraith was an experienced magazine editor, but she knew little about weird fiction, and unlike Wright she also had to face real competition from other magazines for
6484: 3531:" stories to Wright, but Wright rejected all of them (as did McIlwraith when she took over the editorship). Leiber subsequently sold them all to John W. Campbell for 6340: 5300:, fetching comparable prices to the first two issues. The first few volumes are so rare that very few academic collections have more than a handful of these issues: 3925:. This period also saw the addition of a broader range of content, ranging from narrative essays to comics to features on weird culture. The magazine won its first 3112:
Locke, a magazine historian, the suggestion that there was ever a public reaction to the story is a misinterpretation of comments made by Lovecraft about the story.
6104: 8925: 7435: 4058:
school of writing". Justin Everett and Jeffrey H. Shanks, the editors of a recent scholarly collection of literary criticism focused on the magazine, argue that "
3287:
On several occasions Wright rejected a story of Lovecraft's only to reconsider later; de Camp suggests that Wright's rejection at the end of 1925 of Lovecraft's "
1364:. The magazine advertised in the early science fiction pulps, usually highlighting one of the more science-fictional stories. Often the advertised story was by 5428:
Bloch's story was "The Shambler From the Stars", which appeared in the September 1935 issue; Lovecraft's riposte was "The Haunter of the Dark", in December 1936.
3898:
as fiction editor, during the next few years the magazine "won a number of awards and great acclaim." In 2010 VanderMeer became the magazine's editor-in chief.
8747: 7387: 6366: 3854:, serialized over three issues, along with some rare stories of Hodgson's that Moskowitz had unearthed. Many of the other stories were reprints, either from 2741:
irregular over the next couple of years. The Summer 1993 issue was the last to have a hardcover edition; it was also the last, for a while, to bear the name
10773: 3756:
in the early 1940s, recalled later that he was paid $ 5 for a single-page drawing, and $ 10 for a double-page spread; he worked slowly and the low pay meant
1342:, at reduced prices, for twenty years. It was at one point provided as a bonus to readers who subscribed. In 1930 Cornelius launched a companion magazine, 7691: 3834: 3744:
paper was of very poor quality, which meant that the reproductions were poor, and along with the low pay rate for art this meant that many artists treated
3483:
had little competition for most of Wright's sixteen years as editor. In the early 1930s, a series of pulp magazines began to appear that became known as "
3165:, who would go on to be a very successful pulp writer, appeared under both his real name and under a pseudonym, used for his first sale, in January 1925. 2928:
difficulties. Wildside Press, owned by John Betancourt, joined DNA and Terminus Publishing as co-publisher, starting with the July/August 2003 issue, and
7498: 3677:. As Wright had done, McIlwraith continued to buy Lovecraft stories submitted by August Derleth, though she abridged some of the longer pieces, such as " 3495:, and asked readers to write in with comments. Reader reaction was uniformly negative, and after a year he announced that there would be no more of them. 11282: 7536: 4379: 7561: 6317: 173:
founded by J. C. Henneberger and J. M. Lansinger in late 1922. The first issue, dated March 1923, appeared on newsstands February 18. The first editor,
11070: 10972: 3185:
reprint" department, which showcased old weird stories, typically horror classics. Often these were translations, and in some cases the appearance in
3634:
Delaney's personal taste also reduced McIlwraith's latitude. In an interview with Robert A. Lowndes in early 1940, Delaney spoke about his plans for
3426:, who painted 45 covers early in Wright's tenure, "was one of Sprenger's bargains", meaning that he produced poor art, but worked fast for low rates. 1238:. Henneberger decided early in 1924 on a reorganization of the editorial staff, which meant that by late spring Baird was no longer actively editing 9016: 5393:
Weinberg says that Wright, "who had been in bad health for many years, stepped down as editor", and does not give any other reason for his departure.
2782:
were executive producers, and each was expected to direct an episode. Stone was to be director of the pilot, but the series never came to fruition.
400: 7598: 10766: 3769: 354:, the first title that focused on a particular niche. Other titles that specialized in particular fiction genres followed, starting in 1915 with 1368:, who was popular in the sf magazines. Wright also sold hardcovers of books by some of his more popular authors, such as Kline, in the pages of 6453: 10260: 5255:
The U.S. and Canadian covers for the November 1935 issue, with part of the nude figure (by Margaret Brundage) obscured for the Canadian version
3828:. Brennan had already sold over a dozen stories to other pulps when he finally made a sale to McIlwraith, but he had always wanted to sell to 3783:
interior art, he describes Humiston's work as ranging "from bad to terrible", but he is more positive about the others. Napoli had worked for
3733: 2460: 398:, formed Rural Publishing Corporation of Chicago, in partnership with his former fraternity brother, J. M. Lansinger. Their first venture was 7581: 348:
era. For years, pulp magazines were successful without restricting their fiction content to any specific genre, but in 1906, Munsey launched
7671: 4545: 3423: 3316:, who investigated supernatural events, and for a while he was the most popular writer in the magazine. Other regular contributors included 375:
all appeared frequently in the pulps of the day, but by the early 1920s, still no single magazine was focused on any of these genres, though
6396: 9788: 7651: 6423: 3173:'s "The Werewolf of Ponkert" appeared in July 1925, and in the same issue Wright printed "Spear and Fang", the first professional sale of 249:
was launched, no magazines were specializing in science fiction, but he continued this policy even after the launch of magazines such as
11133: 10888: 8577: 7405: 3487:" magazines. These lasted until the end of the decade, but despite the name there was little overlap in subject matter between them and 3450:
rates were too low to attract submissions from them. Clark Ashton Smith had stopped writing, and two other writers who were well-liked,
225:, a detective who specialized in cases involving the supernatural, was very popular with the readers. Other well-liked authors included 3631:, the same authors selling to both markets. In Weinberg's words, "only the quality of the stories their work between the two pulps". 5355:
Henneberger later recalled that Cornelius was in a position to ensure that the debt was never paid off, so that they retained control.
4012:
as the editorial director, with issue #363 being released at the end of that year. This issue featured the story "Up from Slavery" by
9362: 3208:. Robert E. Howard and Clark Ashton Smith were friends of Lovecraft's, but did not contribute Cthulhu stories; instead Howard wrote 7473: 2953:
as the new fiction editor. In January 2010, the magazine announced Segal was leaving the top editorial post to become an editor at
213:" in 1928. These were well-received, and a group of writers associated with Lovecraft wrote other stories set in the same milieu. 11308: 4062:
functioned as a nexus point in the development of speculative fiction from which emerged the modern genres of fantasy and horror".
1972:
also provided assistance and advice, although he had no formal connection with the magazine. Most of McIlwraith's budget went to
11338: 10965: 4017: 6807: 6552: 3940:
saw the number of subscriptions triple as the magazine "came to symbolise what was good about the changes in the SF community."
11333: 11232: 11216: 9652: 6207: 4110: 288:, continued to appear, the magazine is considered by critics to have declined under McIlwraith from its heyday in the 1930s. 11161: 9716: 8933: 8865: 8798: 8695: 8484: 8450: 3469: 1356: 8130: 6492: 6344: 3080:, both from the May 1923 issue, and "Lucifer" by John Swain, from the November 1923 issue, as memorable, and comments that " 11203: 8160: 8070: 4075:
and its competitors "served as the bedrock upon which much of modern fantasy rests". Everett and Shanks agree, and regard
8100: 8010: 7980: 7950: 7920: 7890: 7860: 7631: 4054:. The magazine's "Golden Age" was under Wright, and de Camp argues that one of Wright's accomplishments was to create a " 3642:". Lowndes later added that Delaney had told him he found some of Clark Ashton Smith's stories on the "disgusting side". 2415:. These stories would be as good as new for most readers, and the money saved could be used for an occasional new story. 11014: 9664: 6096: 3292: 6522: 3802:
The letter column, "The Eyrie", was much reduced in size during McIlwraith's tenure, but as a gesture to the readers a "
11318: 10677: 10003: 9748: 8040: 6165: 5551: 7830: 7788: 4132:. From left to right, the artists are Finlay (1938), Bok (1941), Dolgov (1943), and Coye (late 1940s or early 1950s). 3598:
published many successful humorous fantasy stories, and McIlwraith responded by including some humorous material, but
2361:
from 1988 to 2002, showing volume and issue numbers. Note that the four issues starting with Summer 1994 were titled
11328: 11323: 9998: 9743: 9279: 9240: 9214: 9188: 9162: 9136: 9110: 9088: 9058: 9032: 9005: 8959: 8891: 8839: 8820: 8775: 8737: 8670: 8639: 8612: 8590: 8562: 8536: 8514: 8424: 8398: 8372: 8322: 8252: 7391: 7005: 6975: 6370: 3434:, the mayor of New York, to eliminate sex from the pulps led to milder covers, and this may also have had an effect. 10839: 10621: 9883: 9736: 9731: 9726: 3623:
readership appreciated getting access to classic stories "often mentioned but rarely found". Without the reprints
3088:
and made arrangements to have Lovecraft ghost-write a story for him using a plot supplied by Houdini. The story, "
2770:
series. The deal for the rights was facilitated by screenwriters Mark Patrick Carducci and Peter Atkins. Directors
2766: 1218:
Even before the launch, Rural had incurred higher than expected costs from the printer for the first few issues of
7443: 10853: 9687: 9657: 3930: 10789: 7688: 7495: 4334:
Baird was listed as editor for the May/June/July 1924 issue, but that issue was assembled by Wright and Kline.
3612:, with predictable effects on quality. In 1940 the policy of reprinting horror and weird classics ceased, and 2449: 7528: 6309: 3964:
became involved in a media altercation after Kaye announced the magazine was going to publish an excerpt from
3137:
November 1924, was little better than those edited by Baird, although it included two stories by new writers,
2436:
Margulies died the following year, and his widow, Cylvia Margulies, decided to sell the rights to the title.
11147: 9355: 7558: 5301: 3463: 5240:
dropped some of the original stories in each issue, replacing them with either stories from other issues of
3701:
once again began to include reprints, in an attempt to reduce costs, but by that time the earlier issues of
304:
considering it "the most important and influential of all fantasy magazines". Weinberg's fellow historian,
11091: 11056: 8785:
Everett, Justin; Shanks, Jeffrey H. (2015). "Introduction". In Everett, Justin; Shanks, Jeffrey H. (eds.).
3890:
The April/May 2007 edition featured the magazine's first all-new design in almost seventy-five years. With
3419: 3317: 3089: 2425: 20: 7517:"The Weird Tales Controversy-Part Four," Tellers of Weird Tales, August 23, 2015, accessed March 28, 2021. 3681:". Sword and sorcery stories, a genre which Howard had made much more popular with his stories of Conan, 3360: 10554: 10290: 9893: 9705: 8506: 7606: 5312:; Ashley gives prices of between ÂŁ40 and ÂŁ90, with some of the special author issues fetching a premium. 3860: 3297: 2423:
The fourth issue, dated Summer 1974, was the last, as Margulies closed down all his magazines except for
3196:", but eventually bought it, and printed it in the February 1928 issue. This was the first tale of the 2919:
No issues appeared in 1997, but in 1998 Scithers and Schweitzer negotiated a deal with Warren Lupine of
11210: 11168: 11140: 10930: 10140: 9795: 8951: 8390: 5342: 4375: 3616:
began using the slogan "All Stories New – No Reprints". Weinberg suggests that this was a mistake, as
3528: 3512: 3120:
scene in a frightening story that featured nothing at all frightening or weird and illustrating that".
2969:
free to interested attendees. Four issues then appeared, with issue #362 published in Spring of 2014.
8364: 8348: 6461: 5336:, reports $ 51,000 as the debt owed by Rural Publishing in January 1924, rather than just incurred by 4031:
was one of the most important magazines in the fantasy field; in Ashley's view, it is "second only to
3407:, for the cover of the December 1939 issue; he became a frequent contributor over the next few years. 3399:, whose covers were more action-oriented, and who designed the title logo used from 1933 until 2007. 11084: 11035: 10993: 10951: 10860: 10832: 10599: 10150: 9898: 8767: 8751: 8662: 8650: 5251: 4066:
anthologists for several decades. Weinberg argues that the fantasy pulps, of which, in his opinion,
3678: 3666: 3539:". The stories grew into a very popular sword and sorcery series, but none of them ever appeared in 3255:". This was published in the August 1928 issue under the author's real name, Thomas Lanier Williams. 3252: 1320: 5340:, and suggests that $ 60,000 - the number comes from a letter from Wright in the July 1924 issue of 2391:
that there was little market for weird and horror fiction at the time. Instead Margulies mined the
1934:
Dorothy McIlwraith. Associate editor Lamont Buchanan (red) had primary editing responsibilities from
1352:' bank was still having financial problems, and payment to authors was being substantially delayed. 10986: 10793: 10255: 10202: 10008: 9758: 9584: 9397: 9348: 9228: 9224: 9202: 9198: 9176: 9172: 9150: 9146: 9124: 9120: 9098: 9068: 9042: 8989: 8550: 7578: 5465: 3590:
folded in 1943, in its four years of existence it transformed the field of fantasy and horror, and
3475: 3046: 2726: 1948: 1373: 1286: 390: 356: 301: 272: 263:, though after a few years, he used the magazine for his more fantastic stories, and submitted his 9015:
Walker, Mary Jo (1983). "Out of the Closet: Science Fiction at Eastern New Mexico University". In
7668: 4101: 11343: 11196: 10979: 10958: 10923: 10916: 10902: 10874: 10719: 10345: 9682: 9574: 8790: 6408: 5419:
Henneberger later claimed that he overrode Baird and that Baird did not like Lovecraft's writing.
3787:
from 1932 to the mid-1930s, when he began selling to the science fiction pulps, but his work for
2718: 1306:, and did not get involved with story selection. In about 1921, Wright had begun to suffer from 7648: 6431: 1984:
The price was increased to 20 cents in 1947, and again to 25 cents in 1949, but it was not only
1936:
about summer 1945 through his resignation in 1949. The last issue to list him on the masthead is
1380:, records a rumor that Wright was unpaid for much of his work on the magazine, but according to 300:
The magazine is regarded by historians of fantasy and science fiction as a legend in the field,
11353: 11000: 10825: 10572: 10076: 9721: 9697: 9647: 8849: 3431: 3155: 1307: 1251:
Robert Eastman, though it is not known when Eastman and Henneberger discussed the possibility.
363: 9928: 7409: 11154: 11119: 11021: 11007: 10895: 10758: 9863: 9827: 9642: 9443: 9046: 8729: 8658: 8387:
The Time Machines: The Story of the Science-Fiction Pulp Magazines from the beginning to 1950
7206:
Letter, undated, but "apparently early 1932" according to Cave, quoted in Cave (1994), p. 14.
3281: 3081: 3850:
The four issues edited by Sam Moskowitz in the early 1970s included a detailed biography of
3832:, and three years after the magazine folded he launched a small-press horror magazine named 1988:
that was suffering—the entire pulp industry was in decline. Delaney switched the format to
1946:
In 1938 Popular Fiction Publishing was sold to William J. Delaney, who was the publisher of
1938:
September 1949. The issue marking the precise start of his editorship is currently unknown.
1174:
Editors were Edwin Baird (yellow), Farnsworth Wright (blue), and Dorothy McIlwraith (green).
11303: 11246: 11077: 10937: 10697: 10589: 9774: 9767: 9438: 9076: 8627: 8546: 8472: 8460: 8434: 8408: 8382: 8344: 8332: 8306: 8298: 7239:
Connors & Hilger (2011), seventh unnumbered page of the Foreword in the online edition.
3866: 3851: 3825: 2958: 2775: 2730: 2430: 305: 8244: 4669:
The hardback edition (but not the paperback) reproduces the original stories in facsimile
3820:
Toward the end of McIlwraith's time as editor a couple of new writers appeared, including
2984:
as the editorial director. Issue #363-367 (2019-2023) became available to purchase at the
8: 11260: 10846: 10584: 10081: 9970: 9933: 9908: 9711: 9562: 8857: 8759: 8687: 8356: 7465: 5236:
Canadian issues was unchanged from the U.S., but starting in September 1942 the Canadian
5221:
that issue had no number. The numerous oddities in volume numbering are correctly shown.
3193: 3178: 3166: 3062: 3054: 2734: 1295: 1203: 218: 210: 9315: 4119: 3364:
Illustration by Virgil Finlay for Tennyson's "The Princess", from the October 1938 issue
11225: 11098: 11028: 10737: 10250: 10230: 10220: 10093: 10031: 9988: 9802: 9674: 9634: 9589: 9504: 9489: 9387: 9382: 9268: 8717: 8705: 8680:
Connors, Scott; Hilger, Ron (2011). "Foreword". In Connors, Scott; Hilger, Ron (eds.).
8499: 8494: 8439: 8413: 6031: 5980: 5801: 5281: 4245: 4226: 4196: 3650: 3519: 3455: 3441:
Finlay's illustration for Earl Peirce's "The Homicidal Diary" in the October 1937 issue
3437: 3377: 3244: 3226: 3138: 3049:
and Austin Hall, were sending Baird stories which had already been rejected elsewhere.
2722: 2714: 2437: 1316: 1263: 310: 277: 186: 4092: 3982:
saying "This is how you destroy something beautiful" with regards to the magazine and
11126: 10702: 10616: 10295: 10170: 9913: 9567: 9478: 9472: 9433: 9421: 9275: 9236: 9210: 9184: 9158: 9132: 9106: 9084: 9054: 9028: 9001: 8985: 8955: 8929: 8887: 8883: 8861: 8835: 8816: 8794: 8771: 8733: 8722: 8691: 8666: 8635: 8608: 8586: 8558: 8532: 8510: 8480: 8446: 8420: 8394: 8368: 8318: 6799: 4186: 4148: 4143: 4039:
published would never have appeared if the magazine had not existed. It was through
3674: 3396: 3384: 3217: 3209: 3201: 1195: 382: 350: 339: 230: 194: 144: 8477:
Science Fiction Rebels: The Story of the Science-Fiction Magazines from 1981 to 1990
3936:
In addition to winning or being nominated for awards, under VanderMeer's editorship
3422:". Not every artist was as successful as Brundage and Finlay: Price suggested that 3328:, and Frank Owen, who wrote fantasies set in an imaginary version of the Far East. 11175: 11042: 10944: 10881: 10747: 10611: 10457: 10313: 10282: 9983: 9781: 9551: 9453: 9392: 8909: 8582: 7628: 5441:. When they discovered who he was, they offered him their services free-of-charge. 4323: 4009: 3906: 3891: 3879: 3821: 3313: 3312:' most prolific author, with a long-running sequence of stories about a detective, 3240: 3174: 3077: 2981: 2964:
On August 23, 2011, John Betancourt announced that Wildside Press would be selling
2946: 2920: 2466: 1381: 1344: 1291: 222: 214: 10135: 8182: 5383:, in about 1931; and Hugh Cave quotes one cent per word as the rate in early 1933. 3132:
One of Margaret Brundage's nude covers. This one is for the September 1937 issue.
385:
with the intention of printing "different", or unusual, stories, was a near miss.
11189: 10867: 10818: 10692: 10240: 9838: 9613: 9556: 9263: 8808: 8681: 8314: 8122: 7695: 7675: 7655: 7635: 7585: 7565: 7502: 5379: 5296:
with the October 1923 issue, containing "Dagon", Lovecraft's first appearance in
5280:
A longer run of 23 issues appeared between November 1949 and December 1953, from
4254: 4249: 3970: 3871: 3506:
In 1939 two more serious threats appeared, both launched to compete directly for
3373: 3369: 3350: 3321: 3162: 3146: 2456: 1365: 1255: 405: 377: 256: 251: 242: 226: 178: 8441:
Gateways to Forever:The Story of the Science-Fiction Magazines from 1970 to 1980
8152: 6157: 5978:
Additional data on Buchanan's tenure as editor was taken from market reports in
3705:
had been extensively mined for reprints by August Derleth's publishing venture,
11253: 11105: 11063: 10672: 10667: 10165: 9993: 9943: 9868: 9692: 9529: 9448: 8997: 8092: 8002: 7972: 7942: 7912: 7882: 7852: 6199: 5988:. Other data points come from correspondence between Buchanan and contributors. 4300: 4013: 3922: 3895: 3773: 3346: 3205: 3197: 3170: 3142: 3100: 3096: 3042: 3002: 2950: 2000:
ceased publication; in both cases the last issue was dated September 1954. For
1976:, since that was the more successful magazine; the payment rate for fiction in 1969: 238: 202: 167: 71: 3799:
called "Weirdisms", which ran intermittently from November 1948 to July 1951.
2961:
joined the staff as art director and Segal became senior contributing editor.
1372:. Although the magazine was never greatly profitable, Wright was paid well. 11297: 11112: 10796: 10567: 10444: 10417: 10113: 10022: 9955: 9923: 9878: 9873: 9596: 9579: 9072: 9024: 8943: 8623: 8302: 8062: 6514: 4287: 4206: 3979: 3965: 3910: 3686: 3662: 3451: 3410: 3128: 3085: 3066: 3006: 2388: 2372: 408:, so he created a fiction magazine that would focus on horror, and titled it 368: 345: 182: 170: 76: 8787:
The Unique Legacy of Weird Tales: The Evolution of Modern Fantasy and Horror
8415:
Transformations:The Story of the Science-Fiction Magazines from 1950 to 1970
8032: 3574: 3258: 10909: 10594: 10235: 9978: 9918: 9858: 9630: 9524: 9499: 9494: 9460: 8901: 8600: 8524: 7822: 7780: 6200:"Culture : Weird Tales : SFE : Science Fiction Encyclopedia" 3983: 3975: 3749: 3706: 3682: 3670: 3654: 3524: 3498: 3484: 3325: 3288: 3277: 3221: 3213: 2779: 2387:
in 1962, using reprints from the original magazine, after being advised by
1932:
from 1941 to 1954, showing volume/issue number. (1) The primary editor was
1311: 1199: 335: 281: 234: 6997: 6967: 5406:
in 1956, but had only produced five issues; Margulies also tried to bring
3305:
often had little cash to spare. In this case he did not change his mind.
3061:: as well as Lovecraft, it marked the first appearance in the magazine of 2383:, and hoped to bring both magazines back. He abandoned a plan to restart 1992:
with the September 1953 issue, but there was to be no reprieve. In 1954,
326: 10811: 10661: 10646: 10579: 10422: 10407: 10397: 10350: 10308: 10300: 10130: 9903: 9519: 9484: 8969: 8875: 8852:(2008). "Afterword: A Gentleman of Providence". In Jones, Stephen (ed.). 4548:
in 1928; this selected 25 stories from the series, 24 of them drawn from
4346: 4313: 4176: 3949: 3808: 3765: 3329: 3239:, became a regular, and Wright also published science fiction stories by 3236: 3104: 3025: 2954: 2445: 1989: 1183: 264: 174: 149: 46: 5543: 1384:, a close friend of Wright's who occasionally read manuscripts for him, 10656: 10507: 10432: 10402: 10382: 10377: 10340: 10330: 10323: 10318: 10304: 10272: 9965: 9888: 9606: 9546: 9541: 9416: 8917: 8755: 8572: 8352: 4216: 3997:
After the fall 2012 issue #360, Kaye only published two more issues of
3926: 3875: 3712: 3400: 2771: 2441: 1940:(2) The apparent error in duplicating volume 39/11 is in fact correct. 1280: 285: 52: 3535:
Campbell commented each time to Leiber that "these would be better in
3153:. That issue also contained the first instalment of La Spina's novel 1315:
but moved to Chicago toward the end of 1926. After a short period on
280:
as editor. Although some successful new authors and artists, such as
11182: 10707: 10497: 10412: 10392: 10225: 10210: 10061: 9601: 8815:. Bowling Green, Ohio: Bowling Green State University Popular Press. 6097:"Miskatonic University library Periodical Reading Room – Weird Tales" 5346:-- also represents Rural's total indebtedness, in the summer of 1924. 3918: 3905:
published works by a wide range of strange-fiction authors including
3649:
most popular authors, including Quinn, Derleth, Hamilton, Bloch, and
3547:, beginning with "The Automatic Pistol", which appeared in May 1940. 3333: 3010: 221:
stories in the magazine, and Seabury Quinn's series of stories about
9833: 9021:
Science/Fiction Collections: Fantasy, Supernatural & Weird Tales
5219:
from 1941 to 1954, showing volume/issue number. "nn" indicates that
3383:
The artwork was an important element of the magazine's personality;
3380:" poems, a series of sonnets on weird themes that he wrote in 1930. 2937:, and Betancourt again joined Scithers and Schweitzer as co-editor. 2745:, as Weinberg did not renew the license. The magazine was retitled 270:
In 1938, the magazine was sold to William Delaney, the publisher of
10641: 10492: 10387: 10335: 10267: 10123: 10071: 9960: 9534: 9465: 4001:, issue #361 in the summer of 2013 and #362 in the spring of 2014. 3914: 1208: 297:
because of licensing issues, the original title returning in 1998.
37: 10192: 9340: 9235:. Berkeley Heights, New Jersey: Wildside Press. pp. 119–131. 7436:""Weird" wins: Tallahassee sci-fi editor brings home a Hugo Award" 6545:"WEIRD TALES IS BACK! The magazine that... - Weird Tales Magazine" 10517: 10512: 10487: 10452: 10427: 10372: 10215: 10187: 10175: 10118: 9371: 9209:. Berkeley Heights, New Jersey: Wildside Press. pp. 79–111. 9053:. Englewood Cliffs, New Jersey: Salem Press. pp. 2447–2463. 7529:"Racism row over SF novel about black 'Coals' and white 'Pearls'" 4718:
Stefan Dziemianowicz, Martin H. Greenberg & Robert Weinberg
3813: 2395:
backfile for four anthologies which appeared in the early 1960s:
372: 163: 66: 9183:. Berkeley Heights, New Jersey: Wildside Press. pp. 62–78. 9157:. Berkeley Heights, New Jersey: Wildside Press. pp. 19–47. 9103:
A Biographical Dictionary of Science Fiction and Fantasy Artists
8557:. Berkeley Heights, New Jersey: Wildside Press. pp. 59–61. 7638:," The Encyclopedia of Science Fiction, accessed March 28, 2021. 10606: 10522: 10502: 10482: 10180: 10145: 10086: 9514: 9509: 10788: 9131:. Berkeley Heights, New Jersey: Wildside Press. pp. 3–6. 5274: 132: 10712: 10682: 10651: 10562: 10544: 10477: 10472: 10357: 10155: 10108: 10066: 10054: 10049: 10044: 10039: 9426: 9333: 7588:" by Jim. C. Hines, August 20, 2012, accessed March 28, 2021. 5410:
back, and kept it alive from December 1957 until August 1959.
3990:
The publisher subsequently overruled Kaye and announced that
3558:
was launched in April 1926, science fiction was popular with
276:, and within two years, Wright, who was ill, was replaced by 19:
This article is about the pulp magazine. For other uses, see
9083:. Westport, Connecticut: Greenwood Press. pp. 727–736. 8634:. Westport, Connecticut: Greenwood Press. pp. 694–697. 7568:" by N.K. Jemisin, August 20, 2012, accessed March 28, 2021. 4147:
Virgil Finlay's interior illustration for H.P. Lovecraft's "
11278:
History of US science fiction and fantasy magazines to 1950
10687: 10529: 10362: 10245: 10160: 10103: 5377:
was paying one cent per word, "rather more reliably" than
4378:
edited a series of horror story anthologies, published by
10539: 10534: 10467: 10462: 10098: 8922:
The Thing's Incredible! The Secret Origins of Weird Tales
5583:
The Thing's Incredible: The Secret Origins of Weird Tales
5489:
The Thing's Incredible: The Secret Origins of Weird Tales
2949:
the editorial and creative director and later recruiting
2757: 245:, along with the fantasy and horror, partly because when 9312:, 4, No 5 (whole number 30) (Eastertide 1985):29-32, 52. 8033:"Publication: Weird Tales: The Magazine that Never Dies" 5681: 3266:, by J. Allen St. John, illustrating Robert E. Howard's 3224:, later to become well known as the writer of the movie 217:
was a regular contributor, and published several of his
8980:(14). Barrington Hills, Illinois: Tattered Pages Press. 6079:(Silver Spring, MD: Adventure House, 2000), p. 300-301. 5454:
by August Derleth, who had corresponded with Lovecraft.
3033:, dated March 1923. The cover art is by R. R. Epperly. 6485:"Lois Tilton Reviews Short Fiction, Mid November 2012" 5860:
First World Fantasy Convention: Three Authors Remember
3235:
afterward. Edmond Hamilton, a leading early writer of
3095:
The May/June/July 1924 issue included another story: "
2713:
was more lastingly revived at the end of the 1980s by
9081:
Science Fiction, Fantasy, and Weird Fiction Magazines
8632:
Science Fiction, Fantasy, and Weird Fiction Magazines
8311:
Science Fiction, Fantasy, and Weird Fiction Magazines
7505:" by Damien Walter, 8-21-12, accessed March 28, 2021. 3845: 3838:, which he published for some years, in imitation of 3502:
Cover of the January 1938 issue, by Margaret Brundage
3461:
Except for a couple of short-lived magazines such as
2764:
into a three-episode anthology show similar to their
1254:
Baird stayed with Lansinger, so Henneberger wrote to
8854:
Necronomicon: The Best Weird Tales of H.P. Lovecraft
8529:
Once Around the Bloch: An Unauthorized Autobiography
3594:was no longer regarded as the leader in its field. 2429:, which was the only one that was making a profit. 11283:
George Kelley Paperback and Pulp Fiction Collection
9293:. Indianapolis: Popular Fiction Publishing Company. 1326:In 1927, Popular Fiction Publishing issued Birch's 11349:Science fiction magazines established in the 1920s 11314:Bimonthly magazines published in the United States 9267: 8721: 8498: 8438: 8412: 6424:"Locus Online News Â» Kaye to Buy Weird Tales" 6369:. Weirdtales.net. January 25, 2010. Archived from 3909:and Tanith Lee, as well as newer writers such as 3479:, all between the late 1920s and the early 1930s, 9256:Locus: The Newspaper of the Science Fiction Field 8948:Strange Horizons: The Spectrum of Science Fiction 6341:"Top helmers on 'Tales' team… Sky-high Sly price" 4811:Weird Tales Presents & Blackstone Publishing 3974:, which many critics accused of featuring racist 3543:. Leiber did eventually sell several stories to 16:American fantasy and horror fiction pulp magazine 11295: 9051:Survey of Modern Fantasy Literature: Volume Five 8683:The Miscellaneous Writings of Clark Ashton Smith 8063:"Publication: Weird Tales: 32 Unearthed Terrors" 7698:," Bram Stoker Website, accessed March 28, 2021. 7375:The Best Science Fiction and Fantasy of the Year 6454:"World Fantasy Convention Special Preview Issue" 5727: 5725: 4819: 4358:7.95 and $ 6.99; the last two were $ 9.99 each. 8834:. West Linn, Oregon: FAX Collector's Editions. 7658:" by John ONeill, Black Gate, January 21, 2020. 6310:"List of Conventions| World Fantasy Convention" 5542:Nicholls, Peter; Ashley, Mike (July 18, 2012). 4536:series, of which 20 had originally appeared in 3578:Cover of the November 1941 issue, by Hannes Bok 1388:was paying Wright about $ 600 a month in 1927. 1172:from 1923 to 1940, showing volume/issue number. 420: 198:and published a wide range of unusual fiction. 5541: 3653:. She also added new contributors, including 3387:, who painted many covers featuring nudes for 2957:. VanderMeer was elevated to editor-in-chief, 2448:, in the project. The result was a series of 10774: 9789:The Magazine of Fantasy & Science Fiction 9356: 8153:"Title: Weird Tales: Seven Decades of Terror" 7377:by Jonathan Strahan, Night Shade Books, 2012. 6338: 6044:Harriet Bradfield, "New York Market Letter," 6029:Harriet Bradfield, "New York Market Letter," 5722: 3716:Cover of the May 1952 issue, by Virgil Finlay 3189:was the story's first appearance in English. 1275: 388:In 1922, J. C. Henneberger, the publisher of 6797: 6482: 6421: 6155: 5862:(West Warwick, RI: Necronomicon Press), p. 8 5804:, 1924-03-21; cited in Carter (1976), p. 43. 3177:, who would become famous as the creator of 8578:Lovecraft: A Look Behind the Cthulhu Mythos 7559:This is how you destroy something beautiful 6075:Doug Ellis, John Locke, and John Gunnison. 4554:Numerous other anthologies of stories from 3811:, later to become famous as the founder of 10781: 10767: 9363: 9349: 9105:. Westport, Connecticut: Greenwood Press. 8622:Clareson, Thomas D. (1985). "Unknown". In 7433: 7235: 7233: 6968:"Summary Bibliography: Clark Ashton Smith" 6197: 6142: 6140: 6138: 6136: 6134: 6124: 6122: 4544:, edited by Herbert Asbury, appeared from 3395:used. Another prominent cover artist was 2976:Facebook magazine announced the return of 2473: 2004:, the September 1954 issue was its 279th. 45: 8766:. New York: St. Martin's Press. pp.  8479:. Liverpool: Liverpool University Press. 8445:. Liverpool: Liverpool University Press. 8419:. Liverpool: Liverpool University Press. 7513: 7511: 7373:From "Introduction" by Jonathan Strahan, 6926: 6924: 6581: 6579: 6483:Publications, Locus (November 19, 2011). 6390: 6388: 5858:"Time-Travelling with H.P. Lovecraft" in 4696:Weird Tales: The Magazine That Never Dies 2991: 259:wrote a good deal of science fiction for 8363:. New York: St Martin's Press. pp.  8183:"Title: Weird Tales: 100 Years of Weird" 7434:Laufenberg, Kathleen (August 23, 2009). 7388:"January 2010 Weird Tales Press Release" 6998:"Summary Bibliography: Robert E. Howard" 6367:"January 2010 Weird Tales Press Release" 5332:, his history of the first two years of 5250: 4292:April/May 2007 – September/October 2007 4142: 4138: 3994:no longer had plans to run the excerpt. 3943: 3711: 3645:McIlwraith continued to publish many of 3627:was left to survive on the rejects from 3573: 3497: 3436: 3359: 3257: 3216:stories, many of which were part of his 3212:fiction, and Smith produced a series of 3127: 3024: 2007: 1302:Henneberger gave Wright full control of 1279: 325: 10966:Flash Gordon Strange Adventure Magazine 8272: 8270: 8230: 8228: 8226: 8207: 8205: 8203: 8163:from the original on September 16, 2016 8133:from the original on September 17, 2016 8103:from the original on September 16, 2016 8073:from the original on September 16, 2016 8043:from the original on September 16, 2016 8013:from the original on September 16, 2016 7983:from the original on September 16, 2016 7953:from the original on September 16, 2016 7923:from the original on September 17, 2016 7893:from the original on September 16, 2016 7863:from the original on September 16, 2016 7833:from the original on September 17, 2016 7808: 7806: 7791:from the original on September 17, 2016 7775: 7773: 7771: 7769: 7767: 7429: 7427: 7360: 7358: 7356: 7292: 7290: 7230: 7223: 7221: 7166: 7164: 7127: 7125: 7115: 7113: 7111: 7109: 7107: 7034: 7032: 7008:from the original on September 16, 2016 6978:from the original on September 16, 2016 6878: 6876: 6861:Jaffery & Cook (1985), pp. 87, 105. 6848: 6846: 6525:from the original on September 16, 2016 6515:"Publication: Weird Tales, Spring 2014" 6422:Publications, Locus (August 23, 2011). 6131: 6119: 5386: 4528:There was also a 1937 anthology titled 4361:Some of the early Terminus editions of 3894:as editorial and creative director and 3192:Wright initially rejected Lovecraft's " 3169:'s first story appeared in March 1925; 2923:which allowed them to start publishing 11296: 11233:Vargo Statten Science Fiction Magazine 9304:William Fulwiler and Graeme Flanagan. 8653:. In Clute, John; Grant, John (eds.). 8255:from the original on December 14, 2021 8123:"Title: The Best of Weird Tales: 1923" 7752:Everett & Shanks (2015), p. xviii. 7539:from the original on November 19, 2016 7508: 7496:Weird Tales editor has insulted us all 6921: 6855: 6827: 6825: 6784: 6782: 6780: 6761: 6759: 6757: 6755: 6753: 6751: 6749: 6747: 6745: 6743: 6679: 6677: 6631: 6629: 6619: 6617: 6607: 6605: 6603: 6576: 6555:from the original on December 14, 2021 6395:Strock, Ian Randal (August 23, 2011). 6394: 6385: 6295: 6293: 6291: 6289: 6287: 6265: 6263: 6261: 6193: 6191: 6189: 6187: 6185: 6183: 6091: 6089: 6087: 6085: 6077:The Adventure House Guide to the Pulps 5843: 5834: 5766: 5764: 5648: 5646: 5644: 5642: 5640: 5638: 5636: 5634: 4772:John Betancourt & Robert Weinberg 415: 10762: 9717:Internet Speculative Fiction Database 9344: 8335:(1985b). "That Other 'Weird Tales'". 7526: 7476:from the original on January 14, 2017 7466:"Nominees | World Fantasy Convention" 7047:Jaffery & Cook (1985), pp. 39–49. 6593: 6591: 6016: 6014: 6012: 5964: 5962: 5960: 5958: 5956: 5954: 5952: 5950: 5948: 5929: 5927: 5925: 5923: 5921: 5919: 5917: 5915: 5913: 5876: 5874: 5872: 5870: 5868: 5831:Jaffery & Cook (1985), pp. 41–42. 5778: 5776: 5706: 5704: 5702: 5674: 5672: 5670: 5668: 5666: 5664: 5662: 5660: 5658: 5624: 5622: 5620: 5618: 5616: 5614: 5604: 5602: 5600: 5525: 5523: 5513: 5511: 5509: 5499: 5497: 5268:There were four separate editions of 4532:, which selected 35 stories from the 4262:September 2005 – February/March 2007 3569: 2704:Segal (blue); and Vandermeer (gray). 11204:Two Complete Science-Adventure Books 8813:The Collectors' Index to Weird Tales 8267: 8237: 8223: 8200: 7803: 7764: 7689:The 2019 Bram Stoker Award finalists 7678:," Locus Magazine, November 9, 2020. 7520: 7424: 7353: 7287: 7278: 7218: 7182: 7161: 7122: 7104: 7029: 6873: 6843: 5537: 5535: 5487:John Locke, "The Birth of Weird" in 4768:Weird Tales: Seven Decades of Terror 3752:, who sold some interior artwork to 3340:in November 1933; Price visited the 3123: 1323:, where it would remain until 1938. 11015:Miracle Science and Fantasy Stories 9370: 8549:(1999). "Joseph Payne Brennan". In 6822: 6777: 6740: 6728:Jaffery & Cook (1985), pp. 4–9. 6701:Joshi & Schultz (2004), p. 156. 6674: 6626: 6614: 6600: 6476: 6284: 6258: 6231: 6180: 6082: 5761: 5749:Locke (2018), pp. 124-125, 133-135. 5713: 5631: 4540:. In the U.S. an anthology titled 4305:November/December 2007 – Fall 2009 3523:appeared from Street & Smith. 3293:Through the Gates of the Silver Key 3072:Robert Weinberg, in his history of 13: 10678:LGBT themes in speculative fiction 10004:Works inspired by J. R. R. Tolkien 9298: 7716:Everett & Shanks (2015), p. x. 7669:Victor LaValle: Destroy the Reader 7179:Jaffery & Cook (1985), p. 104. 6810:from the original on March 8, 2024 6588: 6460:. January 16, 2012. Archived from 6210:from the original on July 13, 2016 6107:from the original on March 4, 2016 6009: 5945: 5910: 5865: 5773: 5699: 5655: 5611: 5597: 5566: 5554:from the original on June 17, 2016 5520: 5506: 5494: 5244:, or, occasionally, material from 4754:Marvin Kaye & John Betancourt 4151:", from the October 1937 issue of 4018:Stoker Award for Best Long Fiction 3858:or from other early pulps such as 3846:Moskowitz, Carter, and Bellerophon 3748:as a last resort for their work. 3403:'s first professional sale was to 308:, describes it as "second only to 51:Cover of the March 1942 issue, by 14: 11365: 9325: 9227:(1999e) . "Out of the Eyrie". In 8988:(1999) . "Farnsworth Wright". In 8607:. Chicago: Tattered Pages Press. 7761:Jaffery & Cook (1985), p. 50. 7527:Flood, Alison (August 21, 2012). 7408:. August 18, 2009. Archived from 7314:Jaffery & Cook (1985), p. 91. 7215:Jaffery & Cook (1985), p. 62. 6900:de Camp (1975), pp. 243–244, 276. 6671:Jaffery & Cook (1985), p. 99. 6320:from the original on July 9, 2016 6168:from the original on June 4, 2016 5889:Wright (1927), table of contents. 5532: 5287: 4714:Weird Tales: 32 Unearthed Terrors 4128:Four interior illustrations from 3885: 3760:was not a viable market for him. 3353:, appeared almost exclusively in 3037:Edwin Baird, the first editor of 2972:On August 14, 2019, the official 2760:announced they had plans to turn 1284:The May 1934 cover, illustrating 1176:There was no issue numbered 4/1. 10910:Dusty Ayres and His Battle Birds 10743: 10742: 10732: 9289:Wright, Farnsworth, ed. (1927). 9123:(1999a) . "A Brief History". In 8996:. Berkeley Heights, New Jersey: 8501:Science-Fiction: The Early Years 8301:(1985a). "Oriental Stories". In 8279: 8214: 8175: 8145: 8115: 8093:"Title: The Best of Weird Tales" 8085: 8055: 8025: 7995: 7965: 7935: 7905: 7875: 7845: 7815: 7755: 7746: 7737: 7728: 7719: 7710: 7701: 7681: 7661: 7641: 7621: 7591: 7571: 7551: 7488: 7458: 7398: 7380: 7367: 7344: 7335: 7326: 7317: 7308: 7299: 7269: 7260: 7251: 7242: 7209: 7200: 7191: 7173: 7152: 7143: 7134: 7095: 7086: 7077: 7068: 7059: 7050: 7041: 7020: 6990: 6960: 6951: 6942: 6933: 6912: 6903: 6894: 6885: 6864: 6339:Variety Staff (April 10, 1995). 5457: 5444: 5431: 5422: 5402:Delaney had attempted to revive 4558:have been published, including: 4181:March 1923 – May/June/July 1924 4118: 4109: 4100: 4091: 3181:. In late 1925 Wright added a " 1234:and was making a profit, as was 36: 11309:1923 establishments in Illinois 10733: 9688:Ballantine Adult Fantasy series 7725:Weinberg (1983), pp. 2452–2453. 6834: 6791: 6768: 6731: 6722: 6713: 6704: 6695: 6686: 6665: 6656: 6647: 6638: 6567: 6537: 6507: 6446: 6415: 6359: 6332: 6302: 6272: 6249: 6240: 6222: 6198:Ashley, Mike; Nicholls, Peter. 6149: 6069: 6060: 6051: 6038: 6023: 6000: 5991: 5971: 5936: 5901: 5892: 5883: 5852: 5825: 5816: 5807: 5794: 5785: 5752: 5743: 5734: 5690: 5585:(Off-Trail Publications, 2018). 5491:(Off-Trail Publications, 2018). 5413: 5396: 5367: 5358: 5349: 5321: 4804:Weird Tales: 100 Years of Weird 4271:Spring 1991 – Winter 1996/1997 3336:", her first sale, appeared in 1258:, who had sold some stories to 11339:Magazines published in Chicago 11183:Terence X. O'Leary's War Birds 8880:An H.P. Lovecraft Encyclopedia 8830:Jones, Robert Kenneth (1975). 8211:Weinberg (1985a), pp. 733–734. 7812:Weinberg (1985a), pp. 734–735. 7599:"A Message from the Publisher" 7188:Weinberg (1999e), pp. 122–124. 7074:Weinberg (1985b), pp. 110–116. 6597:Weinberg (1985a), pp. 727–728. 6246:Weinberg (1985a), pp. 732–734. 5933:Weinberg (1985a), pp. 729–730. 5652:Weinberg (1985a), pp. 735–736. 5588: 5575: 5503:Weinberg (1985a), pp. 730–731. 5481: 5450:The stories were submitted to 4650:Ghost edited by Sam Moskowitz 4631:Ghost edited by Sam Moskowitz 4369: 3230:, began publishing stories in 3020: 2747:Worlds of Fantasy & Horror 2444:, who interested a publisher, 2363:Worlds of Fantasy & Horror 1: 11334:Magazines established in 1923 10840:A. Merritt's Fantasy Magazine 9201:(1999d) . "Interior Art". In 8878:; Schultz, David E. (2004) . 8463:(April 2008). "Weird Tales". 7579:Thoroughly Nonracist Nonsense 7332:Weinberg (1999d), pp. 96–103. 7296:Weinberg (1999d), pp. 93–103. 7170:Clareson (1985), pp. 694–697. 7083:Weinberg (1999d), pp. 92, 98. 6948:Dziemianowicz (1997), p. 661. 6237:Ashley (1997), pp. 1000–1003. 5475: 5373:Jack Williamson recalls that 5302:Eastern New Mexico University 4820:Canadian and British editions 4750:The Best of Weird Tales: 1923 3952:and John Harlacher purchased 3586:' core readership. Although 3251:, with a short story titled " 330:Jacob Clark Henneberger, 1913 321: 11092:Scientific Detective Monthly 11057:Out of This World Adventures 9149:(1999b) . "The Stories". In 9045:(1983). "Fantasy Pulps". In 8712:. New York: Hermitage House. 7323:Weinberg (1999d), pp. 86–88. 7101:Weinberg (1999c), pp. 72–74. 7056:Weinberg (1985b), pp. 58–61. 6788:Weinberg (1999b), pp. 23–25. 6662:de Camp (1975), pp. 186–187. 6653:Weinberg (1999b), pp. 19–21. 6635:de Camp (1975), pp. 178–179. 6057:de Camp (1953), pp. 111–121. 5907:Ashley (1985a), pp. 454–456. 5791:de Camp (1975), pp. 203–204. 4282:Summer 1998 – December 2004 4158:The editorial succession at 3473:, and a weak challenge from 3103:which included a mention of 3090:Imprisoned with the Pharaohs 2426:Mike Shayne Mystery Magazine 1222:. After the first issue of 421:Rural Publishing Corporation 295:Worlds of Fantasy and Horror 107:; 101 years ago 21:Weird Tales (disambiguation) 7: 9706:The Encyclopedia of Fantasy 9071:(1985a). "Weird Tales". In 8764:The Encyclopedia of Fantasy 8655:The Encyclopedia of Fantasy 8507:Kent State University Press 8465:Book and Magazine Collector 8361:The Encyclopedia of Fantasy 6269:Ashley (2016), pp. 110–112. 6128:Ashley (2005), pp. 162–164. 5986:The Author & Journalist 5800:H. P. Lovecraft, letter to 5758:Locke (2018), pp. 175, 200. 5343:The Author & Journalist 4191:November 1924 – March 1940 3776:. In Weinberg's review of 3357:over the next three years. 3298:At the Mountains of Madness 3262:Cover of the December 1936 10: 11370: 11162:Tales of Magic and Mystery 10931:Famous Fantastic Mysteries 9175:(1999c) . "Cover Art". In 8752:"Moore, Catherine Lucille" 8391:Liverpool University Press 8291: 8234:Ashley (1985b), pp. 31–35. 7883:"Title: The Ghoul Keepers" 7674:February 27, 2021, at the 7350:Brennan (1999), pp. 60–61. 7266:de Camp (1953), pp. 80–81. 7248:Clute (1997), pp. 481–482. 7140:Jones (1975), pp. x, 3–10. 7131:Joshi (2004), pp. 292–294. 5813:Locke (2018), pp. 157-161. 5731:Locke (2018), pp. 169-170. 5628:Weinberg (1999a), pp. 3–4. 5581:John Locke, "The Pals" in 5214: 4376:Christine Campbell Thomson 4307:Summer 2010 – Winter 2012 4260:Spring 1988 – Winter 1990 4221:Spring 1981 – Summer 1983 4201:May 1940 – September 1954 3529:Fafhrd and the Gray Mouser 3527:submitted several of his " 3470:Tales of Magic and Mystery 3243:and Otis Adelbert Kline. 2698: 2450:four paperback anthologies 2269: 2125: 2079: 2060: 1927: 1391: 1319:, the office moved to 840 1276:Popular Fiction Publishing 1167: 205:stories first appeared in 18: 11319:Fantasy fiction magazines 11270: 11085:Science Fiction Quarterly 10952:Fantastic Story Quarterly 10833:Amazing Stories Quarterly 10803: 10728: 10634: 10553: 10443: 10281: 10201: 10030: 10021: 9951: 9942: 9851: 9819: 9757: 9744:List of story collections 9673: 9629: 9622: 9585:Occult detective fiction‎ 9406: 9378: 9306:Weird Tales on Television 8686:. Westport, Connecticut: 8313:. Westport, Connecticut: 8276:Ashley (2008), pp. 24–37. 7743:Weinberg (1983), p. 2463. 7734:Weinberg (1983), p. 2450. 7634:October 20, 2012, at the 7364:Weinberg (1985a), p. 732. 7341:Weinberg (1999e), p. 129. 7197:Weinberg (1999e), p. 120. 7149:Weinberg (1999e), p. 125. 7065:Moskowitz (1976), p. 251. 6957:Weinberg (1983), p. 2451. 6800:"Index by Date: Page 180" 6623:Ashley (2000), pp. 41–42. 6299:Ashley (2008), pp. 34–36. 6066:Ashley (2005), pp. 72–73. 5840:Williamson (1984), p. 78. 5782:Carter (1976), pp. 41–46. 5710:Carter (1976), pp. 35–37. 4440:You'll Need a Night Light 4211:April 1973 – Summer 1974 4080:is part of the spirit of 4023: 3679:The Shadow over Innsmouth 3667:Mary Elizabeth Counselman 3268:The Fire of Asshurbanipal 3253:The Vengeance of Nitocris 2907: 2693: 2690: 2687: 2680: 2677: 2669: 2666: 2661: 2658: 2655: 2643: 2640: 2568: 2565: 2553: 2550: 2539: 2491: 2488: 2485: 2482: 2356: 1376:, author of a history of 1114: 1000: 792: 789: 786: 517: 486: 336:Frank A. Munsey Company's 241:. Wright published some 143: 127: 119: 101: 93: 85: 59: 44: 35: 11329:Hugo Award-winning works 11324:Horror fiction magazines 11134:Stirring Science Stories 10009:World Fantasy Convention 8791:Rowman & Littlefield 8710:Science-Fiction Handbook 7943:"Title: Worlds of Weird" 7649:Yes, Weird Tales is Back 7284:Weinberg (1999d), p. 93. 7275:Weinberg (1999c), p. 74. 7257:Weinberg (1999b), p. 47. 7227:Weinberg (1999b), p. 44. 7119:Weinberg (1999b), p. 43. 7092:Weinberg (1999c), p. 64. 7038:Weinberg (1999c), p. 68. 6939:Weinberg (1999b), p. 37. 6891:Weinberg (1999b), p. 31. 6870:Weinberg (1999b), p. 30. 6852:Bloch (1993), pp. 78–79. 6831:Weinberg (1999b), p. 26. 6798:Stephensen-Payne, Phil. 6774:Weinberg (1999b), p. 23. 6719:Weinberg (1999d), p. 79. 6683:Weinberg (1999b), p. 22. 6611:Weinberg (1999b), p. 19. 6585:Weinberg (1999c), p. 62. 6158:"Short Stories Magazine" 6156:Stephensen-Payne, Phil. 5942:Cave (1994), pp. 38, 41. 5696:Locke (2018), pp. 29–30. 5466:Stirring Science Stories 5315: 4786:The Women of Weird Tales 4318:Fall 2012 – Spring 2014 2727:World Fantasy Convention 1287:Queen of the Black Coast 357:Detective Story Magazine 177:, printed early work by 11197:Tops in Science Fiction 10980:G-8 and His Battle Aces 10924:Dynamic Science Stories 10917:Dynamic Science Fiction 10077:Fire-breathing monsters 9258:(285): 4. October 1984. 8952:Charles Scribner's Sons 8924:. Elkhorn, California: 8730:Doubleday & Company 8337:Etchings & Odysseys 8003:"Title: Weird Legacies" 7853:"Title: The Unexpected" 7707:de Camp (1975), p. 216. 7694:April 17, 2021, at the 7654:March 29, 2021, at the 7584:April 17, 2021, at the 7564:April 15, 2021, at the 7501:April 11, 2021, at the 7026:de Camp (1975), p. 317. 6930:de Camp (1975), p. 217. 6918:de Camp (1975), p. 346. 6909:de Camp (1975), p. 368. 6840:de Camp (1975), p. 273. 6765:Ashley (1997), p. 1001. 6692:de Camp (1975), p. 183. 6491:. Locus. Archived from 6430:. Locus. Archived from 6401:; will edit it himself" 5968:Weinberg (1999a), p. 6. 5880:Weinberg (1999a), p. 5. 5719:de Camp (1975), p. 203. 5678:Weinberg (1999a), p. 4. 5594:Locke (2018), p. 12–14. 5529:Ashley (1997), p. 1002. 5517:Ashley (1997), p. 1000. 5330:The Thing's Incredible! 4732:The Best of Weird Tales 4050:originally appeared in 3968:'s controversial novel 3929:in August 2009, in the 2719:John Gregory Betancourt 2474:Terminus and successors 371:, science fiction, and 351:Railroad Man's Magazine 11001:Marvel Science Stories 10973:Future Science Fiction 10826:Amazing Stories Annual 9828:Dungeons & Dragons 9274:. New York: Blue Jay. 8926:Off-Trail Publications 8724:Lovecraft: A Biography 8651:"Howard, Robert Ervin" 8245:"Weird Tales (Canada)" 8220:Ashley (1985b), p. 35. 7823:"Series: Not at Night" 7603:Weirdtalesmagazine.com 7158:Ashley (2000), p. 139. 6281:in Limbo (1984), p. 4. 6255:Ashley (2016), p. 110. 6228:Ashley (2007), p. 284. 6146:Ashley (2007), p. 283. 6020:Ashley (2000), p. 140. 5898:Bleiler (1990), p. 66. 5256: 5227:A Canadian edition of 4328:Summer 2019 – present 4155: 4016:, which later won the 3957:interested attendees. 3717: 3579: 3503: 3442: 3365: 3270: 3156:Invaders from the Dark 3133: 3034: 2992:Contents and reception 1299: 381:, launched in 1919 by 364:Western Story Magazine 331: 11155:Super Science Stories 9894:International Fantasy 9319:: The Unique Magazine 9233:The Weird Tales Story 9207:The Weird Tales Story 9181:The Weird Tales Story 9155:The Weird Tales Story 9129:The Weird Tales Story 8994:The Weird Tales Story 8811:; Cook, Fred (1985). 8748:Dziemianowicz, Stefan 8555:The Weird Tales Story 8547:Brennan, Joseph Payne 8285:Walker (1983), p. 55. 7781:"Series: Weird Tales" 7446:on September 11, 2015 7305:Knight (1977), p. 90. 6737:Ashley (2008), p. 27. 6710:Locke (2018), p. 173. 6644:Locke (2018), p. 112. 6101:www.yankeeclassic.com 6006:Jones (2008), p. 857. 5997:Locke (2018), p. 219. 5822:Locke (2018), p. 169. 5770:Locke (2018), p. 234. 5740:Ashley (2000), p. 42. 5687:Ashley (2008), p. 25. 5608:Ashley (2000), p. 41. 5572:Murray (2011), p. 26. 5254: 4146: 4139:Bibliographic details 4047:Stay Tuned for Terror 4008:returned with author 3944:Marvin Kaye and after 3715: 3605:rates were less than 3577: 3501: 3440: 3363: 3282:George Fielding Eliot 3261: 3131: 3082:The Rats in the Walls 3028: 2008:1970s and early 1980s 1321:North Michigan Avenue 1283: 329: 11078:Science-Fiction Plus 10938:Fantastic Adventures 10698:Supernatural fiction 9775:Fantastic Adventures 8860:. pp. 831–878. 8690:. pp. 454–456. 8688:Simon & Schuster 8649:Clute, John (1997). 8605:Magazines I Remember 8317:. pp. 454–456. 7973:"Title: Weird Tales" 7913:"Title: Weird Tales" 7470:www.worldfantasy.org 7440:Tallahassee Democrat 6882:Price (1999), p. 11. 6573:Locke (2018), p. 30. 6347:on February 20, 2016 6314:www.worldfantasy.org 6164:. Galactic Central. 4530:Not at Night Omnibus 3852:William Hope Hodgson 3826:Joseph Payne Brennan 3791:brought him back to 3247:' first sale was to 2959:Mary Robinette Kowal 2776:Francis Ford Coppola 2767:Tales from the Crypt 2731:Nashville, Tennessee 1232:Real Detective Tales 367:following in 1919. 11261:Wonder Story Annual 10847:Astonishing Stories 9999:Tolkien's influence 9712:Fantasy Masterworks 9665:Television programs 9473:Fairy tale parodies 8793:. pp. ix–xix. 8718:de Camp, L. Sprague 8706:de Camp, L. Sprague 8495:Bleiler, Everett F. 7394:on August 25, 2010. 6551:. August 14, 2019. 6464:on January 20, 2012 6204:sf-encyclopedia.com 5849:Cave (1994), p. 31. 5282:Thorpe & Porter 5215:Canadian issues of 4775:Barnes & Noble 4739:Barnes & Noble 4466:Switch on the Light 4276:Darrell Schweitzer 4268:Darrell Schweitzer 3661:regularly featured 3194:The Call of Cthulhu 3179:Conan the Barbarian 3167:Robert Spencer Carr 2735:World Fantasy Award 2418:The new version of 1308:Parkinson's disease 1296:Conan the Barbarian 1204:Otis Adelbert Kline 416:Publication history 396:The Magazine of Fun 219:Conan the Barbarian 211:The Call of Cthulhu 32: 10854:Astounding Stories 10221:Damsel in distress 9989:Mythopoeic Society 9590:Paranormal romance 9505:Historical fantasy 9490:Fantasy of manners 9444:Children's fantasy 9027:. pp. 49–58. 8986:Price, E. Hoffmann 8659:St. Martin's Press 7406:"2009 Hugo Awards" 6397:"Marvin Kaye buys 6373:on August 25, 2010 5802:Frank Belknap Long 5257: 4374:Starting in 1925, 4246:Darrell Schweitzer 4227:Forrest J Ackerman 4197:Dorothy McIlwraith 4156: 3718: 3651:Manly Wade Wellman 3580: 3570:Dorothy McIlwraith 3504: 3443: 3432:Fiorello LaGuardia 3378:Fungi from Yuggoth 3366: 3324:, Greye La Spina, 3271: 3245:Tennessee Williams 3139:Frank Belknap Long 3134: 3035: 2723:Darrell Schweitzer 2715:George H. Scithers 2371:In the mid-1950s, 1300: 1264:Frank Belknap Long 1230:had been retitled 1182:Henneberger chose 383:Street & Smith 332: 278:Dorothy McIlwraith 187:Clark Ashton Smith 28: 11291: 11290: 11247:The Witch's Tales 11127:Startling Stories 10756: 10755: 10630: 10629: 10555:Places and events 10017: 10016: 9847: 9846: 9568:Planetary romance 9479:Fairytale fantasy 9434:Alternate history 9422:Sword and sorcery 9413:Action-adventure 9073:Tymn, Marshall B. 9000:. pp. 7–15. 8935:978-1-935-03125-3 8884:Hippocampus Press 8867:978-0-575-08157-4 8832:The Shudder Pulps 8800:978-1-4422-5621-7 8697:978-1-59780-297-0 8624:Tymn, Marshall B. 8531:. New York: Tor. 8486:978-1-78138-260-8 8452:978-1-84631-003-4 8303:Tymn, Marshall B. 6411:on July 10, 2012. 5225: 5224: 4817: 4816: 4808:Jonathan Maberry 4793:Valancourt Books 4790:Melanie Anderson 4703:Nelson Doubleday 4666:Neville Spearman 4603:The Ghoul Keepers 4526: 4525: 4505:Keep on the Light 4427:More Not at Night 4380:Selwyn and Blount 4332: 4331: 4187:Farnsworth Wright 4149:The Shunned House 3901:During this time 3768:, Fred Humiston, 3675:Theodore Sturgeon 3397:J. Allen St. John 3385:Margaret Brundage 3218:Hyperborean cycle 3210:sword and sorcery 3202:E. Hoffmann Price 3124:Farnsworth Wright 2996:Henneberger gave 2917: 2916: 2708: 2707: 2401:The Ghoul-Keepers 2369: 2368: 1944: 1943: 1382:E. Hoffmann Price 1215:, by A.G. Birch. 1196:Farnsworth Wright 1180: 1179: 231:E. Hoffmann Price 209:, starting with " 195:Farnsworth Wright 155: 154: 89:J. C. Henneberger 11361: 11176:10 Story Fantasy 11043:Oriental Stories 10945:Fantastic Novels 10783: 10776: 10769: 10760: 10759: 10746: 10745: 10736: 10735: 10612:Enchanted forest 10256:Occult detective 10028: 10027: 9984:Lovecraft fandom 9949: 9948: 9653:highest-grossing 9627: 9626: 9614:West‎ern fantasy 9365: 9358: 9351: 9342: 9341: 9337: 9336: 9334:Official website 9310:Crypt of Cthulhu 9294: 9285: 9273: 9264:Williamson, Jack 9259: 9246: 9229:Weinberg, Robert 9225:Weinberg, Robert 9220: 9203:Weinberg, Robert 9199:Weinberg, Robert 9194: 9177:Weinberg, Robert 9173:Weinberg, Robert 9168: 9151:Weinberg, Robert 9147:Weinberg, Robert 9142: 9125:Weinberg, Robert 9121:Weinberg, Robert 9116: 9099:Weinberg, Robert 9094: 9069:Weinberg, Robert 9064: 9043:Weinberg, Robert 9038: 9017:Hall, Halbert W. 9011: 8990:Weinberg, Robert 8981: 8965: 8939: 8913: 8897: 8871: 8845: 8826: 8809:Jaffery, Sheldon 8804: 8781: 8743: 8727: 8713: 8701: 8676: 8645: 8618: 8596: 8583:Ballantine Books 8568: 8551:Weinberg, Robert 8542: 8520: 8504: 8490: 8468: 8456: 8444: 8430: 8418: 8404: 8378: 8340: 8328: 8286: 8283: 8277: 8274: 8265: 8264: 8262: 8260: 8249:Galactic Central 8241: 8235: 8232: 8221: 8218: 8212: 8209: 8198: 8197: 8195: 8193: 8179: 8173: 8172: 8170: 8168: 8149: 8143: 8142: 8140: 8138: 8119: 8113: 8112: 8110: 8108: 8089: 8083: 8082: 8080: 8078: 8059: 8053: 8052: 8050: 8048: 8029: 8023: 8022: 8020: 8018: 7999: 7993: 7992: 7990: 7988: 7969: 7963: 7962: 7960: 7958: 7939: 7933: 7932: 7930: 7928: 7909: 7903: 7902: 7900: 7898: 7879: 7873: 7872: 7870: 7868: 7849: 7843: 7842: 7840: 7838: 7819: 7813: 7810: 7801: 7800: 7798: 7796: 7777: 7762: 7759: 7753: 7750: 7744: 7741: 7735: 7732: 7726: 7723: 7717: 7714: 7708: 7705: 7699: 7685: 7679: 7665: 7659: 7645: 7639: 7625: 7619: 7618: 7616: 7614: 7605:. 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Segal 3880:Steve Rasnic Tem 3822:Richard Matheson 3782: 3743: 3730: 3641: 3622: 3611: 3604: 3314:Jules de Grandin 3175:Robert E. Howard 3078:Vincent Starrett 2982:Jonathan Maberry 2947:Stephen H. Segal 2921:DNA Publications 2785: 2784: 2478: 2477: 2438:Forrest Ackerman 2012: 2011: 1396: 1395: 1345:Oriental Stories 1336: 1292:Robert E. Howard 1186:, the editor of 425: 424: 223:Jules de Grandin 215:Robert E. Howard 139: 136: 134: 115: 113: 108: 49: 40: 33: 27: 11369: 11368: 11364: 11363: 11362: 11360: 11359: 11358: 11294: 11293: 11292: 11287: 11266: 11211:Uncanny Stories 11190:The Thrill Book 11169:Tales of Wonder 11141:Strange Stories 11071:Science Fiction 10868:Captain Hazzard 10819:Amazing Stories 10799: 10790:Science fiction 10787: 10757: 10752: 10724: 10693:Science fiction 10626: 10549: 10439: 10346:Magical weapons 10277: 10241:Fairy godmother 10197: 10141:Talking animals 10013: 9938: 9864:British Fantasy 9843: 9815: 9796:Science Fantasy 9753: 9669: 9618: 9557:Science fantasy 9402: 9374: 9372:Fantasy fiction 9369: 9332: 9331: 9328: 9301: 9299:Further reading 9291:The Moon Terror 9288: 9282: 9262: 9249: 9243: 9223: 9217: 9197: 9191: 9171: 9165: 9145: 9139: 9119: 9113: 9097: 9091: 9067: 9061: 9041: 9035: 9014: 9008: 8984: 8968: 8962: 8942: 8936: 8916: 8900: 8894: 8874: 8868: 8848: 8842: 8829: 8823: 8807: 8801: 8784: 8778: 8746: 8740: 8716: 8704: 8698: 8679: 8673: 8648: 8642: 8621: 8615: 8599: 8593: 8571: 8565: 8545: 8539: 8523: 8517: 8493: 8487: 8471: 8459: 8453: 8433: 8427: 8407: 8401: 8381: 8375: 8343: 8331: 8325: 8315:Greenwood Press 8297: 8294: 8289: 8284: 8280: 8275: 8268: 8258: 8256: 8243: 8242: 8238: 8233: 8224: 8219: 8215: 8210: 8201: 8191: 8189: 8181: 8180: 8176: 8166: 8164: 8151: 8150: 8146: 8136: 8134: 8121: 8120: 8116: 8106: 8104: 8091: 8090: 8086: 8076: 8074: 8061: 8060: 8056: 8046: 8044: 8031: 8030: 8026: 8016: 8014: 8001: 8000: 7996: 7986: 7984: 7971: 7970: 7966: 7956: 7954: 7941: 7940: 7936: 7926: 7924: 7911: 7910: 7906: 7896: 7894: 7881: 7880: 7876: 7866: 7864: 7851: 7850: 7846: 7836: 7834: 7821: 7820: 7816: 7811: 7804: 7794: 7792: 7779: 7778: 7765: 7760: 7756: 7751: 7747: 7742: 7738: 7733: 7729: 7724: 7720: 7715: 7711: 7706: 7702: 7696:Wayback Machine 7686: 7682: 7676:Wayback Machine 7666: 7662: 7656:Wayback Machine 7646: 7642: 7636:Wayback Machine 7626: 7622: 7612: 7610: 7609:on July 3, 2014 7597: 7596: 7592: 7586:Wayback Machine 7576: 7572: 7566:Wayback Machine 7556: 7552: 7542: 7540: 7525: 7521: 7516: 7509: 7503:Wayback Machine 7493: 7489: 7479: 7477: 7464: 7463: 7459: 7449: 7447: 7432: 7425: 7415: 7413: 7404: 7403: 7399: 7386: 7385: 7381: 7372: 7368: 7363: 7354: 7349: 7345: 7340: 7336: 7331: 7327: 7322: 7318: 7313: 7309: 7304: 7300: 7295: 7288: 7283: 7279: 7274: 7270: 7265: 7261: 7256: 7252: 7247: 7243: 7238: 7231: 7226: 7219: 7214: 7210: 7205: 7201: 7196: 7192: 7187: 7183: 7178: 7174: 7169: 7162: 7157: 7153: 7148: 7144: 7139: 7135: 7130: 7123: 7118: 7105: 7100: 7096: 7091: 7087: 7082: 7078: 7073: 7069: 7064: 7060: 7055: 7051: 7046: 7042: 7037: 7030: 7025: 7021: 7011: 7009: 6996: 6995: 6991: 6981: 6979: 6966: 6965: 6961: 6956: 6952: 6947: 6943: 6938: 6934: 6929: 6922: 6917: 6913: 6908: 6904: 6899: 6895: 6890: 6886: 6881: 6874: 6869: 6865: 6860: 6856: 6851: 6844: 6839: 6835: 6830: 6823: 6813: 6811: 6796: 6792: 6787: 6778: 6773: 6769: 6764: 6741: 6736: 6732: 6727: 6723: 6718: 6714: 6709: 6705: 6700: 6696: 6691: 6687: 6682: 6675: 6670: 6666: 6661: 6657: 6652: 6648: 6643: 6639: 6634: 6627: 6622: 6615: 6610: 6601: 6596: 6589: 6584: 6577: 6572: 6568: 6558: 6556: 6543: 6542: 6538: 6528: 6526: 6513: 6512: 6508: 6498: 6496: 6495:on May 29, 2016 6481: 6477: 6467: 6465: 6452: 6451: 6447: 6437: 6435: 6434:on May 13, 2016 6420: 6416: 6393: 6386: 6376: 6374: 6365: 6364: 6360: 6350: 6348: 6337: 6333: 6323: 6321: 6308: 6307: 6303: 6298: 6285: 6277: 6273: 6268: 6259: 6254: 6250: 6245: 6241: 6236: 6232: 6227: 6223: 6213: 6211: 6196: 6181: 6171: 6169: 6154: 6150: 6145: 6132: 6127: 6120: 6110: 6108: 6095: 6094: 6083: 6074: 6070: 6065: 6061: 6056: 6052: 6046:Writer's Digest 6043: 6039: 6032:Writer's Digest 6028: 6024: 6019: 6010: 6005: 6001: 5996: 5992: 5981:Writer's Digest 5977: 5976: 5972: 5967: 5946: 5941: 5937: 5932: 5911: 5906: 5902: 5897: 5893: 5888: 5884: 5879: 5866: 5857: 5853: 5848: 5844: 5839: 5835: 5830: 5826: 5821: 5817: 5812: 5808: 5799: 5795: 5790: 5786: 5781: 5774: 5769: 5762: 5757: 5753: 5748: 5744: 5739: 5735: 5730: 5723: 5718: 5714: 5709: 5700: 5695: 5691: 5686: 5682: 5677: 5656: 5651: 5632: 5627: 5612: 5607: 5598: 5593: 5589: 5580: 5576: 5571: 5567: 5557: 5555: 5548:SF Encyclopedia 5540: 5533: 5528: 5521: 5516: 5507: 5502: 5495: 5486: 5482: 5478: 5473: 5462: 5458: 5449: 5445: 5436: 5432: 5427: 5423: 5418: 5414: 5401: 5397: 5391: 5387: 5380:Amazing Stories 5372: 5368: 5363: 5359: 5354: 5350: 5326: 5322: 5318: 5290: 5220: 4822: 4640:Worlds of Weird 4518:Terror by Night 4372: 4255:John Betancourt 4250:George Scithers 4141: 4136: 4135: 4134: 4133: 4125: 4124: 4123: 4115: 4114: 4106: 4105: 4097: 4096: 4026: 3971:Save the Pearls 3946: 3888: 3872:Ramsey Campbell 3848: 3780: 3741: 3728: 3724:The quality of 3639: 3620: 3609: 3602: 3572: 3556:Amazing Stories 3513:Strange Stories 3456:Henry Whitehead 3370:Edgar Allan Poe 3351:Northwest Smith 3322:David H. Keller 3163:Arthur J. Burks 3147:Nictzin Dyalhis 3126: 3047:Francis Stevens 3029:First issue of 3023: 2994: 2756:In April 1995, 2476: 2457:Sheldon Jaffery 2409:Worlds of Weird 2010: 1939: 1937: 1935: 1933: 1394: 1374:Robert Weinberg 1366:Edmond Hamilton 1334: 1328:The Moon Terror 1278: 1256:H. P. Lovecraft 1228:Detective Tales 1220:Detective Tales 1213:The Moon Terror 1188:Detective Tales 1175: 1173: 423: 418: 406:Edgar Allan Poe 401:Detective Tales 378:The Thrill Book 324: 302:Robert Weinberg 257:Edmond Hamilton 252:Amazing Stories 243:science fiction 227:Nictzin Dyalhis 179:H. P. Lovecraft 162:is an American 131: 111: 109: 106: 105:March 1923 81: 55: 24: 17: 12: 11: 5: 11367: 11357: 11356: 11351: 11346: 11344:Pulp magazines 11341: 11336: 11331: 11326: 11321: 11316: 11311: 11306: 11289: 11288: 11286: 11285: 11280: 11274: 11272: 11268: 11267: 11265: 11264: 11257: 11254:Wonder Stories 11250: 11243: 11236: 11229: 11222: 11214: 11207: 11200: 11193: 11186: 11179: 11172: 11165: 11158: 11151: 11144: 11137: 11130: 11123: 11116: 11109: 11106:Secret Agent X 11102: 11095: 11088: 11081: 11074: 11067: 11064:Planet Stories 11060: 11053: 11046: 11039: 11032: 11025: 11018: 11011: 11004: 10997: 10994:Jungle Stories 10990: 10983: 10976: 10969: 10962: 10955: 10948: 10941: 10934: 10927: 10920: 10913: 10906: 10899: 10892: 10889:Cosmic Stories 10885: 10878: 10871: 10864: 10861:Captain Future 10857: 10850: 10843: 10836: 10829: 10822: 10815: 10807: 10805: 10801: 10800: 10797:pulp magazines 10786: 10785: 10778: 10771: 10763: 10754: 10753: 10751: 10750: 10740: 10729: 10726: 10725: 10723: 10722: 10717: 10716: 10715: 10705: 10700: 10695: 10690: 10685: 10680: 10675: 10673:Horror fiction 10670: 10668:Gothic fiction 10665: 10659: 10654: 10649: 10644: 10638: 10636: 10632: 10631: 10628: 10627: 10625: 10624: 10619: 10617:Thieves' guild 10614: 10609: 10604: 10603: 10602: 10592: 10587: 10582: 10577: 10576: 10575: 10565: 10559: 10557: 10551: 10550: 10548: 10547: 10542: 10537: 10532: 10527: 10526: 10525: 10520: 10510: 10505: 10500: 10495: 10490: 10485: 10480: 10475: 10470: 10465: 10460: 10455: 10449: 10447: 10441: 10440: 10438: 10437: 10436: 10435: 10430: 10425: 10420: 10415: 10410: 10405: 10400: 10395: 10390: 10385: 10380: 10375: 10367: 10366: 10365: 10360: 10355: 10354: 10353: 10343: 10338: 10328: 10327: 10326: 10321: 10316: 10311: 10298: 10287: 10285: 10279: 10278: 10276: 10275: 10270: 10265: 10264: 10263: 10253: 10248: 10243: 10238: 10233: 10228: 10223: 10218: 10213: 10207: 10205: 10199: 10198: 10196: 10195: 10190: 10185: 10184: 10183: 10178: 10173: 10168: 10163: 10158: 10153: 10143: 10138: 10133: 10128: 10127: 10126: 10121: 10111: 10106: 10101: 10096: 10091: 10090: 10089: 10084: 10074: 10069: 10064: 10059: 10058: 10057: 10052: 10042: 10036: 10034: 10025: 10019: 10018: 10015: 10014: 10012: 10011: 10006: 10001: 9996: 9994:Tolkien fandom 9991: 9986: 9981: 9976: 9968: 9963: 9958: 9952: 9946: 9940: 9939: 9937: 9936: 9931: 9926: 9921: 9916: 9911: 9906: 9901: 9896: 9891: 9886: 9881: 9876: 9871: 9866: 9861: 9855: 9853: 9849: 9848: 9845: 9844: 9842: 9841: 9836: 9831: 9823: 9821: 9817: 9816: 9814: 9813: 9806: 9799: 9792: 9785: 9778: 9771: 9763: 9761: 9755: 9754: 9752: 9751: 9746: 9741: 9740: 9739: 9734: 9729: 9722:List of novels 9719: 9714: 9709: 9702: 9701: 9700: 9690: 9685: 9679: 9677: 9671: 9670: 9668: 9667: 9662: 9661: 9660: 9655: 9645: 9639: 9637: 9624: 9620: 9619: 9617: 9616: 9611: 9610: 9609: 9604: 9594: 9593: 9592: 9587: 9577: 9572: 9571: 9570: 9565: 9554: 9549: 9544: 9539: 9538: 9537: 9527: 9522: 9517: 9512: 9507: 9502: 9497: 9492: 9487: 9482: 9476: 9470: 9469: 9468: 9458: 9457: 9456: 9446: 9441: 9436: 9431: 9430: 9429: 9424: 9419: 9410: 9408: 9404: 9403: 9401: 9400: 9395: 9390: 9385: 9379: 9376: 9375: 9368: 9367: 9360: 9353: 9345: 9339: 9338: 9327: 9326:External links 9324: 9323: 9322: 9313: 9300: 9297: 9296: 9295: 9286: 9280: 9270:Wonder's Child 9260: 9247: 9241: 9221: 9215: 9195: 9189: 9169: 9163: 9143: 9137: 9117: 9111: 9095: 9089: 9065: 9059: 9039: 9033: 9012: 9006: 8998:Wildside Press 8982: 8966: 8960: 8944:Moskowitz, Sam 8940: 8934: 8914: 8898: 8892: 8872: 8866: 8850:Jones, Stephen 8846: 8840: 8827: 8821: 8805: 8799: 8782: 8776: 8744: 8738: 8714: 8702: 8696: 8677: 8671: 8646: 8640: 8619: 8613: 8597: 8591: 8569: 8563: 8543: 8537: 8521: 8515: 8505:. Kent, Ohio: 8491: 8485: 8469: 8457: 8451: 8431: 8425: 8405: 8399: 8379: 8373: 8341: 8329: 8323: 8293: 8290: 8288: 8287: 8278: 8266: 8236: 8222: 8213: 8199: 8174: 8144: 8114: 8084: 8054: 8024: 7994: 7964: 7934: 7904: 7874: 7844: 7814: 7802: 7763: 7754: 7745: 7736: 7727: 7718: 7709: 7700: 7680: 7660: 7640: 7620: 7590: 7570: 7550: 7519: 7507: 7487: 7457: 7423: 7412:on May 7, 2011 7397: 7379: 7366: 7352: 7343: 7334: 7325: 7316: 7307: 7298: 7286: 7277: 7268: 7259: 7250: 7241: 7229: 7217: 7208: 7199: 7190: 7181: 7172: 7160: 7151: 7142: 7133: 7121: 7103: 7094: 7085: 7076: 7067: 7058: 7049: 7040: 7028: 7019: 6989: 6959: 6950: 6941: 6932: 6920: 6911: 6902: 6893: 6884: 6872: 6863: 6854: 6842: 6833: 6821: 6790: 6776: 6767: 6739: 6730: 6721: 6712: 6703: 6694: 6685: 6673: 6664: 6655: 6646: 6637: 6625: 6613: 6599: 6587: 6575: 6566: 6536: 6506: 6475: 6458:www.scribd.com 6445: 6414: 6384: 6358: 6331: 6301: 6283: 6271: 6257: 6248: 6239: 6230: 6221: 6179: 6162:www.philsp.com 6148: 6130: 6118: 6081: 6068: 6059: 6050: 6037: 6022: 6008: 5999: 5990: 5970: 5944: 5935: 5909: 5900: 5891: 5882: 5864: 5851: 5842: 5833: 5824: 5815: 5806: 5793: 5784: 5772: 5760: 5751: 5742: 5733: 5721: 5712: 5698: 5689: 5680: 5654: 5630: 5610: 5596: 5587: 5574: 5565: 5531: 5519: 5505: 5493: 5479: 5477: 5474: 5472: 5471: 5456: 5443: 5430: 5421: 5412: 5395: 5385: 5366: 5357: 5348: 5319: 5317: 5314: 5289: 5288:Collectability 5286: 5223: 5222: 5212: 5211: 5209: 5206: 5204: 5201: 5199: 5196: 5194: 5191: 5189: 5186: 5184: 5181: 5177: 5176: 5174: 5171: 5169: 5166: 5164: 5161: 5159: 5156: 5154: 5151: 5149: 5146: 5142: 5141: 5139: 5136: 5134: 5131: 5129: 5126: 5124: 5121: 5119: 5116: 5114: 5111: 5107: 5106: 5104: 5101: 5099: 5096: 5094: 5091: 5089: 5086: 5084: 5081: 5079: 5076: 5072: 5071: 5069: 5066: 5064: 5061: 5059: 5056: 5054: 5051: 5049: 5046: 5044: 5041: 5037: 5036: 5034: 5031: 5029: 5026: 5024: 5021: 5019: 5016: 5014: 5011: 5009: 5006: 5002: 5001: 4999: 4996: 4994: 4991: 4989: 4986: 4984: 4981: 4979: 4976: 4974: 4971: 4967: 4966: 4964: 4961: 4959: 4956: 4954: 4951: 4949: 4946: 4944: 4941: 4939: 4936: 4932: 4931: 4929: 4926: 4924: 4921: 4919: 4916: 4914: 4911: 4909: 4906: 4904: 4901: 4897: 4896: 4894: 4891: 4889: 4886: 4884: 4881: 4879: 4876: 4874: 4872: 4870: 4868: 4864: 4863: 4860: 4857: 4854: 4851: 4848: 4845: 4842: 4839: 4836: 4833: 4830: 4827: 4821: 4818: 4815: 4814: 4812: 4809: 4806: 4801: 4797: 4796: 4794: 4791: 4788: 4783: 4779: 4778: 4776: 4773: 4770: 4765: 4761: 4760: 4758: 4755: 4752: 4747: 4743: 4742: 4740: 4737: 4734: 4729: 4725: 4724: 4722: 4721:Bonanza Books 4719: 4716: 4711: 4707: 4706: 4704: 4701: 4698: 4693: 4689: 4688: 4686: 4683: 4680: 4678:Weird Legacies 4675: 4671: 4670: 4667: 4664: 4663:Peter Haining 4661: 4656: 4652: 4651: 4648: 4645: 4644:Leo Margulies 4642: 4637: 4633: 4632: 4629: 4626: 4625:Leo Margulies 4623: 4618: 4614: 4613: 4611: 4608: 4607:Leo Margulies 4605: 4600: 4596: 4595: 4593: 4590: 4589:Leo Margulies 4587: 4585:The Unexpected 4582: 4578: 4577: 4574: 4571: 4568: 4565: 4524: 4523: 4520: 4515: 4511: 4510: 4507: 4502: 4498: 4497: 4494: 4489: 4485: 4484: 4481: 4476: 4472: 4471: 4468: 4463: 4459: 4458: 4455: 4450: 4446: 4445: 4442: 4437: 4433: 4432: 4429: 4424: 4420: 4419: 4416: 4411: 4407: 4406: 4400: 4397: 4371: 4368: 4330: 4329: 4326: 4320: 4319: 4316: 4310: 4309: 4303: 4301:Ann VanderMeer 4297: 4296: 4290: 4284: 4283: 4280: 4273: 4272: 4269: 4265: 4264: 4258: 4242: 4241: 4238: 4234: 4233: 4230: 4223: 4222: 4219: 4213: 4212: 4209: 4203: 4202: 4199: 4193: 4192: 4189: 4183: 4182: 4179: 4173: 4172: 4169: 4140: 4137: 4127: 4126: 4117: 4116: 4108: 4107: 4099: 4098: 4090: 4089: 4088: 4087: 4086: 4025: 4022: 4014:Victor LaValle 3945: 3942: 3923:Rachel Swirsky 3896:Ann VanderMeer 3887: 3886:Ann VanderMeer 3884: 3847: 3844: 3774:Lee Brown Coye 3770:Vincent Napoli 3571: 3568: 3452:G.G. Pendarves 3347:Jirel of Joiry 3206:Donald Wandrei 3198:Cthulhu Mythos 3171:H. Warner Munn 3143:Greye La Spina 3125: 3122: 3101:C. M. Eddy Jr. 3097:The Loved Dead 3043:Anthony M. Rud 3022: 3019: 3003:Hamlin Garland 2993: 2990: 2951:Ann VanderMeer 2915: 2914: 2905: 2904: 2902: 2900: 2898: 2895: 2893: 2889: 2888: 2886: 2884: 2881: 2879: 2877: 2873: 2872: 2870: 2867: 2865: 2863: 2860: 2856: 2855: 2852: 2850: 2847: 2844: 2842: 2838: 2837: 2835: 2833: 2830: 2827: 2825: 2821: 2820: 2818: 2815: 2813: 2810: 2808: 2804: 2803: 2800: 2797: 2794: 2791: 2788: 2706: 2705: 2696: 2695: 2692: 2689: 2686: 2684: 2682: 2679: 2676: 2672: 2671: 2668: 2665: 2663: 2660: 2657: 2654: 2652: 2648: 2647: 2645: 2642: 2639: 2637: 2634: 2632: 2629: 2627: 2624: 2622: 2618: 2617: 2615: 2613: 2611: 2608: 2606: 2604: 2602: 2600: 2598: 2596: 2594: 2592: 2588: 2587: 2584: 2582: 2580: 2578: 2576: 2574: 2572: 2570: 2567: 2564: 2560: 2559: 2557: 2555: 2552: 2549: 2547: 2545: 2543: 2538: 2534: 2533: 2530: 2527: 2524: 2521: 2518: 2515: 2512: 2509: 2506: 2503: 2500: 2497: 2494: 2493: 2490: 2487: 2484: 2481: 2475: 2472: 2397:The Unexpected 2367: 2366: 2354: 2353: 2350: 2347: 2344: 2341: 2337: 2336: 2333: 2330: 2327: 2324: 2320: 2319: 2316: 2313: 2310: 2307: 2303: 2302: 2299: 2296: 2293: 2290: 2286: 2285: 2283: 2280: 2277: 2275: 2271: 2270: 2267: 2266: 2263: 2261: 2258: 2256: 2252: 2251: 2249: 2247: 2245: 2242: 2238: 2237: 2235: 2233: 2230: 2227: 2223: 2222: 2220: 2218: 2215: 2212: 2208: 2207: 2204: 2202: 2200: 2197: 2193: 2192: 2189: 2186: 2183: 2180: 2176: 2175: 2172: 2169: 2166: 2163: 2159: 2158: 2155: 2152: 2150: 2148: 2144: 2143: 2140: 2137: 2134: 2131: 2127: 2126: 2123: 2122: 2119: 2117: 2115: 2113: 2109: 2108: 2106: 2103: 2101: 2099: 2095: 2094: 2092: 2090: 2088: 2085: 2081: 2080: 2077: 2076: 2074: 2071: 2069: 2066: 2062: 2061: 2058: 2057: 2055: 2053: 2050: 2048: 2044: 2043: 2040: 2037: 2034: 2032: 2028: 2027: 2024: 2021: 2018: 2015: 2009: 2006: 1970:August Derleth 1954:Short Stories, 1942: 1941: 1925: 1924: 1922: 1920: 1918: 1915: 1913: 1910: 1908: 1905: 1903: 1900: 1898: 1895: 1891: 1890: 1888: 1885: 1883: 1880: 1878: 1875: 1873: 1870: 1868: 1865: 1863: 1860: 1856: 1855: 1853: 1850: 1848: 1845: 1843: 1840: 1838: 1835: 1833: 1830: 1828: 1825: 1821: 1820: 1818: 1815: 1813: 1810: 1808: 1805: 1803: 1800: 1798: 1795: 1793: 1790: 1786: 1785: 1783: 1780: 1778: 1775: 1773: 1770: 1768: 1765: 1763: 1760: 1758: 1755: 1751: 1750: 1748: 1745: 1743: 1740: 1738: 1735: 1733: 1730: 1728: 1725: 1723: 1720: 1716: 1715: 1713: 1710: 1708: 1705: 1703: 1700: 1698: 1695: 1693: 1690: 1688: 1685: 1681: 1680: 1678: 1675: 1673: 1670: 1668: 1665: 1663: 1660: 1658: 1655: 1653: 1650: 1646: 1645: 1643: 1640: 1638: 1635: 1633: 1630: 1628: 1625: 1623: 1620: 1618: 1615: 1611: 1610: 1608: 1605: 1603: 1600: 1598: 1595: 1593: 1590: 1588: 1585: 1583: 1580: 1576: 1575: 1573: 1570: 1568: 1565: 1563: 1560: 1558: 1555: 1553: 1550: 1548: 1545: 1541: 1540: 1538: 1535: 1533: 1530: 1528: 1525: 1523: 1520: 1518: 1515: 1513: 1510: 1506: 1505: 1503: 1500: 1498: 1495: 1493: 1490: 1488: 1485: 1483: 1480: 1478: 1475: 1471: 1470: 1468: 1465: 1463: 1460: 1458: 1455: 1453: 1450: 1448: 1445: 1443: 1440: 1436: 1435: 1432: 1429: 1426: 1423: 1420: 1417: 1414: 1411: 1408: 1405: 1402: 1399: 1393: 1390: 1317:North Broadway 1277: 1274: 1178: 1177: 1165: 1164: 1161: 1159: 1156: 1154: 1151: 1149: 1146: 1144: 1141: 1139: 1136: 1132: 1131: 1128: 1125: 1122: 1119: 1116: 1113: 1110: 1107: 1104: 1101: 1098: 1094: 1093: 1090: 1087: 1084: 1081: 1078: 1075: 1072: 1069: 1066: 1063: 1060: 1057: 1053: 1052: 1049: 1046: 1043: 1040: 1037: 1034: 1031: 1028: 1025: 1022: 1019: 1016: 1012: 1011: 1008: 1005: 1002: 999: 996: 993: 990: 987: 984: 981: 978: 974: 973: 970: 967: 964: 961: 958: 955: 952: 949: 946: 943: 940: 937: 933: 932: 929: 926: 923: 920: 917: 914: 911: 908: 905: 902: 899: 896: 892: 891: 888: 885: 882: 879: 876: 873: 870: 867: 864: 861: 858: 855: 851: 850: 847: 844: 841: 838: 835: 832: 829: 826: 823: 820: 817: 814: 810: 809: 806: 803: 800: 797: 794: 791: 788: 785: 782: 778: 777: 774: 771: 768: 765: 762: 759: 756: 753: 750: 747: 744: 741: 737: 736: 733: 730: 727: 724: 721: 718: 715: 712: 709: 706: 703: 700: 696: 695: 692: 689: 686: 683: 680: 677: 674: 671: 668: 665: 662: 659: 655: 654: 651: 648: 645: 642: 639: 636: 633: 630: 627: 624: 621: 618: 614: 613: 610: 607: 604: 601: 598: 595: 592: 589: 586: 583: 580: 577: 573: 572: 569: 566: 563: 560: 557: 554: 551: 548: 545: 542: 539: 536: 532: 531: 528: 525: 523: 521: 519: 516: 513: 510: 507: 504: 500: 499: 497: 494: 491: 488: 485: 482: 479: 476: 473: 471: 469: 465: 464: 461: 458: 455: 452: 449: 446: 443: 440: 437: 434: 431: 428: 422: 419: 417: 414: 323: 320: 239:H. Warner Munn 203:Cthulhu mythos 168:horror fiction 153: 152: 147: 141: 140: 129: 125: 124: 121: 117: 116: 103: 99: 98: 95: 91: 90: 87: 83: 82: 80: 79: 74: 72:Horror fiction 69: 63: 61: 57: 56: 50: 42: 41: 15: 9: 6: 4: 3: 2: 11366: 11355: 11354:Weird fiction 11352: 11350: 11347: 11345: 11342: 11340: 11337: 11335: 11332: 11330: 11327: 11325: 11322: 11320: 11317: 11315: 11312: 11310: 11307: 11305: 11302: 11301: 11299: 11284: 11281: 11279: 11276: 11275: 11273: 11269: 11263: 11262: 11258: 11256: 11255: 11251: 11249: 11248: 11244: 11242: 11241: 11237: 11235: 11234: 11230: 11228: 11227: 11223: 11221: 11219: 11218:Uncanny Tales 11215: 11213: 11212: 11208: 11206: 11205: 11201: 11199: 11198: 11194: 11192: 11191: 11187: 11185: 11184: 11180: 11178: 11177: 11173: 11171: 11170: 11166: 11164: 11163: 11159: 11157: 11156: 11152: 11150: 11149: 11148:Strange Tales 11145: 11143: 11142: 11138: 11136: 11135: 11131: 11129: 11128: 11124: 11122: 11121: 11117: 11115: 11114: 11113:Space Stories 11110: 11108: 11107: 11103: 11101: 11100: 11096: 11094: 11093: 11089: 11087: 11086: 11082: 11080: 11079: 11075: 11073: 11072: 11068: 11066: 11065: 11061: 11059: 11058: 11054: 11052: 11051: 11047: 11045: 11044: 11040: 11038: 11037: 11033: 11031: 11030: 11026: 11024: 11023: 11019: 11017: 11016: 11012: 11010: 11009: 11005: 11003: 11002: 10998: 10996: 10995: 10991: 10989: 10988: 10987:Ghost Stories 10984: 10982: 10981: 10977: 10975: 10974: 10970: 10968: 10967: 10963: 10961: 10960: 10956: 10954: 10953: 10949: 10947: 10946: 10942: 10940: 10939: 10935: 10933: 10932: 10928: 10926: 10925: 10921: 10919: 10918: 10914: 10912: 10911: 10907: 10905: 10904: 10900: 10898: 10897: 10893: 10891: 10890: 10886: 10884: 10883: 10879: 10877: 10876: 10872: 10870: 10869: 10865: 10863: 10862: 10858: 10856: 10855: 10851: 10849: 10848: 10844: 10842: 10841: 10837: 10835: 10834: 10830: 10828: 10827: 10823: 10821: 10820: 10816: 10814: 10813: 10809: 10808: 10806: 10802: 10798: 10795: 10791: 10784: 10779: 10777: 10772: 10770: 10765: 10764: 10761: 10749: 10741: 10739: 10731: 10730: 10727: 10721: 10718: 10714: 10711: 10710: 10709: 10706: 10704: 10701: 10699: 10696: 10694: 10691: 10689: 10686: 10684: 10681: 10679: 10676: 10674: 10671: 10669: 10666: 10663: 10662:Ghost stories 10660: 10658: 10655: 10653: 10650: 10648: 10645: 10643: 10640: 10639: 10637: 10633: 10623: 10620: 10618: 10615: 10613: 10610: 10608: 10605: 10601: 10598: 10597: 10596: 10593: 10591: 10588: 10586: 10583: 10581: 10578: 10574: 10571: 10570: 10569: 10566: 10564: 10561: 10560: 10558: 10556: 10552: 10546: 10543: 10541: 10538: 10536: 10533: 10531: 10528: 10524: 10521: 10519: 10516: 10515: 10514: 10511: 10509: 10506: 10504: 10501: 10499: 10496: 10494: 10491: 10489: 10486: 10484: 10481: 10479: 10476: 10474: 10471: 10469: 10466: 10464: 10461: 10459: 10456: 10454: 10451: 10450: 10448: 10446: 10445:Fantasy races 10442: 10434: 10431: 10429: 10426: 10424: 10421: 10419: 10418:Shapeshifting 10416: 10414: 10411: 10409: 10406: 10404: 10401: 10399: 10396: 10394: 10391: 10389: 10386: 10384: 10381: 10379: 10376: 10374: 10371: 10370: 10368: 10364: 10361: 10359: 10356: 10352: 10349: 10348: 10347: 10344: 10342: 10339: 10337: 10334: 10333: 10332: 10329: 10325: 10322: 10320: 10317: 10315: 10312: 10310: 10306: 10302: 10299: 10297: 10294: 10293: 10292: 10291:Hard and soft 10289: 10288: 10286: 10284: 10280: 10274: 10271: 10269: 10266: 10262: 10259: 10258: 10257: 10254: 10252: 10249: 10247: 10244: 10242: 10239: 10237: 10234: 10232: 10229: 10227: 10224: 10222: 10219: 10217: 10214: 10212: 10209: 10208: 10206: 10204: 10200: 10194: 10191: 10189: 10186: 10182: 10179: 10177: 10174: 10172: 10169: 10167: 10164: 10162: 10159: 10157: 10154: 10152: 10149: 10148: 10147: 10144: 10142: 10139: 10137: 10134: 10132: 10129: 10125: 10122: 10120: 10117: 10116: 10115: 10114:Shapeshifters 10112: 10110: 10107: 10105: 10102: 10100: 10097: 10095: 10092: 10088: 10085: 10083: 10080: 10079: 10078: 10075: 10073: 10070: 10068: 10065: 10063: 10060: 10056: 10053: 10051: 10048: 10047: 10046: 10043: 10041: 10038: 10037: 10035: 10033: 10029: 10026: 10024: 10020: 10010: 10007: 10005: 10002: 10000: 9997: 9995: 9992: 9990: 9987: 9985: 9982: 9980: 9977: 9975: 9973: 9969: 9967: 9964: 9962: 9959: 9957: 9954: 9953: 9950: 9947: 9945: 9941: 9935: 9934:World Fantasy 9932: 9930: 9929:Tähtifantasia 9927: 9925: 9922: 9920: 9917: 9915: 9912: 9910: 9907: 9905: 9902: 9900: 9899:Japan Fantasy 9897: 9895: 9892: 9890: 9887: 9885: 9882: 9880: 9877: 9875: 9872: 9870: 9867: 9865: 9862: 9860: 9857: 9856: 9854: 9850: 9840: 9837: 9835: 9832: 9830: 9829: 9825: 9824: 9822: 9818: 9812: 9811: 9807: 9805: 9804: 9800: 9798: 9797: 9793: 9791: 9790: 9786: 9784: 9783: 9779: 9777: 9776: 9772: 9770: 9769: 9765: 9764: 9762: 9760: 9756: 9750: 9747: 9745: 9742: 9738: 9735: 9733: 9730: 9728: 9725: 9724: 9723: 9720: 9718: 9715: 9713: 9710: 9708: 9707: 9703: 9699: 9696: 9695: 9694: 9691: 9689: 9686: 9684: 9681: 9680: 9678: 9676: 9672: 9666: 9663: 9659: 9656: 9654: 9651: 9650: 9649: 9646: 9644: 9641: 9640: 9638: 9636: 9632: 9628: 9625: 9621: 9615: 9612: 9608: 9605: 9603: 9600: 9599: 9598: 9597:Weird fiction 9595: 9591: 9588: 9586: 9583: 9582: 9581: 9580:Urban fantasy 9578: 9576: 9573: 9569: 9566: 9564: 9561: 9560: 9558: 9555: 9553: 9550: 9548: 9545: 9543: 9540: 9536: 9533: 9532: 9531: 9528: 9526: 9523: 9521: 9518: 9516: 9513: 9511: 9508: 9506: 9503: 9501: 9498: 9496: 9493: 9491: 9488: 9486: 9483: 9480: 9477: 9474: 9471: 9467: 9464: 9463: 9462: 9459: 9455: 9452: 9451: 9450: 9447: 9445: 9442: 9440: 9437: 9435: 9432: 9428: 9425: 9423: 9420: 9418: 9415: 9414: 9412: 9411: 9409: 9405: 9399: 9396: 9394: 9391: 9389: 9386: 9384: 9381: 9380: 9377: 9373: 9366: 9361: 9359: 9354: 9352: 9347: 9346: 9343: 9335: 9330: 9329: 9320: 9318: 9314: 9311: 9307: 9303: 9302: 9292: 9287: 9283: 9281:9780312944544 9277: 9272: 9271: 9265: 9261: 9257: 9253: 9248: 9244: 9242:1-58715-101-4 9238: 9234: 9230: 9226: 9222: 9218: 9216:1-58715-101-4 9212: 9208: 9204: 9200: 9196: 9192: 9190:1-58715-101-4 9186: 9182: 9178: 9174: 9170: 9166: 9164:1-58715-101-4 9160: 9156: 9152: 9148: 9144: 9140: 9138:1-58715-101-4 9134: 9130: 9126: 9122: 9118: 9114: 9112:0-313-24349-2 9108: 9104: 9100: 9096: 9092: 9090:0-313-21221-X 9086: 9082: 9078: 9074: 9070: 9066: 9062: 9060:0-89356-455-9 9056: 9052: 9048: 9047:Magill, Frank 9044: 9040: 9036: 9034:0-917724-49-6 9030: 9026: 9025:Haworth Press 9022: 9018: 9013: 9009: 9007:1-58715-101-4 9003: 8999: 8995: 8991: 8987: 8983: 8979: 8975: 8972:(2011). "The 8971: 8967: 8963: 8961:0-684-14774-2 8957: 8953: 8949: 8945: 8941: 8937: 8931: 8927: 8923: 8919: 8915: 8911: 8907: 8906:The Futurians 8903: 8902:Knight, Damon 8899: 8895: 8893:0-9748789-1-X 8889: 8885: 8881: 8877: 8873: 8869: 8863: 8859: 8855: 8851: 8847: 8843: 8841:0-913960-04-7 8837: 8833: 8828: 8824: 8822:0-87972-284-3 8818: 8814: 8810: 8806: 8802: 8796: 8792: 8788: 8783: 8779: 8777:0-312-15897-1 8773: 8769: 8765: 8761: 8757: 8753: 8749: 8745: 8741: 8739:0-385-00578-4 8735: 8731: 8726: 8725: 8719: 8715: 8711: 8707: 8703: 8699: 8693: 8689: 8685: 8684: 8678: 8674: 8672:0-312-15897-1 8668: 8664: 8660: 8656: 8652: 8647: 8643: 8641:0-313-21221-X 8637: 8633: 8629: 8625: 8620: 8616: 8614:1-884449-04-2 8610: 8606: 8602: 8601:Cave, Hugh B. 8598: 8594: 8592:0-345-25295-0 8588: 8584: 8580: 8579: 8574: 8570: 8566: 8564:1-58715-101-4 8560: 8556: 8552: 8548: 8544: 8540: 8538:0-312-85373-4 8534: 8530: 8526: 8525:Bloch, Robert 8522: 8518: 8516:0-87338-416-4 8512: 8508: 8503: 8502: 8496: 8492: 8488: 8482: 8478: 8474: 8470: 8467:(293): 24–37. 8466: 8462: 8458: 8454: 8448: 8443: 8442: 8436: 8432: 8428: 8426:0-85323-779-4 8422: 8417: 8416: 8410: 8406: 8402: 8400:0-85323-865-0 8396: 8392: 8389:. Liverpool: 8388: 8384: 8380: 8376: 8374:0-312-15897-1 8370: 8366: 8362: 8358: 8354: 8350: 8349:"Weird Tales" 8346: 8342: 8338: 8334: 8330: 8326: 8324:0-313-21221-X 8320: 8316: 8312: 8308: 8304: 8300: 8296: 8295: 8282: 8273: 8271: 8254: 8250: 8246: 8240: 8231: 8229: 8227: 8217: 8208: 8206: 8204: 8188: 8187:www.isfdb.org 8184: 8178: 8162: 8158: 8157:www.isfdb.org 8154: 8148: 8132: 8128: 8127:www.isfdb.org 8124: 8118: 8102: 8098: 8097:www.isfdb.org 8094: 8088: 8072: 8068: 8067:www.isfdb.org 8064: 8058: 8042: 8038: 8037:www.isfdb.org 8034: 8028: 8012: 8008: 8007:www.isfdb.org 8004: 7998: 7982: 7978: 7977:www.isfdb.org 7974: 7968: 7952: 7948: 7947:www.isfdb.org 7944: 7938: 7922: 7918: 7917:www.isfdb.org 7914: 7908: 7892: 7888: 7887:www.isfdb.org 7884: 7878: 7862: 7858: 7857:www.isfdb.org 7854: 7848: 7832: 7828: 7827:www.isfdb.org 7824: 7818: 7809: 7807: 7790: 7786: 7785:www.isfdb.org 7782: 7776: 7774: 7772: 7770: 7768: 7758: 7749: 7740: 7731: 7722: 7713: 7704: 7697: 7693: 7690: 7684: 7677: 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6608: 6606: 6604: 6594: 6592: 6582: 6580: 6570: 6554: 6550: 6546: 6540: 6524: 6520: 6519:www.isfdb.org 6516: 6510: 6494: 6490: 6486: 6479: 6468:September 16, 6463: 6459: 6455: 6449: 6433: 6429: 6425: 6418: 6410: 6406: 6402: 6400: 6391: 6389: 6377:September 16, 6372: 6368: 6362: 6346: 6342: 6335: 6319: 6315: 6311: 6305: 6296: 6294: 6292: 6290: 6288: 6280: 6275: 6266: 6264: 6262: 6252: 6243: 6234: 6225: 6209: 6205: 6201: 6194: 6192: 6190: 6188: 6186: 6184: 6167: 6163: 6159: 6152: 6143: 6141: 6139: 6137: 6135: 6125: 6123: 6106: 6102: 6098: 6092: 6090: 6088: 6086: 6078: 6072: 6063: 6054: 6047: 6041: 6035:, April 1945. 6034: 6033: 6026: 6017: 6015: 6013: 6003: 5994: 5987: 5983: 5982: 5974: 5965: 5963: 5961: 5959: 5957: 5955: 5953: 5951: 5949: 5939: 5930: 5928: 5926: 5924: 5922: 5920: 5918: 5916: 5914: 5904: 5895: 5886: 5877: 5875: 5873: 5871: 5869: 5861: 5855: 5846: 5837: 5828: 5819: 5810: 5803: 5797: 5788: 5779: 5777: 5767: 5765: 5755: 5746: 5737: 5728: 5726: 5716: 5707: 5705: 5703: 5693: 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K. Jemisin 3977: 3973: 3972: 3967: 3966:Victoria Foyt 3963: 3958: 3955: 3951: 3941: 3939: 3934: 3932: 3928: 3924: 3920: 3916: 3912: 3911:N. K. Jemisin 3908: 3904: 3899: 3897: 3893: 3883: 3881: 3877: 3873: 3869: 3868: 3863: 3862: 3861:The Black Cat 3857: 3853: 3843: 3841: 3837: 3836: 3831: 3827: 3823: 3818: 3816: 3815: 3810: 3805: 3800: 3798: 3794: 3790: 3789:Short Stories 3786: 3779: 3775: 3771: 3767: 3761: 3759: 3755: 3751: 3747: 3740: 3735: 3727: 3722: 3714: 3710: 3708: 3704: 3700: 3695: 3692: 3688: 3687:Bran Mak Morn 3684: 3680: 3676: 3672: 3668: 3664: 3663:Fredric Brown 3660: 3656: 3652: 3648: 3643: 3637: 3632: 3630: 3626: 3619: 3615: 3608: 3601: 3597: 3593: 3589: 3585: 3576: 3567: 3565: 3561: 3557: 3552: 3548: 3546: 3542: 3538: 3534: 3530: 3526: 3522: 3521: 3515: 3514: 3510:' readers. 3509: 3500: 3496: 3494: 3490: 3486: 3482: 3478: 3477: 3476:Ghost Stories 3472: 3471: 3466: 3465: 3464:Strange Tales 3459: 3457: 3453: 3449: 3439: 3435: 3433: 3427: 3425: 3421: 3416: 3412: 3411:Virgil Finlay 3408: 3406: 3402: 3398: 3394: 3390: 3386: 3381: 3379: 3375: 3371: 3362: 3358: 3356: 3352: 3348: 3343: 3339: 3335: 3331: 3327: 3323: 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New York: 9020: 8993: 8977: 8973: 8970:Murray, Will 8950:. New York: 8947: 8921: 8908:. New York: 8905: 8882:. New York: 8879: 8876:Joshi, S. T. 8853: 8831: 8812: 8789:. New York: 8786: 8763: 8728:. New York: 8723: 8709: 8682: 8657:. New York: 8654: 8631: 8628:Ashley, Mike 8604: 8581:. New York: 8576: 8554: 8528: 8500: 8476: 8473:Ashley, Mike 8464: 8461:Ashley, Mike 8440: 8435:Ashley, Mike 8414: 8409:Ashley, Mike 8386: 8383:Ashley, Mike 8360: 8345:Ashley, Mike 8336: 8333:Ashley, Mike 8310: 8307:Ashley, Mike 8299:Ashley, Mike 8281: 8259:November 22, 8257:. Retrieved 8248: 8239: 8216: 8190:. Retrieved 8186: 8177: 8165:. Retrieved 8156: 8147: 8135:. Retrieved 8126: 8117: 8105:. Retrieved 8096: 8087: 8075:. Retrieved 8066: 8057: 8045:. Retrieved 8036: 8027: 8015:. Retrieved 8006: 7997: 7985:. Retrieved 7976: 7967: 7955:. Retrieved 7946: 7937: 7925:. Retrieved 7916: 7907: 7895:. Retrieved 7886: 7877: 7865:. Retrieved 7856: 7847: 7835:. Retrieved 7826: 7817: 7793:. 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Hines 3976:stereotyping 3969: 3961: 3959: 3953: 3947: 3937: 3935: 3902: 3900: 3889: 3865: 3859: 3855: 3849: 3839: 3833: 3829: 3819: 3812: 3803: 3801: 3796: 3792: 3788: 3784: 3777: 3762: 3757: 3753: 3750:Damon Knight 3745: 3738: 3734:Boris Dolgov 3725: 3723: 3719: 3707:Arkham House 3702: 3698: 3697:In May 1951 3696: 3690: 3683:Solomon Kane 3671:Fritz Leiber 3658: 3655:Ray Bradbury 3647:Weird Tales' 3646: 3644: 3635: 3633: 3628: 3624: 3617: 3613: 3606: 3599: 3595: 3591: 3587: 3583: 3581: 3563: 3559: 3555: 3550: 3549: 3544: 3540: 3536: 3532: 3525:Fritz Leiber 3518: 3511: 3507: 3505: 3492: 3488: 3485:weird menace 3480: 3474: 3468: 3462: 3460: 3458:, had died. 3448:Weird Tales' 3447: 3444: 3428: 3420:The Princess 3414: 3409: 3404: 3392: 3388: 3382: 3367: 3354: 3341: 3337: 3326:Hugh B. Cave 3309: 3307: 3302: 3296: 3289:In the Vault 3286: 3278:Ku Klux Klan 3273: 3272: 3267: 3263: 3248: 3241:J. Schlossel 3231: 3225: 3222:Robert Bloch 3214:high fantasy 3191: 3186: 3182: 3161: 3154: 3150: 3135: 3117: 3114: 3108: 3094: 3073: 3071: 3058: 3051: 3038: 3036: 3030: 3014: 2997: 2995: 2985: 2980:with author 2977: 2973: 2971: 2965: 2963: 2942: 2939: 2934: 2929: 2924: 2918: 2909: 2780:Oliver Stone 2765: 2761: 2755: 2750: 2746: 2742: 2737: 2710: 2709: 2700: 2540: 2465: 2461:Roy Torgeson 2454: 2435: 2424: 2419: 2417: 2412: 2408: 2404: 2400: 2396: 2392: 2384: 2380: 2376: 2370: 2362: 2358: 2001: 1997: 1993: 1985: 1983: 1977: 1973: 1965: 1961: 1959: 1953: 1947: 1945: 1929: 1385: 1377: 1369: 1361: 1354: 1349: 1343: 1339: 1331: 1327: 1325: 1312:Robert Bloch 1303: 1301: 1285: 1268: 1259: 1253: 1247: 1243: 1239: 1235: 1231: 1227: 1223: 1219: 1217: 1212: 1200:first reader 1191: 1187: 1181: 1169: 409: 399: 395: 389: 387: 376: 362: 355: 349: 338: 333: 315: 309: 299: 294: 289: 282:Ray Bradbury 271: 269: 265:space operas 260: 250: 246: 235:Robert Bloch 206: 201:Lovecraft's 200: 190: 158: 157: 156: 29: 25: 11304:Weird Tales 11240:Weird Tales 11036:Operator #5 11029:The Octopus 10812:Ace Mystery 10647:Epic poetry 10508:Leprechauns 10423:Thaumaturgy 10398:Incantation 10351:Magic sword 9909:MĂ©liès d'Or 9810:Weird Tales 9563:Dying Earth 9542:Mythopoeia‎ 9520:Low fantasy 9485:Fantastique 9317:Weird Tales 9254:in Limbo". 9252:Weird Tales 8974:Thrill Book 8918:Locke, John 8760:Grant, John 8756:Clute, John 8661:. pp.  8573:Carter, Lin 8357:Grant, John 8353:Clute, John 8339:(6): 31–35. 7629:Weird Tales 6399:Weird Tales 6279:Weird Tales 5452:Weird Tales 5439:Weird Tales 5375:Weird Tales 5338:Weird Tales 5334:Weird Tales 5310:Weird Tales 5298:Weird Tales 5293:Weird Tales 5270:Weird Tales 5262:Weird Tales 5242:Weird Tales 5238:Weird Tales 5229:Weird Tales 5217:Weird Tales 4659:Weird Tales 4621:Weird Tales 4556:Weird Tales 4546:Macy-Macius 4538:Weird Tales 4404:Weird Tales 4388:Weird Tales 4370:Anthologies 4363:Weird Tales 4355:Weird Tales 4342:Weird Tales 4314:Marvin Kaye 4177:Edwin Baird 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Senf 3415:Weird Tales 3405:Weird Tales 3393:Weird Tales 3389:Weird Tales 3355:Weird Tales 3342:Weird Tales 3338:Weird Tales 3332:'s story " 3310:Weird Tales 3303:Weird Tales 3274:Weird Tales 3264:Weird Tales 3249:Weird Tales 3237:space opera 3232:Weird Tales 3187:Weird Tales 3183:Weird Tales 3151:Weird Tales 3109:Weird Tales 3105:necrophilia 3074:Weird Tales 3059:Weird Tales 3039:Weird Tales 3031:Weird Tales 3021:Edwin Baird 3015:Weird Tales 2998:Weird Tales 2986:Weird Tales 2978:Weird Tales 2974:Weird Tales 2966:Weird Tales 2955:Quirk Books 2943:Weird Tales 2935:Weird Tales 2930:Weird Tales 2925:Weird Tales 2910:Weird Tales 2762:Weird Tales 2751:Weird Tales 2743:Weird Tales 2738:Weird Tales 2711:Weird Tales 2701:Weird Tales 2446:Zebra Books 2431:Mike Ashley 2420:Weird Tales 2413:Weird Tales 2405:Weird Tales 2393:Weird Tales 2385:Weird Tales 2377:Weird Tales 2359:Weird Tales 2002:Weird Tales 1994:Weird Tales 1986:Weird Tales 1978:Weird Tales 1962:Weird Tales 1930:Weird Tales 1386:Weird Tales 1378:Weird Tales 1370:Weird Tales 1362:Weird Tales 1350:Weird Tales 1340:Weird Tales 1332:Weird Tales 1304:Weird Tales 1269:Weird Tales 1260:Weird Tales 1248:Weird Tales 1244:Weird Tales 1240:Weird Tales 1224:Weird Tales 1192:Weird Tales 1184:Edwin Baird 1170:Weird Tales 410:Weird Tales 316:Weird Tales 306:Mike Ashley 290:Weird Tales 267:elsewhere. 261:Weird Tales 247:Weird Tales 207:Weird Tales 191:Weird Tales 175:Edwin Baird 159:Weird Tales 135:.weirdtales 102:First issue 30:Weird Tales 11298:Categories 11220:(Canadian) 11120:The Spider 11022:New Worlds 11008:Mind Magic 10896:Doc Savage 10708:Tokusatsu‎ 10657:Fairy tale 10600:Dreamworld 10498:Hobgoblins 10433:Witchcraft 10403:Necromancy 10383:Divination 10378:Demonology 10341:Magic ring 10331:Magic item 10314:Ceremonial 10203:Characters 10124:Werewolves 10062:Elementals 9966:Filk music 9914:Mythopoeic 9749:Publishers 9675:Literature 9635:television 9607:Weird West 9547:Omegaverse 9417:Lost world 9388:Literature 8978:Pulp Vault 8856:. London: 7480:August 15, 7416:August 15, 6559:August 18, 6499:August 22, 6351:August 28, 5476:References 4573:Publisher 4492:Grim Death 4232:Fall 1984 4217:Lin Carter 3927:Hugo Award 3876:Tanith Lee 3401:Hannes Bok 3330:C.L. Moore 3318:Paul Ernst 3308:Quinn was 3063:Frank Owen 2908:Issues of 2772:Tim Burton 2699:Issues of 2442:Lin Carter 2357:Issues of 2068:1 & 2 1928:Issues of 1357:Depression 1209:large pulp 1190:, to edit 1168:Issues of 322:Background 286:Hannes Bok 255:in 1926. 60:Categories 53:Hannes Bok 10804:Magazines 10703:Superhero 10688:Mythology 10585:Lost city 10493:Halflings 10413:Shamanism 10408:Runecraft 10393:Evocation 10251:Magicians 10226:Dark lord 10211:Barbarian 10171:Skeletons 10094:Gargoyles 10072:Familiars 10032:Creatures 9768:Fantastic 9759:Magazines 9602:New weird 9407:Subgenres 9101:(1985b). 8750:(1997) . 8575:(1976) . 8365:1000–1003 8347:(1997) . 8192:March 12, 8077:March 12, 4457:15 of 20 4444:14 of 15 4382:, titled 3919:Cat Rambo 3867:Blue Book 3374:El Dorado 3334:Shambleau 3011:Ben Hecht 2988:website. 2945:, naming 1330:, one of 1290:, one of 10748:Category 10642:Allegory 10518:Mermaids 10488:Gremlins 10453:Centaurs 10388:Egregore 10369:Schools 10336:Grimoire 10296:Elements 10268:Wild man 10188:Unicorns 10176:Vampires 10119:Werecats 9961:Fanspeak 9869:Crawford 9839:Podcasts 9552:Romantic 9535:Mythpunk 9466:Grimdark 9454:Bangsian 9266:(1984). 9079:(eds.). 8976:Story". 8946:(1976). 8920:(2018). 8910:John Day 8904:(1977). 8858:Gollancz 8762:(eds.). 8720:(1975). 8708:(1953). 8630:(eds.). 8603:(1994). 8527:(1993). 8497:(1990). 8475:(2016). 8437:(2007). 8411:(2005). 8385:(2000). 8359:(eds.). 8309:(eds.). 8253:Archived 8167:July 22, 8161:Archived 8137:July 22, 8131:Archived 8107:July 22, 8101:Archived 8071:Archived 8047:July 22, 8041:Archived 8017:July 22, 8011:Archived 7987:July 22, 7981:Archived 7957:July 22, 7951:Archived 7927:July 22, 7921:Archived 7897:July 22, 7891:Archived 7867:July 22, 7861:Archived 7837:July 18, 7831:Archived 7795:July 23, 7789:Archived 7692:Archived 7672:Archived 7652:Archived 7632:Archived 7582:Archived 7562:Archived 7543:July 31, 7537:Archived 7499:Archived 7474:Archived 7012:July 28, 7006:Archived 6982:July 28, 6976:Archived 6814:March 8, 6808:Archived 6553:Archived 6549:Facebook 6529:July 31, 6523:Archived 6438:July 31, 6405:SF Scope 6324:July 10, 6318:Archived 6214:July 22, 6208:Archived 6166:Archived 6111:July 11, 6105:Archived 5552:Archived 4647:Pyramid 4628:Pyramid 4610:Pyramid 4592:Pyramid 4522:9 of 15 4509:7 of 15 4496:7 of 15 4483:8 of 15 4470:8 of 15 4004:In 2019 3948:in 2011 3915:Jay Lake 3533:Unknown; 2455:In 1982 150:55045234 11271:Related 11226:Unknown 10959:Fantasy 10794:fantasy 10738:Outline 10635:Related 10513:Merfolk 10503:Kobolds 10483:Goblins 10468:Treants 10458:Dwarves 10428:Theurgy 10373:Alchemy 10305:neutral 10273:Witches 10216:Caveman 10181:Zombies 10166:Mummies 10136:Spirits 10087:Dragons 10082:Chimera 10067:Faeries 9884:Gemmell 9879:Gandalf 9834:FĂ©eries 9803:Unknown 9683:Authors 9658:S&S 9398:Sources 9383:History 9231:(ed.). 9205:(ed.). 9179:(ed.). 9153:(ed.). 9127:(ed.). 9049:(ed.). 9019:(ed.). 8992:(ed.). 8768:661–662 8663:481–483 8553:(ed.). 8292:Sources 6172:July 9, 4570:Editor 4431:All 15 4418:All 15 4171:Issues 4168:Editor 4033:Unknown 3835:Macabre 3814:Playboy 3629:Unknown 3607:Unknown 3596:Unknown 3588:Unknown 3520:Unknown 2802:Winter 2492:Winter 2026:Winter 1392:Delaney 1298:stories 373:fantasy 311:Unknown 193:, with 164:fantasy 128:Website 120:Country 112:1923-03 110: ( 94:Founded 86:Founder 67:Fantasy 10607:Castle 10568:Worlds 10563:Quests 10545:Trolls 10523:Mermen 10478:Gnomes 10473:Giants 10246:Heroes 10161:Liches 10156:Ghosts 10146:Undead 10109:Nymphs 10055:Ghouls 10050:Devils 10045:Demons 10040:Angels 10023:Tropes 9974:fandom 9944:Fandom 9924:Saturn 9919:Nebula 9874:Dragon 9859:Balrog 9852:Awards 9693:Comics 9575:Shenmo 9530:Mythic 9515:LitRPG 9510:Isekai 9449:Comedy 9427:Wuxia‎ 9278:  9239:  9213:  9187:  9161:  9135:  9109:  9087:  9057:  9031:  9004:  8958:  8932:  8890:  8864:  8838:  8819:  8797:  8774:  8736:  8694:  8669:  8638:  8611:  8589:  8561:  8535:  8513:  8483:  8449:  8423:  8397:  8371:  8321:  5544:"Pulp" 4576:Notes 4567:Title 4399:Title 4390:were: 4347:quarto 4024:Legacy 3921:, and 3772:, and 3673:, and 3610:'s 3227:Psycho 3204:, and 3099:", by 3009:, and 2796:Summer 2793:Spring 2790:Winter 2778:, and 2486:Summer 2483:Spring 2407:, and 2020:Summer 2017:Spring 1990:digest 1202:, and 340:Argosy 237:, and 185:, and 10882:Comet 10713:Kaiju 10683:Mecha 10652:Fable 10530:Ogres 10463:Elves 10358:Runes 10309:light 10231:Donor 10193:YĹŤkai 10151:Death 9904:Locus 9820:Other 9782:Locus 9648:Films 9643:Anime 9623:Media 9393:Magic 8754:. In 8351:. In 5316:Notes 5180:1951 5145:1950 5110:1949 5075:1948 5040:1947 5005:1946 4970:1945 4953:36/15 4948:36/15 4943:36/14 4938:36/13 4935:1944 4928:36/12 4923:37/11 4918:36/10 4900:1943 4867:1942 4800:2023 4782:2020 4764:1997 4746:1997 4728:1995 4710:1988 4692:1988 4685:Star 4674:1977 4655:1976 4636:1965 4617:1964 4599:1961 4581:1961 4564:Year 4514:1934 4501:1933 4488:1932 4475:1931 4462:1931 4449:1929 4436:1927 4423:1926 4410:1925 4396:Year 3781:' 3742:' 3729:' 3621:' 3603:' 3055:Dagon 2892:2014 2876:2013 2859:2012 2841:2011 2824:2010 2807:2009 2753:run. 2675:2008 2651:2007 2621:2006 2591:2005 2586:60/4 2563:2004 2537:2003 2467:Locus 2352:59/2 2340:2002 2335:58/2 2323:2001 2318:57/2 2306:2000 2301:56/2 2289:1999 2274:1998 2255:1996 2241:1995 2226:1994 2211:1993 2206:53/4 2196:1992 2191:53/2 2179:1991 2174:52/2 2162:1990 2157:51/2 2147:1989 2142:50/4 2130:1988 2121:49/2 2112:1985 2105:49/1 2098:1984 2084:1983 2065:1981 2052:47/4 2047:1974 2042:47/3 2039:47/2 2036:47/1 2031:1973 1894:1954 1859:1953 1824:1952 1789:1951 1754:1950 1719:1949 1684:1948 1672:39/12 1667:39/11 1662:39/11 1657:39/10 1649:1947 1614:1946 1579:1945 1544:1944 1527:36/12 1522:36/11 1517:36/10 1509:1943 1474:1942 1457:35/10 1439:1941 1335:' 1163:35/6 1135:1940 1130:34/6 1097:1939 1092:32/6 1056:1938 1051:30/6 1015:1937 1010:28/5 977:1936 972:26/6 936:1935 931:24/6 895:1934 890:22/6 854:1933 849:20/6 813:1932 808:18/5 781:1931 776:16/6 740:1930 735:14/6 699:1929 694:12/6 658:1928 653:10/6 617:1927 576:1926 535:1925 503:1924 468:1923 361:with 10792:and 10580:Maps 10573:list 10540:Orcs 10363:Wand 10324:Moon 10319:Love 10301:Dark 10261:list 10104:Jinn 10099:Imps 9889:Hugo 9698:list 9633:and 9631:Film 9276:ISBN 9237:ISBN 9211:ISBN 9185:ISBN 9159:ISBN 9133:ISBN 9107:ISBN 9085:ISBN 9055:ISBN 9029:ISBN 9002:ISBN 8956:ISBN 8930:ISBN 8888:ISBN 8862:ISBN 8836:ISBN 8817:ISBN 8795:ISBN 8772:ISBN 8734:ISBN 8692:ISBN 8667:ISBN 8636:ISBN 8609:ISBN 8587:ISBN 8559:ISBN 8533:ISBN 8511:ISBN 8481:ISBN 8447:ISBN 8421:ISBN 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Index

Weird Tales (disambiguation)

Demonic figures appear to menace a man.
Hannes Bok
Fantasy
Horror fiction
Weird fiction
www.weirdtales.com
OCLC
55045234
fantasy
horror fiction
pulp magazine
Edwin Baird
H. P. Lovecraft
Seabury Quinn
Clark Ashton Smith
Farnsworth Wright
Cthulhu mythos
The Call of Cthulhu
Robert E. Howard
Conan the Barbarian
Jules de Grandin
Nictzin Dyalhis
E. Hoffmann Price
Robert Bloch
H. Warner Munn
science fiction
Amazing Stories
Edmond Hamilton

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