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The painting shows three colourfully dressed women contemplating a destiny they are unable to change. Amrita Sher-Gil did not sensualise her women but instead portrayed them as facing great adversity yet having the spirit to transcend a destiny that they were unable to change.
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I realized my real artistic mission, to interpret the life of
Indians and particularly the poor Indians pictorially; to paint those silent images of infinite submission and patience,... to reproduce on canvas the impression those sad eyes created on
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on Sher-Gil's work. It also marks Sher-Gil's move from an earlier academic and realist style of painting that she had learned in Paris towards a flatter style with modern compositions, where line and colour are prominently used. In
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103:. It was painted in 1935 shortly after Sher-Gil returned to India from Europe in 1934. The painting won the Gold Medal at the annual exhibition of the
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in 1937. The painting was part of a batch sent to Nawab Salar Jang of
Hyderabad who later rejected them all.
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The painting portrays the three daughters of
Mahinder (Mahindro) Kaur (1897-1939), daughter of
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92.5 cm × 66.6 cm (36.4 in × 26.2 in)
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in 1937. It was the eleventh of 33 of Sher-Gil's works displayed at her solo
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Left to right: Nirveer Kaur (Nairy), Beant Kaur and
Harbhajan Kaur (Sando)
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The painting reflects the influence of the works of French painter
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213:, held from 21 to 27 November 1937. There, it was priced at ₹700.
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In
December 1936 the painting was displayed at the exhibition at
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The painting won the Gold Medal at the annual exhibition of the
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182:. Hoping that he would purchase it, Sher-Gil also sent him
427:. Vol. 2. New Delhi: Tulika Books. pp. 418–821.
425:
Amrita Sher-Gil: A Self-Portrait in
Letters and Writings
408:. Vol. 1. New Delhi: Tulika Books. pp. 1–417.
406:
Amrita Sher-Gil: A Self-Portrait in
Letters and Writings
176:, requested that it be delivered to him, along with the
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161:Amrita Sher-Gil at her 1937 Lahore Exhibition with
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99:, is a painting by Hungarian-Indian artist
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309:"Amrita Sher-Gil: Room 2, Return to India"
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605:South Indian Villagers going to Market
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663:Amrita Sher-Gil's paintings at Lahore
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223:List of paintings by Amrita Sher-Gil
172:. There, the wealthy art collector,
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250:. Psychology Press. p. 102.
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16:1935 painting by Amrita Sher-Gil
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77:National Gallery of Modern Art
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501:Amrita Sher-Gil Self Portrait
493:Amrita Sher-Gil Self-Portrait
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702:Paintings by Amrita Sher-Gil
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557:Self-Portrait as a Tahitian
389:. Gurugram: Penguin Books.
383:Dalmia, Yashodhara (2013).
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170:Public Gardens, Hyderabad
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423:Sundaram, Vivan (2010).
404:Sundaram, Vivan (2010).
717:Oil on canvas paintings
549:The Little Girl in Blue
386:Amrita Sher-Gil: A Life
244:Elkins, James (2002).
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517:Young Man with Apples
370:Sundaram, pp. 422-424
340:Sundaram, pp. 271-285
328:Sundaram, pp. 267-270
286:Sundaram, pp. 184-187
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117:Sundar Singh Majithia
680:Umrao Singh Sher-Gil
199:her solo exhibition
96:Group of Young Girls
722:Paintings of women
712:Paintings in India
525:Professional Model
195:Bombay Art Society
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105:Bombay Art Society
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629:The Village Scene
487:List of paintings
434:978-81-89487-59-1
415:978-81-89487-59-1
396:978-0-14-342026-2
358:Dalmia, pp. 77-78
349:Dalmia, pp. 80-81
257:978-0-415-93943-0
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613:The Story Teller
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312:. Retrieved
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261:. Retrieved
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179:Nude of Indu
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142:Paul Gauguin
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656:Exhibitions
645:On the Roof
573:Three Girls
509:Young Girls
190:pictures".
163:Three Girls
147:Three Girls
111:Composition
90:Three Girls
22:Three Girls
696:Categories
581:Child Wife
565:Hill Women
229:References
65:Dimensions
480:Paintings
184:Villagers
81:New Delhi
682:(father)
314:10 March
263:10 March
217:See also
153:Response
73:Location
673:Related
665:(1937)
648:(1941)
640:(1940)
632:(1938)
624:(1937)
616:(1937)
608:(1937)
600:(1937)
592:(1937)
584:(1936)
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544:(1933)
536:(1933)
528:(1933)
520:(1932)
512:(1932)
504:(1931)
496:(1930)
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207:Lahore
188:Cubist
57:Medium
39:Artist
541:Sleep
429:ISBN
410:ISBN
391:ISBN
316:2013
265:2013
252:ISBN
52:1935
49:Year
205:in
201:at
136:me.
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