Knowledge

Three Girls (painting)

Source 📝

158: 29: 127:
The painting shows three colourfully dressed women contemplating a destiny they are unable to change. Amrita Sher-Gil did not sensualise her women but instead portrayed them as facing great adversity yet having the spirit to transcend a destiny that they were unable to change.
135:
I realized my real artistic mission, to interpret the life of Indians and particularly the poor Indians pictorially; to paint those silent images of infinite submission and patience,... to reproduce on canvas the impression those sad eyes created on
144:
on Sher-Gil's work. It also marks Sher-Gil's move from an earlier academic and realist style of painting that she had learned in Paris towards a flatter style with modern compositions, where line and colour are prominently used. In
149:, the girls' surrounding is not shown. Their situation is made evident through their facial expressions, their body language, and the skillful use of tones. 103:. It was painted in 1935 shortly after Sher-Gil returned to India from Europe in 1934. The painting won the Gold Medal at the annual exhibition of the 119:, and Mangal Singh Mann of Koschera (1891-1966); Nirveer Kaur (Nairy) (1914-1975), Beant Kaur (1915-1990), and Harbhajan Kaur (Sando) (1919-1957). 662: 198: 308: 210: 463: 604: 701: 432: 413: 394: 255: 500: 492: 486: 222: 173: 716: 76: 456: 107:
in 1937. The painting was part of a batch sent to Nawab Salar Jang of Hyderabad who later rejected them all.
644: 721: 711: 612: 556: 169: 449: 706: 588: 548: 508: 115:
The painting portrays the three daughters of Mahinder (Mahindro) Kaur (1897-1939), daughter of
245: 532: 516: 116: 157: 679: 8: 524: 202: 194: 186:, and extended her visit, but he returned it, commenting that he had "no use for these 104: 28: 628: 596: 428: 409: 390: 251: 636: 540: 178: 620: 472: 384: 100: 42: 68:
92.5 cm × 66.6 cm (36.4 in × 26.2 in)
695: 197:
in 1937. It was the eleventh of 33 of Sher-Gil's works displayed at her solo
141: 33:
Left to right: Nirveer Kaur (Nairy), Beant Kaur and Harbhajan Kaur (Sando)
580: 564: 80: 140:
The painting reflects the influence of the works of French painter
441: 213:, held from 21 to 27 November 1937. There, it was priced at ₹700. 168:
In December 1936 the painting was displayed at the exhibition at
193:
The painting won the Gold Medal at the annual exhibition of the
206: 187: 182:. Hoping that he would purchase it, Sher-Gil also sent him 427:. Vol. 2. New Delhi: Tulika Books. pp. 418–821. 425:
Amrita Sher-Gil: A Self-Portrait in Letters and Writings
408:. Vol. 1. New Delhi: Tulika Books. pp. 1–417. 406:
Amrita Sher-Gil: A Self-Portrait in Letters and Writings
176:, requested that it be delivered to him, along with the 366: 364: 161:Amrita Sher-Gil at her 1937 Lahore Exhibition with 336: 334: 294: 292: 693: 361: 331: 322: 280: 289: 457: 352: 343: 271: 239: 237: 99:, is a painting by Hungarian-Indian artist 464: 450: 309:"Amrita Sher-Gil: Room 2, Return to India" 27: 234: 422: 403: 156: 694: 605:South Indian Villagers going to Market 382: 243: 663:Amrita Sher-Gil's paintings at Lahore 445: 223:List of paintings by Amrita Sher-Gil 172:. There, the wealthy art collector, 471: 13: 14: 733: 250:. Psychology Press. p. 102. 122: 16:1935 painting by Amrita Sher-Gil 376: 301: 110: 77:National Gallery of Modern Art 1: 501:Amrita Sher-Gil Self Portrait 493:Amrita Sher-Gil Self-Portrait 228: 702:Paintings by Amrita Sher-Gil 7: 557:Self-Portrait as a Tahitian 389:. Gurugram: Penguin Books. 383:Dalmia, Yashodhara (2013). 216: 152: 10: 738: 672: 655: 479: 170:Public Gardens, Hyderabad 72: 64: 56: 48: 38: 26: 21: 423:Sundaram, Vivan (2010). 404:Sundaram, Vivan (2010). 717:Oil on canvas paintings 549:The Little Girl in Blue 386:Amrita Sher-Gil: A Life 244:Elkins, James (2002). 165: 138: 517:Young Man with Apples 370:Sundaram, pp. 422-424 340:Sundaram, pp. 271-285 328:Sundaram, pp. 267-270 286:Sundaram, pp. 184-187 160: 133: 117:Sundar Singh Majithia 680:Umrao Singh Sher-Gil 199:her solo exhibition 96:Group of Young Girls 722:Paintings of women 712:Paintings in India 525:Professional Model 195:Bombay Art Society 166: 105:Bombay Art Society 689: 688: 629:The Village Scene 487:List of paintings 434:978-81-89487-59-1 415:978-81-89487-59-1 396:978-0-14-342026-2 358:Dalmia, pp. 77-78 349:Dalmia, pp. 80-81 257:978-0-415-93943-0 86: 85: 729: 637:Woman on Charpoy 613:The Story Teller 466: 459: 452: 443: 442: 438: 419: 400: 371: 368: 359: 356: 350: 347: 341: 338: 329: 326: 320: 319: 317: 315: 305: 299: 296: 287: 284: 278: 275: 269: 268: 266: 264: 241: 174:Nawab Salar Jung 131:Sher-Gil wrote: 93:, also known as 31: 19: 18: 737: 736: 732: 731: 730: 728: 727: 726: 692: 691: 690: 685: 668: 651: 621:The Vina Player 475: 473:Amrita Sher-Gil 470: 435: 416: 397: 379: 374: 369: 362: 357: 353: 348: 344: 339: 332: 327: 323: 313: 311: 307: 306: 302: 297: 290: 285: 281: 276: 272: 262: 260: 258: 242: 235: 231: 219: 203:Faletti's Hotel 155: 125: 113: 101:Amrita Sher-Gil 43:Amrita Sher-Gil 34: 17: 12: 11: 5: 735: 725: 724: 719: 714: 709: 707:1935 paintings 704: 687: 686: 684: 683: 676: 674: 670: 669: 667: 666: 659: 657: 653: 652: 650: 649: 641: 633: 625: 617: 609: 601: 597:Bride's Toilet 593: 585: 577: 569: 561: 553: 545: 537: 533:Reclining Nude 529: 521: 513: 505: 497: 489: 483: 481: 477: 476: 469: 468: 461: 454: 446: 440: 439: 433: 420: 414: 401: 395: 378: 375: 373: 372: 360: 351: 342: 330: 321: 300: 298:Dalmia, p. 180 288: 279: 270: 256: 247:Stories of Art 232: 230: 227: 226: 225: 218: 215: 154: 151: 124: 123:Interpretation 121: 112: 109: 84: 83: 74: 70: 69: 66: 62: 61: 58: 54: 53: 50: 46: 45: 40: 36: 35: 32: 24: 23: 15: 9: 6: 4: 3: 2: 734: 723: 720: 718: 715: 713: 710: 708: 705: 703: 700: 699: 697: 681: 678: 677: 675: 671: 664: 661: 660: 658: 654: 647: 646: 642: 639: 638: 634: 631: 630: 626: 623: 622: 618: 615: 614: 610: 607: 606: 602: 599: 598: 594: 591: 590: 586: 583: 582: 578: 575: 574: 570: 567: 566: 562: 559: 558: 554: 551: 550: 546: 543: 542: 538: 535: 534: 530: 527: 526: 522: 519: 518: 514: 511: 510: 506: 503: 502: 498: 495: 494: 490: 488: 485: 484: 482: 478: 474: 467: 462: 460: 455: 453: 448: 447: 444: 436: 430: 426: 421: 417: 411: 407: 402: 398: 392: 388: 387: 381: 380: 367: 365: 355: 346: 337: 335: 325: 310: 304: 295: 293: 283: 277:Dalmia, p. 60 274: 259: 253: 249: 248: 240: 238: 233: 224: 221: 220: 214: 212: 211:British India 208: 204: 200: 196: 191: 189: 185: 181: 180: 175: 171: 164: 159: 150: 148: 143: 137: 132: 129: 120: 118: 108: 106: 102: 98: 97: 92: 91: 82: 78: 75: 71: 67: 63: 60:Oil on canvas 59: 55: 51: 47: 44: 41: 37: 30: 25: 20: 643: 635: 627: 619: 611: 603: 595: 589:Brahmacharis 587: 579: 572: 571: 563: 555: 547: 539: 531: 523: 515: 507: 499: 491: 424: 405: 385: 377:Bibliography 354: 345: 324: 312:. Retrieved 303: 282: 273: 261:. Retrieved 246: 192: 183: 179:Nude of Indu 177: 167: 162: 146: 142:Paul Gauguin 139: 134: 130: 126: 114: 95: 94: 89: 88: 87: 656:Exhibitions 645:On the Roof 573:Three Girls 509:Young Girls 190:pictures". 163:Three Girls 147:Three Girls 111:Composition 90:Three Girls 22:Three Girls 696:Categories 581:Child Wife 565:Hill Women 229:References 65:Dimensions 480:Paintings 184:Villagers 81:New Delhi 682:(father) 314:10 March 263:10 March 217:See also 153:Response 73:Location 673:Related 665:(1937) 648:(1941) 640:(1940) 632:(1938) 624:(1937) 616:(1937) 608:(1937) 600:(1937) 592:(1937) 584:(1936) 576:(1935) 568:(1935) 560:(1934) 552:(1934) 544:(1933) 536:(1933) 528:(1933) 520:(1932) 512:(1932) 504:(1931) 496:(1930) 431:  412:  393:  254:  207:Lahore 188:Cubist 57:Medium 39:Artist 541:Sleep 429:ISBN 410:ISBN 391:ISBN 316:2013 265:2013 252:ISBN 52:1935 49:Year 205:in 201:at 136:me. 698:: 363:^ 333:^ 291:^ 236:^ 209:, 79:, 465:e 458:t 451:v 437:. 418:. 399:. 318:. 267:.

Index


Amrita Sher-Gil
National Gallery of Modern Art
New Delhi
Amrita Sher-Gil
Bombay Art Society
Sundar Singh Majithia
Paul Gauguin

Public Gardens, Hyderabad
Nawab Salar Jung
Nude of Indu
Cubist
Bombay Art Society
her solo exhibition
Faletti's Hotel
Lahore
British India
List of paintings by Amrita Sher-Gil


Stories of Art
ISBN
978-0-415-93943-0


"Amrita Sher-Gil: Room 2, Return to India"


Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.