Good Vibrations - Knowledge

2228:' recording of the century." He added that the single "vaulted nearly every other rock act in their delivery of a Flower Power classic. It was just strange enough to be taken seriously, but still vibrant, happy, accessibly Beach Boys-esque pop." John Bush wrote that the single "announced the coming era of pop experimentation with a rush of riff changes, echo-chamber effects, and intricate harmonies". Gillett noted: "For the rest of the sixties, countless musicians and groups attempted to represent an equivalently blissful state, but none of them ever applied the intense discipline and concentration that Wilson had devoted to the recording." 1798: 1432: 1172:, starting on August 24 and continuing sporadically until the very last day of assembly on September 21. The episodic structure of the composition was continuously revised as the group experimented with different ideas. Brian remembers that he began recording the "bop bop good vibrations" parts first, and that he came up with "the high parts" a week later. Mike Love recalled: "I can remember doing 25–30 vocal overdubs of the same part, and when I mean the same part, I mean same section of a record, maybe no more than two, three, four, five seconds long." 1742:

of the persistent quarter-note bass line and maraca that maintain the only rhythm throughout Episode 2. The section ends with a five-part harmony vocalizing a whole-note chord that is sustained by reverb for a further four beats. Lambert calls it the song's "wake-up chord at the end of the meditation that transports the concept into a whole new realm: it's an iconic moment among iconic moments. As it rouses us from a blissful dream and echoes into the silence leading into the chorus, it seems to capture every sound and message the song has to say."

1706: 1979: 5278: 5530: 1123: 670: 1414: 1824:, who had recently been engaged as the band's publicist, is credited for coining the term a "pocket symphony" to describe the song. In a press release for the single, he stated: "Wilson's instinctive talents for mixing sounds could most nearly equate to those of the old painters whose special secret was in the blending of their oils. And what is most amazing about all outstanding creative artists is that they are using only those basic materials which are freely available to everyone else." 1202: 9121: 13497: 13485: 11418: 2176:"Good Vibrations" may yet prove to be the most significantly revolutionary piece of the current rock renaissance; executed as it is in conventional Beach Boys manner, it is one of the few organically complete rock works; every audible note and every silence contributes to the whole three minutes, 35 seconds, of the song. It is the ultimate in-studio production trip, very much rock 'n' roll in the emotional sense and yet un-rocklike in its spacial [ 947: 1116:, he had been confronted with resistance by members of the group, whom Brian declined to name. The subject of their worries and complaints was the song's length and "modern" sound: "I said no, it's not going to be too long a record, it's going to be just right. ... They didn't quite understand what this jumping from studio to studio was all about. And they couldn't conceive of the record as I did. I saw the record as a totality piece." 1446: 801: 2763:. The stereo mix was made possible through the invention of new digital technology by Derry Fitzgerald, and received the blessing of Brian Wilson and Mark Linett. Fitzgerald's software extracted individual instrumental and vocal stems from the original mono master—as the multi-track vocals remained missing—to construct the stereo version that appears on the 2012 reissue of 914:'s 1986 biography, Wilson is quoted on the lyrics: "We talked about good vibrations with the song and the idea, and we decided on one hand that you could say ... those are sensual things. And then you'd say, 'I'm picking up good vibrations,' which is a contrast against the sensual, the extrasensory perception that we have. That's what we're really talking about." 2356: 2394:, since the group was used to playing the fretboards of a guitar. Sear remembers marking fretboard-like lines on the ribbon "so they could play the damn thing." Moog began manufacturing his own models of theremins. He later noted: "The pop record scene cleaned us out of our stock which we expected to last through Christmas." 1962:

Boys, however, is being taken as a portent that the popularity of the top British groups of the last three years is past its peak." In a readers' poll conducted by a Danish newspaper, Brian Wilson won the "best foreign-produced recording award", marking the first time that an American had won in that category.

1597:"I'm picking up good vibrations/she's giving me the excitations" sung by Mike Love in his bass-baritone register; the second repeats the lines and adds an "ooo bop bop" figure, sung in multiple-part harmony; the third time also adds a "good, good, good, good vibrations" in yet a higher harmony. This type of 38: 4588:

Domenic Priore wrote: "Something also clicked with Brian Wilson when he saw Hutton's enthusiasm for the 'Good Vibrations' 45 project. Perhaps this wasn't for someone else; this could be the song that clinched The Beach Boys' headlong dive into the emergent psychedelic/pop/art world. 'We fixed it up,'

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for an unexpectedly short single measure. The section uses a descending progression, which mirrors the ascending progression of the previous two refrains. There follows a short section of vocalizing in three-part counterpoint that references the original refrain by reproducing upward transposition.

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The appearance of episode 1 was unusual enough but could be explained as an extended break between verse and refrain sections. Episode 2 however, makes that interpretation untenable, and both listener and analyst must entertain the idea that "Good Vibrations" develops under its own power, as it were,

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When the Beach Boys needed to reproduce its sound onstage, Wilson first requested that Tanner play the Electro-Theremin live with the group, but he declined due to commitments. Tanner recalls saying to Wilson, "I've got the wrong sort of hair to be on stage with you fellas", to which Wilson replied:

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Wilson said that "Good Vibrations" was inspired by his mother: " used to tell me about vibrations. I didn't really understand too much of what it meant when I was just a boy. It scared me, the word 'vibrations.' She told me about dogs that would bark at people and then not bark at others, that a dog

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said that this result was probably influenced by the success of "Good Vibrations" when the votes were cast, together with the band's recent tour, whereas the Beatles had neither a recent single nor had they toured the UK throughout 1966; the reporter added that "The sensational success of the Beach

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The slowed pace is complemented by the lyric ("Gotta keep those loving good vibrations a-happening with her"), sung once first as a solo voice, with the melody repeated an octave higher the second time with an accompanying harmony. This two-part vocal fades as a solo harmonica plays a melody on top

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highlights this change as the "most savage edit in the track ... most people would go straight into a big splash hook-line section. Brian Wilson decided to slow the track even further, moving into a 23-bar section of church organ ... Most arrangers would steer clear of this kind of drop in pace, on

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active in Los Angeles at that time. Production for "Good Vibrations" spanned more than a dozen recording sessions at four different Hollywood studios, at a time when most pop singles were typically recorded in a day or two. It was reported to have used over 90 hours of magnetic recording tape, with

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reviewer John Bush pointed out: "Radio listeners could easily pick up the link between the title and the obviously electronic riffs sounding in the background of the chorus, but Wilson's use of the theremin added another delicious parallel—between the single's theme and its use of an instrument the

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According to Parks, he was offered the opportunity to rewrite Love's lyrics because " was embarrassed with the 'excitation' part Mike Love had insisted on adding. But I told Brian that I wouldn't touch it with a 10-foot pole and that nobody'd be listening to the lyrics anyway once they heard that

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magazine, the band thanked the music industry for the sales of their album, and said that "We're moved over the fact that our Pet Sounds brought on nothing but Good Vibrations." This was the first public hint of the new single. Later in the year, Brian told journalist Tom Nolan that the new Beach

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said: "With justification, comments are being passed that 'Good Vibrations' is an inhuman work of art. Computerized pop, mechanized music. Take a machine, feed in various musical instruments, add a catch phrase, stir well, and press seven buttons. It is long and split. ... impressive, fantastic,

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Virtually every pop music critic recognizes "Good Vibrations" as one of the most important compositions and recordings of the entire rock era. It is a regular fixture on "greatest of all-time" song lists and is frequently hailed as one of the finest pop productions of all time. In 2004 and 2010,

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The first Beach Boy to hear "Good Vibrations" in a semi-completed form, other than Brian, was Carl. Following a performance with the touring group in North Dakota, he remembered: "I came back up into my hotel room one night and the phone rang. It was Brian on the other end. He called me from the

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composer Frank Oteri said that it "sounds like no other pop song recorded up to that point". According to Stebbins: "This signature sound would be duplicated, cloned, commercialized, and re-fabricated in songs, commercials, TV shows, movies, and elevators to the point of completely diluting the

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Brian was playing what amounts to the hook of the song: "Good, good, good, good vibrations." He started telling me the story about his mother. ... He said he'd always thought that it would be fun to write a song about vibes and picking them up from other people. ... So as we started to work, he

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in 2015, Scott Interrante stated: "'Good Vibrations' changed the way a pop record could be made, the way a pop record could sound, and the lyrics a pop record could have." The recording contains previously untried mixes of instruments, and it was the first pop hit to have cellos in a juddering

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was a reworking of the earliest "Good Vibrations" session, conducted less than a month later, and that phrases originating from "Here Today" would reappear in subsequent recordings for "Good Vibrations". Musicologist Philip Lambert said that a resemblance between the two songs is "apparent,

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kind of burden and start to branch out into something that was a little more universal. ... I tried to do as literally as I could because in the intervening 10 years, radio had changed so much. Radio had become so formatted and so structured that that whole experience was already gone."

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Typical pop songs of that era (or indeed any era) usually have a basic groove running throughout the track which doesn't change a great deal from start to finish ... pop records were either guitar, bass and drum combos or traditional orchestrated arrangements for vocalists ... The exotic

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was released. The EP includes "Good Vibrations", four alternate versions of the song, and the stereo mix of "Let's Go Away for Awhile". The EP artwork recreates that of the original 7-inch single sleeve. In 2016, the EP was reissued as a 12" record for the single's 50th anniversary.

1232:. Each has a distinct musical texture, partly due to the nature of the song's recording. The track's instrumentation changes radically from section to section, and for the AM radio standards of late 1966, the song's final runtime (3 minutes 35 seconds) was considered a "very long" 758:, which ran from 1963 to 1966. Britz speculates: "He just walked in and said, 'I have this new sound for you.' I think he must have heard the sound somewhere and loved it, and built a song around it." It is unclear whether Wilson knew that the instrument was not a real theremin. 1915:

described it as "highly imaginative." In the UK, the song sold over 50,000 copies in the first 15 days of its release. "Good Vibrations" quickly became the Beach Boys' first million-selling single. In December 1966, the record was their first single certified gold by the

2374:. The notion that "Good Vibrations" features a theremin has been erroneously repeated in books, CD liner notes, and quotes from the recording's participants. While having a similar sound, a theremin is an aerial-controlled instrument, unlike the Electro-Theremin. 1820:

Boys single was "about a guy who picks up good vibrations from a girl" and that it would be a "monster". He then suggested: "It's still sticking pretty close to that same boy-girl thing, you know, but with a difference. And it's a start, it's definitely a start."

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On September 21, Brian completed the track after Tanner added a final Electro-Theremin overdub. In 1976 he elaborated on the event: "It was at Columbia. I remember I had it right in the sack. I could just feel it when I dubbed it down, made the final mix from the

820:. He recalled that when he heard the unfinished backing track: " was already so avant-garde, especially with the theremin, I wondered how our fans were going to relate to it. How's this going to go over in the Midwest or Birmingham? It was such a departure from ' 647:

for help in putting words to the idea. When Brian presented the song on piano, Asher thought that it had an interesting premise with the potential for hit status, but could not fathom the end result due to Brian's primitive piano playing style. Asher remembered:

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instruments, the complex vocal arrangements, and the many dynamic crescendos and decrescendos all combine to set this record apart from most pop music. In short, if there's an instruction manual for writing and arranging pop songs, this one breaks every rule.

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suggested that the Beach Boys were clearing a pathway toward the development of progressive rock, writing: "The fact is, the same reasons why much progressive rock is difficult to dance to apply just as much to 'Good Vibrations' and 'A Day in the Life.'"

957:"Good Vibrations" established a new method of operation for Wilson. Instead of working on whole songs with clear large-scale syntactical structures, Wilson limited himself to recording short interchangeable fragments (or "modules"). Through the method of 657:

Wilson wanted to call the song "Good Vibes", but Asher advised that it was "lightweight use of the language", and suggested that "Good Vibrations" would sound less "trendy". The two proceeded to write lyrics for the verses that were ultimately discarded.

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Although the song does not technically contain a theremin, "Good Vibrations" is the most frequently cited example of the instrument's use in pop music. Upon release, the single prompted an unexpected revival in theremins and increased the awareness of

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recording studio and played this really bizarre sounding music over the phone. There were drums smashing, that kind of stuff, and then it refined itself and got into the cello. It was a real funky track." In 1976, Brian revealed that before the final

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said that it was himself who suggested having the cellist play triplets to Brian. Parks believed that having Brian exploit the cello "to such a hyperbolic degree" was what encouraged the duo to immediately collaborate on the never-finished album

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was quoted in the 1960s as saying, "'Good Vibrations' was probably a good record but who's to know? You had to play it about 90 bloody times to even hear what they were singing about." Townshend feared that the single would lead to a trend of

1104:. He thought about abandoning the track, but after receiving encouragement from Anderle, eventually decided on it as the next Beach Boys single. In the meantime, he worked on writing and recording material for the group's forthcoming album, 2153:

commented that the song's making was "unlike anything previous in the realms of classical, jazz, international, soundtrack, or any other kind of recording". A milestone in the development of rock music, the song, together with the Beatles'

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album, which saw release on May 16. More instrumental sections for "Good Vibrations" were recorded between April and June. Brian then forwent additional instrumental tracking until early September, when it was decided to revisit the song's

6795: 2283:", which was similarly pieced together using different sections. Wilson praised Queen's effort, calling it "the most competitive thing that's come along in ages" and "a fulfillment and an answer to a teenage prayer—of artistic music". 7858: 2559:

reportedly listened to "Good Vibrations" repeatedly for a week before deciding that the song "needed a sequel"; he added: "'Good Vibrations' is one of the first pop hits where you can actually hear the tape edits and I think that's

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session. On that day's session log, it was given the name "#1 Untitled" or "Good, Good, Good Vibrations", but on its master tape, Wilson distinctly states: "'Good Vibrations' ... take one." After twenty-six takes, a rough

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in the US, where the album's "un-hip orchestrations and pervasive sadness baffled some longtime fans, who didn't immediately get what Wilson was trying to do." Encouraged by the single's success, Wilson continued working on

1433: 933:". According to Love, the lyric "'she goes with me to a blossom world' was originally meant to be followed by the words 'we find'", but Wilson elected to cut off the line to highlight the bass track linking into the chorus. 2132:, had written complicated pop songs before. But "Good Vibrations" eclipsed all that came before it, in both its complexity as a production and the liberties it took with conventional notions of how to structure a pop song. 620:. For "Good Vibrations", Wilson said, "I had a lot of unfinished ideas, fragments of music I called 'feels.' Each feel represented a mood or an emotion I'd felt, and I planned to fit them together like a mosaic." Engineer 961:, each fragment could then be assembled into a linear sequence, allowing any number of larger structures and divergent moods to be produced at a later time. This was the same modular approach used during the sessions for 1244:—changes, changes, changes, building harmonies here, drop this voice out, this comes in, bring this echo in, put the theremin here, bring the cello up a little louder here ... It was the biggest production of our lives! 336: 1637:

minor. The verse and refrain then repeat without any changes to the patterns of its instrumentation and harmony. This is unusual, in that normally, a song's arrangement adds something once it reaches the second verse.

688: 875:. The hassles and frustrations of the external world were cast aside, and new visions put in their place. "Good Vibrations" succeeds in suggesting the healthy emanations that should result from psychic tranquility and 337: 1292:

According to historian Lorenzo Candelaria, "Good Vibrations" has since been marketed as pop music "possibly because it comes across relatively innocent compared with the hard-edged rock we have since come to know."

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With "Good Vibrations", the Beach Boys ended 1966 as the only band besides the Beatles to have had a high-charting psychedelic rock song, at a time when the genre was still in its formative stages. Writing in 2009,

1677:). Stebbins says that this section "might be called a bridge under normal circumstances, but the song's structure takes such an abstract route that traditional labels don't really apply." A new sound is created by 1141: 4639:

gave him marijuana: "They got me all stoned, they laid all this stuff on me and I couldn't find the door. It wiped me out so much I didn't know where the door was to get out of the studio." Beach Boys press agent

2482:". In this version, "Good Vibrations" was the project's only track that eschewed the modular recording method. The song's verses and chorus were recorded as part of one whole take, and were not spliced together. 996:

wrote that Wilson was so puzzled by the arranging of "Good Vibrations" that he would often arrive at a session, consider a few possibilities, and then leave without recording anything, which exacerbated costs.

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Hot 100. Rundgren explained: "I used to like the sound of the Beach Boys, but it wasn't until they began to compete with the Beatles that I felt that what they were doing was really interesting—like around

2180:], dimensional conceptions. In no minor way, "Good Vibrations" is a primary influential piece for all producing rock artists; everyone has felt its import to some degree, in such disparate things as 1697:) is "I don't know where, but she sends me there" sung in Mike Love's upper-register baritone. This section lasts for ten measures (6 + 2 + 2), which is unexpectedly long in light of previous patterns. 1282:

argued that the song "has as many dramatic changes in mood as a piece of serious classical music lasting more than half an hour". It explained that the song subverts pop forms to a considerable degree:

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had cost $ 70,000 ($ 660,000), itself an unusually high cost for an album. In 2018, Wilson disputed the $ 50,000 figure for "Good Vibrations", saying that the overall expenses were closer to $ 25,000.

910:, not LSD. He explained: "I made 'Good Vibrations' on drugs; I used drugs to make that. ... I learned how to function behind drugs, and it improved my brain ... it made me more rooted in my sanity." In 739:, which is physically controlled by a slider that turns a knob inside the instrument. It was dubbed a "theremin" simply for convenience. At that time, theremins were most often associated with the 1945 1012:

wrote that the track cost between $ 10,000 and $ 15,000 ($ 141,000). When asked in a 2005 interview if it was true that the Electro-Theremin work alone cost $ 100,000, Wilson replied "No. $ 15,000."

2326:—we didn't call it progressive rock then—was, of all people, the Beach Boys and the song 'Good Vibrations' ... That sent so many musicians back to the studio to create this music on acid." Author 7520: 6047: 2441:. John Bush commented: "'Good Vibrations' was rarely reprised by other acts, even during the cover-happy '60s. Its fragmented style made it essentially cover-proof." In 1976, a nearly identical 1358:, the same descending scalar chord sequences, the same mobile bass parts, but here, rather than to express melancholy, these things are used in a way that's as close as Brian Wilson ever got to 624:

is quoted saying that Wilson considered the song to be "his whole life performance in one track". Wilson stated: "I was an energetic 23-year-old. ... I said: 'This is going to be better than "

1319:, James Perrone stated that the song represented a type of impressionistic psychedelia, in particular for its cello playing repeated bass notes and its theremin. Professor of American history 686: 7866: 1903:", reaching the top of the Hot 100 in December. It was also their first number one in Britain. The single sold over 230,000 copies in the US within four days of its release and entered the 2053:

In contrast to the acclaim lavished on the song, some of Wilson's pop and rock contemporaries have been tempered in their praise of "Good Vibrations". When asked about the song in 1990,

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down to mono. It was a feeling of power, it was a rush. A feeling of exaltation. Artistic beauty. It was everything ... I remember saying, 'Oh my God. Sit back and listen to this!'"

455:, instrumentation and mood. Over 90 hours of tape was consumed in the sessions, with the total cost of production estimated to be in the tens of thousands of dollars. Band publicist 5121: 1139: 395:

formula, it was at the time the most expensive single ever recorded. "Good Vibrations" later became widely acclaimed as one of the finest and most important works of the rock era.

1180:, Carl replaced him at the last minute. In early September, the master tapes for "Good Vibrations" were stolen. Mysteriously, they reappeared inside Brian's home two days later. 2407:, in which Wilson makes an appearance, it was revealed that the attention being paid to the theremin due to "Good Vibrations" caused Russian authorities to exile its inventor, 687: 335: 2162:

called it "one of the first records to flaunt studio production as a quality in its own right, rather than as a means of presenting a performance". In a 1968 editorial for

1140: 5580: 2455:. When asked for his opinion, Brian said: "Oh, he did a marvelous job, he did a great job. I was very proud of his version." Rundgren's single peaked at number 34 on the 6079: 4441: 1758:

which leads into the final sequence of the song. The refrain reappears for an additional five measures, marching through a transpositional structure that begins in B

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According to Wilson, his wife Melinda suggested that he use the original lyrics written by Tony Asher. Love was also credited on the 2004 version, along with Asher.

2004:", the highest position of seven Beach Boys songs cited in the list; it descended to number 53 in the 2021 edition, no longer the band's highest ranked song due to " 1022:

Brian came over to me and sang such and such a thing, and I said "Well, write it down and I'll play it," and he said "Write it down? We don't write anything down."

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Due to the loss of the original multi-track tape, there had never been an official true stereo release of the final track until the 2012 remastered version of

2050:", the Beach Boys' follow-up single, continued his modular recording practices, spanning nearly thirty recording sessions held between May 1966 and June 1967. 1000:

One estimate of the overall production expenses is between $ 50,000 and $ 75,000 (equivalent to $ 470,000 and $ 700,000 in 2023), By comparison, the whole of

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mix completed the session. Some additional instruments and rough guide vocals were overdubbed on February 23. Brian and Carl shared vocals for this mix.

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in several countries including the United States and the United Kingdom. Characterized by its complex soundscapes, episodic structure and subversions of

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for "Good Vibrations". Most of the song's structure and arrangement was written as it was recorded. During the recording sessions for the 1966 album

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said that it is a "catchy, easy-driving ditty loaded with the Boys' money-making sound." In Britain, the single received favorable reviews from the

523: 2158:, was a prime proponent in rock's transformation from live concert performances to studio productions that could only exist on record. Musicologist 11096: 10788: 10777: 10211: 402:, as his mother would tell him as a child that dogs sometimes bark at people in response to their "bad vibrations". He used the concept to suggest 4823: 1857:

of their concert performances. The fourth clip is an alternative edit of the third. Brian also made a rare television appearance on local station

1665:(V) charge, is now maintained as a tonic (I). There is harmonic ambiguity, in that the chord progression may be either interpreted as I–IV–I (in B 1593:. This time, the rhythm is stable, and is split into four 4-bar sections which gradually build its vocals. The first section consists of only the 10112: 5703: 4406: 2319: 1836: 8073: 5088: 10336: 6913: 4508:", another Brian Wilson composition written, composed, and recorded between sessions for "Good Vibrations". Lambert speculates that the ending 7464:"Beyoncé's 'Cowboy Carter': A Deep Dive Into the Featured Artists and Samples — From Shaboozey to 'These Boots Were Made for Walkin" and More" 1839:) in Hollywood, CA, sliding down the fire poles, riding on the fire trucks, and roaming the streets of Los Angeles in a fashion comparable to 1456:"Good Vibrations" begins without introduction in a traditional verse/refrain format, opening with Carl Wilson singing the word "I", a triplet 13583: 13578: 12005: 11617: 11504: 11023: 10806: 9540: 6547: 7597:"Rock Band 3 Full Setlist! Including 83 Songs from Jimi Hendrix, Avenged Sevenfold, Paramore, Ozzy Osbourne, Lynyrd Skynyrd, and Many More!" 2513:. Their version of "Good Vibrations", with Carnie Wilson on lead vocals, was released as a single from the album and peaked at number 25 on 902:

executives were worried that the lyrics contained psychedelic overtones, and Brian was accused of having based the song's production on his

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The original version of "Good Vibrations" contained the characteristics of a "funky rhythm and blues number" and would not yet resemble a "

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Andrew Doe documents that the Beach Boys performed in North Dakota on August 15. Also in August, Brian recalls attending the session for

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Penned by Brian Wilson and Mike Love, group has a sure-fire hit in this off-beat and intriguing rhythm number. Should hit hard and fast.

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double the bass rhythm and every fourth-beat is struck by either a tambourine or a bass-drum-and-snare combination, in alternation. The

13598: 11649: 10999: 7841: 7489: 5611: 4472: 2420: 7999: 7824: 13197: 10387: 8233: 4355: 1917: 4894: 13658: 13653: 13593: 13024: 10705: 10277: 7982: 7596: 625: 12568: 12481: 11924: 11390: 11386: 10738: 8003: 4431: 4088: 2272: 7342: 1737:] own description of the song—a three-and-a-half-minute 'pocket symphony'—is a telling clue about his formal ambitions here. 1354:' and turned the result into an R&B track. We have the same minor-key change between verse and chorus we've seen throughout 13608: 12408: 11480: 11455: 11397: 10636: 9838: 9183: 5588: 4331: 2237: 2093:

criticized the single for depending too much on tape manipulation, negatively referring to it as an "edit record ... It's like

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The Rolling Stone Illustrated History of Rock & Roll: The Definitive History of the Most Important Artists and Their Music

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One discarded alternate edit of "Good Vibrations" mastered on August 24, 1966. It included a faster bridge section, prominent

11599: 11316: 9095: 9048: 9027: 8942: 8852: 8828: 8784: 8742: 8721: 8686: 8577: 8553: 8529: 8481: 8436: 8391: 8367: 8302: 2597: 2046:, intending it as an entire album incorporating the writing and production techniques he had devised for "Good Vibrations". " 1073: 347: 11298: 1346:, biographer Andrew Hickey said that the "best way of thinking about is that it's taking the lowest common denominator of ' 13618: 13163: 12804: 12418: 12138: 12055: 11670: 11006: 10204: 6958: 6851:(Press release). Recording Industry Association of America (RIAA). March 2001. Archived from the original on March 24, 2012 1585:

triplet, a feature that was an exceedingly rare effect in pop music. The Fender bass is steady at one note per beat while

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an eventual budget estimated in the tens of thousands, making it the costliest single recorded to that date. Biographer

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is a great film, but it's an 'edit film.' Without edits, it's not a film; with edits, it's a great film. But it's not

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Love said that he wrote the words while on the drive to the studio. Feeling that the song could be "the Beach Boys'

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box set. It contained "Heroes and Villains" as a B-side, along with previously released alternate takes and mixes.

2128:, had used varied instrumentation and multi-tracking to create complex studio productions before. And others, like 1347: 1217: 617: 20: 5881: 1092:, during an early stage, Brian considered giving "Good Vibrations" to one of the black R&B groups signed with 11737: 11702: 10303: 10197: 10119: 9923: 9795: 9326: 9290: 5059: 2403: 7438: 13663: 13648: 13003: 12547: 12296: 12224: 10933: 10223: 9902: 9512: 8900: 8505: 7170: 2451: 1377:

According to music author Rikky Rooksby, "Good Vibrations" is an example of Brian Wilson's growing interest in

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movement. The song was written as it was recorded and in a similar fashion to other compositions from Wilson's

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Inside Classic Rock Tracks: Songwriting and Recording Secrets of 100 Great Songs from 1960 to the Present Day

8446: 8208: 6870: 4340: 2890: 1694: 1228:(or chorus), the "first episodic digression", the "second episodic digression", the "retro-refrain", and the 1113: 5841: 871:

landscape suddenly being uncovered by the young generation provided a quiet, peaceful, harmonious trip into

387:. It was released as a single on October 10, 1966 and was an immediate critical and commercial hit, topping 13568: 13352: 12659: 12280: 10376: 10086: 9662: 9519: 9389: 9351: 1965:

The single achieved sales of over 50,000 copies in Australia, being eligible for the award of a Gold Disc.

1783:, the concluding key of the song. By the end of "Good Vibrations," all seven scale degrees of the opening E 963: 788: 412: 4991: 1381:

within a composition, something antithetical to popular music of the time. Suppressing tonic strength and

433:

The making of "Good Vibrations" was unprecedented for any kind of recording. Building on his approach for

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liner notes, which includes a sessionography compiled by band archivist Craig Slowinski, and the website

3063: 2474: 2028: 1854: 1316: 439:, Wilson recorded a surplus of short, interchangeable musical fragments with his bandmates and a host of 417: 67: 4772: 12638: 12322: 12244: 11931: 11546: 11525: 11448: 11132: 11063: 10915: 10842: 10773: 10672: 9809: 9362: 9176: 9156: 8799: 5711: 5063: 4467: 2521: 639:

would pick up vibrations from these people that you can't see, but you can feel." Brian first enlisted

527: 319: 8734:

Inside the Music of Brian Wilson: the Songs, Sounds, and Influences of the Beach Boys' Founding Genius

3915:(this session produced part of the vocals and part of the Electro-Theremin heard in the final master) 1797: 1543:, the mode is not used to express sadness or drudgery. Occurring at the very end of these verses is a 1331:. Stebbins wrote that the song was "replete with sunshine psychedelia". Steve Valdez says that, like 1064:". There was no cello at this juncture, but the Electro-Theremin was present, played by its inventor, 447:

studios from February to September 1966, a process reflected in the song's several dramatic shifts in

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in a similar, multi-textured context imbued with ethereal sonic landscapes. In his appraisal for

1841: 892: 816:

submitted the final lyrics for "Good Vibrations" and contributed its bass-baritone vocals in the

562:

Hot 100. The Beach Boys followed up "Good Vibrations" with another single pieced from sections, "

403: 7656:"Jordan Peele's 'Us' Music: How the Beach Boys and N.W.A Came to Anchor a Great Horror Playlist" 5150: 1008:

Contemporary advertisements reported $ 10,000 ($ 94,000) as the track's total production costs.

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played this little rhythmic pattern—a riff on the piano, the thing that goes under the chorus."

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In 1989 the RIAA lowered the requirement for platinum awards for singles to one million units.

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until after April. According to Jardine, the group insisted on including "Good Vibrations" on

4515:

of "Good Vibrations" could have originated directly from a similar melodic section in "Look".

1405:" exemplified by beginning and ending not only in different keys but also in different modes. 13548: 13543: 13533: 13523: 13433: 12839: 12743: 12554: 12526: 12354: 11906: 11871: 11441: 11081: 10868: 10468: 10402: 10391: 10380: 9484: 9470: 9169: 9038: 6738: 6635: 6504: 5469: 4558:

A memo dated February 23 was sent to Capitol that "Good Vibrations" would be included on the

3227: 3186: 3155:– lead and backing vocals, electric rhythm guitar (choruses, third bridge, and chorus fade), 1606: 930: 8165:. Retrieved 19 February 2019. To see peak chart position, click "TITEL VON The Beach Boys" 7497: 7357: 6766: 5328: 4670:(released in the US on August 8) acted as an impetus for Wilson to finish "Good Vibrations". 13108: 13094: 13031: 12919: 12722: 12666: 12519: 12204: 11716: 11560: 11497: 11269: 10701: 10424: 10420: 10147: 9727: 9533: 8263: 8078: 8039: 7986: 6771: 6743: 6509: 4899: 4292: 4101: 4076: 3314: 2057:

responded: "I thought it was a great record. It didn't quite have the emotional thing that

2009: 1815: 1802: 1273: 1185: 1093: 880: 399: 8316:

The Beach Boys, The Definitive Diary of America's Greatest Band on Stage and in the Studio

7828: 6994: 6268:"Good Vibrations" by The Beach Boys is harmonically perfect, a fugue with a rhythmic beat. 3991: 2314:

movements can't be overstated, but its legacy as a pop hit is impressive as well." Former

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commercial—yes. Emotional, soul-destroying, shattering—no." In the 2000s, record producer

8: 13538: 13528: 13501: 13453: 13293: 12673: 12315: 12251: 12210: 12197: 12117: 11980: 11864: 11850: 11357: 11215: 10959: 10784: 10541: 10369: 9816: 9770: 9762: 9755: 9748: 9741: 9734: 9216: 6258: 6237: 5942: 4632: 4599: 4538: 4042: 2310:

record" from Los Angeles. Interrante adds: "Its influence on the ensuing psychedelic and

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The instrumental of the first version of the song was recorded on February 17, 1966, at

12933: 12736: 12715: 12309: 12287: 10759: 10748: 10556: 10310: 9916: 9866: 9859: 9701: 9689: 9603: 9575: 9505: 9449: 9442: 9396: 9382: 9276: 8563: 8314: 8175: 8111: 7774: 4628: 4603: 2650: 2371: 2095: 1905: 1527: 1422: 1320: 1068:. It was Brian's second ever recorded use of the instrument, just three days after the 884: 7965: 4895:"The Beach Boys' 'Good Vibrations' at 50: A Masterpiece of Emotion as Much as Science" 1835:

as cameraman—features the group at the former fire station Engine Co. No. 27 (now the

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recalled: "I was in the music business at the time, and my very first recognition of

2280: 2193: 1889: 1705: 1418: 1336: 1312: 1260: 1045: 993: 840: 547: 539: 131: 60: 4579:

Additional sessions occurred on April 9; May 4, 24–27; June 2, 12, 16, and 18, 1966.

4504:

especially in their opening bars". Lambert also observed some stylistic overlap in "

3778:

Tommy Morgan – overdubbed bass harmonica ("Part 1"), overdubbed harmonica ("Part 2")

2355: 2008:" being placed at number 11. In 2001, the song was voted 24th in the RIAA and NEA's 1978: 1605:) is also rare in contemporary popular styles. Each repeat of the vocal lines also 13459: 13448: 13421: 13347: 13266: 13249: 12818: 12779: 12729: 12371: 12366: 11987: 11938: 11892: 11814: 11807: 11800: 11730: 11567: 11511: 11193: 10937: 10879: 10723: 10694: 10676: 10632: 10534: 10446: 10442: 9997: 9873: 9319: 8192: 7060: 6918: 3653:(this session produced the third bridge and chorus fade heard in the final master) 3339: 3329: 2744: 2398: 2363: 2344: 2315: 2311: 2296: 2292: 2020: 1662: 1324: 1295: 1269: 1233: 1076:". Brian then placed "Good Vibrations" on hold in order to devote attention to the 1028: 988: 740: 736: 526:" lists, re-ranked to number 53 in the 2021 iteration. It was also included in the 484: 476: 472: 468: 440: 181: 152: 118: 13362: 5764: 5704:"Making Arrangements—A Rough Guide To Song Construction & Arrangement, Part 1" 4442:

Grammy Award for Best Arrangement Accompanying a Vocalist(s) or Instrumentalist(s)

1254:

described the piece, "with its interlocking segments—a sort of pop version of the

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Steve Douglas – grand piano, overdubbed soprano saxophone ("Part 1" and "Part 2")

2849: 2842: 2727: 2694: 2552: 2502: 2486: 2307: 2201: 2159: 2024:

both ranked the song number one on their lists of the greatest Beach Boys songs.

1900: 1832: 1755: 1718: 1628: 1402: 1382: 1308: 1300: 1241: 1210: 1061: 907: 899: 825: 770: 508: 460: 452: 248: 217: 169: 147: 7676: 7318:"allmusic ((( Todd Rundgren > Charts & Awards > Billboard Singles )))" 1945:. Soon after, the Beach Boys were voted the number one band in the world in the 13278: 13115: 13045: 12645: 12596: 12413: 12402: 12344: 12303: 12026: 11959: 11762: 11709: 11188: 11085: 10752: 10603: 10501: 10220: 10044: 10019: 9357: 8886: 8862: 8776:

The 100 Greatest Bands of All Time: A Guide to the Legends Who Rocked the World

7780: 7415:"Wilson Phillips: 'Still Holding On' With New Album, TV Show (Exclusive Video)" 7052: 7002: 4649: 4645: 4509: 4015: 3280: 3242: 3130: 2859: 2790: 2641: 2616: 2556: 2479: 2379: 2303: 2224:

genius of the original. But 'Good Vibrations' was probably the quintessential '

2185: 2150: 2066: 2054: 2005: 1921: 1717:

Another tape splice occurs at 2:13, transitioning to an electric organ playing

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experiences. Brian clarified that the song was written under the influence of

502:

nomination for Best Vocal Group performance in 1967 and was inducted into the

313: 13517: 13357: 13239: 12954: 12617: 12490: 12433: 12428: 12124: 11755: 11273: 11240: 11211: 10766: 10683: 10435: 10354: 10059: 10014: 9369: 9138: 8491: 8422: 8272: 8087: 8048: 7917: 7037: 6963: 6780: 6752: 6614: 6518: 5576: 3772: 3345: 3325: 3166: 3162: 2909: 2785: 2579: 2533: 2490: 2446: 2442: 2434: 2426: 2408: 2197: 2169: 2164: 2085: 2080: 2033: 1996: 1954: 1895:

chart. "Good Vibrations" was the Beach Boys' third US number one hit, after "

1710: 1582: 1557: 1544: 1465: 1426: 1386: 1371: 1173: 1089: 958: 911: 844: 817: 555: 551: 8383:

Catch a Wave: The Rise, Fall, and Redemption of the Beach Boys' Brian Wilson

5947: 1201: 851:

area. He described the lyrics as "just a flowery poem. Kind of almost like '

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The Foundations of Rock: From "Blue Suede Shoes" to "Suite: Judy Blue Eyes"

8204: 7969: 6890: 6048:"The Rock's Backpages Flashback: Paul McCartney Drops In On The Beach Boys" 4680: 4641: 4611: 4136: 4064: 3276: 3270: 3264: 3248: 3190: 3142: 2837: 2711: 2689: 2611: 2583: 2564: 2494: 2276: 2260: 2225: 2125: 2090: 2014: 1982: 1941: 1911: 1896: 1821: 1751: 1726:

the grounds that it would be chart suicide, but not Brian." Harrison says:

1602: 1563: 1535: 1531: 1511: 1489: 1398: 1363: 1229: 1214: 1101: 969: 860: 836: 805: 774: 749:, but their most common presence was in the theme music for the television 599: 543: 499: 456: 426: 407: 388: 380: 233: 212: 186: 19:

This article is about the 1966 song by the Beach Boys. For other uses, see

3709:

Hal Blaine – drums, overdubbed tambourine (bridge), timpani, cups (bridge)

1731:

without the guidance of overdetermined formal patterns. Brian's [

491:, the song's success led to a renewed interest and sales of theremins and 13465: 13315: 13244: 12757: 12448: 12423: 12184: 11857: 11574: 11114: 11056: 10464: 10189: 10024: 9554: 9435: 7222: 6125: 4661: 3365: 3335: 3304: 3300: 3290: 3183:– drums (verses and choruses), timpani (choruses), shaker (second bridge) 3152: 2603: 2588: 2387: 2383: 2359: 2242: 2232: 2189: 2129: 2121: 1828: 1690: 1652: 1578: 1485: 1473: 1457: 1449: 1394: 1390: 1065: 1032: 876: 872: 848: 832: 781:" (1963), produced by Spector. Conversely, arranger and session musician 762: 735:"Good Vibrations" does not technically feature a theremin, but rather an 621: 607: 535: 492: 448: 139: 37: 8294:

The Pleasure of Modernist Music: Listening, Meaning, Intention, Ideology

7317: 3428:

Billy Strange – 12-string electric rhythm guitar (lead on earlier takes)

1476:

melody. This sequence repeats once (0:15), but with the addition of two

1248:

He characterized the song as "advanced rhythm and blues". Tom Roland of

891:

for a variety of purposes, but Wilson uses it here to suggest a kind of

13395: 13330: 13142: 13137: 13052: 12701: 12376: 12257: 11751: 11168: 11016: 10325: 10270: 10245: 10126: 9720: 9491: 9297: 9244: 7134: 6990: 6959:"A beginner's guide to the sweet, stinging nostalgia of The Beach Boys" 4942: 4615: 3678: 3568: 3491: 3438: 3294: 3258: 3212: 3200: 3196: 3180: 3146: 3124: 2702: 2575: 2465: 2438: 2430: 2268: 2252: 2220: 2214: 1986: 1678: 1359: 1177: 1160: 946: 926: 715: 699: 644: 612: 435: 372: 352: 225: 3756:

Hal Blaine – overdubbed drums ("Part 1"), drums with sticks ("Part 2")

3721:

Brian Wilson – tack piano (choruses), overdubbed tambourine (choruses)

3394:

Frank Capp – bongos with sticks (cups instead of bongos on some takes)

2739:

In early 2011, the single was remastered and reissued as a four-sided

2528: 13443: 13405: 13400: 13390: 13342: 13305: 13273: 13157: 13066: 12391: 10977: 10810: 9983: 8703: 8230:"American single certifications – The Beach Boys – Good Vibrations" 4636: 4125: 3887:(this session produced part of the vocals heard in the final master) 3416: 3319: 3310: 3136: 2716: 2505:, released an album containing covers of songs by the Beach Boys and 2323: 1598: 1586: 1464:. The sparse first verse contains a repetition of chords played on a 1328: 1148: 977: 853:

If you're going to San Francisco be sure to wear flowers in your hair

813: 585:

to create ... there was no real set direction we were going in.

398:

Also produced by Wilson, the title derived from his fascination with

392: 384: 238: 175: 164: 8637:

Henke, James; George-Warren, Holly (1992). DeCurtis, Anthony (ed.).

4422:

Best Contemporary (R&R) Group Performance, Vocal or Instrumental

3862:(this session produced the second bridge heard in the final master) 3540:

Frank Capp – bongos with sticks, tambourine, overdubbed sleigh bells

2472:

In 2004, Wilson re-recorded the song as a solo artist for his album

13438: 13385: 13380: 13337: 13310: 12589: 11027: 8913:

Mountains Come Out of the Sky: The Illustrated History of Prog Rock

8707: 8020: 7845: 7751: 7600: 5397: 5333: 4114: 4052: 4003: 3849:(two vocal sessions; incomplete documentation due to missing tape) 3781:

Bill Pitman – Danelectro bass (with fuzz tone in chorus and bridge)

3534:(this session produced the first bridge heard in the final master) 3422:

Don Randi – grand piano (piano with taped strings on earlier takes)

3284: 3236: 2340: 1929: 1682: 1590: 1493: 1389:

degrees controlled by a single tonic and "radical disjunctions" in

1054: 868: 728: 724: 695: 488: 480: 13175: 7266: 7264: 3039:"Good Vibrations" (Live Concert Rehearsal) (2001 Digital Remaster) 2259:, Roland cites the song's "format" as the model for recordings by 1721:

set in the key of F accompanied by a maraca shaken on every beat.

13320: 12996: 12846: 12019: 9128: 7727: 7548:"Cameron Crowe Is Finally Ready to Tell Us Vanilla Sky's Secrets" 6285: 3671:

Mike Melvoin – upright piano, overdubbed piano with taped strings

3519: 3322:– upright bass (verses and second bridge), Fender bass (choruses) 3252: 2568: 2563:

The song's lyrics "I'm picking up good vibrations" are quoted in

2550:

released an homage titled "Universal Frequencies" on their album

2205: 2070: 1858: 1594: 1577:

III. Providing a backdrop to the Electro-Theremin is a cello and

1477: 1385:

drive, the song makes use of descending harmonic motions through

1268:

with a rhythmic beat". John Bush compared the track's fragmented

1225: 158: 12459: 8998:

The Beach Boys FAQ: All That's Left to Know About America's Band

8338:

Strange Sounds: Offbeat Instruments and Sonic Experiments in Pop

8205:"British single certifications – Beach Boys – Good Vibrations" 5645:"Mike Love of the Beach Boys: One-On-One (The Interview Part 1)" 4805: 4803: 2139:

Strange Sounds: Offbeat Instruments and Sonic Experiments in Pop

11433: 9930: 9161: 8148: 8067: 8065: 7261: 4512: 3978: 2740: 2464:

and 'Good Vibrations' ... when they started to shed that whole

2145:"Good Vibrations" is credited for having further developed the 1401:. It instead develops "under its own power" and "luxuriates in 1255: 974: 888: 750: 7218:"10 Things You May Not Know About Queen's 'Bohemian Rhapsody'" 7079: 6385: 3821:

Tommy Morgan – bass harmonica ("Part 1"), harmonica ("Part 2")

2037:, it also helped turn around the initially poor perception of 1651:

The first episode (1:41+) begins disjunctively with an abrupt

1445: 534:". In later years, the song has been cited as a forerunner to 8820:

Analog Days: The Invention and Impact of the Moog Synthesizer

8176:"Sixties City - Pop Music Charts - Every Week Of The Sixties" 4800: 4648:

in August of 1966. During the meeting, Brian played an early

4147: 3612: 3388:(this session produced the verses heard in the final master) 1924:

was certified platinum by the RIAA for the same sales level.

1481: 1265: 800: 773:

beat on the chorus was his own idea and that it was based on

766: 8062: 7628:"Mood music: how a jaunty pop song can ramp up movie terror" 6747:. Vol. 78, no. 50. December 10, 1966. p. 10. 6530: 6528: 6472: 6470: 5812: 5810: 5808: 5806: 3815:

Al de Lory – tack piano ("Part 1"), Hammond organ ("Part 2")

3434:

Terry (surname unknown, possibly Terry Melcher) – tambourine

2967:"Good Vibrations" (Various Sessions) (2006 Digital Remaster) 2478:. It was sequenced as the album's closing track, following " 2231:

Priore says that the song was a forerunner to works such as

424:. Instead, the track appeared on the September 1967 release 13147: 8678:

Waiting for the Sun: A Rock 'n' Roll History of Los Angeles

7975: 7834: 6676: 5414: 5412: 5410: 4598:

Before the completion of "Good Vibrations", this included "

3656:

Gary Coleman – timpanis ("Part C"), sleigh bells ("Chorus")

3451:(discarded overdubs recorded on February 17 backing track) 2637: 1849:. The third contains footage recorded during the making of 1845:. The second features the group during vocal rehearsals at 1693:

shaken on every beat. The lone line of vocals (aside from

479:. The track featured a novel mix of instruments, including 416:

period. It was issued as a standalone single, backed with "

9058:

Valdez, Steve (2014). Henderson, Lol; Stacey, Lee (eds.).

8267:. Vol. 79, no. 7. February 18, 1967. p. 6. 7958: 7892:(in Finnish) (1st ed.). Helsinki: Tammi. p. 96. 7817: 7197: 7108: 7106: 6775:. Vol. 79, no. 17. Los Angeles. April 29, 1967. 6409: 6373: 5663: 3608:

Al de Lory – pianos with taped strings (including overdub)

3351:

Arthur Wright – Fender bass (third bridge and chorus fade)

2990:"Good Vibrations" (Alternate Take) (2006 Digital Remaster) 1514:" or "threes over fours". The chord progression used is i– 8428:

Turn on Your Mind: Four Decades of Great Psychedelic Rock

8009: 7702:"Six One News: Irish engineer remixes Beach Boys Classic" 6719: 6525: 6467: 6363: 6361: 6359: 6357: 6355: 6353: 6338: 6328: 6326: 6324: 6273: 6170: 6168: 6166: 6164: 6162: 6160: 5803: 5731: 5729: 5624: 5542: 5226: 5224: 5222: 5220: 5218: 5216: 3354:

unknown (possibly Hal Blaine) – tambourine (first bridge)

1733: 1299:

called the song "three minutes and thirty-six seconds of

929:

compared that section to Foster and the Negro spiritual "

903: 703: 9630: 7992: 6804: 6796:

The Go Set Chart Book, Australia's First National Charts

6187: 6185: 6183: 6106: 6029: 6027: 6025: 5998: 5988: 5986: 5973: 5971: 5969: 5919: 5917: 5407: 5241: 5239: 4955: 4953: 4938:"Forever Changeless: The Beach Boys, The Smile Sessions" 4869: 4867: 4865: 4863: 3824:

Bill Pitman – Danelectro bass (with fuzz tone in bridge)

1920:

for sales of one million copies. On March 30, 2016, the

1888:

predicted that the single would reach the top 20 in the

1397:, and mood while refusing to develop into a predictable 1240:

It had a lot of riff changes ... movements ... It was a

581:

We got so into it that the more we created, the more we

9963:

Fall Breaks and Back to Winter (W. Woodpecker Symphony)

9231:

Fall Breaks and Back to Winter (W. Woodpecker Symphony)

8641:(rev. & updated ed.). New York: Random House. 8156:

Offiziellecharts.de – The Beach Boys – Good Vibrations"

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Holdship, Bill (April 6, 2000). "Heroes and Villains".

5363: 5268: 5266: 5251: 4974: 4972: 4970: 4968: 4790: 4788: 4786: 4725: 4723: 3793:

unknown (possibly Brian Wilson) – tambourine ("Part 1")

3634:(discarded overdubs recorded on May 24 backing tracks) 3460:

unknown (possibly Carl Wilson) – Fender bass (choruses)

2574:

In 2001, the song was used prominently in a scene with

1452:(pictured in 1969) sings lead during the song's verses. 12088:

Beautiful Dreamer: Brian Wilson and the Story of Smile

10099:

Beautiful Dreamer: Brian Wilson and the Story of Smile

8500:(1. Da Capo Press ed.). New York: Da Capo Press. 7376: 7276: 7013: 6650: 6482: 6433: 6397: 6350: 6321: 6197: 6157: 6147: 6145: 6143: 6141: 5726: 5353: 5351: 5303: 5301: 5299: 5297: 5295: 5293: 5213: 5201: 5189: 4850: 4848: 3762:

Jim Horn – overdubbed clarinet ("Part 1" and "Part 2")

2610:

In 2019, the song was used prominently in a scene for

2000:

magazine ranked "Good Vibrations" at number 6 in its "

1342:

Comparing "Good Vibrations" to Wilson's previous work

1311:". The theremin and cello has been called the song's " 1176:

was to have sung the lead vocal, but due to a bout of

983:

For instrumentation, Wilson employed the services of "

420:", and was to be included on the never-finished album 8757:

Listening to the Future: The Time of Progressive Rock

8497:

Heroes and Villains: The True Story of The Beach Boys

7343:"Todd Rundgren's Current 'State' of Mind (Interview)" 7249: 7091: 7067: 6938: 6309: 6297: 6180: 6094: 6022: 5983: 5966: 5954: 5914: 5862: 5850: 5822: 5779: 5236: 5177: 5165: 4950: 4860: 4824:"Nearly 45 years later, Beach Boys' 'Smile' complete" 4371:

Sales+streaming figures based on certification alone.

2601:, appears as a playable track in the 2010 video game 1745: 1370:

the chorus of 'Good Vibrations' projects a definite '

9139:

Greg Panfile's Musical Analysis of "Good Vibrations"

9019:

Rock and Roll: Its History and Stylistic Development

6209: 6010: 5895: 5791: 5477: 5448: 5436: 5424: 5263: 4965: 4783: 4720: 2382:

wig." The Beach Boys then requested the services of

1754:

at the end of the second musical digression creates

8974:

The Routledge Companion to Music and Visual Culture

8892:

Smile: The Story of Brian Wilson's Lost Masterpiece

8613:"After Sundown: The Beach Boys' Experimental Music" 7723:"Good Vibrations: Beach Boys hit remixed in stereo" 6138: 5581:"Villains and Heroes: In Defense of the Beach Boys" 5348: 5290: 5147:"MIKE LOVE NOT WAR: Q&A With A Beach Boy, 2012" 4845: 3868:

Tommy Morgan – harmonica, overdubbed bass harmonica

3674:

Bill Pitman – Danelectro bass (including fuzz tone)

2286: 406:, while Love's lyrics were inspired by the nascent 9083: 8636: 8313: 7041:. 41, 54 (1–5). Art Digest Incorporated: 24. 1966. 6453:"Taylor, Derek. October 5, 1966. Hit Parader, p12" 6291: 5938:"Alan Jardine: A Beach Boy still riding the waves" 4743: 4679:The verses of "Good Vibrations" are in the key of 4644:also arranged meeting between himself, Brian, and 4412:Grammy Award for Best Performance by a Vocal Group 3693:Carl Wilson – electric rhythm guitar (chorus fade) 3561:Tommy Morgan – bass harmonica, overdubbed jaw harp 3297:bass (first bridge, third bridge, and chorus fade) 3209:– electric rhythm guitar (verses and first bridge) 1408: 1205:Formal and harmonic structure of "Good Vibrations" 1168:The vocals for "Good Vibrations" were recorded at 10093:The Beach Boys' unreleased and bootleg recordings 9152:"Good Vibrations: The Lost Studio Footage (1966)" 7521:"Opinion: 'Checking e-mail' takes on new meaning" 7397:(Sheet music folio), Rondor Music International, 7312: 7310: 7163:"SOUNDS HEARD: THE BEACH BOYS—THE SMILE SESSIONS" 6499: 6497: 5612:"Brian Wilson talks 'Pet Sounds,' 50 years later" 5322: 5320: 5318: 5316: 4330: 1801:Advertisement for "Good Vibrations" published in 839:offering," he based the lyrics on the burgeoning 13515: 11763:Walking Down the Path of Life / Love & Mercy 11643:The Beach Boys Classics Selected by Brian Wilson 8521:The Sound of the City: The Rise of Rock and Roll 8341:(1. ed.). San Francisco, Calif.: Backbeat. 8256: 8254: 8252: 8250: 5698: 5037: 5035: 5033: 4912: 4910: 3753:(discarded alternate verse, chorus, and bridge) 2147:use of recording studios as a musical instrument 1258:, consisting of a series of musical movements". 980:were added at the mixing and sub-mixing stages. 515:s "Top 100 Records of All Time" and number 6 on 13629:Song recordings with Wall of Sound arrangements 10113:Good Vibrations: Thirty Years of the Beach Boys 9036: 9015: 8970: 8713:The Dark Stuff: Selected Writings on Rock Music 8404:Good Vibrations: a History of Record Production 7859:"Good vibrations in Canadian Top Singles Chart" 7297:"Surf's Up! Brian Wilsom Comes Back From Lunch" 7239:"Pet Sounds & The California Consciousness" 7123: 7121: 7085: 6513:. Vol. 78, no. 42. October 15, 1966. 6391: 5696: 5694: 5692: 5690: 5688: 5686: 5684: 5682: 5680: 5678: 5571: 5569: 4809: 4407:National Academy of Recording Arts and Sciences 3512:Ray Pohlman – Fender bass (fuzz bass in chorus) 3412:Jay Migliori – flute (verses and first bridge) 3110:, maintained by music historian Andrew G. Doe. 2065:and cried. It's that kind of an album for me." 1837:Los Angeles Fire Department Museum and Memorial 8620:Understanding Rock: Essays in Musical Analysis 7307: 6494: 5313: 3712:Bill Pitman – Danelectro bass (with fuzz tone) 3255:(verses and chorus fade), flutes (chorus fade) 2113: 1627:. It then returns to the verse, thus making a 795: 13191: 12475: 11449: 10205: 9646: 9177: 8247: 6886:"The Beach Boys' 40 greatest songs – ranked!" 5030: 4907: 3734:(overdubs recorded on June 2 backing tracks) 3590:Gary Coleman – castanets, sleigh bells, clavs 3102:The details in this section are adapted from 2425:The song has been covered by artists such as 1713:similar to the one heard in "Good Vibrations" 1700: 1220:refers to these sections individually as the 1100:, and then at Anderle's suggestion to singer 1085:section and apply Electro-Theremin overdubs. 9016:Stuessy, Joe; Lipscomb, Scott David (2009). 8618:. In Covach, John; Boone, Graeme M. (eds.). 8590:Manson: The Life and Times of Charles Manson 8545:The Beach Boys: Southern California Pastoral 8071: 8032: 7118: 6600: 5929: 5675: 5566: 5513: 5511: 5509: 5507: 5505: 5503: 5501: 5499: 5497: 3558:Al de Lory – tack pianos (including overdub) 3233:Bill Green – contra-clarinet, bass saxophone 3149:(choruses), overdubbed tambourine (choruses) 1646: 857:The Beach Boys: Southern California Pastoral 332: 8971:Shephard, Tim; Leonard, Anne, eds. (2013). 8816: 8622:. Oxford University Press. pp. 33–57. 8082:. Nielsen Business Media, Inc. p. 66. 8043:. Nielsen Business Media, Inc. p. 58. 7930:2nd result when searching "Good vibrations" 7747:"Good Vibrations: 40th Anniversary Edition" 7270: 6739:"It's Beach Boys Over Beatles: Reader Poll" 5093:The Journal on the Art of Record Production 4892: 4836: 4764: 4562:album. Sessions continued to be logged for 2770: 2595:A live version of the song, from the album 2527:"Good Vibrations" was also interpolated on 2267:"), the Beatles ("A Day in the Life"), and 1191: 936: 574: 13198: 13184: 12482: 12468: 11650:Pet Projects: The Brian Wilson Productions 11456: 11442: 10219: 10212: 10198: 9653: 9639: 9184: 9170: 9125:Brian Wilson talks about "Good Vibrations" 9078: 8400: 8355: 7358:"The Resurrection of Brian Wilson's Smile" 7154: 7127: 6279: 6112: 5758: 5756: 5754: 5752: 5750: 5748: 5746: 5744: 5548: 5020: 3577:unknown (possibly Hal Blaine) – tambourine 2489:, a trio consisting of Wilson's daughters 2421:List of cover versions of Beach Boys songs 1789:-minor tonic are activated on some level. 1323:named "Good Vibrations" among examples of 569: 506:in 1994. The song was voted number one in 36: 9061:Encyclopedia of Music in the 20th Century 8772: 8716:(Updated ed.). Perseus Books Group. 8421: 8234:Recording Industry Association of America 7890:Suomi soi 4: Suuri suomalainen listakirja 7772: 7487: 7057:The Agony and the Ecstasy of Phil Spector 6950: 6849:"RIAA, NEA Announce Songs of the Century" 6810: 6254:"On Being 33, Middle-Class, and Confused" 6226: 6224: 6065: 6063: 6061: 5846:(Online video). Professors of Rock. 2018. 5636: 5603: 5560: 5494: 5054: 5052: 5012: 4994:. DJ DAVE'S MUSICAL MUSINGS. 21 July 2021 4888: 4886: 4884: 4882: 3378: 2919:Good Vibrations: 40th Anniversary Edition 2907:Good Vibrations: 40th Anniversary Edition 2882:Good Vibrations: 40th Anniversary Edition 2780:Good Vibrations: 40th Anniversary Edition 1530:. Although the verses begin in the minor 1492:projects a triplet feel despite being in 953:, where the song's final mix was mastered 769:on the track. He further stated that its 13624:Song recordings produced by Brian Wilson 8991: 8607: 7461: 7294: 7236: 7215: 7203: 7191: 6883: 6344: 6332: 6233:"BRIAN WILSON: An Impact on Pop Culture" 6174: 5816: 5735: 5669: 5575: 5466: 5384: 5230: 5016: 4935: 4893:Unterberger, Andrew (October 10, 2016). 3463:unknown (possibly Tony Asher) – jaw harp 2354: 2275:"). The song's approach was repeated in 1977: 1831:were shot. The first of these—which had 1796: 1792: 1704: 1444: 1412: 1200: 945: 843:and Flower Power movements occurring in 799: 761:Brian credited his brother and bandmate 487:, and although the latter is not a true 12569:The Ever Popular Tortured Artist Effect 9867:The Elements: Fire (Mrs. O'Leary's Cow) 8951: 8930: 8793: 8730: 8702: 8674: 8514: 8469: 8445: 7677:"Good Vibrations/Heroes & Villains" 7653: 7545: 7340: 7112: 6977: 6725: 6656: 6488: 6427: 6415: 6403: 6379: 6367: 6303: 6245: 6203: 6191: 6004: 5923: 5741: 5517: 5418: 5207: 5195: 4873: 4741: 4589:said Wilson. 'Changed it, altered it.' 4379: 3743:Paul Tanner – Electro-Theremin (bridge) 3221:– tenor flute (verses and first bridge) 3215:– electric rhythm guitar (first bridge) 2273:Funeral for a Friend/Love Lies Bleeding 1973: 1968: 1641: 1556:The refrain (0:25) begins in the newly 13516: 12409:Pet Sounds 50th Anniversary World Tour 10807:You Need a Mess of Help to Stand Alone 9742:Do You Like Worms (Roll Plymouth Rock) 9057: 8909: 8885: 8861: 8837: 8751: 8655: 8562: 8538: 8490: 8376: 8311: 8106: 8104: 8072:Danyel Smith, ed. (January 21, 1967). 7939: 7570: 7462:Horowitz, Steven J. (March 28, 2024). 7382: 7282: 7255: 7073: 7019: 6956: 6534: 6476: 6439: 6315: 6251: 6230: 6221: 6215: 6100: 6069: 6058: 6045: 6033: 6016: 5992: 5977: 5960: 5908: 5868: 5856: 5828: 5797: 5785: 5647:. Rock Cellar Magazine. Archived from 5630: 5536: 5488: 5454: 5442: 5430: 5380: 5378: 5369: 5284: 5272: 5257: 5245: 5183: 5171: 5141: 5139: 5089:"SMiLE: Brian Wilson's Musical Mosaic" 5086: 5082: 5080: 5049: 4992:"Best Sunshine Pop Singles of the 60s" 4978: 4959: 4879: 4854: 4821: 4794: 4729: 3930:Brian Wilson – lead and backing vocals 3899:Brian Wilson – lead and backing vocals 3230:– drums (third bridge and chorus fade) 2614:'s psychological horror thriller film 2196:," in groups as far apart as (recent) 1827:To promote the single, four different 987:", the nickname for a conglomerate of 566:" (1967), but it was less successful. 13179: 12463: 11600:Brian Wilson Presents Pet Sounds Live 11437: 10193: 9634: 9165: 8658:The Beach Boys On CD vol 1: The 1960s 8586: 8334: 8290: 7887: 7801:. poparchives.com.au/. Archived from 7625: 7573:"The Ending Of Vanilla Sky Explained" 7518: 7216:McAlpine, Fraser (October 10, 2015). 7160: 7148: 7097: 6944: 6884:Petridis, Alexis (January 27, 2022). 6151: 6124: 5935: 5642: 5609: 5357: 5307: 5024: 4917:Welby, Augustus (September 7, 2016). 4916: 4746:Hits of the ʼ60s: The Million sellers 4432:Best Contemporary (R&R) Recording 3933:Carl Wilson – lead and backing vocals 3902:Carl Wilson – lead and backing vocals 3500:Al de Lory – piano with taped strings 3076: 3058: 3035: 3012: 2986: 2963: 2940: 2905:In celebration of its 40th year, the 2540: 2120:Other artists and producers, notably 2027:The song served as an anthem for the 1949:readers' poll, ahead of the Beatles, 1196: 1088:According to Brian's then-new friend 661: 13584:Billboard Hot 100 number-one singles 13579:Grammy Hall of Fame Award recipients 12139:Melt Away: A Tribute to Brian Wilson 11671:Playback: The Brian Wilson Anthology 8033:Danyel Smith, ed. (April 15, 1967). 7966:Nederlandse Top 40 – The Beach Boys" 7355: 7161:Oteri, Frank J. (December 8, 2011). 6989: 6911: 4770: 3948: 3845: August 24 through September 1 3724:Carl Wilson – electric rhythm guitar 3549:Jim Gordon – overdubbed sleigh bells 2306:deemed it to be the era's "ultimate 1609:up by a whole step, ascending from G 1315:ingredient". In his book discussing 917:Wilson said in 2012 that the song's 723:From the start, Wilson envisioned a 463:". It helped develop the use of the 13604:UK singles chart number-one singles 13205: 8817:Pinch, T. J; Trocco, Frank (2009). 8455:. Oxford: Oxford University Press. 8359:American Music: A Panorama, Concise 8134:"The Beach Boys awards on AllMusic" 8101: 7488:Gladstone, Neil (August 24, 1996). 7237:Cromelin, Richard (7 August 1976). 6691: 6252:London, Herbert (October 9, 1972). 6128:(July 2006). "The Tripping Point". 5385:McCulley, Jerry (August 12, 1998). 5375: 5136: 5077: 4837:Christensen, Thor (June 25, 2015). 4652:of "Good Vibrations" for McCartney. 3924:Mike Love – lead and backing vocals 3896:Mike Love – lead and backing vocals 941: 883:" had been employed by students of 532:500 Songs that Shaped Rock and Roll 13: 12112:2001 Radio City Music hall concert 12081:I Just Wasn't Made for These Times 11618:I Just Wasn't Made for These Times 11505:I Just Wasn't Made for These Times 11317:I Just Wasn't Made for These Times 11283:" / "Problem Child (Instrumental)" 9541:Carl and the Passions – "So Tough" 9022:. Prentice Hall Higher Education. 7295:Cromelin, Richard (October 1976). 7128:Interrante, Scott (May 20, 2015). 5087:Heiser, Marshall (November 2012). 4266: 3637:Arthur "Skeets" Herfurt – clarinet 3602:Jim Horn – flute, piccolo (bridge) 2747:, as a teaser for the forthcoming 2624: 2334: 2002:The 500 Greatest Songs of All Time 1985:performing "Good Vibrations" with 1909:chart at number 61 on October 22. 1777:However, this time it settles on A 1746:Retro-refrain and coda (2:57–3:35) 1307:described it as a "masterpiece of 1272:to 1960s experimentalists such as 1121: 1074:I Just Wasn't Made for These Times 919:"gotta keep those good vibrations" 668: 14: 13675: 13599:Number-one singles in New Zealand 12513:Runt. The Ballad of Todd Rundgren 12489: 12056:Wouldn't It Be Nice: My Own Story 9478:Summer Days (And Summer Nights!!) 9106: 9086:Wouldn't It Be Nice: My Own Story 8916:. Milwaukee, WI: Backbeat Books. 8773:Moskowitz, David V., ed. (2015). 8017:The Beach Boys – Good Vibrations" 8000:The Beach Boys – Good Vibrations" 7983:The Beach Boys – Good Vibrations" 7842:The Beach Boys – Good Vibrations" 7825:The Beach Boys – Good Vibrations" 7654:Willman, Chris (March 24, 2019). 7603:. August 25, 2010. Archived from 7519:Gratz, Alan M. (April 11, 1997). 7439:"Wilson Phillips – Chart history" 6957:Murray, Noel (October 16, 2014). 6670:"RIAA GOLD & PLATINUM AWARDS" 4936:Davidson, Chris (30 April 2012). 4315: 3765:Al de Lory – electric harpsichord 3397:Al Casey – electric rhythm guitar 3344:Terry (surname unknown, possibly 3273:– flutes (verses and chorus fade) 2944:"Good Vibrations" (2001 Remaster) 2754: 2546:In 1996, experimental rock group 2414: 2105:... it's not a beautiful story." 1809:In a July 1966 advertisement for 1133:Unused "Good Vibrations" sequence 522:s 2004 and 2010 editions of its " 13496: 13495: 13484: 13483: 13088:The World's Most Dangerous Party 12232:Inside the Music of Brian Wilson 11770:What I Really Want for Christmas 11554:Brian Wilson Reimagines Gershwin 11540:What I Really Want for Christmas 11463: 11417: 11416: 11135:" / "It's Just a Matter of Time" 10876:Child of Winter (Christmas Song) 10106:George Fell into His French Horn 9191: 9119: 8186: 8168: 8126: 8026: 7933: 7914:"Good vibrations in Irish Chart" 7906: 7881: 7851: 7791: 7766: 7739: 7735:from the original on 2021-12-21. 7715: 7694: 7669: 7647: 7619: 7589: 7564: 7539: 7512: 7481: 7455: 7431: 7407: 7388: 7349: 7334: 7288: 7230: 7209: 7130:"The 12 Best Brian Wilson Songs" 7045: 7025: 6983: 6905: 6877: 6841: 6824:"500 Greatest Songs of All Time" 6816: 6787: 6759: 6731: 6662: 6628: 6594: 6566: 6540: 6445: 6231:Roland, Tom (November 1, 2002). 5643:Sharp, Ken (September 9, 2015). 5326: 4771:Reed, Ryan (November 20, 2019). 4701: 4692: 4635:", during which record producer 3953: 3740:Jesse Ehrlich – cello (choruses) 3737:Hal Blaine – tambourine (bridge) 3715:Don Randi – electric harpsichord 3611:Jay Migliori – flute (bridge), 3587:(discarded bridge and choruses) 3437:Tony (surname unknown, possibly 3016:"Good Vibrations" (Instrumental) 2287:Psychedelic and progressive rock 1863:Teen Rock and Roll Dance Program 1159:Problems playing this file? See 1137: 714:Problems playing this file? See 684: 21:Good Vibrations (disambiguation) 13659:American rhythm and blues songs 13654:American psychedelic rock songs 13594:Number-one singles in Australia 10686:" / "The Nearest Faraway Place" 10458:There's No Other (Like My Baby) 10120:Inside Pop: The Rock Revolution 9464:The Beach Boys' Christmas Album 8796:Music of the Counterculture Era 8291:Ashby, Arved Mark, ed. (2004). 8283: 8261:"1967 Grammy Award Finalists". 8193:Billboard Top 100 Songs of 1966 7626:Flint, Hanna (March 22, 2019). 7341:Gleason, Paul (April 2, 2013). 6995:"The Observers: Paul McCartney" 6798:page 13, ISBN 978-1-387-71246-5 6609:. Nielsen Business Media, Inc. 6118: 6070:Felton, David (November 1976). 6039: 5874: 5843:Good Vibrations: The Beach Boys 5834: 5762: 5610:Varga, George (June 26, 2016). 5520:"The Making of Good Vibrations" 5460: 5110: 5006: 4984: 4929: 4822:Masley, Ed (October 28, 2011). 4673: 4655: 4621: 4592: 4582: 4573: 4552: 4528: 4518: 4489: 4473:Songs that Shaped Rock and Roll 3921:Bruce Johnston – backing vocals 3893:Bruce Johnston – backing vocals 3668:Plas Johnson – piccolos, flutes 3479:Frank Capp – bongos with sticks 3332:electric rhythm guitar (verses) 2404:Theremin: An Electronic Odyssey 2108: 1409:Verses and refrains (0:00–1:40) 1317:music of the counterculture era 973:. To mask each tape edit, vast 626:You've Lost That Lovin' Feelin' 7571:Shoaff, Brandon (2022-02-08). 7546:Handler, Rachel (2020-05-21). 7496:. Philadelphia. Archived from 6914:"The 20 Best Beach Boys Songs" 6708:. October 15, 1966. p. 14 6292:Henke & George-Warren 1992 6072:"The Healing of Brother Brian" 5710:. October 1997. Archived from 4830: 4815: 4750:. B.T. Batsford. p. 145. 4735: 3936:Dennis Wilson – backing vocals 3927:Paul Tanner – Electro-Theremin 3905:Dennis Wilson – backing vocals 3827:Paul Tanner – Electro-Theremin 3787:Paul Tanner – Electro-Theremin 3690:Paul Tanner – Electro-Theremin 3621:Paul Tanner – Electro-Theremin 3574:Paul Tanner – Electro-Theremin 3524:Paul Tanner – Electro-Theremin 3497:Larry Knechtel – Hammond organ 3473:(discarded alternate version) 3431:Paul Tanner – Electro-Theremin 3406:Larry Knechtel – Hammond organ 3113: 2925: 2586:in the psychological thriller 2531:'s song "Ya Ya," on the album 2061:had for me. I've often played 2031:. According to Noel Murray of 1510:; this is sometimes called a " 1335:, Brian was attempting a more 1015: 524:500 Greatest Songs of All Time 1: 13609:Songs written by Brian Wilson 11391:That's Why God Made the Radio 11387:That's Why God Made the Radio 10739:The Times They Are a-Changin' 9618:That's Why God Made the Radio 8868:Look, Listen, Vibrate, Smile! 8572:. Syracuse University Press. 8209:British Phonographic Industry 8074:"Billboard Hits of the World" 8035:"Billboard Hits of the World" 7942:Look! Listen! Vibrate! Smile! 6583:. October 15, 1966. p. 1 5882:"Interview with Brian Wilson" 5518:Pinnock, Tom (June 8, 2012). 5149:. Phawker.com. Archived from 4713: 4664:speculates that the Beatles' 3877:Dennis Wilson – Hammond organ 3841: 3833:Carl Wilson – electric guitar 3509:Tommy Morgan – bass harmonica 3267:– upright piano (chorus fade) 855:.'" Writing in his 1975 book 812:Wilson's cousin and bandmate 590:—Brian Wilson, quoted in 1997 498:"Good Vibrations" received a 16:1966 single by the Beach Boys 11703:Let's Go to Heaven in My Car 10377:When I Grow Up (To Be a Man) 8823:. Harvard University Press. 8356:Candelaria, Lorenzo (2014). 5936:Sharp, Ken (July 28, 2000). 5060:"500 Songs That Shaped Rock" 4773:"A Guide to Progressive Pop" 4495:Keith Badman reported that " 4234:Todd Rundgren version (1976) 3768:Mike Melvoin – Hammond organ 3605:Carol Kaye – Danelectro bass 3546:Jerry Cole – electric guitar 3488:Bill Green – contra-clarinet 3403:Bill Green – contra-clarinet 3097: 2445:was released as a single by 1236:. Wilson is quoted in 1979: 765:for suggesting the use of a 732:player never even touched." 371:" is a song by the American 105:September 21, 1966 7: 13619:Songs written by Tony Asher 12153:Smiles, Vibes & Harmony 12063:I Am Brian Wilson: A Memoir 11533:Brian Wilson Presents Smile 11151:Rock 'n' Roll to the Rescue 10934:Everyone's in Love with You 10611:Bluebirds over the Mountain 10454:The Little Girl I Once Knew 9683:Brian Wilson Presents Smile 9040:The Basic Elements of Music 8977:. New York, NY: Routledge. 8431:. Hal Leonard Corporation. 7863:Library and Archives Canada 7395:Brian Wilson presents Smile 7356:Bell, Matt (October 2004). 7086:Stuessy & Lipscomb 2009 6767:"Danish Paper Cites Wilson" 6636:"The Rubberization of Soul" 6548:"Cash Box Top 100 10/22/66" 6266:(41). New York Media, LLC. 4810:Shephard & Leonard 2013 3918:Al Jardine – backing vocals 3890:Al Jardine – backing vocals 3830:Brian Wilson – upright bass 3771:Jay Migliori – overdubbed 3696:Arthur Wright – Fender bass 3677:Emil Richards – overdubbed 3665:Jim Horn – piccolos, flutes 3596:Jim Gordon – drums, timpani 3552:Bill Green – bass saxophone 3518:Arthur C. Smith – piccolo, 3494:– 12-string electric guitar 3482:Steve Douglas – tenor flute 3415:Ray Pohlman – Fender bass ( 3400:Steve Douglas – tenor flute 3145:– lead and backing vocals, 2475:Brian Wilson Presents Smile 2114:Recording and popular music 2029:counterculture of the 1960s 796:Influences and final lyrics 558:peaked at number 34 on the 459:dubbed the unusual work a " 10: 13680: 13614:Songs written by Mike Love 13589:Cashbox number-one singles 12323:A World of Peace Must Come 11865:She Says That She Needs Me 11133:She Believes in Love Again 10843:California Saga/California 10820:" / "Hold On Dear Brother" 10774:Student Demonstration Time 10673:Add Some Music to Your Day 9810:Child Is Father of the Man 8800:Greenwood Publishing Group 8794:Perrone, James E. (2004). 8473:The Beach Boys' Pet Sounds 7799:"Go-Set's National Top 40" 6912:Blau, Max (May 16, 2011). 6601:Danyel Smith, ed. (1967). 6574:"Single Picks of the Week" 5064:Rock and Roll Hall of Fame 4468:Rock and Roll Hall of Fame 4273: 3852:Dennis Wilson – lead vocal 3683:Lyle Ritz – upright bass ( 3659:Steve Douglas – tambourine 3593:Steve Douglas – tambourine 3543:Al Casey – electric guitar 2873:Songs from Here & Back 2661:October 31, 2011 2418: 2348: 2338: 2290: 1953:, the Rolling Stones, and 1701:Second episode (2:13–2:56) 1480:sustaining over a falling 1472:; underneath is a two-bar 602:, was responsible for the 528:Rock and Roll Hall of Fame 78:October 10, 1966 18: 13479: 13414: 13373: 13222: 13216:Electronics in rock music 13213: 13125: 13074:Things Here Are Different 12902: 12856: 12789: 12771: 12683: 12497: 12444:Marilyn Wilson-Rutherford 12332: 12218:Folkways: A Vision Shared 12176: 12104: 12072: 12047: 11997: 11916: 11835: 11824: 11680: 11634: 11609: 11584: 11489: 11471: 11411: 11378: 11345: 11338: 11308: 11299:Hot Fun in the Summertime 11290: 11261: 11254: 11225: 11203: 11178: 11142: 11106: 11073: 11048: 11041: 10991: 10969: 10947: 10907: 10889: 10856: 10827: 10798: 10715: 10664: 10657: 10624: 10580: 10522: 10478: 10412: 10399:The Man with All the Toys 10359:Why Do Fools Fall in Love 10346: 10291: 10258: 10237: 10230: 10164: 10078: 10007: 9954: 9894: 9826: 9787: 9712: 9699: 9670: 9660: 9415: 9343: 9311: 9254: 9208: 9201: 9118: 9113: 8956:. Bloomsbury Publishing. 8476:. Bloomsbury Publishing. 8401:Cunningham, Mark (1998). 8114:. Official Charts Company 7944:. Last Gasp. p. 27. 7773:Slowinski, Craig (2011). 6869:: CS1 maint: unfit URL ( 4742:Coryton, Demitri (1990). 4455:Grammy Hall of Fame Award 4405: 4400: 4368: 4353: 4338: 4327: 4324: 3943: 3790:Carl Wilson – Fender bass 3624:Carl Wilson – Fender bass 3564:Ray Pohlman – Fender bass 3537:Jimmy Bond – upright bass 3503:Mike Melvoin – tack piano 3307:(verses and first bridge) 3139:– lead and backing vocals 2935: 2932: 2929: 2924: 2866: 2858: 2848: 2836: 2820: 2812: 2797: 2784: 2779: 2725: 2700: 2688: 2672: 2657: 2647: 2636: 2631: 2507:the Mamas & the Papas 2351:Electronics in rock music 1647:First episode (1:41–2:13) 1589:and tambourine provide a 698:as "a woman's voice or a 606:and virtually all of the 361: 330: 325: 312: 307: 303: 266: 258: 246: 223: 211: 195: 138: 117: 89: 74: 58: 47: 35: 30: 12812:Couldn't I Just Tell You 12798:We Gotta Get You a Woman 12361:Brian Wilson is a genius 11593:Live at the Roxy Theatre 10956:Honkin' Down the Highway 10646:" / "Celebrate the News" 10513:Let's Go Away for Awhile 10173:Brian Wilson is a genius 9803:Look (Song for Children) 9611:Stars and Stripes Vol. 1 9583:Keepin' the Summer Alive 9352:1967 – Sunshine Tomorrow 9037:Textbook Equity (2014). 8731:Lambert, Philip (2007). 8675:Hoskyns, Barney (2009). 8297:. Boydell & Brewer. 8163:GfK Entertainment charts 7940:Priore, Domenic (1997). 6699:"CashBox Record Reviews" 6603:"Billboard 4 March 1967" 4535:United Western Recorders 4506:Look (Song for Children) 4483: 3871:Lyle Ritz – upright bass 3818:Jay Migliori – clarinet 3812:Carol Kaye – Fender bass 3809:Plas Johnson – clarinet 3784:Lyle Ritz – upright bass 3618:Lyle Ritz – upright bass 3515:Lyle Ritz – upright bass 3485:Carl Fortina – accordion 3425:Lyle Ritz – upright bass 3245:– Hammond organ (verses) 3239:– piccolo (first bridge) 3066:" (1996 Stereo Remaster) 3064:Let's Go Away for Awhile 2772:40th Anniversary Edition 2204:, as Van Dyke Parks and 1851:The Beach Boys in London 1847:United Western Recorders 1805:magazine in October 1966 1192:Composition and analysis 1151:, and additional vocals. 937:Recording and production 616:, Wilson began changing 575:Concept and early lyrics 418:Let's Go Away for Awhile 68:Let's Go Away for Awhile 13574:Capitol Records singles 12872:Kissing with Confidence 12833:Can We Still Be Friends 12639:Todd Rundgren's Johnson 12192:The Beach Boys Love You 12167:This Could Be the Night 11526:Gettin' In over My Head 11097:Don't Go Near the Water 11064:Livin' with a Heartache 10789:Don't Go Near the Water 10778:Don't Go Near the Water 10615:Never Learn Not to Love 9562:The Beach Boys Love You 8931:Rooksby, Rikky (2001). 8759:, Chicago: Open Court, 8656:Hickey, Andrew (2011). 8524:. Perseus Books Group. 7345:. Rock Cellar Magazine. 7271:Pinch & Trocco 2009 6999:The Pet Sounds Sessions 5617:San Diego Union-Tribune 4222:Official Charts Company 4160:Official Charts Company 3913:September 21 – Columbia 3885:September 12 – Columbia 3775:("Part 1" and "Part 2") 3718:Lyle Ritz – Fender bass 3599:Bill Green – alto flute 3386:February 17 – Gold Star 3348:) – tambourine (verses) 2801:June 27, 2006 2251:(1971) which presented 1661:, which had received a 921:bridge was inspired by 893:extrasensory experience 680:The sound of a theremin 570:Inspiration and writing 467:and heralded a wave of 465:studio as an instrument 404:extrasensory perception 262: singles chronology 13471:Yellow Magic Orchestra 13060:Dreams of Ordinary Men 12948:We're an American Band 12865:Dreams of Ordinary Men 12695:Todd Rundgren's Utopia 11967:The New Girl in School 11787:The Like In I Love You 11777:Midnight's Another Day 10322:Be True to Your School 9945:You're with Me Tonight 9767:The Old Master Painter 8952:Sanchez, Luis (2014). 8593:. Simon and Schuster. 8569:America in the Sixties 8312:Badman, Keith (2004). 7916:. IRMA. Archived from 6046:Taylor, Derek (1967). 5549:Wilson & Gold 1991 4547:Sunset Sound Recorders 4186:Official German Charts 3860:September 1 – Western 3806:Bill Green – clarinet 3632:May 25 – Sunset Sound 3585:May 24 – Sunset Sound 3409:Plas Johnson – piccolo 3379:Partial sessionography 3374:Jim Lockert – engineer 2366: 2210: 2134: 1990: 1872: 1806: 1739: 1714: 1484:line. For percussion, 1453: 1442: 1290: 1246: 1206: 1126: 1035:, recalling his first 1024: 954: 897: 847:and some parts of the 809: 694:Wilson thought of the 673: 655: 587: 341: 13664:Songs used as jingles 13649:Psychedelic pop songs 13434:Live electronic music 12840:Bang the Drum All Day 12555:Hermit of Mink Hollow 12527:A Wizard, a True Star 12419:Wilson–Beck 2013 Tour 11082:The Beach Boys Medley 11066:" / "Santa Ana Winds" 11059:" / "Endless Harmony" 11012:/ "Love Surrounds Me" 10869:The Warmth of the Sun 10392:The Warmth of the Sun 10381:She Knows Me Too Well 9471:The Beach Boys Today! 9082:; Gold, Todd (1991). 8954:The Beach Boys' Smile 8910:Romano, Will (2010). 8895:. London: Sanctuary. 8470:Fusilli, Jim (2005). 6638:. UNT Digital Library 5470:The Los Angeles Times 5118:"Mike Love interview" 3571:bass (with fuzz tone) 3506:Jay Migliori – flute 3454:Brian Wilson – vocals 3371:Cal Harris – engineer 3224:Jesse Ehrlich – cello 2891:The Warmth of the Sun 2358: 2349:Further information: 2174: 2118: 2078:. In a 1966 issue of 1981: 1884:On October 15, 1966, 1868: 1800: 1793:Release and promotion 1728: 1708: 1695:non-lexical harmonies 1526:VI–V, also called an 1448: 1416: 1285: 1238: 1209:There are six unique 1204: 1125: 1020: 949: 931:Down by the Riverside 865: 803: 672: 650: 579: 379:that was composed by 340: 13564:The Beach Boys songs 13109:Separation Anxieties 13095:Halfway Down the Sky 13032:Next Position Please 12723:Adventures In Utopia 12350:Bellagio home studio 12205:The Cocaine Sessions 11561:In the Key of Disney 11301:" / "Summer of Love" 11270:Somewhere Near Japan 11024:It's a Beautiful Day 11000:Here Comes the Night 10702:Tears in the Morning 10491:You're So Good to Me 10425:Please Let Me Wonder 8847:. Ballantine Books. 8587:Guinn, Jeff (2014). 8362:. Cengage Learning. 8335:Brend, Mark (2005). 8004:Top Digital Download 7888:Nyman, Jake (2005). 7805:on September 5, 2007 7500:on 24 September 2013 6554:on November 20, 2008 6392:Textbook Equity 2014 4570:, but Brian refused. 4380:Awards and accolades 3874:Carl Wilson – shaker 3457:Carl Wilson – vocals 3315:electric harpsichord 2401:'s 1993 documentary 2010:Songs of the Century 1974:Historical reception 1969:Influence and legacy 1770:, and then ends at G 1642:Episodic digressions 1374:' energy and feel." 1274:William S. Burroughs 1094:Warner Bros. Records 1048:and was logged as a 13569:Todd Rundgren songs 13294:Neue deutsche welle 12913:Great Speckled Bird 12520:Something/Anything? 12252:Andy Paley sessions 12211:Cows in the Pasture 11886:Can't Wait Too Long 11851:Still I Dream of It 11400:" / Live in Chicago 11365:Don't Fight the Sea 11358:Heroes and Villains 11321:Wouldn't It Be Nice 11162:California Dreamin' 10916:Rock and Roll Music 10900:" / "Only with You" 10838:" / "Only with You" 10735:Wouldn't It Be Nice 10542:Heroes and Villains 10498:Wouldn't It Be Nice 10421:Do You Wanna Dance? 10388:Dance, Dance, Dance 9977:Can't Wait Too Long 9771:You Are My Sunshine 9735:Heroes and Villains 9376:Can't Wait Too Long 9217:Heroes and Villains 8564:Greene, John Robert 8180:www.sixtiescity.net 7490:"His Name Is Alive" 7273:, pp. 102–103. 7173:on 26 February 2021 7055:(Director) (2009). 6238:American Songwriter 6005:Kent & Pop 2009 5950:on January 9, 2013. 5124:on 28 December 2010 5095:(7). Archived from 4919:"A DAY TO REMEMBER" 4600:Heroes and Villains 4539:CBS Columbia Square 4321: 4043:Irish Singles Chart 3865:Hal Blaine – shaker 3643:Abe Most – clarinet 3615:(including overdub) 3471:April 9 – Gold Star 3449:March 3 – Gold Star 2921: 2372:analog synthesizers 2257:American Songwriter 2048:Heroes and Villains 1951:the Walker Brothers 1936:New Musical Express 1853:, a documentary by 1468:filtered through a 1379:musical development 1270:cut-and-paste style 1251:American Songwriter 1170:CBS Columbia Square 951:CBS Columbia Square 808:demonstrators, 1967 755:My Favorite Martian 618:his writing process 604:musical composition 564:Heroes and Villains 504:Grammy Hall of Fame 469:pop experimentation 291:Heroes and Villains 273:Wouldn't It Be Nice 42:U.S. picture sleeve 13554:Brian Wilson songs 12879:Love Is the Answer 12737:Swing to the Right 12716:Oops! Wrong Planet 12310:The Wilson Project 12095:Long Promised Road 12006:When Love Is Dying 11872:California Feelin' 11782:"What Love Can Do" 11625:Long Promised Road 11547:That Lucky Old Sun 11218:" (Little Richard) 10760:Long Promised Road 10749:Long Promised Road 10744:(by Merry Clayton) 10469:Girl Don't Tell Me 10315:Little Deuce Coupe 10278:Ten Little Indians 9917:Teeter Totter Love 9749:I'm in Great Shape 9702:The Smile Sessions 9690:The Smile Sessions 9604:Summer in Paradise 9576:L.A. (Light Album) 9485:Beach Boys' Party! 9450:Shut Down Volume 2 9443:Little Deuce Coupe 9144:2009-06-02 at the 9001:. Backbeat Books. 8937:. Backbeat Books. 8681:. Backbeat Books. 8378:Carlin, Peter Ames 8320:. Backbeat Books. 8136:. Rovi Corporation 7869:on 20 October 2014 7776:The Smile Sessions 7681:recordstoreday.com 7607:on August 16, 2011 7364:. soundonsound.com 6865:cite press release 6479:, pp. 150–51. 6418:, pp. 20, 89. 6382:, pp. 32, 89. 5672:, pp. 42, 46. 5633:, p. 156–157. 5579:(September 1968). 4826:. Arizona Central. 4629:the Rolling Stones 4320: 3966:Chart (1966–1967) 3801:June 18 – Western 3751:June 16 – Western 3732:June 12 – Western 3662:Jim Gordon – drums 3640:Jim Horn – piccolo 3555:Jim Horn – piccolo 3476:Hal Blaine – drums 3391:Hal Blaine – drums 3174:Additional players 3165:– backing vocals, 3104:The Smile Sessions 2917: 2749:The Smile Sessions 2651:The Smile Sessions 2541:In popular culture 2378:"We'll give you a 2367: 2182:the Yellow Balloon 1991: 1879:, October 15, 1966 1807: 1715: 1528:Andalusian cadence 1454: 1443: 1423:Andalusian cadence 1366:adds that "unlike 1321:John Robert Greene 1264:compared it to "a 1207: 1197:Genre and dynamics 1127: 955: 885:Eastern philosophy 810: 674: 662:Theremin and cello 443:at four different 342: 103: – 13511: 13510: 13326:Post-punk revival 13230:Alternative dance 13173: 13172: 12767: 12766: 12604:The Individualist 12457: 12456: 12387:Melinda Ledbetter 12043: 12042: 11657:The Big Beat 1963 11431: 11430: 11407: 11406: 11334: 11333: 11250: 11249: 11185:"Happy Endings" ( 11122:It's Gettin' Late 11037: 11036: 10982:Hey Little Tomboy 10653: 10652: 10531:Then I Kissed Her 10337:The Lord's Prayer 10333:Little Saint Nick 10187: 10186: 10070:The Wrecking Crew 10008:Associated people 9910:He Gives Speeches 9890: 9889: 9835:I Wanna Be Around 9628: 9627: 9307: 9306: 9135: 9134: 9097:978-0-06-018313-4 9090:. HarperCollins. 9050:978-1-312-48694-2 9029:978-0-13-601068-5 8944:978-0-87930-654-0 8854:978-0-345-27398-7 8830:978-0-674-04216-2 8786:978-1-4408-0340-6 8744:978-0-8264-1876-0 8723:978-0-7867-3074-2 8688:978-0-87930-943-5 8579:978-0-8156-5133-8 8555:978-0-87877-202-5 8531:978-0-306-80683-4 8483:978-1-4411-1266-8 8438:978-0-634-05548-5 8393:978-1-59486-320-2 8369:978-1-305-16289-1 8304:978-1-58046-143-6 7920:on 5 January 2010 7829:Ö3 Austria Top 40 7527:on August 6, 2014 7206:, pp. 79–80. 7151:, pp. 18–19. 6728:, pp. 86–87. 6675:(Press release). 6537:, p. 155-56. 6347:, pp. 43–44. 6007:, pp. 34–35. 5884:. Theaquarian.com 5819:, pp. 41–46. 5767:. Esquarterly.com 5421:, pp. 34–35. 5403:on June 30, 1998. 5387:"Trouble in Mind" 5372:, pp. 47–48. 5260:, pp. 46–47. 4543:Gold Star Studios 4481: 4480: 4377: 4376: 4372: 4312: 4311: 4305: 4304: 4264: 4263: 4231: 4230: 4195: 4194: 4031:Soumen Virallinen 3992:Ö3 Austria Top 40 3704:June 2 – Western 3651:May 27 – Western 3094: 3093: 2903: 2902: 2899: 2898: 2737: 2736: 2632:"Good Vibrations" 2548:His Name Is Alive 2392:ribbon controller 2281:Bohemian Rhapsody 2194:A Day in the Life 1655:. The refrain's B 1571:, which suggests 1419:chord progression 1337:experimental rock 1261:New York Magazine 1142: 1046:Gold Star Studios 994:Peter Ames Carlin 989:session musicians 985:the Wrecking Crew 841:psychedelic music 702:on a carpenter's 689: 550:" (1975). A 1976 548:Bohemian Rhapsody 540:A Day in the Life 471:and the onset of 441:session musicians 400:cosmic vibrations 365: 364: 338: 315:"Good Vibrations" 299: 298: 31:"Good Vibrations" 13671: 13559:Psychic TV songs 13499: 13498: 13490:Electronic music 13487: 13486: 13460:Switched-On Rock 13449:Moog synthesizer 13422:Electro-Theremin 13348:Progressive rock 13267:Industrial metal 13250:Digital hardcore 13200: 13193: 13186: 13177: 13176: 13126:Related articles 12780:Back to the Bars 12730:Deface the Music 12681: 12680: 12484: 12477: 12470: 12461: 12460: 12372:California sound 12367:California Music 12274:Shortenin' Bread 12239:Love & Mercy 12132:Making God Smile 11981:Sidewalk Surfin' 11932:Dead Man's Curve 11893:One Kind of Love 11833: 11832: 11731:Your Imagination 11568:No Pier Pressure 11512:Orange Crate Art 11458: 11451: 11444: 11435: 11434: 11420: 11419: 11393:" (instrumental) 11343: 11342: 11259: 11258: 11238: 11194:California Girls 11166: 11046: 11045: 11011: 10938:Susie Cincinnati 10880:Susie Cincinnati 10765: 10743: 10724:Cool, Cool Water 10695:This Whole World 10677:Susie Cincinnati 10662: 10661: 10637:All I Want to Do 10633:I Can Hear Music 10568: 10535:Mountain of Love 10447:Let Him Run Wild 10443:California Girls 10370:Don't Worry Baby 10250: 10235: 10234: 10214: 10207: 10200: 10191: 10190: 9998:Cool, Cool Water 9970:She's Goin' Bald 9955:Derivative songs 9924:Three Blind Mice 9874:Love to Say Dada 9763:My Only Sunshine 9710: 9709: 9655: 9648: 9641: 9632: 9631: 9344:Related articles 9320:Cool, Cool Water 9238:She's Goin' Bald 9206: 9205: 9186: 9179: 9172: 9163: 9162: 9153: 9123: 9122: 9111: 9110: 9101: 9089: 9075: 9054: 9033: 9012: 8988: 8967: 8948: 8927: 8906: 8882: 8858: 8834: 8813: 8790: 8769: 8748: 8727: 8699: 8697: 8695: 8671: 8652: 8633: 8617: 8609:Harrison, Daniel 8604: 8583: 8559: 8535: 8516:Gillett, Charlie 8511: 8487: 8466: 8442: 8418: 8397: 8373: 8352: 8331: 8319: 8308: 8277: 8276: 8258: 8245: 8244: 8242: 8240: 8226: 8220: 8219: 8217: 8215: 8201: 8195: 8190: 8184: 8183: 8172: 8166: 8160: 8152: 8146: 8145: 8143: 8141: 8130: 8124: 8123: 8121: 8119: 8108: 8099: 8098: 8096: 8094: 8069: 8060: 8059: 8057: 8055: 8030: 8024: 8013: 8007: 7996: 7990: 7979: 7973: 7962: 7956: 7955: 7937: 7931: 7929: 7927: 7925: 7910: 7904: 7903: 7885: 7879: 7878: 7876: 7874: 7865:. 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Archived from 7158: 7152: 7146: 7140: 7139: 7125: 7116: 7110: 7101: 7095: 7089: 7083: 7077: 7071: 7065: 7064: 7061:Documentary film 7049: 7043: 7042: 7033:"The Beach Boys" 7029: 7023: 7017: 7011: 7010: 6987: 6981: 6975: 6969: 6968: 6954: 6948: 6942: 6936: 6935: 6933: 6931: 6926:on March 3, 2022 6922:. Archived from 6909: 6903: 6902: 6900: 6898: 6881: 6875: 6874: 6868: 6860: 6858: 6856: 6845: 6839: 6838: 6836: 6835: 6820: 6814: 6808: 6802: 6801: 6791: 6785: 6784: 6763: 6757: 6756: 6735: 6729: 6723: 6717: 6716: 6714: 6713: 6703: 6695: 6689: 6688: 6686: 6684: 6674: 6666: 6660: 6654: 6648: 6647: 6645: 6643: 6632: 6626: 6625: 6623: 6621: 6598: 6592: 6591: 6589: 6588: 6578: 6570: 6564: 6563: 6561: 6559: 6550:. 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Archived from 5114: 5108: 5107: 5105: 5104: 5084: 5075: 5074: 5072: 5070: 5056: 5047: 5046: 5039: 5028: 5010: 5004: 5003: 5001: 4999: 4988: 4982: 4976: 4963: 4957: 4948: 4947: 4933: 4927: 4926: 4914: 4905: 4904: 4890: 4877: 4871: 4858: 4852: 4843: 4842: 4834: 4828: 4827: 4819: 4813: 4807: 4798: 4792: 4781: 4780: 4768: 4762: 4761: 4749: 4739: 4733: 4727: 4708: 4705: 4699: 4696: 4690: 4686: 4685: 4677: 4671: 4659: 4653: 4625: 4619: 4596: 4590: 4586: 4580: 4577: 4571: 4556: 4550: 4532: 4526: 4522: 4516: 4493: 4384: 4383: 4370: 4339:United Kingdom ( 4322: 4319: 4271: 4270: 4238: 4237: 4207: 4206: 3982:National Top 40 3963: 3962: 3959:Original release 3949: 3846: 3843: 3532:May 4 – Western 3441:) – sleigh bells 3340:Electro-Theremin 3133:– backing vocals 3127:– backing vocals 3090: 3089: 3085: 3079: 2927: 2922: 2916: 2868: 2867: 2832: 2831: 2827: 2808: 2806: 2777: 2776: 2745:Record Store Day 2730: 2705: 2684: 2683: 2679: 2668: 2666: 2629: 2628: 2567:'s 1984 single " 2519: 2399:Steven M. Martin 2364:Electro-Theremin 2345:Electro-Theremin 2316:Atlantic Records 2312:progressive rock 2297:Progressive rock 2293:Psychedelic rock 2141: 1880: 1788: 1787: 1782: 1781: 1775: 1774: 1769: 1768: 1763: 1762: 1719:sustained chords 1676: 1675: 1671:) or V–I–V (in E 1670: 1669: 1660: 1659: 1636: 1635: 1626: 1625: 1620: 1619: 1614: 1613: 1576: 1575: 1569: 1568: 1552: 1551: 1541: 1540: 1525: 1524: 1519: 1518: 1507: 1506: 1505: 1504: 1440: 1439: 1438: 1436: 1425:, in the key of 1403:harmonic variety 1276:. Music journal 1256:classical sonata 1144: 1143: 1124: 1040: 1029:Electro-Theremin 942:Modular approach 741:Alfred Hitchcock 737:Electro-Theremin 691: 690: 671: 635: 631: 591: 530:'s list of the " 521: 514: 485:Electro-Theremin 477:progressive rock 339: 316: 268: 267: 251: 228: 207: 206: 202: 178: 161: 153:psychedelic rock 113: 112: 110: 102: 101: 99: 94:February 17 85: 83: 63: 40: 28: 27: 13679: 13678: 13674: 13673: 13672: 13670: 13669: 13668: 13644:Avant-pop songs 13634:Acid rock songs 13514: 13513: 13512: 13507: 13475: 13428:Good Vibrations 13410: 13369: 13262:Industrial rock 13218: 13209: 13207:Electronic rock 13204: 13174: 13169: 13121: 13102:The New America 13081:One Sided Story 12983:Bat Out of Hell 12969:Felix Cavaliere 12904: 12898: 12852: 12826:Good Vibrations 12805:I Saw the Light 12785: 12763: 12679: 12611:With a Twist... 12493: 12488: 12458: 12453: 12355:Bob & Sheri 12340:American Spring 12328: 12172: 12100: 12068: 12039: 11993: 11912: 11907:Somewhere Quiet 11828: 11826: 11820: 11745:Good Vibrations 11676: 11630: 11605: 11580: 11485: 11467: 11462: 11432: 11427: 11403: 11374: 11354:Good Vibrations 11330: 11304: 11286: 11246: 11236: 11221: 11199: 11174: 11164: 11155:Good Vibrations 11138: 11102: 11093:Come Go with Me 11069: 11033: 11019:" / "Full Sail" 11009: 11002:" / "Baby Blue" 10987: 10965: 10943: 10927:Had to Phone Ya 10903: 10898:Sail On, Sailor 10885: 10852: 10836:Sail On, Sailor 10823: 10794: 10763: 10741: 10711: 10706:It's About Time 10691:Slip On Through 10649: 10620: 10576: 10566: 10518: 10509:Good Vibrations 10474: 10432:Help Me, Rhonda 10408: 10342: 10287: 10254: 10248: 10226: 10218: 10188: 10183: 10179:Brother Records 10160: 10074: 10030:Frank J. Holmes 10003: 9950: 9886: 9881:Good Vibrations 9822: 9783: 9705: 9695: 9666: 9659: 9629: 9624: 9623: 9457:All Summer Long 9411: 9383:Lei'd in Hawaii 9339: 9303: 9270:With Me Tonight 9263:Good Vibrations 9250: 9197: 9190: 9151: 9146:Wayback Machine 9120: 9114:External videos 9109: 9104: 9098: 9072: 9051: 9030: 9009: 8985: 8964: 8945: 8924: 8903: 8887:Priore, Domenic 8879: 8863:Priore, Domenic 8855: 8831: 8810: 8787: 8767: 8745: 8724: 8693: 8691: 8689: 8668: 8649: 8630: 8615: 8601: 8580: 8556: 8548:. Borgo Press. 8532: 8508: 8484: 8463: 8447:Everett, Walter 8439: 8415: 8394: 8370: 8349: 8328: 8305: 8286: 8281: 8280: 8260: 8259: 8248: 8238: 8236: 8228: 8227: 8223: 8213: 8211: 8203: 8202: 8198: 8191: 8187: 8174: 8173: 8169: 8158: 8153: 8149: 8139: 8137: 8132: 8131: 8127: 8117: 8115: 8110: 8109: 8102: 8092: 8090: 8070: 8063: 8053: 8051: 8031: 8027: 8014: 8010: 7997: 7993: 7980: 7976: 7963: 7959: 7952: 7938: 7934: 7923: 7921: 7912: 7911: 7907: 7900: 7886: 7882: 7872: 7870: 7857: 7856: 7852: 7839: 7835: 7822: 7818: 7808: 7806: 7797: 7796: 7792: 7785:Capitol Records 7771: 7767: 7757: 7755: 7745: 7744: 7740: 7721: 7720: 7716: 7707: 7705: 7700: 7699: 7695: 7685: 7683: 7675: 7674: 7670: 7660: 7658: 7652: 7648: 7638: 7636: 7633:TheGuardian.com 7624: 7620: 7610: 7608: 7595: 7594: 7590: 7581: 7579: 7569: 7565: 7556: 7554: 7544: 7540: 7530: 7528: 7517: 7513: 7503: 7501: 7486: 7482: 7472: 7470: 7460: 7456: 7447: 7445: 7437: 7436: 7432: 7423: 7421: 7413: 7412: 7408: 7393: 7389: 7381: 7377: 7367: 7365: 7354: 7350: 7339: 7335: 7326: 7324: 7316: 7315: 7308: 7293: 7289: 7281: 7277: 7269: 7262: 7254: 7250: 7235: 7231: 7214: 7210: 7202: 7198: 7190: 7186: 7176: 7174: 7159: 7155: 7147: 7143: 7126: 7119: 7111: 7104: 7096: 7092: 7084: 7080: 7072: 7068: 7053:Jayanti, Vikram 7051: 7050: 7046: 7031: 7030: 7026: 7018: 7014: 7007:Capitol Records 6988: 6984: 6976: 6972: 6955: 6951: 6943: 6939: 6929: 6927: 6910: 6906: 6896: 6894: 6882: 6878: 6862: 6861: 6854: 6852: 6847: 6846: 6842: 6833: 6831: 6822: 6821: 6817: 6809: 6805: 6793: 6792: 6788: 6765: 6764: 6760: 6737: 6736: 6732: 6724: 6720: 6711: 6709: 6701: 6697: 6696: 6692: 6682: 6680: 6672: 6668: 6667: 6663: 6655: 6651: 6641: 6639: 6634: 6633: 6629: 6619: 6617: 6599: 6595: 6586: 6584: 6576: 6572: 6571: 6567: 6557: 6555: 6546: 6545: 6541: 6533: 6526: 6503: 6502: 6495: 6487: 6483: 6475: 6468: 6458: 6456: 6451: 6450: 6446: 6438: 6434: 6426: 6422: 6414: 6410: 6402: 6398: 6390: 6386: 6378: 6374: 6366: 6351: 6343: 6339: 6331: 6322: 6314: 6310: 6302: 6298: 6290: 6286: 6280:Candelaria 2014 6278: 6274: 6250: 6246: 6229: 6222: 6214: 6210: 6202: 6198: 6190: 6181: 6173: 6158: 6150: 6139: 6123: 6119: 6113:Cunningham 1998 6111: 6107: 6099: 6095: 6085: 6083: 6068: 6059: 6044: 6040: 6032: 6023: 6015: 6011: 6003: 5999: 5991: 5984: 5976: 5967: 5959: 5955: 5934: 5930: 5922: 5915: 5907: 5896: 5887: 5885: 5880: 5879: 5875: 5867: 5863: 5855: 5851: 5840: 5839: 5835: 5827: 5823: 5815: 5804: 5796: 5792: 5784: 5780: 5770: 5768: 5763:Doe, Andrew G. 5761: 5742: 5734: 5727: 5717: 5715: 5702: 5701: 5676: 5668: 5664: 5654: 5652: 5641: 5637: 5629: 5625: 5608: 5604: 5594: 5592: 5591:on 14 July 2014 5574: 5567: 5559: 5555: 5547: 5543: 5535: 5531: 5516: 5495: 5487: 5478: 5465: 5461: 5453: 5449: 5441: 5437: 5429: 5425: 5417: 5408: 5400: 5389: 5383: 5376: 5368: 5364: 5356: 5349: 5339: 5337: 5325: 5314: 5306: 5291: 5283: 5279: 5271: 5264: 5256: 5252: 5244: 5237: 5229: 5214: 5206: 5202: 5194: 5190: 5182: 5178: 5170: 5166: 5156: 5154: 5153:on July 5, 2012 5145: 5144: 5137: 5127: 5125: 5116: 5115: 5111: 5102: 5100: 5085: 5078: 5068: 5066: 5058: 5057: 5050: 5041: 5040: 5031: 5023:, p. 130; 5021:Candelaria 2014 5011: 5007: 4997: 4995: 4990: 4989: 4985: 4977: 4966: 4958: 4951: 4934: 4930: 4915: 4908: 4891: 4880: 4872: 4861: 4853: 4846: 4835: 4831: 4820: 4816: 4808: 4801: 4793: 4784: 4769: 4765: 4758: 4740: 4736: 4728: 4721: 4716: 4711: 4706: 4702: 4697: 4693: 4683: 4682: 4678: 4674: 4660: 4656: 4626: 4622: 4597: 4593: 4587: 4583: 4578: 4574: 4557: 4553: 4533: 4529: 4523: 4519: 4494: 4490: 4486: 4382: 4354:United States ( 4332:Certified units 4318: 4313: 4269: 4267:Year-end charts 4245: 4214: 4197: 3970: 3956: 3946: 3941: 3844: 3381: 3360:Technical staff 3357: 3169:(second bridge) 3159:(second bridge) 3116: 3100: 3095: 3087: 3083: 3082: 3077: 3051: 3028: 3005: 2979: 2956: 2894: 2885: 2876: 2829: 2825: 2824: 2804: 2802: 2793: 2775: 2757: 2726: 2721: 2701: 2681: 2677: 2676: 2664: 2662: 2648:from the album 2627: 2625:Release history 2553:Stars on E.S.P. 2543: 2517: 2487:Wilson Phillips 2423: 2417: 2353: 2347: 2339:Main articles: 2337: 2335:Use of theremin 2308:psychedelic pop 2299: 2291:Main articles: 2289: 2265:Band on the Run 2238:What's Going On 2202:the Association 2160:Charlie Gillett 2143: 2136: 2116: 2111: 1976: 1971: 1901:Help Me, Rhonda 1882: 1874: 1855:Peter Whitehead 1833:Caleb Deschanel 1795: 1785: 1784: 1779: 1778: 1772: 1771: 1766: 1765: 1760: 1759: 1748: 1703: 1673: 1672: 1667: 1666: 1657: 1656: 1649: 1644: 1633: 1632: 1629:perfect cadence 1623: 1622: 1617: 1616: 1611: 1610: 1573: 1572: 1566: 1565: 1549: 1548: 1538: 1537: 1522: 1521: 1516: 1515: 1503: 1498: 1497: 1496: 1495: 1494: 1434: 1431: 1430: 1411: 1395:instrumentation 1301:avant-garde pop 1242:pocket symphony 1218:Daniel Harrison 1199: 1194: 1166: 1165: 1157: 1155: 1154: 1153: 1152: 1145: 1138: 1135: 1128: 1122: 1062:pocket symphony 1042: 1026: 1018: 944: 939: 900:Capitol Records 826:Help Me, Rhonda 798: 727:for the track. 721: 720: 712: 710: 709: 708: 707: 692: 685: 682: 675: 669: 664: 633: 629: 593: 589: 577: 572: 519: 512: 461:pocket symphony 383:with lyrics by 369:Good Vibrations 357: 343: 333: 314: 294: 285: 282:Good Vibrations 276: 247: 224: 204: 200: 199: 191: 174: 170:psychedelic pop 157: 148:Progressive pop 108: 106: 104: 97: 95: 93: 81: 79: 59: 43: 24: 17: 12: 11: 5: 13677: 13667: 13666: 13661: 13656: 13651: 13646: 13641: 13636: 13631: 13626: 13621: 13616: 13611: 13606: 13601: 13596: 13591: 13586: 13581: 13576: 13571: 13566: 13561: 13556: 13551: 13546: 13541: 13536: 13531: 13526: 13509: 13508: 13506: 13505: 13493: 13480: 13477: 13476: 13474: 13473: 13468: 13463: 13456: 13451: 13446: 13441: 13436: 13431: 13424: 13418: 13416: 13412: 13411: 13409: 13408: 13403: 13398: 13393: 13388: 13383: 13377: 13375: 13374:Related genres 13371: 13370: 13368: 13367: 13366: 13365: 13360: 13350: 13345: 13340: 13335: 13334: 13333: 13328: 13323: 13318: 13313: 13303: 13298: 13297: 13296: 13291: 13286: 13276: 13271: 13270: 13269: 13259: 13254: 13253: 13252: 13242: 13237: 13232: 13226: 13224: 13220: 13219: 13214: 13211: 13210: 13203: 13202: 13195: 13188: 13180: 13171: 13170: 13168: 13167: 13164:Up Against It! 13160: 13155: 13150: 13145: 13140: 13135: 13129: 13127: 13123: 13122: 13120: 13119: 13116:Cause I Sez So 13112: 13105: 13098: 13091: 13084: 13077: 13070: 13063: 13056: 13049: 13042: 13035: 13028: 13021: 13014: 13007: 13000: 12993: 12990:Remote Control 12986: 12979: 12972: 12965: 12958: 12951: 12944: 12941:New York Dolls 12937: 12930: 12923: 12916: 12908: 12906: 12900: 12899: 12897: 12896: 12889: 12882: 12875: 12868: 12860: 12858: 12854: 12853: 12851: 12850: 12843: 12836: 12829: 12822: 12815: 12808: 12801: 12793: 12791: 12787: 12786: 12784: 12783: 12775: 12773: 12769: 12768: 12765: 12764: 12762: 12761: 12754: 12747: 12740: 12733: 12726: 12719: 12712: 12705: 12698: 12690: 12688: 12678: 12677: 12670: 12663: 12656: 12649: 12646:(re)Production 12642: 12635: 12628: 12621: 12614: 12607: 12600: 12597:No World Order 12593: 12586: 12579: 12572: 12565: 12558: 12551: 12544: 12537: 12530: 12523: 12516: 12509: 12501: 12499: 12495: 12494: 12487: 12486: 12479: 12472: 12464: 12455: 12454: 12452: 12451: 12446: 12441: 12436: 12431: 12426: 12421: 12416: 12414:Radiant Radish 12411: 12406: 12403:Love v. Wilson 12399: 12394: 12389: 12384: 12379: 12374: 12369: 12364: 12357: 12352: 12347: 12345:The Beach Boys 12342: 12336: 12334: 12330: 12329: 12327: 12326: 12319: 12312: 12307: 12304:Sweet Insanity 12300: 12293: 12292: 12291: 12277: 12270: 12269: 12268: 12254: 12249: 12248: 12247: 12235: 12228: 12221: 12214: 12207: 12202: 12195: 12188: 12180: 12178: 12174: 12173: 12171: 12170: 12163: 12156: 12149: 12142: 12135: 12128: 12121: 12114: 12108: 12106: 12102: 12101: 12099: 12098: 12091: 12084: 12076: 12074: 12070: 12069: 12067: 12066: 12059: 12051: 12049: 12045: 12044: 12041: 12040: 12038: 12037: 12030: 12027:Dirty Computer 12023: 12016: 12009: 12001: 11999: 11998:Guest features 11995: 11994: 11992: 11991: 11984: 11977: 11970: 11963: 11956: 11953:Guess I'm Dumb 11949: 11942: 11935: 11928: 11920: 11918: 11914: 11913: 11911: 11910: 11903: 11896: 11889: 11882: 11879:Soul Searchin' 11875: 11868: 11861: 11854: 11847: 11839: 11837: 11830: 11822: 11821: 11819: 11818: 11811: 11808:Runaway Dancer 11804: 11801:The Right Time 11797: 11794:God Only Knows 11790: 11783: 11780: 11773: 11766: 11759: 11748: 11741: 11734: 11727: 11720: 11713: 11710:Love and Mercy 11706: 11699: 11696:Gettin' Hungry 11692: 11684: 11682: 11678: 11677: 11675: 11674: 11667: 11660: 11653: 11646: 11638: 11636: 11632: 11631: 11629: 11628: 11621: 11613: 11611: 11607: 11606: 11604: 11603: 11596: 11588: 11586: 11582: 11581: 11579: 11578: 11571: 11564: 11557: 11550: 11543: 11536: 11529: 11522: 11515: 11508: 11501: 11493: 11491: 11487: 11486: 11484: 11483: 11478: 11472: 11469: 11468: 11461: 11460: 11453: 11446: 11438: 11429: 11428: 11426: 11425: 11412: 11409: 11408: 11405: 11404: 11402: 11401: 11394: 11382: 11380: 11376: 11375: 11373: 11372: 11361: 11349: 11347: 11340: 11336: 11335: 11332: 11331: 11329: 11328: 11312: 11310: 11306: 11305: 11303: 11302: 11294: 11292: 11288: 11287: 11285: 11284: 11277: 11265: 11263: 11256: 11252: 11251: 11248: 11247: 11245: 11244: 11234:Still Cruisin' 11229: 11227: 11223: 11222: 11220: 11219: 11207: 11205: 11201: 11200: 11198: 11197: 11189:Little Richard 11182: 11180: 11176: 11175: 11173: 11172: 11158: 11146: 11144: 11140: 11139: 11137: 11136: 11129: 11118: 11117:" / "Male Ego" 11110: 11108: 11104: 11103: 11101: 11100: 11089: 11086:God Only Knows 11077: 11075: 11071: 11070: 11068: 11067: 11060: 11052: 11050: 11043: 11039: 11038: 11035: 11034: 11032: 11031: 11020: 11013: 11003: 10995: 10993: 10989: 10988: 10986: 10985: 10973: 10971: 10967: 10966: 10964: 10963: 10951: 10949: 10945: 10944: 10942: 10941: 10930: 10919: 10918:" / "T M Song" 10911: 10909: 10905: 10904: 10902: 10901: 10893: 10891: 10887: 10886: 10884: 10883: 10872: 10865:Surfin' U.S.A. 10860: 10858: 10854: 10853: 10851: 10850: 10839: 10831: 10829: 10825: 10824: 10822: 10821: 10814: 10802: 10800: 10796: 10795: 10793: 10792: 10781: 10770: 10756: 10745: 10731: 10719: 10717: 10713: 10712: 10710: 10709: 10698: 10687: 10680: 10668: 10666: 10659: 10655: 10654: 10651: 10650: 10648: 10647: 10640: 10628: 10626: 10622: 10621: 10619: 10618: 10607: 10604:Wake the World 10596: 10584: 10582: 10578: 10577: 10575: 10574: 10560: 10549: 10546:You're Welcome 10538: 10526: 10524: 10520: 10519: 10517: 10516: 10505: 10502:God Only Knows 10494: 10482: 10480: 10476: 10475: 10473: 10472: 10461: 10450: 10439: 10428: 10416: 10414: 10410: 10409: 10407: 10406: 10403:Blue Christmas 10395: 10384: 10373: 10362: 10350: 10348: 10344: 10343: 10341: 10340: 10329: 10318: 10307: 10300:Surfin' U.S.A. 10295: 10293: 10289: 10288: 10286: 10285: 10274: 10267:Surfin' Safari 10262: 10260: 10256: 10255: 10253: 10252: 10241: 10239: 10232: 10228: 10227: 10221:The Beach Boys 10217: 10216: 10209: 10202: 10194: 10185: 10184: 10182: 10181: 10176: 10168: 10166: 10162: 10161: 10159: 10158: 10151: 10144: 10137: 10123: 10116: 10109: 10102: 10095: 10090: 10082: 10080: 10076: 10075: 10073: 10072: 10067: 10062: 10057: 10052: 10047: 10045:Van Dyke Parks 10042: 10037: 10032: 10027: 10022: 10020:The Beach Boys 10017: 10011: 10009: 10005: 10004: 10002: 10001: 9994: 9987: 9980: 9973: 9966: 9958: 9956: 9952: 9951: 9949: 9948: 9941: 9938:You're Welcome 9934: 9927: 9920: 9913: 9906: 9898: 9896: 9892: 9891: 9888: 9887: 9885: 9884: 9877: 9870: 9863: 9856: 9849: 9842: 9830: 9828: 9827:Movement three 9824: 9823: 9821: 9820: 9813: 9806: 9799: 9791: 9789: 9785: 9784: 9782: 9781: 9774: 9759: 9752: 9745: 9738: 9731: 9724: 9716: 9714: 9707: 9697: 9696: 9694: 9693: 9686: 9679: 9671: 9668: 9667: 9658: 9657: 9650: 9643: 9635: 9626: 9625: 9622: 9621: 9614: 9607: 9600: 9597:Still Cruisin' 9593: 9590:The Beach Boys 9586: 9579: 9572: 9565: 9558: 9551: 9544: 9537: 9530: 9523: 9516: 9509: 9502: 9495: 9488: 9481: 9474: 9467: 9460: 9453: 9446: 9439: 9432: 9429:Surfin' U.S.A. 9425: 9422:Surfin' Safari 9417: 9416: 9413: 9412: 9410: 9409: 9402: 9401: 9400: 9386: 9379: 9372: 9367: 9366: 9365: 9358:The Beach Boys 9355: 9347: 9345: 9341: 9340: 9338: 9337: 9334:Good Time Mama 9330: 9323: 9315: 9313: 9309: 9308: 9305: 9304: 9302: 9301: 9294: 9287: 9284:Gettin' Hungry 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(1995). 8859: 8853: 8844:The Beach Boys 8835: 8829: 8814: 8808: 8802:. p. 22. 8791: 8785: 8770: 8765: 8749: 8743: 8728: 8722: 8700: 8687: 8672: 8666: 8653: 8647: 8634: 8628: 8605: 8599: 8584: 8578: 8560: 8554: 8536: 8530: 8512: 8506: 8492:Gaines, Steven 8488: 8482: 8467: 8461: 8443: 8437: 8423:DeRogatis, Jim 8419: 8413: 8398: 8392: 8374: 8368: 8353: 8347: 8332: 8326: 8309: 8303: 8287: 8285: 8282: 8279: 8278: 8246: 8221: 8196: 8185: 8167: 8147: 8125: 8100: 8061: 8025: 8008: 7991: 7987:Single Top 100 7974: 7957: 7950: 7932: 7905: 7898: 7880: 7850: 7833: 7816: 7790: 7781:The Beach Boys 7765: 7738: 7714: 7693: 7668: 7646: 7618: 7588: 7563: 7538: 7511: 7480: 7454: 7430: 7406: 7387: 7385:, p. 315. 7375: 7362:Sound on Sound 7348: 7333: 7306: 7287: 7285:, p. 188. 7275: 7260: 7248: 7229: 7208: 7196: 7184: 7153: 7141: 7117: 7115:, p. 329. 7102: 7100:, p. 282. 7090: 7078: 7066: 7044: 7024: 7022:, p. 156. 7012: 7003:The Beach Boys 6982: 6980:, p. 113. 6970: 6949: 6947:, p. 130. 6937: 6904: 6876: 6840: 6815: 6811:Moskowitz 2015 6803: 6786: 6758: 6730: 6718: 6690: 6661: 6649: 6627: 6593: 6565: 6539: 6524: 6493: 6481: 6466: 6444: 6442:, p. 139. 6432: 6430:, p. 260. 6420: 6408: 6396: 6384: 6372: 6370:, p. 295. 6349: 6337: 6320: 6318:, p. 586. 6308: 6296: 6294:, p. 195. 6284: 6282:, p. 130. 6272: 6244: 6220: 6208: 6206:, p. 326. 6196: 6179: 6156: 6137: 6117: 6105: 6103:, p. 146. 6093: 6057: 6054:on 2014-07-26. 6038: 6036:, p. 147. 6021: 6009: 5997: 5995:, p. 157. 5982: 5980:, p. 144. 5965: 5963:, p. 118. 5953: 5928: 5913: 5894: 5873: 5871:, p. 106. 5861: 5859:, p. 245. 5849: 5833: 5831:, p. 146. 5821: 5802: 5790: 5788:, p. 184. 5778: 5740: 5725: 5708:Sound on Sound 5674: 5662: 5635: 5623: 5602: 5585:Jazz & Pop 5577:Sculatti, Gene 5565: 5561:DeRogatis 2003 5553: 5551:, p. 145. 5541: 5529: 5493: 5476: 5459: 5447: 5435: 5423: 5406: 5374: 5362: 5347: 5312: 5289: 5277: 5262: 5250: 5248:, p. 117. 5235: 5212: 5210:, p. 268. 5200: 5198:, p. 248. 5188: 5186:, p. 122. 5176: 5174:, p. 148. 5164: 5135: 5109: 5076: 5048: 5043:"Sold on Song" 5029: 5019:, p. 34; 5015:, p. 44; 5013:Moskowitz 2015 5005: 4983: 4964: 4962:, p. 120. 4949: 4928: 4906: 4878: 4876:, p. 128. 4859: 4844: 4829: 4814: 4812:, p. 182. 4799: 4797:, p. 156. 4782: 4763: 4756: 4734: 4732:, p. 150. 4718: 4717: 4715: 4712: 4710: 4709: 4700: 4691: 4672: 4654: 4650:acetate record 4646:Paul McCartney 4620: 4591: 4581: 4572: 4551: 4527: 4517: 4487: 4485: 4482: 4479: 4478: 4475: 4470: 4465: 4461: 4460: 4457: 4452: 4448: 4447: 4444: 4438: 4437: 4434: 4428: 4427: 4424: 4418: 4417: 4414: 4409: 4404: 4398: 4397: 4394: 4391: 4388: 4381: 4378: 4375: 4374: 4366: 4365: 4362: 4359: 4351: 4350: 4347: 4344: 4336: 4335: 4329: 4326: 4317: 4316:Certifications 4314: 4310: 4309: 4303: 4302: 4299: 4287: 4286: 4283: 4279: 4278: 4275: 4268: 4265: 4262: 4261: 4258: 4248: 4247: 4242: 4229: 4228: 4225: 4217: 4216: 4211: 4199: 4193: 4192: 4189: 4184:West Germany ( 4181: 4180: 4177: 4167: 4166: 4163: 4155: 4154: 4151: 4144: 4143: 4140: 4133: 4132: 4129: 4128:Singles Chart 4122: 4121: 4118: 4110: 4109: 4106: 4096: 4095: 4092: 4084: 4083: 4080: 4077:Single Top 100 4072: 4071: 4068: 4060: 4059: 4056: 4055:Singles Chart 4049: 4048: 4045: 4039: 4038: 4035: 4025: 4024: 4021: 4011: 4010: 4007: 3999: 3998: 3995: 3987: 3986: 3983: 3973: 3972: 3967: 3955: 3952: 3947: 3945: 3942: 3940: 3939: 3938: 3937: 3934: 3931: 3928: 3925: 3922: 3919: 3909: 3908: 3907: 3906: 3903: 3900: 3897: 3894: 3891: 3881: 3880: 3879: 3878: 3875: 3872: 3869: 3866: 3856: 3855: 3854: 3853: 3837: 3836: 3835: 3834: 3831: 3828: 3825: 3822: 3819: 3816: 3813: 3810: 3807: 3797: 3796: 3795: 3794: 3791: 3788: 3785: 3782: 3779: 3776: 3769: 3766: 3763: 3760: 3757: 3747: 3746: 3745: 3744: 3741: 3738: 3728: 3727: 3726: 3725: 3722: 3719: 3716: 3713: 3710: 3700: 3699: 3698: 3697: 3694: 3691: 3688: 3681: 3675: 3672: 3669: 3666: 3663: 3660: 3657: 3647: 3646: 3645: 3644: 3641: 3638: 3628: 3627: 3626: 3625: 3622: 3619: 3616: 3609: 3606: 3603: 3600: 3597: 3594: 3591: 3581: 3580: 3579: 3578: 3575: 3572: 3567:Bill Pitman – 3565: 3562: 3559: 3556: 3553: 3550: 3547: 3544: 3541: 3538: 3528: 3527: 3526: 3525: 3522: 3516: 3513: 3510: 3507: 3504: 3501: 3498: 3495: 3489: 3486: 3483: 3480: 3477: 3467: 3466: 3465: 3464: 3461: 3458: 3455: 3445: 3444: 3443: 3442: 3435: 3432: 3429: 3426: 3423: 3420: 3413: 3410: 3407: 3404: 3401: 3398: 3395: 3392: 3382: 3380: 3377: 3376: 3375: 3372: 3369: 3356: 3355: 3352: 3349: 3342: 3333: 3323: 3317: 3308: 3298: 3288: 3281:bass harmonica 3274: 3268: 3262: 3256: 3246: 3243:Larry Knechtel 3240: 3234: 3231: 3225: 3222: 3216: 3210: 3204: 3194: 3193:(first bridge) 3184: 3177: 3171: 3170: 3160: 3150: 3140: 3134: 3131:Bruce Johnston 3128: 3119:The Beach Boys 3115: 3112: 3108:Bellagio 10452 3099: 3096: 3092: 3091: 3080: 3074: 3073: 3070: 3067: 3060: 3056: 3055: 3052: 3050: 3049: 3046: 3042: 3040: 3037: 3033: 3032: 3029: 3027: 3026: 3023: 3019: 3017: 3014: 3010: 3009: 3006: 3004: 3003: 3000: 2997: 2993: 2991: 2988: 2984: 2983: 2980: 2978: 2977: 2974: 2970: 2968: 2965: 2961: 2960: 2957: 2955: 2954: 2951: 2947: 2945: 2942: 2938: 2937: 2934: 2931: 2928: 2915: 2901: 2900: 2897: 2896: 2887: 2878: 2864: 2863: 2860:The Beach Boys 2856: 2855: 2852: 2846: 2845: 2840: 2834: 2833: 2822: 2818: 2817: 2814: 2810: 2809: 2799: 2795: 2794: 2791:the Beach Boys 2789: 2782: 2781: 2774: 2769: 2756: 2755:Stereo version 2753: 2735: 2734: 2731: 2723: 2722: 2720: 2719: 2714: 2708: 2706: 2698: 2697: 2692: 2686: 2685: 2674: 2670: 2669: 2659: 2655: 2654: 2645: 2644: 2642:the Beach Boys 2634: 2633: 2626: 2623: 2622: 2621: 2608: 2598:Live in London 2593: 2572: 2561: 2557:Warren Defever 2542: 2539: 2480:In Blue Hawaii 2449:for his album 2416: 2415:Cover versions 2413: 2380:Prince Valiant 2336: 2333: 2304:Barney Hoskyns 2288: 2285: 2186:Yellow Balloon 2165:Jazz & Pop 2151:Domenic Priore 2117: 2115: 2112: 2110: 2107: 2076:overproduction 2067:Pete Townshend 2055:Paul McCartney 2006:God Only Knows 1975: 1972: 1970: 1967: 1922:digital single 1867: 1794: 1791: 1764:, repeats at A 1747: 1744: 1723:Sound on Sound 1702: 1699: 1687:bass harmonica 1648: 1645: 1643: 1640: 1561:relative major 1499: 1470:Leslie speaker 1410: 1407: 1399:formal pattern 1352:God Only Knows 1279:Sound on Sound 1215:Music theorist 1213:to the piece. 1198: 1195: 1193: 1190: 1156: 1146: 1136: 1131: 1130: 1129: 1120: 1119: 1118: 1098:Wilson Pickett 1019: 1017: 1014: 1010:Domenic Priore 943: 940: 938: 935: 923:Stephen Foster 822:Surfin' U.S.A. 797: 794: 783:Van Dyke Parks 779:Da Doo Ron Ron 711: 693: 683: 678: 677: 676: 667: 666: 665: 663: 660: 596:The Beach Boys 578: 576: 573: 571: 568: 377:the Beach Boys 363: 362: 359: 358: 356: 355: 350: 344: 331: 328: 327: 323: 322: 310: 309: 305: 304: 301: 300: 297: 296: 287: 278: 264: 263: 260:The Beach Boys 256: 255: 252: 244: 243: 242: 241: 236: 229: 221: 220: 215: 209: 208: 197: 193: 192: 190: 189: 184: 179: 172: 167: 162: 155: 150: 144: 142: 136: 135: 121: 115: 114: 91: 87: 86: 76: 72: 71: 64: 56: 55: 53:the Beach Boys 45: 44: 41: 33: 32: 15: 9: 6: 4: 3: 2: 13676: 13665: 13662: 13660: 13657: 13655: 13652: 13650: 13647: 13645: 13642: 13640: 13639:Art pop songs 13637: 13635: 13632: 13630: 13627: 13625: 13622: 13620: 13617: 13615: 13612: 13610: 13607: 13605: 13602: 13600: 13597: 13595: 13592: 13590: 13587: 13585: 13582: 13580: 13577: 13575: 13572: 13570: 13567: 13565: 13562: 13560: 13557: 13555: 13552: 13550: 13547: 13545: 13542: 13540: 13537: 13535: 13532: 13530: 13527: 13525: 13522: 13521: 13519: 13504: 13503: 13494: 13492: 13491: 13482: 13481: 13478: 13472: 13469: 13467: 13464: 13462: 13461: 13457: 13455: 13452: 13450: 13447: 13445: 13442: 13440: 13437: 13435: 13432: 13429: 13425: 13423: 13420: 13419: 13417: 13413: 13407: 13404: 13402: 13399: 13397: 13394: 13392: 13389: 13387: 13384: 13382: 13379: 13378: 13376: 13372: 13364: 13361: 13359: 13358:Dungeon synth 13356: 13355: 13354: 13351: 13349: 13346: 13344: 13341: 13339: 13336: 13332: 13329: 13327: 13324: 13322: 13319: 13317: 13314: 13312: 13309: 13308: 13307: 13304: 13302: 13299: 13295: 13292: 13290: 13287: 13285: 13282: 13281: 13280: 13277: 13275: 13272: 13268: 13265: 13264: 13263: 13260: 13258: 13255: 13251: 13248: 13247: 13246: 13243: 13241: 13240:Electronicore 13238: 13236: 13233: 13231: 13228: 13227: 13225: 13221: 13217: 13212: 13208: 13201: 13196: 13194: 13189: 13187: 13182: 13181: 13178: 13166: 13165: 13161: 13159: 13156: 13154: 13151: 13149: 13146: 13144: 13141: 13139: 13136: 13134: 13131: 13130: 13128: 13124: 13118: 13117: 13113: 13111: 13110: 13106: 13104: 13103: 13099: 13097: 13096: 13092: 13090: 13089: 13085: 13083: 13082: 13078: 13076: 13075: 13071: 13069: 13068: 13064: 13062: 13061: 13057: 13055: 13054: 13050: 13048: 13047: 13046:What Is This? 13043: 13041: 13040: 13036: 13034: 13033: 13029: 13027: 13026: 13022: 13020: 13019: 13015: 13013: 13012: 13008: 13006: 13005: 13001: 12999: 12998: 12994: 12992: 12991: 12987: 12985: 12984: 12980: 12978: 12977: 12973: 12971: 12970: 12966: 12964: 12963: 12959: 12957: 12956: 12952: 12950: 12949: 12945: 12943: 12942: 12938: 12936: 12935: 12931: 12929: 12928: 12924: 12922: 12921: 12917: 12915: 12914: 12910: 12909: 12907: 12901: 12894: 12893:Western Girls 12890: 12887: 12883: 12880: 12876: 12873: 12869: 12866: 12862: 12861: 12859: 12855: 12848: 12844: 12841: 12837: 12834: 12830: 12827: 12823: 12820: 12819:Hello It's Me 12816: 12813: 12809: 12806: 12802: 12799: 12795: 12794: 12792: 12788: 12782: 12781: 12777: 12776: 12774: 12770: 12760: 12759: 12755: 12753: 12752: 12748: 12746: 12745: 12741: 12739: 12738: 12734: 12732: 12731: 12727: 12725: 12724: 12720: 12718: 12717: 12713: 12711: 12710: 12706: 12704: 12703: 12699: 12697: 12696: 12692: 12691: 12689: 12687: 12682: 12676: 12675: 12671: 12669: 12668: 12664: 12662: 12661: 12657: 12655: 12654: 12650: 12648: 12647: 12643: 12641: 12640: 12636: 12634: 12633: 12629: 12627: 12626: 12622: 12620: 12619: 12618:One Long Year 12615: 12613: 12612: 12608: 12606: 12605: 12601: 12599: 12598: 12594: 12592: 12591: 12587: 12585: 12584: 12580: 12578: 12577: 12573: 12571: 12570: 12566: 12564: 12563: 12559: 12557: 12556: 12552: 12550: 12549: 12545: 12543: 12542: 12538: 12536: 12535: 12531: 12529: 12528: 12524: 12522: 12521: 12517: 12515: 12514: 12510: 12508: 12507: 12503: 12502: 12500: 12498:Studio albums 12496: 12492: 12491:Todd Rundgren 12485: 12480: 12478: 12473: 12471: 12466: 12465: 12462: 12450: 12447: 12445: 12442: 12440: 12437: 12435: 12434:Dennis Wilson 12432: 12430: 12429:Carnie Wilson 12427: 12425: 12422: 12420: 12417: 12415: 12412: 12410: 12407: 12405: 12404: 12400: 12398: 12395: 12393: 12390: 12388: 12385: 12383: 12380: 12378: 12375: 12373: 12370: 12368: 12365: 12362: 12358: 12356: 12353: 12351: 12348: 12346: 12343: 12341: 12338: 12337: 12335: 12331: 12325: 12324: 12320: 12318: 12317: 12313: 12311: 12308: 12306: 12305: 12301: 12299: 12298: 12294: 12290: 12289: 12285: 12284: 12283: 12282: 12278: 12275: 12271: 12267: 12266: 12262: 12261: 12260: 12259: 12255: 12253: 12250: 12246: 12243: 12242: 12241: 12240: 12236: 12234: 12233: 12229: 12227: 12226: 12222: 12220: 12219: 12215: 12213: 12212: 12208: 12206: 12203: 12201: 12200: 12196: 12194: 12193: 12189: 12187: 12186: 12182: 12181: 12179: 12177:Related media 12175: 12168: 12164: 12162: 12161: 12157: 12155: 12154: 12150: 12147: 12143: 12141: 12140: 12136: 12134: 12133: 12129: 12127: 12126: 12125:Caroline Now! 12122: 12119: 12115: 12113: 12110: 12109: 12107: 12103: 12097: 12096: 12092: 12090: 12089: 12085: 12083: 12082: 12078: 12077: 12075: 12073:Documentaries 12071: 12065: 12064: 12060: 12058: 12057: 12053: 12052: 12050: 12046: 12035: 12031: 12028: 12024: 12021: 12020:Falling Apart 12017: 12014: 12010: 12007: 12003: 12002: 12000: 11996: 11989: 11985: 11982: 11978: 11975: 11971: 11968: 11964: 11961: 11957: 11954: 11950: 11947: 11943: 11940: 11936: 11933: 11929: 11926: 11922: 11921: 11919: 11915: 11908: 11904: 11901: 11900:The Last Song 11897: 11894: 11890: 11887: 11883: 11880: 11876: 11873: 11869: 11866: 11862: 11859: 11855: 11852: 11848: 11845: 11841: 11840: 11838: 11834: 11831: 11823: 11816: 11815:On the Island 11812: 11809: 11805: 11802: 11798: 11795: 11791: 11788: 11784: 11781: 11778: 11774: 11771: 11767: 11764: 11760: 11757: 11753: 11749: 11746: 11742: 11739: 11735: 11732: 11728: 11725: 11721: 11718: 11714: 11711: 11707: 11704: 11700: 11697: 11693: 11690: 11686: 11685: 11683: 11679: 11673: 11672: 11668: 11666: 11665: 11661: 11659: 11658: 11654: 11652: 11651: 11647: 11645: 11644: 11640: 11639: 11637: 11633: 11627: 11626: 11622: 11620: 11619: 11615: 11614: 11612: 11608: 11602: 11601: 11597: 11595: 11594: 11590: 11589: 11587: 11583: 11577: 11576: 11572: 11570: 11569: 11565: 11563: 11562: 11558: 11556: 11555: 11551: 11549: 11548: 11544: 11542: 11541: 11537: 11535: 11534: 11530: 11528: 11527: 11523: 11521: 11520: 11516: 11514: 11513: 11509: 11507: 11506: 11502: 11500: 11499: 11495: 11494: 11492: 11490:Studio albums 11488: 11482: 11479: 11477: 11474: 11473: 11470: 11466: 11459: 11454: 11452: 11447: 11445: 11440: 11439: 11436: 11424: 11423: 11414: 11413: 11410: 11399: 11398:Isn't It Time 11395: 11392: 11388: 11384: 11383: 11381: 11377: 11370: 11366: 11362: 11359: 11355: 11351: 11350: 11348: 11344: 11341: 11337: 11326: 11322: 11318: 11314: 11313: 11311: 11307: 11300: 11296: 11295: 11293: 11289: 11282: 11281:Problem Child 11278: 11275: 11271: 11267: 11266: 11264: 11260: 11257: 11253: 11242: 11235: 11231: 11230: 11228: 11224: 11217: 11213: 11209: 11208: 11206: 11202: 11195: 11191: 11190: 11184: 11183: 11181: 11177: 11170: 11163: 11159: 11156: 11152: 11148: 11147: 11145: 11141: 11134: 11130: 11127: 11123: 11119: 11116: 11112: 11111: 11109: 11105: 11098: 11094: 11090: 11087: 11083: 11079: 11078: 11076: 11072: 11065: 11061: 11058: 11054: 11053: 11051: 11047: 11044: 11040: 11029: 11025: 11021: 11018: 11014: 11008: 11004: 11001: 10997: 10996: 10994: 10990: 10983: 10979: 10975: 10974: 10972: 10968: 10961: 10957: 10953: 10952: 10950: 10946: 10939: 10935: 10931: 10928: 10924: 10920: 10917: 10913: 10912: 10910: 10906: 10899: 10895: 10894: 10892: 10888: 10881: 10877: 10873: 10870: 10866: 10862: 10861: 10859: 10855: 10848: 10844: 10840: 10837: 10833: 10832: 10830: 10826: 10819: 10815: 10812: 10808: 10804: 10803: 10801: 10797: 10790: 10786: 10782: 10779: 10775: 10771: 10768: 10761: 10757: 10754: 10750: 10746: 10740: 10736: 10732: 10729: 10725: 10721: 10720: 10718: 10714: 10707: 10703: 10699: 10696: 10692: 10688: 10685: 10681: 10678: 10674: 10670: 10669: 10667: 10663: 10660: 10656: 10645: 10641: 10638: 10634: 10630: 10629: 10627: 10623: 10616: 10612: 10608: 10605: 10601: 10597: 10594: 10590: 10586: 10585: 10583: 10579: 10572: 10565: 10561: 10558: 10554: 10550: 10547: 10543: 10539: 10536: 10532: 10528: 10527: 10525: 10521: 10514: 10510: 10506: 10503: 10499: 10495: 10492: 10488: 10484: 10483: 10481: 10477: 10470: 10466: 10462: 10459: 10455: 10451: 10448: 10444: 10440: 10437: 10436:Kiss Me, Baby 10433: 10429: 10426: 10422: 10418: 10417: 10415: 10411: 10404: 10400: 10396: 10393: 10389: 10385: 10382: 10378: 10374: 10371: 10367: 10363: 10360: 10356: 10355:Fun, Fun, Fun 10352: 10351: 10349: 10345: 10338: 10334: 10330: 10327: 10323: 10319: 10316: 10312: 10308: 10305: 10301: 10297: 10296: 10294: 10290: 10283: 10279: 10275: 10272: 10268: 10264: 10263: 10261: 10257: 10247: 10243: 10242: 10240: 10236: 10233: 10229: 10225: 10222: 10215: 10210: 10208: 10203: 10201: 10196: 10195: 10192: 10180: 10177: 10174: 10170: 10169: 10167: 10163: 10157: 10156: 10152: 10150: 10149: 10145: 10142: 10138: 10135: 10134: 10129: 10128: 10124: 10122: 10121: 10117: 10115: 10114: 10110: 10107: 10103: 10101: 10100: 10096: 10094: 10091: 10089: 10088: 10084: 10083: 10081: 10079:Related media 10077: 10071: 10068: 10066: 10065:Paul Williams 10063: 10061: 10060:Michael Vosse 10058: 10056: 10053: 10051: 10048: 10046: 10043: 10041: 10038: 10036: 10033: 10031: 10028: 10026: 10023: 10021: 10018: 10016: 10015:David Anderle 10013: 10012: 10010: 10006: 9999: 9995: 9992: 9988: 9985: 9981: 9978: 9974: 9971: 9967: 9964: 9960: 9959: 9957: 9953: 9946: 9942: 9939: 9935: 9932: 9928: 9925: 9921: 9918: 9914: 9911: 9907: 9904: 9900: 9899: 9897: 9893: 9882: 9878: 9875: 9871: 9868: 9864: 9861: 9857: 9854: 9850: 9847: 9843: 9840: 9836: 9832: 9831: 9829: 9825: 9818: 9814: 9811: 9807: 9804: 9800: 9797: 9793: 9792: 9790: 9786: 9779: 9775: 9772: 9768: 9764: 9760: 9757: 9753: 9750: 9746: 9743: 9739: 9736: 9732: 9729: 9725: 9722: 9718: 9717: 9715: 9711: 9708: 9706:track listing 9704: 9703: 9698: 9692: 9691: 9687: 9685: 9684: 9680: 9678: 9677: 9673: 9672: 9669: 9665: 9664: 9656: 9651: 9649: 9644: 9642: 9637: 9636: 9633: 9620: 9619: 9615: 9613: 9612: 9608: 9606: 9605: 9601: 9599: 9598: 9594: 9592: 9591: 9587: 9585: 9584: 9580: 9578: 9577: 9573: 9571: 9570: 9566: 9564: 9563: 9559: 9557: 9556: 9552: 9550: 9549: 9545: 9543: 9542: 9538: 9536: 9535: 9531: 9529: 9528: 9524: 9522: 9521: 9517: 9515: 9514: 9510: 9508: 9507: 9503: 9501: 9500: 9496: 9494: 9493: 9489: 9487: 9486: 9482: 9480: 9479: 9475: 9473: 9472: 9468: 9466: 9465: 9461: 9459: 9458: 9454: 9452: 9451: 9447: 9445: 9444: 9440: 9438: 9437: 9433: 9431: 9430: 9426: 9424: 9423: 9419: 9418: 9414: 9408: 9407: 9403: 9399: 9398: 9394: 9393: 9392: 9391: 9387: 9385: 9384: 9380: 9377: 9373: 9371: 9370:Bedroom Tapes 9368: 9364: 9361: 9360: 9359: 9356: 9354: 9353: 9349: 9348: 9346: 9342: 9335: 9331: 9328: 9324: 9321: 9317: 9316: 9314: 9310: 9299: 9295: 9292: 9288: 9285: 9281: 9278: 9274: 9271: 9267: 9264: 9260: 9259: 9257: 9253: 9246: 9242: 9239: 9235: 9232: 9228: 9225: 9221: 9218: 9214: 9213: 9211: 9207: 9204: 9200: 9196: 9195: 9187: 9182: 9180: 9175: 9173: 9168: 9167: 9164: 9158: 9154: 9149: 9147: 9143: 9140: 9137: 9136: 9130: 9126: 9117: 9112: 9099: 9093: 9088: 9087: 9081: 9080:Wilson, Brian 9077: 9073: 9071:9781135929534 9067: 9064:. Routledge. 9063: 9062: 9056: 9052: 9046: 9042: 9041: 9035: 9031: 9025: 9021: 9020: 9014: 9010: 9008:9781458429148 9004: 9000: 8999: 8994: 8993:Stebbins, Jon 8990: 8986: 8984:9781135956462 8980: 8976: 8975: 8969: 8965: 8963:9781623567996 8959: 8955: 8950: 8946: 8940: 8936: 8935: 8929: 8925: 8919: 8915: 8914: 8908: 8904: 8898: 8894: 8893: 8888: 8884: 8880: 8878:0-86719-417-0 8874: 8871:. Last Gasp. 8870: 8869: 8864: 8860: 8856: 8850: 8846: 8845: 8840: 8839:Preiss, Byron 8836: 8832: 8826: 8822: 8821: 8815: 8811: 8809:0-313326-89-4 8805: 8801: 8797: 8792: 8788: 8782: 8778: 8777: 8771: 8768: 8766:0-8126-9368-X 8762: 8758: 8754: 8750: 8746: 8740: 8737:. Continuum. 8736: 8735: 8729: 8725: 8719: 8715: 8714: 8709: 8705: 8701: 8690: 8684: 8680: 8679: 8673: 8669: 8667:9781447542339 8663: 8659: 8654: 8650: 8648:9780679737285 8644: 8640: 8635: 8631: 8629:9780199880126 8625: 8621: 8614: 8610: 8606: 8602: 8600:9781451645170 8596: 8592: 8591: 8585: 8581: 8575: 8571: 8570: 8565: 8561: 8557: 8551: 8547: 8546: 8541: 8540:Golden, Bruce 8537: 8533: 8527: 8523: 8522: 8517: 8513: 8509: 8503: 8499: 8498: 8493: 8489: 8485: 8479: 8475: 8474: 8468: 8464: 8462:9780199718702 8458: 8454: 8453: 8448: 8444: 8440: 8434: 8430: 8429: 8424: 8420: 8416: 8414:9781860742422 8410: 8407:. Sanctuary. 8406: 8405: 8399: 8395: 8389: 8385: 8384: 8379: 8375: 8371: 8365: 8361: 8360: 8354: 8350: 8348:9780879308551 8344: 8340: 8339: 8333: 8329: 8327:0-87930-818-4 8323: 8318: 8317: 8310: 8306: 8300: 8296: 8295: 8289: 8288: 8274: 8270: 8266: 8265: 8257: 8255: 8253: 8251: 8235: 8231: 8225: 8210: 8206: 8200: 8194: 8189: 8181: 8177: 8171: 8164: 8157: 8151: 8135: 8129: 8113: 8107: 8105: 8089: 8085: 8081: 8080: 8075: 8068: 8066: 8050: 8046: 8042: 8041: 8036: 8029: 8022: 8018: 8012: 8005: 8001: 7995: 7988: 7984: 7978: 7971: 7967: 7961: 7953: 7951:0-86719-417-0 7947: 7943: 7936: 7919: 7915: 7909: 7901: 7899:951-31-2503-3 7895: 7891: 7884: 7868: 7864: 7860: 7854: 7847: 7843: 7837: 7830: 7827:(in German). 7826: 7820: 7804: 7800: 7794: 7786: 7782: 7778: 7777: 7769: 7754: 7753: 7748: 7742: 7734: 7730: 7729: 7724: 7718: 7703: 7697: 7682: 7678: 7672: 7657: 7650: 7635: 7634: 7629: 7622: 7606: 7602: 7598: 7592: 7578: 7574: 7567: 7553: 7549: 7542: 7526: 7522: 7515: 7499: 7495: 7491: 7484: 7469: 7465: 7458: 7444: 7440: 7434: 7420: 7416: 7410: 7404: 7403:0-634-09289-8 7400: 7396: 7391: 7384: 7379: 7363: 7359: 7352: 7344: 7337: 7323: 7319: 7313: 7311: 7302: 7298: 7291: 7284: 7279: 7272: 7267: 7265: 7258:, p. 40. 7257: 7252: 7244: 7240: 7233: 7225: 7224: 7219: 7212: 7205: 7204:Stebbins 2011 7200: 7194:, p. 80. 7193: 7192:Stebbins 2011 7188: 7172: 7168: 7167:New Music Box 7164: 7157: 7150: 7145: 7137: 7136: 7131: 7124: 7122: 7114: 7109: 7107: 7099: 7094: 7088:, p. 71. 7087: 7082: 7076:, p. 55. 7075: 7070: 7062: 7058: 7054: 7048: 7040: 7039: 7038:Arts Magazine 7034: 7028: 7021: 7016: 7008: 7004: 7000: 6996: 6992: 6986: 6979: 6974: 6966: 6965: 6964:The A.V. Club 6960: 6953: 6946: 6941: 6925: 6921: 6920: 6915: 6908: 6893: 6892: 6887: 6880: 6872: 6866: 6850: 6844: 6829: 6828:Rolling Stone 6825: 6819: 6813:, p. 44. 6812: 6807: 6799: 6797: 6790: 6782: 6778: 6774: 6773: 6768: 6762: 6754: 6750: 6746: 6745: 6740: 6734: 6727: 6722: 6707: 6700: 6694: 6678: 6671: 6665: 6659:, p. 86. 6658: 6653: 6637: 6631: 6616: 6612: 6608: 6604: 6597: 6582: 6575: 6569: 6553: 6549: 6543: 6536: 6531: 6529: 6520: 6516: 6512: 6511: 6506: 6500: 6498: 6491:, p. 42. 6490: 6485: 6478: 6473: 6471: 6455:. Photobucket 6454: 6448: 6441: 6436: 6429: 6424: 6417: 6412: 6406:, p. 89. 6405: 6400: 6394:, p. 77. 6393: 6388: 6381: 6376: 6369: 6364: 6362: 6360: 6358: 6356: 6354: 6346: 6345:Harrison 1997 6341: 6335:, p. 77. 6334: 6333:Stebbins 2011 6329: 6327: 6325: 6317: 6312: 6306:, p. 22. 6305: 6300: 6293: 6288: 6281: 6276: 6269: 6265: 6261: 6260: 6255: 6248: 6240: 6239: 6234: 6227: 6225: 6218:, p. 58. 6217: 6212: 6205: 6200: 6194:, p. 88. 6193: 6188: 6186: 6184: 6177:, p. 43. 6176: 6175:Harrison 1997 6171: 6169: 6167: 6165: 6163: 6161: 6154:, p. 19. 6153: 6148: 6146: 6144: 6142: 6134:. p. 77. 6133: 6132: 6127: 6121: 6115:, p. 81. 6114: 6109: 6102: 6097: 6081: 6077: 6076:Rolling Stone 6073: 6066: 6064: 6062: 6053: 6049: 6042: 6035: 6030: 6028: 6026: 6019:, p. 53. 6018: 6013: 6006: 6001: 5994: 5989: 5987: 5979: 5974: 5972: 5970: 5962: 5957: 5949: 5945: 5944: 5939: 5932: 5926:, p. 85. 5925: 5920: 5918: 5911:, p. 89. 5910: 5905: 5903: 5901: 5899: 5883: 5877: 5870: 5865: 5858: 5853: 5845: 5844: 5837: 5830: 5825: 5818: 5817:Harrison 1997 5813: 5811: 5809: 5807: 5800:, p. 90. 5799: 5794: 5787: 5782: 5766: 5759: 5757: 5755: 5753: 5751: 5749: 5747: 5745: 5738:, p. 76. 5737: 5736:Stebbins 2011 5732: 5730: 5714:on 8 May 2014 5713: 5709: 5705: 5699: 5697: 5695: 5693: 5691: 5689: 5687: 5685: 5683: 5681: 5679: 5671: 5670:Harrison 1997 5666: 5655:September 10, 5650: 5646: 5639: 5632: 5627: 5619: 5618: 5613: 5606: 5590: 5586: 5582: 5578: 5572: 5570: 5563:, p. 37. 5562: 5557: 5550: 5545: 5538: 5533: 5525: 5521: 5514: 5512: 5510: 5508: 5506: 5504: 5502: 5500: 5498: 5491:, p. 95. 5490: 5485: 5483: 5481: 5472: 5471: 5463: 5457:, p. 92. 5456: 5451: 5445:, p. 42. 5444: 5439: 5433:, p. 91. 5432: 5427: 5420: 5415: 5413: 5411: 5399: 5395: 5388: 5381: 5379: 5371: 5366: 5360:, p. 16. 5359: 5354: 5352: 5336: 5335: 5330: 5323: 5321: 5319: 5317: 5310:, p. 18. 5309: 5304: 5302: 5300: 5298: 5296: 5294: 5286: 5281: 5275:, p. 46. 5274: 5269: 5267: 5259: 5254: 5247: 5242: 5240: 5233:, p. 42. 5232: 5231:Harrison 1997 5227: 5225: 5223: 5221: 5219: 5217: 5209: 5204: 5197: 5192: 5185: 5180: 5173: 5168: 5152: 5148: 5142: 5140: 5123: 5119: 5113: 5099:on 2015-04-15 5098: 5094: 5090: 5083: 5081: 5065: 5061: 5055: 5053: 5044: 5038: 5036: 5034: 5026: 5022: 5018: 5017:Harrison 1997 5014: 5009: 4993: 4987: 4981:, p. 48. 4980: 4975: 4973: 4971: 4969: 4961: 4956: 4954: 4945: 4944: 4939: 4932: 4924: 4920: 4913: 4911: 4902: 4901: 4896: 4889: 4887: 4885: 4883: 4875: 4870: 4868: 4866: 4864: 4857:, p. 17. 4856: 4851: 4849: 4841:. Guide Live. 4840: 4833: 4825: 4818: 4811: 4806: 4804: 4796: 4791: 4789: 4787: 4778: 4774: 4767: 4759: 4757:9780713458510 4753: 4748: 4747: 4738: 4731: 4726: 4724: 4719: 4704: 4695: 4688: 4676: 4669: 4668: 4663: 4658: 4651: 4647: 4643: 4638: 4634: 4630: 4624: 4617: 4613: 4609: 4605: 4601: 4595: 4585: 4576: 4569: 4565: 4561: 4555: 4548: 4544: 4540: 4536: 4531: 4521: 4514: 4511: 4507: 4502: 4498: 4492: 4488: 4476: 4474: 4471: 4469: 4466: 4463: 4462: 4458: 4456: 4453: 4450: 4449: 4445: 4443: 4440: 4439: 4435: 4433: 4430: 4429: 4425: 4423: 4420: 4419: 4415: 4413: 4410: 4408: 4403: 4399: 4395: 4392: 4390:Organization 4389: 4386: 4385: 4373: 4367: 4363: 4360: 4357: 4352: 4348: 4345: 4342: 4337: 4333: 4328:Certification 4323: 4308: 4300: 4298: 4295: 4294: 4289: 4288: 4284: 4281: 4280: 4276: 4274:Chart (1966) 4272: 4259: 4257: 4255: 4250: 4249: 4243: 4241:Chart (1976) 4240: 4239: 4236: 4235: 4226: 4223: 4219: 4218: 4212: 4210:Chart (1976) 4209: 4208: 4205: 4204: 4200: 4198: 4190: 4187: 4183: 4182: 4178: 4176: 4174: 4169: 4168: 4164: 4161: 4157: 4156: 4152: 4149: 4146: 4145: 4141: 4138: 4137:South African 4135: 4134: 4130: 4127: 4124: 4123: 4119: 4116: 4112: 4111: 4107: 4104: 4103: 4099:New Zealand ( 4098: 4097: 4093: 4090: 4086: 4085: 4081: 4078: 4075:Netherlands ( 4074: 4073: 4069: 4066: 4063:Netherlands ( 4062: 4061: 4057: 4054: 4051: 4050: 4046: 4044: 4041: 4040: 4036: 4033: 4032: 4027: 4026: 4022: 4020: 4018: 4013: 4012: 4008: 4005: 4001: 4000: 3996: 3993: 3989: 3988: 3984: 3981: 3980: 3975: 3974: 3968: 3965: 3964: 3961: 3960: 3954:Weekly charts 3951: 3950: 3935: 3932: 3929: 3926: 3923: 3920: 3917: 3916: 3914: 3911: 3910: 3904: 3901: 3898: 3895: 3892: 3889: 3888: 3886: 3883: 3882: 3876: 3873: 3870: 3867: 3864: 3863: 3861: 3858: 3857: 3851: 3850: 3848: 3839: 3838: 3832: 3829: 3826: 3823: 3820: 3817: 3814: 3811: 3808: 3805: 3804: 3802: 3799: 3798: 3792: 3789: 3786: 3783: 3780: 3777: 3774: 3773:bass clarinet 3770: 3767: 3764: 3761: 3758: 3755: 3754: 3752: 3749: 3748: 3742: 3739: 3736: 3735: 3733: 3730: 3729: 3723: 3720: 3717: 3714: 3711: 3708: 3707: 3705: 3702: 3701: 3695: 3692: 3689: 3686: 3682: 3680: 3676: 3673: 3670: 3667: 3664: 3661: 3658: 3655: 3654: 3652: 3649: 3648: 3642: 3639: 3636: 3635: 3633: 3630: 3629: 3623: 3620: 3617: 3614: 3610: 3607: 3604: 3601: 3598: 3595: 3592: 3589: 3588: 3586: 3583: 3582: 3576: 3573: 3570: 3566: 3563: 3560: 3557: 3554: 3551: 3548: 3545: 3542: 3539: 3536: 3535: 3533: 3530: 3529: 3523: 3521: 3517: 3514: 3511: 3508: 3505: 3502: 3499: 3496: 3493: 3490: 3487: 3484: 3481: 3478: 3475: 3474: 3472: 3469: 3468: 3462: 3459: 3456: 3453: 3452: 3450: 3447: 3446: 3440: 3436: 3433: 3430: 3427: 3424: 3421: 3418: 3414: 3411: 3408: 3405: 3402: 3399: 3396: 3393: 3390: 3389: 3387: 3384: 3383: 3373: 3370: 3367: 3364: 3363: 3362: 3361: 3353: 3350: 3347: 3346:Terry Melcher 3343: 3341: 3337: 3334: 3331: 3327: 3326:Billy Strange 3324: 3321: 3318: 3316: 3312: 3309: 3306: 3302: 3299: 3296: 3292: 3289: 3286: 3283:, overdubbed 3282: 3278: 3275: 3272: 3269: 3266: 3263: 3260: 3257: 3254: 3250: 3247: 3244: 3241: 3238: 3235: 3232: 3229: 3226: 3223: 3220: 3219:Steve Douglas 3217: 3214: 3211: 3208: 3205: 3202: 3198: 3195: 3192: 3188: 3185: 3182: 3179: 3178: 3176: 3175: 3168: 3167:Hammond organ 3164: 3163:Dennis Wilson 3161: 3158: 3154: 3151: 3148: 3144: 3141: 3138: 3135: 3132: 3129: 3126: 3123: 3122: 3121: 3120: 3111: 3109: 3105: 3081: 3078:Total length: 3075: 3071: 3068: 3065: 3061: 3057: 3053: 3047: 3044: 3043: 3041: 3038: 3034: 3030: 3024: 3021: 3020: 3018: 3015: 3011: 3007: 3001: 2998: 2995: 2994: 2992: 2989: 2985: 2981: 2975: 2972: 2971: 2969: 2966: 2962: 2958: 2952: 2949: 2948: 2946: 2943: 2939: 2923: 2920: 2914: 2911: 2908: 2893: 2892: 2888: 2884: 2883: 2879: 2875: 2874: 2870: 2869: 2865: 2861: 2857: 2853: 2851: 2847: 2844: 2841: 2839: 2835: 2823: 2819: 2815: 2811: 2800: 2796: 2792: 2787: 2783: 2778: 2773: 2768: 2766: 2762: 2752: 2750: 2746: 2742: 2732: 2729: 2724: 2718: 2715: 2713: 2710: 2709: 2707: 2704: 2703:Songwriter(s) 2699: 2696: 2693: 2691: 2687: 2675: 2671: 2660: 2656: 2653: 2652: 2646: 2643: 2639: 2635: 2630: 2619: 2618: 2613: 2609: 2606: 2605: 2600: 2599: 2594: 2591: 2590: 2585: 2581: 2580:Tilda Swinton 2577: 2573: 2570: 2566: 2562: 2558: 2555: 2554: 2549: 2545: 2544: 2538: 2536: 2535: 2534:Cowboy Carter 2530: 2525: 2523: 2516: 2512: 2508: 2504: 2500: 2499:John Phillips 2496: 2492: 2488: 2483: 2481: 2477: 2476: 2470: 2467: 2463: 2458: 2454: 2453: 2448: 2447:Todd Rundgren 2444: 2443:cover version 2440: 2436: 2435:Charlie McCoy 2432: 2428: 2427:Groove Holmes 2422: 2412: 2410: 2409:Leon Theremin 2406: 2405: 2400: 2395: 2393: 2389: 2385: 2381: 2375: 2373: 2365: 2361: 2357: 2352: 2346: 2342: 2332: 2329: 2325: 2321: 2320:Phillip Rauls 2317: 2313: 2309: 2305: 2298: 2294: 2284: 2282: 2279:1975 single " 2278: 2274: 2270: 2266: 2262: 2258: 2254: 2250: 2249: 2244: 2240: 2239: 2234: 2229: 2227: 2222: 2217: 2216: 2209: 2207: 2203: 2199: 2198:Grateful Dead 2195: 2191: 2187: 2183: 2179: 2173: 2171: 2170:Gene Sculatti 2167: 2166: 2161: 2157: 2152: 2148: 2142: 2140: 2137:—Mark Brend, 2133: 2131: 2127: 2123: 2106: 2104: 2103: 2098: 2097: 2092: 2087: 2086:Jonathan King 2083: 2082: 2081:Arts Magazine 2077: 2072: 2068: 2064: 2060: 2056: 2051: 2049: 2045: 2040: 2036: 2035: 2034:The A.V. Club 2030: 2025: 2023: 2022: 2017: 2016: 2011: 2007: 2003: 1999: 1998: 1997:Rolling Stone 1988: 1984: 1980: 1966: 1963: 1960: 1956: 1955:the Four Tops 1952: 1948: 1944: 1943: 1938: 1937: 1932: 1931: 1925: 1923: 1919: 1914: 1913: 1908: 1907: 1902: 1898: 1894: 1892: 1887: 1881: 1878: 1871: 1866: 1864: 1860: 1856: 1852: 1848: 1844: 1843: 1838: 1834: 1830: 1825: 1823: 1818: 1817: 1812: 1804: 1799: 1790: 1757: 1753: 1743: 1738: 1736: 1735: 1727: 1724: 1720: 1712: 1711:Hammond organ 1707: 1698: 1696: 1692: 1688: 1684: 1680: 1664: 1654: 1639: 1630: 1608: 1604: 1600: 1596: 1592: 1588: 1584: 1583:bowed tremolo 1580: 1570: 1562: 1559: 1554: 1546: 1545:passing chord 1542: 1533: 1529: 1513: 1509: 1502: 1491: 1487: 1483: 1479: 1475: 1471: 1467: 1466:Hammond organ 1463: 1459: 1451: 1447: 1437: 1428: 1424: 1420: 1415: 1406: 1404: 1400: 1396: 1392: 1388: 1384: 1380: 1375: 1373: 1372:rock and roll 1369: 1365: 1361: 1357: 1353: 1349: 1345: 1340: 1338: 1334: 1330: 1326: 1322: 1318: 1314: 1310: 1306: 1302: 1298: 1297: 1289: 1284: 1281: 1280: 1275: 1271: 1267: 1263: 1262: 1257: 1253: 1252: 1245: 1243: 1237: 1235: 1231: 1227: 1223: 1219: 1216: 1212: 1203: 1189: 1187: 1181: 1179: 1175: 1174:Dennis Wilson 1171: 1164: 1162: 1150: 1134: 1117: 1115: 1109: 1107: 1103: 1099: 1095: 1091: 1090:David Anderle 1086: 1084: 1079: 1075: 1071: 1067: 1063: 1058: 1056: 1051: 1047: 1041: 1038: 1034: 1030: 1023: 1013: 1011: 1006: 1003: 998: 995: 990: 986: 981: 979: 976: 972: 971: 966: 965: 960: 959:tape splicing 952: 948: 934: 932: 928: 924: 920: 915: 913: 912:Steven Gaines 909: 905: 901: 896: 894: 890: 886: 882: 878: 874: 870: 864: 862: 858: 854: 850: 846: 845:San Francisco 842: 838: 834: 829: 827: 823: 819: 815: 807: 802: 793: 791: 790: 784: 780: 776: 772: 768: 764: 759: 757: 756: 752: 748: 747: 742: 738: 733: 730: 726: 719: 717: 705: 701: 697: 681: 659: 654: 649: 646: 642: 636: 627: 623: 619: 615: 614: 609: 605: 601: 597: 592: 586: 584: 567: 565: 561: 557: 556:Todd Rundgren 553: 552:cover version 549: 545: 542:" (1967) and 541: 537: 533: 529: 525: 518: 517:Rolling Stone 511: 510: 505: 501: 496: 494: 490: 486: 482: 478: 474: 470: 466: 462: 458: 454: 450: 446: 442: 438: 437: 431: 429: 428: 423: 419: 415: 414: 409: 405: 401: 396: 394: 390: 389:record charts 386: 382: 378: 374: 370: 360: 354: 351: 349: 346: 345: 329: 324: 321: 317: 311: 306: 302: 292: 288: 283: 279: 274: 270: 269: 265: 261: 257: 253: 250: 245: 240: 237: 235: 232: 231: 230: 227: 226:Songwriter(s) 222: 219: 216: 214: 210: 198: 194: 188: 185: 183: 180: 177: 173: 171: 168: 166: 163: 160: 156: 154: 151: 149: 146: 145: 143: 141: 137: 133: 129: 125: 122: 120: 116: 92: 88: 77: 73: 69: 65: 62: 57: 54: 50: 46: 39: 34: 29: 26: 22: 13549:2011 singles 13544:2004 singles 13534:1967 singles 13524:1966 singles 13500: 13488: 13458: 13427: 13415:Other topics 13363:Electrogrind 13301:Nintendocore 13289:New romantic 13284:Minimal wave 13257:Indietronica 13235:Electroclash 13162: 13153:The New Cars 13114: 13107: 13100: 13093: 13086: 13079: 13072: 13065: 13058: 13051: 13044: 13037: 13030: 13023: 13018:Bad for Good 13016: 13009: 13002: 12995: 12988: 12981: 12974: 12967: 12960: 12953: 12946: 12939: 12932: 12925: 12920:Stage Fright 12918: 12911: 12886:Shake a Fist 12825: 12778: 12756: 12749: 12742: 12735: 12728: 12721: 12714: 12707: 12700: 12693: 12672: 12667:White Knight 12665: 12658: 12651: 12644: 12637: 12630: 12623: 12616: 12609: 12602: 12595: 12588: 12583:Nearly Human 12581: 12574: 12567: 12560: 12553: 12546: 12539: 12532: 12525: 12518: 12511: 12504: 12439:Wendy Wilson 12401: 12382:Eugene Landy 12333:Other topics 12321: 12314: 12302: 12295: 12286: 12279: 12263: 12256: 12237: 12230: 12223: 12216: 12209: 12199:Catch a Wave 12198: 12190: 12183: 12160:Smiling Pets 12158: 12151: 12137: 12130: 12123: 12118:Brian Wilson 12094: 12086: 12080: 12061: 12054: 12013:Any Emotions 11925:The Big Beat 11836:Album tracks 11744: 11689:Caroline, No 11669: 11664:Sessions '64 11662: 11655: 11648: 11641: 11635:Compilations 11623: 11616: 11598: 11591: 11573: 11566: 11559: 11552: 11545: 11538: 11531: 11524: 11517: 11510: 11503: 11498:Brian Wilson 11496: 11465:Brian Wilson 11415: 11353: 11216:Tutti Frutti 11186: 11169:Lady Liberty 11154: 10960:Solar System 10847:Funky Pretty 10737:" (live) / " 10684:Cottonfields 10508: 10487:Sloop John B 10366:I Get Around 10165:Other topics 10155:Smiling Pets 10153: 10146: 10131: 10125: 10118: 10111: 10097: 10085: 10055:Derek Taylor 10050:Jules Siegel 10035:Danny Hutton 9903:I Don't Know 9895:Other tracks 9880: 9788:Movement two 9778:Cabinessence 9713:Movement one 9700: 9688: 9681: 9676:Smiley Smile 9674: 9661: 9616: 9609: 9602: 9595: 9588: 9581: 9574: 9569:M.I.U. Album 9567: 9560: 9553: 9546: 9539: 9532: 9525: 9518: 9511: 9504: 9499:Smiley Smile 9497: 9490: 9483: 9476: 9469: 9462: 9455: 9448: 9441: 9434: 9427: 9420: 9406:Smiling Pets 9404: 9395: 9388: 9381: 9350: 9262: 9194:Smiley Smile 9192: 9085: 9060: 9043:. Lulu.com. 9039: 9018: 8997: 8973: 8953: 8933: 8912: 8891: 8867: 8843: 8819: 8795: 8779:. ABC-CLIO. 8775: 8756: 8753:Martin, Bill 8733: 8712: 8692:. Retrieved 8677: 8657: 8638: 8619: 8589: 8568: 8544: 8520: 8496: 8472: 8451: 8427: 8403: 8382: 8358: 8337: 8315: 8293: 8284:Bibliography 8262: 8237:. Retrieved 8224: 8212:. Retrieved 8199: 8188: 8179: 8170: 8150: 8138:. Retrieved 8128: 8116:. Retrieved 8112:"Beach Boys" 8091:. Retrieved 8077: 8052:. Retrieved 8038: 8028: 8011: 7994: 7985:(in Dutch). 7977: 7970:Dutch Top 40 7968:(in Dutch). 7960: 7941: 7935: 7922:. Retrieved 7918:the original 7908: 7889: 7883: 7871:. Retrieved 7867:the original 7853: 7844:(in Dutch). 7836: 7819: 7807:. 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Retrieved 4986: 4941: 4931: 4922: 4898: 4874:Hoskyns 2009 4832: 4817: 4776: 4766: 4745: 4737: 4703: 4694: 4675: 4665: 4657: 4642:Derek Taylor 4633:My Obsession 4623: 4594: 4584: 4575: 4567: 4563: 4559: 4554: 4530: 4520: 4500: 4491: 4369: 4306: 4291: 4253: 4233: 4232: 4203:1976 reissue 4202: 4201: 4196: 4172: 4100: 4065:Dutch Top 40 4030: 4016: 3977: 3958: 3957: 3912: 3884: 3859: 3840: 3800: 3750: 3731: 3703: 3687:in "Part C") 3684: 3650: 3631: 3584: 3531: 3470: 3448: 3385: 3359: 3358: 3277:Tommy Morgan 3271:Jay Migliori 3265:Mike Melvoin 3261:– tack piano 3249:Plas Johnson 3191:upright bass 3173: 3172: 3143:Brian Wilson 3118: 3117: 3107: 3103: 3101: 2950:Brian Wilson 2918: 2906: 2904: 2889: 2881: 2880: 2871: 2854:Brian Wilson 2771: 2765:Smiley Smile 2764: 2761:Smiley Smile 2760: 2758: 2748: 2738: 2733:Brian Wilson 2712:Brian Wilson 2649: 2615: 2612:Jordan Peele 2602: 2596: 2587: 2584:Kurt Russell 2565:Cyndi Lauper 2551: 2532: 2526: 2514: 2510: 2484: 2473: 2471: 2461: 2456: 2450: 2424: 2402: 2396: 2390:to design a 2386:, who asked 2376: 2368: 2300: 2256: 2246: 2236: 2230: 2226:sunshine pop 2213: 2212:Writing for 2211: 2177: 2175: 2163: 2155: 2144: 2138: 2135: 2126:Phil Spector 2119: 2109:Advancements 2100: 2094: 2091:Phil Spector 2079: 2062: 2058: 2052: 2043: 2038: 2032: 2026: 2019: 2015:The Guardian 2013: 1995: 1992: 1983:Brian Wilson 1964: 1958: 1946: 1942:Melody Maker 1940: 1934: 1928: 1926: 1912:Record World 1910: 1904: 1897:I Get Around 1890: 1885: 1883: 1876: 1873: 1869: 1862: 1850: 1840: 1829:music videos 1826: 1822:Derek Taylor 1814: 1810: 1808: 1749: 1740: 1732: 1729: 1722: 1716: 1691:sleigh bells 1650: 1603:counterpoint 1555: 1512:shuffle beat 1500: 1455: 1376: 1367: 1364:Jon Stebbins 1355: 1343: 1341: 1332: 1304: 1294: 1291: 1286: 1277: 1259: 1249: 1247: 1239: 1208: 1182: 1167: 1158: 1110: 1105: 1102:Danny Hutton 1087: 1077: 1069: 1059: 1049: 1043: 1036: 1025: 1021: 1007: 1001: 999: 982: 970:Smiley Smile 968: 962: 956: 918: 916: 898: 879:. The word " 866: 861:Bruce Golden 856: 837:flower power 830: 811: 806:Flower Power 787: 775:the Crystals 760: 753: 744: 734: 722: 713: 656: 651: 640: 637: 611: 600:Brian Wilson 594: 588: 582: 580: 559: 516: 507: 497: 493:synthesizers 457:Derek Taylor 434: 432: 427:Smiley Smile 425: 421: 411: 408:Flower Power 397: 381:Brian Wilson 368: 366: 326:Audio sample 281: 254:Brian Wilson 234:Brian Wilson 187:sunshine pop 25: 13466:Isao Tomita 13454:Programming 13353:Synth-metal 13316:Gothic rock 13245:Electropunk 13133:Discography 13025:Forever Now 12927:Straight Up 12905:productions 12857:Other songs 12674:Space Force 12449:Wondermints 12424:Carl Wilson 12316:The Wilsons 12185:Adult/Child 11960:He's a Doll 11858:Smart Girls 11724:Do It Again 11610:Soundtracks 11585:Live albums 11575:At My Piano 11519:Imagination 11476:Discography 11115:Getcha Back 11007:Good Timin' 10600:Do It Again 10593:Little Bird 10557:Wind Chimes 10465:Barbara Ann 10311:Surfer Girl 10282:County Fair 10025:Lorren Daro 9991:Little Bird 9860:Wind Chimes 9846:Vega-Tables 9555:15 Big Ones 9436:Surfer Girl 9363:discography 9277:Wind Chimes 8159:(in German) 7846:Ultratop 50 7779:(booklet). 7383:Carlin 2006 7283:Priore 2005 7256:Martin 1998 7223:BBC America 7074:Priore 2005 7020:Badman 2004 7001:(Booklet). 6991:Leaf, David 6535:Badman 2004 6477:Badman 2004 6440:Badman 2004 6316:Valdez 2014 6216:Preiss 1979 6101:Hickey 2011 6034:Badman 2004 6017:Priore 2005 5993:Gaines 1986 5978:Badman 2004 5961:Badman 2004 5909:Carlin 2006 5869:Priore 2005 5857:Priore 1995 5829:Gaines 1986 5798:Carlin 2006 5786:Badman 2004 5631:Gaines 1986 5539:, p. . 5537:Golden 1976 5489:Carlin 2006 5455:Carlin 2006 5443:Priore 2005 5431:Carlin 2006 5370:Priore 2005 5287:, p. . 5285:Priore 2005 5273:Priore 2005 5258:Priore 2005 5246:Badman 2004 5184:Badman 2004 5172:Badman 2004 4979:Priore 2005 4960:Hickey 2011 4855:Romano 2010 4795:Greene 2010 4730:Badman 2004 4662:Barry Miles 4604:Wind Chimes 4126:Singaporean 4019:Top Singles 4004:Ultratop 50 3803:(as above) 3679:vibraphones 3366:Chuck Britz 3336:Paul Tanner 3305:Fender bass 3301:Ray Pohlman 3291:Bill Pitman 3287:, harmonica 3203:with sticks 3153:Carl Wilson 3114:Single edit 2728:Producer(s) 2604:Rock Band 3 2589:Vanilla Sky 2560:wonderful." 2501:' daughter 2384:Walter Sear 2360:Paul Tanner 2328:Bill Martin 2243:Isaac Hayes 2241:(1971) and 2233:Marvin Gaye 2190:the Beatles 2172:predicted: 2130:Roy Orbison 2122:the Beatles 1927:In the US, 1842:The Monkees 1653:tape splice 1631:back into E 1579:string bass 1486:bongo drums 1474:Fender bass 1460:before the 1458:eighth note 1450:Carl Wilson 1393:, texture, 1325:psychedelic 1313:psychedelic 1066:Paul Tanner 1033:Paul Tanner 1016:Development 925:. Bandmate 877:inner peace 873:inner space 849:Los Angeles 833:psychedelic 804:A group of 622:Chuck Britz 608:arrangement 536:the Beatles 473:psychedelic 308:Music video 249:Producer(s) 134:, Hollywood 13539:1967 songs 13529:1966 songs 13518:Categories 13502:Rock music 13396:Dance-rock 13331:Dance-punk 13143:Daryl Hall 13138:Bebe Buell 13053:Skylarking 12962:War Babies 12955:Shinin' On 12934:Halfnelson 12772:Live album 12702:Disco Jets 12576:A Cappella 12541:Initiation 12377:The Honeys 12258:Pet Sounds 12245:soundtrack 12034:Resentment 11917:Co-written 11844:Rio Grande 11827:Beach Boys 11825:Other non- 11752:Our Prayer 11325:Here Today 11017:Lady Lynda 10767:'Til I Die 10644:Break Away 10571:Here Today 10553:Wild Honey 10326:In My Room 10141:Rio Grande 10127:Pet Sounds 9721:Our Prayer 9506:Wild Honey 9492:Pet Sounds 9298:Whistle In 9245:Little Pad 9224:Vegetables 8902:1860746276 8704:Kent, Nick 8507:0306806479 8386:. Rodale. 8239:January 3, 7708:2012-11-10 7661:October 8, 7639:October 8, 7582:2022-08-02 7577:Looper.com 7557:2022-08-02 7494:City Paper 7448:2016-09-29 7424:2016-09-29 7327:2011-12-17 7149:Brend 2005 7135:Popmatters 7098:Ashby 2004 6945:Guinn 2014 6834:2022-02-19 6712:2022-01-12 6587:2023-07-11 6152:Brend 2005 6086:20 January 5888:2009-11-22 5358:Brend 2005 5308:Brend 2005 5103:2016-02-26 5025:Brend 2005 4943:The Rumpus 4714:References 4616:Our Prayer 4568:Pet Sounds 4564:Pet Sounds 4560:Pet Sounds 4501:Pet Sounds 4497:Here Today 4446:Nominated 4436:Nominated 4426:Nominated 4416:Nominated 4364:1,000,000 4006:Flanders) 3976:Australia 3847:– Columbia 3569:Danelectro 3492:Carol Kaye 3439:Tony Asher 3419:in chorus) 3368:– engineer 3295:Danelectro 3259:Al De Lory 3228:Jim Gordon 3213:Jerry Cole 3197:Frank Capp 3187:Jimmy Bond 3181:Hal Blaine 3147:tack piano 3125:Al Jardine 3002:Tony Asher 2862:chronology 2805:2006-06-27 2743:vinyl for 2665:2011-10-31 2576:Tom Cruise 2466:surf music 2462:Pet Sounds 2439:Psychic TV 2431:the Troggs 2419:See also: 2318:executive 2269:Elton John 2253:soul music 2221:Microtonal 2215:Popmatters 2063:Pet Sounds 2059:Pet Sounds 2039:Pet Sounds 1987:Al Jardine 1811:Pet Sounds 1679:tack piano 1621:and then B 1607:transposes 1581:playing a 1427:E phrygian 1368:Pet Sounds 1362:." 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Author 1959:Billboard 1891:Billboard 1886:Billboard 1877:Billboard 1816:Billboard 1803:Billboard 1599:polyphony 1587:tom drums 1558:tonicized 1383:cadential 1329:acid rock 1309:avant-pop 1149:fuzz bass 1031:inventor 908:marijuana 814:Mike Love 643:lyricist 560:Billboard 445:Hollywood 393:pop music 385:Mike Love 239:Mike Love 176:avant-pop 165:acid rock 132:Gold Star 13439:Joe Meek 13386:Big beat 13381:Art rock 13338:New rave 13311:Coldwave 13279:New wave 12751:Oblivion 12590:2nd Wind 12548:Faithful 12288:Sessions 12265:Sessions 12146:Pancreas 12105:Tributes 11756:Freeform 11422:Category 11196:" (live) 11157:" (live) 11057:Goin' On 11028:Sumahama 10818:Marcella 10251:/ "Luau" 10133:Sessions 9853:Holidays 9839:Workshop 9756:Barnyard 9397:Sessions 9312:Outtakes 9255:Side two 9209:Side one 9142:Archived 8995:(2011). 8889:(2005). 8841:(1979). 8755:(1998), 8710:(2009). 8694:2 August 8660:. 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