Smile (The Beach Boys album)

4366: 3002: 2885:'s estimation, other reports suggest that it is more likely that Wilson himself became dissatisfied with Parks' lyrics, although "Love certainly happily fed" Wilson's change of opinion. Commenting on the accusation that he contributed to the project's collapse by voicing his criticisms to Wilson, Love acknowledged that Wilson, under the influence of psychoactive drugs, "could have become extra-, ultrasensitive to attitudes, you know, body language, or whatever", but disputed the insinuation that he should "be held responsible" and "take a beating" for his cousin's drug-induced paranoia and debilitated mental condition, a subject that was much less understood in that era. 3037: 3345:, something that he did not wish to be associated with, and took to characterizing Parks' contributions as "acid alliteration". Parks did not offer him an explanation for the lyrics, and he sang the line despite his reservations. Reflecting on their exchange, Love said that he was not necessarily "against" the lyrics, and that Parks had not appeared to be insulted by his questioning. Jardine said that Love would ask Parks on multiple occasions, "What does that mean?' And he would go, 'I don't know, I was high.' Mike would go, 'That's disgusting. That doesn't make any sense.' " 1577: 12551: 925: 11808: 15108: 14889: 12930: 11031: 15248: 4216: 2772: 2337: 2248: 2141: 2018: 3713: 3238:"was a totally conceived entity" when the group was away on their British tour, but upon their return, the project "started going nuts". In Gaines' description, Wilson's bandmates "knew nothing of Brian's strange behavior" and were "infuriated" when they returned to California; to them, Anderle now appeared as the leader of "a whole group of strangers had infiltrated and taken over the Beach Boys", and which were encouraging Wilson's eccentricities. Anderle commented, "I stand guilty on those counts 1012: 4764: 521: 2407:", according to Wilson, came from his desire "to turn people on to vegetables, good natural food, organic food. Health is an important element in spiritual enlightenment. But I do not want to be pompous about it, so we will engage in a satirical approach." It was the last Parks co-write that was recorded for the album. A module called "Do a Lot" or "Sleep a Lot" was considered for inclusion in "Heroes and Villains". In 1967, the section spun off into a piece called "Mama Says". 7806: 2857: 2519:" is a wordless hymn that was intended to begin the album. Lambert describes the piece as "every technique of chromatic harmony had ever heard or imagined." On the session tape, Wilson announces, "This is intro to the album, take one." Jardine is heard remarking to Wilson that the piece could be considered its own track, but Wilson rejects the suggestion. This information makes "Prayer" the only track that is known to have had a definitive placement on the album. 865:. Plans for the label began in August 1966 with Anderle at the head. In a press release, he stated that Brother Records was to give "entirely new concepts to the recording industry, and to give the Beach Boys total creative and promotional control over their product." Anderle later said that the label was for releasing projects that were "special" for Brian, and there was initially no concern over whether the label's products would be distributed by Capitol. 19474: 1356:. Instead of working on whole songs with "clear large-scale syntactical structures", he limited himself to recording short interchangeable fragments (or "modules"). Through the method of tape splicing, each fragment could then be assembled into a linear sequence, allowing any number of larger structures and divergent moods to be produced at a later time. A similar fragmentary approach is common in film editing, albeit under the term "dangling causes". 4004: 4427: 2474: 602: 2784:

written instances of "Good Vibrations" on the album cover, which were not featured on Holmes' original design. The back cover featured a monochrome photograph depiction of the group, without Brian, framed by astrological symbols. Capitol produced 466,000 copies of the record sleeve and 419,200 copies of the accompanying booklet. They were stored in a warehouse in Pennsylvania until the 1990s.

2675:, who plays a man that is irate at Vosse for trespassing into his garden. It later turns into a serious conversation between Blaine, Vosse, and Wilson about the planetary alignments. Wilson completes the session by having his own mock disagreement with Blaine. Badman writes, "At one point, it is believed that these recordings will somehow figure into the 'Vegetables' track itself." 392:, Wilson's uncompromising perfectionism and mental instabilities, as well as Parks' withdrawal from the project in early 1967, prevented the album's completion. Most of the tracks were produced between August and December 1966, but few were ever finished, and the album's structure was never finalized. Afraid of the public's reaction to his work, Wilson blocked attempts to release 3426: 644:. During this meeting, Wilson noticed that Parks had an unusually articulate manner of speaking. Wilson had been searching for a new lyricist, and soon after, approached Parks with the offer to write lyrics for the Beach Boys' next album. Parks had worries, having heard that Asher had dissociated himself from Wilson and the Beach Boys, but nonetheless agreed to collaborate. 2531:" (also known as "Look" and originally labelled "Untitled Song #1") is a song that featured upright bass, vibraphones, keyboard, French horn, guitars, organs, trombone and woodwind. The Beach Boys recorded vocals for the track on October 3, 1966, but the tape from that session was lost. In 2003, the piece was retitled "Song for Children" and given new lyrics by Parks. 3025:. The session was conducted as an experiment and was not a full-fledged recording. On August 3, Wilson returned to the studio for the tracking of "Wind Chimes", marking the unofficial start of the album's sessions. From then, over 80 sessions were conducted for the album, spread out over the next ten months. "Good Vibrations" was completed on September 21. By then, 2071:", the first song Wilson wrote with Parks, was envisioned by Wilson as a three-minute musical comedy to surpass "Good Vibrations". He created myriad versions of the track, some of which ranged in length from six to eight minutes. Wilson came up with the title and told Parks that he thought of the Old West when he wrote the melody, which reminded Parks of the 3550:. He also set to work on constructing a personal home studio. Most of the coterie, including Parks and Siegel, disassociated themselves or were exiled from Wilson's social group by April. Siegel was told by Vosse that he was banished from Wilson's social circle because his girlfriend was suspected by Wilson to have been disrupting his work through 5286:. "In a way", Linett said, "Brian invented the method of modular recording that we take for granted today." The album cover – considered to be among the most legendary in rock music, according to Priore – would have been one of the earliest instances of a popular music group featuring original commissioned artwork. Paul Williams argued that, with 3563:

later; the last time Wilson was visited by Anderle to discuss business matters, Wilson refused to leave his bedroom. Wilson had discussed breaking up the Beach Boys "on many occasions," according to Anderle, "But it was easier, I think to get rid of the outsiders like myself than it was to break up the brothers. You can't break up brothers."

3497:, with the band having been ensconced in their London studios since the previous November. According to historian Darren Reid: "In Wilson's mind, the first album to market would be the one to claim victory, it would be the record which would set the standard against which all other albums released after that time would have to be judged." 8150:

carefree surfing image." In 2014, fans reacted negatively to the announcement that Wilson would be recording a duets album, comparing it to a "cash-in". A Facebook post attributed to Wilson responded to the feedback: "In my life in music, I’ve been told too many times not to fuck with the formula, but as an artist it's my job to do that."

57: 4797:-themed setlist. Sahanaja was assigned the role of "musical secretary" for the project and Parks was recruited to assist with the sequencing and the writing of new lyrics. Together with Wilson, they configured the presentation into three movements. Sahanaja said: "At that point, he and Van Dyke were talking as if they were finishing 2502:

concept did not come up until later in the project. One of the illustrations created for the album included "Vega-Tables" as part of "The Elements", but Wilson's note listed "The Elements" and "Vega-Tables" (as well as "Wind Chimes") separately. Wilson told Preiss that "Air" was an instrumental piano piece that was never finished.

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was too sophisticated, and in some areas Brian's music was not sophisticated enough ." Vosse wrote, "Van Dyke would get really mad because he hated working in a subservient position where there was someone that could say no; and Brian always maintained that. And every once in a while, he would say no just to let Van Dyke know he

2390:" is about the recolonization of the American continent. None of the lyrics mention worms. Parks later said that he did not know where the title came from and attributed it to possibly an engineer, Wilson, or Mike Love. The "bicycle rider" mentioned in the lyric is a reference to "Bicycle Rider Back" playing cards printed by the 3580:. According to Leaf, the documentary was originally supposed to be focused on Wilson, but it was later decided to expand the scope of the program due to the Beach Boys' waning popularity in early 1967. Wilson's segment was limited to footage of him singing "Surf's Up" at his piano without any interview footage or references to 2833:

psychological decline. Derek Taylor remembered that although Brian exhibited "scary" mood swings, his bandmates were generally supportive of him. Taylor also remembered Wilson being terribly insecure and highly sensitive to criticism, having "never in peace" whenever he would be asked by Wilson to offer music opinions.

2712:, a friend of Parks, as well as a booklet containing several pen-and-ink drawings, also by Holmes. He met with Wilson and Parks circa June 1966 and was given lyric sheets of their songs, for which he based his drawings on. By Holmes' recollection, his contributions were finished by October. The pieces were titled: 1226:

was to be "perhaps the story of the unnatural love affair between one man's voice and a harpsichord". A melodic and rhythmic motif (sometimes called the "Bicycle Rider" theme) was configured into several tracks, which he said " down the walls that give songs identities without ever offering conceptual ('

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s non-release, it became the subject of intense speculation and mystique and gained status as the most legendary unreleased album in the history of popular music. Many of the writers and "hanger-ons" who surrounded Wilson at the time were largely responsible for the mythological status later afforded

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recordings were only publicly available on bootlegs until 2011. These bootlegs often presented a hypothetical vision of the completed album, with compilers including liner notes that explained their choices of sequencing. One of the most relied-upon sources for the album's contents came from the list

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Wilson's paranoid delusions had intensified throughout the winter, by which time his progressively erratic behavior had started to alarm his associates. One of the well-known stories involves a portrait of Wilson that Anderle had been painting in secret for several months. When he showed the painting

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an exciting full-color sketch-book look inside the world of Brian Wilson!" Cardboard displays of the album's cover artwork were displayed in record stores, and Capitol circulated a promotional ad for employees at its label, which used "Good Vibrations" as the backdrop for a voice-over saying: "With a

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really, Brian had a job to do, and he was a hard workin' guy." He referred to Brian's drug use as "the biggest red herring in story I've heard so far", and rebuked the accusation that Brian was "some kind of nut". Danny Hutton disputed that the drugs "got in the way at all" and believed that Brian's

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classic amphetamine psychosis. He was taking a lot of amphetamines, in the form of Desbutal, which is methedrine and some barbiturate mixed together. That's a combination that's gonna fuck you up – if you take enough of it, you will feel like the walls are looking at you! There were a number of parts

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Parks has sometimes stated that he was dismissed from the project at Love's behest. In a 1974 interview, he elaborated that he had both "resigned" and "was fired" because Love and "the least known members" had decided "that I had written some words that were indecipherable and unnecessary." Two years

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Oppenheim declared on his 1967 CBS documentary that "Surf's Up" was "one aspect of new things happening in pop music today. As such, it is a symbol of the change many of these young musicians see in our future." In a self-penned 1969 article, Vosse wrote that "Surf's Up" was to be the intended ending

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as "an American history lesson seen through the eyes of a time-travelling bicycle rider on a journey from Plymouth Rock to Hawaii." Documentarian Keith Badman states that Wilson intended the album to be an American-themed exploration of the innocence of youth and childhood. Williams concluded that it

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was massively influential, containing sophisticated orchestral arrangements that raised the band's prestige to the top level of rock innovators. In the US, the album confused their fans and sold worse than previous Beach Boys releases, but in the UK, the reception was highly favorable. The UK success

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decades after Brian Wilson abandoned the project was always chimerical". He added, "Those whimsically inclined might suggest that Smile's apparent malleability could represent just one additional illustration of the extent to which it was ahead of its time." In a 2004 conversation with Wilson, Parks

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Wilson's experiments in 1966 and 1967 seem normative of the kinds of things most interesting musicians in any genre were up to at that point and even tamer than some of them. The blurring of boundaries between musical genres was pretty much commonplace at that time, as was the attitude, however real

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Many of the album's advocates believe that had it been released, it would have altered the group's direction and solidified their position at the vanguard of rock innovators. It may have also significantly impacted the development of concept albums, as Allan Moore argued, "it would have suggested an

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On February 28, the band launched a lawsuit against Capitol that sought neglected royalty payments in the amount of $ 250,000 (equivalent to $ 2.33 million in 2023). Within the lawsuit, there was also an attempt to terminate their record contract prior to its November 1969 expiry. Following the

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Wilson started having increasing doubts about the project during the latter months of 1966. From October 25 to November 14, Wilson's bandmates embarked on a tour of Europe (which included the group's first dates in the UK), followed by their fourth annual US Thanksgiving tour from November 16 to 24.

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Wilson's use of LSD was negligible compared to his use of Desbutal. Parks said that he never witnessed Wilson using psychedelics, and, in a 2004 interview, stated that "Brian was strongly against acid at that time." He said that he had not been interested in using psychedelics himself, nor "anything

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tent in what was formerly his dining room, located a sandbox under the grand piano in his den, and, after developing a fixation with health and fitness, replaced his living room furniture with gym mats. In reference to the tent, Vosse said, "we were all excited about it, anybody who thinks this was

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session tape, a horn player can be heard sarcastically remarking of the producer's repeated calls for retakes, "Perfect – just one more". At the end of another session, which had lasted until dawn, an engineer asked Wilson's wife if she thought he would be satisfied with a certain take, to which she

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Features Wilson, Parks, Hutton, Vosse, and a man named Bob. The group pretend to order treats from a psychedelic ice cream van that plays a music box version of "Good Vibrations" (played by Wilson at a piano). Wilson then leads a comedy routine about falling into a piano, and then into a microphone.

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Anderle recalled that Wilson told the group "what fire was going to be, and what water was going to be; we had some idea of air. That was where it stopped. None of us had any ideas as to how it was going to tie together, except that it appeared to us to be an opera." Parks recalled that an elemental

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and seemed to be breaking the audio 'fourth wall'—if there can said to be such a thing." He interpreted the methodology of using modules as consistent with the album's conceptual thread, "a return to the pre-grammatical, non-linear and analogical (as opposed to logical) thinking of early childhood –

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Some songs followed themes related to God and childhood, namely "Wonderful", "Child Is Father of the Man", and "Surf's Up". Only "Wonderful" referred to God explicitly. Parks supported that his associations with the spiritual aspect of Wilson's work were "inescapable", but professed that he disliked

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Parks' lyrics employed wordplay, allusions, and quotations. He acknowledged that there were occasional "references" to specific historical entities, however, "I don't think that I was interested in wordplay as much as I was interested in the power of words." References to American history range from

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is so unique the first album that forced fans to interact with it directly. We had to make our own edits and running orders on cassettes. They enjoyed debates on how it was supposed to be heard and what tracks were really intended to be included in the mythic "Elements" suite that supposedly would

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Asked about the forthcoming release at a later date, Carl responded: "We've all had intentions of finishing the album, but something persists that keeps that from happening, and I don't know what that is." In April 1973, the band's assistant manager Steve Love wrote a memo to remind the group that,

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Throughout 1967, Wilson's image reduced to that of an "eccentric" figure as a multitude of revolutionary rock albums were released to an anxious and maturing youth market. He gradually ceded production and songwriting duties to the rest of the group and self-medicated with the excessive consumption

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Parks' last recorded appearance on the album's sessions was for a "Vega-Tables" date on April 14, after which Wilson took a four-week break from the studio. Anderle said that, at the time, he felt that "the central thing was Van Dyke's severing of the relationship." He left of his own accord weeks

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Vosse believed that "as schisms developed within the Beach Boys", Parks had become the "most convenient" scapegoat once the disapproving camp found that the songwriters "would fight every once in awhile have arguments." In Parks' recollection, "the whole house of cards began tumbling down" when he

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Tensions during the recording sessions emerged around this time, marking a contrast from the joyous atmosphere that began the project. Anderle remembered that the debacle with "The Elements" coincided with what he felt was one of the greatest factors in the project's demise: resistance Wilson began

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Wilson's friends, family, and colleagues often date the project's unraveling to around the time he recorded "Fire" on November 28. Parks did not attend the session and later said that he had avoided it "like the plague" due to what he had perceived as "regressive behavior" from Wilson. Within a few

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sessions. In Michael Vosse's recollection, Wilson was no more eccentric than "a lot of people in showbiz" and "all those things that people looked back upon later as quite alarming" had not originally appeared to be of significant concern. Anderle supported, "Brian wasn't the only one. We were all

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In September, Capitol began production on a lavish gatefold cover with a 12-page booklet containing featuring color photographs of the group (ultimately selected from a November 7 photoshoot in Boston conducted by Guy Webster as well as Holmes' illustrations). In early 1967, they added the repeated

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Parks said that they "kind of wanted to investigate American images. Everyone was hung up and obsessed with everything totally British. So we decided to take a gauche route that we took, which was to explore American slang, and that's what we got." Further on the subject, he explained, "Everybody

775:, a magazine reporter who had been friends with Anderle in college. Parks introduced Vosse to Wilson, and Taylor arranged for Vosse to interview Wilson for the forthcoming release of "Good Vibrations". The day after their meeting, Wilson called Vosse and offered him a job recording sounds of nature. 8131:

This was contradicted by Parks, who felt that Love's true issues were not with the lyrics, as he has always claimed, but with "the music". Jardine, who praised Parks' lyrics and admitted to initially harboring discontent for the band's changing musical direction, contended that Love was "a formula

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tapes were temporarily moved to Sound Recorders, a studio belonging to engineer Armin Steiner, and Anderle met with many record companies, but failed to secure a distributor for Brother Records. In March, Wilson cancelled a session – because he decided that the "vibrations" were too hostile – at a

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Parks was strongly opposed to issuing "Vega-Tables" as the album's lead single, as he had considered the song to be one of their weaker efforts. After February, by Anderle's account, tensions between Parks and Wilson flared as the songwriters "started clashing" because Wilson thought Parks' "lyric

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Mike Love was the tough one for David . Mike really befriended David: He wanted his aid in going one direction while David was trying to take it the opposite way. Mike kept saying, "You're so good, you know so much, you're so realistic, you can do all this for us—why not do it this way," and David

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was too esoteric for the public and decided to record simpler music instead. Carl stated that Brian felt he could not complete the album and was intensely afraid of an unfavorable public response. In Brian's own words, he and his band felt "we were too selfishly artistic and weren't thinking about

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for a week, just 'cause he wanted to get into that, up to the mountains, into the snow, down to the beach, out to the pool, out at night, running around, to water fountains, to a lot of water, the sky, the whole thing was this fantastic amount of awareness of his surroundings. So the obvious thing

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during the 19th century. Parks commented, "A lot of people misinterpreted that, but that's OK; it's OK not to be told what to think, if you're an audience." In January 1967, the song's keyboard break melody was rerecorded as the chorus of "Heroes and Villains". In 2004, the song was retitled "Roll

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as "the big one for me". He said that the book "turned me on to very special things", specifically, "that people attach their egos to their sense of humor before anything else." Anderle said that Wilson was fixated on humor and spirituality, and "had a real innate sense of spiritualism without the

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recording dates, Parks' contributions were limited to writing words to Wilson's melodies. He said: "I had no input whatsoever in the music. I was a total lyricist and sometimes an instrumentalist." Like Asher, Parks had minimal experience as a lyricist, and Wilson had little prior knowledge of his

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included the cousins' discord as one of "Music's 30 Fiercest Feuds and Beefs". Contributor Jordan Runtagh wrote that when Wilson "sought to move the band beyond their fun-in-the-sun persona. Love found the new musical daring pretentious, and feared alienating the fans originally won over by their

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According to Parks, he was offered the opportunity to rewrite Love's lyrics because " was embarrassed with the 'excitation' part Mike Love had insisted on adding. But I told Brian that I wouldn't touch it with a 10-foot pole and that nobody'd be listening to the lyrics anyway once they heard that

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but it clearly shares their spirit of adventure in a way that would have been unthinkable just two years earlier." Ed Howard wrote that the album's "arty experimentation", "exotic, often surprising arrangements", and "twisting wordplay" was "arguably" more innovative than contemporary work by the

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multi-tracks from Capitol's vaults, primarily to locate the "Surf's Up" masters, and attempted to repair and splice the tapes. Brian joined them on at least two occasions. Afterward, the band set to work on recording the song at Brian's home studio. Brian initially refused to participate in these

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Love addressed these accusations in a 1993 interview by stating that he had been deeply concerned about Wilson's treatment of "himself", "others", and "the reputation of the band", as well as the potential destruction of "our livelihoods". In a 2015 interview, he indicated that he did not have an

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It is often suggested that Mike Love, in particular, was responsible for the project's collapse. Love dismissed such claims as hyperbole and said that his vocal opposition to Wilson's drug suppliers was what spurred the accusation that he, as well as other members of the band and Wilson's family,

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Carl, Dennis, and Jardine contributed instrumentally to some of the tracking sessions, and Carl participated in the sessions more than anyone else in the band with the exception of Brian, although Stebbins notes, "Even Carl was unhappy with the project". Having attended some of the sessions circa

2752:–the Smile Shoppe–and it had these little smiles all around." Depicted inside the shop is "a husband and wife—a kind of early-Americana, old-style, 19th-century kind of image." Wilson approved the cover and took it to Capitol. Parks later said that the illustrations heavily informed the making of 2683:

Brian also recorded novelty songs with photographer Jasper Daily: "Teeter Totter Love", "Crack the Whip", and "When I Get Mad I Just Play My Drums". Love characterized "Teeter Totter Love" as "Simple but poignant." The AFM contracts for these tracks list "Brother Records" under "Employer's Name".

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tape recorder and record the different variations of water sounds that they could find. Vosse recalled, "I'd come by to see him every day, and he'd listen to my tapes and talk about them. I was just fascinated that he would hear things every once in a while and his ears would prick up and he'd go

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Now I thought, once we had gotten 'Heroes And Villains' done, we might have seen a boy/girl song emerge, other than 'Wonderful'. Honestly, I really thought we would do it, but I never found an opportunity to pursue that with the music I was given. Between August and December 1966, Wilson recorded

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Psychedelic musical characteristics distinguished the Beach Boys' mid-1960s work, particularly through the group's invocation of "greater fluidity, elaboration, and formal complexity", "a cultivation of sonic textures", "the introduction of new (combinations of) instruments, multiple keys, and/or

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The material was continuously revised, rewritten, and rearranged on a daily basis. Anderle recalled examples: "The beginning of 'Cabin Essence' becomes the middle of 'Vega-Tables', or the ending becomes the bridge. I would beg Brian not to change a piece of music because it was too fantastic. But

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and that they "were trying to make something of it". Heiser called the album's use of jumpcuts a "striking characteristic" and said that they "must be acknowledged as compositional statements in themselves, giving the music a sonic signature every bit as noticeable as the performances themselves.

513:, an aspiring talent agent that he met at a recording studio. Schwartz introduced Wilson to marijuana and LSD, as well as a wealth of literature commonly read by college students. During his first LSD trip, Wilson had what he considered to be "a very religious experience" and claimed to have seen 5020:

summarized that the album had become "the ultimate metaphor for pop's golden age; that moment when everything seemed possible, when heaven seemed reachable". In Courrier's words, the project "became oddly influential. While functioning mostly as a rumor, when some bootlegged tracks confirmed its

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featured some previously unreleased Beach Boys music, including an excerpt of "Fire". Also that year, a "Second Edition" of the Brother Records LP surfaced without the labelled addresses and with a significantly different presentation order. The set also included different mixes that suggested a

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I think it means a lot more to other people than it does for me." Writing in his 2006 biography on Wilson, Carlin said that Parks had come to resent that his career had been eclipsed by "something that didn't quite get finished in 1967." The fact that he was not properly credited for some of his

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For many years after its shelving, Wilson had been traumatized by the project and regarded it as representing all of his failures in life. He had stated that he considered the recordings "contrived with no soul" and "corny drug influenced music", as well as imitations of the work of Phil Spector

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Brian disintegrating. The music was cool but it's always tinged with the reality of making it. Brian degraded us, made us lay down for hours and make barnyard noises, demoralized us, freaked out. I can't tell you a lot of it, it's really fucked up. He thought it was hilarious, he was stoned and

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Wilson reflected that he had run out of ideas "in a conventional sense" during this period and had been "about ready to die". He said: "Time can be spent in the studio to the point where you get so next to it, you don't know where you are with it, you decide to just chuck it for a while." Wilson

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could have been finished without his continued participation. Wilson depended on Parks whenever issues came up in the studio, and when Parks left, the result was that Wilson lost track of how the album's fragmented music should be assembled. Another dilemma, according to Anderle, was the lyrics,

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was one of the most-discussed albums in the rock press and was first projected for a December 1966 release date. Derek Taylor continued to write articles in the music press, sometimes anonymously, in an effort to further speculation about the album. "Good Vibrations" was released as a single and

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Carl recalled: "To get that album out, someone would have needed willingness and perseverance to corral all of us. Everybody was so loaded on pot and hash all of the time that it's no wonder the project didn't get done." Dennis echoed that the group became "very paranoid about the possibility of

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so that everybody in the studio could don them during its recording. Wilson also had the studio's janitor bring in a bucket with burning wood so that the studio would be filled with the smell of smoke. He subsequently recorded the crackling noises made by the burning wood and mixed them into the

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On December 15, 1966, Wilson attempted to ease Capitol's concerns over the album's delay by delivering a handwritten note that contained an unordered, preliminary track listing. Capitol prepared record sleeves that listed these songs on the reverse side with the disclaimer "see label for correct

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and its impact on Native American tribes. Scholar Darren Reid interpreted the focus on older American themes as a self-conscious, deeper reflection on the hedonistic, modern Americana of the Beach Boys' earlier songs. He said that, despite Wilson's later claims that the album was about humor and

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Jules Siegel famously recalled that, during one evening in October, Wilson announced to his wife and friends that he was "writing a teenage symphony to God". According to Siegel, Wilson felt he was moving into a "white spiritual sound" that he thought represented the future of music. In November

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It discussed the "energy" between himself ("Gemini"), David Anderle ("the Jolly Jewish Carrot"), and Michael Vosse ("Michael Spinach", "the Green Glob", or "Sidney"), as well as Guy Webster, Hal Blaine, and possibly Jules Siegel (referred to as "celery"). In one excerpt, Wilson wrote, "Grasping

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said that "numerous exquisitely beautiful passages, great ensemble singing, and brilliant orchestral pop instrumentation" were in circulation, yet "the fact is that Wilson somehow lacked the discipline needed to combine them into a pop masterpiece that was both brilliant and commercial." Former

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argued in 2001 that the album could have dramatically altered the course of popular music history, such that "Perhaps we wouldn't be so monotheistic in our pop leanings, worshiping only at the Beatles' altar the way some do today." In Anderle's belief, " would have been a major influence in pop

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and "Heroes and Villains" to March 1967. Wilson had also begun to suspect that Capitol was withholding payments from the band and instructed Grillo to conduct an audit of the label's financial records. Discrepancies were soon found. Possibly due to Capitol's insistence on a ready single, Wilson

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wrote that their claims are oftentimes "so lavish one can be forgiven, if only momentarily, for believing that Brian Wilson had, at that time orbited out to the furthermost reaches of the celestial stratosphere for the duration of this starcrossed project." Gaines acknowledged that the "events

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said that this result was probably influenced by the success of "Good Vibrations" when the votes were cast, together with the band's recent UK tour, whereas the Beatles had neither a recent single nor had they toured the UK throughout 1966. The reporter nevertheless added that "The sensational

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was being compiled and mixed for an imminent release. In another report, he said that the forthcoming project "got sidetracked with business" and worried whether the album would sell due to it being mostly instrumental tracks. He added that he had considered asking his bandmates to overdub the

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In the 1970s and early 1980s, fan groups for the Beach Boys were organized by at least a dozen people, including David Leaf, Don Cunningham, Marty Tabor, and Domenic Priore. Most of the fan correspondence was through newsletters, which helped disseminate information and attract people who were

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material leaked into bootleggers' hands." One rumor holds that the first tapes came from Dennis, who had created copies for friends, who then created copies for their friends. Although there were rumors of leaked tape transfers and acetate discs in the late 1970s, only a minimal amount of this

3512:. Maybe it's too late.' I started laughing my head off, and he started laughing his head off." He tempered his statement by saying that he "never gave much import" to Wilson's remark. Responding to a fan's question on his website in 2014, Wilson denied that hearing the song had "weakened" him. 2958:

Drugs played a great role in our evolution but as a result we were frightened that people would no longer understand us, musically." Brian told an interviewer in 1976: "We were too fucking high, you know, to complete the stuff. We were stoned! You know, stoned on hash 'n' shit!" The only sober

2763:

but Brian knew better; he was right. It was exactly what he wanted, precisely what he wanted." Parks recalled: "Frank was supposed to do something 'light-hearted', but there were no specific instructions and he came up with the perfect video vessel for realizing what we were doing, something I

2679:

In early 1967, Brian's brothers Carl and Dennis went into the studio to record pieces that they had written individually. Dennis' "I Don't Know" was recorded on January 12, and Carl's "Tune X" (later "Tones") followed on March 3 and 31. Badman speculated the recordings may have been "part of a

2575:

pop standard. It was recorded the day after the "Fire" session, along with a piece titled "Friday Night", which was intended to segue from "I Wanna Be Around". Halfway through the session, Wilson conceived the idea to overdub the sounds of construction noises onto the track. He then handed out

2431:

sang the lead on "You Are My Sunshine". In 2005, Wilson wrote that the rendition of "The Old Master Painter" was brief because he could not remember the full song. In January 1967, the track's ending was repurposed as the ending of "Heroes and Villains", minus the "when skies are gray" vocals.

1050:

I went through a thing of having too many paths to choose from and of wanting to do everything and not being able to do it all." According to an unnamed participant, "If you came up to the house and introduced something new to Brian's thought processes—astrology, a different way to think about

4982:

I wasn't aware of him as a myth. I just wrote down what I saw and heard." Williams shifted his opinion on the album after having heard many of the recordings for the first time in 16 years. He felt that when "the myth" that he and Anderle had "certainly helped create" is discounted from his

4103:

at a London press conference. Asked if he had been working on the album, he replied that he had, during the previous June, and that the group had created safety copies of all the tapes. He claimed that these tapes were now fully assembled and new vocals had been overdubbed where necessary.

3665:

had been scheduled for release by mid-May. The next day, Wilson cancelled a session for "Love to Say Dada", again due to "bad vibes". Badman states that the final session for the album was held for "Love to Say Dada" on May 18. A follow-up that was scheduled for the next day was cancelled.

3254:

to encounter in the studio – namely with "engineers", "getting studio time", and "giv parts to one of the fellas or to a group of the fellas". He said that Wilson "would go through a tremendous paranoia before he would get into the studio, knowing he was going to have to face an argument."

4598:

bootlegs appeared in the 1990s: those in which the compilers attempted to assemble the album in a completed form, and others that simply presented the project as session recordings. The best-known releases were issued by the underground labels Vigotone and Sea of Tunes. They both released

2832:

Writers frequently theorize that the album was cancelled because Wilson's bandmates were unable to appreciate the music. However, Stebbins says that the conclusions those writers draw from this perspective are "overly simplistic and mostly wrong" with not enough consideration for Wilson's

847:

surrounding the album differed so much according to each person's point of view, that no one can be certain ." Williams acknowledged that he, Wilson, Anderle, Parks, Taylor, and other journalists were "very stoned" and that perhaps "had some effect on our assessment of what was going on."

911:

chords spliced together through a whole LP". Nolan commented that when Wilson momentarily shifted his focus to films, it had seemed to be "a step easier to capturing more. If you couldn't get a sound from a carrot, you could show a carrot. He would really liked to have made music that

4732:

had become one of the most well-documented projects in the bootlegging community. Those involved with releasing the Sea of Tunes bootlegs were later apprehended by authorities, and it was reported that nearly 10,000 discs were seized. Vigotone planned to follow their 1998 bootleg,

4126:

album is supposed to be delivered to Warner Brothers no later than May 1st or $ 50,000 is to be deducted from any advance to the group after May 1st." No album was delivered, and as threatened, $ 50,000 was held back from the group's next payment (equivalent to $ 343,000 in 2023).

3473:

well it was just all hell breaking loose. It was tapes being lost, ideas being junked – Brian thinking, "I'm no good," then, "I'm too good" – then, "I can't sing!" I can't get those voices anymore. There was even a time back then when there hardly seemed to be a Beach Boys at all.

3266:

magazine article, "The Beach Boys: A California Saga", written by Nolan. Unusual for rock journalism of the era, Nolan's article devoted minimal attention to the group's music, and instead focused on the band's internal dynamics and history, especially the events surrounding the

5341:

was not "the best album ever", but that it is "astoundingly original" and "tangible evidence of an alternative rock history which turned out differently". In 2011, despite its chosen focus being "new American music that is outside the commercial mainstream", online publication

3280:

In a prior interview from 1968, Anderle said that Wilson's bandmates were first concerned about losing "what the Beach Boys are" by going too "far out" beyond a "simple dumb thing", and had "wanted to stay pretty much within the form of what the Beach Boys had created — really

2993:

use of certain substances had helped him "work longer hours." Parks said: "Don't let the marijuana confuse the issue here. If you look at the amount of work that was done in the amount of time it took to almost finish it, it's amazing. A very athletic situation, very focused."

990:

wasn't the same kind of thing; it wasn't anything like The Beatles. It wasn't pop music; it was something more advanced." In examining many books, documentaries, and articles about the subject, music journalist Andrew Sacher states that Wilson himself "never seems to mention

1259:, and its very question of belief is what was plaguing Brian at that time. What should we keep from the structure that we had, the hard-wiring that we had with religion? He had religion beat into him, and I did in my own way, too. So there's a lot of thinking about belief." 3246:

days of the "Fire" session, a building across the street from the studio burned down. Wilson was frightened that the music may have caused the fire and decided to discard the track. He later said that his use of marijuana and hashish led him to believe that he was creating

2963:

that would incapacitate" Wilson. Anderle also said he never saw Wilson taking psychedelics. Vosse said that Wilson "may have taken LSD once" at the time. Siegel attributed Wilson's paranoid delusions, odd behavior, and loss of artistic confidence to his abuse of Desbutal:

1613:

The vocal arrangements, according to Heiser, use "a wide range of pitch centres, antiphonal effects, rhythmic variations, juxtapositions of legato and staccato figures, rounders-like echoes, and vocal effects not usually associated with mid-sixties rock records." Academic

2632:

Wilson held sessions that were dedicated to capturing "humorous" situations. According to Carlin, Wilson devoted "hours recording himself and friends while they chanted, played games, had pretend arguments, or just shot the breeze. It was just like the old days with his

2108:. We hung them outside the house and then one day, while Brian was sitting around he sort of watched them out the window and then he wrote the song . I think that's how it happened. Simple. He does a lot of things that way." In July 1967, the bass line was reworked into " 2878:, he indicated that he himself had suggested to Love that they discard his lyrics after Love had inquired about a particular line, "and so they did". In a 2013 interview, he said that he "walked away from the job" to escape Wilson's "buffoonery" and Love's "jealousy". 2095:

On November 4, 1966, Brian recorded a piano demonstration of "Heroes and Villains" that included "I'm in Great Shape" and "Barnyard" as sections of the song, but on his note from December, "I'm in Great Shape" was listed as a separate track from "Heroes and Villains".

2005:

As Wilson neared the completion of "Good Vibrations", he asked Parks to rewrite the song's lyrics, but Parks declined, as he did not wish to alienate Mike Love. The title was written several times on one of the covers prepared by Capitol in order to boost album sales.

1188:, the surviving recordings do not lend themselves to any formal narrative development, only to themes and experiences. According to Heiser, there is also a wealth of material that appears to have "little, if anything to do with Americana theme". Other themes involved 5465:

bootlegs, it was mind-blowing. It was what we had hoped it would be, but a lot of those songs weren't finished, so there was still this mystery of not hearing the melodies and lyrics. We wondered, "What are these songs and how do they fit together? Is this a verse?"

4407:

According to journalist David Cavanaugh, "things went awry when a cassette compiled for Capitol executives leaked into the public domain, causing Brian to lose interest." One of the collaborators on Wilson's solo album had been given 1st-generation copies of

4877:, many of the people involved with the making had been involved with the Beach Boys fan community for decades, including Priore and Reum, who contributed essays and were consulted for the project. The set received immediate critical acclaim, was ranked on 3782:

as he could and at the same time immediately go into his humor album." Carl compared it to "a bunt instead of a grand slam". The cover artwork featured a new illustration of Frank Holmes' smile shop, this time located in the middle of an overgrown jungle.

2036: 5130:

would have been perfect" and proposed that "it might have simply been considered a giant, perplexing, forty-minute 'Heroes And Villains' with some stuff about vegetables in the middle. Would it really have gone over much bigger than Van Dyke's disastrous

4919:

might actually have been if it had been completed, and many mysteries are contained even within Brian's semi-official tracklist, not to mention the scores of unfinished takes, brief instrumentals, and experiments that were attempted during the sessions.

1046:. Wilson described himself as an avid reader after a friend had introduced him to Pickwick Bookshop, a Hollywood bookstore. "I started reading too many books. If I'd stuck with just a few, I'd have been all right, but I read so many authors it got crazy. 4971:, Williams also included a 1997 conversation between the two. Anderle acknowledged of his role in inflating the mythology, "I guess we all do that. We all extend the story, don't we? We all extend the moment. It's satisfying. But what a burden for Brian 4514:

bootlegs informed the public that the album was closer to completion than Wilson had admitted in interviews. Since the mid-1980s, CDs had supplanted vinyl as the predominant medium for bootlegs, and, following the Linett tape leak, dozens of different

2959:

participant, Al Jardine, likened the experience to "being trapped in an insane asylum", referring to such incidents as a "Heroes and Villains" session where Brian instructed his bandmates to crawl around the studio space and make pig-snorting noises.

1980:

This LP will include "Good Vibrations" and "Heroes And Villains" and ten other tracks lots of humor—some musical and some spoken. It won't be like a comedy LP—there won't be any spoken tracks as such—but someone might say something in between verses.

1266:

in 2011, Wilson replied, "Childhood. Freedom. A rejection of adult rules and adult conformity. Our message was, 'Adults keep out. This is about the spirit of youth.'" In another interview that year, he questioned a journalist how they would categorize

729:, an MGM Records talent scout who was nicknamed "the mayor of hip" by the underground press. He initially met Wilson in 1965 through a family member. Gaines credits Anderle as the primary conduit between Wilson and the "hip" associates surrounding him. 2576:

various tools to his musicians for them to create the sounds of sawing, wood cutting, hammering, and drilling. In 1968, these noises (also known as "Workshop", "Woodshop", and "The Woodshop Song") were used on the fade-out of the album version of "

1306:

into "an exploration of the nation's historical, social, ideological, and cultural identity." In his view, the lyrics also espouse "an antiestablishment skepticism toward religious institutions", "an interest in alternative belief structures", and

4232:

interested in compiling details concerning the band's music. The proliferation of these groups was due in part to an advertisement for Beach Boys Freaks United, the band's official fan club, that was displayed on the back cover of the 1976 album

3157:

published a reader's poll that placed Wilson as the fourth-ranked "World Music Personality"—about 1,000 votes ahead of Bob Dylan and 500 behind John Lennon. In addition, the Beach Boys were voted the top band in the world, ahead of the Beatles,

3341:

was invited to the studio by Wilson to settle a dispute from Love over the "Cabinessence" lyric "over and over the crow cries uncover the cornfield". Love did not understand the lyrics and thought that the song contained possible references to

3492:

and "particularly" the Beatles, and that he "didn't want me to like any other artist but himself." Throughout early 1967, the music industry and pop fans were aware that the Beatles were working on a significant new work as their follow-up to

1293:

s subject matter engaged with matters related to history, culture, and society while also traversing "complex landscapes of faith: from national allegiance and ideological persuasion to religious belief and spiritual devotion." He argued that

3554:. According to Siegel, "Wilson didn't trust anymore, with some of them he had good reason." Vosse was dismissed in March, as Wilson's bandmates resented the fact that they had been paying the salary of an aide who worked solely for Wilson. 3441:

to Wilson, Wilson believed that the portrait had literally captured his soul. Anderle later said that he felt his relationship with Wilson was never the same afterward. On another occasion, after attending a theatrical screening for the film

2650:, where players act as shipwreck survivors who have to decide who among them will be tossed overboard in order to save the others. It later turns into barbed exchanges between the participants. At one point, someone asks Wilson, "What are we 3392:. Vosse said that Parks eventually signed the contract, "And the day he signed he put his head back into his own music again. And was less and less available to Brian. And Brian was less and less sure of what he was doing with the album." 567:

Wilson stated at the time that he "wanted to write with more than one level. Eventually, I would like to see longer singles—so that the song can be more meaningful. A song can, for instance, have movements—in the same way as a classical

5773:

isn't a linear progression of tracks. As a collection of modular melodic ideas it is by nature organic and resists being bookended." Toop said the project's demise and film-like editing process also "parallels the great lost projects by

8335:(incorrectly titled "I Love to Say Da Da"), various versions of "Can't Wait Too Long", an alternate mix of "Good Vibrations", "George Fell into His French Horn", "Mrs. O'Leary's Cow", and the Laughing Gravy rendition of "Vega-Tables". 3463:

It took him several days to forgive Brian." Taylor said that Wilson later assigned "people Spector. Then Murry was having Brian tailed and so Brian got someone to tail Murry and it just went on and on. All of it complete insanity."

860:

Wilson originally planned many different projects, such as a sound effects collage, a comedy album, and a "health food" album. Capitol did not support some of these ideas, which led to the Beach Boys' desire to form their own label,

2663:

The group also plays a rhythm on bongos while chanting "Where's my beets and carrots" and "I've got a big bag of vegetables". Parks later said, "I sensed all that was destructive, so I withdrew from those related social encounters."

2559:" (mislabeled on bootlegs as "Tones" or "Tune X") is an exotica instrumental that ends with a marimba melody later recycled for the 1967 version of "Wind Chimes". In 2003, the piece was given new lyrics and retitled "On a Holiday". 5047:

entirely different possible line of development for the concept album, wherein parts of tracks reappeared in others producing a form frankly far more sophisticated than any of its contemporaries." David Howard, writing in his book

5007:

Bootlegs of the sessions became influential in their own right and intensified the public's interest in the album. Journalist Bill Holdship reported in 1995, "Since moving to LA, I've encountered people who are as obsessed with

4983:

evaluation, the tracks "clearly" reveal themselves as "the work of someone very stoned", and that even though "there are moments of great sensitivity and deep feeling", the "overall character is not at all a "heart" album (as

3407:

On March 2, after a session for "Heroes and Villains", Wilson and Parks ran into disagreements, possibly over lyrics, and temporarily dissolved their partnership. This event is sometimes cited as marking the conclusion of the

1604:". Priore noted that a "flair for exotica" can be heard in "Holidays", "Wind Chimes", "Love to Say Dada", and "Child Is Father of the Man". Heiser observed that "playful" and "colorful" moods – which he likens to the music of 1401:

In the mid-1960s, trialing mixes required the physical act of cutting tape reels (with razor blades) and splicing them together. Creating an entire LP that relied on these processes proved too challenging for Wilson. Engineer

8013:, are "unresolved action presented near the end of one section that is picked up and pushed further in a later section. Every scene will tend to contain unresolved issues that demand settling further along." When compiling 4994:

bemoaned the hype, calling it "an exercise in myth-mongering almost unparalleled in show business. Brian Wilson became a Major Artist by making music no one outside of his coterie ever heard." Writing in his 2014-published

4586:

album, which was sequenced by Leaf, Paley, and Linett. However, the material was largely presented "as-is", without truly approximating what the completed album would have sounded like. Responding to a suggestion in Leaf's

4708:

was just a bunch of weird stuff that didn't even amount to anything." In 2001, weeks after his first public performance of "Heroes and Villains" in decades, he told an interviewer, "I don't really ever want to put out the

739:

in 1964. He and Wilson first met in late 1964; they became further acquainted after being reintroduced by Hutton's manager, Anderle, in late 1965. Hutton also introduced Parks to Anderle, who soon became Parks' manager as

4999:

book about the album, Luis Sanchez opined that album's myth had since lost its power to "lure and convince" as "writers and cultists kept the story alive by rehashing hyperbole and rumor that could only take the story so

3520:

cost of $ 3,000 (equivalent to $ 27,000 in 2023). Two other dates were also cancelled. On March 18, KMEM in San Bernardino conducted a radio survey that reported that Wilson was busy preparing "Heroes and Villains" and

14694: 5061:

wrote that the album "could have expanded boundaries for both the Beach Boys and pop music as a whole. Instead, for the most part it remains unheard today, and that's quite possibly the saddest fact in all of music."

4303:

with "Rock Plymouth Rock/Roll". Johnston said: "I wanted to make up a collage , but I want Brian to be the one to put the collage together. I can tell he still feels funny about that stuff. You know, there's a lot of

572:—only capsulized." Starting with the fourth session held for "Good Vibrations", on May 4, he began recording the song in sections, rather than tracking the full piece all the way through, with the intention of later 3262:"Don't fuck with the formula" is a quote that is often attributed to Love, although Love denied saying those specific words and later argued that the Beach Boys "have no formula." The remark originates from a 1971 484:

In late 1964, as Brian Wilson's industry profile grew, he became acquainted with various individuals from around the Los Angeles music scene. He also took an increasing interest in recreational drugs (particularly

4044:, a deal that was brokered by Parks, by then a multimedia executive at Warner. The band's record contract held a clause which guaranteed a $ 50,000 advancement to the group provided that they deliver a completed 3629:, revealed that "Heroes and Villains" was delayed due to "technical difficulties" and that the forthcoming lead single would be "Vegetables" backed with "Wonderful". A session scheduled for May 1 was cancelled. 2818:

was shelved due to corporate pressures, technical problems, internal power struggles, legal stalling, and Wilson's deteriorating mental health. After investing several months into the project, he concluded that

4538:. In response to the 1992 appearance of a new three-disc vinyl bootleg, which contained uncirculated versions of "Wonderful", "Love to Say Dada" and "Barnyard", Capitol then issued over 40 minutes of original 4466:

history told through press clippings, reprints of older articles, and various primary sources, as well as original commentary. Additional assistance for this issue came from David Leaf, Andy Paley, journalist

2369:. It was later reworked into the chorus of "Heroes and Villains". Preiss wrote that the figure was an outlet for Wilson's "obsession with the sound of 'light' wheels—the gentle clicking of a coasting bicycle". 1169:

Van Dyke had a lot of knowledge about America. I gave him hardly any direction. We wanted to get back to basics and try something simple. We wanted to capture something as basic as the mood of water and fire.

713:

Having withdrawn from the Beach Boys' concert tours, Wilson placed distance between himself and his bandmates, and continued to involve more people in his social, business, and creative affairs. As biographer

4603:

sets that combined the two types of bootlegs and helped bring interest to the recordings among people outside of the Beach Boys fan community. Vigotone's 1993 version of the album was the heaviest-circulated

4670:

with seven hours of stuff from those sessions and just tell the people who buy it, 'You finish it.' Brian's into it; now it's up to the record company." Following the recording of the Beach Boys' 1996 album

12556: 12554: 4245:

recordings, the contents of which were distributed to a small group of people over the next few years. Another biography of the band, authored by Leaf, was published that year. In his book, Leaf wrote that

3901:

co-written songs that were published on later Beach Boys albums, including "Wind Chimes" and "Wonderful", was another source of frustration. Carlin added, "And if Van Dyke felt guilty about abandoning his

3786:

On July 18, Capitol announced that they had reached a settlement with the band, and Brian announced the launch of Brother Records, whose product was to be distributed by Capitol. Capitol A&R director

3305:

issue with "crazy stupid sounds", nor with accommodating Wilson's odd requests, but had still desired "to make a commercially successful pop record, so I might have complained about some of the lyrics on

2086:

that there was intended to be a piece called the "Barnyard Suite", which would have been "four songs in four short pieces, combined together, but we never finished that one. We got into something else."

1592:) feature prominently, as well as mallets and "quirky/echoey percussion". Parks said that the "first thing I can remember in the studio" with Wilson was his use of "tuneful percussion, like a piano or a 4112:, some of which "seem to come under the overall subtitle of 'Heroes and Villains'". They were: "Child Is Father of the Man", "Surf's Up", "Sunshine", "Cabinessence" (incorporating "Iron Horse" [ 2270: 3636:

that the next Beach Boys LP would include "Heroes and Villains" ("weighing in at over four minutes"), "The Elements" ("a composition in four movements"), "The Child Is the Father of the Man" [

11815: 11813: 11811: 3996:(1968). "Mama Says" was based on a section from "Vega-Tables" and the bridge of "Little Bird" was based on the refrain of "Child Is Father of the Man". Neither of the tracks were recordings from the 3905:

partner just as the going was getting tough, he was also a hardworking professional who believed that Brian's surrender, followed by decades of near-withdrawal, mounted to another kind of betrayal."

2646:

24-minutes long and features Wilson, Parks, Anderle, Vosse, Wilson's sister-in-law Diane Rovell, a woman named Dawn, and Siegel. Throughout the tape, Siegel encourages others to play the party game

2355: 2228:, and a droning guitar saturated with reverb. According to Parks, the lyric came from Wilson's "fervent desire to re-invent himself as an individual, not as a boy". The title was appropriated from 2034: 1517:, Wilson's orchestrations emphasized traditional American instruments such as banjo, steel guitar, fiddle, mandolin, harmonica, and tack piano. Other instruments included "precipitate brass like a 14436: 1485:

young men pretending to be animals or performing an "underwater" chant populated by word-beasts such as "swim swim fishy" "underwater current" "jellyfish" "shark" "dolphin" "goldfish" and "eel".

8159:

Brian supported in a 2011 interview that while it was his own choice to shelve the album, Love had said to him, "I'm disgusted with this, this is nothing like any kind of Beach Boys type song."

2759:

According to Vosse, the smile shop derived from Wilson's humor concept. He said that "everybody who knew anything about graphics, and about art, thought that the cover was not terribly well done

1466:

is "a pointless exercise" and that it is preferable to write of "the many musical inhabitants of this complex, nebulous macrocosm." He lists several of these through the following descriptions:

18837: 8240:

Music historian Andrew Doe speculated that the memo may have reflected Brian "being his usual agreeable self and telling people what they wanted to hear ... or a simple misunderstanding."

2124:" derived from a pet name Wilson had for Marilyn. Parks identified the music as "entirely different from anything else. and I thought that it was a place, an opportunity, to begin a love song. 2035: 1206:

states: "While the lyrics are usually pretty damned literary, at their most extreme, they're divorced from any kind of meaning in the straightforward sense." Parks rebuked the suggestion that

7957:

Nolan wrote, "He'd never take again, he says, because that would be pointless, wouldn't it? And the people who take it all the time, acid heads he can't go along with. Like all those people–

2580:". In 2005, Wilson wrote that the purpose of recording "I Wanna Be Around" was "to show how I could be funny and serious at the same time". Priore claimed that Wilson later told collaborator 2493:" (also known as "Mrs. O'Leary's Cow" and commonly referred to as "Fire"). was recorded under unusual conditions. Wilson instructed a friend to purchase several dozen fire helmets at a local 5352:, citing its standing as "an album recorded more than 45 years ago by one of the biggest (and most financially lucrative) musical acts of all time". The site's reviewer, Frank Oteri, wrote: 1394:") while other songs were short segments designed to illustrate a mood or a setting. Due to the fragmentary and never-finalized nature of the recordings, it is ambiguous when and where most 4478:

According to Priore, although some "questioned the sanity behind the publication of such a huge book on an album that had never been released", the book ultimately "received accolades from

1406:

argued that Wilson's ambitions were implausible to fulfill with pre-digital technology, especially with "the infinite number of possible ways you could assemble this puzzle." His colleague

17564: 2163: 1139:

had been a working title for the album and explained that the name was discarded because the group wanted to go with something "more cheery". In February 1967, Carl offered that the title

15282: 5084:

rued that Wilson's desire to match the Beatles had contributed to the project's collapse, but also commented that since this competitive instinct was shared by his rivals, the release of

1682:

floating tonal centers", and the occasional use of "slower, more hypnotic tempos". Guardian critic Alexis Petridis wrote that until the negative effects of LSD surfaced in rock music via

15647: 3417:

since Wilson now had "to finish some of the lyrics himself. Well, how was he gonna put his lyrics in with the lyrics already started by Van Dyke? So he stopped recording for a while."

5730:

and "Good Vibrations". Heiser wrote, "Possibly the best term offered yet to describe the project is: 'sonic menagerie'", a term used by co-producer Dennis Wolfe in the liner notes of

5016:." By 1999, fans had published many essays devoted to the album through the Internet, and by the early 2000s, several books had been devoted to the album. Writing in 2002, journalist 3276:

would say, "Because Brian wants it that way." "Gotta be this way." David really holds Mike Love responsible for the collapse. Mike wanted the bread, "and don't fuck with the formula."

966:

Mark Prendergast writes that Wilson "spent the best part of 1966" working on "Good Vibrations" in order to "keep up" with the Beatles, and numerous writers state that Wilson intended

768:

Many of these people became mainstays at Wilson's home and during studio sessions. Various journalists were also arranged to accompany Wilson in and out of the studio. They included:

4873:. It features comprehensive session highlights and outtakes, as well as an approximation of what the completed album might have sounded like, using the 2004 version as a model. Like 4058: 1653:

where the word becomes subservient to sound, which is only six or so steps on the road to sound-for-the-sake-of-sound". The journal considers comparisons with the work of Sun Ra and

1283:"expresses what it's like to be a kid in an impressionistic way" and "depicts the psychedelic magic of childhood", to which Wilson replied: "I love that. You coin those just right." 3657:

On May 11, Wilson returned to the studio to work on "Heroes and Villains". On May 14, his bandmates conducted a press conference at the Amsterdam Hilton with the Dutch music press.

2980:

one of the effects of the amphetamine is the God-like feeling, combined with the fear. The things that you do, you see as having so much potency, which usually is your own delusion.

2868:

sabotaged the project. Wilson's statements on the matter have been inconsistent; he has both supported and denied whether his confidence in the project had been undermined by Love.

3693:(released in the U.S. on June 2). Leaf writes that the success of the Beatles' album was "probably only another contributing factor", reasoning that "if Brian had decided to scrap 8231:

According to Badman, the move was to extricate themselves from Wilson's "hanger-ons". Marilyn installed a high brick wall and an electronically-controlled gate around the estate.

4658:

box set failed to materialize at this time partly due to the arduous task of compiling and sequencing. Don Was said in a 1995 interview, "We showed Brian an interactive CD-ROM of

4681:

at a band meeting. Carl vetoed the idea, as he had feared that it would cause Brian another nervous breakdown. The difficulties that caused the 18-month delay for the release of

2756:

and considered them to be the album's "third equation". He felt that he and Wilson would not have continued the project the way they did without thinking of it in cartoon terms.

8108:

commented, "We haven't been doing much and it was run just at a time when the Beach Boys had something good out. We're all four fans of the Beach Boys. Maybe we voted for them."

4336:" by Miles Davis, that was erroneously listed as "Holidays". The LP did not indicate an authorial origin on its sleeve but featured the organizational addresses of Cunningham's 628:, a 23-year-old professional songwriter, arranger, session musician, and former child actor. Parks had moved to Los Angeles a few years earlier, hoping to compose the scores to 3642:], "and something about going in the yard to eat worms." He wrote, "Lyrics are mostly by Van Dyke Parks, and it is possible that the LP will be finished one of these days. 3543:

tapes for the Beatles. His attitude changed "completely", according to Parks, as Wilson felt "raped" and began "question the loyalties of the people who were working for him".

3528:

reported that the continued litigation had held up the release of the new single. The next day, Parks briefly returned to the project, making an appearance at a session date.

2622:

Brian was consumed with humor at the time and the importance of humor. He was fascinated with the idea of getting humor onto a disc and how to get that disc out to the people.

8807: 5528: 5250:

If music students in a hundred years’ time want a master class in the development of compositional technique in twentieth century popular music then they should listen to the

2841:

that Brian's "dedication to perfection does not always endear him to his fellow Beach Boys, nor their wives, nor their next door neighbours, with whom they were to have dinner

17458: 3313:

music. I think his main problem was the lyrics were not relatable. They were so artistic, and to him, they were really airy-fairy and too abstract. Personally, I loved it."

2268: 750:. He had been the Beach Boys' publicist since March 1966. Taylor said he was hired to take the band to "a new plateau", and to that end, he spearheaded a media campaign that 673:, Plymouth Rock, etc. were the last things on his mind when he asked me to take a free hand in the lyrics and the album's thematic direction"). In a 2004 article, journalist 8249:

During an interview, when Parks suggested that the album did not mean as much to him as it did to its fans, he was asked why he had kept framed lithographs of Frank Holmes'

5518:

appreciated "the idea of the sections, each of them being a colorful world within itself. stuff could be so cinematic and then he could just drop down to a toy piano going

2708:

the catalog number DT2580. At least two versions of the album jacket were designed, with minor differences. It was to have included cover artwork designed by graphic artist

2079:". Parks immediately conceived the opening line: "I've been in this town so long that back in the city I've been taken for lost and gone and unknown for a long, long time." 12665: 8181:

One of Brian's "thoroughly insistent psychologically arm-twisting tactic test my devotion to his cause", as Taylor called it, was to play "a new song and immediately start

4552:

versions of "Wonderful", "Wind Chimes", and "Vegetables", session highlights of "Surf's Up" and "Cabinessence", and some erroneously titled "Heroes and Villains" outtakes.

3908:

After breaking away from the project in early 1967, Parks signed a solo contract with Warner Bros., where he formed part of a creative circle that came to include producer

2794:

The gap between conception and realization was too great, and nothing satisfied Brian by the time he'd worked it out and gotten it on tape. And eventually the moment passed

2353: 18903: 4289:

Leaf's book included quotes from Bruce Johnston, who believed that such a release would be a "bad idea" commercially and "would live up to your expectations if you were

3701:, then he probably would not have released ." From June 3 to 7, the band resumed sessions at professional studios before retreating to the home studio. In a June issue of 2309:. Wilson commented that the song's first chord was a minor seventh, "unlike most of our songs, which open on a major – and from there it just started building and rambling 1454:. At least 50 hours of tape was produced from the sessions and encompassed musical and spoken word to sound effects and role playing. Many of the modules were composed as 17084: 7948:

Siegel quoted Wilson saying, "Did you hear the Beatles' album? Religious, right? That's the whole movement. That's where I'm going. It's going to scare a lot of people."

5166:, Clinton Heylin criticized Parks' lyrics as "little more than columns of non sequiturs from a man who once swallowed a thesaurus" and decreed that much of the surviving 2909:

One of the major issues that led to the project's collapse was Wilson's uncompromising perfectionism, which may have been exacerbated by his drug use at the time. In one

1352:

on his recordings, usually to allow difficult vocal sections to be performed by the group. By 1966, "Good Vibrations" had established Wilson's compositional approach for

1255:

writing lyrics that dealt with religious belief, believing it gave the appearance of "trying to be uppity". In his recollection, "There's a lot of things about belief in

468:

was the first official package devoted to the original Beach Boys' recordings and included an approximation of the completed album. It received universal acclaim and won

19336: 3388:

from the US Army, "Good Vibrations" began falling off the top 20 chart positions after spending seven weeks in the top 10, and Parks was offered a solo artist deal from

2082:

The success of their collaboration led to them writing more songs with an Old West theme, including "Barnyard" and "I'm in Great Shape". In 1978, Wilson told biographer

1458:

and invoked visual concepts or physical entities. According to Toop, during the mid-1960s, Wilson's style was akin to "cartoon music and Disney influence mutating into

19435: 3376:

that the album and its lead single "Heroes and Villains" would probably be delivered "some time prior to January 15". In response, Capitol delayed the release date of

2161: 842:

was going to be a monument. That's the way we talked about it, as a monument." Commenting on the reliability of figures such as Anderle, Siegel, and Vosse, journalist

3774:

is sometimes considered the fulfillment of Wilson's "humor" concept album. This belief was shared by Anderle, who surmised, "I think that what Brian tried to do with

2269: 4557:

I seriously doubt that any of you reading this don't have a homemade cassette recorder. If you do, then try this suggestion on a blank homemade cassette: COMPILE A

1938:

tracks like 'Look (Song for Children)' and 'Child Is Father of the Man'", and compared the project's "explorations of acoustic phenomena" to "similar tendencies by

18823: 4118:]), "Mrs. O'Leary's Cow", "I Love to Say Dada" (incorporating "Cool, Cool Water"), and the original versions of "Vega-Tables", "Wind Chimes", and "Wonderful". 2895:

after take after – a monotony of repeated takes – to get a performance that fell by the wayside because of maybe one eighth note He was his own worst critic, and

2354: 1055:, anything at all—if all of a sudden he was into that, it would find its way into the music. You could hear a bit and say, 'I know where that feeling came from.'" 3873:, he would usually decline to comment or simply walk away from the inquisitive party. His discomfort in discussing the work lasted until around the early 2000s. 2305:" is the second song Wilson and Parks started writing together. It was composed as a two-movement piece, most of it in one night while they were high on Wilson's 18090: 10652: 3322:, Anderle is quoted saying that the line had been "taken slightly out of context", and clarified that Love had actually agreed with Anderle on "a business level. 1147:

title may have been inspired by hallucinations Wilson saw while composing late at night under the influence of Desbutals. In 2004 interviews, Wilson denied that

14085: 13088: 10421: 9297: 4362:

recordings. Their improved sound quality indicated that a Beach Boys insider had accessed the band's tape vaults and created cassette copies of the recordings.

943:

was to be explicitly American in style and subject as a riposte to the British sensibilities that had dominated rock music of the era. Wilson stated that, with

19022: 18226: 12144: 4827: 3584:. According to Kent, when Wilson viewed the finished documentary, he was disturbed by the praises he was afforded, thereby accelerating the album's collapse. 2543:" was recorded on September 1, 1966, at the second-to-last session for "Good Vibrations". In July 1967, the composition was reworked as the first section of " 2465:

was to do something that would cover the physical surroundings." To assist with the recording of this piece, Wilson instructed others to travel around with a

2162: 764:. He was introduced to Wilson by Hutton and has rarely spoken about his association with Wilson because it had "always made me feel like a groupie for Brian". 19543: 19128: 17380: 2680:

conscious effort to make more of a group effort than effective a Brian solo project, or may simply be for Carl and Dennis to test their production mettle."

10368: 3350:

Brian was starting meet a fantastic amount of resistance on all fronts. Like, very slowly everything started to collapse about him. The scene with Van Dyke.

19578: 19558: 19322: 19202: 18220: 17413: 15345: 3815:, the first album by the band in which the production was credited to "the Beach Boys", was released to an underwhelming critical and commercial response. 5786:." Howard supported that the material "is best heard as a movie reel on the making of a record: multiple takes of each song, with no definitive version." 4412:

recordings, which were then passed on to a DJ, who then made copies for friends. Following this, in the words of music historian Andrew Doe, "Bootlegs of

396:

in the subsequent years. After the group issued a truncated version of "Heroes and Villains", they reworked some of the material into new songs, such as "

19222: 18990: 9041: 4639: 2027: 14440: 3508:(a sedating drug). Vosse recalled that as Wilson pulled over to listen, "He just shook his head and said, 'They did it already—what I wanted to do with 663:

Parks implied in various interviews that he and Wilson shared an understanding of the album's Americana thematic, but in 2005, he wrote a response to a

4885: 4250:"can never be completed as Brian intended, so a compromise solution might be to release the surviving tapes and outtakes in a series of records called 3654:

that the album had been "scrapped" by Wilson; however, it is likely that the report was spurious and that Wilson was unaware of Taylor's proclamation.

3289:

members of the Wilson family did everything possible to destroy the relationship between Brian and Van Dyke, Brian and David Anderle, and Brian and me.

1513:, and in the belief of academic Dave Carter, "it makes little point to distinguish between the two albums in terms of their differential impact." With 1210:

was planned as a concept album and said that the work was only envisioned "to use the American vernacular at a time when there was a lot of soundalike

7901:

Carlin dates their meeting to mid-July, whereas Badman cites February. Parks had already met Wilson once before, in December 1965, when mutual friend

3109:

that exclaimed "Look! Listen! Vibrate! SMILE!" The ad promised the inclusion of "Good Vibrations" as well as "other new and fantastic Beach Boys songs

1143:

was chosen because the group was focusing on spirituality and "the concept of spreading goodwill, good thoughts and happiness". Carlin wrote that the

18795: 3760:

sessions (two for "Heroes and Villains" and two for "Vegetables"). Parks was not involved with the album's making, and despite the band's claim that

4238:. Priore later wrote that "It wasn't much of a publication, but it did include a 'Trading Post' became an essential, pre-Internet contact source." 1386:

when Brian did change it, I admit it was equally beautiful." Some of the songs were fully-composed with obvious verse-chorus structures (including "

564:

but omitted due to Wilson's dissatisfaction with the recording. He attempted a couple of different arrangements of the track from then until April.

505:

All of a sudden was in Hollywood—these people talk a language that was fascinating to him. Anybody that was different and talked cosmic or whatever

13115: 8279:

collaboration, but one of Wilson's favorite devices, creating new timbres via laminates of different instruments playing unison lines, can be heard

3316:

Over the ensuing decades, "don't fuck with the formula" has been repeated in myriad books, articles, websites, and blogs. In Leaf's 1978 biography

1348:

In the 1960s, it was common for pop music to be recorded in a single take, but the Beach Boys' approach differed. Since 1964, Wilson had performed

1084:. Much of this counter-cultural literature promoted related practices that Wilson was further interested by, such as meditation and vegetarianism. 718:

wrote, his circle soon "enlarged to encompass a whole new crowd. Some of these people were 'drainers', were talented and industrious". During the

10796: 5055:

would most certainly be regarded as one of pop's major artistic statements, rather than an infamous, unfortunate footnote." In 2003, Ed Howard of

18760: 18240: 17219: 15659: 10048: 9495: 5847: 4544: 3412:"era". Parks himself stated that he did not wish to keep involving himself with what he felt were family feuds unrelated to him and thought that 2946:, who briefly visited Wilson's home in late 1966, later described the scene as "a strange, insulated household, insulated from the world by money 2236:". Parks later said that other lyrics had been written for the song that were never recorded. In 2003, he wrote new lyrics to complete the song. 868:

Anderle said that it was "really important" to make the point that "Brian was so creative at this time it was impossible to try to tie things up

462:, which Wilson then adapted into a solo album. He stated that this version differed substantially from his original vision. The 2011 compilation 444: 15292: 14866: 8678: 4033:". According to Carlin, Brian was opposed to the inclusion of "Prayer" and "Cabin Essence", and refused to participate in the overdub sessions. 19014: 18663: 14401: 4987:

certainly is); rather it is, and was clearly meant to be, a sort of three-ring circus of flashy musical ideas and avant-garde entertainment."

4365: 19573: 19548: 18830: 18547: 14739: 8344:

In his estimation, Wilson would have been "crushed with disappointment" while the band would have been left without "the salvation of unused

4644: 4312:

in a 1981 interview, where he declared plans to issue a six-minute compilation of the album's recording sessions without Wilson's knowledge.

963:

and trying to sound like the Beatles. I was with a man who couldn't do that. He just didn't have that option. He was the last man standing."

3807:

album that would not have included "Heroes and Villains" or "Vegetables". This never came to fruition and, instead, the group embarked on a

3189:

wrote that although the success of "Good Vibrations" "bought Brian some time shut up everybody who said that Brian's new ways wouldn't sell

1096:

Whatever manifestation it took was whatever it was. There was numerology for a while; there was astrology for a while. Then we got into the

17780: 4324:

In 1983, a 48-minute cassette tape began circulating and was soon pressed onto an LP bootleg that was referred to as the "Brother Records"

4054:, was released in 1970. At Waronker's insistence, the record included "Cool, Cool Water", a song that had evolved from "Love to Say Dada". 3215:

me what a horrible mistake it had been for Brian to put out "Good Vibrations" – because, he said, Brian's going to lose his whole audience

3133:

and single "Heroes And Villains" will make them the greatest group in the world. We predict they'll take over where The Beatles left off.

1950:'s electronic experiments with insect sounds or instruments played underwater". Furthermore, he wrote that the project may be regarded as 287:, both of whom conceived the project as a riposte to the British sensibilities that had dominated popular music of the era. Wilson touted 17489: 17240: 15674: 4591:

liner notes, a preponderance of listeners began constructing their own version of the album using the resources provided in the box set.

3853:

Everyone pumped Brian's ego to the ceiling and he lapped it up because Murry had been such a shit to him and approval was what he craved.

3404:

say no: and that's what really made Van Dyke mad." Jules Siegel supported that Parks was "tired of being constantly dominated by Brian."

3381:

returned to work on "Heroes and Villains" on December 19, 1966, after which he halted work on the album's other tracks until April 1967.

3120:

happy album cover, the really happy sounds inside, and a happy in-store display piece, you can't miss! We're sure to sell a million units

10133: 5099:

would have been left off the record due to the runtime constraints of vinyl discs. According to Linett, although contemporaries such as

1843:". Wilson said he deliberately avoided traditional rock instrumentation because he wanted to employ ideas that were more "original" for 19583: 19207: 19065: 17714: 4527:

bootlegs from the late 1980s was a Japanese CD (emerging in November 1989) that opened with a 15-minute version of "Good Vibrations".

1732:

I'd call it contemporary American music, not rock 'n' roll. Rock 'n' roll is such a worn out phrase. It's just contemporary American.

19523: 8815: 17472: 4025:, with additional vocals that were recorded by Carl, Dennis, and Johnston in November 1968. "Workshop" was also integrated into the 2654:

here?" As the mood worsens, Wilson is heard saying, "I feel so depressed. Really, seriously. I keep sinking. I'm too down to smile."

2183:

in microcosm", Jardine remembered "a lot of challenging vocal exercises and movements in that one. But we enjoyed those challenges."

19518: 19513: 19217: 18339: 8000:, "no loss is final—indeed loss and gain are no more than parts of a whole—and the vibrations, if intangible, are ultimately good." 3689: 3285:

whatever that is, California rock or whatever." By Vosse's account, while tensions had developed during the group vocal sessions, "

17: 13690: 10442: 8292:

The purpose of these announcements may have been to mislead Reprise into allowing the group more time to prepare their next album.

5831:

saga, in which the protagonist is consumed with recording his "masterpiece" (titled “Black Sheep”) and suffers a mental breakdown.

1410:

shared the same view, stating that the tape editing "would have been probably an unbearably arduous, difficult and tedious task".

19249: 19237: 19121: 13658: 5294:. Priore wrote that Wilson "manipulated sound effects in a way that would later be extremely successful when Pink Floyd released 2684:

Gaines wrote that these recordings were to have fulfilled Wilson's separate "humor album" concept. The collection was offered to

1155:, or religion. Anderle also denied that drugs were an influence on Wilson's artistic pursuits. Parks said that Wilson envisioned 1003:

on Wilson, Mike Love stated that the record did not impact Wilson's music, adding that "Brian was in his own world, believe me."

736: 17278: 15377: 14174: 12686: 11870: 4471:, and musician Probyn Gregory, a friend of Sahanaja and Walusko. Afterward, Sahanaja, Gregory, and Walusko formed the pop group 3952:

writes that "the lives and business interests" of Wilson, Parks, Waronker, and Warner Bros. would become "forever intertwined".

3621:

there are plans to release the album on a rush-schedule any moment." That same day, a Taylor-penned press release, published in

3488:, he had been "trying to beat" the Beatles. Taylor commented that Wilson was preoccupied with "a mad possessive battle" against 1382:

countered that "modular" "suggests discrete components that interlock" and offered "cellular" as a possibly more accurate term.

19227: 19107: 19100: 17966: 8419: 3318: 1068:

was often cited by Wilson), and "diverse expressions of non-Christian religions and belief systems" such as Hinduism (from the

469: 1481:, filled with manneristic, unpredictable chromatic turns (though treated with a typically glissandi-laden Beach Boys approach 19365: 19232: 19006: 18746: 18732: 18649: 17654: 17438:"'Twas Brillig: Van Dyke Parks answers the general inquisition (viz "author" Mike Eder et al) on the Beach Boys' reunion and 17177: 17149: 17039: 17018: 16996: 16944: 16922: 16896: 16850: 16829: 16806: 16785: 16760: 16670: 16646: 16625: 16574: 16553: 16529: 16503: 16439: 16418: 16364: 16343: 16320: 16296: 16270: 16246: 16225: 16196: 16175: 16128: 16103: 16081: 16049: 16030: 16009: 15985: 15957: 13794: 13252: 10924: 8314:, indicated that there was overwhelming interest among readers for the Beach Boys' psychedelic period and for the release of 3546:

In mid-1967, Wilson and his wife put their Beverly Hills home up for sale and took residence at a newly-purchased mansion in

825: 56: 17261: 5162:"would have been a great record", but in its unfinished state, is "nothing, it's just fragments". Writing in his book about 3729:

was now off-limits and later said that his decision to keep "Surf's Up" unreleased was one that "nearly broke up" the band.

3661:

later reported that communications between Wilson and his bandmates had broken down to the point that his bandmates thought

3484:

In Wilson's own words, he had become "fucked up" and "jealous" of Spector and the Beatles, and he said that when he started

3451:. According to Gaines, Wilson suggested to his colleagues that Spector and Frankenheimer were working together as part of a 2925:

disorders, although most of the members in his coterie did not feel that he showed signs of mental illness during the early

2313:

when we finished it, he said, 'Let's call it "Surf's Up"', which is wild because surfing isn't related to the song at all."

19149: 18858: 18851: 18677: 17202: 10550: 3328: 3197:

follow up became a snowballing problem." Sanchez writes that Wilson was "poised to take his place next to the Beatles and

2744:. He recalled, "I thought that was a good image because of the way, any time you go into a store, you're entering something 15211: 5158:." Later, he claimed that his work would have been "too advanced" for 1967 audiences. In 1993, Mike Love said he believed 2933:

To prepare for the album's writing and recording, Wilson had purchased about two thousand dollars' worth of marijuana and

2863:(pictured 1966) was often blamed for the album's collapse, a characterization that he and some commentators have disputed. 1058:

Many firsthand and secondary accounts support that Wilson owned books that encompassed poetry, prose, cultural criticism (

822:. He was introduced to Wilson by Anderle and subsequently accompanied Wilson at his home and in the studio for two months. 19242: 18916: 15187: 9943: 9532: 9207: 7879:

He recorded at least two sketches, "Dick" and "Fuzz", which involved exchanges between himself, a woman named Carol, and

5765:

as a "labyrinth" that exists "in a memory house into which Wilson invited all those who could externalize its elements".

4530:

Capitol issued alternate versions of "Good Vibrations" and "Heroes and Villains" as bonus tracks on a 1990 CD reissue of

3185:

piece by Tom Nolan noted Wilson as "the seeming leader of a potentially-revolutionary movement in pop music". Biographer

434:

had been estimated to be "50% done" by mid-1967. Since the 1980s, extensive session recordings have circulated widely on

19603: 15843: 10828: 1649:

concurred that "the line between the sung word and mere sound become criss-crossed and blurred again and again and again

540:, Wilson began experimenting with the idea of recording an album focused on humor and laughter. He was intent on making 19073: 18470: 10516: 4333: 3396:

suit, Wilson announced that the album's lead single would be "Vega-Tables", a song that he had yet to start recording.

2391: 15507: 10664: 9846: 9613:"Influences: Brian Wilson, The lost Beach Boy's favorite things—Phil Spector, Arthur Koestler, and Celine Dion's legs" 5357:

or imagined, that just about any musical undertaking was somehow an expansion beyond anything that had come before it.

4839:

or the documentary, and none of the original recordings were used on the album. The album debuted at number 13 on the

3878:

For so long, this project brought me nothing but humiliation. It was the first question people always asked—"How come

18484: 18118: 17673: 17125: 17103: 17065: 16871: 16739: 16715: 16691: 16604: 16392: 16154: 14976: 14695:"Brian Wilson – genius of pop. It's a bit of a cliché. But what does it mean? Barney Hoskyns on all the lonely madmen 14056: 11763: 8104:

is being taken as a portent that the popularity of the top British groups of the last three years is past its peak."

4030: 4019:

In 1969, "Cabin Essence" (retitled "Cabinessence") and "Prayer" (retitled "Our Prayer") appeared on the band's album

3987: 3072: 2577: 1565:

full of different movements and vignettes. Each movement had its own texture and required its own session."" As with

1052: 374: 13092: 13064: 12178: 9305: 5401:, since, "For many people, the Beach Boys will always be perceived as a light-hearted party band that drooled over ' 5315:, one which "presents itself with a kind of directness that is unlike anything else in popular music". Ed Masley of 4096:

and released in August. Most listeners at the time were unaware that the song derived from a lost Beach Boys album.

19498: 19425: 19142: 19038: 18998: 18982: 18624: 18533: 18233: 18192: 17773: 16206: 15561: 14773: 13473: 12217: 8218:

Parks remembered the rumor being that two members of the Beatles had visited Steiner's studio to listen to unmixed

7817: 5483: 4700: 4353: 4050: 2596:" is a vocal chant with heavy reverb that was later issued as the B-side of the 1967 "Heroes and Villains" single. 17395: 9560: 8262:

Parks surmised that Warners was interested in signing him as a solo artist due to having collaborated with Wilson.

8030:

Davis added that "the 'purity' of tone and genetic proximity that smoothed their voices was almost creepy, pseudo-

19563: 19553: 19533: 19508: 19503: 18739: 18247: 18051: 17923: 17295:"One Part Mystical-Musical-Genius + Four Parts Electronic-Barbershop-Harmony = Brian Wilson & the Beach Boys" 16019:

Carter, Dale (2016). "Into the Mystic? The Undergrounding of Brian Wilson, 1964–1967". In Lambert, Philip (ed.).

15692: 10738: 6914: 5951: 5742:

Furthermore, any effort to guess at what the album might have sounded like would be nothing more than conjecture.

5325:"doesn't sound like" many other pop albums that were considered to be the vanguard of the "psychedelic revolution 3572: 2692:, the head of A&M, "You could see the panic on face when he heard how awful it was. This look of, 'What the 2121: 412:". A mythology grew around the project, and its unfulfilled potential inspired many artists, especially those in 262:" single. Instead, after a year of recording, the album was shelved and the group released a downscaled version, 258:. It was to be an LP of twelve tracks assembled from modular fragments, the same editing process used for their " 17437: 17424: 10109: 8078:

Marilyn vetoed his suggestion to sell organic vegetables from a drive-through window at the rear of their home.

5381:

Oteri concluded that "the same pride of place in American music history held by other great innovators" such as

5377:

actually been released, that honor probably would have, could have, and should have been accorded to it instead.

4978:

Responding to Anderle's statement, Siegel countered, "Brian was a genius and, if anything, I underestimated him.

2984:

The problem is when you crash, how ugly and stupid and trivial it all looks – all you can see are the mistakes.

19386: 18519: 18030: 16970: 13070: 11909: 9896: 9181: 8275:

book about the album, said that "Clearly, Parks was his own man as a composer and instrumentalist prior to the

5823: 5722:

should be considered an "album" has itself been challenged. Quoted in Leaf's 1978 biography, Anderle felt that

5641: 4990:

During the 1970s, the perceived mystique around the project was increasingly shared by music critics. In 1983,

4956:. Flory credited the piece with giving "rock fans a manner in which to view Wilson as hip" as well as "venerat 3992: 3524:, "and he's informed the Capitol bosses that he doesn't intend to 'hold back' on these projects." On March 30, 3500:

A popular rumor is that Wilson was deeply affected by his first exposure to the Beatles' February 1967 single "

1326:

We did things in sections. There might just be a few bars of music, or a verse, or a particular groove, or vamp

677:

stated that although Parks did not write any of the music, he did collaborate with Wilson on the arrangements.

304: 272:

tracks were officially released, and the project came to be regarded as the most legendary unreleased album in

14463: 10259: 9802: 1159:

as experimenting with "the mind-expanding possibilities of music and the mind-expanding properties of drugs".

19538: 18753: 14796: 14484: 14036: 8087:

According to Badman, the session were officially inaugurated on September 8 with the recording of "Holidays".

5579: 4869:, released as a five-CD box set in October 2011, was the first official package dedicated to the Beach Boys' 4847:. In support of the album, Wilson embarked on a world tour that included stops in the US, Europe, and Japan. 2988:

Vosse said that, despite the large amount of marijuana that was available, Wilson "wasn't stoned all the time

14412: 12645: 12001: 5814:

contains a chapter in which the protagonist travels back in time to November 1966 and helps Wilson complete

5769:

shared a similar view, writing: "There is no 'correct' track sequence, there is no completed album, because

1665:

will cover the face of the world and color the whole popular music scene. Anybody happening is psychedelic.

810:

and eventually made my way back to New York to spread the word, like other journalists before and after me."

19166: 18844: 18712: 18705: 18526: 18332: 18214: 17509: 14406: 9035: 4021: 3001: 2257: 9673:"Our Exagmination Round His Factification For Incamination of Work in Progress: Michael Vosse Talks About 5734:. Priore had long suggested that the album was virtually finished in 1967, however, Ed Howard contended: " 4241:

To assist with the writing of his 1978 authorized biography of the band, Byron Preiss was given a tape of

2208:

deemed the song "some of the most haunting, manic, evil-sounding music the Beach Boys ever made" with its

19329: 18974: 18589: 17810: 17766: 11961: 8253:

artwork on the wall above his workspace, to which his wife Sally interjected, "He's got you there, Van."

7983:

He surmised that this may have added to the difficulty in assembling the tracks into a coherent sequence.

6083: 5625: 4949: 4809: 4769: 4758: 4293:

analyzing a young composer's work." In a later interview that year, he told Leaf that the band's manager

4079:, Wilson agreed to the inclusion of "Surf's Up". From mid-June to early July 1971, Carl and band manager 2874: 1117: 544:

a complete departure from previous Beach Boys releases and did not wish to work with his usual lyricist,

458: 39: 7855: 4952:", a memoir written by Jules Siegel that originated many of the subsequent myths and legends related to 4785:

fan network that had developed since the 1970s. Following Wilson's early 2000s live performances of the

4728:

music spread out over eight CDs as part of their "Unsurpassed Masters" series. By the end of the 1990s,

3539:". Around this time, Wilson became aware of rumors alleging that Taylor had possibly played some of the 1657:, and concludes that this was a reconfiguration of doo-wop, a genre that the Beach Boys were rooted in. 1100:." Vosse said that he was told by Wilson "that he felt laughter was one of the highest forms of divinity 959:

else was getting their snout in the British trough. Everybody wanted to sing 'bettah'', affecting these

907:

later reported that Wilson's "incredible fantasies" included "an album of music built from sound effects

19588: 19568: 19372: 19212: 18774: 17937: 17698: 17135: 17113: 17075: 15967: 7133: 6234: 5602: 5554: 3803:. The memo also discussed conversations between him and Wilson pertaining to the release of a 10-track 2943: 2346: 2221: 1561:, we began to get into more esoteric kind of chord changes, and mood changes and movement. You'll find 795: 16431:

Inside the Music of Brian Wilson: the Songs, Sounds, and Influences of the Beach Boys' Founding Genius

9914: 4122:"pursuant to the terms of contract between Warner Brothers and Brother Records, Inc., The Beach Boys' 3447:, Wilson was convinced that it had coded messages about his life planted by Phil Spector and director 3309:". According to Carl, "I know there's been a lot written, and maybe said about Michael not liking the 3174:

published a nonsense article by Wilson, titled "Vibrations – Brian Wilson Style", that contained many

1330:

They would all fit. You could put them one in front of the other, or arrange it in any way you wanted.

792:. He met Parks through attending Byrds concerts, and Parks in turn brought Robbins into Wilson's fold. 19598: 19528: 19342: 18872: 18670: 18656: 18435: 18197: 15596: 15307: 14874: 14253: 8694: 5487: 5296: 4272: 4203:

album jacket and were sometimes unaware that most of the released material was not from the original

3501: 3086:

stink. That's how good it is." At some point, Wilson, alongside Michael Vosse, made an appearance on

2457: 2453: 1997:

playing order". Preliminary mixes (and in some cases many) were created for several of these tracks.

818: 473: 17324: 5150:

would have topped his rivals' subsequent release, Wilson replied: "No. It wouldn't have come close.

4825:

in February 2004. A studio album adaptation was recorded six weeks later and released in September.

3589:

I feel like I’ve lost my talent. I'm working harder and getting less satisfaction than ever before.

655:. Writing sessions may have also extended to October or November. Aside from playing on some of the 19404: 19186: 18946: 18617: 18300: 18065: 17930: 17360: 16210: 15183: 10716: 9608: 8039: 7528: 6869: 6219: 5270: 5017: 4673: 3010: 2922: 2593: 2528: 2449: 1824: 972: 955:" represented a "musical kaleidoscope" of America, a quality that he and Wilson sought to emulate. 751: 665: 108: 17534:

Carter, Dale (2015). "Uncovering the Cornfield: Revisions of History in Smile's "Cabin Essence"".

5522:

and then, when you least expect it, it can fly back into a million gorgeous voices." According to

3099:

that read: "Good Vibrations. Number One in England. Coming soon with the 'Good Vibrations' sound.

1966:

was too advanced for him to consider it pop music, and said that he admired and was influenced by

1807:. Some of the music incorporated chanting, forays into Indian and Hawaiian music, jazz, classical 438:, allowing fans to assemble hypothetical versions of a finished album, adding to its legacy as an 19593: 19477: 18767: 18684: 18568: 18463: 18325: 18260: 17647:

Music and the Road: Essays on the Interplay of Music and the Popular Culture of the American Road

17418: 17029: 15971: 15424: 11980: 10500: 10391: 10114: 8348:

tracks with which to bolster their subsequent albums. Otherwise, life carries on much as before."

7796: 5179: 5089: 4683: 4088:

sessions, but after a few days, he added a part to the song's "Child Is Father of the Man" coda.

3551: 2584:

that "I Wanna Be Around" and "Workshop" were meant to function as a "rebuilding after the fire".

2445: 2284:. Since portions of the instrumental track were missing a lead vocal, one was overdubbed by Carl. 1308: 1087:

In a 2005 interview, Wilson stated that his studying of metaphysics was "crucial" and referenced

1016: 17056:

The Nearest Faraway Place: Brian Wilson, the Beach Boys, and the Southern Californian Experience

16064: 4843:

Hot 100, the highest chart position of any album by the Beach Boys or Brian Wilson since 1976's

4523:. Many of the new buyers had crossed over from Beatles bootleg markets. One of the most popular 4458:, the most comprehensive attempt to document information regarding the album. The second issue, 4223:(pictured in 2022) traveled to California in the 1970s with the goal of helping Wilson complete 3836:

music would eventually, for him, reawaken "the bad feelings of the drugs". In a 1993 interview,

3535:

visited a "Vega-Tables" session, after which he previewed an upcoming Beatles song for Wilson: "

1970:

for his ability to construct a continuum of complex music using simple forms and simple chords.

365:. Over 50 hours of tape was recorded, ranging from musical and spoken word to sound effects and 19351: 19081: 18939: 18596: 18104: 18097: 18037: 17894: 17311: 17049: 15719:"Kevin Shields: The new My Bloody Valentine album was influenced by The Beach Boys | News" 14478: 7918:

when the other Beach Boys were touring Britain", which would have been in October and November.

6170: 4548:(1993). Never-before-released tracks included "Do You Like Worms?", "I Love to Say Da Da", the 3949: 3892:

Parks initially attempted to distance himself from the album's legend. In 1998, he referred to

3088: 2802:

when he wanted to, and after a while he no longer wanted to. He no longer had the same vision.

2544: 2420: 2109: 1856: 1758:

to be a totally American article of faith. And in fact, it seemed to me the best way to do that

1703: 1272: 1125: 780: 442:. Responding to this, Capitol included a loose reconstruction of the album on the 1993 box set 30:

This article is about the Beach Boys' unfinished album from 1966–1967. Not to be confused with

17638: 16861: 16564: 16260: 14968: 8897: 3896:

as "just a few months of work I did as a contract employee many, many years ago. Life goes on.

2930:

strange, doing strange things." Taylor remembered struggling with Wilson's "temporary whims".

19445: 19280: 19046: 19030: 18788: 18491: 18477: 17467: 16615: 16406: 13784: 12400: 11784:"The Beach Boys High Times and Ebb Tides Carl Wilson Recalls 20 Years With and Without Brian" 10963: 10555: 10145: 9745: 9519: 7178: 6260: 5667: 5182:, "nobody would have got too jazzed over electricity being invented for the second time" had 5013: 4889: 4832: 4475:, and later, the core nucleus of Wilson's supporting band in the late 1990s and early 2000s. 4294: 3748: 3536: 3420: 3242:

I was an interloper and I was definitely fueling his creativity. No holds barred. No rules."

3036: 2798:

like many other fine artists before him, Brian was unable to realize his original concept of

2460:. According to Anderle, Wilson "was really into the elements", so much so that he "ran up to 2150: 1967: 1828: 1553:

said that the music became "more textural, more complex and it had a lot more vocal movement.

17739: 10222: 4519:

CD releases were traded and sold commercially by mail order, independent record stores, and

3219:

So that became the big argument: Are we gonna lose our image or are we gonna start a new one

2950:

A playpen of irresponsible people." The sandbox remained in Wilson's home until April 1967.

2612:". In 2003, "Love to Say Dada" was given new lyrics by Parks and retitled "In Blue Hawaii". 1366:

There was no way this music could be 'real'. Wilson was therefore echoing the techniques of

18691: 18540: 18275: 17855: 17722: 15948:

The Beach Boys: The Definitive Diary of America's Greatest Band, on Stage and in the Studio

15592: 12405: 7659: 6114: 5681: 4383: 4075: 3944: 3547: 3389: 3384:

In January, Brian missed his deadline and began working less on the album, Carl received a

2741: 2281: 1848: 960: 8132:

hound" in that he typically dismissed songs that he felt lacked clear and distinguishable

806:

and "Good Vibrations", and subsequently "found my way to Brian's mansion at Christmas 1966

8: 19114: 18922: 18698: 17944: 17898: 17890: 17883: 17876: 17869: 17862: 17565:"My Regeneration: "Heroes and Villains" and the Salvation of Brian Wilson Presents Smile" 17364: 17011:

Exotica: Fabricated Soundscapes in a Real World: Fabricated Soundscapes in the Real World

12222: 11788: 9949: 9617: 7352: 7262: 6789: 6174: 6056: 6011: 5925: 5224:"would surely have set the Beatles back for months while they considered a suitable reply 4818: 3605:

Desperate for a new product from the group, on April 28, the group's British distributor

3443: 3159: 2424: 2387: 2361:

A simple rhythmic and melodic theme referred to as "Bicycle Rider" served as a recurring

2302: 2277: 2068: 2043: 1860: 1391: 1387: 1235: 1197: 1109: 1064: 641: 409: 370: 113: 17054: 16911: 16285: 16070: 14048: 9520:"Show 37 – The Rubberization of Soul: The great pop music renaissance. [Part 3]" 8201:.' He was never satisfied though. Never." Anderle supported that "Brian always felt that 4187:

began circulating among fans during the late 1970s and drew upon released material from

1446: 341: 19430: 19358: 18897: 18865: 18809: 18802: 18781: 18642: 18610: 18582: 18512: 18456: 18449: 18044: 17994: 17987: 17829: 17817: 17622: 17587: 17551: 17389: 16985: 16886: 16683:

The Ambient Century: From Mahler to Moby – The Evolution of Sound in the Electronic Age

16485: 16472: 16332: 16020: 15946: 15864: 15420: 14790: 14781: 7438: 6824: 6377: 6320: 5996: 5981: 5779: 5491: 5237: 5198: 4944: 4911:

The album has been one of the most discussed and dissected unreleased records ever made

4893: 4865: 4859: 4299: 4207:

sessions. According to Andrew Flory, "Little is known about the process through which

4048:

album by 1973. Brian was not consulted on this stipulation. Their first Reprise album,

3982: 3918: 3808: 3764:

was shelved for being "too weird", there was no attempt to make the musical content on

3489: 3448: 3358:

He got his head into the business aspects of Brother Records. So that kept him out of .

3163: 2490: 2482: 2478: 2229: 1923: 1715: 1711: 789: 584:

emboldened Wilson to take greater creative risks and helped convince the band's label,

464: 435: 165: 35: 17340: 16287:

The Act You've Known for All These Years: A Year in the Life of Sgt. Pepper and Friend

9672: 5583:(1999), "especially when it comes to the Faustian scale of it." The cover artwork for 4741:

box set before they were similarly raided and closed down by law enforcement in 2001.

4399:

tracks in anticipation for a then-forthcoming release. In 1988, Wilson confirmed that

4332:

or was thought to be related to the project, as well as an unrelated 1959 recording, "

1576: 1128:

from the year prior. Asked where he believed music would go, Wilson responded: "White

556:

on most of the album's songs. On February 17, 1966, Wilson began tracking their song "

19171: 19135: 18816: 18603: 18428: 18268: 18167: 17973: 17962: 17669: 17650: 17601: 17591: 17555: 17173: 17145: 17121: 17099: 17061: 17035: 17014: 16992: 16966: 16940: 16918: 16892: 16867: 16846: 16825: 16802: 16781: 16756: 16735: 16711: 16687: 16681: 16666: 16642: 16621: 16600: 16593: 16570: 16549: 16525: 16518: 16499: 16476: 16435: 16414: 16388: 16360: 16339: 16316: 16292: 16266: 16242: 16221: 16192: 16171: 16150: 16143: 16124: 16099: 16077: 16045: 16026: 16005: 15995: 15981: 15953: 15718: 14972: 14961: 14052: 13790: 13248: 13124: 12438: 12410: 11759: 9741: 9293: 8686: 7850: 7483: 7221: 6959: 6264: 6026: 5783: 5761:, Toop argued that such attempts to complete the album are "misguided". He described 5746:

it's likely that himself didn't have a clear, constant, single idea for the album".

5651: 5406: 5004:

the myth itself overtook and nearly consumed the artist and the music it was about."

4967:

in 1968, was another early resource for information regarding the album. In his book

4960:

as a relic of this hipness, intensifying audience interest in the unavailable work".

4388: 4146:'s 1967 rendition of "Vegetables", credited to "Laughing Gravy", and released on the 3832:

of food, alcohol, and drugs. In a 2004 interview, he indicated that listening to the

3739: 3610: 3577: 3452: 3430: 3052: 3022: 2764:

thought was an integral part of the situation. I think that still stands; I think of

2568: 2540: 2441: 2404: 2233: 1883: 1852: 1698: 1662: 1437: 1376: 1129: 932:

was partly intended to reclaim popular music from the influence of British acts like

904: 830: 378: 308: 160: 131: 118: 12428: 10495: 3968:

to offset Wilson's unwillingness to contribute. The first two instances of recycled

3849:

laughing. We hated him then because we didn't really know what was happening to him.

3732:

From June to July, the Beach Boys reconvened at Wilson's home to record the bulk of

3335: 1710:

presented such a quality in the form of "alternately frantic and grinding mayhem" ("

924: 19420: 19415: 18125: 18001: 17618: 17579: 17543: 16491: 16464: 14437:"What A Nice Way To Turn 17: Brian Wilson by Jeremy Gluck – "Y'know what I mean..." 14258: 12433: 11751: 8186: 7573: 7393: 6475: 6041: 5646: 5515: 5476: 5472: 5402: 5317: 5301: 5291: 5220:– namely, critical acclaim but a commercial disaster. He wrote that the release of 5204: 5031: 4621: 4491: 4259: 3014: 2918: 2609: 2605: 2416: 1947: 1863:". Priore described this action as Wilson's attempt to expose "pre-'60s songwriting 1788: 1719: 1627: 1580:

Parks compared Wilson's orchestrations to those by the early 20th-century composer

1426: 1361: 1189: 952: 670: 647:

Between July and September, Wilson and Parks wrote many songs together at Wilson's

612:'s lyrics and thematic direction and participated in sessions as an instrumentalist 486: 421: 397: 350: 245: 17583: 10932: 9612: 9496:"Beatles vs Beach Boys: a brief history of the greatest rivalry in pop innovation" 7816: with: Comprehensive credits for every track on the box set.. You can help by 5307:

Sanchez offered his view of the project as a "radical" expansion of "the glow and

3021:

On May 11, 1966, Wilson recorded an instrumental take of "Heroes and Villains" at

19410: 19290: 19275: 19176: 18554: 18406: 18306: 18157: 18072: 18008: 17547: 17167: 17139: 17093: 16863:

33 1/3 Revolutions Per Minute: A Critical Trip Through the Rock LP Era, 1955–1999

16840: 16817: 16796: 16775: 16750: 16729: 16705: 16660: 16636: 16543: 16429: 16382: 16354: 16310: 16236: 16186: 16165: 16118: 15999: 15975: 15874: 15350: 15287: 15192: 9811: 9027: 7307: 6754: 6346: 6178: 6155: 6089: 5891: 5630: 5265: 5080: 5057: 4667: 4495: 4443: 4431: 4139: 4041: 3326:

Artistically, it was another matter." In a 1998 deposition related to the memoir

2709: 2440:"The Elements" was a conceptualized four-part movement that encompassed the four 2212:

chorus replete with "demonic chanting, buzzing cellos, and rail-spike pounding".

2175: 1835:

wrote of the album's disconnect to contemporary rock music clichés, noting that "

1804: 1800: 1630: 1601: 1526: 1459: 1451: 1433: 1116:—on a very sophisticated level—because that's what he was doing, his own form of 1077: 1059: 1024: 948: 862: 585: 557: 449: 439: 389: 346: 324: 259: 175: 155: 126: 62: 14041: 6478:" ("The Old Master Painter" / "You Are My Sunshine"; Gillespie, Davis, Mitchell) 4963:

A published conversation between David Anderle and Paul Williams, serialized in

3208: 2914:

responded, "No, when he gets home he won't be satisfied. He's never satisfied."

2888: 951:"Americanized" jazz and classical music. To Parks, Gershwin's 1924 composition " 19453: 19181: 18396: 18348: 18172: 18147: 17433: 17116:, ed. (1997). "Smile Is Done (conversation with David Anderle, part IV, 3/97". 17089: 16959: 16771: 16725: 16701: 16378: 16306: 16280: 16256: 15870: 15784: 15775: 15570: 15221: 14086:"The Healing of Brother Brian: The Rolling Stone Interview With the Beach Boys" 9919: 9841: 9566: 9527: 9515: 9500: 9023: 8893: 8803: 8301:

Other notable fans were Alice Lillie, Paula Perrin, Peter Reum, and Mike Grant.

8168:

Heylin states that the studio logs appear to indicate March 2 as the date that

8010: 5672: 5562: 5258:

stands totally apart from what anybody else was producing during the mid-'60s.

4567: 4108:

printed a list of songs that were to be included on Carl's proposed version of

4066: 3965: 3931: 3909: 3837: 3532: 3153:

were giving the band the "biggest campaign since the Beatles". On December 10,

3040: 2882: 2685: 2076: 1959: 1907: 1597: 1581: 1573:

featured a more unique sense of rhythm relative to the band's earlier records.

1546: 1522: 1478: 1218: 1202: 1124:

1966, Nolan reported that Wilson's shift in artistic focus was inspired by his

687:

All of a sudden it wasn't just Brian and me in a room; it was Brian and me and

674: 625: 605: 498: 284: 249: 187: 76: 17689: 16468: 16167:

Wouldn't it Be Nice: Brian Wilson and the Making of the Beach Boys' Pet Sounds

15197: 10337: 8446: 5170:

recordings "confirm that Wilson was nowhere near completing an album to rival

4215: 4138:

album and that it would never be released. Also in 1973, Wilson and his group

3964:

material continued to trickle out in subsequent Beach Boys releases, often as

2771: 947:, he intended to "'Americanize' early America and mid-America" similar to how 838:

The album held a grandiose importance among those involved, as Anderle said, "

19492: 19300: 19265: 18367: 18187: 18142: 17229: 17079: 16138: 16091: 16059: 14956: 13023: 12670: 12414: 12184: 11914: 10836: 10426: 9668: 8690: 8018: 7970:

In his 2016 memoir, it was written that the lowercase "i" was a reference to

7958: 7859: 6268: 6182: 5598: 5566: 5495: 5437: 5436:

after the early 1990s. In 2002, Chapman remarked that he had "yet to meet an

5390: 5209: 4659: 4395:. At this time, Linett, who engineered the album, had prepared mixes of some 4143: 3788: 3504:". He heard the song while driving with Michael Vosse under the influence of 3373: 3167: 2572: 2428: 2362: 2225: 2072: 1903: 1879: 1875: 1606: 1455: 1185: 1069: 772: 726: 715: 692: 688: 648: 621: 300: 296: 273: 17705: 17294: 16188:

The Emergence of Rock and Roll: Music and the Rise of American Youth Culture

16001:

Catch a Wave: The Rise, Fall, and Redemption of the Beach Boys' Brian Wilson

12767: 12227: 8122:– it gave him some very out-of-sight vision, of a very out-of-sight world. " 7914:

According to Derek Taylor, the pair were working together "night after night

5798:, the pair may have inadvertently created the first ever interactive album. 5361:

What has gone down in history as the breakthrough, however, is The Beatles'

4271:

There's been too much press on it. It's like talking about bringing out the

3864:

failure in America, drugs, ego and expectation. That's what destroyed Brian.

3712: 3613:" as a single without the band's approval. On April 29, Taylor announced in 3149:

In the UK, one headline proclaimed that the Beach Boys' British distributor

1596:", which reminded Parks of early 20th-century orchestrations by men such as 520: 19459: 19379: 19305: 19295: 19270: 18575: 18505: 18411: 18360: 18282: 18182: 18177: 18162: 17980: 17905: 17803: 17518: 17376: 17163: 17159: 16932: 16906: 16656: 15912: 15892: 14769: 13240: 12691: 11715: 9177: 8133: 8035: 7902: 7863: 7092: 7004: 6294: 5966: 5840:

All tracks written by Brian Wilson and Van Dyke Parks, except where noted.

5807: 5775: 5661: 5584: 5541: 5523: 5382: 5108: 4793:

songs at band rehearsals, which led to plans for concerts that comprised a

4763: 4154:. In a 1976 interview, Wilson stated that he felt an obligation to release 4147: 4012: 3913: 3734: 3678: 3505: 3434: 3385: 3342: 2556: 2205: 2201: 2170: 2083: 1955: 1939: 1919: 1911: 1887: 1593: 1534: 1530: 1518: 1113: 813: 743: 732: 703:

and all kinds of self-interested people pulling him in various directions.

700: 637: 534:

In November 1965, early in the sessions for the Beach Boys' 11th studio LP

405: 382: 366: 358: 280: 264: 218: 180: 31: 17639:""All That Road Going": Brian Wilson, Van Dyke Parks, and The Beach Boys' 12687:"Brian Wilson fans furious at Frank Ocean and Lana Del Rey collaborations" 10797:"The Once and Future King: 'SMiLE' and Brian Wilson's Very American Dream" 9056: 8185:

making statements like 'Better than the Stones, yeah?' Then he'd put on '

8061:

The arguments are similar to those featured in a later Beach Boys track, "

7883:, a girl group which included Marilyn. These recordings remain unreleased. 5432:. In Priore's estimation, the "alternate-rock" generation began embracing 4801:." According to Steven Gaines, Wilson had stated an intention to complete 3930:

sold poorly, Parks continued working at Warner as an arranger. Biographer

3421:

Wilson's move to Bel-Air and disintegrated circle (Late 1966 – April 1967)

1645:"uses words the same way it uses strings and keyboards—for their sounds." 1239:

happiness, "the resultant album does not radiate predominately happy mood.

19285: 18909: 18561: 18442: 18401: 18374: 18152: 17284: 16954: 16495: 16096:

Electric Shock: From the Gramophone to the iPhone: 125 Years of Pop Music

15346:"The Beatles, Bob Dylan and The Beach Boys: 12 months that changed music" 11985: 10049:"Deconstructing America: The Beach Boys, Brian Wilson, and the Making of 8425: 8105: 6118: 5858: 5789:

Academic Larry Starr opined that "the idea there could be a 'definitive'

5676: 5656: 5635: 5607: 5558: 5503: 5441: 5425: 5394: 5344: 5283: 5233: 5100: 4472: 4290: 4234: 4080: 3150: 3140: 3078: 2856: 2732:"The rain of bullets eventually brought her down" ("Heroes and Villains") 2105: 1927: 1899: 1895: 1816: 1780: 1693: 1688: 1683: 1615: 1403: 1349: 1340: 1011: 978: 933: 761: 757: 747: 696: 633: 573: 510: 425: 142: 16888:

Good Vibrations: Brian Wilson and the Beach Boys in Critical Perspective

16487:

Good Vibrations: Brian Wilson and the Beach Boys in Critical Perspective

16120:

Good Vibrations: Brian Wilson and the Beach Boys in Critical Perspective

16022:

Good Vibrations: Brian Wilson and the Beach Boys in Critical Perspective

12974: 12972: 10829:"Look! Listen! Vibrate! SMILE! The Apollonian Shimmer of the Beach Boys" 10653:"Al Jardine of the Beach Boys: Everything You Ever Wanted To Know About 10422:"Brian Wilson Entrances Bristol on Eve of 'Pet Sounds' 50th Anniversary" 8382: 8380: 8378: 7805: 4158:

and offered that the album would come out "probably in a couple years."

3201:

on the board of pop music luminaries", but as time passed, the hype for

61:

One of the covers prepared by Capitol's art department; illustration by

18498: 18388: 18254: 17848: 17006: 16980: 16822:

Icons of Rock: An Encyclopedia of the Legends Who Changed Music Forever

16588: 16584: 16513: 15848: 14302: 12442: 10824: 10546: 10455: 10315: 10268: 8898:"IN RESPONSE TO: A Lost Pop Symphony from the September 22, 2005 issue" 7880: 7049: 6350: 5910: 5866: 5862: 5574: 5569:, who recorded a version of "Good Vibrations" for the album, said that 5511: 5458: 5421: 4991: 4392: 4220: 4008: 3717: 3596: 3247: 3186: 3058:

in December, as well as their first number one in Britain. Wilson told

2689: 2672: 2581: 2516: 2378: 2293: 2192: 2059: 1943: 1891: 1870:

Among the many "contradictory templates" Toop felt were "buried within

1832: 1779:

drew from what most rock stars of the time considered to be antiquated

1550: 1379: 1227: 1211: 1043: 1039: 553: 536: 526: 413: 401: 254: 200: 17490:"The AD Interview :: Darian Sahanaja (Behind The Smile Sessions)" 17220:"Brian Tells About His Music, & Why The Beach Boys Stopped Surfing 16334:

Sonic Alchemy: Visionary Music Producers and Their Maverick Recordings

13243:(2009). "The Beatles as Recording Artists". In Womack, Kenneth (ed.). 10338:"The Beach Boys - SMiLE Sessions Webisode #9 - Chaos & Complexity" 5707:

33 1/3 Revolutions Per Minute: A Critical Trip Through the Rock LP Era

5282:, Wilson anticipated editing practices that were not common until the 4369:

Wilson toyed with the idea of asking his bandmates to help him finish

4003: 2740:

Holmes based the cover on an abandoned jewelry store near his home in

2688:

but rejected. Vosse said that when Wilson pitched "Crack the Whip" to

1247:

Humour, sarcasm, and lonely introspection are the contrasts that hold

601: 18381: 18111: 17449: 17267: 16539: 16402: 16374: 15728: 15372: 15212:"The Beach Boys' 'Smile' named as the greatest ever bootleg by Uncut" 14284: 12969: 8375: 7971: 6383: 5895: 5499: 5429: 5386: 5229: 5123: 5104: 4520: 4468: 4447: 3977: 3617:

that "All the 12 songs for the new Beach Boys album are completed and

3198: 3171: 2938: 2860: 2634: 2494: 2470:

back and listen again. And I had no idea what he was listening for!"

1951: 1931: 1915: 1808: 1654: 1638: 1441: 1429: 1407: 1276: 1193: 1104:

And Brian felt that it was time to do a humor album." He opined that

1035: 843: 617: 588:, to fund and promote his next project, however ambitious it may be. 545: 417: 320: 316: 268:, in September 1967. Over the next four decades, few of the original 17706:"The Zen Interpretation of Brian Wilson & Van Dyke Parks' SMiLE" 16451: 15977:

All Music Guide to Rock: The Definitive Guide to Rock, Pop, and Soul

11783: 11553: 8489: 8487: 5193:

Reviewing the available bootlegs and officially released tracks for

4315: 4199:. The compilers were only informed by the song titles listed on the 3756:

material. Only two tracks used modules that had originated from the

3051:

became the group's third US number-one hit, reaching the top of the

2937:(equivalent to $ 19,000 in 2023). He erected a $ 30,000 ($ 282,000) 995:", possibly because his "main goal in late 1966 was topping his own 982:

had inspired him to match the artistic standards of the Beatles for

19440: 15429: 13637: 8062: 8031: 5506:, was founded through a mutual admiration of 1960s pop music, with 5194: 5142:

centers on whether the album would have been more influential than

5025:

became a catalyst for records that followed in its wake." In 2011,

4486:", as well as "positive personal reactions" from musicians such as 4057: 3942:

as well as the Parks- and Waronker-produced debut album by Newman,

3916:. At the end of the year, the company released Parks' debut album, 3175: 2996: 2637:

recorder, except much, much weirder." The surviving tapes include:

2306: 1542: 785: 569: 494: 16599:. New York, NY: Random House/Rolling Stone Press. pp. 29–31. 13211: 13209: 11756:

Rock and Other Four Letter Words: Music of the Electric Generation

11300: 11298: 11296: 4426: 4142:

contributed additional vocal and instrumental parts to a remix of

3955: 1034:

was inspired by Wilson's growing fascination with matters such as

976:. In a 2004 interview, Wilson mentioned that while the 1965 album 18317: 14963:

Heroes and Villains: Essays on Music, Movies, Comics, and Culture

12666:"Music's 30 Fiercest Feuds and Beefs: Brian Wilson vs. Mike Love" 10345: 8949: 8947: 8484: 8272: 7961:

and all–they talk a lot, but they don't really create, you know?"

7867: 4996: 4634: 4501: 4451: 3796: 3725:

declared to his bandmates that most of the material recorded for

3336:

Capitol lawsuit and Parks' departure (December 1966 – March 1967)

3105: 2934: 2461: 2104:

Marilyn said: "We went shopping one day and we brought home some

1820: 1796: 1792: 1784: 1672: 1505:

a group of french horns "talking" and "laughing" with each other

1497:

a spoken word skit portraying a man trapped inside a microphone.

1422: 362: 336: 328: 150: 16937:

The Beach Boys FAQ: All That's Left to Know About America's Band

16356:

The Rock Canon: Canonical Values in the Reception of Rock Albums

14285:"Keepin' the Summer Alive - 20 Years of The Beach Boys on Vinyl" 13625: 12810: 12566: 12539: 12485: 9208:"Arts Remembrance: Be the Rock Star — A Tribute to Jules Siegel" 5095:

It is likely that the vast majority of the content recorded for

4619:

In 1995, Wilson reteamed with Parks for the collaborative album

3869:

without "getting anywhere near him". If broached the subject of

2827: 2473: 1549:. There was also a greater complexity to Wilson's compositions. 788:

political activist who reported on and participated in the 1966

18058: 16987:

Ocean of Sound: Aether Talk, Ambient Sound and Imaginary Worlds

13600: 13598: 13541: 13505: 13403: 13401: 13285: 13206: 13043: 12617: 11293: 10971: 10551:"Beyond the Life of Brian: The Myth of the 'Lesser' Beach Boys" 9803:"'Our influences are of a religious nature': the Beach Boys on 9450: 9448: 8365: 8363: 5216:

would most likely have had the same reception as that afforded

4822: 4000:

sessions; they were each recorded for their respective albums.

3687:

because of the widespread recognition afforded to the Beatles'

3425: 3332:, Wilson testified that Love had never spoken the line to him. 2872:

later, when he was interviewed for the 1976 television special

2807:—Paul Williams, writing in the September/October 1967 issue of 2748:

This was something that would be pulling you into the world of

1589: 629: 549: 354: 16780:. New York, NY: Cambridge University Press. pp. 217–229. 14491: 13021:

Pond, Steve (November 5 – December 10, 1987). "Brian Wilson".

8944: 8550: 5529:

Coquelicot Asleep in the Poppies: A Variety of Whimsical Verse

4835:

the next month. None of Wilson's bandmates were involved with

4687:(1997) discouraged Capitol from issuing a similar box set for 4442:

In the late 1980s, Domenic Priore collaborated with musicians

4180:

album jackets that had been produced by Capitol in late 1966.

4161: 2735:"Uncover the cornfield" / "Home on the Range" ("Cabinessence") 2671:

Features mock disagreements between Vosse and session drummer

2129:

three arrangements of the song, all of which were unfinished.

1279:", and said that while most rock seems to be about adulthood, 855: 15652: : An Alternate History of The Beach Boys' Lost Classic" 12947: 12945: 12024: 12022: 11884: 11705: 11703: 11612: 5726:

should be viewed not as an album, but an epoch that includes

4647:. In addition, Capitol announced a three-CD box set entitled 4254: 4212:

material was available to bootleggers until the early 1980s.

4099:

On February 28, 1972, Carl announced the imminent release of

3857:

Expectation destroyed Brian as much as anything else. Murry,

3429:

At one point, Wilson thought that he was being targeted in a

3209:

First signs of issues and resistance (November–December 1966)

3043:

accepting a record sales certification at Capitol, late 1966.

2889:

Drug use, Wilson's mental state and perfectionism (1966–1967)

2466: 2209: 1840: 1623: 1538: 1474: 1081: 1020: 312: 70: 16638:

Song Means: Analysing and Interpreting Recorded Popular Song

14562: 14560: 14330: 14328: 13595: 13398: 12409:. Vol. 78, no. 50. December 10, 1966. p. 10. 12261: 11981:"The Clang Of The Yankee Reaper: Van Dyke Parks Interviewed" 9719: 9717: 9445: 9128: 9126: 8591: 8589: 8360: 3922:, a record that often was, and continues to be, compared to 2321:, and that it would have followed a section described as a " 1132:, I think that's what we're going to hear. Songs of faith." 16312:

Waiting for the Sun: A Rock 'n' Roll History of Los Angeles

16072:

Back to the Beach: A Brian Wilson and the Beach Boys Reader

15541: 15084: 14674: 13928: 13847: 13749: 13747: 13732: 13374: 12822: 12786: 12058: 11690: 11688: 11686: 11145: 11019: 10160: 9761: 9759: 9337: 8327:

Other contents included "Wonderful" and "Wind Chimes" from

7927:

According to biographer Robert Rodriguez, Wilson felt that

5051:, said that "Had Wilson been able to connect all the dots, 4625:, which provoked speculation regarding a future release of 4344:, Beach Boys Freaks United, and the Australian publication 4007:

Against Brian's wishes, his bandmates (pictured) finished "

3525: 2787: 2322: 1462:". Heiser argues that attempting to summarize the whole of 332: 16407:"The Last Beach Movie Revisited: The Life of Brian Wilson" 15456: 15389: 15283:"The Stylus Magazine Non-Definitive Guide: The Lost Album" 15120: 15072: 15048: 14901: 14623: 14545: 14216: 14139: 14127: 14115: 14065: 13481: 13425: 13221: 12942: 12473: 12285: 12019: 11796: 11700: 11588: 11450: 9996: 9986: 9984: 9433: 9408: 9406: 9000: 8976: 8920: 8753: 8601: 8562: 8197:

good?' and I'd have to say very deliberately, 'Yes Brian,

4582:

set had featured the first official release of a compiled

3742:. The album is a significantly less ambitious affair than 3459:

Anderle, himself a Jew, was so insulted he couldn't speak.

3257: 3092:, where he spoke about the benefits of eating vegetables. 1958:, that rejected dream of the late 1950s best described in 17306:

Prather, Coy (October 30, 1971). "The Legend of "Smile"".

17250: 17208: 15723: 15629: 15627: 15614: 15612: 15610: 15600: 15216: 15036: 14839: 14611: 14601: 14599: 14557: 14523: 14521: 14325: 13882: 13880: 13878: 13876: 13874: 13837: 13835: 13822: 13820: 13818: 13722: 13720: 13718: 13716: 13714: 13712: 13615: 13613: 13585: 13583: 13558: 13556: 13454: 13452: 13364: 13362: 13360: 13297: 13247:. Cambridge, UK: Cambridge University Press. p. 43. 13172: 13170: 13168: 13166: 12989: 12987: 12735: 12723: 12502: 12500: 12381: 12239: 12237: 12087: 12085: 11942: 11940: 11927: 11925: 11876: 11837: 11673: 11671: 11658: 11656: 11654: 11578: 11576: 11574: 11572: 11570: 11568: 11543: 11541: 11528: 11526: 11513: 11511: 11509: 11484: 11482: 11480: 11467: 11465: 11404: 11402: 11400: 11283: 11281: 11279: 11277: 11275: 11273: 11271: 11219: 11217: 11192: 11190: 11188: 11186: 11184: 11060: 11058: 11007: 10944: 10942: 10891: 10889: 10887: 10885: 10602: 10580: 10578: 10576: 10574: 10572: 10570: 10568: 10566: 10189: 10187: 10064: 10062: 9897:"That Time The Beach Boys Made a Teenage Symphony to God" 9714: 9589: 9123: 8586: 8526: 8499: 5620: 5135:

a year later? Would it be inviting such brouhaha today?"

4487: 4134:

reporter that there was not enough material to compile a

4114: 3638: 3606: 3567: 3372:

On December 15, Wilson informed Capitol A&R director

2215: 1743: 1152: 514: 509:

he liked it." Wilson's closest friend in this period was

490: 17758: 17365:"Epiphany at Zuma Beach or Brian Wilson Hallucinates Me" 17118:

Brian Wilson & The Beach Boys How Deep Is The Ocean?

16377:(1995) . "The Last Beach Movie: Brian Wilson 1942–". In 15966: 15823: 15743: 15236: 15026: 15024: 14664: 14662: 14508: 14506: 14194: 14192: 14190: 14188: 14156: 14154: 13759: 13744: 12699: 12605: 12578: 12347: 12345: 12320: 12318: 12316: 12314: 12312: 11683: 11641: 11639: 11351: 11349: 11246: 11244: 10860: 10858: 10856: 10854: 10766: 10764: 10686: 10684: 10682: 10631: 10629: 10281: 10279: 10199: 10079: 10077: 10027: 10025: 10023: 9784: 9782: 9780: 9778: 9776: 9774: 9756: 9579: 9577: 9475: 9378: 9376: 9327: 9325: 9323: 9145: 9143: 9141: 9113: 9111: 9109: 9096: 9094: 9092: 8966: 8964: 8962: 8849: 8847: 8845: 8743: 8741: 8716: 8714: 8712: 8516: 8514: 8386: 5486:, a collective of bands that includes Apples in Stereo, 5457:

would have been was the primary thing that inspired us (

5174:

let alone its psychedelic successor." In the opinion of

5111:, there is "no indication" that a multi-disc format for 4724:

In the late 1990s, Sea of Tunes released seven hours of

4073:

For the band's second Reprise album, tentatively titled

3103:. The Beach Boys." This was followed with a color ad in 2729:"Lost and found you still remain there" ("Cabinessence") 1847:. Also recorded were renditions of older songs such as " 1702:(1970), "artists tactfully ignored the dark side of the 1509:

The music itself carried on the "harmonic ingenuity" of

1421:

has been described by various commentators as a work of

18091:

Fall Breaks and Back to Winter (W. Woodpecker Symphony)

15693:"TREY SPRUANCE 'CALIFORNIA' 20TH ANNIVERSARY INTERVIEW" 15529: 15444: 15159: 15137: 15135: 15060: 14175:"Subtle Vibrations: Assorted Beach Boys Cover Oddities" 13983: 13981: 13979: 13493: 12918: 12595: 12593: 12517: 12515: 12330: 11849: 11097: 10961:

Holdship, Bill (April 6, 2000). "Heroes and Villains".

10475: 9981: 9465: 9463: 9423: 9421: 9403: 9393: 9391: 9079: 9077: 8462: 8460: 8331:, the "Water Chant" segment of "Cool, Cool Water" from 5038:

s list of the greatest bootleg recordings of all time.

4328:. It included a range of material that originated from 279:

The album was produced and almost entirely composed by

19023:

Beautiful Dreamer: Brian Wilson and the Story of Smile

18227:

Beautiful Dreamer: Brian Wilson and the Story of Smile

15624: 15607: 15480: 15468: 15401: 15147: 15009: 14997: 14985: 14937: 14925: 14913: 14827: 14815: 14596: 14584: 14572: 14533: 14518: 14376: 14352: 14017: 14005: 13993: 13964: 13940: 13916: 13904: 13892: 13871: 13859: 13832: 13815: 13709: 13610: 13580: 13568: 13553: 13529: 13517: 13449: 13413: 13386: 13357: 13345: 13321: 13273: 13261: 13194: 13182: 13163: 13151: 13139: 12984: 12957: 12906: 12894: 12882: 12870: 12834: 12747: 12711: 12527: 12497: 12449: 12369: 12357: 12273: 12249: 12234: 12159: 12157: 12155: 12145:

Beautiful Dreamer: Brian Wilson and the Story of Smile

12112: 12102: 12100: 12082: 12070: 12034: 11937: 11922: 11727: 11668: 11651: 11624: 11565: 11538: 11523: 11506: 11494: 11477: 11462: 11438: 11426: 11414: 11397: 11385: 11373: 11322: 11310: 11268: 11256: 11229: 11214: 11181: 11085: 11055: 10983: 10939: 10882: 10776: 10614: 10563: 10184: 10172: 10059: 10008: 9957: 9863: 9861: 9702: 9261: 9225: 9155: 5539:

Released exclusively in Japan, the 1998 tribute album

5228:

But it wouldn't have been commercial, in the way that

4828:

Beautiful Dreamer: Brian Wilson and the Story of Smile

3705:, Dennis reported that the group were still recording 2845:

But when the finished product is 'Good Vibrations' or

2837:

January 1967, journalist Tracy Thomas reported in the

1991: 1108:, had it been completed, would have been "basically a 632:

films, but instead lent his services to the Byrds and

307:, more elaborate vocal arrangements, experiments with 19129:

Heroes and Villains: The True Story of the Beach Boys

16842:

God Only Knows: Faith, Hope, Love, and The Beach Boys

16262:

Never a Dull Moment: 1971 The Year That Rock Exploded

16145:

Heroes and Villains: The True Story of The Beach Boys

15811: 15799: 15755: 15260: 15096: 15021: 14659: 14647: 14635: 14503: 14364: 14340: 14313: 14204: 14185: 14151: 14103: 13952: 13803: 12798: 12461: 12342: 12309: 12297: 12046: 11636: 11600: 11361: 11346: 11334: 11241: 11202: 11169: 11157: 11133: 11121: 11109: 11043: 10995: 10870: 10851: 10761: 10696: 10679: 10626: 10369:"Nearly 45 years later, Beach Boys' 'Smile' complete" 10276: 10089: 10074: 10020: 9969: 9771: 9692: 9690: 9574: 9539: 9373: 9349: 9320: 9249: 9138: 9106: 9089: 8988: 8959: 8932: 8908: 8871: 8859: 8842: 8830: 8765: 8738: 8709: 8574: 8538: 8511: 8397: 8395: 8310:

Surveys conducted in Tabor's late-1970s publication,

5688: 5553:

tracks by artists such as the Olivia Tremor Control,

4749: 4629:. Wilson also performed "Wonderful", in its original 3768:

appear any less bizarre for their standard audience.

3669: 3650:

was to be released "any moment", Taylor announced in

3205:

went from "expectation" to "doubt" and "bemusement".

2608:" (or "All Day") is a piece that later evolved into " 2410: 616:

In 1966, Wilson attended a party held at the home of

319:, and comedic interludes, with influences drawn from 19323:

The Beach Boys with the Royal Philharmonic Orchestra

15132: 14803: 13976: 13670: 13437: 13309: 13055: 13031: 12999: 12846: 12590: 12512: 12192: 11903: 11901: 11899: 10590: 10527: 9873: 9819: 9460: 9418: 9388: 9074: 8726: 8472: 8457: 5290:, Wilson had become one of the earliest pioneers of 4767:

Parks joining Wilson onstage after a performance of

4662:'s and told him that this is how he should release 4166: 3823: 3531:

In April, while staying with Taylor in Los Angeles,

2615: 999:". Asked in a 1969 interview about the influence of 388:

Numerous issues, including legal entanglements with

16731:

Smile: The Story of Brian Wilson's Lost Masterpiece

16211:"After Sundown: The Beach Boys' Experimental Music" 15325: 14395: 14393: 14391: 14254:"Uncut's 50 best bootlegs - 1 The Beach Boys Smile" 13697: 13333: 12858: 12152: 12097: 11825: 10463: 10253: 10251: 10249: 10247: 9890: 9888: 9858: 9237: 8118:firmly onto the carrot, Brian ate it quickly, and, 4611: 1243:

Perhaps the smile Wilson refers to is an ironic one

17600: 17423: 17394: 17277: 17260: 17239: 17218: 17201: 17083: 17053: 16984: 16958: 16910: 16752:Revolver: How the Beatles Reimagined Rock 'n' Roll 16592: 16517: 16450: 16331: 16284: 16142: 16069: 16063: 15945: 15553: 15376: 14960: 14428: 14411: 14040: 13657: 13063: 12644: 12218:"Alan Jardine: A Beach Boy still riding the waves" 12177: 11871:"Beach Boy a Day: Brian — Loved or Loathed Genius" 11869: 9942: 9845: 9687: 9632: 9559: 9361: 8418: 8392: 7939:as a response, a sentiment echoed by David Howard. 6588:"The Elements: Fire (Mrs. O'Leary's Cow)" (Wilson) 3791:began circulating a memo, dated July 25, in which 2009: 1413: 970:as a response to the Beatles' August 1966 release 651:home for the upcoming project, tentatively called 18221:The Beach Boys' unreleased and bootleg recordings 15597:"The Beach Boys' Brian Wilson: America's Mozart?" 15378:"Brian Wilson at the Royal Festival Hall, London" 14860: 14858: 14856: 14854: 13659:"SMiLE When Your Heart Is Breaking: Brian Wilson" 13464: 11896: 10918: 10916: 10914: 10912: 10910: 10908: 10906: 10904: 4698:during the press run for his 1998 comeback album 4377:In 1987, Waronker encouraged Wilson to compose a 2942:like Brian being wacko and everybody is wrong." 2717:"My Vega-tables" / "The Elements" ("Vega-Tables") 2328: 2090: 1962:'s term 'jazzical'". In 2004, Wilson stated that 1641:". Williams suggested that, "for the most part", 1588:Harpsichords and tack piano (typically played in 1302:left off", expanding the introspective themes of 903:of Brian's intellectual occupations." Journalist 19490: 18991:Brian Wilson: I Just Wasn't Made for These Times 17279:"Brian Wilson Tells Why He Likes The Beach Boys" 17262:"Carl Wilson: 'Weird Sounds Don't Blow My Mind'" 14388: 13089:"Brian Answer's Fans' Questions in Live Q&A" 10244: 9885: 8420:"Dennis Wilson: We Just Want To Be A Good Group" 5835: 5041: 4438:, later joined Wilson's live band in the 1990s. 4419: 4275:and they finally show it in . You go, "Oh, no." 3972:songs appeared on the albums directly following 3945:Randy Newman Creates Something New Under the Sun 3683:It is sometimes suggested that Wilson cancelled 2997:Early sessions and promotion (May–December 1966) 2779:logo that was pictured on the original cover art 2562: 2534: 1359:Parks said that he and Wilson were conscious of 1262:Asked what words come to mind when listening to 18761:Good Vibrations: Thirty Years of The Beach Boys 18241:Good Vibrations: Thirty Years of the Beach Boys 17074: 16411:The Dark Stuff: Selected Writings on Rock Music 15413: 15299: 14740:"Show #118 – Mark Linett – part 1 – Beach Boys 14039:(1974). "Brian Wilson". In Coleman, Ray (ed.). 13547: 13291: 13049: 12936: 12623: 12560: 12211: 12209: 12207: 11304: 10330: 9040:: CS1 maint: others in cite AV media (notes) ( 7996:, "the protagonist seeks security", whereas on 7905:invited him to Wilson's home in Beverly Hills. 6544:"I Wanna Be Around / Workshop" (Mercer, Wilson) 5848:Good Vibrations: Thirty Years of the Beach Boys 5714:There remains no definitive form or content of 5126:challenged "the assumption that, if completed, 4545:Good Vibrations: Thirty Years of the Beach Boys 3956:Further recording and abandoned Reprise release 3557: 2599: 2280:" was completed by the Beach Boys for the 1971 1501:the guttural chanting of cartoon-esque cavemen 17158: 16991:(Reprinted ed.). London: Serpent's Tail. 16218:Understanding Rock: Essays in Musical Analysis 16113:Flory, Andrew (2016). "Fandom and Ontology in 14851: 14785:. Archived from the original on June 30, 1998. 14473:. Archived from the original on June 30, 1998. 10901: 8412: 8410: 8369: 8017:, Alan Boyd made use of film editing software 5300:in 1973, the best-selling album of the entire 5074:as significant if not a bigger influence than 3095:In December, Capitol ran ads for the album In 2726:"Diamond necklace play the pawn" ("Surf's Up") 2571:" is a rendition of the Sadie Vimmerstedt and 2000: 1234:the emergence of railroads and automobiles to 802:Williams stated that he had been impressed by 18333: 17774: 17013:(1. publ. ed.). London: Serpent's Tail. 16820:. In Schinder, Scott; Schwartz, Andy (eds.). 16770:Rodriguez, Robert (2020). "Getting Back". In 16613: 15501: 15499: 15497: 15495: 15178: 15176: 15174: 14774:"Resembling a Career From Pieces of the Past" 14733: 14731: 13643: 13631: 13604: 13407: 12572: 12267: 11777: 11775: 11746: 11744: 11742: 11721: 11618: 10646: 10644: 10362: 10360: 10358: 10356: 9908: 9906: 9343: 9172: 9170: 6088:– sequenced by Brian Wilson, Van Dyke Parks, 4065:tape preservation efforts with band engineer 2828:Criticism from Wilson's bandmates (1966–1967) 2587: 1314: 1092:knowledgeable part that you learn by reading. 252:that was intended to follow their 1966 album 19544:Experimental rock albums by American artists 16216:. In Covach, John; Boone, Graeme M. (eds.). 13778: 13776: 13774: 12638: 12636: 12634: 12632: 12204: 10732: 10730: 10434: 10310: 10308: 10306: 10304: 10302: 10300: 10298: 10296: 10294: 9663: 9661: 9659: 9657: 9655: 9653: 9651: 9649: 9647: 9288: 9286: 9284: 9282: 9280: 9278: 9276: 8798: 8796: 8794: 8792: 8790: 8788: 8786: 8784: 8782: 8780: 7892:Asher was recommended to Wilson by Schwartz. 5444:artist who doesn't have a soundfile full of 4850: 3752:, and includes simplified remakes of select 3362:an incredible amount of excuses not to cut. 2132: 1610:– are consistent throughout the recordings. 735:, a singer that Parks had performed with at 19579:Albums recorded at United Western Recorders 19559:Psychedelic rock albums by American artists 19015:Good Timin': Live at Knebworth England 1980 18664:Good Timin': Live at Knebworth England 1980 17606:: The Beach Boys Album That Refused to Die" 17510:"Why I frown upon the Beach Boys releasing 17027: 16679: 16220:. Oxford University Press. pp. 33–57. 14955: 14077: 12401:"It's Beach Boys Over Beatles: Reader Poll" 11974: 11972: 11151: 10819: 10817: 10539: 10127: 10125: 10055:. Open Access History and American Studies. 9439: 9057:"Interview with Mark Volman of the Turtles" 8683:The Journal on the Art of Record Production 8407: 4831:, a documentary film by Leaf, premiered on 4434:, who collaborated on the first book about 4297:had insisted on opening their 1979 release 4162:Bootlegs, partial releases, and fan efforts 3271:sessions. The relevant text is as follows: 2435: 2419:", the track is a medley of the standards " 856:Overlap with other Brother Records projects 596: 501:, Wilson's new friends "had the gift of gab 283:with guest lyricist and assistant arranger 19066:Summer Dreams: The Story of the Beach Boys 18831:Beach Boys' Party! Uncovered and Unplugged 18340: 18326: 17781: 17767: 17508:Smith, Caspar Llewellyn (March 14, 2011). 16824:. Westport, Connecticut: Greenwood Press. 16463:(1). Cambridge University Press: 109–133. 15585: 15492: 15277: 15275: 15171: 14728: 13016: 13014: 11772: 11739: 10641: 10389: 10353: 9903: 9847:"Brian Wilson: Smile? Don't mind if I do…" 9836: 9834: 9736: 9734: 9732: 9167: 8888: 8886: 5424:and its mythology became a touchstone for 5012:the same way people are obsessed with the 4773:at the Royal Festival Hall, February 2004. 4542:recordings on the career-spanning box set 2398: 2099: 1600:, particularly Grainger's arrangement of " 1334:It was sort of like making films I think. 850: 400:", and completed only three more tracks, " 291:as a "teenage symphony to God" to surpass 55: 16769: 16748: 16234: 15862: 15829: 14251: 14247: 14245: 14243: 14241: 14239: 14237: 14235: 14233: 14231: 13771: 13765: 13753: 13738: 13083: 13081: 12629: 12175: 11907: 11750: 10727: 10291: 10216: 10214: 9944:"SMiLE: How We Created Pop's Lost Legend" 9644: 9514: 9481: 9454: 9273: 9205: 8777: 8209:He had a very strong feeling about that." 5757:as "finally completed". In his review of 5373:was and still sounds 44 years later, had 5115:"was ever contemplated" in 1966 or 1967. 4915:Multiple theories abound concerning what 4777:Wilson was able to complete a version of 4704:, Wilson responded, "I thought too much. 4643:, and this rendition was included on the 4308:stuff intact ". Johnston again mentioned 4176:of song titles included on the discarded 2046:". One of the distinguishing features of 1714:"), "isolated, small-hours creepiness" (" 608:(pictured 1967) provided the majority of 27:Unfinished studio album by the Beach Boys 17134: 17112: 16931: 16905: 16859: 16815: 16255: 16205: 15749: 15535: 15242: 15114: 15066: 14864: 14629: 14461: 14278: 14276: 14035: 13782: 13499: 12684: 12642: 12611: 12421: 12336: 11969: 11855: 11819: 11709: 11694: 11103: 10960: 10814: 10736: 10708: 10205: 10122: 10042: 10040: 10002: 9990: 9794: 9412: 9267: 9161: 8416: 6441:"Do You Like Worms (Roll Plymouth Rock)" 5611:was inspired by the modular approach of 4762: 4425: 4364: 4214: 4056: 4002: 3711: 3424: 3035: 3000: 2855: 2788:Original recording sessions and collapse 2770: 2699: 2472: 2239: 2115: 1575: 1015:Wilson stated that his understanding of 1010: 923: 872:we were talking about doing humor albums 798:, the 18-year-old founder and editor of 600: 519: 19122:Good Vibrations: My Life as a Beach Boy 17995:The Elements: Fire (Mrs. O'Leary's Cow) 16838: 16794: 16545:Good Vibrations: My Life as a Beach Boy 16483: 16448: 16427: 16305: 16163: 16090: 16058: 15547: 15474: 15462: 15450: 15419: 15272: 15182: 15165: 15153: 15090: 14768: 14692: 14282: 13649: 13327: 13303: 13011: 12663: 12467: 12387: 12363: 12179:"Dennis Wilson: "I Live With 17 Girls"" 12137: 12135: 12133: 12131: 12129: 12127: 11500: 11391: 11379: 10782: 10717:"The creative struggle of Brian Wilson" 10714: 10608: 10517:"Beach Boys makes its fans SMiLE again" 10493: 10481: 10419: 9963: 9940: 9912: 9840: 9831: 9765: 9729: 9708: 9231: 9149: 8883: 8672: 8670: 8668: 8666: 8664: 8662: 8660: 8658: 8656: 8654: 8652: 8650: 8648: 8646: 8644: 8642: 8640: 8638: 8636: 8580: 8478: 4899: 4713:stuff. It's just not appropriate music. 4280:—Bruce Johnston arguing against a full 3646:." On May 6, a week after stating that 3576:, a documentary by David Oppenheim and 3301:and they didn't like our appearances." 2967:By that point, Brian was suffering from 2723:"Two-step to lamps light" / "Surf's Up" 2550: 1926:. He wrote that collaborations between 1815:, yodeling, and elements derivative of 1725: 14: 19491: 19101:The Beach Boys and the California Myth 17870:Do You Like Worms (Roll Plymouth Rock) 16953: 16724: 16700: 16655: 16520:The Beach Boys and the California Myth 16329: 16279: 16137: 16039: 16018: 15994: 15943: 15672: 15633: 15618: 15591: 15562:"Dumb Angles: The Myth and Promise of 15486: 15407: 15395: 15266: 15126: 15078: 15015: 15003: 14991: 14943: 14931: 14919: 14907: 14865:Wilonsky, Robert (December 23, 1999). 14833: 14821: 14737: 14680: 14605: 14590: 14578: 14539: 14527: 14382: 14358: 14228: 14172: 14083: 14071: 14023: 14011: 13999: 13970: 13946: 13934: 13922: 13910: 13898: 13886: 13865: 13853: 13841: 13826: 13726: 13655: 13619: 13589: 13574: 13562: 13535: 13523: 13511: 13487: 13458: 13431: 13419: 13392: 13380: 13368: 13351: 13279: 13267: 13245:The Cambridge Companion to the Beatles 13239: 13227: 13215: 13200: 13188: 13176: 13157: 13145: 13078: 12993: 12978: 12963: 12951: 12912: 12900: 12888: 12876: 12840: 12828: 12816: 12804: 12792: 12765: 12753: 12717: 12664:Runtagh, Jordan (September 15, 2017). 12545: 12533: 12506: 12491: 12479: 12455: 12375: 12324: 12303: 12291: 12279: 12255: 12243: 12176:Griffiths, David (December 21, 1968). 12118: 12091: 12076: 12064: 12052: 12040: 12028: 11978: 11946: 11931: 11867: 11802: 11733: 11677: 11662: 11630: 11606: 11594: 11582: 11559: 11547: 11532: 11517: 11488: 11471: 11456: 11444: 11432: 11420: 11408: 11367: 11355: 11340: 11328: 11316: 11287: 11262: 11250: 11235: 11223: 11208: 11196: 11175: 11163: 11139: 11127: 11115: 11091: 11064: 11049: 11037: 11025: 11013: 11001: 10989: 10977: 10948: 10922: 10895: 10876: 10864: 10794: 10770: 10702: 10690: 10635: 10620: 10584: 10545: 10514: 10440: 10366: 10285: 10211: 10193: 10178: 10166: 10095: 10083: 10068: 10031: 10014: 9975: 9941:Sandall, Robert (September 23, 2004). 9879: 9825: 9788: 9723: 9595: 9583: 9557: 9545: 9493: 9469: 9427: 9397: 9355: 9331: 9255: 9176: 9132: 9117: 9100: 9006: 8994: 8982: 8970: 8953: 8938: 8926: 8914: 8877: 8865: 8853: 8836: 8771: 8759: 8747: 8732: 8720: 8679:"SMiLE: Brian Wilson's Musical Mosaic" 8676: 8634: 8632: 8630: 8628: 8626: 8624: 8622: 8620: 8618: 8616: 8607: 8595: 8568: 8556: 8544: 8532: 8520: 8505: 8493: 8466: 8444: 8387:Bogdanov, Woodstra & Erlewine 2002 6606: 6595: 6584: 6573: 6562: 6551: 6540: 6529: 6518: 6507: 6341: 6330: 6315: 6304: 6289: 6278: 6255: 6244: 6051: 6036: 6021: 6006: 5991: 5976: 5961: 5946: 5935: 5920: 5905: 5886: 5738:was, simply put, nowhere near finished 5428:and the more art-inclined branches of 4904: 4805:in three movements as early as 1980. 4381:-esque song for his debut solo album, 3632:Williams reported in the May issue of 3319:The Beach Boys and the California Myth 3066:would "be as much an improvement over 2347:"Do You Like Worms?" ("Bicycle Rider") 2028:"Heroes and Villains" (early 1967 mix) 1493:The Beach Boys faking a group orgasm. 1162: 1006: 680: 576:the fragments into a composite track. 19007:Endless Harmony: The Beach Boys Story 18321: 17762: 17457:Roberts, Randall (November 6, 2011). 17245:... What's BRIAN Doing Back at Base?" 17048: 16880: 16634: 16583: 16352: 16112: 15881: 15817: 15805: 15761: 15559: 15505: 15371: 15254: 15141: 15102: 15054: 15042: 15030: 14895: 14845: 14693:Hoskyns, Barney (September 1, 1995). 14668: 14653: 14641: 14617: 14566: 14551: 14512: 14497: 14434: 14370: 14346: 14334: 14319: 14273: 14222: 14210: 14198: 14160: 14145: 14133: 14121: 14109: 13958: 13809: 13688: 13114:Kiehl, Stephen (September 26, 2004). 13113: 13065:"1967: The Year It All Came Together" 13061: 12351: 12215: 12169: 11908:Hedegaard, Erik (February 17, 2016). 11781: 11645: 10823: 10737:Petridis, Alexis (October 27, 2011). 10650: 10390:Richardson, Mark (November 2, 2011). 10131: 10107: 10037: 9915:"Let's Just Say That Sometimes?>!" 9800: 9740: 9667: 9607: 9601: 9551: 9292: 9083: 8892: 8808:"Brian Wilson Remembers How To Smile" 8802: 8401: 6617: 6496: 6485: 6470: 6459: 6448: 6437: 6426: 6415: 6404: 6360: 6229: 6214: 6203: 6192: 6165: 6150: 6139: 6128: 6109: 6066: 5801: 5619:recordings influenced albums such as 5363:Sgt. Pepper's Lonely Hearts Club Band 4351:In April 1985, the video documentary 3934:wrote that the "failed aspiration of 3690:Sgt. Pepper's Lonely Hearts Club Band 2510: 1973: 1718:"), and "weird, dislocated voices" (" 19574:Albums recorded at Gold Star Studios 19549:Folk rock albums by American artists 19436:1968 tour with Maharishi Mahesh Yogi 18859:I Can Hear Music: The 20/20 Sessions 18852:Wake the World: The Friends Sessions 17203:"? Time with Beach Boy Brian Wilson" 17005: 16979: 16562: 16538: 16512: 16401: 16373: 16184: 15844:"The Beach Boys: The SMiLE Sessions" 15841: 15773: 15506:Oteri, Frank J. (December 8, 2011). 15343: 15331: 15305: 14809: 14400:Staton, Scott (September 22, 2005). 13987: 13703: 13676: 13443: 13339: 13315: 13037: 13020: 13005: 12924: 12864: 12852: 12741: 12729: 12705: 12599: 12584: 12521: 12198: 12163: 12124: 12106: 11999: 11890: 11843: 11831: 11077:"The 50 Greatest Beach Boys Songs". 10931:. stylusmagazine.com. Archived from 10596: 10533: 10515:Dansby, Andrew (November 11, 2011). 10469: 10383: 10349:. The Beach Boys. November 29, 2011. 10314: 10223:"The Resurrection of Brian Wilson's 10220: 10046: 9894: 9867: 9746:"The Frenzied Frontier of Pop Music" 9696: 9638: 9508: 9494:Sacher, Andrew (November 24, 2021). 9382: 9367: 9243: 9206:Ellsworth, Adam (January 26, 2013). 8440: 8438: 8436: 7800: 5412: 5146:. Asked in a 1987 interview whether 5138:Part of the speculation surrounding 4744: 2522: 2505: 2224:" features keyboard, trumpet, vocal 1489:a "panoramic" wild-west movie score 1135:In late 1966, Wilson commented that 919: 888:the humor concept was separate from 456:for concert performances, billed as 18917:Merry Christmas from the Beach Boys 17238:Thomas, Tracy (November 18, 1966). 16881:Starr, Larry (2016). "A Listener's 16617:The Words and Music of Brian Wilson 15673:Labate, Steve (November 13, 2008). 15291:. September 2, 2003. Archived from 14462:McCulley, Jerry (August 12, 1988). 14435:Gluck, Jeremy (February 18, 2011). 10441:Essner, Dean (September 27, 2014). 9533:University of North Texas Libraries 9298:"The Beach Boys: A California Saga" 8613: 7935:. He writes the Beach Boys crafted 7797:The Smile Sessions § Personnel 6511:"Look (Song for Children)" (Wilson) 5827:contains a segment inspired by the 4781:in 2004 with the assistance of the 4717:I know it's a legendary thing. The 3709:and that the album was "50% done". 3515:While litigation was underway, the 3297:that the Beach Boys would dissolve. 1992:Tracks listed on Wilson's 1966 note 1319: 1053:the relationship of Russia to China 899:was going to be the culmination of 660:collaborator's musical background. 369:. The lead single would have been " 24: 19108:Becoming the Beach Boys, 1961–1963 18548:Carl and the Passions – "So Tough" 18347: 17691:The Beach Boys An Introduction to 17623:10.1111/j.1533-1598.1994.tb00088.x 17414:"Still Picking Up Good Vibrations" 17188: 17028:Trynka, Paul; Bacon, Tony (1996). 16595:The New Rolling Stone Record Guide 16566:The Words and Music of Frank Zappa 15220:. October 21, 2011. Archived from 14084:Felton, David (November 4, 1976). 14043:Today's Sound: A Melody Maker Book 13091:. January 29, 2014. Archived from 11868:Thomas, Tracy (January 28, 1967). 11782:Himes, Geoffrey (September 1983). 10925:"Smile: The Definitive Lost Album" 10715:Leopold, Todd (January 17, 2012). 10110:"Still Picking Up Good Vibrations" 9561:"A Conversation With Brian Wilson" 9054: 8677:Heiser, Marshall (November 2012). 5689:Unfinished state and interactivity 4640:I Just Wasn't Made for These Times 4416:came out left, right and centre." 4391:" suite, written with co-producer 3778:is he tried to salvage as much of 2917:Wilson was later declared to have 2853:they hold back their complaints." 2392:United States Playing Card Company 2335: 2246: 2139: 2016: 752:proclaimed Wilson to be a "genius" 591: 381:", a tongue-in-cheek promotion of 25: 19615: 19584:The Beach Boys bootleg recordings 19150:Wouldn't It Be Nice: My Own Story 18485:Summer Days (And Summer Nights!!) 17721:. alphastudio.com. Archived from 17683: 17341:"That Music Was Actually Created" 16913:Dennis Wilson: The Real Beach Boy 16755:. Milwaukee, WI: Backbeat Books. 16614:Matijas-Mecca, Christian (2017). 16185:Hall, Mitchell K. (May 9, 2014). 14738:Peters, Tony (October 12, 2011). 14723:, is due for release this autumn. 12766:Wilson, John (October 21, 2011). 10257: 9895:Zahl, David (November 16, 2011). 8433: 8009:"Dangling causes", as defined by 7768:Survives only as an instrumental 4942:to the project. In October 1967, 4789:album, Sahanaja began suggesting 4462:, featured a 300-page summary of 4167:Earliest bootlegs and fan network 4061:Carl Wilson (pictured) initiated 3746:, being stylistically similar to 3329:Wouldn't It Be Nice: My Own Story 2616:Audio vérité and other recordings 2204:" is about railroads. Biographer 1637:vocals "willfully regresses into 88:February 17, 1966 – May 18, 1967 19524:Albums conducted by Brian Wilson 19473: 19472: 19203:Bootlegs and unreleased material 19143:Inside the Music of Brian Wilson 19039:Brian Wilson: Long Promised Road 18678:Live – The 50th Anniversary Tour 18234:George Fell into His French Horn 17645:. In Slethaug, Gordon E. (ed.). 17611:Journal of Popular Music Studies 17217:Jones, Peter (August 13, 1966). 16891:. University of Michigan Press. 16490:. University of Michigan Press. 16123:. University of Michigan Press. 16025:. University of Michigan Press. 15856: 15842:Kane, Tyler (November 1, 2011). 15835: 15767: 15711: 15685: 15666: 15639: 15365: 15337: 15308:"Smiley Smile/Wild Honey review" 15306:Owen, Spencer (March 29, 2001). 15204: 14949: 14762: 14686: 14455: 14295: 14252:Cavanaugh, David (May 1, 2015). 14166: 14029: 13689:Kamer, Gijsbert (July 9, 2004). 13682: 13474:The Beach Boys: An American Band 13471:Leo, Malcolm (Director) (1985). 13233: 13107: 12759: 12685:Michaels, Sean (June 12, 2014). 12678: 12657: 12393: 11993: 11952: 11861: 11070: 10954: 10795:Murphy, Sean (August 28, 2012). 10788: 10508: 10487: 10420:Lynskey, Dorian (May 16, 2016). 10413: 10101: 8338: 8321: 8304: 8295: 8286: 8265: 8256: 8243: 8234: 8225: 8212: 8175: 8162: 8153: 8139: 8125: 8111: 8090: 8081: 8072: 8055: 8045: 8024: 8003: 7986: 7804: 6610:"Good Vibrations" (Wilson, Love) 5939:"Heroes and Villains (Sections)" 5605:said that his band's 2013 album 5484:The Elephant 6 Recording Company 5190:, "And it's a damn shame, too". 4677:, the group discussed finishing 4354:The Beach Boys: An American Band 3938:served as a guiding spirit" for 3354:So he abandoned the studio. Then 2377:Problems playing this file? See 2351: 2292:Problems playing this file? See 2266: 2191:Problems playing this file? See 2159: 2058:Problems playing this file? See 2032: 722:era, Wilson's coterie included: 669:article that stated otherwise (" 19519:Albums arranged by Brian Wilson 19514:Albums produced by Brian Wilson 19250:Songs covered by the Beach Boys 18471:The Beach Boys' Christmas Album 18248:Inside Pop: The Rock Revolution 17488:Roedel, J. (October 12, 2011). 17412:Myers, Marc (October 7, 2011). 17293:Meier, Kurt von (August 1968). 17276:Delehant, Jim (February 1967). 17098:. Last Gasp. pp. 220–241. 16387:. Last Gasp. pp. 262–267. 15936: 15910: 15890: 14305:(November 1978). "Pet Sounds". 14283:Elliott, Brad (November 1981). 12142:Leaf, David (Director) (2004). 11979:Parkes, Taylor (May 22, 2013). 10367:Masley, Ed (October 28, 2011). 10326:. No. 333. pp. 30–31. 10132:Myers, Matt (October 7, 2011). 10108:Myers, Marc (October 7, 2011). 9934: 9750:Los Angeles Times West Magazine 9558:Rensin, David (December 1976). 9487: 9199: 9048: 9012: 8271:Richard Henderson, writing his 7977: 7964: 7951: 7942: 7931:had topped his achievements on 7921: 7908: 7895: 7886: 7873: 7780: 7772: 7764: 6267:" / "Workshop" (Wilson, Parks, 5665:(2001), the Apples in Stereo's 5397:would "probably" never include 4886:500 Greatest Albums of All Time 3573:Inside Pop: The Rock Revolution 3183:Los Angeles Times West Magazine 2050:was the use of abrupt jumpcuts. 1414:Orchestrations and arrangements 1230:') explanation or resolution." 530:recording session in early 1966 17200:Moses, Anne (August 5, 1966). 16449:Lambert, Philip (March 2008). 15675:"The complete Paste interview" 15646:Jamow, Jesse (June 20, 2012). 15508:"Sounds Heard: The Beach Boys— 15425:"SMiLE [Not Released]" 13786:Randy Newman's American Dreams 12981:, pp. 153, 163, 173, 180. 12772:Tintin; Brian Wilson interview 12643:Holdship, Bill (August 1995). 12437:. 2015. pp. 79, 141–142. 11959:Weis, Gary (Director) (1976). 10494:Fusilli, Jim (June 19, 1998). 7974:, one of the album's concepts. 7842: 6630: 6392: 6097: 5874: 5824:Walk Hard: The Dewey Cox Story 5810:'s 1991 science fiction novel 5243: 4651:to be released in the autumn. 4387:(1988). This resulted in the " 2276:A later composite version of " 2042:Excerpt from an early mix of " 1633:element". Toop wrote that the 884:there was 'The Elements' talk. 624:. There, he was introduced to 497:). According to his then-wife 448:. In 2004, Wilson, Parks, and 13: 1: 18625:That's Why God Made the Radio 17584:10.1080/19401159.2017.1336377 17095:Look, Listen, Vibrate, Smile! 17085:"A Celebration of Wild Honey" 16885:". In Lambert, Philip (ed.). 16845:. Wipf and Stock Publishers. 16707:Look, Listen, Vibrate, Smile! 16587:(1983). "The Beach Boys". In 16484:Lambert, Philip, ed. (2016). 16384:Look, Listen, Vibrate, Smile! 16117:". In Lambert, Philip (ed.). 16068:. In Abbott, Kingsley (ed.). 16065:"Smile: The Great Lost Album" 16042:Fifty Sides of the Beach Boys 13789:. ECW Press. pp. 78–81. 12646:"Lost in Music: Brian Wilson" 12000:Fine, Jason (June 21, 2012). 11724:, pp. xiv, 60–63, 77–78. 11562:, pp. 173, 178, 180–181. 9801:Grant, Mike (February 1967). 9304:. No. 94. Archived from 8447:"Interview with Brian Wilson" 8354: 6639:liner notes and Andrew Doe's 5836:Reconstruction track listings 5042:Hypothetical release scenario 4645:accompanying soundtrack album 4572:Look! Listen! Vibrate! Smile! 4561:ALBUM BY YOURSELF AT HOME!!! 4460:Look! Listen! Vibrate! Smile! 4421:Look! Listen! Vibrate! Smile! 4152:Gotta Take That One Last Ride 3258:"Don't fuck with the formula" 2669:(recorded November 16, 1966) 928:According to Van Dyke Parks, 479: 19167:Beach Boys Historic Landmark 18713:The Beach Boys On Tour: 1968 17548:10.1080/03007766.2014.970858 16866:. Rowman & Littlefield. 16686:. New York, NY: Bloomsbury. 16548:. Penguin Publishing Group. 16164:Granata, Charles L. (2003). 16044:. Toronto, Ont.: ECW Press. 15913:"Tours & Sessions: 1967" 15893:"Tours & Sessions: 1966" 15344:Boyd, Brian (June 4, 2016). 14407:The New York Review of Books 13656:Trakin, Rob (October 2004). 12216:Sharp, Ken (July 28, 2000). 10923:Howard, Ed (July 28, 2003). 10651:Sharp, Ken (April 2, 2013). 10134:"Interview: Brian Wilson on 9182:"David Anderle's falsehoods" 8902:The New York Review of Books 8496:, pp. 124–125, 133–134. 8205:the Beatles were number two 8034:, a 'barbershop' sound that 7790: 7757: 6522:"Child Is Father of the Man" 6382:– sequenced by Mark Linett, 5573:"definitely" influenced the 4183:Audio bootlegs purported as 3818: 3811:in August. On September 18, 3558:Semi-hiatus (April–May 1967) 2660:(recorded November 4, 1966) 2644:(recorded October 18, 1966) 2216:"Child Is Father of the Man" 1986:—Brian Wilson, November 1966 1954:"in oblique relationship to 299:that was planned to feature 7: 19330:Brian Wilson Presents Smile 17811:Brian Wilson Presents Smile 17169:I Am Brian Wilson: A Memoir 17141:Back to the Miracle Factory 16839:Sellars, Jeff, ed. (2015). 16563:Lowe, Kelly Fisher (2007). 16452:"Brian Wilson's Pet Sounds" 16359:. Ashgate Publishing, Ltd. 16338:. Hal Leonard Corporation. 16291:(1st ed.). Canongate. 16235:Henderson, Richard (2010). 16149:. New York: Da Capo Press. 16098:. London: The Bodley Head. 15560:Ewing, Tom (June 5, 1999). 14173:Neeley, M. (May 26, 2023). 13548:Williams & Anderle 1995 13292:Williams & Anderle 1995 13050:Williams & Anderle 1995 12937:Williams & Anderle 1995 12624:Williams & Anderle 1995 12561:Williams & Anderle 1995 12002:"The Beach Boys' Last Wave" 11305:Williams & Anderle 1995 10221:Bell, Matt (October 2004). 8445:Ronnie (October 16, 2004). 8417:Delehant, Jim (June 1967). 7750: 6599:"Love to Say Dada" (Wilson) 6084:Brian Wilson Presents Smile 5997:Heroes and Villains (Intro) 5753:, critics popularly viewed 5615:. Priore believed that the 5545:featured cover versions of 5532:(2001) was partly based on 5461:). When we started hearing 4950:Goodbye Surfing, Hello God! 4810:Brian Wilson Presents Smile 4770:Brian Wilson Presents Smile 4759:Brian Wilson Presents Smile 4752:Brian Wilson Presents Smile 4510:The wider dissemination of 4040:, the Beach Boys signed to 3082:: "In my opinion, it makes 3009:sessions were conducted at 2972:to his paranoia – some of 778:Paul Jay Robbins, from the 746:, former press officer for 459:Brian Wilson Presents Smile 375:early history of California 40:Brian Wilson Presents Smile 10: 19620: 19373:A Postcard from California 18824:Keep an Eye on Summer 1964 18754:Lost & Found (1961–62) 18671:Songs from Here & Back 17938:Child Is Father of the Man 17738:Prokopy, David E. (1996). 17664:Farquharson, Alex (2005). 17241:"The Beach Boys: Meanwhile 17144:. Tom Doherty Associates. 16749:Rodriguez, Robert (2012). 16680:Prendergast, Mark (2003). 16265:. Henry Holt and Company. 16238:Van Dyke Parks' Song Cycle 12429:"The History of Rock 1966" 9022:(deluxe box set booklet). 8370:Wilson & Greenman 2016 7794: 7760:Demo or studio experiment 7134:Child Is Father of the Man 6656: 6651: 6235:Child Is Father of the Man 6117:" (Wilson, William Davis, 5705:—Mike Segretto, author of 4857: 4756: 4615:box set rumors and arrests 4358:spread of newly available 3676: 2477:Artist's rendering of the 2222:Child Is Father of the Man 1315:Composition and production 1217:By contrast, musicologist 1072:), Confucianism (from the 560:", which was intended for 548:. Instead, he worked with 248:by the American rock band 29: 19468: 19396: 19314: 19258: 19195: 19159: 19092: 19057: 18956: 18931: 18882: 18722: 18657:The Beach Boys in Concert 18634: 18420: 18355: 18292: 18206: 18135: 18082: 18022: 17954: 17915: 17840: 17827: 17798: 17788: 17666:Brian Wilson: An Art Book 17536:Popular Music and Society 17259:Eden (January 14, 1967). 16801:. Bloomsbury Publishing. 16469:10.1017/S1478572208000625 16353:Jones, Carys Wyn (2008). 16330:Howard, David N. (2004). 15863:Slowinski, Craig (2011). 14967:. Da Capo Press. p. 14795:: CS1 maint: unfit URL ( 14483:: CS1 maint: unfit URL ( 12819:, pp. 170, 178, 243. 12548:, pp. 163, 173, 180. 12494:, pp. 153, 159, 162. 11910:"The Ballad of Mike Love" 8312:Friends of the Beach Boys 8100:success of the Beach Boys 7729: 7375: 7250: 7242: 7199: 7113: 7068: 6810: 6763: 6759: 6665: 6662: 6659: 6648: 6399: 6396: 6391: 6104: 6101: 6096: 5881: 5878: 5873: 5700:have climaxed the album. 5675:' 2000 eponymous LP, and 5589:Teenage Symphonies to God 5488:the Olivia Tremor Control 5297:The Dark Side of the Moon 4934:In the decades following 3502:Strawberry Fields Forever 2899:suffered in the process. 2481:of 1871, an event which " 1867:to the psychedelic era." 1811:, cartoon sound effects, 1737:—Brian Wilson discussing 1557:With and other songs on 819:The Saturday Evening Post 474:55th Annual Grammy Awards 194: 186: 174: 141: 101: 93:June 3, 1967 – July 1971 84: 73: (unfinished) by 69: 54: 49: 19405:Brian Wilson is a genius 19187:United Western Recorders 18947:Mount Vernon and Fairway 18845:1967 – Sunshine Tomorrow 18618:Stars and Stripes Vol. 1 18590:Keepin' the Summer Alive 18301:Brian Wilson is a genius 17931:Look (Song for Children) 17668:. London: Four Corners. 16816:Schinder, Scott (2007). 16635:Moore, Allan F. (2016). 16591:; Swenson, John (eds.). 16524:. Grosset & Dunlap. 16428:Lambert, Philip (2007). 16191:. Taylor & Francis. 16170:. Chicago Review Press. 15972:Erlewine, Stephen Thomas 14500:, pp. 221, 223–224. 13783:Courrier, Kevin (2005). 13514:, pp. 188–189, 200. 13218:, pp. 180–181, 183. 12768:"Brian Wilson interview" 11962:The Beach Boys: It's OK! 11893:, pp. 160–162, 166. 10980:, pp. 131–132, 153. 10496:"Beach Boy Bounces Back" 10047:Reid, Darren R. (2013). 9913:Michael (June 7, 1999). 8956:, pp. 155–156, 158. 8559:, pp. 118–120, 131. 8042:', went thumbs down on." 8040:Third Stone From the Sun 7856:Antoine de Saint-Exupéry 7836: 6870:Look (Song for Children) 5591:(1994) was based on the 5186:followed the release of 4674:Stars and Stripes Vol. 1 4404:remaining vocal tracks. 3948:(1968). Music historian 3455:to "destroy Brian Wilson 2875:The Beach Boys: It's OK! 2411:"The Old Master Painter" 1670:—Brian Wilson quoted in 1473:a Renaissance-era vocal 1112:, non-country oriented, 1023:drew on the writings of 666:New York Review of Books 597:Collaboration with Parks 18:Smile (Beach Boys album) 19604:Musique concrète albums 19499:1960s in American music 19431:1967 Summer Spectacular 18904:Charles Manson sessions 18838:Becoming the Beach Boys 18768:The Pet Sounds Sessions 18685:Live in Sacramento 1964 18569:The Beach Boys Love You 17649:. Bloomsbury Academic. 17419:The Wall Street Journal 17385:and Other Difficulties" 17319:Cite magazine requires 16860:Segretto, Mike (2022). 16569:. U of Nebraska Press. 16457:Twentieth-Century Music 15697:Faith No More Followers 14959:; Hajdu, David (2009). 14871:Phoenix New Times Music 13116:"Lost and Found Sounds 11152:Trynka & Bacon 1996 10501:The Wall Street Journal 10115:The Wall Street Journal 5369:Despite how remarkable 5348:made an exception with 4684:The Pet Sounds Sessions 4502:Spread of bootlegs and 3824:Wilson's struggles and 3433:led by record producer 3234:Vosse later wrote that 1523:muted (with tape) piano 1286:Carter summarized that 1271:. They responded with " 1151:was influenced by LSD, 851:Inspiration and concept 238:(sometimes stylized as 19564:Psychedelic pop albums 19554:Progressive pop albums 19534:Capitol Records albums 19509:1966 in American music 19504:1967 in American music 19441:1975 tour with Chicago 19352:Looking Back with Love 18940:Four by the Beach Boys 18073:You're with Me Tonight 17895:The Old Master Painter 16795:Sanchez, Luis (2014). 16777:The Beatles in Context 15944:Badman, Keith (2004). 14719:tracks and fragments, 14715:A three-CD box set of 8318:and other rare tracks. 8283:throughout the album." 6577:"Wind Chimes" (Wilson) 5702: 5526:, of Montreal's album 5468: 5453:The potential of what 5379: 5260: 5107:had experimented with 4922: 4774: 4666:. He could load up an 4637:-directed documentary 4608:bootleg in the 1990s. 4563: 4456:The Dumb Angel Gazette 4446:and Nick Walusko on a 4439: 4374: 4334:Here Come de Honey Man 4277: 4228: 4130:In 1973, Brian told a 4092:was then rechristened 4070: 4016: 3884: 3866: 3795:was referred to as a " 3721: 3591: 3476: 3437: 3364: 3278: 3225: 3135: 3129:The Beach Boys' album 3089:The Lloyd Thaxton Show 3044: 3018: 2986: 2901: 2864: 2804: 2780: 2667:"Vegetables Arguments" 2624: 2486: 2421:The Old Master Painter 2340: 2282:album of the same name 2251: 2144: 2021: 1983: 1874:'s music legacy" were 1857:The Old Master Painter 1768: 1734: 1704:psychedelic experience 1667: 1585: 1507: 1371:they are artefacts of 1336: 1172: 1126:psychedelic experience 1028: 937: 781:Los Angeles Free Press 705: 613: 531: 452:arranged a version of 19446:The 50th Reunion Tour 19281:James William Guercio 18873:Sail On Sailor – 1972 18478:The Beach Boys Today! 17637:Carter, Dale (2017). 17599:Starr, Larry (1994). 17563:Carter, Dale (2017). 17468:The Los Angeles Times 17339:Alpert, Neal (2002). 17194:Contemporary articles 16798:The Beach Boys' Smile 16734:. London: Sanctuary. 16040:Dillon, Mark (2012). 15774:Fred (June 6, 1999). 15662:on December 21, 2015. 15188:"The Legend of Smile" 14750:. phoenixnewtimes.com 14402:"A Lost Pop Symphony" 13646:, pp. xxii, 113. 13062:Frith, Simon (1981). 10964:The Los Angeles Times 10556:The New York Observer 10371:. Arizona: AZ Central 9744:(November 27, 1966). 9308:on September 25, 2018 7795:Further information: 7776:Recorded with vocals 7703:† "Tones" / "Tune X" 6430:"Heroes and Villains" 6408:"Our Prayer" (Wilson) 6132:"Heroes and Villains" 5851:, disc two (relevant 5821:The 2007 comedy film 5794:suggested that, with 5693: 5668:Her Wallpaper Reverie 5451: 5354: 5248: 5014:Kennedy assassination 4969:How Deep Is the Ocean 4909: 4890:Best Historical Album 4766: 4735:Heroes and Vibrations 4633:arrangement, for the 4555: 4429: 4368: 4295:James William Guercio 4269: 4218: 4171:Many of the original 4060: 4006: 3887:—Van Dyke Parks, 2004 3876: 3846: 3740:his improvised studio 3720:in Malibu, July 1967. 3715: 3673:(June–September 1967) 3652:Disc & Music Echo 3615:Disc & Music Echo 3587: 3467: 3428: 3348: 3273: 3213: 3127: 3039: 3004: 2965: 2893: 2859: 2792: 2774: 2700:Artwork and packaging 2620: 2491:The Elements – Part 1 2476: 2339: 2250: 2151:"Cabinessence" (1968 2143: 2020: 2010:"Heroes and Villains" 1978: 1968:Johann Sebastian Bach 1946:'s thematic LPs, and 1831:chants. Music critic 1801:pre-rock and roll pop 1771:—Van Dyke Parks, 2009 1752: 1730: 1660: 1579: 1468: 1398:songs begin and end. 1324: 1167: 1014: 961:transatlantic accents 927: 685: 604: 523: 470:Best Historical Album 325:pre-rock and roll pop 19539:1960s concept albums 18706:1967 – Live Sunshine 18692:Live in Chicago 1965 17725:on December 12, 2011 17475:on November 11, 2011 16665:. Ballantine Books. 16496:10.3998/mpub.9275965 15295:on December 1, 2007. 15224:on February 29, 2012 15057:, pp. 215, 233. 14683:, pp. 150, 283. 14554:, pp. 223, 232. 14416:on December 24, 2015 14225:, pp. 221, 223. 14148:, pp. 225, 227. 14136:, pp. 227, 236. 14124:, pp. 225, 230. 13937:, pp. 293, 296. 13856:, pp. 221, 231. 13383:, pp. 181, 183. 13095:on February 24, 2021 12831:, pp. 173, 178. 12795:, pp. 167, 180. 12744:, pp. 162, 166. 12732:, pp. 131, 151. 12067:, pp. 103, 280. 11846:, pp. 263, 267. 11028:, pp. 156, 167. 10827:(November 9, 1990). 10661:Rock Cellar Magazine 10447:vs. The Beach Boys' 10169:, pp. 169, 182. 9296:(October 28, 1971). 9009:, pp. 120, 142. 8985:, pp. 172, 174. 8929:, pp. 147, 158. 8896:(January 12, 2006). 8762:, pp. 114, 131. 8610:, pp. 134, 139. 8571:, pp. 126, 131. 6452:"I'm in Great Shape" 6271:, Sadie Vimmerstedt) 6143:"Roll Plymouth Rock" 5749:Upon the release of 5682:So Much for the City 5626:Oranges & Lemons 5090:the group's break-up 5078:was." Brian Boyd of 4948:magazine published " 4900:Influence and legacy 4884:s 2012 list of the " 4737:, with a multi-disc 4570:writing in his book 4494:, and former Beatle 3390:Warner Bros. Records 3367:—David Anderle, 1968 3228:—Michael Vosse, 1969 3029:had been renamed to 2824:the public enough." 2329:"Do You Like Worms?" 2091:"I'm in Great Shape" 1726:Contemporary context 579:Released on May 16, 190:recording chronology 18923:Andy Paley sessions 18699:Graduation Day 1966 18105:Can't Wait Too Long 17899:You Are My Sunshine 17863:Heroes and Villains 17740:"The Prokopy Notes" 16965:. Chartwell Books. 15970:; Woodstra, Chris; 15550:, pp. 83, 117. 15421:Unterberger, Richie 15398:, pp. 52, 284. 15129:, pp. 284–285. 15093:, pp. 99, 102. 15081:, pp. 103–105. 15045:, pp. 232–233. 14910:, pp. 161–163. 14877:on January 11, 2014 14867:"The Forever Frown" 14848:, pp. 231–232. 14772:(August 24, 1995). 14620:, pp. 216–217. 14569:, pp. 229–230. 14443:on November 9, 2011 14337:, pp. 227–228. 14074:, pp. 119–120. 13490:, pp. 183–188. 13434:, pp. 187–188. 13230:, pp. 116–117. 13071:The History of Rock 12954:, pp. 167–168. 12708:, pp. 163–164. 12587:, pp. 164–165. 12482:, pp. 108–109. 12294:, pp. 155–156. 12230:on January 9, 2013. 12031:, pp. 182–183. 11805:, pp. 186–187. 11597:, pp. 175–177. 11459:, pp. 169–170. 10839:on December 4, 2014 9950:The Daily Telegraph 9726:, pp. 168–169. 9598:, pp. 178–179. 9457:, pp. 221–222. 9135:, pp. 173–176. 9036:cite AV media notes 8806:(October 1, 2004). 8598:, pp. 131–132. 8535:, pp. 144–145. 8508:, pp. 87, 136. 6790:Heroes and Villains 6643:online compendium. 6566:"Holidays" (Wilson) 6419:"Gee" (Davis, Levy) 6388: 6175:You Are My Sunshine 6093: 6042:I Love to Say Da Da 5926:Heroes and Villains 5870: 5603:My Bloody Valentine 5520:plink, plink, plink 5420:was influential to 5385:, George Gershwin, 5088:may have prolonged 4905:Legend and mystique 4819:Royal Festival Hall 4817:) premiered at the 4721:trip is a legend." 4069:in the early 1970s 3479:—Derek Taylor, 1975 3160:the Walker Brothers 2720:"Do You Like Worms" 2563:"I Wanna Be Around" 2535:"He Gives Speeches" 2425:You Are My Sunshine 2110:Can't Wait Too Long 2069:Heroes and Villains 2044:Heroes and Villains 1861:You Are My Sunshine 1388:Heroes and Villains 1236:Western colonialism 1198:natural environment 1175:—Brian Wilson, 2005 1163:Themes and lyricism 1110:Southern California 1089:The Act of Creation 1065:The Act of Creation 1007:Humor and mysticism 936:(pictured in 1964). 681:Wilson's associates 524:Wilson producing a 440:interactive project 371:Heroes and Villains 19359:Pacific Ocean Blue 19074:An American Family 18810:Made in California 18803:The Smile Sessions 18782:Ultimate Christmas 18643:Beach Boys Concert 18611:Summer in Paradise 18583:L.A. (Light Album) 18492:Beach Boys' Party! 18457:Shut Down Volume 2 18450:Little Deuce Coupe 18045:Teeter Totter Love 17877:I'm in Great Shape 17830:The Smile Sessions 17818:The Smile Sessions 17746:. thesmileshop.net 17572:Rock Music Studies 17428:on April 14, 2015. 17390:The New York Times 16939:. Backbeat Books. 16315:. Backbeat Books. 16076:. Helter Skelter. 15996:Carlin, Peter Ames 15980:. Backbeat Books. 15968:Bogdanov, Vladimir 15952:. Backbeat Books. 15866:The Smile Sessions 15510:The Smile Sessions 15465:, pp. 67, 69. 15200:on March 14, 2012. 14782:The New York Times 14047:. Hamlyn. p. 13644:Matijas-Mecca 2017 13634:, pp. 80, 82. 13632:Matijas-Mecca 2017 13605:Matijas-Mecca 2017 13408:Matijas-Mecca 2017 12927:, pp. 38, 42. 12575:, pp. xx–xxi. 12573:Matijas-Mecca 2017 12268:Matijas-Mecca 2017 11722:Matijas-Mecca 2017 11619:Matijas-Mecca 2017 11016:, pp. 65, 68. 10741:The Smile Sessions 10449:The Smile Sessions 10394:The Smile Sessions 10320:The SMiLE Sessions 10318:(November 2011). " 10262:The SMiLE Sessions 9671:(April 14, 1969). 9611:(August 4, 2005). 9344:Matijas-Mecca 2017 9020:The Smile Sessions 8818:on January 8, 2009 8015:The Smile Sessions 7439:The Elements: Fire 7263:Do You Like Worms? 7179:I'm in Great Shape 6637:The Smile Sessions 6378:The Smile Sessions 6374: 6321:Mrs. O'Leary's Cow 6261:I'm in Great Shape 6171:Old Master Painter 6080: 5844: 5802:In popular culture 5780:Erich Von Stroheim 5759:The Smile Sessions 5732:The Smile Sessions 5492:Neutral Milk Hotel 5238:Jefferson Airplane 5199:Richie Unterberger 4894:55th Grammy Awards 4866:The Smile Sessions 4860:The Smile Sessions 4853:The Smile Sessions 4775: 4440: 4375: 4373:in the late 1980s. 4316:"Brother Records" 4300:L.A. (Light Album) 4252:The Smile Sessions 4229: 4071: 4017: 3840:remembered of the 3749:Beach Boys' Party! 3722: 3716:The Beach Boys at 3600:, circa April 1967 3537:She's Leaving Home 3490:the Rolling Stones 3449:John Frankenheimer 3438: 3170:. On December 17, 3164:the Rolling Stones 3045: 3019: 2954:losing our public. 2865: 2781: 2600:"Love to Say Dada" 2487: 2479:Great Chicago Fire 2442:classical elements 2388:Do You Like Worms? 2341: 2258:"Surf's Up" (1971 2252: 2230:William Wordsworth 2173:" is described by 2145: 2022: 1974:Potential contents 1924:the Mills Brothers 1783:touchstones, like 1766:-countercultural. 1706:". He argued that 1626:arranging" and a " 1586: 1062:'s 1964-published 1029: 938: 790:Sunset Strip riots 620:' record producer 614: 532: 465:The Smile Sessions 95:(later recordings) 90:(initial sessions) 36:The Smile Sessions 19589:Unfinished albums 19569:Unreleased albums 19486: 19485: 19426:Live performances 19172:Beach Boys Studio 19136:I Am Brian Wilson 18817:The Big Beat 1963 18315: 18314: 18198:The Wrecking Crew 18136:Associated people 18038:He Gives Speeches 18018: 18017: 17963:I Wanna Be Around 17656:978-1-5013-3526-6 17602:"The Shadow of a 17494:Aquarium Drunkard 17463:reveals creation" 17436:(December 2011). 17379:(July 22, 2013). 17179:978-0-306-82307-7 17172:. Da Capo Press. 17151:978-1-4299-8243-6 17120:. Omnibus Press. 17041:978-0-87930-428-7 17034:. Balafon Books. 17020:978-1-85242-595-1 16998:978-1-85242-382-7 16946:978-1-4584-2914-8 16924:978-1-55022-404-7 16898:978-0-472-11995-0 16852:978-1-4982-0767-6 16831:978-0-313-33845-8 16808:978-1-62356-956-3 16787:978-1-108-40952-0 16762:978-1-61713-009-0 16672:978-0-345-27398-7 16648:978-1-317-05265-4 16627:978-1-4408-3899-6 16576:978-0-8032-6005-4 16555:978-0-698-40886-9 16531:978-0-448-14626-3 16505:978-0-472-11995-0 16441:978-0-8264-1876-0 16420:978-0-7867-3074-2 16413:. Da Capo Press. 16366:978-0-7546-6244-0 16345:978-0-634-05560-7 16322:978-0-87930-943-5 16298:978-1-84195-918-4 16272:978-1-62779-400-8 16248:978-0-8264-2917-9 16227:978-0-19-988012-6 16198:978-1-135-05357-4 16177:978-1-55652-507-0 16130:978-0-472-11995-0 16105:978-1-84792-218-2 16083:978-1-900924-02-3 16051:978-1-77041-071-8 16032:978-0-472-11995-0 16011:978-1-59486-320-2 15987:978-0-87930-653-3 15959:978-0-87930-818-6 15186:(February 2002). 14632:, pp. 84–85. 14464:"Trouble in Mind" 14179:Aquarium Drunkard 14037:Williams, Richard 13796:978-1-55022-690-4 13741:, pp. 53–56. 13306:, pp. 95–97. 13254:978-0-521-68976-2 13125:The Baltimore Sun 12390:, pp. 86–87. 11752:Highwater, Jamake 11712:, pp. 17–23. 10739:"The Beach Boys: 10611:, pp. 82–85. 10549:(July 21, 2015). 10260:"The Beach Boys: 10005:, pp. 94–98. 9768:, pp. 93–94. 9385:, pp. 96–97. 9180:(June 18, 1998). 8697:on April 15, 2015 7851:The Little Prince 7834: 7833: 7788: 7787: 7741: 7740: 7617:† "I Don't Know" 7484:I Wanna Be Around 6960:He Gives Speeches 6627: 6626: 6370: 6369: 6265:I Wanna Be Around 6220:Song for Children 6076: 6075: 6012:Do You Like Worms 5894:" (Brian Wilson, 5784:Sergei Eisenstein 5652:The Soft Bulletin 5413:Alternative music 4745:Official versions 4566:—Music historian 3882:never came out?" 3611:Then I Kissed Her 3594:—Brian Wilson to 3578:Leonard Bernstein 3453:Jewish conspiracy 3431:Jewish conspiracy 3193:his inability to 3070:as that was over 3023:Gold Star Studios 2768:in visual terms. 2658:Second party reel 2569:I Wanna Be Around 2541:He Gives Speeches 2506:Non-listed tracks 2356: 2271: 2234:My Heart Leaps Up 2164: 2037: 2001:"Good Vibrations" 1884:the Four Freshmen 1853:I Wanna Be Around 1699:The Madcap Laughs 1663:Psychedelic music 1438:experimental rock 1377:Ethnomusicologist 1080:), Buddhism, and 920:American identity 831:The Village Voice 826:Richard Goldstein 309:musical acoustics 305:tape manipulation 231: 230: 227: 226: 96: 91: 16:(Redirected from 19611: 19599:Avant-pop albums 19529:Americana albums 19476: 19475: 19421:California sound 19416:California Music 19082:Love & Mercy 18999:Nashville Sounds 18983:An American Band 18796:Sounds of Summer 18342: 18335: 18328: 18319: 18318: 18126:Cool, Cool Water 18098:She's Goin' Bald 18083:Derivative songs 18052:Three Blind Mice 18002:Love to Say Dada 17891:My Only Sunshine 17838: 17837: 17783: 17776: 17769: 17760: 17759: 17755: 17753: 17751: 17734: 17732: 17730: 17709: 17704:Tobelman, Bill. 17695: 17679: 17660: 17626: 17608: 17595: 17569: 17559: 17523: 17504: 17502: 17500: 17484: 17482: 17480: 17471:. Archived from 17453: 17452:on May 13, 2013. 17448:. Archived from 17429: 17427: 17422:. Archived from 17408: 17406: 17404: 17399:on July 25, 2013 17398: 17393:. Archived from 17372: 17356: 17354: 17352: 17328: 17322: 17317: 17315: 17307: 17302: 17289: 17281: 17272: 17264: 17255: 17247: 17244: 17234: 17226: 17223: 17213: 17205: 17183: 17155: 17131: 17109: 17087: 17071: 17059: 17045: 17024: 17002: 16990: 16976: 16964: 16950: 16928: 16916: 16902: 16877: 16856: 16835: 16818:"The Beach Boys" 16812: 16791: 16766: 16745: 16721: 16697: 16676: 16652: 16631: 16610: 16598: 16580: 16559: 16535: 16523: 16509: 16480: 16454: 16445: 16424: 16398: 16370: 16349: 16337: 16326: 16302: 16290: 16276: 16252: 16231: 16215: 16207:Harrison, Daniel 16202: 16181: 16160: 16148: 16134: 16109: 16087: 16075: 16067: 16055: 16036: 16015: 15991: 15963: 15951: 15931: 15927: 15925: 15923: 15907: 15905: 15903: 15885: 15879: 15878: 15860: 15854: 15853: 15839: 15833: 15827: 15821: 15815: 15809: 15803: 15797: 15796: 15794: 15792: 15771: 15765: 15759: 15753: 15747: 15741: 15740: 15738: 15736: 15715: 15709: 15708: 15706: 15704: 15689: 15683: 15682: 15670: 15664: 15663: 15658:. Archived from 15648:"How to Steal a 15643: 15637: 15631: 15622: 15616: 15605: 15604: 15595:(June 9, 2015). 15589: 15583: 15582: 15580: 15578: 15557: 15551: 15545: 15539: 15533: 15527: 15526: 15524: 15522: 15503: 15490: 15484: 15478: 15472: 15466: 15460: 15454: 15448: 15442: 15441: 15439: 15437: 15417: 15411: 15405: 15399: 15393: 15387: 15386: 15380: 15369: 15363: 15362: 15360: 15358: 15341: 15335: 15329: 15323: 15322: 15320: 15318: 15303: 15297: 15296: 15279: 15270: 15264: 15258: 15252: 15246: 15240: 15234: 15233: 15231: 15229: 15208: 15202: 15201: 15196:. Archived from 15180: 15169: 15163: 15157: 15151: 15145: 15139: 15130: 15124: 15118: 15112: 15106: 15100: 15094: 15088: 15082: 15076: 15070: 15064: 15058: 15052: 15046: 15040: 15034: 15028: 15019: 15013: 15007: 15001: 14995: 14989: 14983: 14982: 14966: 14953: 14947: 14941: 14935: 14929: 14923: 14917: 14911: 14905: 14899: 14893: 14887: 14886: 14884: 14882: 14873:. 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Bantam Books. 11748: 11737: 11731: 11725: 11719: 11713: 11707: 11698: 11692: 11681: 11675: 11666: 11660: 11649: 11643: 11634: 11628: 11622: 11616: 11610: 11604: 11598: 11592: 11586: 11580: 11563: 11557: 11551: 11545: 11536: 11530: 11521: 11515: 11504: 11498: 11492: 11486: 11475: 11469: 11460: 11454: 11448: 11442: 11436: 11430: 11424: 11418: 11412: 11406: 11395: 11389: 11383: 11377: 11371: 11365: 11359: 11353: 11344: 11338: 11332: 11326: 11320: 11314: 11308: 11302: 11291: 11285: 11266: 11260: 11254: 11248: 11239: 11233: 11227: 11221: 11212: 11206: 11200: 11194: 11179: 11173: 11167: 11161: 11155: 11149: 11143: 11137: 11131: 11125: 11119: 11113: 11107: 11101: 11095: 11089: 11083: 11082: 11074: 11068: 11062: 11053: 11047: 11041: 11035: 11029: 11023: 11017: 11011: 11005: 10999: 10993: 10987: 10981: 10975: 10969: 10968: 10958: 10952: 10946: 10937: 10936: 10935:on May 10, 2012. 10920: 10899: 10893: 10880: 10874: 10868: 10862: 10849: 10848: 10846: 10844: 10835:. Archived from 10821: 10812: 10811: 10809: 10807: 10792: 10786: 10780: 10774: 10768: 10759: 10758: 10756: 10754: 10734: 10725: 10724: 10712: 10706: 10700: 10694: 10688: 10677: 10676: 10674: 10672: 10667:on July 14, 2014 10663:. Archived from 10648: 10639: 10633: 10624: 10618: 10612: 10606: 10600: 10594: 10588: 10582: 10561: 10560: 10543: 10537: 10531: 10525: 10524: 10512: 10506: 10505: 10491: 10485: 10479: 10473: 10467: 10461: 10460: 10443:"Brian Wilson's 10438: 10432: 10431: 10417: 10411: 10410: 10408: 10406: 10387: 10381: 10380: 10378: 10376: 10364: 10351: 10350: 10342: 10334: 10328: 10327: 10312: 10289: 10283: 10274: 10273: 10255: 10242: 10241: 10239: 10237: 10218: 10209: 10203: 10197: 10191: 10182: 10176: 10170: 10164: 10158: 10157: 10155: 10153: 10144:. Archived from 10129: 10120: 10119: 10105: 10099: 10093: 10087: 10081: 10072: 10066: 10057: 10056: 10044: 10035: 10029: 10018: 10012: 10006: 10000: 9994: 9988: 9979: 9973: 9967: 9961: 9955: 9954: 9946: 9938: 9932: 9931: 9929: 9927: 9910: 9901: 9900: 9892: 9883: 9877: 9871: 9865: 9856: 9855: 9849: 9838: 9829: 9823: 9817: 9816: 9798: 9792: 9786: 9769: 9763: 9754: 9753: 9738: 9727: 9721: 9712: 9706: 9700: 9694: 9685: 9684: 9665: 9642: 9636: 9630: 9629: 9627: 9625: 9605: 9599: 9593: 9587: 9581: 9572: 9571: 9563: 9555: 9549: 9543: 9537: 9536: 9524: 9512: 9506: 9505: 9491: 9485: 9479: 9473: 9467: 9458: 9452: 9443: 9440:Prendergast 2003 9437: 9431: 9425: 9416: 9410: 9401: 9395: 9386: 9380: 9371: 9365: 9359: 9353: 9347: 9341: 9335: 9329: 9318: 9317: 9315: 9313: 9290: 9271: 9265: 9259: 9253: 9247: 9241: 9235: 9229: 9223: 9222: 9220: 9218: 9203: 9197: 9196: 9194: 9192: 9174: 9165: 9159: 9153: 9147: 9136: 9130: 9121: 9115: 9104: 9098: 9087: 9081: 9072: 9071: 9069: 9067: 9052: 9046: 9045: 9039: 9031: 9016: 9010: 9004: 8998: 8992: 8986: 8980: 8974: 8968: 8957: 8951: 8942: 8936: 8930: 8924: 8918: 8912: 8906: 8905: 8890: 8881: 8875: 8869: 8863: 8857: 8851: 8840: 8834: 8828: 8827: 8825: 8823: 8814:. Archived from 8800: 8775: 8769: 8763: 8757: 8751: 8745: 8736: 8730: 8724: 8718: 8707: 8706: 8704: 8702: 8693:. Archived from 8674: 8611: 8605: 8599: 8593: 8584: 8578: 8572: 8566: 8560: 8554: 8548: 8542: 8536: 8530: 8524: 8518: 8509: 8503: 8497: 8491: 8482: 8476: 8470: 8464: 8455: 8454: 8442: 8431: 8430: 8422: 8414: 8405: 8399: 8390: 8384: 8373: 8367: 8349: 8342: 8336: 8325: 8319: 8308: 8302: 8299: 8293: 8290: 8284: 8282: 8269: 8263: 8260: 8254: 8247: 8241: 8238: 8232: 8229: 8223: 8216: 8210: 8208: 8204: 8193:'Is that really 8192: 8187:Paperback Writer 8184: 8179: 8173: 8172:was "abandoned". 8166: 8160: 8157: 8151: 8143: 8137: 8129: 8123: 8115: 8109: 8103: 8094: 8088: 8085: 8079: 8076: 8070: 8059: 8053: 8049: 8043: 8028: 8022: 8007: 8001: 7990: 7984: 7981: 7975: 7968: 7962: 7955: 7949: 7946: 7940: 7925: 7919: 7917: 7912: 7906: 7899: 7893: 7890: 7884: 7877: 7871: 7846: 7829: 7826: 7808: 7801: 7748: 7747: 7574:Love to Say Dada 7394:My Only Sunshine 6646: 6645: 6620: 6476:My Only Sunshine 6394: 6389: 6387: 6373: 6363: 6334:"In Blue Hawaii" 6113:"Our Prayer" / " 6099: 6094: 6092: 6079: 6069: 5876: 5871: 5869: 5843: 5745: 5741: 5710: 5647:the Flaming Lips 5516:Will Cullen Hart 5479: 5477:Robert Schneider 5473:Apples in Stereo 5471:—Elephant 6 and 5403:California Girls 5368: 5360: 5328: 5302:progressive rock 5274: 5257: 5227: 5205:Record Collector 5121: 5073: 5065:Spencer Owen of 5037: 5003: 4981: 4974: 4940: 4930: 4914: 4883: 4716: 4622:Orange Crate Art 4574: 4492:Apples in Stereo 4346:California Music 4285: 4265: 3899: 3888: 3863: 3856: 3852: 3697:only because of 3620: 3601: 3480: 3472: 3462: 3458: 3368: 3361: 3357: 3353: 3325: 3300: 3296: 3293:out of suspicion 3292: 3284: 3241: 3229: 3222: 3218: 3192: 3178:and references. 3145: 3123: 3118: 3112: 3015:Sunset Boulevard 2991: 2983: 2979: 2970: 2957: 2949: 2905: 2844: 2811: 2797: 2762: 2747: 2628: 2610:Cool, Cool Water 2606:Love to Say Dada 2588:"You're Welcome" 2545:She's Goin' Bald 2417:My Only Sunshine 2395:Plymouth Rock". 2358: 2357: 2338: 2325:sort of thing." 2312: 2273: 2272: 2249: 2166: 2165: 2142: 2127: 2039: 2038: 2019: 1987: 1948:Richard Maxfield 1866: 1839:had banjos, not 1813:musique concrète 1772: 1761: 1748: 1720:Love to Say Dada 1677: 1652: 1556: 1504: 1500: 1496: 1492: 1488: 1484: 1472: 1447:musique concrète 1427:psychedelic rock 1368:musique concrète 1362:musique concrete 1344: 1333: 1329: 1320:Modular approach 1292: 1246: 1242: 1190:physical fitness 1176: 1103: 1095: 1049: 953:Rhapsody in Blue 910: 895: 887: 883: 875: 871: 809: 784:. Robbins was a 709: 671:Manifest Destiny 642:Harper's Bizarre 508: 504: 398:Cool, Cool Water 351:American history 342:musique concrète 246:unfinished album 196: 195: 94: 89: 79: 59: 47: 46: 21: 19619: 19618: 19614: 19613: 19612: 19610: 19609: 19608: 19489: 19488: 19487: 19482: 19464: 19411:Brother Records 19392: 19366:Pet Sounds Live 19344:Good Vibrations 19310: 19291:Jerry Schilling 19276:Jeffrey Foskett 19254: 19218:Song recordings 19191: 19177:Brother Studios 19155: 19088: 19053: 18967: 18963: 18952: 18927: 18898:Lei'd in Hawaii 18878: 18775:Endless Harmony 18724: 18718: 18630: 18464:All Summer Long 18416: 18407:Blondie Chaplin 18351: 18346: 18316: 18311: 18307:Brother Records 18288: 18202: 18158:Frank J. Holmes 18131: 18078: 18014: 18009:Good Vibrations 17950: 17911: 17833: 17823: 17794: 17787: 17749: 17747: 17737: 17728: 17726: 17712: 17703: 17690: 17686: 17676: 17663: 17657: 17636: 17598: 17567: 17562: 17533: 17507: 17498: 17496: 17487: 17478: 17476: 17456: 17434:Parks, Van Dyke 17432: 17411: 17402: 17400: 17375: 17359: 17350: 17348: 17347:. Gadfly Online 17338: 17321:|magazine= 17320: 17318: 17309: 17308: 17305: 17292: 17275: 17258: 17242: 17237: 17221: 17216: 17199: 17191: 17189:Further reading 17186: 17180: 17152: 17128: 17106: 17090:Priore, Domenic 17068: 17042: 17021: 16999: 16973: 16947: 16925: 16899: 16874: 16853: 16832: 16809: 16788: 16772:Womack, Kenneth 16763: 16742: 16726:Priore, Domenic 16718: 16702:Priore, Domenic 16694: 16673: 16649: 16628: 16607: 16577: 16556: 16532: 16506: 16442: 16421: 16395: 16379:Priore, Domenic 16367: 16346: 16323: 16307:Hoskyns, Barney 16299: 16281:Heylin, Clinton 16273: 16257:Hepworth, David 16249: 16228: 16213: 16199: 16178: 16157: 16131: 16106: 16084: 16052: 16033: 16012: 15988: 15974:, eds. (2002). 15960: 15939: 15934: 15930: 15921: 15919: 15911:Doe, Andrew G. 15901: 15899: 15891:Doe, Andrew G. 15886: 15882: 15875:Capitol Records 15861: 15857: 15840: 15836: 15828: 15824: 15816: 15812: 15804: 15800: 15790: 15788: 15772: 15768: 15760: 15756: 15748: 15744: 15734: 15732: 15717: 15716: 15712: 15702: 15700: 15699:. July 17, 2019 15691: 15690: 15686: 15671: 15667: 15645: 15644: 15640: 15632: 15625: 15617: 15608: 15590: 15586: 15576: 15574: 15558: 15554: 15546: 15542: 15534: 15530: 15520: 15518: 15504: 15493: 15485: 15481: 15473: 15469: 15461: 15457: 15449: 15445: 15435: 15433: 15418: 15414: 15406: 15402: 15394: 15390: 15370: 15366: 15356: 15354: 15351:The Irish Times 15342: 15338: 15330: 15326: 15316: 15314: 15304: 15300: 15288:Stylus Magazine 15281: 15280: 15273: 15265: 15261: 15253: 15249: 15241: 15237: 15227: 15225: 15210: 15209: 15205: 15181: 15172: 15164: 15160: 15152: 15148: 15140: 15133: 15125: 15121: 15113: 15109: 15101: 15097: 15089: 15085: 15077: 15073: 15065: 15061: 15053: 15049: 15041: 15037: 15029: 15022: 15014: 15010: 15002: 14998: 14990: 14986: 14979: 14954: 14950: 14942: 14938: 14930: 14926: 14918: 14914: 14906: 14902: 14894: 14890: 14880: 14878: 14863: 14852: 14844: 14840: 14832: 14828: 14820: 14816: 14808: 14804: 14788: 14787: 14776: 14767: 14763: 14753: 14751: 14736: 14729: 14708: 14706: 14703:The Independent 14696: 14691: 14687: 14679: 14675: 14667: 14660: 14652: 14648: 14640: 14636: 14628: 14624: 14616: 14612: 14604: 14597: 14589: 14585: 14577: 14573: 14565: 14558: 14550: 14546: 14538: 14534: 14526: 14519: 14511: 14504: 14496: 14492: 14476: 14475: 14466: 14460: 14456: 14446: 14444: 14433: 14429: 14419: 14417: 14399: 14398: 14389: 14381: 14377: 14369: 14365: 14357: 14353: 14345: 14341: 14333: 14326: 14318: 14314: 14301: 14300: 14296: 14281: 14274: 14264: 14262: 14250: 14229: 14221: 14217: 14209: 14205: 14197: 14186: 14171: 14167: 14159: 14152: 14144: 14140: 14132: 14128: 14120: 14116: 14108: 14104: 14094: 14092: 14082: 14078: 14070: 14066: 14059: 14034: 14030: 14022: 14018: 14010: 14006: 13998: 13994: 13986: 13977: 13969: 13965: 13957: 13953: 13945: 13941: 13933: 13929: 13921: 13917: 13909: 13905: 13897: 13893: 13885: 13872: 13864: 13860: 13852: 13848: 13840: 13833: 13825: 13816: 13808: 13804: 13797: 13781: 13772: 13764: 13760: 13752: 13745: 13737: 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10668: 10649: 10642: 10634: 10627: 10619: 10615: 10607: 10603: 10595: 10591: 10583: 10564: 10544: 10540: 10532: 10528: 10513: 10509: 10492: 10488: 10480: 10476: 10468: 10464: 10439: 10435: 10418: 10414: 10404: 10402: 10388: 10384: 10374: 10372: 10365: 10354: 10340: 10336: 10335: 10331: 10313: 10292: 10284: 10277: 10258:Britt, Thomas. 10256: 10245: 10235: 10233: 10219: 10212: 10204: 10200: 10192: 10185: 10177: 10173: 10165: 10161: 10151: 10149: 10148:on July 2, 2014 10130: 10123: 10106: 10102: 10094: 10090: 10082: 10075: 10067: 10060: 10045: 10038: 10030: 10021: 10013: 10009: 10001: 9997: 9989: 9982: 9974: 9970: 9962: 9958: 9939: 9935: 9925: 9923: 9911: 9904: 9893: 9886: 9878: 9874: 9866: 9859: 9842:Simmons, Sylvie 9839: 9832: 9824: 9820: 9799: 9795: 9787: 9772: 9764: 9757: 9739: 9730: 9722: 9715: 9707: 9703: 9695: 9688: 9666: 9645: 9637: 9633: 9623: 9621: 9606: 9602: 9594: 9590: 9582: 9575: 9556: 9552: 9544: 9540: 9522: 9516:Gilliland, John 9513: 9509: 9492: 9488: 9480: 9476: 9468: 9461: 9453: 9446: 9438: 9434: 9426: 9419: 9411: 9404: 9396: 9389: 9381: 9374: 9366: 9362: 9354: 9350: 9342: 9338: 9330: 9321: 9311: 9309: 9291: 9274: 9266: 9262: 9254: 9250: 9242: 9238: 9230: 9226: 9216: 9214: 9204: 9200: 9190: 9188: 9175: 9168: 9160: 9156: 9148: 9139: 9131: 9124: 9116: 9107: 9099: 9090: 9082: 9075: 9065: 9063: 9053: 9049: 9033: 9032: 9028:Capitol Records 9018: 9017: 9013: 9005: 9001: 8993: 8989: 8981: 8977: 8969: 8960: 8952: 8945: 8937: 8933: 8925: 8921: 8913: 8909: 8894:Parks, Van Dyke 8891: 8884: 8876: 8872: 8864: 8860: 8852: 8843: 8835: 8831: 8821: 8819: 8804:Himes, Geoffrey 8801: 8778: 8770: 8766: 8758: 8754: 8746: 8739: 8731: 8727: 8719: 8710: 8700: 8698: 8675: 8614: 8606: 8602: 8594: 8587: 8579: 8575: 8567: 8563: 8555: 8551: 8543: 8539: 8531: 8527: 8519: 8512: 8504: 8500: 8492: 8485: 8477: 8473: 8465: 8458: 8443: 8434: 8415: 8408: 8400: 8393: 8385: 8376: 8368: 8361: 8357: 8352: 8343: 8339: 8326: 8322: 8309: 8305: 8300: 8296: 8291: 8287: 8280: 8270: 8266: 8261: 8257: 8248: 8244: 8239: 8235: 8230: 8226: 8217: 8213: 8206: 8202: 8199:it is very good 8190: 8182: 8180: 8176: 8167: 8163: 8158: 8154: 8144: 8140: 8130: 8126: 8116: 8112: 8101: 8095: 8091: 8086: 8082: 8077: 8073: 8060: 8056: 8050: 8046: 8029: 8025: 8008: 8004: 7991: 7987: 7982: 7978: 7972:the loss of ego 7969: 7965: 7956: 7952: 7947: 7943: 7926: 7922: 7915: 7913: 7909: 7900: 7896: 7891: 7887: 7878: 7874: 7866:, and texts by 7847: 7843: 7839: 7830: 7824: 7821: 7814:needs expansion 7799: 7793: 6755:Good Vibrations 6748: 6743: 6738: 6733: 6728: 6723: 6718: 6713: 6708: 6703: 6698: 6693: 6688: 6683: 6678: 6673: 6652:Recording span 6633: 6628: 6618: 6489:"Cabin Essence" 6381: 6371: 6361: 6347:Good Vibrations 6196:"Cabin Essence" 6179:Haven Gillespie 6090:Darian Sahanaja 6087: 6077: 6067: 5892:Good Vibrations 5857:– sequenced by 5856: 5838: 5804: 5743: 5739: 5712: 5704: 5695:he main reason 5691: 5631:the High Llamas 5481: 5470: 5415: 5366: 5358: 5326: 5276: 5262: 5255: 5246: 5225: 5119: 5081:The Irish Times 5071: 5058:Stylus Magazine 5044: 5035: 5001: 4979: 4972: 4938: 4932: 4924: 4912: 4907: 4902: 4881: 4862: 4856: 4761: 4755: 4747: 4714: 4617: 4589:Good Vibrations 4580:Good Vibrations 4576: 4565: 4508: 4504:Good Vibrations 4496:George Harrison 4444:Darian Sahanaja 4432:Darian Sahanaja 4424: 4322: 4320:and Linett tape 4287: 4284:release in 1981 4279: 4273:'67 Rolls Royce 4263: 4169: 4164: 4140:American Spring 4042:Reprise Records 4015:" in late 1968. 3958: 3912:and songwriter 3897: 3890: 3886: 3861: 3854: 3850: 3829: 3821: 3681: 3675: 3618: 3603: 3593: 3560: 3482: 3478: 3470: 3460: 3456: 3423: 3370: 3366: 3359: 3355: 3351: 3338: 3323: 3298: 3294: 3290: 3282: 3260: 3239: 3231: 3227: 3220: 3216: 3211: 3190: 3147: 3144:, December 1966 3137: 3121: 3116: 3110: 3076:". Dennis told 3017:(pictured 2019) 2999: 2989: 2981: 2977: 2968: 2955: 2947: 2944:David Oppenheim 2923:schizoaffective 2907: 2904:—Van Dyke Parks 2903: 2891: 2842: 2830: 2813: 2806: 2795: 2790: 2760: 2745: 2738: 2702: 2686:A&M Records 2670: 2661: 2645: 2630: 2626: 2618: 2602: 2590: 2565: 2553: 2537: 2525: 2513: 2508: 2438: 2415:Also known as " 2413: 2401: 2384: 2383: 2375: 2373: 2372: 2371: 2370: 2359: 2352: 2349: 2342: 2336: 2331: 2310: 2299: 2298: 2290: 2288: 2287: 2286: 2285: 2274: 2267: 2264: 2253: 2247: 2242: 2218: 2198: 2197: 2189: 2187: 2186: 2185: 2184: 2167: 2160: 2157: 2146: 2140: 2135: 2133:"Cabin Essence" 2125: 2118: 2102: 2093: 2065: 2064: 2056: 2054: 2053: 2052: 2051: 2040: 2033: 2030: 2023: 2017: 2012: 2003: 1994: 1989: 1985: 1976: 1864: 1829:Native American 1774: 1770: 1759: 1750: 1736: 1728: 1679: 1669: 1650: 1618:commented that 1602:Country Gardens 1554: 1527:baritone guitar 1502: 1498: 1494: 1490: 1486: 1482: 1470: 1460:avant-garde pop 1452:Americana music 1434:progressive pop 1416: 1346: 1338: 1331: 1327: 1322: 1317: 1298:picks up where 1290: 1273:impressionistic 1244: 1240: 1214:music around." 1178: 1174: 1165: 1101: 1093: 1078:Book of Changes 1060:Arthur Koestler 1047: 1025:Arthur Koestler 1009: 949:George Gershwin 922: 908: 893: 885: 881: 873: 869: 863:Brother Records 858: 853: 807: 711: 708:—Van Dyke Parks 707: 683: 599: 594: 592:Creative circle 586:Capitol Records 558:Good Vibrations 506: 502: 482: 450:Darian Sahanaja 445:Good Vibrations 390:Capitol Records 260:Good Vibrations 222: 213: 204: 170: 156:progressive pop 137: 123:Sound Recorders 97: 92: 80: 75: 65: 43: 28: 23: 22: 15: 12: 11: 5: 19617: 19607: 19606: 19601: 19596: 19594:Art pop albums 19591: 19586: 19581: 19576: 19571: 19566: 19561: 19556: 19551: 19546: 19541: 19536: 19531: 19526: 19521: 19516: 19511: 19506: 19501: 19484: 19483: 19481: 19480: 19469: 19466: 19465: 19463: 19462: 19457: 19454:Love v. Wilson 19450: 19449: 19448: 19443: 19438: 19433: 19423: 19418: 19413: 19408: 19400: 19398: 19394: 19393: 19391: 19390: 19383: 19376: 19369: 19362: 19355: 19348: 19340: 19333: 19326: 19318: 19316: 19312: 19311: 19309: 19308: 19303: 19298: 19293: 19288: 19283: 19278: 19273: 19268: 19262: 19260: 19256: 19255: 19253: 19252: 19247: 19246: 19245: 19240: 19235: 19230: 19225: 19215: 19210: 19208:Cover versions 19205: 19199: 19197: 19193: 19192: 19190: 19189: 19184: 19182:Radiant Radish 19179: 19174: 19169: 19163: 19161: 19157: 19156: 19154: 19153: 19146: 19139: 19132: 19125: 19118: 19111: 19104: 19096: 19094: 19090: 19089: 19087: 19086: 19078: 19070: 19061: 19059: 19055: 19054: 19052: 19051: 19047:The Beach Boys 19043: 19035: 19031:Doin' It Again 19027: 19019: 19011: 19003: 18995: 18987: 18979: 18970: 18968: 18966: 18965: 18961: 18957: 18954: 18953: 18951: 18950: 18943: 18935: 18933: 18929: 18928: 18926: 18925: 18920: 18913: 18906: 18901: 18894: 18886: 18884: 18880: 18879: 18877: 18876: 18869: 18862: 18855: 18848: 18841: 18834: 18827: 18820: 18813: 18806: 18799: 18792: 18785: 18778: 18771: 18764: 18757: 18750: 18747:Made in U.S.A. 18743: 18736: 18733:Endless Summer 18728: 18726: 18720: 18719: 18717: 18716: 18709: 18702: 18695: 18688: 18681: 18674: 18667: 18660: 18653: 18650:Live in London 18646: 18638: 18636: 18632: 18631: 18629: 18628: 18621: 18614: 18607: 18604:Still Cruisin' 18600: 18597:The Beach Boys 18593: 18586: 18579: 18572: 18565: 18558: 18551: 18544: 18537: 18530: 18523: 18516: 18509: 18502: 18495: 18488: 18481: 18474: 18467: 18460: 18453: 18446: 18439: 18436:Surfin' U.S.A. 18432: 18429:Surfin' Safari 18424: 18422: 18418: 18417: 18415: 18414: 18409: 18404: 18399: 18397:Bruce Johnston 18393: 18392: 18385: 18378: 18371: 18364: 18356: 18353: 18352: 18349:The Beach Boys 18345: 18344: 18337: 18330: 18322: 18313: 18312: 18310: 18309: 18304: 18296: 18294: 18290: 18289: 18287: 18286: 18279: 18272: 18265: 18251: 18244: 18237: 18230: 18223: 18218: 18210: 18208: 18204: 18203: 18201: 18200: 18195: 18190: 18185: 18180: 18175: 18173:Van Dyke Parks 18170: 18165: 18160: 18155: 18150: 18148:The Beach Boys 18145: 18139: 18137: 18133: 18132: 18130: 18129: 18122: 18115: 18108: 18101: 18094: 18086: 18084: 18080: 18079: 18077: 18076: 18069: 18066:You're Welcome 18062: 18055: 18048: 18041: 18034: 18026: 18024: 18020: 18019: 18016: 18015: 18013: 18012: 18005: 17998: 17991: 17984: 17977: 17970: 17958: 17956: 17955:Movement three 17952: 17951: 17949: 17948: 17941: 17934: 17927: 17919: 17917: 17913: 17912: 17910: 17909: 17902: 17887: 17880: 17873: 17866: 17859: 17852: 17844: 17842: 17835: 17825: 17824: 17822: 17821: 17814: 17807: 17799: 17796: 17795: 17786: 17785: 17778: 17771: 17763: 17757: 17756: 17744:The Smile Shop 17735: 17710: 17701: 17693:SMiLE Sessions 17685: 17684:External links 17682: 17681: 17680: 17674: 17661: 17655: 17628: 17627: 17596: 17578:(3): 171–188. 17560: 17542:(5): 565–585. 17525: 17524: 17505: 17485: 17461:Smile Sessions 17454: 17430: 17409: 17373: 17357: 17330: 17329: 17303: 17290: 17273: 17256: 17235: 17214: 17190: 17187: 17185: 17184: 17178: 17156: 17150: 17136:Williams, Paul 17132: 17126: 17114:Williams, Paul 17110: 17104: 17080:Anderle, David 17076:Williams, Paul 17072: 17066: 17050:White, Timothy 17046: 17040: 17025: 17019: 17003: 16997: 16977: 16971: 16961:The Beach Boys 16951: 16945: 16929: 16923: 16903: 16897: 16878: 16872: 16857: 16851: 16836: 16830: 16813: 16807: 16792: 16786: 16767: 16761: 16746: 16740: 16722: 16716: 16704:, ed. (1995). 16698: 16692: 16677: 16671: 16662:The Beach Boys 16653: 16647: 16632: 16626: 16611: 16605: 16581: 16575: 16560: 16554: 16536: 16530: 16510: 16504: 16481: 16446: 16440: 16425: 16419: 16399: 16393: 16371: 16365: 16350: 16344: 16327: 16321: 16303: 16297: 16277: 16271: 16253: 16247: 16232: 16226: 16203: 16197: 16182: 16176: 16161: 16155: 16139:Gaines, Steven 16135: 16129: 16110: 16104: 16092:Doggett, Peter 16088: 16082: 16060:Doggett, Peter 16056: 16050: 16037: 16031: 16016: 16010: 15992: 15986: 15964: 15958: 15940: 15938: 15935: 15933: 15932: 15929: 15928: 15917:Bellagio 10452 15908: 15897:Bellagio 10452 15887: 15880: 15871:The Beach Boys 15855: 15834: 15830:Henderson 2010 15822: 15820:, p. 259. 15810: 15808:, p. 261. 15798: 15785:Freaky Trigger 15766: 15764:, p. 232. 15754: 15752:, p. 117. 15742: 15731:. June 2, 2012 15710: 15684: 15665: 15638: 15636:, p. 136. 15623: 15621:, p. 155. 15606: 15584: 15571:Freaky Trigger 15552: 15540: 15528: 15491: 15489:, p. 101. 15479: 15467: 15455: 15453:, p. 373. 15443: 15412: 15410:, p. 118. 15400: 15388: 15375:(April 2004). 15364: 15336: 15324: 15298: 15271: 15259: 15247: 15245:, p. 119. 15235: 15203: 15170: 15168:, p. 206. 15158: 15146: 15131: 15119: 15107: 15105:, p. 219. 15095: 15083: 15071: 15059: 15047: 15035: 15033:, p. 233. 15020: 15018:, p. 178. 15008: 15006:, p. 176. 14996: 14994:, p. 177. 14984: 14977: 14957:Gaines, Steven 14948: 14946:, p. 169. 14936: 14934:, p. 167. 14924: 14922:, p. 304. 14912: 14900: 14888: 14850: 14838: 14836:, p. 302. 14826: 14824:, p. 290. 14814: 14812:, p. 384. 14802: 14761: 14727: 14699:... and woman" 14685: 14673: 14671:, p. 231. 14658: 14656:, p. 230. 14646: 14644:, p. 258. 14634: 14622: 14610: 14608:, p. 284. 14595: 14593:, p. 283. 14583: 14581:, p. 154. 14571: 14556: 14544: 14542:, p. 156. 14532: 14530:, p. 153. 14517: 14515:, p. 224. 14502: 14490: 14454: 14439:Archived from 14427: 14387: 14385:, p. 260. 14375: 14373:, p. 229. 14363: 14361:, p. 374. 14351: 14349:, p. 228. 14339: 14324: 14322:, p. 227. 14312: 14294: 14272: 14227: 14215: 14213:, p. 220. 14203: 14201:, p. 221. 14184: 14165: 14163:, p. 226. 14150: 14138: 14126: 14114: 14112:, p. 216. 14102: 14076: 14064: 14057: 14028: 14026:, p. 329. 14016: 14014:, p. 327. 14004: 14002:, p. 144. 13992: 13990:, p. 119. 13975: 13973:, p. 305. 13963: 13961:, p. 257. 13951: 13949:, p. 296. 13939: 13927: 13925:, p. 293. 13915: 13913:, p. 291. 13903: 13901:, p. 266. 13891: 13889:, p. 143. 13870: 13868:, p. 258. 13858: 13846: 13844:, p. 188. 13831: 13829:, p. 148. 13814: 13812:, p. 262. 13802: 13795: 13770: 13766:Henderson 2010 13758: 13754:Henderson 2010 13743: 13739:Henderson 2010 13731: 13729:, p. 303. 13708: 13696: 13681: 13679:, p. 136. 13669: 13648: 13636: 13624: 13622:, p. 160. 13609: 13594: 13592:, p. 195. 13579: 13577:, p. 124. 13567: 13565:, p. 200. 13552: 13550:, p. 232. 13540: 13538:, p. 150. 13528: 13526:, p. 148. 13516: 13504: 13492: 13480: 13477:(Documentary). 13463: 13461:, p. 189. 13448: 13446:, p. 113. 13436: 13424: 13422:, p. 187. 13412: 13397: 13395:, p. 185. 13385: 13373: 13371:, p. 182. 13356: 13354:, p. 112. 13344: 13332: 13320: 13318:, p. 108. 13308: 13296: 13294:, p. 235. 13284: 13282:, p. 231. 13272: 13270:, p. 181. 13260: 13253: 13232: 13220: 13205: 13203:, p. 107. 13193: 13191:, p. 106. 13181: 13179:, p. 180. 13162: 13160:, p. 165. 13150: 13148:, p. 114. 13138: 13106: 13077: 13054: 13052:, p. 233. 13042: 13040:, p. 263. 13030: 13027:. p. 176. 13010: 13008:, p. 107. 12998: 12996:, p. 119. 12983: 12968: 12966:, p. 117. 12956: 12941: 12929: 12917: 12915:, p. 175. 12905: 12903:, p. 167. 12893: 12891:, p. 186. 12881: 12879:, p. 178. 12869: 12857: 12855:, p. 266. 12845: 12843:, p. 113. 12833: 12821: 12809: 12797: 12785: 12758: 12756:, p. 313. 12746: 12734: 12722: 12720:, p. 116. 12710: 12698: 12677: 12656: 12628: 12626:, p. 224. 12616: 12614:, p. 223. 12604: 12602:, p. 164. 12589: 12577: 12565: 12550: 12538: 12536:, p. 172. 12526: 12524:, p. 110. 12511: 12509:, p. 174. 12496: 12484: 12472: 12460: 12458:, p. 255. 12448: 12420: 12392: 12380: 12378:, p. 106. 12368: 12356: 12354:, p. 270. 12341: 12329: 12308: 12296: 12284: 12282:, p. 105. 12272: 12260: 12258:, p. 163. 12248: 12246:, p. 182. 12233: 12203: 12201:, p. 163. 12191: 12168: 12151: 12148:(Documentary). 12123: 12121:, p. 159. 12111: 12096: 12094:, p. 171. 12081: 12079:, p. 103. 12069: 12057: 12045: 12043:, p. 183. 12033: 12018: 11992: 11968: 11965:(Documentary). 11951: 11949:, p. 181. 11936: 11934:, p. 180. 11921: 11895: 11883: 11860: 11848: 11836: 11824: 11807: 11795: 11771: 11764: 11738: 11736:, p. 197. 11726: 11714: 11699: 11697:, p. 118. 11682: 11680:, p. 100. 11667: 11665:, p. 100. 11650: 11648:, p. 269. 11635: 11633:, p. 102. 11623: 11621:, p. 180. 11611: 11599: 11587: 11585:, p. 173. 11564: 11552: 11550:, p. 162. 11537: 11535:, p. 156. 11522: 11520:, p. 111. 11505: 11493: 11491:, p. 165. 11476: 11474:, p. 170. 11461: 11449: 11447:, p. 154. 11437: 11435:, p. 145. 11425: 11423:, p. 144. 11413: 11411:, p. 112. 11396: 11384: 11372: 11360: 11345: 11333: 11331:, p. 173. 11321: 11319:, p. 250. 11309: 11307:, p. 230. 11292: 11290:, p. 163. 11267: 11265:, p. 161. 11255: 11240: 11238:, p. 109. 11228: 11226:, p. 160. 11213: 11201: 11199:, p. 151. 11180: 11168: 11156: 11154:, p. 128. 11144: 11132: 11120: 11108: 11096: 11094:, p. 168. 11084: 11069: 11067:, p. 150. 11054: 11042: 11030: 11018: 11006: 10994: 10992:, p. 120. 10982: 10970: 10953: 10951:, p. 142. 10938: 10900: 10898:, p. 167. 10881: 10869: 10850: 10813: 10787: 10775: 10760: 10726: 10707: 10695: 10678: 10640: 10625: 10623:, p. 181. 10613: 10601: 10599:, p. 114. 10589: 10587:, p. 102. 10562: 10538: 10536:, p. 219. 10526: 10507: 10486: 10484:, p. 106. 10474: 10462: 10433: 10412: 10382: 10352: 10329: 10290: 10275: 10243: 10231:Sound on Sound 10210: 10208:, p. 116. 10198: 10196:, p. 184. 10183: 10181:, p. 183. 10171: 10159: 10121: 10100: 10088: 10073: 10071:, p. 151. 10058: 10036: 10019: 10017:, p. 182. 10007: 9995: 9980: 9978:, p. 131. 9968: 9966:, p. 115. 9956: 9933: 9920:Freaky Trigger 9902: 9899:. Mockingbird. 9884: 9872: 9870:, p. 116. 9857: 9844:(March 2004). 9830: 9818: 9793: 9791:, p. 147. 9770: 9755: 9728: 9713: 9711:, p. 101. 9701: 9686: 9683:. Vol. 8. 9669:Vosse, Michael 9643: 9631: 9600: 9588: 9586:, p. 178. 9573: 9550: 9548:, p. 173. 9538: 9528:Pop Chronicles 9507: 9501:Brooklyn Vegan 9486: 9484:, p. 184. 9482:Rodriguez 2012 9474: 9459: 9455:Rodriguez 2020 9444: 9442:, p. 180. 9432: 9417: 9415:, p. 117. 9402: 9387: 9372: 9360: 9358:, p. 108. 9348: 9336: 9334:, p. 164. 9319: 9272: 9260: 9258:, p. 162. 9248: 9246:, p. 264. 9236: 9234:, p. 130. 9224: 9198: 9166: 9154: 9137: 9122: 9120:, p. 101. 9105: 9103:, p. 149. 9088: 9086:, p. 268. 9073: 9047: 9024:The Beach Boys 9011: 8999: 8997:, p. 120. 8987: 8975: 8973:, p. 174. 8958: 8943: 8941:, p. 158. 8931: 8919: 8917:, p. 117. 8907: 8904:. nybooks.com. 8882: 8880:, p. 179. 8870: 8868:, p. 153. 8858: 8856:, p. 166. 8841: 8839:, p. 133. 8829: 8812:Paste Magazine 8776: 8774:, p. 160. 8764: 8752: 8750:, p. 175. 8737: 8725: 8723:, p. 114. 8708: 8612: 8600: 8585: 8573: 8561: 8549: 8547:, p. 180. 8537: 8525: 8523:, p. 102. 8510: 8498: 8483: 8471: 8469:, p. 124. 8456: 8432: 8406: 8391: 8374: 8372:, p. 186. 8358: 8356: 8353: 8351: 8350: 8337: 8320: 8303: 8294: 8285: 8264: 8255: 8242: 8233: 8224: 8222:master tapes. 8211: 8174: 8161: 8152: 8138: 8124: 8120:lo and behold! 8110: 8089: 8080: 8071: 8054: 8044: 8023: 8011:David Bordwell 8002: 7985: 7976: 7963: 7950: 7941: 7920: 7907: 7894: 7885: 7872: 7848:This included 7840: 7838: 7835: 7832: 7831: 7811: 7809: 7792: 7789: 7786: 7785: 7782: 7778: 7777: 7774: 7770: 7769: 7766: 7762: 7761: 7758: 7755: 7754: 7751: 7739: 7738: 7736: 7734: 7732: 7730: 7728: 7726: 7724: 7722: 7720: 7718: 7716: 7714: 7712: 7710: 7708: 7706: 7704: 7700: 7699: 7697: 7695: 7693: 7691: 7689: 7687: 7685: 7683: 7681: 7679: 7677: 7675: 7673: 7671: 7669: 7667: 7665: 7663: 7655: 7654: 7652: 7650: 7648: 7646: 7644: 7642: 7640: 7638: 7636: 7634: 7632: 7630: 7628: 7626: 7624: 7622: 7620: 7618: 7614: 7613: 7611: 7609: 7607: 7605: 7603: 7601: 7599: 7597: 7595: 7593: 7591: 7589: 7587: 7585: 7583: 7581: 7579: 7577: 7569: 7568: 7566: 7564: 7562: 7560: 7558: 7556: 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6811: 6809: 6807: 6805: 6803: 6801: 6799: 6797: 6795: 6793: 6785: 6784: 6782: 6780: 6778: 6776: 6774: 6772: 6770: 6768: 6766: 6764: 6762: 6760: 6758: 6750: 6749: 6746: 6744: 6741: 6739: 6736: 6734: 6731: 6729: 6726: 6724: 6721: 6719: 6716: 6714: 6711: 6709: 6706: 6704: 6701: 6699: 6696: 6694: 6691: 6689: 6686: 6684: 6681: 6679: 6676: 6674: 6671: 6668: 6667: 6664: 6661: 6658: 6654: 6653: 6650: 6641:Bellagio 10542 6632: 6629: 6625: 6624: 6621: 6615: 6614: 6611: 6608: 6604: 6603: 6600: 6597: 6593: 6592: 6589: 6586: 6582: 6581: 6578: 6575: 6571: 6570: 6567: 6564: 6560: 6559: 6556: 6553: 6549: 6548: 6545: 6542: 6538: 6537: 6534: 6531: 6527: 6526: 6523: 6520: 6516: 6515: 6512: 6509: 6505: 6504: 6501: 6498: 6494: 6493: 6490: 6487: 6483: 6482: 6479: 6472: 6468: 6467: 6464: 6461: 6457: 6456: 6453: 6450: 6446: 6445: 6442: 6439: 6435: 6434: 6431: 6428: 6424: 6423: 6420: 6417: 6413: 6412: 6409: 6406: 6402: 6401: 6398: 6395: 6386:, Dennis Wolfe 6372: 6368: 6367: 6364: 6358: 6357: 6354: 6343: 6339: 6338: 6335: 6332: 6328: 6327: 6324: 6317: 6313: 6312: 6309: 6306: 6302: 6301: 6298: 6291: 6287: 6286: 6283: 6280: 6276: 6275: 6272: 6257: 6253: 6252: 6249: 6246: 6242: 6241: 6238: 6231: 6227: 6226: 6223: 6216: 6212: 6211: 6208: 6205: 6201: 6200: 6197: 6194: 6190: 6189: 6186: 6167: 6163: 6162: 6159: 6152: 6148: 6147: 6144: 6141: 6137: 6136: 6133: 6130: 6126: 6125: 6122: 6111: 6107: 6106: 6103: 6100: 6078: 6074: 6073: 6070: 6064: 6063: 6060: 6053: 6049: 6048: 6045: 6038: 6034: 6033: 6030: 6023: 6019: 6018: 6015: 6008: 6004: 6003: 6000: 5993: 5989: 5988: 5985: 5978: 5974: 5973: 5970: 5963: 5959: 5958: 5955: 5948: 5944: 5943: 5940: 5937: 5933: 5932: 5929: 5922: 5918: 5917: 5914: 5907: 5903: 5902: 5899: 5888: 5884: 5883: 5880: 5877: 5842: 5837: 5834: 5833: 5832: 5819: 5803: 5800: 5767:Freaky Trigger 5718:, and whether 5692: 5690: 5687: 5673:Heavy Blinkers 5563:Thurston Moore 5450: 5414: 5411: 5407:Surfing Safari 5405:' while on a ' 5335:Freaky Trigger 5247: 5245: 5242: 5156:kicked our ass 5043: 5040: 4925:—Ed Howard of 4908: 4906: 4903: 4901: 4898: 4858:Main article: 4855: 4849: 4757:Main article: 4754: 4748: 4746: 4743: 4668:interactive CD 4616: 4610: 4568:Domenic Priore 4554: 4507: 4500: 4423: 4418: 4338:Add Some Music 4321: 4314: 4268: 4168: 4165: 4163: 4160: 4083:retrieved the 4067:Stephen Desper 3957: 3954: 3932:Kevin Courrier 3910:Lenny Waronker 3875: 3838:Bruce Johnston 3828: 3822: 3820: 3817: 3809:tour of Hawaii 3799:" stopgap for 3677:Main article: 3674: 3668: 3586: 3559: 3556: 3533:Paul McCartney 3466: 3422: 3419: 3347: 3337: 3334: 3259: 3256: 3212: 3210: 3207: 3126: 3041:The Beach Boys 3011:Western Studio 2998: 2995: 2892: 2890: 2887: 2883:Clinton Heylin 2881:In journalist 2829: 2826: 2791: 2789: 2786: 2737: 2736: 2733: 2730: 2727: 2724: 2721: 2718: 2714: 2701: 2698: 2677: 2676: 2664: 2655: 2627:—David Anderle 2619: 2617: 2614: 2601: 2598: 2594:You're Welcome 2589: 2586: 2564: 2561: 2552: 2549: 2536: 2533: 2524: 2521: 2512: 2509: 2507: 2504: 2485:" was based on 2437: 2436:"The Elements" 2434: 2412: 2409: 2400: 2397: 2374: 2360: 2350: 2345: 2344: 2343: 2334: 2333: 2332: 2330: 2327: 2289: 2275: 2265: 2256: 2255: 2254: 2245: 2244: 2243: 2241: 2238: 2217: 2214: 2188: 2168: 2158: 2149: 2148: 2147: 2138: 2137: 2136: 2134: 2131: 2120:The title of " 2117: 2114: 2101: 2098: 2092: 2089: 2055: 2041: 2031: 2026: 2025: 2024: 2015: 2014: 2013: 2011: 2008: 2002: 1999: 1993: 1990: 1977: 1975: 1972: 1960:Charles Mingus 1908:Jackie Gleason 1765: 1751: 1729: 1727: 1724: 1659: 1647:Freaky Trigger 1598:Percy Grainger 1582:Percy Grainger 1547:bass harmonica 1479:Carlo Gesualdo 1456:word paintings 1415: 1412: 1323: 1321: 1318: 1316: 1313: 1309:exceptionalist 1219:Philip Lambert 1203:Freaky Trigger 1200:. Web journal 1166: 1164: 1161: 1008: 1005: 921: 918: 876:there was the 857: 854: 852: 849: 836: 835: 823: 811: 793: 776: 766: 765: 760:, singer from 755: 741: 730: 697:Loren Schwartz 684: 682: 679: 675:Geoffrey Himes 626:Van Dyke Parks 606:Van Dyke Parks 598: 595: 593: 590: 511:Loren Schwartz 481: 478: 301:word paintings 285:Van Dyke Parks 250:the Beach Boys 229: 228: 225: 224: 215: 206: 192: 191: 188:The Beach Boys 184: 183: 178: 172: 171: 169: 168: 163: 158: 153: 147: 145: 139: 138: 136: 135: 129: 124: 121: 116: 111: 105: 103: 99: 98: 86: 82: 81: 77:the Beach Boys 74: 67: 66: 60: 52: 51: 26: 9: 6: 4: 3: 2: 19616: 19605: 19602: 19600: 19597: 19595: 19592: 19590: 19587: 19585: 19582: 19580: 19577: 19575: 19572: 19570: 19567: 19565: 19562: 19560: 19557: 19555: 19552: 19550: 19547: 19545: 19542: 19540: 19537: 19535: 19532: 19530: 19527: 19525: 19522: 19520: 19517: 19515: 19512: 19510: 19507: 19505: 19502: 19500: 19497: 19496: 19494: 19479: 19471: 19470: 19467: 19461: 19458: 19456: 19455: 19451: 19447: 19444: 19442: 19439: 19437: 19434: 19432: 19429: 19428: 19427: 19424: 19422: 19419: 19417: 19414: 19412: 19409: 19406: 19402: 19401: 19399: 19395: 19389: 19388: 19384: 19382: 19381: 19377: 19375: 19374: 19370: 19368: 19367: 19363: 19361: 19360: 19356: 19354: 19353: 19349: 19347: 19345: 19341: 19339: 19338: 19337:Caroline Now! 19334: 19332: 19331: 19327: 19325: 19324: 19320: 19319: 19317: 19315:Related media 19313: 19307: 19304: 19302: 19301:Michael Vosse 19299: 19297: 19294: 19292: 19289: 19287: 19284: 19282: 19279: 19277: 19274: 19272: 19269: 19267: 19266:David Anderle 19264: 19263: 19261: 19257: 19251: 19248: 19244: 19241: 19239: 19236: 19234: 19231: 19229: 19226: 19224: 19221: 19220: 19219: 19216: 19214: 19211: 19209: 19206: 19204: 19201: 19200: 19198: 19194: 19188: 19185: 19183: 19180: 19178: 19175: 19173: 19170: 19168: 19165: 19164: 19162: 19158: 19152: 19151: 19147: 19145: 19144: 19140: 19138: 19137: 19133: 19131: 19130: 19126: 19124: 19123: 19119: 19117: 19116: 19112: 19110: 19109: 19105: 19103: 19102: 19098: 19097: 19095: 19091: 19084: 19083: 19079: 19076: 19075: 19071: 19068: 19067: 19063: 19062: 19060: 19058:Fictionalized 19056: 19049: 19048: 19044: 19041: 19040: 19036: 19033: 19032: 19028: 19025: 19024: 19020: 19017: 19016: 19012: 19009: 19008: 19004: 19001: 19000: 18996: 18993: 18992: 18988: 18985: 18984: 18980: 18977: 18976: 18972: 18971: 18969: 18964:concert films 18962: 18959: 18958: 18955: 18949: 18948: 18944: 18942: 18941: 18937: 18936: 18934: 18930: 18924: 18921: 18919: 18918: 18914: 18912: 18911: 18907: 18905: 18902: 18900: 18899: 18895: 18893: 18892: 18888: 18887: 18885: 18881: 18875: 18874: 18870: 18868: 18867: 18863: 18861: 18860: 18856: 18854: 18853: 18849: 18847: 18846: 18842: 18840: 18839: 18835: 18833: 18832: 18828: 18826: 18825: 18821: 18819: 18818: 18814: 18812: 18811: 18807: 18805: 18804: 18800: 18798: 18797: 18793: 18791: 18790: 18789:Hawthorne, CA 18786: 18784: 18783: 18779: 18777: 18776: 18772: 18770: 18769: 18765: 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18421:Studio albums 18419: 18413: 18410: 18408: 18405: 18403: 18400: 18398: 18395: 18394: 18391: 18390: 18386: 18384: 18383: 18379: 18377: 18376: 18372: 18370: 18369: 18368:Dennis Wilson 18365: 18363: 18362: 18358: 18357: 18354: 18350: 18343: 18338: 18336: 18331: 18329: 18324: 18323: 18320: 18308: 18305: 18302: 18298: 18297: 18295: 18291: 18285: 18284: 18280: 18278: 18277: 18273: 18270: 18266: 18263: 18262: 18257: 18256: 18252: 18250: 18249: 18245: 18243: 18242: 18238: 18235: 18231: 18229: 18228: 18224: 18222: 18219: 18217: 18216: 18212: 18211: 18209: 18207:Related media 18205: 18199: 18196: 18194: 18193:Paul Williams 18191: 18189: 18188:Michael Vosse 18186: 18184: 18181: 18179: 18176: 18174: 18171: 18169: 18166: 18164: 18161: 18159: 18156: 18154: 18151: 18149: 18146: 18144: 18143:David Anderle 18141: 18140: 18138: 18134: 18127: 18123: 18120: 18116: 18113: 18109: 18106: 18102: 18099: 18095: 18092: 18088: 18087: 18085: 18081: 18074: 18070: 18067: 18063: 18060: 18056: 18053: 18049: 18046: 18042: 18039: 18035: 18032: 18028: 18027: 18025: 18021: 18010: 18006: 18003: 17999: 17996: 17992: 17989: 17985: 17982: 17978: 17975: 17971: 17968: 17964: 17960: 17959: 17957: 17953: 17946: 17942: 17939: 17935: 17932: 17928: 17925: 17921: 17920: 17918: 17914: 17907: 17903: 17900: 17896: 17892: 17888: 17885: 17881: 17878: 17874: 17871: 17867: 17864: 17860: 17857: 17853: 17850: 17846: 17845: 17843: 17839: 17836: 17834:track listing 17832: 17831: 17826: 17820: 17819: 17815: 17813: 17812: 17808: 17806: 17805: 17801: 17800: 17797: 17793: 17792: 17784: 17779: 17777: 17772: 17770: 17765: 17764: 17761: 17745: 17741: 17736: 17724: 17720: 17718: 17711: 17707: 17702: 17700: 17696: 17694: 17688: 17687: 17677: 17675:0-9545025-1-5 17671: 17667: 17662: 17658: 17652: 17648: 17644: 17642: 17635: 17634: 17633: 17632: 17624: 17620: 17616: 17612: 17607: 17605: 17597: 17593: 17589: 17585: 17581: 17577: 17573: 17566: 17561: 17557: 17553: 17549: 17545: 17541: 17537: 17532: 17531: 17530: 17529: 17521: 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Macmillan. 17058: 17057: 17051: 17047: 17043: 17037: 17033: 17032: 17031:Rock Hardware 17026: 17022: 17016: 17012: 17008: 17004: 17000: 16994: 16989: 16988: 16982: 16978: 16974: 16968: 16963: 16962: 16956: 16952: 16948: 16942: 16938: 16934: 16933:Stebbins, Jon 16930: 16926: 16920: 16917:. ECW Press. 16915: 16914: 16908: 16907:Stebbins, Jon 16904: 16900: 16894: 16890: 16889: 16884: 16879: 16875: 16873:9781493064601 16869: 16865: 16864: 16858: 16854: 16848: 16844: 16843: 16837: 16833: 16827: 16823: 16819: 16814: 16810: 16804: 16800: 16799: 16793: 16789: 16783: 16779: 16778: 16773: 16768: 16764: 16758: 16754: 16753: 16747: 16743: 16741:1-86074-627-6 16737: 16733: 16732: 16727: 16723: 16719: 16717:0-86719-417-0 16713: 16710:. Last Gasp. 16709: 16708: 16703: 16699: 16695: 16693:1-58234-323-3 16689: 16685: 16684: 16678: 16674: 16668: 16664: 16663: 16658: 16657:Preiss, Byron 16654: 16650: 16644: 16641:. Routledge. 16640: 16639: 16633: 16629: 16623: 16619: 16618: 16612: 16608: 16606:0-394-72107-1 16602: 16597: 16596: 16590: 16586: 16582: 16578: 16572: 16568: 16567: 16561: 16557: 16551: 16547: 16546: 16541: 16537: 16533: 16527: 16522: 16521: 16515: 16511: 16507: 16501: 16497: 16493: 16489: 16488: 16482: 16478: 16474: 16470: 16466: 16462: 16458: 16453: 16447: 16443: 16437: 16434:. Continuum. 16433: 16432: 16426: 16422: 16416: 16412: 16408: 16404: 16400: 16396: 16394:0-86719-417-0 16390: 16386: 16385: 16380: 16376: 16372: 16368: 16362: 16358: 16357: 16351: 16347: 16341: 16336: 16335: 16328: 16324: 16318: 16314: 16313: 16308: 16304: 16300: 16294: 16289: 16288: 16282: 16278: 16274: 16268: 16264: 16263: 16258: 16254: 16250: 16244: 16241:. Continuum. 16240: 16239: 16233: 16229: 16223: 16219: 16212: 16208: 16204: 16200: 16194: 16190: 16189: 16183: 16179: 16173: 16169: 16168: 16162: 16158: 16156:0-306-80647-9 16152: 16147: 16146: 16140: 16136: 16132: 16126: 16122: 16121: 16116: 16111: 16107: 16101: 16097: 16093: 16089: 16085: 16079: 16074: 16073: 16066: 16061: 16057: 16053: 16047: 16043: 16038: 16034: 16028: 16024: 16023: 16017: 16013: 16007: 16003: 16002: 15997: 15993: 15989: 15983: 15979: 15978: 15973: 15969: 15965: 15961: 15955: 15950: 15949: 15942: 15941: 15918: 15914: 15909: 15898: 15894: 15889: 15888: 15884: 15876: 15872: 15868: 15867: 15859: 15851: 15850: 15845: 15838: 15832:, p. 47. 15831: 15826: 15819: 15814: 15807: 15802: 15787: 15786: 15781: 15779: 15770: 15763: 15758: 15751: 15750:Segretto 2022 15746: 15730: 15726: 15725: 15720: 15714: 15698: 15694: 15688: 15680: 15676: 15669: 15661: 15657: 15653: 15651: 15642: 15635: 15630: 15628: 15620: 15615: 15613: 15611: 15602: 15598: 15594: 15588: 15573: 15572: 15567: 15565: 15556: 15549: 15544: 15538:, p. 86. 15537: 15536:Williams 2010 15532: 15517: 15516:New Music Box 15513: 15511: 15502: 15500: 15498: 15496: 15488: 15483: 15477:, p. 69. 15476: 15471: 15464: 15459: 15452: 15447: 15432: 15431: 15426: 15422: 15416: 15409: 15404: 15397: 15392: 15384: 15379: 15374: 15368: 15353: 15352: 15347: 15340: 15334:, p. 96. 15333: 15328: 15313: 15309: 15302: 15294: 15290: 15289: 15284: 15278: 15276: 15269:, p. 77. 15268: 15263: 15256: 15251: 15244: 15243:Schinder 2007 15239: 15223: 15219: 15218: 15213: 15207: 15199: 15195: 15194: 15189: 15185: 15179: 15177: 15175: 15167: 15162: 15156:, p. 91. 15155: 15150: 15144:, p. 31. 15143: 15138: 15136: 15128: 15123: 15116: 15115:Williams 1997 15111: 15104: 15099: 15092: 15087: 15080: 15075: 15069:, p. 55. 15068: 15067:Harrison 1997 15063: 15056: 15051: 15044: 15039: 15032: 15027: 15025: 15017: 15012: 15005: 15000: 14993: 14988: 14980: 14978:9780786751044 14974: 14970: 14965: 14964: 14958: 14952: 14945: 14940: 14933: 14928: 14921: 14916: 14909: 14904: 14897: 14892: 14876: 14872: 14868: 14861: 14859: 14857: 14855: 14847: 14842: 14835: 14830: 14823: 14818: 14811: 14806: 14798: 14792: 14784: 14783: 14775: 14771: 14770:Strauss, Neil 14765: 14749: 14745: 14743: 14734: 14732: 14724: 14722: 14721:The Smile Era 14718: 14704: 14700: 14689: 14682: 14677: 14670: 14665: 14663: 14655: 14650: 14643: 14638: 14631: 14630:Williams 2010 14626: 14619: 14614: 14607: 14602: 14600: 14592: 14587: 14580: 14575: 14568: 14563: 14561: 14553: 14548: 14541: 14536: 14529: 14524: 14522: 14514: 14509: 14507: 14499: 14494: 14486: 14480: 14479:cite magazine 14472: 14465: 14458: 14442: 14438: 14431: 14420:September 12, 14414: 14409: 14408: 14403: 14396: 14394: 14392: 14384: 14379: 14372: 14367: 14360: 14355: 14348: 14343: 14336: 14331: 14329: 14321: 14316: 14308: 14304: 14298: 14290: 14286: 14279: 14277: 14261: 14260: 14255: 14248: 14246: 14244: 14242: 14240: 14238: 14236: 14234: 14232: 14224: 14219: 14212: 14207: 14200: 14195: 14193: 14191: 14189: 14180: 14176: 14169: 14162: 14157: 14155: 14147: 14142: 14135: 14130: 14123: 14118: 14111: 14106: 14091: 14090:Rolling Stone 14087: 14080: 14073: 14068: 14060: 14058:9780600361428 14054: 14050: 14045: 14044: 14038: 14032: 14025: 14020: 14013: 14008: 14001: 13996: 13989: 13984: 13982: 13980: 13972: 13967: 13960: 13955: 13948: 13943: 13936: 13931: 13924: 13919: 13912: 13907: 13900: 13895: 13888: 13883: 13881: 13879: 13877: 13875: 13867: 13862: 13855: 13850: 13843: 13838: 13836: 13828: 13823: 13821: 13819: 13811: 13806: 13798: 13792: 13788: 13787: 13779: 13777: 13775: 13768:, p. 46. 13767: 13762: 13756:, p. 71. 13755: 13750: 13748: 13740: 13735: 13728: 13723: 13721: 13719: 13717: 13715: 13713: 13706:, p. 43. 13705: 13700: 13692: 13691:"Altijd bang" 13685: 13678: 13673: 13665: 13660: 13652: 13645: 13640: 13633: 13628: 13621: 13616: 13614: 13607:, p. 82. 13606: 13601: 13599: 13591: 13586: 13584: 13576: 13571: 13564: 13559: 13557: 13549: 13544: 13537: 13532: 13525: 13520: 13513: 13508: 13502:, p. 46. 13501: 13500:Harrison 1997 13496: 13489: 13484: 13476: 13475: 13467: 13460: 13455: 13453: 13445: 13440: 13433: 13428: 13421: 13416: 13410:, p. 78. 13409: 13404: 13402: 13394: 13389: 13382: 13377: 13370: 13365: 13363: 13361: 13353: 13348: 13342:, p. 37. 13341: 13336: 13330:, p. 97. 13329: 13324: 13317: 13312: 13305: 13300: 13293: 13288: 13281: 13276: 13269: 13264: 13256: 13250: 13246: 13242: 13241:Zolten, Jerry 13236: 13229: 13224: 13217: 13212: 13210: 13202: 13197: 13190: 13185: 13178: 13173: 13171: 13169: 13167: 13159: 13154: 13147: 13142: 13127: 13126: 13121: 13119: 13110: 13094: 13090: 13084: 13082: 13073: 13072: 13066: 13058: 13051: 13046: 13039: 13034: 13026: 13025: 13024:Rolling Stone 13017: 13015: 13007: 13002: 12995: 12990: 12988: 12980: 12975: 12973: 12965: 12960: 12953: 12948: 12946: 12938: 12933: 12926: 12921: 12914: 12909: 12902: 12897: 12890: 12885: 12878: 12873: 12867:, p. 40. 12866: 12861: 12854: 12849: 12842: 12837: 12830: 12825: 12818: 12813: 12807:, p. 95. 12806: 12801: 12794: 12789: 12773: 12769: 12762: 12755: 12750: 12743: 12738: 12731: 12726: 12719: 12714: 12707: 12702: 12694: 12693: 12688: 12681: 12673: 12672: 12671:Rolling Stone 12667: 12660: 12653:. No. 2. 12652: 12647: 12639: 12637: 12635: 12633: 12625: 12620: 12613: 12612:Hepworth 2016 12608: 12601: 12596: 12594: 12586: 12581: 12574: 12569: 12562: 12557: 12555: 12547: 12542: 12535: 12530: 12523: 12518: 12516: 12508: 12503: 12501: 12493: 12488: 12481: 12476: 12469: 12464: 12457: 12452: 12444: 12440: 12436: 12435: 12430: 12424: 12416: 12412: 12408: 12407: 12402: 12396: 12389: 12384: 12377: 12372: 12366:, p. 86. 12365: 12360: 12353: 12348: 12346: 12339:, p. 85. 12338: 12337:Stebbins 2000 12333: 12327:, p. 96. 12326: 12321: 12319: 12317: 12315: 12313: 12306:, p. 39. 12305: 12300: 12293: 12288: 12281: 12276: 12270:, p. 50. 12269: 12264: 12257: 12252: 12245: 12240: 12238: 12229: 12225: 12224: 12219: 12212: 12210: 12208: 12200: 12195: 12187: 12186: 12185:Record Mirror 12180: 12172: 12166:, p. 41. 12165: 12160: 12158: 12156: 12147: 12146: 12138: 12136: 12134: 12132: 12130: 12128: 12120: 12115: 12109:, p. 32. 12108: 12103: 12101: 12093: 12088: 12086: 12078: 12073: 12066: 12061: 12055:, p. 51. 12054: 12049: 12042: 12037: 12030: 12025: 12023: 12007: 12006:Rolling Stone 12003: 11996: 11988: 11987: 11982: 11975: 11973: 11964: 11963: 11955: 11948: 11943: 11941: 11933: 11928: 11926: 11917: 11916: 11915:Rolling Stone 11911: 11904: 11902: 11900: 11892: 11887: 11879: 11878: 11872: 11864: 11858:, p. 58. 11857: 11856:Stebbins 2000 11852: 11845: 11840: 11834:, p. 29. 11833: 11828: 11821: 11820:Stebbins 2011 11816: 11814: 11812: 11804: 11799: 11791: 11790: 11785: 11778: 11776: 11767: 11765:0-552-04334-6 11761: 11757: 11753: 11747: 11745: 11743: 11735: 11730: 11723: 11718: 11711: 11710:Williams 1997 11706: 11704: 11696: 11695:Schinder 2007 11691: 11689: 11687: 11679: 11674: 11672: 11664: 11659: 11657: 11655: 11647: 11642: 11640: 11632: 11627: 11620: 11615: 11609:, p. 63. 11608: 11603: 11596: 11591: 11584: 11579: 11577: 11575: 11573: 11571: 11569: 11561: 11556: 11549: 11544: 11542: 11534: 11529: 11527: 11519: 11514: 11512: 11510: 11503:, p. 72. 11502: 11497: 11490: 11485: 11483: 11481: 11473: 11468: 11466: 11458: 11453: 11446: 11441: 11434: 11429: 11422: 11417: 11410: 11405: 11403: 11401: 11394:, p. 90. 11393: 11388: 11382:, p. 47. 11381: 11376: 11370:, p. 62. 11369: 11364: 11358:, p. 86. 11357: 11352: 11350: 11343:, p. 82. 11342: 11337: 11330: 11325: 11318: 11313: 11306: 11301: 11299: 11297: 11289: 11284: 11282: 11280: 11278: 11276: 11274: 11272: 11264: 11259: 11253:, p. 10. 11252: 11247: 11245: 11237: 11232: 11225: 11220: 11218: 11211:, p. 66. 11210: 11205: 11198: 11193: 11191: 11189: 11187: 11185: 11178:, p. 65. 11177: 11172: 11166:, p. 60. 11165: 11160: 11153: 11148: 11142:, p. 92. 11141: 11136: 11130:, p. 42. 11129: 11124: 11118:, p. 74. 11117: 11112: 11106:, p. 90. 11105: 11104:Stebbins 2011 11100: 11093: 11088: 11080: 11079:Mojo Magazine 11073: 11066: 11061: 11059: 11052:, p. 71. 11051: 11046: 11039: 11034: 11027: 11022: 11015: 11010: 11004:, p. 93. 11003: 10998: 10991: 10986: 10979: 10974: 10966: 10965: 10957: 10950: 10945: 10943: 10934: 10930: 10926: 10919: 10917: 10915: 10913: 10911: 10909: 10907: 10905: 10897: 10892: 10890: 10888: 10886: 10879:, p. 30. 10878: 10873: 10867:, p. 72. 10866: 10861: 10859: 10857: 10855: 10838: 10834: 10830: 10826: 10820: 10818: 10802: 10798: 10791: 10785:, p. 88. 10784: 10779: 10773:, p. 69. 10772: 10767: 10765: 10748: 10744: 10742: 10733: 10731: 10722: 10718: 10711: 10705:, p. 23. 10704: 10699: 10693:, p. 79. 10692: 10687: 10685: 10683: 10666: 10662: 10658: 10656: 10647: 10645: 10638:, p. 97. 10637: 10632: 10630: 10622: 10617: 10610: 10605: 10598: 10593: 10586: 10581: 10579: 10577: 10575: 10573: 10571: 10569: 10567: 10558: 10557: 10552: 10548: 10542: 10535: 10530: 10522: 10518: 10511: 10503: 10502: 10497: 10490: 10483: 10478: 10472:, p. 63. 10471: 10466: 10458: 10457: 10452: 10450: 10446: 10437: 10429: 10428: 10427:Rolling Stone 10423: 10416: 10401: 10397: 10395: 10386: 10370: 10363: 10361: 10359: 10357: 10348: 10347: 10339: 10333: 10325: 10321: 10317: 10311: 10309: 10307: 10305: 10303: 10301: 10299: 10297: 10295: 10288:, p. 70. 10287: 10282: 10280: 10271: 10270: 10265: 10263: 10254: 10252: 10250: 10248: 10232: 10228: 10226: 10217: 10215: 10207: 10206:Schinder 2007 10202: 10195: 10190: 10188: 10180: 10175: 10168: 10163: 10147: 10143: 10139: 10137: 10128: 10126: 10117: 10116: 10111: 10104: 10098:, p. 73. 10097: 10092: 10086:, p. 89. 10085: 10080: 10078: 10070: 10065: 10063: 10054: 10052: 10043: 10041: 10034:, p. 68. 10033: 10028: 10026: 10024: 10016: 10011: 10004: 10003:Williams 2010 9999: 9993:, p. 94. 9992: 9991:Williams 2010 9987: 9985: 9977: 9972: 9965: 9960: 9952: 9951: 9945: 9937: 9922: 9921: 9916: 9909: 9907: 9898: 9891: 9889: 9882:, p. 37. 9881: 9876: 9869: 9864: 9862: 9853: 9848: 9843: 9837: 9835: 9828:, p. 91. 9827: 9822: 9814: 9813: 9808: 9806: 9797: 9790: 9785: 9783: 9781: 9779: 9777: 9775: 9767: 9762: 9760: 9751: 9747: 9743: 9737: 9735: 9733: 9725: 9720: 9718: 9710: 9705: 9699:, p. 36. 9698: 9693: 9691: 9682: 9678: 9676: 9670: 9664: 9662: 9660: 9658: 9656: 9654: 9652: 9650: 9648: 9641:, p. 97. 9640: 9635: 9620: 9619: 9614: 9610: 9604: 9597: 9592: 9585: 9580: 9578: 9569: 9568: 9562: 9554: 9547: 9542: 9534: 9530: 9529: 9521: 9517: 9511: 9503: 9502: 9497: 9490: 9483: 9478: 9472:, p. 76. 9471: 9466: 9464: 9456: 9451: 9449: 9441: 9436: 9430:, p. 98. 9429: 9424: 9422: 9414: 9413:Schinder 2007 9409: 9407: 9400:, p. 94. 9399: 9394: 9392: 9384: 9379: 9377: 9370:, p. 98. 9369: 9364: 9357: 9352: 9346:, p. 60. 9345: 9340: 9333: 9328: 9326: 9324: 9307: 9303: 9302:Rolling Stone 9299: 9295: 9289: 9287: 9285: 9283: 9281: 9279: 9277: 9270:, p. 96. 9269: 9268:Williams 2010 9264: 9257: 9252: 9245: 9240: 9233: 9228: 9213: 9212:The Arts Fuse 9209: 9202: 9187: 9183: 9179: 9178:Siegel, Jules 9173: 9171: 9164:, p. 84. 9163: 9162:Williams 2010 9158: 9152:, p. 94. 9151: 9146: 9144: 9142: 9134: 9129: 9127: 9119: 9114: 9112: 9110: 9102: 9097: 9095: 9093: 9085: 9080: 9078: 9062: 9058: 9051: 9043: 9037: 9029: 9025: 9021: 9015: 9008: 9003: 8996: 8991: 8984: 8979: 8972: 8967: 8965: 8963: 8955: 8950: 8948: 8940: 8935: 8928: 8923: 8916: 8911: 8903: 8899: 8895: 8889: 8887: 8879: 8874: 8867: 8862: 8855: 8850: 8848: 8846: 8838: 8833: 8817: 8813: 8809: 8805: 8799: 8797: 8795: 8793: 8791: 8789: 8787: 8785: 8783: 8781: 8773: 8768: 8761: 8756: 8749: 8744: 8742: 8735:, p. 92. 8734: 8729: 8722: 8717: 8715: 8713: 8696: 8692: 8688: 8684: 8680: 8673: 8671: 8669: 8667: 8665: 8663: 8661: 8659: 8657: 8655: 8653: 8651: 8649: 8647: 8645: 8643: 8641: 8639: 8637: 8635: 8633: 8631: 8629: 8627: 8625: 8623: 8621: 8619: 8617: 8609: 8604: 8597: 8592: 8590: 8583:, p. 58. 8582: 8577: 8570: 8565: 8558: 8553: 8546: 8541: 8534: 8529: 8522: 8517: 8515: 8507: 8502: 8495: 8490: 8488: 8481:, p. 92. 8480: 8475: 8468: 8463: 8461: 8452: 8451:Ear Candy Mag 8448: 8441: 8439: 8437: 8428: 8427: 8421: 8413: 8411: 8404:, p. 63. 8403: 8398: 8396: 8389:, p. 72. 8388: 8383: 8381: 8379: 8371: 8366: 8364: 8359: 8347: 8341: 8334: 8330: 8324: 8317: 8313: 8307: 8298: 8289: 8278: 8274: 8268: 8259: 8252: 8246: 8237: 8228: 8221: 8215: 8200: 8196: 8188: 8178: 8171: 8165: 8156: 8148: 8147:Rolling Stone 8142: 8135: 8128: 8121: 8114: 8107: 8098: 8093: 8084: 8075: 8068: 8064: 8058: 8048: 8041: 8037: 8033: 8027: 8020: 8019:Final Cut Pro 8016: 8012: 8006: 7999: 7995: 7989: 7980: 7973: 7967: 7960: 7959:Timothy Leary 7954: 7945: 7938: 7934: 7930: 7924: 7911: 7904: 7898: 7889: 7882: 7876: 7869: 7865: 7861: 7860:Kahlil Gibran 7857: 7853: 7852: 7845: 7841: 7828: 7819: 7815: 7812:This section 7810: 7807: 7803: 7802: 7798: 7783: 7779: 7775: 7771: 7767: 7763: 7759: 7756: 7752: 7749: 7746: 7745: 7737: 7735: 7733: 7731: 7727: 7725: 7723: 7721: 7719: 7717: 7715: 7713: 7711: 7709: 7707: 7705: 7702: 7701: 7698: 7696: 7694: 7692: 7690: 7688: 7686: 7684: 7682: 7680: 7678: 7676: 7674: 7672: 7670: 7668: 7666: 7664: 7661: 7657: 7656: 7653: 7651: 7649: 7647: 7645: 7643: 7641: 7639: 7637: 7635: 7633: 7631: 7629: 7627: 7625: 7623: 7621: 7619: 7616: 7615: 7612: 7610: 7608: 7606: 7604: 7602: 7600: 7598: 7596: 7594: 7592: 7590: 7588: 7586: 7584: 7582: 7580: 7578: 7575: 7571: 7570: 7567: 7565: 7563: 7561: 7559: 7557: 7555: 7553: 7551: 7549: 7547: 7545: 7543: 7541: 7539: 7537: 7535: 7533: 7530: 7526: 7525: 7522: 7520: 7518: 7516: 7514: 7512: 7510: 7508: 7506: 7504: 7502: 7500: 7498: 7496: 7494: 7492: 7490: 7488: 7485: 7481: 7480: 7477: 7475: 7473: 7471: 7469: 7467: 7465: 7463: 7461: 7459: 7457: 7455: 7453: 7451: 7449: 7447: 7445: 7443: 7440: 7436: 7435: 7432: 7430: 7428: 7426: 7424: 7422: 7420: 7418: 7416: 7414: 7412: 7410: 7408: 7406: 7404: 7402: 7400: 7398: 7395: 7391: 7390: 7387: 7385: 7383: 7381: 7379: 7377: 7373: 7371: 7369: 7367: 7365: 7363: 7361: 7359: 7357: 7354: 7350: 7349: 7346: 7344: 7342: 7340: 7338: 7336: 7334: 7332: 7330: 7328: 7326: 7324: 7322: 7320: 7318: 7316: 7314: 7312: 7309: 7305: 7304: 7301: 7299: 7297: 7295: 7293: 7291: 7289: 7287: 7285: 7283: 7281: 7279: 7277: 7275: 7273: 7271: 7269: 7267: 7264: 7260: 7259: 7256: 7254: 7252: 7248: 7246: 7244: 7240: 7238: 7236: 7234: 7232: 7230: 7228: 7226: 7223: 7219: 7218: 7215: 7213: 7211: 7209: 7207: 7205: 7203: 7201: 7197: 7195: 7193: 7191: 7189: 7187: 7185: 7183: 7180: 7176: 7175: 7172: 7170: 7168: 7166: 7164: 7162: 7160: 7158: 7156: 7154: 7152: 7150: 7148: 7146: 7144: 7142: 7140: 7138: 7135: 7131: 7130: 7127: 7125: 7123: 7121: 7119: 7117: 7115: 7111: 7109: 7107: 7105: 7103: 7101: 7099: 7097: 7094: 7093:Cabin Essence 7090: 7089: 7086: 7084: 7082: 7080: 7078: 7076: 7074: 7072: 7070: 7066: 7064: 7062: 7060: 7058: 7056: 7054: 7051: 7047: 7046: 7043: 7041: 7039: 7037: 7035: 7033: 7031: 7029: 7027: 7025: 7023: 7021: 7019: 7017: 7015: 7013: 7011: 7009: 7006: 7002: 7001: 6998: 6996: 6994: 6992: 6990: 6988: 6986: 6984: 6982: 6980: 6978: 6976: 6974: 6972: 6970: 6968: 6966: 6964: 6961: 6957: 6956: 6953: 6951: 6949: 6947: 6945: 6943: 6941: 6939: 6937: 6935: 6933: 6931: 6929: 6927: 6925: 6923: 6921: 6919: 6916: 6912: 6911: 6908: 6906: 6904: 6902: 6900: 6898: 6896: 6894: 6892: 6890: 6888: 6886: 6884: 6882: 6880: 6878: 6876: 6874: 6871: 6867: 6866: 6863: 6861: 6859: 6857: 6855: 6853: 6851: 6849: 6847: 6845: 6843: 6841: 6839: 6837: 6835: 6833: 6831: 6829: 6826: 6822: 6821: 6818: 6816: 6814: 6812: 6808: 6806: 6804: 6802: 6800: 6798: 6796: 6794: 6791: 6787: 6786: 6783: 6781: 6779: 6777: 6775: 6773: 6771: 6769: 6767: 6765: 6761: 6756: 6752: 6751: 6745: 6740: 6735: 6730: 6725: 6720: 6715: 6710: 6705: 6700: 6695: 6690: 6685: 6680: 6675: 6670: 6669: 6655: 6647: 6644: 6642: 6638: 6635:Adapted from 6622: 6619:Total length: 6616: 6612: 6609: 6605: 6601: 6598: 6594: 6590: 6587: 6583: 6579: 6576: 6572: 6568: 6565: 6561: 6557: 6555:"Vega-Tables" 6554: 6550: 6546: 6543: 6539: 6535: 6532: 6528: 6524: 6521: 6517: 6513: 6510: 6506: 6502: 6499: 6495: 6491: 6488: 6484: 6480: 6477: 6473: 6469: 6465: 6462: 6458: 6454: 6451: 6447: 6443: 6440: 6436: 6432: 6429: 6425: 6421: 6418: 6414: 6410: 6407: 6403: 6390: 6385: 6380: 6379: 6365: 6362:Total length: 6359: 6355: 6352: 6348: 6344: 6340: 6336: 6333: 6329: 6325: 6322: 6318: 6314: 6310: 6308:"Wind Chimes" 6307: 6303: 6299: 6296: 6292: 6288: 6284: 6282:"Vega-Tables" 6281: 6277: 6273: 6270: 6269:Johnny Mercer 6266: 6262: 6258: 6254: 6250: 6247: 6243: 6239: 6236: 6232: 6228: 6224: 6221: 6217: 6213: 6209: 6206: 6202: 6198: 6195: 6191: 6187: 6184: 6183:Beasley Smith 6180: 6176: 6172: 6168: 6164: 6160: 6157: 6153: 6149: 6145: 6142: 6138: 6134: 6131: 6127: 6123: 6120: 6116: 6112: 6108: 6095: 6091: 6086: 6085: 6071: 6068:Total length: 6065: 6061: 6058: 6054: 6050: 6046: 6043: 6039: 6035: 6031: 6028: 6024: 6020: 6016: 6013: 6009: 6005: 6001: 5998: 5994: 5990: 5986: 5983: 5979: 5975: 5971: 5968: 5964: 5960: 5956: 5953: 5949: 5945: 5941: 5938: 5934: 5930: 5927: 5923: 5919: 5915: 5912: 5908: 5904: 5900: 5897: 5893: 5889: 5885: 5872: 5868: 5864: 5860: 5854: 5850: 5849: 5841: 5830: 5826: 5825: 5820: 5817: 5813: 5809: 5806: 5805: 5799: 5797: 5792: 5787: 5785: 5781: 5777: 5772: 5768: 5764: 5760: 5756: 5752: 5747: 5737: 5733: 5729: 5725: 5721: 5717: 5711: 5708: 5701: 5698: 5686: 5684: 5683: 5678: 5674: 5670: 5669: 5664: 5663: 5658: 5654: 5653: 5648: 5644: 5643: 5638: 5637: 5632: 5628: 5627: 5622: 5618: 5614: 5610: 5609: 5604: 5600: 5599:Kevin Shields 5596: 5594: 5590: 5586: 5582: 5581: 5576: 5572: 5568: 5567:Trey Spruance 5564: 5560: 5556: 5552: 5548: 5544: 5543: 5537: 5535: 5531: 5530: 5525: 5521: 5517: 5513: 5510:being "their 5509: 5505: 5501: 5497: 5493: 5489: 5485: 5480: 5478: 5474: 5467: 5464: 5460: 5456: 5449: 5447: 5443: 5439: 5435: 5431: 5427: 5423: 5419: 5410: 5408: 5404: 5400: 5396: 5392: 5391:John Coltrane 5388: 5384: 5378: 5376: 5372: 5371:Sgt. Pepper's 5364: 5353: 5351: 5347: 5346: 5340: 5336: 5331: 5324: 5320: 5319: 5314: 5310: 5305: 5303: 5299: 5298: 5293: 5289: 5285: 5281: 5275: 5272: 5268: 5267: 5259: 5253: 5241: 5239: 5235: 5231: 5223: 5219: 5215: 5211: 5210:Peter Doggett 5207: 5206: 5200: 5196: 5191: 5189: 5185: 5181: 5177: 5173: 5169: 5165: 5161: 5157: 5153: 5149: 5145: 5141: 5136: 5134: 5129: 5125: 5118: 5114: 5110: 5109:double albums 5106: 5102: 5098: 5093: 5091: 5087: 5083: 5082: 5077: 5068: 5063: 5060: 5059: 5054: 5050: 5049:Sonic Alchemy 5039: 5034: 5033: 5028: 5024: 5019: 5015: 5011: 5005: 4998: 4993: 4988: 4986: 4976: 4970: 4966: 4961: 4959: 4955: 4951: 4947: 4946: 4937: 4931: 4928: 4921: 4918: 4897: 4895: 4891: 4887: 4880: 4879:Rolling Stone 4876: 4872: 4868: 4867: 4861: 4854: 4848: 4846: 4842: 4838: 4834: 4830: 4829: 4824: 4820: 4816: 4812: 4811: 4806: 4804: 4800: 4796: 4792: 4788: 4784: 4780: 4772: 4771: 4765: 4760: 4753: 4742: 4740: 4736: 4731: 4727: 4722: 4720: 4712: 4707: 4703: 4702: 4697: 4692: 4690: 4686: 4685: 4680: 4676: 4675: 4669: 4665: 4661: 4660:Todd Rundgren 4657: 4652: 4650: 4649:The Smile Era 4646: 4642: 4641: 4636: 4632: 4628: 4624: 4623: 4614: 4609: 4607: 4602: 4597: 4594:Two types of 4592: 4590: 4585: 4581: 4575: 4573: 4569: 4562: 4560: 4553: 4551: 4547: 4546: 4541: 4537: 4533: 4528: 4526: 4522: 4518: 4513: 4505: 4499: 4497: 4493: 4489: 4485: 4484:Rolling Stone 4481: 4476: 4474: 4470: 4465: 4461: 4457: 4453: 4449: 4445: 4437: 4433: 4428: 4422: 4417: 4415: 4411: 4405: 4402: 4398: 4394: 4390: 4386: 4385: 4380: 4372: 4367: 4363: 4361: 4356: 4355: 4349: 4347: 4343: 4339: 4335: 4331: 4327: 4319: 4313: 4311: 4307: 4302: 4301: 4296: 4292: 4286: 4283: 4276: 4274: 4267: 4262: 4261: 4256: 4253: 4249: 4244: 4239: 4237: 4236: 4226: 4222: 4217: 4213: 4210: 4206: 4202: 4198: 4194: 4190: 4186: 4181: 4179: 4174: 4159: 4157: 4153: 4149: 4145: 4144:Dean Torrence 4141: 4137: 4133: 4128: 4125: 4119: 4117: 4116: 4111: 4107: 4102: 4097: 4095: 4091: 4086: 4082: 4078: 4077: 4068: 4064: 4059: 4055: 4053: 4052: 4047: 4043: 4039: 4034: 4032: 4028: 4024: 4023: 4014: 4010: 4005: 4001: 3999: 3995: 3994: 3989: 3985: 3984: 3979: 3975: 3971: 3967: 3963: 3953: 3951: 3950:Timothy White 3947: 3946: 3941: 3937: 3933: 3929: 3925: 3921: 3920: 3915: 3911: 3906: 3904: 3895: 3889: 3883: 3881: 3874: 3872: 3865: 3860: 3845: 3843: 3839: 3835: 3827: 3816: 3814: 3810: 3806: 3802: 3798: 3794: 3790: 3789:Karl Engemann 3784: 3781: 3777: 3773: 3769: 3767: 3763: 3759: 3755: 3751: 3750: 3745: 3741: 3737: 3736: 3730: 3728: 3719: 3714: 3710: 3708: 3704: 3700: 3696: 3692: 3691: 3686: 3680: 3672: 3667: 3664: 3660: 3655: 3653: 3649: 3645: 3641: 3640: 3635: 3630: 3628: 3624: 3623:Record Mirror 3616: 3612: 3608: 3602: 3599: 3598: 3590: 3585: 3583: 3579: 3575: 3574: 3569: 3566:On April 25, 3564: 3555: 3553: 3549: 3544: 3542: 3538: 3534: 3529: 3527: 3523: 3518: 3513: 3511: 3507: 3503: 3498: 3496: 3491: 3487: 3481: 3475: 3465: 3454: 3450: 3446: 3445: 3436: 3432: 3427: 3418: 3415: 3411: 3405: 3403: 3397: 3393: 3391: 3387: 3382: 3379: 3375: 3374:Karl Engemann 3369: 3363: 3346: 3344: 3333: 3331: 3330: 3321: 3320: 3314: 3312: 3308: 3302: 3288: 3277: 3272: 3270: 3265: 3264:Rolling Stone 3255: 3251: 3249: 3243: 3237: 3230: 3224: 3206: 3204: 3200: 3196: 3188: 3184: 3179: 3177: 3176:private jokes 3173: 3169: 3168:the Four Tops 3165: 3161: 3156: 3152: 3146: 3143: 3142: 3134: 3132: 3125: 3124:in January!" 3115: 3108: 3107: 3102: 3098: 3093: 3091: 3090: 3085: 3081: 3080: 3075: 3074: 3069: 3065: 3061: 3057: 3055: 3049: 3042: 3038: 3034: 3032: 3028: 3024: 3016: 3012: 3008: 3003: 2994: 2985: 2975: 2964: 2960: 2951: 2945: 2940: 2936: 2931: 2928: 2924: 2920: 2915: 2912: 2906: 2900: 2898: 2886: 2884: 2879: 2877: 2876: 2869: 2862: 2858: 2854: 2852: 2848: 2840: 2834: 2825: 2822: 2817: 2812: 2810: 2803: 2801: 2785: 2778: 2773: 2769: 2767: 2757: 2755: 2751: 2743: 2734: 2731: 2728: 2725: 2722: 2719: 2716: 2715: 2713: 2711: 2707: 2704:Capitol gave 2697: 2695: 2691: 2687: 2681: 2674: 2668: 2665: 2659: 2656: 2653: 2649: 2643: 2642:Lifeboat reel 2640: 2639: 2638: 2636: 2629: 2623: 2613: 2611: 2607: 2597: 2595: 2585: 2583: 2579: 2574: 2573:Johnny Mercer 2570: 2560: 2558: 2548: 2546: 2542: 2532: 2530: 2520: 2518: 2503: 2499: 2496: 2492: 2484: 2480: 2475: 2471: 2468: 2463: 2459: 2455: 2451: 2447: 2443: 2433: 2430: 2429:Dennis Wilson 2426: 2422: 2418: 2408: 2406: 2399:"Vega-Tables" 2396: 2393: 2389: 2382: 2380: 2368: 2364: 2348: 2326: 2324: 2320: 2314: 2308: 2304: 2297: 2295: 2283: 2279: 2263: 2261: 2237: 2235: 2231: 2227: 2223: 2213: 2211: 2207: 2203: 2202:Cabin Essence 2196: 2194: 2182: 2178: 2177: 2172: 2156: 2154: 2130: 2123: 2113: 2111: 2107: 2100:"Wind Chimes" 2097: 2088: 2085: 2080: 2078: 2074: 2073:Marty Robbins 2070: 2063: 2061: 2049: 2045: 2029: 2007: 1998: 1988: 1982: 1971: 1969: 1965: 1961: 1957: 1953: 1949: 1945: 1941: 1937: 1933: 1929: 1925: 1921: 1917: 1913: 1909: 1905: 1904:Nelson Riddle 1901: 1897: 1893: 1889: 1885: 1881: 1880:the Lettermen 1877: 1876:Frank Sinatra 1873: 1868: 1862: 1858: 1854: 1850: 1846: 1842: 1838: 1834: 1830: 1826: 1822: 1818: 1814: 1810: 1806: 1802: 1798: 1794: 1790: 1786: 1782: 1778: 1773: 1767: 1763: 1757: 1749: 1746: 1745: 1740: 1733: 1723: 1721: 1717: 1713: 1709: 1705: 1701: 1700: 1695: 1691: 1690: 1685: 1678: 1675: 1674: 1666: 1664: 1658: 1656: 1648: 1644: 1640: 1636: 1632: 1629: 1625: 1621: 1617: 1611: 1609: 1608: 1607:Sesame Street 1603: 1599: 1595: 1591: 1583: 1578: 1574: 1572: 1568: 1564: 1560: 1552: 1548: 1544: 1540: 1536: 1532: 1528: 1524: 1520: 1516: 1512: 1506: 1480: 1476: 1467: 1465: 1461: 1457: 1453: 1449: 1448: 1443: 1439: 1435: 1431: 1428: 1424: 1420: 1411: 1409: 1405: 1399: 1397: 1393: 1389: 1383: 1381: 1378: 1374: 1369: 1364: 1363: 1357: 1355: 1351: 1345: 1342: 1335: 1312: 1310: 1305: 1301: 1297: 1289: 1284: 1282: 1278: 1274: 1270: 1265: 1260: 1258: 1252: 1250: 1237: 1231: 1229: 1224: 1220: 1215: 1213: 1209: 1205: 1204: 1199: 1195: 1191: 1187: 1186:concept album 1183: 1177: 1171: 1160: 1158: 1154: 1150: 1146: 1142: 1138: 1133: 1131: 1127: 1121: 1119: 1118:revival music 1115: 1111: 1107: 1099: 1090: 1085: 1083: 1079: 1075: 1071: 1070:Bhagavad Gita 1067: 1066: 1061: 1056: 1054: 1045: 1041: 1037: 1033: 1026: 1022: 1018: 1013: 1004: 1002: 998: 994: 989: 985: 981: 980: 975: 974: 969: 964: 962: 956: 954: 950: 946: 942: 935: 931: 926: 917: 915: 906: 902: 898: 892:, originally. 891: 879: 866: 864: 848: 845: 841: 833: 832: 827: 824: 821: 820: 815: 812: 805: 801: 797: 796:Paul Williams 794: 791: 787: 783: 782: 777: 774: 773:Michael Vosse 771: 770: 769: 763: 759: 756: 753: 749: 745: 742: 738: 737:The Troubador 734: 731: 728: 727:David Anderle 725: 724: 723: 721: 717: 716:Steven Gaines 710: 704: 702: 698: 694: 693:Michael Vosse 690: 689:David Anderle 678: 676: 672: 668: 667: 661: 658: 654: 650: 649:Beverly Hills 645: 643: 639: 635: 631: 627: 623: 622:Terry Melcher 619: 611: 607: 603: 589: 587: 582: 577: 575: 571: 565: 563: 559: 555: 551: 547: 543: 539: 538: 529: 528: 522: 518: 516: 512: 500: 496: 492: 488: 477: 475: 471: 467: 466: 461: 460: 455: 451: 447: 446: 441: 437: 433: 429: 427: 423: 419: 415: 411: 407: 403: 399: 395: 391: 386: 384: 380: 376: 373:", about the 372: 368: 364: 360: 356: 352: 348: 344: 343: 338: 334: 330: 326: 322: 318: 314: 310: 306: 302: 298: 297:concept album 294: 290: 286: 282: 277: 275: 274:popular music 271: 267: 266: 261: 257: 256: 251: 247: 243: 242: 237: 236: 221: 220: 216: 212: 211: 207: 203: 202: 198: 197: 193: 189: 185: 182: 179: 177: 173: 167: 164: 162: 159: 157: 154: 152: 149: 148: 146: 144: 140: 134:(Los Angeles) 133: 130: 128: 125: 122: 120: 117: 115: 112: 110: 107: 106: 104: 100: 87: 83: 78: 72: 68: 64: 58: 53: 48: 45: 41: 37: 33: 19: 19460:Sea of Tunes 19452: 19397:Other topics 19385: 19380:Smiling Pets 19378: 19371: 19364: 19357: 19350: 19343: 19335: 19328: 19321: 19306:Murry Wilson 19296:Derek Taylor 19271:Irving Azoff 19148: 19141: 19134: 19127: 19120: 19115:Catch a Wave 19113: 19106: 19099: 19080: 19072: 19064: 19045: 19037: 19029: 19021: 19013: 19005: 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Album 18574: 18567: 18560: 18553: 18546: 18539: 18532: 18525: 18518: 18511: 18506:Smiley Smile 18504: 18497: 18490: 18483: 18476: 18469: 18462: 18455: 18448: 18441: 18434: 18427: 18412:Ricky Fataar 18387: 18380: 18373: 18366: 18361:Brian Wilson 18359: 18293:Other topics 18283:Smiling Pets 18281: 18274: 18259: 18253: 18246: 18239: 18225: 18213: 18183:Derek Taylor 18178:Jules Siegel 18163:Danny Hutton 18031:I Don't Know 18023:Other tracks 17916:Movement two 17906:Cabinessence 17841:Movement one 17828: 17816: 17809: 17804:Smiley Smile 17802: 17790: 17789: 17748:. Retrieved 17743: 17727:. Retrieved 17723:the original 17716: 17713:Shenk, Lou. 17692: 17665: 17646: 17640: 17630: 17629: 17614: 17610: 17603: 17575: 17571: 17539: 17535: 17527: 17526: 17519:The Guardian 17517: 17511: 17497:. Retrieved 17493: 17477:. Retrieved 17473:the original 17466: 17460: 17450:the original 17445: 17439: 17425:the original 17417: 17401:. Retrieved 17396:the original 17388: 17382: 17368: 17349:. Retrieved 17344: 17333:Web articles 17332: 17331: 17298: 17283: 17266: 17249: 17228: 17207: 17193: 17192: 17168: 17140: 17117: 17094: 17055: 17030: 17010: 16986: 16960: 16955:Tobler, John 16936: 16912: 16887: 16882: 16862: 16841: 16821: 16797: 16776: 16751: 16730: 16706: 16682: 16661: 16637: 16620:. ABC-CLIO. 16616: 16594: 16565: 16544: 16519: 16486: 16460: 16456: 16430: 16410: 16383: 16355: 16333: 16311: 16286: 16261: 16237: 16217: 16187: 16166: 16144: 16119: 16114: 16095: 16071: 16041: 16021: 16000: 15976: 15947: 15937:Bibliography 15920:. Retrieved 15916: 15900:. Retrieved 15896: 15883: 15865: 15858: 15847: 15837: 15825: 15813: 15801: 15789:. Retrieved 15783: 15777: 15769: 15757: 15745: 15733:. Retrieved 15722: 15713: 15701:. Retrieved 15696: 15687: 15678: 15668: 15660:the original 15655: 15649: 15641: 15593:Wilson, Carl 15587: 15575:. Retrieved 15569: 15563: 15555: 15548:Sanchez 2014 15543: 15531: 15519:. Retrieved 15515: 15509: 15482: 15475:Doggett 1997 15470: 15463:Doggett 1997 15458: 15451:Doggett 2015 15446: 15434:. Retrieved 15428: 15415: 15403: 15391: 15382: 15367: 15355:. Retrieved 15349: 15339: 15327: 15315:. Retrieved 15311: 15301: 15293:the original 15286: 15262: 15250: 15238: 15228:December 12, 15226:. Retrieved 15222:the original 15215: 15206: 15198:the original 15191: 15184:Chapman, Rob 15166:Granata 2003 15161: 15154:Sanchez 2014 15149: 15122: 15110: 15098: 15091:Sanchez 2014 15086: 15074: 15062: 15050: 15038: 15011: 14999: 14987: 14962: 14951: 14939: 14927: 14915: 14903: 14891: 14879:. Retrieved 14875:the original 14870: 14841: 14829: 14817: 14805: 14780: 14764: 14752:. Retrieved 14747: 14741: 14720: 14716: 14714: 14707:. Retrieved 14702: 14688: 14676: 14649: 14637: 14625: 14613: 14586: 14574: 14547: 14535: 14493: 14470: 14457: 14445:. Retrieved 14441:the original 14430: 14418:. 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Retrieved 12771: 12761: 12749: 12737: 12725: 12713: 12701: 12692:The Guardian 12690: 12680: 12669: 12659: 12650: 12619: 12607: 12580: 12568: 12541: 12529: 12487: 12475: 12470:, p. 4. 12468:Sanchez 2014 12463: 12451: 12432: 12423: 12404: 12395: 12388:Sanchez 2014 12383: 12371: 12364:Sanchez 2014 12359: 12332: 12299: 12287: 12275: 12263: 12251: 12228:the original 12221: 12194: 12183: 12171: 12143: 12114: 12072: 12060: 12048: 12036: 12009:. Retrieved 12005: 11995: 11984: 11960: 11954: 11913: 11886: 11875: 11863: 11851: 11839: 11827: 11798: 11787: 11755: 11729: 11717: 11626: 11614: 11602: 11590: 11555: 11501:Doggett 1997 11496: 11452: 11440: 11428: 11416: 11392:Lambert 2016 11387: 11380:Lambert 2007 11375: 11363: 11336: 11324: 11312: 11258: 11231: 11204: 11171: 11159: 11147: 11135: 11123: 11111: 11099: 11087: 11081:. June 2012. 11078: 11072: 11045: 11033: 11021: 11009: 10997: 10985: 10973: 10962: 10956: 10933:the original 10928: 10872: 10841:. Retrieved 10837:the original 10832: 10804:. Retrieved 10800: 10790: 10783:Sanchez 2014 10778: 10751:. Retrieved 10747:The Guardian 10746: 10740: 10720: 10710: 10698: 10669:. Retrieved 10665:the original 10660: 10657:(Interview)" 10654: 10616: 10609:Lambert 2016 10604: 10592: 10554: 10541: 10529: 10520: 10510: 10499: 10489: 10482:Sellars 2015 10477: 10465: 10454: 10448: 10444: 10436: 10425: 10415: 10403:. Retrieved 10399: 10393: 10385: 10375:November 19, 10373:. Retrieved 10344: 10332: 10323: 10319: 10267: 10261: 10234:. Retrieved 10230: 10224: 10201: 10174: 10162: 10150:. Retrieved 10146:the original 10141: 10135: 10113: 10103: 10091: 10050: 10010: 9998: 9971: 9964:Lambert 2008 9959: 9948: 9936: 9924:. Retrieved 9918: 9875: 9851: 9821: 9810: 9804: 9796: 9766:Sanchez 2014 9749: 9709:Sanchez 2014 9704: 9680: 9674: 9634: 9622:. Retrieved 9616: 9609:Brown, Ethan 9603: 9591: 9565: 9553: 9541: 9526: 9510: 9499: 9489: 9477: 9435: 9363: 9351: 9339: 9310:. Retrieved 9306:the original 9301: 9263: 9251: 9239: 9232:Hoskyns 2009 9227: 9215:. Retrieved 9211: 9201: 9191:November 21, 9189:. Retrieved 9185: 9157: 9150:Sanchez 2014 9066:September 2, 9064:. Retrieved 9060: 9050: 9019: 9014: 9002: 8990: 8978: 8934: 8922: 8910: 8901: 8873: 8861: 8832: 8820:. Retrieved 8816:the original 8811: 8767: 8755: 8728: 8699:. Retrieved 8695:the original 8682: 8603: 8581:Granata 2003 8576: 8564: 8552: 8540: 8528: 8501: 8479:Sanchez 2014 8474: 8450: 8424: 8345: 8340: 8332: 8329:Smiley Smile 8328: 8323: 8315: 8311: 8306: 8297: 8288: 8276: 8267: 8258: 8250: 8245: 8236: 8227: 8219: 8214: 8198: 8194: 8177: 8169: 8164: 8155: 8146: 8141: 8127: 8119: 8113: 8096: 8092: 8083: 8074: 8066: 8057: 8047: 8026: 8014: 8005: 7997: 7993: 7988: 7979: 7966: 7953: 7944: 7936: 7932: 7928: 7923: 7910: 7903:David Crosby 7897: 7888: 7875: 7864:Herman Hesse 7858:, poetry by 7849: 7844: 7822: 7818:adding to it 7813: 7743: 7742: 6640: 6636: 6634: 6376: 6295:On a Holiday 6082: 5967:Cabinessence 5852: 5846: 5839: 5828: 5822: 5815: 5811: 5808:Lewis Shiner 5795: 5790: 5788: 5776:Orson Welles 5770: 5766: 5762: 5758: 5754: 5750: 5748: 5735: 5731: 5727: 5723: 5719: 5715: 5713: 5706: 5703: 5696: 5694: 5680: 5666: 5662:All Is Dream 5660: 5650: 5640: 5634: 5624: 5616: 5612: 5606: 5597: 5592: 5588: 5585:Velvet Crush 5578: 5570: 5555:Jim O'Rourke 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3825: 3813:Smiley Smile 3812: 3804: 3800: 3793:Smiley Smile 3792: 3785: 3779: 3776:Smiley Smile 3775: 3772:Smiley Smile 3771: 3770: 3766:Smiley Smile 3765: 3761: 3757: 3753: 3747: 3743: 3735:Smiley Smile 3733: 3731: 3726: 3723: 3706: 3702: 3698: 3694: 3688: 3684: 3682: 3679:Smiley Smile 3671:Smiley Smile 3670: 3662: 3658: 3656: 3651: 3647: 3643: 3637: 3633: 3631: 3626: 3622: 3614: 3604: 3595: 3592: 3588: 3581: 3571: 3565: 3561: 3545: 3540: 3530: 3521: 3516: 3514: 3509: 3499: 3494: 3485: 3483: 3477: 3469:By that time 3468: 3442: 3439: 3435:Phil Spector 3413: 3409: 3406: 3401: 3398: 3394: 3386:draft notice 3383: 3377: 3371: 3365: 3349: 3343:drug culture 3339: 3327: 3317: 3315: 3310: 3306: 3303: 3286: 3279: 3274: 3268: 3263: 3261: 3252: 3244: 3235: 3232: 3226: 3214: 3202: 3194: 3182: 3180: 3154: 3148: 3139: 3136: 3130: 3128: 3113: 3104: 3100: 3096: 3094: 3087: 3083: 3077: 3071: 3067: 3063: 3060:Melody Maker 3059: 3053: 3047: 3046: 3030: 3026: 3020: 3006: 3005:Most of the 2987: 2973: 2966: 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It was a 161:psychedelia 19493:Categories 19223:Unreleased 18883:Unreleased 18866:Feel Flows 18513:Wild Honey 18499:Pet Sounds 18389:Al Jardine 18269:Rio Grande 18255:Pet Sounds 17849:Our Prayer 17446:Bananastan 16972:0890091749 16540:Love, Mike 16403:Kent, Nick 16375:Kent, Nick 16004:. Rodale. 15849:PopMatters 15818:Starr 2016 15806:Starr 2016 15762:Flory 2016 15436:August 29, 15373:Irvin, Jim 15255:Moore 2016 15142:Marsh 1983 15103:Flory 2016 15055:Flory 2016 15043:Flory 2016 15031:Flory 2016 14896:Flory 2016 14846:Flory 2016 14748:Icon Fetch 14669:Flory 2016 14654:Flory 2016 14642:Starr 2016 14618:Flory 2016 14567:Flory 2016 14552:Flory 2016 14513:Flory 2016 14498:Flory 2016 14447:August 13, 14371:Flory 2016 14347:Flory 2016 14335:Flory 2016 14320:Flory 2016 14307:Pet Sounds 14223:Flory 2016 14211:Flory 2016 14199:Flory 2016 14161:Flory 2016 14146:Flory 2016 14134:Flory 2016 14122:Flory 2016 14110:Flory 2016 13959:Starr 2016 13810:White 1996 12443:B01AD99JMW 12352:White 1996 11646:White 1996 10801:Popmatters 10456:PopMatters 10269:PopMatters 9742:Nolan, Tom 9312:August 25, 9294:Nolan, Tom 9084:White 1996 8402:Jones 2008 8355:References 8189:', and say 7994:Pet Sounds 7933:Pet Sounds 7881:the Honeys 7753:Recording 7050:Our Prayer 6463:"Barnyard" 6351:Tony Asher 6323:" (Wilson) 6027:Vegetables 5913:" (Wilson) 5911:Our Prayer 5867:David Leaf 5863:Andy Paley 5728:Pet Sounds 5580:California 5575:Mr. Bungle 5547:Pet Sounds 5512:Holy Grail 5459:Elephant 6 5422:indie rock 5318:AZ Central 5313:Pet Sounds 5218:Song Cycle 5178:co-editor 5133:Song Cycle 4992:Dave Marsh 4985:Pet Sounds 4787:Pet Sounds 4536:Wild Honey 4521:head shops 4393:Andy Paley 4389:Rio Grande 4340:, Tabor's 4221:David Leaf 4090:Landlocked 4076:Landlocked 4009:Our Prayer 3983:Wild Honey 3940:Song Cycle 3928:Song Cycle 3919:Song Cycle 3859:Pet Sounds 3844:sessions, 3826:Song Cycle 3718:Zuma Beach 3634:Crawdaddy! 3609:released " 3597:Tiger Beat 3570:premiered 3248:witchcraft 3187:David Leaf 3084:Pet Sounds 3027:Dumb Angel 2847:Pet Sounds 2809:Crawdaddy! 2690:Chuck Kaye 2673:Hal Blaine 2582:Andy Paley 2551:"Holidays" 2379:media help 2317:climax of 2294:media help 2193:media help 2060:media help 1952:tone poems 1944:Les Baxter 1892:Patti Page 1833:Erik Davis 1809:tone poems 1789:barbershop 1762:was to be 1754:We wanted 1567:Pet Sounds 1551:Al Jardine 1511:Pet Sounds 1380:David Toop 1304:Pet Sounds 1300:Pet Sounds 1228:rock opera 1221:describes 1196:, and the 1145:Dumb Angel 1137:Dumb Angel 1130:spirituals 1044:the occult 1040:numerology 997:Pet Sounds 984:Pet Sounds 804:Pet Sounds 800:Crawdaddy! 653:Dumb Angel 581:Pet Sounds 562:Pet Sounds 554:Tony Asher 542:Pet Sounds 537:Pet Sounds 527:Pet Sounds 480:Background 422:electronic 414:indie rock 402:Our Prayer 293:Pet Sounds 255:Pet Sounds 201:Pet Sounds 132:Beach Boys 19346:(musical) 19259:Personnel 18541:Surf's Up 18534:Sunflower 18382:Mike Love 18276:Surf's Up 18168:Tom Nolan 18112:Mama Says 17945:Surf's Up 17924:Wonderful 17617:: 38–59. 17592:192834600 17556:144493004 17403:August 2, 17268:KRLA Beat 17082:(1995) . 16477:162871617 15729:IPC Media 15357:August 7, 15332:Leaf 1978 15312:Pitchfork 14810:Love 2016 14791:cite news 13988:Leaf 1978 13704:Kent 2009 13677:Toop 1999 13444:Leaf 1978 13340:Kent 2009 13316:Leaf 1978 13131:April 23, 13038:Kent 1995 13006:Love 2016 12925:Kent 2009 12865:Kent 2009 12853:Kent 1995 12742:Love 2016 12730:Love 2016 12706:Love 2016 12600:Love 2016 12585:Love 2016 12522:Leaf 1978 12415:0006-2510 12406:Billboard 12199:Love 2016 12164:Kent 2009 12107:Kent 2009 11891:Love 2016 11844:Kent 1995 11832:Kent 2009 10833:LA Weekly 10743:– review" 10597:Toop 1995 10534:Lowe 2007 10470:Hall 2014 10400:Pitchfork 9868:Leaf 1978 9697:Kent 2009 9639:Leaf 1978 9383:Leaf 1978 9368:Leaf 1978 9244:Kent 1995 9186:waste.org 9061:Ear Candy 8691:1754-9892 8333:Sunflower 8145:In 2017, 8097:Billboard 7825:June 2023 7791:Personnel 7784:Finished 7353:Surf's Up 6915:Wonderful 6707:September 6384:Alan Boyd 6057:Surf's Up 5952:Wonderful 5896:Mike Love 5855:portion) 5500:Elf Power 5430:post-punk 5387:John Cage 5333:In 1999, 5330:Beatles. 5304:period". 5230:the Doors 5124:Jim Irvin 5105:Bob Dylan 5067:Pitchfork 4965:Crawdaddy 4841:Billboard 4469:Greg Shaw 4430:Musician 4342:Celebrate 4197:Surf's Up 4094:Surf's Up 4051:Sunflower 3978:Mama Says 3819:Aftermath 3199:Bob Dylan 3172:KRLA Beat 3097:Billboard 3054:Billboard 2939:hotboxing 2897:everybody 2861:Mike Love 2635:Wollensak 2495:toy store 2307:Desbutals 2303:Surf's Up 2278:Surf's Up 2260:Surf's Up 2232:'s poem " 2122:Wonderful 1932:Gil Evans 1916:Bob Dylan 1655:John Cage 1639:baby talk 1628:rhapsodic 1442:folk rock 1430:avant-pop 1408:Alan Boyd 1392:Surf's Up 1277:folk rock 1194:childhood 1180:Although 1036:astrology 905:Tom Nolan 844:Nick Kent 618:the Byrds 546:Mike Love 487:marijuana 476:in 2013. 418:post-punk 410:Surf's Up 347:classical 321:mysticism 317:innocence 276:history. 119:Gold Star 19478:Category 18975:It's OK! 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