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The painting was number 17 of 33 of Sher-Gil's works displayed at her solo exhibition at
Faletti's Hotel in Lahore, British India, held from 21 to 27 November 1937. There, it was priced at ₹1,000 but did not sell. Writing from Budapest on 8 October 1938, Sher-Gil told her parents that she had left
99:, completed in 1933. It depicts a view from above of Sher-Gil's younger sister Indira, naked and lying on a white sheet at a diagonal, and with one raised arm. Just beneath her is a shawl depicting a dragon, whose body appears to flow in parallel with the flow of her hair and body curves.
156:
is an oil on canvas painting by Amrita Sher-Gil, depicting her younger sister Indira. She started the painting in 1932 in Paris. In June 1932, she wrote to her mother that she was a workaholic painting a view from the top of Notre-Dame de Paris during the day and
169:
The painting is a view of Indira from above. She is lying naked and at a diagonal, on a white sheet, with her left arm raised. Just beneath her is a shawl depicting a dragon that appears to copy the flow of her hair and body curves.
165:
These days I am painting a view from the top of the Notre Dame... From 6 O'clock in the evening until there is light I am painting a nude of Indu. You see, I work like a madman, no time even to think.
192:
and extended her visit. In
January 1937, she wrote to Indira that "I may have sold your nude and the group of young girls to the Nawab Salar Jung, after the Nizam the richest man in
130:, in 1937. In 1940, the painting was one of six of her works displayed at the Indian Academy of Fine Arts' Amritsar Exhibition. In 2007, it was shown at the Tate Gallery in London.
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196:, if I were a sycophant". However, after keeping them for several days, the Nawab returned the paintings, commenting that he had "no use for these
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212:"to see if he could palm it off on someone but he wasn't successful". In 1940, the painting was one of six of her works displayed at the
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305:, but Sher-Gil's letter to Indira dated 5 January 1937 clarifies that it was the nude of Indu.
216:' Amritsar Exhibition, held from 31 October to 10 November, to raise money for the War Fund.
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257:, who curated several Sher-Gil exhibitions, notes that unlike most of her other nudes,
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520:"8. Amrita Sher-Gil: the Indian painter and her French and Hungarian connections"
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112.5 cm × 79 cm (44.3 in × 31 in)
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In
December 1936, the painting was displayed at the exhibition hall in the
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188:(1935). Hoping that he would purchase it, Sher-Gil also sent him the
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Amrita Sher-Gil: An Indian Artist Family of the
Twentieth Century
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267:(1933) appear as if possibly painted by a man. She describes
137:'s efforts, the painting was never sold and is housed in the
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594:. Vol. 2. New Delhi: Tulika Books. pp. 418–821.
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Housed at the
National Gallery of Modern Art, New Delhi,
592:
Amrita Sher-Gil: A Self-Portrait in
Letters and Writings
575:. Vol. 1. New Delhi: Tulika Books. pp. 1–417.
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Amrita Sher-Gil: A Self-Portrait in
Letters and Writings
208:" with the Indian National Congressman and her friend
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371:. Art India Publishing Company. 2007. p. 128.
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394:. New York: Bloomsbury Publishing. p. 241.
524:Amrita Sher-Gil: Art & Life : a reader
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223:was part of the 2007 exhibition held at the
133:Despite Sher-Gil's and National Congressman
526:. Oxford University Press. pp. 80–81.
486:"Laid bare - the free spirit of Indian art"
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106:while also painting a view from the top of
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368:Art India: The Art News Magazine of India
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102:Sher-Gil started the painting in 1932 in
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772:South Indian Villagers going to Market
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830:Amrita Sher-Gil's paintings at Lahore
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484:Sooke, Alastair (24 February 2007).
281:List of paintings by Amrita Sher-Gil
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299:Dalmia names the nude sent as the
114:and was subsequently displayed at
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16:1933 painting by Amrita Sher-Gil
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522:. In Dalmia, Yashodhara (ed.).
110:. Later, it was nearly sold to
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345:. Schirmer/Mosel. p. 18.
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139:National Gallery of Modern Art
66:National Gallery of Modern Art
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668:Amrita Sher-Gil Self Portrait
660:Amrita Sher-Gil Self-Portrait
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239:, the painting calls to mind
884:Paintings by Amrita Sher-Gil
271:as a "perfect composition".
7:
724:Self-Portrait as a Tahitian
556:. Gurugram: Penguin Books.
550:Dalmia, Yashodhara (2013).
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214:Indian Academy of Fine Arts
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386:Singh, Nikky-Guninder Kaur
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249:. Former director of the
237:Nikky-Guninder Kaur Singh
204:the painting she called "
180:Public Gardens, Hyderabad
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35:
26:
21:
590:Sundaram, Vivan (2010).
571:Sundaram, Vivan (2010).
518:Keserü, Katalin (2014).
391:Sikhism: An Introduction
286:
879:Oil on canvas paintings
716:The Little Girl in Blue
553:Amrita Sher-Gil: A Life
339:Ananth, Deepak (2007).
161:all night. She wrote:
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149:Origin and composition
684:Young Man with Apples
474:Sundaram, pp. 684-685
465:Sundaram, pp. 522-523
456:Sundaram, pp. 422-424
432:Sundaram, pp. 271-285
414:Sundaram, pp. 266-270
235:According to scholar
174:Exhibitions and sales
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847:Umrao Singh Sher-Gil
496:on 17 December 2023
329:Sundaram, pp. 79-81
116:her solo exhibition
108:Notre-Dame de Paris
692:Professional Model
856:
855:
796:The Village Scene
654:List of paintings
601:978-81-89487-59-1
582:978-81-89487-59-1
563:978-0-14-342026-2
533:978-0-19-809886-7
401:978-1-84885-320-1
352:978-3-8295-0270-2
210:Diwan Chaman Lall
135:Diwan Chaman Lall
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780:The Story Teller
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498:. Retrieved
494:the original
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95:painting by
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823:Exhibitions
812:On the Roof
740:Three Girls
676:Young Girls
500:17 December
206:Indu's Nude
200:pictures".
185:Three Girls
82:Indu's Nude
68:, New Delhi
863:Categories
748:Child Wife
732:Hill Women
313:References
54:Dimensions
647:Paintings
194:Hyderabad
190:Villagers
143:New Delhi
874:Nude art
849:(father)
388:(2011).
275:See also
231:Response
91:, is an
62:Location
840:Related
246:Olympia
832:(1937)
815:(1941)
807:(1940)
799:(1938)
791:(1937)
783:(1937)
775:(1937)
767:(1937)
759:(1937)
751:(1936)
743:(1935)
735:(1935)
727:(1934)
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711:(1933)
703:(1933)
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687:(1932)
679:(1932)
671:(1931)
663:(1930)
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579:
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398:
349:
198:Cubist
124:Lahore
36:Artist
708:Sleep
287:Notes
269:Sleep
259:Sleep
221:Sleep
159:Sleep
154:Sleep
104:Paris
76:Sleep
22:Sleep
596:ISBN
577:ISBN
558:ISBN
528:ISBN
502:2023
396:ISBN
347:ISBN
261:and
49:1933
46:Year
243:'s
122:in
118:at
85:or
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320:^
253:,
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632:e
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618:v
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404:.
355:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.