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Sound-on-film

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79: 20: 153: 445: 335:, another variable-density format prevalent in Germany and Europe until the 1940s. The US patent rights of this Berlin based company were bought by William Fox in 1926, leading to a patent war with the US film industry lasting until 1935. Tri-Ergon amalgamated with a number of other German competitors from 1928 to form the Dutch-controlled 260:
tracks bonded to the film print, outside the sprocket holes. 16 mm and Super 8 formats sometimes used a similar magnetic track on the camera film, bonded to one side of the film on which the sprocket holes had not been punched ("single perforated") for the purpose. Film of this form is no longer
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In the early years of the 21st century distributors changed to using cyan dye optical soundtracks on color stocks, eliminating the need for a separate and difficult to control black-and-white emulsion on the soundtrack portion of the film. Because traditional incandescent exciter lamps produce
225:. A two-channel audio signal is recorded as a pair of lines running parallel with the film's direction of travel through the projector's screen. The lines change area (grow broader or narrower) depending on the magnitude of the signal. The projector shines light from a small lamp, called an 91:
Sound on film can be dated back to the early 1880s, when Charles E. Fritts filed a patent claiming the idea. In 1923 a patent was filed by E. E. Ries, for a variable density soundtrack recording, which was submitted to the SMPE (now
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track (grey areas) with the Dolby Double-D logo, between them. The two tracks of the analog soundtrack on the next strip are bilateral variable-area, where amplitude is represented as a waveform. These are generally encoded using
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manufactured, but single-perforated film without the magnetic track (allowing an optical sound track) or, in the case of 16 mm, utilising the soundtrack area for a wider picture (Super 16 format) is readily available.
297:). Because these soundtrack systems appear on different parts of the print, one movie can contain all of them, allowing broad distribution without regard for the sound system installed at individual theatres. 51:
processes where the sound accompanying a picture is recorded on photographic film, usually, but not always, the same strip of film carrying the picture. Sound-on-film processes can either record an
229:, through a perpendicular slit onto the film. The image on the small slice of exposed track modulates the intensity of the light, which is collected by a photosensitive element: a photocell, a 241:
copious amounts of infra-red light, and cyan tracks do not absorb infra-red light, this change required theaters to replace the incandescent exciter lamp with a complementary colored red
1804: 1254: 412:. This was a system developed by RCA and Disney Studios with a multi-channel soundtrack recorded on a separate strip of film from the picture. It was used for the initial release of 1332: 1043: 133:
which refined GE's technology. After the mid-1940s, variable-area system superseded the variable-density system, and became the major analog sound-on-film system until modern day.
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track as an image of a digital signal; the next contains the perforations used to drive the film through the projector, with the
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Three different digital soundtrack systems for 35 mm cinema release prints were introduced during the 1990s. They are:
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Opposite with variable-density, in the early 1920s, variable-area sound recording was first experimented on by the
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attempted to commercialize this process, when they developed an Aeolite glow lamp, which was deployed at
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Kreimeier, K. (translation: Hill and Wang). 1999. THE UFA STORY. London: University of California Press.
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matrixing to simulate four tracks. Finally, to the far right, the timecode used to synchronize with a
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Edge of a 35mm film print showing the soundtracks. The outermost strip (left of picture) contains the
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Almost all sound formats used with motion-picture film have been sound-on-film formats, including:
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using the Aeolite system. The variable-density sound system was popular until the mid-1940s.
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track on the film just to the right of the analog soundtrack and left of the frame (
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or laser. These LED or laser exciters are backwards-compatible with older tracks.
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Left: Movietone track with variable density. Right: Variable area track.
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The most prevalent current method of recording analogue sound on a
113: 1798: 1529: 1482: 600: : Caliber Code Corporation. Last accessed 5 September 2020. 483: 116:
purchased Case Laboratories and produced its first talking film
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strips along the outside edges (beyond the perforations); and
273:, which is stored between the perforations on the sound side; 1686: 1547: 1458: 350: 221:(SVA) recording, a technique first used in the mid-1970s as 1816: 1662: 1022: 1002: 71:, meaning the film's soundtrack would be on a separate 612:"Tri-Ergon, Tobis-Klangfilm, and the Coming of Sound" 704: 440: 136: 1842: 264: 59:sound track, and may record the signal either 690: 541:"(History of) Motion Picture Sound Recording" 474:List of early sound feature films (1926–1929) 285:, in which sound data is stored on separate 339:syndicate in 1930, licensing the system to 181:. Unsourced material may be challenged and 697: 683: 380: 308: 201:Learn how and when to remove this message 943:Tefiphon/Teficord (early 1930s), Tefifon 300: 77: 18: 590:KLANGFILM - Early Systems (1928 - 1931) 256:prints, recorded sound magnetically on 1843: 609: 571:DTS | Corporate | Milestones 678: 357: 252:prints and special presentations of 179:adding citations to reliable sources 146: 397: 13: 325:, are variable-density formats of 14: 1887: 1851:Audiovisual introductions in 1919 1805:Pioneer Artists Compact LaserDisc 1255:Mohawk Message repeater cartridge 662: 603: 538: 443: 151: 1333:Nippon Electronic Vity cassette 1044:Cosmos Industries MX-303A/ANQ-1 649: 582: 564: 532: 528:Encyclopedia of Recorded Sound 521: 137:Analog sound-on-film recording 1: 514: 265:Digital sound-on-film formats 40:soundtrack CD-ROM is visible. 16:Class of sound film processes 1129:Thermionic Products Recordon 67:. Earlier technologies were 7: 1871:Motion picture film formats 1516:Analog-to-digital converter 1423:Nippon Electronic Memo-call 509:Joseph TykociĹ„ski-Tykociner 436: 248:Earlier processes, used on 129:, and later was applied by 10: 1892: 1639:Compact Disc Digital Audio 723:Music box cylinder or disc 469:List of film sound systems 392:Sony Dynamic Digital Sound 140: 86: 1856:Film and video technology 1785: 1720: 1629: 1598: 1566: 1557: 1514: 1339:Grundig Cassette LFH 0084 1232: 1156: 1118: 1101: 1020: 1000: 957: 935: 864: 776: 759: 750: 713: 550:Audio Engineering Society 1589:Digital Compact Cassette 1477:Capitol Records Audiopak 1327:Dictaphone Travel master 1123:Telefunken magnetic disc 1092:Crouzet-Jaeger cartridge 610:Gomery, Douglas (1976). 432:in 1919, defunct by 1929 127:General Electric Company 1405:Assmann-Stuzzi Memocord 1086:Protona Minifon special 707:audio recording formats 669:Multichannel Film Sound 381:Optical digital formats 1489:Bandai micro cartridge 1435:Muntz Stereo Mini-twin 479:Movietone sound system 309:Optical analog formats 83: 41: 1861:Film sound production 1357:Cousino Echo-matic II 837:Indestructible record 301:Sound-on-film formats 81: 22: 1453:Sanyo Tape cartridge 1279:Rediffusion Reditune 1158:Loose (reel-to-reel) 1109:Magnetic stripe card 1038:US Army RD-11B/GNQ-1 803:Perfected phonograph 731:(early 17th century) 464:List of film formats 404:Cinema Digital Sound 219:stereo variable-area 175:improve this section 1267:Mohawk Midgetape RL 1080:Protona Minifon P55 1074:Protona Minifon P51 849:Blue Amberol record 831:Gold moulded record 825:Le CĂ©leste cylinder 797:Dictaphone cylinder 787:Phonograph cylinder 1722:Electronic circuit 1577:Digital Audio Tape 1291:RCA tape cartridge 1249:Cousino Echo-matic 1147:Audio High Density 896:Edison Voicewriter 645:– via JSTOR. 576:2010-06-09 at the 289:synchronized by a 112:in 1927. In 1928, 106:Movietone Newsreel 84: 42: 1838: 1837: 1781: 1780: 1510: 1509: 1345:Orrtronic Tapette 1273:Dictaphone Dictet 872:Phonograph record 729:Mechanical cuckoo 598:Nagano Prefecture 358:Encoding matrices 211: 210: 203: 98:Case Laboratories 73:phonograph record 1883: 1564: 1563: 1417:DC-International 1375:Compact cassette 1193:Fullcoat magfilm 1135:Record Maker Pye 1102:Magnetic surface 1032:Lorenz Textophon 855:Paradis cylinder 819:Stentor cylinder 757: 756: 699: 692: 685: 676: 675: 656: 653: 647: 646: 644: 642: 607: 601: 586: 580: 568: 562: 561: 559: 557: 545: 536: 530: 525: 459:Charles A. Hoxie 453: 448: 447: 446: 398:Obsolete formats 353:encoding matrix. 319:Western Electric 277:, stored in two 206: 199: 195: 192: 186: 155: 147: 1891: 1890: 1886: 1885: 1884: 1882: 1881: 1880: 1866:History of film 1841: 1840: 1839: 1834: 1777: 1766:USB flash drive 1760:Toymax VJ Starz 1716: 1625: 1594: 1553: 1506: 1369:Philips EL 3583 1315:Cousino MR-9000 1303:Protona AttachĂ© 1297:Philips EL 3581 1228: 1152: 1114: 1097: 1016: 1001:Loose magnetic 996: 953: 931: 860: 772: 760:Grooved surface 746: 709: 703: 665: 660: 659: 654: 650: 640: 638: 628:10.2307/1225449 608: 604: 587: 583: 578:Wayback Machine 569: 565: 555: 553: 548:The Journal of 543: 539:Fayne, John G. 537: 533: 526: 522: 517: 449: 444: 442: 439: 400: 383: 360: 311: 303: 267: 254:35 mm film 250:70 mm film 207: 196: 190: 187: 172: 156: 145: 139: 89: 55:sound track or 17: 12: 11: 5: 1889: 1879: 1878: 1873: 1868: 1863: 1858: 1853: 1836: 1835: 1833: 1832: 1826: 1823:Timecode vinyl 1820: 1814: 1808: 1802: 1796: 1789: 1787: 1783: 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324: 320: 316: 313: 312: 306: 298: 296: 295:sound-on-disc 292: 288: 287:compact discs 284: 280: 276: 272: 271:Dolby Digital 262: 259: 255: 251: 246: 244: 238: 236: 232: 228: 224: 220: 216: 205: 202: 194: 184: 180: 176: 170: 169: 165: 160:This section 158: 154: 149: 148: 144: 143:Optical sound 134: 132: 128: 123: 121: 120: 115: 111: 107: 103: 102:Lee De Forest 99: 95: 80: 76: 74: 70: 69:sound-on-disc 66: 62: 58: 54: 50: 46: 45:Sound-on-film 39: 35: 30: 29:Dolby Digital 26: 21: 1732:(late 1970s) 1631:Optical disc 1599: 1495:Picocassette 1491:(late 1980s) 1285:Saba Sabafon 1056:RCA MI-12877 1050:RCA MI-12875 958: 936:Grooved tape 902:SoundScriber 898:(late 1940s) 884:Diamond disc 865:Grooved disc 767:Phonautogram 735:Punched card 651: 641:September 6, 639:. 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Index


SDDS
Dolby Digital
Dolby Stereo
DTS
sound film
analog
digital
optically
magnetically
sound-on-disc
phonograph record

SMPTE
Case Laboratories
Lee De Forest
Movietone Newsreel
Roxy Theatre
Fox Film
In Old Arizona
General Electric Company
RCA
Optical sound

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